STEVE INSKEEP, HOST: Formula One racing is having its moment on American movie screens. The documentary "Senna" was a hit a few years back, and now "Rush" is in theaters. Los Angeles Times and MORNING EDITION film critic Kenneth Turan has this review.</s>KENNETH TURAN, BYLINE: The elegant cars of Formula One racing are thoroughbreds. But "Rush," the new film set in that world, is more of a hybrid. It attempts to combine Hollywood style with an independent film sensibility with mixed results. The Hollywood style comes from director Ron Howard. He brings his usual glossy professionalism to this real-life rivalry between Austria's Niki Lauda, played by Daniel Bruhl, and Britain's James Hunt, played by Chris Hemsworth. These drivers hate each other from the first moment they meet.</s>KENNETH TURAN, BYLINE: The problem between these two isn't just that both men are obsessively driven to win the racing title. It's that they view life so completely differently that they can't help but get on each other's nerves. The charismatic James Hunt has as much raw talent as any driver of his generation, but he's hot-headed and averse to discipline. Lauda, by contrast, is a superb technician with zero gift for people and a tendency to insult folks without even trying. "Rush" centers on the most famous race between these two, the 1976 German Grand Prix, but also takes time to show us their personal lives, like the unorthodox way Lauda courted his wife, played by Alexandra Maria Lara.</s>KENNETH TURAN, BYLINE: In a satisfying scene, Ron Howard, bringing his mass-market abilities to this adult subject. But his polished approach is not ideally suited to the edginess that this story cries out for. While "Rush" gets points for style, it doesn't win our hearts.</s>STEVE INSKEEP, HOST: Kenneth Turan reviews movies for MORNING EDITION and the Los Angeles Times.
Formula 1 racing is having its moment in the sun on American movie screens. The new movie Rush attempts to combine Hollywood style with an independent film's sensibility. Rush is directed by Ron Howard.