query: who wrote i 've got to be me

pos: I've Gotta Be Me I've Gotta Be Me "I've Gotta Be Me" is a popular song that appeared in the Broadway musical "Golden Rainbow", which starred Steve Lawrence and Eydie Gormé. The musical opened in New York City at the Shubert Theatre on February 4, 1968, and closed less than a year later, on January 11, 1969. The music and lyrics for the musical were composed and written by Walter Marks in 1967; the production featured a book by Ernest Kinoy. This song was listed in the musical as "I've Got to Be Me", and it was sung by Lawrence's character Larry Davis at

neg: Mavis Staples up. These songwriters gave me a challenge. They gave me that feeling of, 'Hey, I can hang! I can still do this!' There's a variety, and it makes me feel refreshed and brand new. Just like Benjamin Booker wrote on the opening track, 'I got friends and I got love around me, I got people, the people who love me.' I'm living on a high note, I'm above the clouds. I'm just so grateful. I must be the happiest old girl in the world. Yes, indeed. In January 2017, Staples was featured as a guest vocalist on "I Give You

neg: Mimicry and Memories a song to cover on the "Mimicry" portion of the album. Dick Valentine selected "Ah! Leah!" by Donnie Iris, Smorgasbord selected "The Look" by Roxette, Da Ve selected "Buckingham Green" by Ween, Tait Nucleus? selected "I Got the Six" by ZZ Top, Percussion World selected "Do You Love Me? by Kiss and selected Girl Wants To Be With the Girls by Talking Heads. One specific pledge reward as part of the Kickstarter campaign was to choose a song to be covered on the album. The four songs chosen by fans through this method were "Turn Me Loose" by Loverboy, "Rockets"

neg: If You Had My Love her insecurities get the best of her" on the track. "Billboard" writer Leslie Richin wrote that it "served as a cautionary tale for admirers who might one day have a chance with the budding starlet. Bottom line: liars and cheaters need not apply." In the song's opening lines, Lopez states: "Now if I gave you me, this is how it's got to be / First of all I won't take you cheatin' on me / Tell me who can I trust if I can't trust in you / And I refuse to let you play me for a fool." In

neg: Joss Stone good', so I wrote it down and I said to my mum, 'Can I have that for Christmas?' So she told my friend Dennis, who always gets me good music anyway, and he got that for me. So that was one of my first albums that I loved." She would later tell MTV News: "I kind of clicked into soul music more than anything else because of the vocals. You've got to have good vocals to sing soul music and I always liked it ever since I was little." In 2001, at the age of thirteen, Stone auditioned for the

neg: Angry Again drugs again. The culmination of his stress problems inspired him to write the song, which was appropriately titled "Angry Again". According to Dave Mustaine himself, he wrote the song during a spur of the moment; "I wrote 'Angry Again' right after I got out of a treatment center in Arizona. They had done one of those happy little 1990s interventions where everybody who's not loaded gets to point the finger at everyone who is. And the day I got out of rehab, they threw me into a studio in Phoenix where I wrote 'Angry Again' for the movie "The Last

neg: Nobody Wants to Be Here and Nobody Wants to Leave song opened it all up for me. I remember thinking 'we've got that now, that's going on the record no matter what,' and it always felt like the perfect closing statement." Musically, the song is a stripped-down piano track, while lyrically, Graham said that "when 'Fall Asleep' happened I suddenly knew what I wanted to say. I got it out of me. I think it's the most fucking 'out there' I've ever been. I usually use a lot of metaphors, but on that I didn't really do it, I just said it how it is. [...] Once I wrote it

neg: 30-hole and Fred Perry the previous works now atmospheres tune into a less noble mood. To frame these intentions the artwork is inspired by Terry Richardson crude pictures and Barbara Kruger subversive slogans. The texts are influenced by Charles Bukowski and the following quote could be the album’ slogan: "Hospitals and jails and whores; these are the universities of life. I´ve got several degrees. Call me Mr." The title track "30-hole and Fred Perry" is the first single extracted that will lead the promotional propaganda. The track has been produced in collaboration with the famous American sound-tech Ted Jensen. The album entered the Top

neg: Blunt Force Trauma (album) sound like pop music." Regarding the songwriting and recording process for the new Cavalera Conspiracy album, Max said, "I wrote a lot of the stuff and I sent it to Brazil to (Igor) in the form of a CD — like four tracks of the riffs — so that he would be familiarized with the songs by the time I got to the studio. And then I brought another CD with me, which was, like, newer songs I had just got done (writing) for the album. And everything else we did in the studio together — me and him there

neg: Poor Unfortunate Souls DVD. The Special Edition Soundtrack includes a music video for the song, where the boys are singing around a public swimming pool. Although the song mostly stays true to the lyrics of the original, certain lines have been changed to prevent any reference to magic or gender. For instance, the line "They weren't kidding when they called me, well, a witch" was changed to "They weren't kidding when they called me kinda strange", as well as the line "I'm a very busy woman" changed to "I'm a very busy person." Where the original line was "Flotsam, Jetsam, now I´ve got

neg: Unique (band) in a project he named Unique. He was signed to dance record label Prelude and under this name released two singles: "What I Got Is What You Need" in 1983 and "You Make Me Feel So Good" in 1984. Other people involved in the group were Mona Maria Norris and Darryl K. Henry who co-wrote "What I Got Is What You Need." Smith wrote the second song alone and it was mixed by an aspiring dance-pop producer Shep Pettibone. Their song "What I Got Is What You Need" has been reissued on various compilation albums well into the 21st century

neg: Jack Jones (singer) In August 1961, he recorded the ballad "Lollipops and Roses" which became a hit in the following year. Jones's biggest pop hit was "Wives and Lovers" by Burt Bacharach and Hal David. In the Kapp years, Jones recorded almost twenty albums, including "Shall We Dance", "This Was My Love", "She Loves Me", "Call Me Irresponsible", "I´ve Got a Lot of Living To Do!", "Bewitched", "Wives and Lovers", "Dear Heart", "Where Love Has Gone", "The Jack Jones Christmas Album", "My Kind of Town", "The Impossible Dream", "The In Crowd", "Jack Jones Sings", "Lady", and "Our Song". Young, handsome, and well-groomed, Jack

neg: Live Through This wanted to be better than Kurt. I was really competing with Kurt. And that's why it always offends me when people would say, "Oh, he wrote "Live Through This"." I'd be proud as hell to say that he wrote something on it, but I wouldn't let him. It was too Yoko [Ono] for me. It's like, "No fucking way, man! I've got a good band, I don't fucking need your help." Although the band members denied Cobain's involvement in the songwriting, they have openly stated that Cobain was briefly in the studio and performed uncredited backup vocals with Kristen Pfaff

neg: Philip Steir "Lakini's Juice" (Remix) by Live • "That's When I Reach for My Revolver" (Psychotic Ve-Gun Mix) by Moby • "Dear God" by Shootyz Groove • "Have Fun, Go Mad" by Blair • "I Find (I’m Fine)" by Getaway Cruiser • "Let’s Get Down" by Getaway Cruiser • "Something Got Me" (Curse Of The Voodoo Swamp Mix) by Lori Carson • "Did It Again" (Did It Four Times Mix)/(North Pole Mix) by Kylie Minogue • "Too Far" (Inner Door Mix) by Kylie Minogue • "Lenses" by Red Five • "Sick and Beautiful" by Artificial Joy Club • "Numb II" (Dinkadelic Mix)

neg: Liverpool vs. Dinamo Bucharest (1983–84 European Cup semi-final) me instead. This particular guy was following me everywhere on the pitch, pulling my shirt and I just got frustrated. We were winning 1-0 at the time, attacking the Kop end, and he was tugging on my shirt as I was running into the area, so I did a foolish thing – I swung round and punched him. The referee didn't see it and I got away with it." The incident has drawn strong criticism from Graham Spiers, who in September 2002 described Movilă as "the most overlooked of all Souness's victims", and in November 2002 Spiers wrote, "Lica Movila

neg: Mr. Happy Go Lucky 'It would really mean a lot to me.' So I come out here. He's out here by himself and he's got all the machines going. I came out here and he said, 'Help me write this song.' So we wrote a song and it wasn't very good. I said, 'Is this all you've got done?' And he said, 'No, I've got something I want to play you.' He played me 'Emotional Love,' and I (couldn't believe it). . . . We took his track, took his voice off and put mine on, added some guitars and some background vocal parts.

neg: F-ve Dolls the song "Can You Love Me?", which features new T-ara N4 member Kim Dani, making it her debut. On 17 September 2013, a second version of "Can You Love Me?" music video and a music video for the song "Deceive" were released. On November 2014, it was reported that F-ve Dolls was disbanded after their labels were renamed, and subsequently F-ve dolls was deleted from the official label's website. On March 10, 2015, the label confirmed the official disbandment of the group. It was stated that those members who still had a contract with the agency will be part of

neg: Alma Har'el without causing pain to somebody else, for other people it might be about candy and fish. I’m down with that.” In an interview for "Vulture Magazine", Shia LaBeouf explained his involvement in the project and how he met Har’el: "I wrote a fan letter, I saw "Bombay Beach", the movie that Alma Har'el made. It touched me. I told her so. She told me she’d like to work with me. I said, 'What are you doing?' She said, 'I got this Sigur Rós thing.' I said, 'Cool. Can I get involved?' And at the time, it was a different idea.

neg: Master P we've got to stick to whether we're going to be real or we not. Like I said, I'm just addressing what I see. To be honest with you, that particular song wasn't about nobody in Hip Hop but I think people taking it like that. This was one of these guys that worked at the radio station and didn't believe in me and told me it was over for me. He ridin' up on a skateboard and got a little mini-skirt on. This a new dude into the business, and he telling me it's over for me." Master P, who

neg: No Deeper Blue in it.' 'Oh, Yeah! I got one. I got a good one!' So I sat up 'til four o’clock in the morning and wrote 'Hey Willie Boy', and it’s a really pretty song. And then 'Katie Belle Blue' I wrote from love, to put Katie Belle to sleep." However, these light-hearted songs are contrasted with "The Hole" and "Marie", some of the darkest material in the Van Zandt canon. In the 2004 biopic "Be Here To Love Me", Guy Clark recalls hearing "Marie" for the first time when Van Zandt played it for him in Santa Monica where they were

neg: It Hurts Me anyway, he recorded it, and it was by far the biggest thing that had ever happened to me in my life." Although he never met Elvis Presley, Daniels did meet his daughter, Lisa Marie, at an event in Memphis: "I just got to tell her, I said, 'You know your dad picked one of my songs. I was a big fan.'" Bob Johnston, who wrote the song with Daniels, was writing under the name "Joy Byers" and "Joe Byers" at the time. Daniels was credited as "Charles E. Daniels". It Hurts Me "It Hurts Me" is a 1964 Top 40

neg: Julian Ritter as a showgirl in his painting "The Gibson Girl." Boyd later wrote to Ritter: "...I only got to be with you a few years but wonderful memories I have and will cherish. Not every girl gets to be a Ritter model. I loved every moment posing for you. The early mornings working in the studio in Santa Barbara are happy memories for me. And because your works of me will keep me young and beautiful forever." There were many other nudes using various models. Ritter painted a number of nudes of his first wife, the actress Francesca Chesley. Ritter also

neg: I've Got a Dream Vulture commented: "Very nice". On the men's desires, BitchFlicks wrote "Even tough guys have nuance and feminine qualities!". The Independent Critic deemed it "very Enchanted like" The Dive Review said "If Tangled’s laughs resemble anything, it’s probably closest to the absurd, surreal comedy of Monty Python’s Flying Circus, particularly moments like the big "I’ve Got a Dream" production number". TheScoreCard wrote ""I’ve got a dream" is the only song I will be able to remember. I appreciate it even if it’s grammatically incorrect. It’s fast and fun. It reminds me of "Gaston" from Beauty and the Beast". The site also

neg: Who Shot Ya? fuck with me? Huh? Didn't I tell you not to fuck with me? Look at you now Huh? Can't talk with a gun in your mouth huh? Bitch-ass nigga, what? After Biggie's song was released, it was met with a high amount of controversy, adding fuel to the East Coast–West Coast hip hop rivalry. Wallace and Sean Combs have asserted that the song was recorded months earlier, with Biggie exclaiming in a "Vibe" magazine interview: "I wrote that muthafuckin' song way before Tupac got shot," he said. "It was supposed to be the intro to that shit Keith Murray was

neg: Boyz (song) Nobody questioned nothing. Nobody cares, you know? It was just like, "Has it got a good beat? Does it make me wanna dance? That's enough for us.". She continued "I hoped the Jamaicans would get it. They meant so much to me at the time I was writing ["Boyz"]. I went there to shoot the video, and they loved it! When I took it back there and played it to those people and showed them, 'This is what I wrote when I thought about you,' they got it. And that makes me feel like I don't really care what happens

neg: Ciara (album) Army"s two lead singles, along with "Got Me Good", also written by Ciara. None of these records made the final album. "Sorry" was co-written and co-produced by Jasper Cameron, who previously worked with Ciara on her 2006 single "Promise" and 2009 single "Never Ever". Together the duo wrote and produced "Super Turnt Up" which did make the final listing for "Ciara". "Got Me Good" was co-written with Rodney Jerkins and Livvi Franc (Olivia Waith). When interviewed by Rap-Up TV, Jerkins said "I had a meeting with her about what her future holds and I told her I was there if

neg: The Thing (1982 film) with an assistant to edit on the film, "Why did you call me, if you want to do it on your own?" He surprised me, he said – "I got married to your music. This is why I've called you." ... Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one,

neg: Give It 2 Me the song had the ability to become a party anthem in Ibiza. Madonna responded that she liked the idea of everybody dancing to "Give It 2 Me", treating it as a party anthem. When asked about the inspiration behind the song, Madonna said, "It's ['Give It 2 Me'] very anthemic. I basically wrote it so I could have a great time doing it in a stadium. The words are very autobiographical. 'Got no boundaries, got no limits. [...] Don't stop me now. [...] If it's against the law, arrest me.' [...] Yes, that's me. It's the provocative me. The boring,

neg: I Got You Babe the song: Recalling Dylan's bitter 1964 song "It Ain't Me Babe" (soon to be a folk-rock hit for the Turtles), Bono wrote his own opposite sentiment: "I Got You Babe." Where Dylan was lyrically complex, Bono was simple: His lyric began with the ominous youth-versus-grownups theme of "they" who set up barriers to romance, but soon gave way to a dialogue of teenage romantic platitudes. Where Dylan was musically simple, however, Bono, without fully rebuilding Spector's Wall of Sound, was more structurally ambitious, following the song's standard verse-chorus-verse-chorus-bridge-verse-chorus form with an ascending coda that built to a climax, then started

neg: Goodbye Lullaby was, I flew out to Sweden for a couple weeks, sat down, played him my record, got to know each other, wrote some songs together, and then I was out," she told MTV News. "It switched it up for me. It was a new creative space, a new relationship, and we got a lot done. He's very talented." Lavigne's longtime collaborators Evan Taubenfield and Butch Walker co-wrote and produced some of the tracks as well. In November 2010, British producer Alex da Kid, who worked with Lavigne beginning in August 2010, stated that some songs on the album will have

neg: John Ruskin her mittens, and without her – frock and frills? And let me see exactly how tall she is – and – how – round. It will be so good of and for you – And to and for me. In a letter to his physician John Simon on 15 May 1886, Ruskin wrote: I like my girls from ten to sixteen—allowing of 17 or 18 as long as they're not in love with anybody but me.—I've got some darlings of 8—12—14—just now, and my Pigwiggina here—12—who fetches my wood and is learning to play my bells. Ruskin's biographers disagree about

neg: Queen Victoria on 20 June 1837, William IV died at the age of 71, and Victoria became Queen of the United Kingdom. In her diary she wrote, "I was awoke at 6 o'clock by Mamma, who told me the Archbishop of Canterbury and Lord Conyngham were here and wished to see me. I got out of bed and went into my sitting-room (only in my dressing gown) and "alone", and saw them. Lord Conyngham then acquainted me that my poor Uncle, the King, was no more, and had expired at 12 minutes past 2 this morning, and consequently that "I" am "Queen"."

neg: Chronology of the 2009 Honduran constitutional crisis saying "What's with you, Roberto. I was elected by the people, not the congress. How would you make me ineligible, you're a lousy second-rate congressman who got your post because I gave you space in my party." President of Congress Micheletti wrote to Romeo Vásquez Velásquez saying "Respectfully I am writing you to greet you and to remind you of the Mission to be undertaken June 28; that already the institution that you lead has been called to defend our constitution and country and every one of those Hondurans thanks you... These people who say they are Hondurans and wish

neg: Fear Fun singer-songwriter. I really wanted to be one of those guys that nobody knew about, and in some weird way, I fulfilled that. It all makes perfect sense to me. I wanted to be like Townes Van Zandt, Nick Drake, or Gram Parsons. Somebody who was respected but unknown. That was the most romantic thing to me. Guys like Richard Buckner. And as I was doing those records, I felt like I was part of the club, and I got to meet some of those guys. It was like I got invited into the inner sanctum. I was really into it

neg: The Times They Are a-Changin' (album) be to be honest, I just got to be, as I got to admit that the man who shot President Kennedy, Lee Oswald, I don't know exactly where … what he thought he was doing, but I got to admit honestly that I too - I saw some of myself in him. I don't think it would have gone - I don't think it could go that far. But I got to stand up and say I saw things that he felt, in me - not to go that far and shoot. (Boos and hisses) You can boo but booing's

neg: This Is Only a Test me that it would be funny if now, while I'm in my late 30s, I would actually start writing songs from a teenage perspective. As soon as that thought occurred to me, I got ideas for, like, the first five songs on the record. They just sort of started coming to me. So I went home and started writing and they just came out. That became the beginning of the next record. With the idea in place to write from a teenage perspective, "the individual songs came really quickly", said Caterer, "I wrote a song a day for five days.

neg: Hellraiser: Judgment I wanted to make, and I felt like 'you know what, I wrote a traditional "Hellraiser" story with "Revelations" and I got raped by the fans. I'm not going to try and appease the fans anymore.' I'm going to make a film for me and I have a very strong idea visually on where I want to go with the story and its going to be very different. I'm going to make a food for me and offer everybody a bite." About the poor reception of the series' most-recent entries, Tunnicliffe said: "I think there has been a huge gap

neg: Don't Cry for Me Argentina and roughly translates as: "Don't cry for me Argentina, I remain quite near to you." Roger Ebert of the "Chicago Sun-Times" wrote "For years I have wondered, during 'Don't Cry for Me, Argentina,' why we were not to cry. Now I understand: We need not cry because (a) Evita got everything out of life she dreamed of, and (b) Argentina should cry for itself. Even poor Juan Peron should shed a tear or two; he is relegated...to the status of a 'walker,' a presentable man who adorns the arm of a rich and powerful woman as a human fashion accessory."

neg: Battle of Camperdown none would have escaped." but some of the highest praise came from his erstwhile opponent, De Winter, who wrote that "Your not waiting to form line ruined me: if I had got nearer the shore and you had attacked, I should probably have drawn both fleets on it, and it would have been a victory for me, being on my own coast." Duncan's health deteriorated after the battle, forcing his retirement from the Navy in 1799 and contributing to his death at Cornhill-on-Tweed in 1804. De Winter's actions during in the battle have been commended: Edward Pelham Brenton wrote in

neg: A Family Affair (musical) was doing well in his career. He later remembered: They were older than I was, Kander and my brother, and they were the ones who were supposed to succeed and they weren't I was. It terrified me and I wrote a musical with my brother and Kander, "A Family Affair", which got on, which failed. I don't know why I did it. Here were these two wonderful figures for me and I was doing well and they weren't and I helped them in my own nutty way. Except it didn't work out that way, since everything I tried for the

neg: Gardner McKay Hawaii. He wrote and co-directed a TV film "Me" (1973) for Hollywood Television Theatre on PBS. He wrote a script for another TV movie, "Sea Marks" (1976), based on his play. "I'm through with acting," he said in 1976. "I'll never do a series again. I can't. It's a mental mess-up for me. I got all sorts of attention I didn't deserve and I was too sensitive to hear things about myself. People loved me and hated me for absolutely no good reasons." His play "Toyer" was produced by the Arena Players Repertory Theater in New York opening November 28,

neg: U Smile late 2010. In an interview with "MTV News", Bieber said, "'U Smile' is one of the best songs I have ever recorded," he wrote, "It really is a throwback to the great records I listened to growing up. ... I wrote it for all my fans who got me here." Bieber explained on his Twitter that his fans "took him from a small town in Canada" to the "amazing opportunity" he is living now, and feels "grateful for everything" and "blessed" for the support. Bieber confirmed he co-wrote the track with August Rigo. He also told his fans to enjoy

neg: Don Covay and he was kind of driving people bananas". According to Carla Thomas, the musicians enjoyed working with artists sent by Atlantic, including Covay and Wilson Pickett, but resented having to give them studio time. On "See-Saw", Covay "achieved an even more powerfully soulful edge", but he did not maintain momentum as a performer, and most of his later recordings for Atlantic failed to chart. However, his songwriting continued to be successful, as he wrote songs for Etta James, Otis Redding, Little Richard (his 1965 hit, "I Don't Know What You Got but It's Got Me"), and notably Aretha Franklin, who

neg: Mink DeVille things, that was it. I thought, 'Holy shit! This guy's got taste!'" Wrote Ben Edmonds, who paired Nitzsche with Mink DeVille: It has always been assumed that our pairing was based on his (Nitzsche's) Spector accomplishments, but to me that was secondary. In the beginning I saw Mink DeVille as a hard-edged rock and roll band, and I wanted the Nitzsche who'd produced "Memo from Turner" (off the "Performance" soundtrack) and the great first "Crazy Horse" album... 'How did you ever get Jack Nitzsche?' Elliott Murphy later asked me incredulously. 'I tried to get him for years.' The sad truth

neg: East Anglian English statement made by a local when she caught him making notes on the sleeve of his shirt: "Whatever you bin makin' them little owd squiggles on y'r cuff fower?" Bensusan replied that he was "writing history". He then recorded her retort: "You dedn't wanter done that. Telly f'r why. When you've got y'r shirt washed there won't be nawthen left. I've never wrote nawthen all me born days, ne yet me husban', an he got all his teeth an' I kin thread me needle without spectacles. Folk don't wanter write in this world, they wanter do a job o' work."

neg: Ben Weston (Days of Our Lives) they trust me." But the producers quickly assured the actor it was the latter. And once he got into it, Wilson felt the changes allowed for him to play the role more "honestly." Wilson admitted that the way he worked changed "Because they were writing for me. They wrote me an amazing story, which ended up being the threat of the entire show. They trusted me with it." In an interview with Soapcentral.com, Wilson said "I got to really know Ben and attack him and play it out to its fullest. I'm grateful they wrote as much as they did

neg: Hilya has said in his poem that a house with a "hilye" will be protected from trouble. Another motivation would have been the hadith given by Hakani in the Hilye-i Şerif, which states that those who read and memorize Muhammad's "hilye" will attain great rewards in this and the other world, will see Muhammad in their dreams, will be protected from many disasters, and will receive Muhammad's esteem. In the "sebeb-i te'lîf" ve "hâtime" section of the "hilye", the writer gives the reasons to write the "hilye". Hakani wrote that his reason was to be worthy of Muhammad's holy intercession ("shefaat")

neg: A Scanner Darkly explained, "[M]y wife Nancy left me in 1970 ... I got mixed up with a lot of street people, just to have somebody to fill the house. She left me with a four-bedroom, two-bathroom house and nobody living in it but me. So I just filled it with street people and I got mixed up with a lot of people who were into drugs." During this period, the author ceased writing completely and became fully dependent upon amphetamines, which he had been using intermittently for many years. "I did take amphetamines for years in order to be able to—I was

neg: White Lightning and Other Favorites "I been here for eighteen years and still got life to go." "His remark chilled me to the bone," Jones wrote in his 1996 autobiography "I Lived To Tell It All". "I had hated the prison, but I knew I'd be leaving. That man hated it more and knew he'd never leave. I wanted to get that prison out of my mind. But I couldn't." ""Don't Do This To Me"" was recorded on March 19, 1957 and written by Jones. ""Wandering Soul"" was recorded in September 1957 and was written by Bill Dudley and Jones. ""Give Away Girl"" was written

neg: Why Don't You Love Me (Beyoncé song) song. According to the lyrics of "Why Don't You Love Me", Knowles impersonates a woman who questions her love interest about the reason for which he does not value her fabulousness, convincing him she's the best thing for him as she sings: "Why don't you love me... when I make me so damn easy to love?... I got beauty... I got class... I got style and I got ass...". The singer further tells her love interest that the decision not to choose her is "entirely foolish". Originally released as a pre-order bonus track on the deluxe edition of "I Am...

neg: Sailing Soul(s) it showcase's Jhene's beautiful voice and heartfelt lyrics (she wrote every song.) This mixtape gives me the same feeling I got when I 1st heard Drake's mixtape "So Far Gone." I believe that every woman can relate to Jhene in 1 way or another. I connect with her music because I am an emotional woman who loves love & honesty and this mixtape leaves me wanting to hear more from Jhene Aiko." Sailing Soul(s) Sailing Soul(s) (stylized as sailing soul(s)) is the debut "mixtape" by American singer-songwriter Jhené Aiko; it was released on March 16, 2011. Aiko began working on

neg: Simply Deep later revealed, "I was very nervous, but I came through with flying colors because of my family and, of course, Destiny's Child. There were days in the studio where I would run out, like, 'I'm frustrated! I don't wanna do this!' And they would calm me and tell me that everything was gonna be okay. I got through it because of them." Rowland eventually overcame her fears during the process as her newfound independence offered her an opportunity to branch out and try new things. In fact, she co-wrote three songs on the album and came up with the vocal

neg: Nikolay Markarov of selected artists, who knew how and what to say. There were also exhibitions in Moscow in libraries named after Nekrasov, Bogolyubov, the Club of railwaymen, publishing house of the magazine "Working Woman", etc. Podolsk TV presented the exhibition of Nikolai Markarov’s works on June 15, 2011 The watch is implacable: It will work even when taken off the wrist and set aside. — Immortality? We′ve sliced it into centuries and seconds! Oh Lord, pardon me, could it be true that I do see now what You mean? I inherit all that has been invented by mankind: the Paper, the

neg: Ringo Rama said "I was trippin' on my own tears, I was so down" and Starr replied "That's just a great line". The country-influenced "Write One for Me" was a duet with Willie Nelson, who sang on it at Starr's suggestion. Starr had a phone call with his lawyer, who was also Hudson's lawyer, to "tell them to write one for me, so they did—but they wrote a song with that as the title!" At that point the song was unfinished, but was later finished when they got together. The song is about a boy who gets nervous to tell a girl

neg: The Both The first co-written song, "You Can't Help Me Now," was started by Leo, who described himself as "shaken" when he received Mann's initial notes on the song, because "a person who I respect so much is handing me negative notes about something I wrote. It was really just my own quaking ego... But we got past that pretty quickly." Leo described the partnership with Mann as "literally the best thing that has happened to my writing process in my life." According to Mann, the song "Bedtime Stories" was written about Scott Miller, as an expression of mourning and as "a

neg: You Don't Know Me (Eddy Arnold song) disc-jockey conventions. "I went up to the Victor suite to tell Steve Sholes good-bye," she explained, "and just as I was leaving, Eddy came in the door." Walker remembered him saying, "I got a song title for you... 'You Don't Know Me.'" "But I know "you"," teased Walker. "This is serious, replied Eddy, who proceeded to outline his idea. The songwriter promised to let the idea stew in her head for a while. And soon, she remembered, the lyrics tumbled onto the page. "The song just started singing. It sort of wrote itself..." The best-selling version of the song is

neg: Karōshi who wrote “Anxious Wealth: Money and Morality Among China's New Rich,” about his health and the need to continue working. Mr. Pan, the 'biggest boss in Chengdu,' was in the hospital for 'excessive drinking.' This has happened to him before. Mr. Pan said, “I can't stop or slow down. I have many people whose livelihoods depend on me (literally 'depend on me to eat.'). I've got about fifty employees and even more brothers. Their livelihoods depend on my success. I have to keep going.” In South Korea, the term gwarosa (과로사) is also used to refer to death by overworking.

neg: And the Band Played Waltzing Matilda "I’d got involved in Australia shortly after I got off the boat in the moratorium movement against the Vietnam War, and that’s when I wrote "And the band played Waltzing Matilda", which was the earliest of my anti-war stuff... Even then, before I visited the Western Front, I felt an empathy and a sympathy for the ordinary soldiers who died in their millions to preserve a dubious future." The line "they gave me a tin hat" is anachronistic, as steel helmets were not issued to British and Empire troops at Gallipoli. Walsh (2018) suggests that the line ". . .

neg: Someone like You (Adele song) with someone else, it was just the horrible-est feeling ever. But after I wrote it, I felt more at peace. It set me free... I didn't think it would resonate... with the world! I'm never gonna write a song like that again. I think that's the song I'll be known for." She also said that "I wrote that song on the end of my bed. I had a cold. I was waiting for my bath to run. I'd found out that he'd got engaged to someone else." Adele later collaborated with famed musician and producer Dan Wilson to write "Someone

neg: William Burges the tomb he designed for his mother at West Norwood, London. On his death, John Starling Chapple, Burges's office manager and close associate for more than twenty years, wrote "a constant relationship ... with one of the brightest ornaments of the profession has rendered the parting most severe. Thank God his work will live and ... be the admiration of future students. I have hardly got to realize my lonely position yet. He was almost all the world to me." Lady Bute, wife of his greatest patron, wrote, "Dear Burges, ugly Burges, who designed such lovely things – what a

neg: John Millington Synge Synge wrote: "When I was writing "The Shadow of the Glen" some years ago I got more aid than any learning could have given me from a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servant girls in the kitchen." This encouraged more critical attacks alleging that Synge described Irish women in an unfair manner. "Riders to the Sea" was also attacked by nationalists, this time including Patrick Pearse, who decried it because of the author's attitude to God and religion. Pearse, Arthur Griffith and

neg: Good Enough (Evanescence song) for me because it sort of [has a] happy ending. It's the last song that I wrote for the record, and it's sort of the bravest, I think, for me because I had to tell the truth and the truth is, I feel, good now. The rest of the album is pretty aggressive and dark and everything else, but the last one is like, I got to the good place that I was heading for and I wrote about how good I felt. It turned out amazing, but it's like nothing we've ever done. I just have to write from

neg: Khe Sanh (song) it.' I remember we were doing a gig somewhere, it might have been in Melbourne, and Don walked in and said, 'I've got this song. Let's do it tonight. It's really easy.' And it really was easy for them, because there are not many chords, but for me it's like a novel. I had to learn all the words that day." Walker said, "I originally wrote it as a punk song, but we found it worked better with a country-rock approach." Don Walker later described it as the type of song that would be written by an author who had

neg: Walter Hill and looking out the window — a couple of projects I had had just fallen apart — when I got a call from Sly, who had sent me a script. Sly was Sylvester Stallone who offered Hill the job of directing "Bullet to the Head" (2013). The film was not a success at the box office. He was going to write and direct a proposed remake of "What Ever Happened to Baby Jane?" but it fell through. He wrote a graphic novel, "Triggerman" which was published in France. He raised funds for a film he wrote and directed, "The Assignment"

neg: Young (Tulisa song) her well. In an interview for Capital, Tulisa said "it was written in such a way that I could have wrote it anyway – I could relate to it that much". Speaking to "The Guardian", she explained, "lyrically, musically, it had to be like – boom – here I am [...] And the music had to represent me. So even though it's got that urban edge, it's got an Ibiza edge too, because I'm an Ibiza baby." Originally "We Are Young", the song's title was promptly shortened ahead of its release to prevent confusion with Fun's "We Are Young" which

neg: Tom Cairney if you wrote it down you wouldn't believe it. I owe a lot to (then Hull manager) Phil Brown as he believed in me. I think the academy staff at Leeds must have got a bit of a shock when they saw me playing in the Premier League! I don’t know what happened to them but I think they may have got a telling off!" Hull City gave Cairney a chance when they signed him to a youth contract in 2007. Cairney was named as Hull's Young Player of the Year for the 2008–09 season. For this, he signed a

neg: Joy (Fefe Dobson album) and personal, with Fefe's sensuality oozing out of songs like the speeded-up punk of "Watch Me Move" ("I’m a firecracker/Better tell your mother… W-w-w-w-watch me move"), the Pretenders-like ballad "Shame" and the pure ecstasy of the title track ("I got joy in the bedroom/When it’s just you and I/I got joy when you satisfy me"). Working with producers David Lichens, Jon Levine, Howard Benson and Bob Ezrin on "Joy", Dobson lives up to the portraits of her heroes she first hung during the recording of her first album—Kurt Cobain, Judy Garland, Coldplay, the Vines and Jeff Buckley. She co-wrote most

neg: Game Over (Tinchy Stryder song) Tinie Tempah's album, "Disc-Overy"). Stryder told AOL Music how the song came about: "My producer played me this beat and straight away I knew it would make a great freestyle track. So I got together everyone that I like right now: Devlin, Professor Green, Giggs... Everyone wrote their bits individually – Pro Green wrote his verse sat on a train somewhere – then we all got together for the video shoot. It was a cool vibe - no egos clashing. We didn't party or anything, we just got the recording done." Example's verse combines elements of his 2009 song "Pirate

neg: Carrie Rodriguez U.S. "Give Me All You Got" contains a song called "I Cry For Love," of which Rodriguez said, "This was a true gift. It came from one of our greatest songwriters of all time, in my humble opinion, Chip Taylor. Chip, just out of the blue, sent me this song as an MP3 file in an email and said 'Carrie, I wrote this song for you. It’s custom written and you better record it because I think it’s a hit.' So I said ‘All right.' It’s such a powerful song and I almost feel like I wrote it because I

neg: Raymond Poulidor difficult, goes on as long as a harvest." Poulidor was discovered in 1959 by another French rider, Bernard Gauthier, who said in the Belgian publication "Coups de Pédales": It was me who brought Poulidor to Mercier where, like Desbats and me, he spent all his career. In a criterium, I saw this unknown who was riding all around us. I saw him again in the Bol d'Or and I spoke to him. He said he hadn't yet got a team but that he was in talks. When I got home, I spoke straight away to Antonin Magne, who asked me:

neg: Blanket protest prison complex: I was brought straight to the blocks. Cell 17, D wing H1 or 2. I was stripped and beaten. The screws who knew me said, 'We are the bosses now. There are no OCs here'. A screw said to me, 'What size are you in the waist and what size are you for shoes?' I asked him 'What for?' and he told me 'For a uniform'. I said, 'You have got to be joking'. I was the only one in the H-Blocks. They dragged me into the cell. Davy Long [one of the warders] wanted me to compromise.

neg: Extricating Young Gussie announces Aunt Agatha, and second when Bertie suddenly tells Jeeves they will shortly be going to America, and Jeeves, unfazed, asks which suit Bertie will wear. In a 1948 letter he wrote to novelist Lawrence Durrell, Wodehouse wrote concerning Jeeves: It never occurred to me at the time that he would ever do anything except appear at doors and announce people. Then – I don’t think it was the next Bertie story but the one after that – I had got Bertie’s friend into a bad tangle of some sort and I saw how to solve the problem but my

neg: 2014 Bojangles' Southern 500 are about to win the race and then the caution comes out when you come to take the white and you’re like, ‘You’ve got to be kidding me.'" “That was a great battle,” said Gordon. “At one point I thought we had a shot at it. We got a pretty good restart. Joey was right on me and I was pretty loose in one and two, and I wish I had gone a little bit higher in three and four. But, he got that run off of four and he got in the back of me, and I thought I

neg: 2014 Duck Commander 500 and then the caution comes out when you come to take the white and you’re like, ‘You’ve got to be kidding me.'" “That was a great battle,” said Gordon. “At one point I thought we had a shot at it. We got a pretty good restart. Joey was right on me and I was pretty loose in one and two, and I wish I had gone a little bit higher in three and four. But, he got that run off of four and he got in the back of me, and I thought I was going to wreck, so at

neg: George Jones more than a passing fancy to Wynette, who was 11 years his junior and grew up listening to all of his records. According to his autobiography, Jones went to their house for supper and while she was fixing the meal Wynette and Chapel got into a heated exchange with Chapel calling his wife "a son of a bitch." Jones wrote: "I felt rage fly all over me. I jumped from my chair, put my hands under the dinner table, and flipped it over. Dishes, utensils, and glasses flew in all directions. Don's and Tammy's eyes got about as big as

neg: Sad Clowns & Hillbillies Sad Clowns: Mellencamp told Brian Hiatt of Rolling Stone magazine: "As soon as I wrote that, I looked up and said, 'Thanks, Ray.' Because I know it's a Ray Davies song, like 'Sunny Afternoon' – a self-deprecating song". My Soul's Got Wings: Mellencamp also told Gardner the story of how he set this Woody Guthrie poem to music: "Nora Guthrie called me up [in 2003] – for those who don't know, that's Woody's daughter – and asked if I would accept the Woody Guthrie Award and, of course, who wouldn't, so I said 'yes,' and ever since then her and

neg: The Unguarded Moment (film) a 'dry' psychological thriller, and I wasn't sure the public would accept me without my glittering crowns and sparkly swimsuits. Nonetheless, Universal offered me $200,000, which was more than I ever made for a single film at MGM in or out of the water...Later, after we had started shooting, Rosalind Russell came up to me at a party and said, 'I hear you're doing my script.' I looked at her blankly until she explained that she had written it under the pseudonym C. A. McKnight. 'I wrote the part for me, but I got too old.'" The film flopped at

neg: Follow Me (film) Burgtheater and starred in many cinema and television films following his emigration to Austria. Knilli had met him in 1983 when she was working as an assistant director for the Czech filmmaker Vojtěch Jasný during the shooting of the television play "See you later, I must shoot myself". While shooting this film in Helsinki, Knilli also got to know the French actress of Russian descent Marina Vlady who starred together with Landovský and the Polish actor Daniel Olbrychski. Vlady later wrote in her memoirs about "Follow Me": „The script is one of the best I had read in years. It’s

neg: Me Neither keep trying. I know I've been turned down enough to feel like I've really lived this song. Frank, Chris and I wrote it in the car on our way back from Frank's family beach house in Garden City, South Carolina. We'd spent a week there writing, and it was really successful. In fact, that's where we wrote 'Who Needs Pictures.' Anyway, we had this nine-and-a-half-hour drive back home. So Frank sat in the back seat with a guitar. I sat in front with a notebook, and Chris drove. By the time we got to Nashville, we had just about every

neg: Since I Saw You Last fully explored it. I turned back time and was listening to Johnny Cash and early Elton John before I wrote 'Let Me Go'. I'm 42; I don't want to do urban or dance music. I love Mumford & Sons—it's good, English music, but let's be honest, they got it off Johnny Cash too." Barlow cites that after the release of "Twelve Months, Eleven Days", he stopped singing as he walked away from the limelight. He said, "I never even sang in my own studio; I was telling myself [that] I don't need to be an artist anymore; I started as

neg: Gene Schoor to be shown, they['ve] got to be guided, they['ve] got to be helped. If you get the kids when they're young, why, hell, the kid walking down the street could be ... the next heavyweight champion of the world." Inspired, Schoor's restaurant group formed Kid Galahad Boxers to invest in and nurture the careers of young, unknown boxers. To attract talent, in January 1962 they bought an ad in the "New York Times" which began: "$10,000 A YEAR WHILE YOU LEARN. A newly formed syndicate of sportsmen and businessmen is anxious to sponsor the next heavyweight champion. This group of

neg: Lena Dunham script deal at HBO. The network set Dunham up with veteran show runner Jennifer Konner. Konner told Vulture's Jada Yuan that she got involved with Dunham because she was an obsessive "Tiny Furniture" fan: I got a copy of "Tiny Furniture" from [HBO president] Sue Naegle. Actually, ["New Girl" creator] Liz Meriwether told me about it and said, 'Oh, there's this great movie. This girl, she's 23, she wrote, directed, and starred in it; she's in her underwear the whole time.' And I was like, 'I really don't want to see that.' And then she was like, 'Oh, trust me,

neg: When We in an interview with Genius, Tank said; "The track really did it for me. I met Cardiak at Rooftop at a party in LA. He’s like, "I got that fire." I said, "You got the fire?" He said, "I got that fire." He’s talking about, "I’ll be on your album." I said, "Hm, interesting." Let me hear your work. He sent me a load of maybe five or six tracks, and this was one of ‘em. I went to the studio, Jerry Wonda Studio Platinum Sound. I just turned the track on. I said, "This sounds like the soundtrack to

neg: Gilbert v. State back up to their apartment. As she laid back down on the sofa, she said, "Please, somebody help me. Please, somebody help me." In his own words, this is how Roswell killed Emily: Who's that somebody but me, you know, and there she was in pain and all this confusion and I guess if I got cold as icewater that's what had happened. I thought to myself, I've got to do it, it's got to be mine, I've got to end her suffering, this can't go on. I went in. The gun was up on the top shelf with a

neg: Butch Patrick how he began his acting career, Patrick explained "I owe my career to my sister. She was the one who got me started and gave me all the encouragement. She always wanted to be an actress and was on the casting call sheet one day. She was asked if there were any other children at home. She told them about me, and I got some small roles, then some bigger ones..." In 1964, Patrick landed the role of child werewolf Eddie Munster, starring alongside Fred Gwynne as Herman Munster, Yvonne De Carlo as Lily Munster and Al Lewis as Grandpa,

neg: I Remember Me (song) explained in her interview with "Digital Spy", "I'm not sure how it happened, but it doesn't matter to me! I love the album so much, and we got so tied up and confused on what to release that it felt better instead to spread the good music out! We're still not sure what to pick as the next single – I think there are a lot of strong contenders!" Ryan Tedder spoke on his and Hudson's collaboration to MTV. Tedder explained, "I did the title cut for her new album, I Remember Me. I produced and wrote that with her

neg: Crazy in Love the lyrics: "Jay Z in the range, crazy and deranged [...] I been inhaling the chain smokers, how you think I got the name 'Hova', I been real and the game's over". The song continues to the bridge, singing: "I'm not myself, lately I'm foolish, I don't do this, / I've been playing myself, baby, I don't care / 'Cuz your love's got the best of me, / And baby, you're making a fool of me, / You got me sprung and I don't care who sees." She then sings the chorus again and the song fades out with the

neg: John Mellencamp lot, I think, to songwritersyou can't tell it by looking, but I was working outand all of a sudden I just started singing 'easy targets' and I thought, 'oh no, now I've got to stop what I'm doing" and it took me... you know, somebody just sent it to me and I just wrote it down. The melody came [intact], the lyrics... as fast as I could write is how long it took me to write the whole song." Later in his interview with Couric, Mellencamp delivered further insights into "Sad Clowns & Hillbillies": "It's crazy the way it startedit

neg: Nat Caldwell the first article, "should be aware that they may be committing their loved one to a crowded, unsanitary, ignored existence." One nursing home owner told colleagues of Caldwell's, posing as his niece and nephew "You got to conquer an old man like that." Caldwell wrote, "I have been called a hard-boiled reporter. Often. In those three weeks, I cried. And not at anything that happened to me." The six-week investigation by him and other reporters involved all 26 private nursing homes in Nashville. In 1976, after Caldwell wrote an article challenging Mississippi businessman James F. Hooper III's qualifications to serve

neg: Gonville Bromhead Clery, who was garrisoned at Rorke's Drift with Bromhead after the battle wrote, "the height of [Bromhead's] enjoyment seemed to be to sit all day on a stone on the ground smoking a most uninviting looking pipe. The only thing that seemed equal to moving him in any way was an allusion to the defence of Rorke's Drift. This used to have a sort of electrical effect upon him, for he would jump up and off he would go, not a word could be got out of him. When I told him he should send me an official report on

neg: Joe Lieberman Monica Lewinsky. However, he voted against removing Clinton from office by impeachment. Of his criticism of Bill Clinton, Lieberman said in 2014: It was a very hard thing for me to do because I liked him but I really felt what he did was awful and that unless I felt myself if I didn't say something, I'd be a hypocrite. I also felt that if somebody who was supportive of him didn't say something, it would not be good. And so it got a lot of attention. I got a call from Erskine Bowles who was Chief of Staff about

neg: Over (Drake song) be the lead single from his debut album, "Thank Me Later", and would be produced by Boi-1da, producer of his previous singles "Best I Ever Had" and "Forever". Drake chose to premiere the song on his hometown Toronto's radio station Flow 93.5. In an interview session with the station, Drake said, "I went with 'Over' as the first look because of the words in the hook," he said. "The hook being the most repetitive part. I got a lot of great songs on my album. I got songs for women who wanna feel special. I got songs for dudes —

neg: Nina Girado written by Warren. The album was certified Gold by the PARI after one week of commercial release, and eventually, it turned Platinum. Its official singles include the Aerosmith original, "I Don't Want to Miss a Thing", and the Faith Hill original, "There You'll Be", which Nina describes as a "thank you" to her fans. She expressed her gratitude in an interview, saying "I still have much to fulfill [...] I owe it to my fans [...] showering me with love and unbridled affection." The album was panned by critics, with "Titik Pilipino" stating "To be honest, what [they]'ve been expecting

neg: D.N.A. (Mario album) swaggerized". The album was originally scheduled to be released under the title "And Then There Was Me". But on January 10, 2009, Mario told Singersroom.com that the album title may change for his effort. When asked to explain what they original title meant he said ""And Then There Was Me" is more than just me sayin' my music is fresh, but who I am as a person. That title for me is like, you've got the Trey Songz', the Ne-Yos, and you've got the Chris Browns of the world—you've got all these new artists. This is my fourth album, and

neg: Coming Out of the Dark one hospital to the other. It was really dark and gray, and he was traumatized. He got this ray of light that hit him in the face, and he got the idea for 'Coming Out of the Dark.'" SongFacts.com Gloria was careful not to turn "Into the Light" into a pity party. "I hate pity," she told the Los Angeles Daily News. "I'm very self-reliant and independent, and I'm used to that role. I don't like people feeling sorry for me. So I wrote 'Coming Out of the Dark' to let the people around me know how important they are

neg: Jørn Utzon any of the speeches. He was, however, to be recognised later when he was asked to design updates to the interior of the opera house. The Utzon Room, overlooking Sydney Harbour, was officially dedicated in October 2004. In a statement at the time Utzon wrote: "The fact that I'm mentioned in such a marvellous way, it gives me the greatest pleasure and satisfaction. I don't think you can give me more joy as the architect. It supersedes any medal of any kind that I could get and have got." Furthermore, Frank Gehry, one of the Pritzker Prize judges, commented: "Utzon

neg: John Rzeznik Trick, The Cure and Rush in the early 1980s. Rzeznik also cites Paul Westerberg as an "obvious influence" on his music. Westerberg co-wrote the 1993 Goo Goo Dolls song "We Are the Normal" with Rzeznik, who reflected on the experience by stating "To some people, Keith Richards is their hero. I feel that way about Westerberg. Keith Richards got to do his thing with Chuck Berry, and I got to do it with Westerberg. That was amazing to me." Rzeznik is well known for his distinctive and unusual guitar tunings. Many of his newer songs, particularly the more acoustic-oriented ones,

neg: Dora Ratjen She's odd'... But no-one knew or noticed anything about her different sexuality." In 1938, Ratjen competed at the European Athletics Championships, and won the gold medal with a world record jump of . In 1939 he broke the world record in the high jump. But Dorothy Tyler-Odam was suspicious of Ratjen and, according to Odam, "They wrote to me telling me I didn't hold the record, so I wrote to them saying, 'She's not a woman, she's a man'. They did some research and found 'her' serving as a waiter called Hermann Ratjen. So I got my world record back."

neg: Dorothy Tyler-Odam high jump with 1.66m, but Germany's Dora Ratjen allegedly broke her record quickly. Odam was suspicious of Ratjen and, according to Odam, "They wrote to me telling me I didn't hold the record, so I wrote to them saying, 'She's not a woman, she's a man'. They did some research and found 'her' serving as a waiter called Hermann Ratjen. So I got my world record back." Odam’s world record was formally recognized by the sport's world governing body, the IAAF, in 1957. She won the silver medal again in the 1948 Summer Olympics in London, making her the only

neg: Don't Forget Jonas Brothers, during filming of "Camp Rock". In early 2008, they co-wrote ten songs in a week during the band's Look Me in the Eyes Tour. Lovato said, "I wrote it with them and they helped me. They obviously knew the situation, and then we got on the bus one night — songs just started pouring out." Before the tour's European leg, they went to the studio where the band co-produced the songs with John Fields. Speaking of the experience of co-producing, Nick Jonas said: "Being able to co-produce was really cool and definitely something we'll be doing a lot

neg: First Offense 'Sunglasses' and I said to the record company "I gotta do this song. I've just got to put it on the album" because ... it's just such an immediate song for me that when I wrote it, when I wrote the riff to that song, I said there's just something about it, some magic about this song. It was one of the only songs that I've written where I actually thought of the video at the time that I was writing it. I had that same gut feeling about 'Sunglasses' the minute I wrote it." The song, with its synthesizer-driven