query: who played felix in live and let die

pos: Felix Leiter Pfeiffer and Worrall agree, thinking that Burton was "the least likely incarnation" of Leiter. In 1973 the Bond franchise introduced a new main lead, Roger Moore, who played Bond for the next twelve years in seven films. To play the part of Leiter in "Live and Let Die", an old friend of Moore's was chosen, David Hedison. Pfeiffer and Worrall consider that this friendship comes through, with "genuine chemistry" between the two. Hedison played the role with an understated charm, although the script did not give Leiter much to do. Raymond Benson thought him miscast, but acknowledged that "he's the

pos: Live and Let Die (film) David Hedison as Felix Leiter, who reprised the role in "Licence to Kill". Hedison had said "I was sure that would be my first and last", before being cast again. Madeline Smith, who played Miss Caruso, sharing Bond's bed in the film's opening, was recommended for the part by Roger Moore after he had appeared with her on TV. Smith said that Moore was extremely polite to work with, but she felt very uncomfortable being clad in only blue bikini panties while Moore's wife was on set overseeing the scene. "Live and Let Die" was the only Bond film until

pos: Licence to Kill read "Casino Royale" for preparation, he decided to turn Sanchez into a "mirror image" of James Bond, based on Ian Fleming's descriptions of Le Chiffre. The actor also learned scuba diving for the scene where Sanchez is rescued from the sunken armoured car. Davi later helped with the casting of Sanchez's mistress Lupe Lamora, by playing Bond in the audition. Talisa Soto was picked from twelve candidates because Davi said he "would kill for her". David Hedison returned to play Felix Leiter, sixteen years after playing the character in "Live and Let Die". Hedison did not expect to return to

neg: Live and Let Die (novel) in 1973, which played on the cycle of blaxploitation films produced at the time. The film was directed by Guy Hamilton, produced by Albert R. Broccoli and Harry Saltzman, and is the eighth in the Eon Productions Bond series. Some scenes from the novel were depicted in later Bond films, including the sequence of Bond and Solitaire being dragged behind Mr Big's boat, which was used in the film "For Your Eyes Only", while Felix Leiter was not fed to a shark until "Licence to Kill", which also faithfully adapts "Live and Let Die"s shoot-out in the warehouse. Live and

neg: Felix Leiter film's end, Leiter is shown recovering in the hospital. Following Hedison's first outing in 1973 in "Live and Let Die", the Leiter role did not appear again until the 1987 film "The Living Daylights", by which time Bond was being played by Timothy Dalton; the role was taken up by John Terry. Smith and Lavington consider that, although the scene between Bond and Leiter sees warmth in the relationship between them, "it is too fleeting to have any impact". Pfeiffer and Worrall agree on the briefness of Leiter's role in the film, although they consider that Terry has "virtually no

neg: Live and Let Die (song) Live and Let Die (song) "Live and Let Die" is the main theme song of the 1973 James Bond film "Live and Let Die", written by Paul and Linda McCartney and performed by Wings. It was the most successful Bond theme to that point, charting at No. 2 on the US "Billboard" Hot 100 and No. 9 on the UK Singles Chart. Commissioned specifically for the movie, it reunited the former Beatle with the band's producer, George Martin, who produced the song and arranged the orchestra. It has been covered by several bands, with the Guns N' Roses version being

neg: Gloria Hendry portrayed the Bond girl Rosie Carver in the James Bond film "Live and Let Die". In that film, she became the first African American woman to become romantically involved with 007; Trina Parks, who played a nemesis to Bond rather than a love interest in "Diamonds Are Forever" (the previous Bond film) is considered to be the first African-American Bond girl. When "Live and Let Die" was first released in South Africa, her love scenes with Roger Moore were cut out because it was prohibited by the Apartheid government. She later starred in several 1970s blaxploitation films, including "Across 110th

neg: Live and Let Die (video game) title resembled the speedboat chase of "Live and Let Die". Live and Let Die (video game) James Bond: Live And Let Die is a video game loosely based on the 1973 James Bond film "Live and Let Die". The game was released by Domark for the Amiga, Atari ST, Amstrad CPC, Commodore 64, MS-DOS, and ZX Spectrum in 1988. "Live and Let Die" is a racing game in which the player navigates James Bond driving a modified speedboat. It did not start as a Bond game, being a rebranding after Domark saw Elite Systems International working on a game named

neg: Live and Let Die (film) It was also the first James Bond film featuring an African American Bond girl romantically involved with 007, Rosie Carver, who was played by Gloria Hendry. The film was a box office success and received generally positive reviews from critics. It was also nominated for the Academy Award for Best Original Song for "Live and Let Die", written by Paul and Linda McCartney and performed by their band Wings. Three MI6 agents are killed under mysterious circumstances within 24 hours in the United Nations headquarters in New York City, New Orleans and the Caribbean nation of San Monique, while monitoring

neg: Live and Let Die (film) the operations of the island's dictator, Dr. Kananga. James Bond—Agent 007—is sent to New York to investigate. Kananga is also in New York, visiting the United Nations. Just after Bond arrives, his driver is shot dead by Whisper, one of Kananga's men, while taking Bond to meet Felix Leiter of the CIA. Bond is nearly killed in the ensuing car crash. A trace on the killer's licence plate eventually leads Bond to Mr. Big, a ruthless gangster who runs a chain of restaurants throughout the United States. It is here that Bond first meets Solitaire, a beautiful tarot reader who

neg: Felix Leiter of characterization ... he, the American, takes orders from Bond, the Britisher, and that Bond is constantly doing better than he". Bond scholars Bennett and Woollacott note that although the two men share adventures, it is Bond who leads, not Leiter. Leiter's role is to "suppl[y] Bond with technical support and hardware, add ... muscle where needed and money". Fleming's second novel, "Live and Let Die" shows that in his early twenties, Leiter wrote a few pieces on Dixieland jazz for the "New York Amsterdam News". Bond scholar John Griswold notes that in the original draft of the story, Fleming

neg: You Know My Name aggressive than any other Bond theme has been, maybe since Paul McCartney ['s 'Live and Let Die']". Cornell stated that the biggest two influences on "You Know My Name" were Tom Jones, who performed the theme for "Thunderball", and Paul McCartney, who composed and performed the theme for "Live and Let Die". "I decided that I was going to sing it like Tom Jones, in that crooning style. I wanted people to hear my voice," Cornell said. "And 'Live and Let Die' is a fantastic song. Paul McCartney wouldn't have written it if not for that movie. I [also] wanted

neg: Live and Let Die (novel) Ivar Bryce giving his name to the alias used by Bond, while another friend, Tommy Leiter, found his surname being used for Felix Leiter; Ivar Bryce's middle name of Felix was used for Leiter's first name, while John Fox-Strangways saw part of his surname being used for the name of the MI6 station chief in Jamaica. Fleming also used the name of the local Jamaican Rufous-throated solitaire bird as the name of the book's main female character. Fleming's experiences on his first scuba dive with Jacques Cousteau in 1953 provided much of the description of Bond's swim to Mr Big's

neg: Felix Leiter central to the plot of "Licence to Kill". Leiter and Bond work together to capture drug lord Franz Sanchez on the way to Leiter's wedding, at which Bond serves as Best Man. A short time later, Leiter and his wife Della are attacked by an escaped Sanchez, who kills Della and tortures Leiter by lowering him into a tank containing a great white shark - an event transferred from the original plot of Live and Let Die. Bond finds Leiter maimed but alive, and seeks revenge on Sanchez, paving the way for the rest of the film's plot. At the

neg: Live and Let Die (film) to begin with, but the filmmakers make it worse by throwing in some stupid Louisiana cops, including pot-bellied Sheriff Pepper." IGN ranked Solitaire as 10th in a Top 10 Bond Babes list. In November 2006, "Entertainment Weekly" listed "Live and Let Die" as the third-best Bond film. MSN chose it as the-thirteenth best Bond film and IGN listed it as twelfth-best. In 2004 the American Film Institute nominated the song "Live and Let Die" from the film for AFI's 100 Years...100 Songs. Live and Let Die (film) Live and Let Die is a 1973 British spy film, the eighth in

neg: Live and Let Die (video game) Live and Let Die (video game) James Bond: Live And Let Die is a video game loosely based on the 1973 James Bond film "Live and Let Die". The game was released by Domark for the Amiga, Atari ST, Amstrad CPC, Commodore 64, MS-DOS, and ZX Spectrum in 1988. "Live and Let Die" is a racing game in which the player navigates James Bond driving a modified speedboat. It did not start as a Bond game, being a rebranding after Domark saw Elite Systems International working on a game named "Aquablast", and thought the boat driving and fighting of said

neg: Live and Let Die (novel) as "throughout an avid anti-Bond and an anti-Fleming man"—thought that the "high-spots are all effectively described ... but the narrative is loose and jerky". Boucher concluded that "Live and Let Die" was "a lurid meller contrived by mixing equal parts of Oppenheim and Spillane". In June 1955 Raymond Chandler was visiting the poet Stephen Spender in London when he was introduced to Fleming, who subsequently sent Chandler a copy of "Live and Let Die". In response, Chandler wrote that Fleming was "probably the most forceful and driving writer of what I suppose still must be called thrillers in England". "Live

neg: Live and Let Die (novel) "Mr Big", real name Buonaparte Ignace Gallia. Bond's target is an agent of the Soviet counterintelligence organisation SMERSH, and an underworld voodoo leader who is suspected of selling 17th-century gold coins in order to finance Soviet spy operations in America. These gold coins have been turning up in Harlem and Florida and are suspected of being part of a treasure that was buried in Jamaica by the pirate Sir Henry Morgan. In New York Bond meets up with his counterpart in the CIA, Felix Leiter. The two visit some of Mr Big's nightclubs in Harlem, but are captured. Bond is

neg: Live Era '87–'93 we communicated via the powers that be." Matt Sorum and Gilby Clarke, who play on the majority of the tracks, are not credited as band members, but as "additional musicians". Original drummer Steven Adler, who plays on only three tracks, and Izzy Stradlin, who plays on six, are credited as "main band members." Two popular live songs, "Live and Let Die" and "Civil War" – both played frequently during the Use Your Illusion Tour – are omitted from this release. Songs that were played to a much lesser extent ("Pretty Tied Up" and "Move to the City") are included. The

neg: Live and Let Die (novel) Live and Let Die (novel) Live and Let Die is the second novel in Ian Fleming's James Bond series of stories, and is set in London, the US and Jamaica. It was first published in the UK by Jonathan Cape on 5 April 1954. Fleming wrote the novel at his Goldeneye estate in Jamaica before his first book, "Casino Royale", was published; much of the background came from Fleming's travel in the US and knowledge of Jamaica. The story centres on Bond's pursuit of "Mr Big", a criminal who has links to the American criminal network, the world of voodoo

neg: Live and Let Die (novel) in "Live and Let Die". The writer and academic Kingsley Amis—who also subsequently wrote a Bond novel—disagrees, and thinks that the story has "less narrative sweep than most". Parker considers the novel possibly Fleming's best, as it has a tight plot and is well paced throughout; he thinks the book "establishes the winning formula" for the stories that follow. Savoye, comparing the structure of "Live and Let Die" with "Casino Royale", believes that the two books have open narratives which allow Fleming to continue with further books in the series. Savoye finds differences in the structure of the endings, with

neg: Live and Let Die (novel) and Let Die" was adapted as a daily comic strip which was published in "The Daily Express" newspaper and syndicated around the world. The adaptation ran from 15 December 1958 to 28 March 1959. The adaptation was written by Henry Gammidge and illustrated by John McLusky, whose drawings of Bond had a resemblance to Sean Connery, the actor who portrayed Bond in "Dr. No" three years later. Before "Live and Let Die" had been published, the producer Alexander Korda had read a proof copy of the novel. He thought it was the most exciting story he had read for years,

neg: Live and Let Die (song) stage and showing old pictures. The video also was made shortly before Izzy Stradlin's departure, and it is the last video where he appears. It charted at No. 20 on the Mainstream Rock chart. The song was nominated for "Best Hard Rock Performance" during the 1993 Grammy Awards. Guns N' Roses Additional musicians General Live and Let Die (song) "Live and Let Die" is the main theme song of the 1973 James Bond film "Live and Let Die", written by Paul and Linda McCartney and performed by Wings. It was the most successful Bond theme to that point, charting at

neg: Live and Let Die (album) Live and Let Die (album) Live and Let Die is the third and final studio album by the American hip hop duo Kool G Rap & DJ Polo, which was released November 24, 1992, on Cold Chillin'. The album features guest appearances from Ice Cube, Big Daddy Kane, Scarface, and Bushwick Bill. The singles "Ill Street Blues" and "On the Run" both received consistent airplay on Yo! MTV Raps, and BET's Rap City upon the album's release. Warner Bros. Records eventually refused to distribute "Live and Let Die" as part of its deal with Cold Chillin' Records because of the

neg: Live and Let Die (film) "Casino Royale" (2006) not to feature 'Q', played at this stage by Desmond Llewelyn. He was then appearing in the TV series "Follyfoot", but was written out of three episodes to appear in the film. By then, Saltzman and Broccoli decided not to include the character, feeling that "too much was being made of the films' gadgets", and decided to downplay this aspect of the series, much to Llewelyn's annoyance. Lois Maxwell had only been included in "Diamonds Are Forever" during filming as a late addition, as she had asked for a pay increase. For "Live And Let Die", she

neg: David Hedison Felix Leiter in two James Bond films, "Live and Let Die" and "Licence to Kill". Hedison decided he wanted to be an actor after he saw Tyrone Power in the film "Blood and Sand". Hedison enlisted in the United States Navy in 1945, but the war ended before he completed basic training. He served 18 months, then mustered out. He began his acting career with the Sock and Buskin Players at Brown University before moving to New York to study with Sanford Meisner and Martha Graham at The Neighborhood Playhouse School of the Theatre and with Lee Strasberg at the

neg: Felix Leiter best Leiter next to Rik Van Nutter." Hedison returned to play Leiter sixteen years later in "Licence to Kill" and after another actor had also been in the role. Hedison did not expect to return to the role, saying "I was sure that ... ["Live and Let Die"] would be my first – and last" and Glen was reluctant to cast the 61-year-old actor, since the role even had a scene parachuting. Hedison was the only actor to play Leiter twice until Jeffrey Wright appeared in both "Casino Royale" and "Quantum of Solace". Leiter, now working with the DEA, is

neg: Cord (automobile) undertake an espionage mission. In the novel "Live and Let Die", Felix Leiter drives a Cord of unspecified model when he and James Bond are in Florida. The original design for the Batmobile was a red convertible based on the Cord 812, which Batman creator Bob Kane considered one of his favorite vehicles and fitting for the millionaire vigilante. The 1965 film What's New Pussycat featured a rather battered red Cord 810 convertible with French selective yellow headlights. The car was piloted in several scenes by Woody Allen whose character drove on the Paris pavements (sidewalks). In the 1994 film

neg: Licence to Kill completely wrong. I welcome him for being so involved, even if it means feeling the sharp end of his tongue from time to time." Although both the main plot and title of "Licence to Kill" owe nothing to any of the Fleming novels, there are elements from the books that are used in the storyline, including a number of aspects of the short story "The Hildebrand Rarity", such as the character Milton Krest. The novel "Live and Let Die" provided the material surrounding Felix Leiter's mauling by a shark, whilst the film version of the book provided the close similarity

neg: Sazerac film "Live and Let Die", two Sazerac cocktails are ordered by Bond's CIA-agent friend Felix Leiter. The Zazarac cocktail might be a variant of the Sazerac, although it might have originated completely independent of the more famous drink. The addition of several types of bitters also makes this a spicy drink. "Sazerac" is also a brand of rye whiskey produced by the Sazerac Company. Sazerac The Sazerac is a local New Orleans variation of a cognac or whiskey cocktail, named for the "Sazerac de Forge et Fils" brand of cognac brandy that served as its original main ingredient. The drink

neg: Live and Let Die (album) venting sexual frustration, analyzing his psychosis, or lording over the streets, G Rap is a pro at holding a captive audience. All die-hard East Coast rap fans, especially followers of the Notorious B.I.G., owe it to themselves to get real familiar with this album." Jeff Chang from "Trouser press" gave the album a favorable review and complimented the chemistry between Kool G Rap and producer Sir Jinx, as well as the album's overall lyricism and production. Live and Let Die (album) Live and Let Die is the third and final studio album by the American hip hop duo Kool G

neg: Bogdan Žerajić action brought Young Bosnia to the public attention. Žerajić's attempt of assassination had a significant influence on young people of Bosnia and Herzegovina. After this attempt new revolutionary circles were established in Sarajevo, Mostar, Tuzla and Banja Luka. An evening before the assassination of Archduke Franz Ferdinand of Austria, Gavrilo Princip, Čabrinović and Ilić visited the grave of Žerajić for the last time. Žerajić's proclamation "He who wants to live, let him die. He who wants to die, let him live", was quoted by Gavrilo Princip in one of the songs he wrote (). The official press in Bosnia and

neg: Motifs in the James Bond film series of Defence and René Mathis. One of Bond's closest allies in both the novels and films is CIA operative Felix Leiter. Fleming wrote twelve novels, of which Leiter appears in six; in the second book, "Live and Let Die", Leiter was attacked by a shark and lost his right arm and half his left leg and his subsequent appearances were with prosthetics. For the film series the shark attack occurred in "Licence to Kill", the fifteenth instalment in the series. Following "Licence to Kill", Leiter did not appear until the reboot of the franchise with "Casino Royale". In total Leiter

neg: St. Regis New York which has remained a New York institution ever since. In 1934 (the year after Prohibition ended), bartender Fernand Petiot invented a drink at the St. Regis which he called the "Red Snapper". It has since become known around the world as the Bloody Mary and is the King Cole Bar's signature drink. In the Ian Fleming novel "Live and Let Die", James Bond stays at the St. Regis and has a drink with Felix Leiter in the King Cole Bar. In the 1972 movie "The Godfather", Willie Cicci has a shave in the St. Regis barbershop just before he assassinates

neg: Live and Let Die (album) "Live and Let Die" didn't receive the same amount of commercial success and attention as some of Kool G Rap's other releases, it is widely favored among fans and critics alike. Andy Kellman of Allmusic gave the album 4 ½ out of 5 stars, and stated; "A strong case could be made for Live and Let Die as Kool G Rap & DJ Polo's crowning achievement." He also went on to say that "The album is one story after another that draws you in without fail, and they come at you from several angles. Whether pulling off a train heist,

neg: Live and Let Die (novel) communists. Friendship is another prominent element of "Live and Let Die", where the importance of male friends and allies shows through in Bond's relationships with Leiter and Quarrel. The more complete character profiles in the novel clearly show the strong relationship between Bond and Leiter, and this provides a strengthened motive for Bond to chase Mr Big in revenge for the shark attack on Leiter. "Live and Let Die" continues the theme Fleming examined in "Casino Royale", that of evil or, as Fleming's biographer, Andrew Lycett, describes it, "the banality of evil". Fleming uses Mr Big as the vehicle to

neg: Live and Let Die (novel) the essential by the inessential, typical of the ""." Benson considers that Fleming's experiences as a journalist, and his eye for detail, add to the verisimilitude displayed in the novel. "Live and Let Die", like other Bond novels, reflects the changing roles of Britain and America during the 1950s and the perceived threat from the Soviet Union to both nations. Unlike "Casino Royale", where Cold War politics revolve around British-Soviet tensions, in "Live and Let Die" Bond arrives in Harlem to protect America from Soviet agents working through the Black Power movement. In the novel America was the Soviet objective

neg: Live and Let Die (novel) the evil men of the world. "Live and Let Die" was published in hardback by Jonathan Cape on 5 April 1954 and, as with "Casino Royale", Fleming designed the cover, which again featured the title lettering prominently. It had an initial print run of 7,500 copies which sold out, and a reprint of 2,000 copies was soon undertaken; by the end of the first year, a total of over 9,000 copies had been sold. In May 1954 "Live and Let Die" was banned in Ireland by the Irish Censorship of Publications Board. Lycett observed that the ban helped the general

neg: Live and Let Die (novel) but was unsure whether it was suitable for a film. Nevertheless, he wanted to show the story to the directors David Lean and Carol Reed for their impressions, although nothing came of Korda's initial interest. In 1955, following the television broadcast of an adaptation of Fleming's earlier novel" Casino Royale", Warner Bros. expressed an interest in "Live and Let Die", and offered $500 for an option, against $5,000 if the film was made. Fleming thought the terms insufficient and turned them down. "Live and Let Die", a film based loosely on the novel starring Roger Moore as Bond, was released

neg: Live and Let Die (film) Live and Let Die (film) Live and Let Die is a 1973 British spy film, the eighth in the "James Bond" series to be produced by Eon Productions, and the first to star Roger Moore as the fictional MI6 agent James Bond. Produced by Albert R. Broccoli and Harry Saltzman, it was the third of four Bond films to be directed by Guy Hamilton. Although the producers had wanted Sean Connery to return after his role in the previous Bond film "Diamonds Are Forever", he declined, sparking a search for a new actor to play James Bond. Moore was signed

neg: Colin Skeaping of the Jedi. Skeaping performed stunts in the James Bond films "Live and Let Die", "The Spy Who Loved Me", and "Octopussy". He also played a Monorail Driver in "The Spy Who Loved Me". Skeaping was a stunt performer in the three first Superman films. He also played a pilot in the 1978 Superman film. Colin Skeaping was a stunt performer unless otherwise mentioned. Colin Skeaping Colin Skeaping (born 18 June 1944) is a stuntman with a long career in Hollywood stunts. He was the stunt double for Mark Hamill's role as Luke Skywalker in all three original Star Wars

neg: Live and Let Die (soundtrack) Live and Let Die (soundtrack) Live and Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings. It was the first Bond film score not to involve John Barry. The music for most of the Bond films through "Diamonds Are Forever" had been scored by John Barry. Due to his working on a musical, and having fallen out with Bond producer Harry Saltzman over the last title song, Barry was unavailable to

neg: Live and Let Die (soundtrack) well as adding eight additional tracks also extended several of the original ones, such as "Bond Meets Solitaire". Except as noted, all tracks composed by George Martin. Live and Let Die (soundtrack) Live and Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings. It was the first Bond film score not to involve John Barry. The music for most of the Bond films through "Diamonds Are Forever" had been scored by

neg: Use Your Illusion I eventually given away in MTV's "Evict Axl" contest. Timo Caltia (real name Timo Kaltio), who participated in the writing of this song, is a Finnish guitarist, songwriter and guitar tech who once worked with Hanoi Rocks. He'd played a chorus riff of the song at his home while Stradlin was visiting. "Live and Let Die" was released as the second single from the "Use Your Illusion I" album and the fourth out of all the "Use Your Illusion" singles. A music video was made in November 1991 featuring the band playing live on stage and showing old pictures. The video

neg: Poxy Boggards played at numerous venues throughout Southern California, including the Galaxy Theatre, the House of Blues in Anaheim, the El Rey Theatre in Los Angeles, and the Musicians Institute in Hollywood. At the 2006 Just Plain Folks Music Awards, they received Best Celtic Album for "Liver Let Die" and Live Act of the Year for their 2004 performance at the awards show. On Sunday, February 7, 2010, one of the Poxy Boggards' songs ("I Wear No Pants" from their CD "Liver Let Die") was featured in a commercial for Levi-Strauss/Dockers, which aired during Super Bowl XLIV. The song was also featured

neg: Live and Let Die (novel) are protected from the explosion by the reef and Bond watches as Mr Big, who survived the explosion, is killed by the sharks and barracuda. Quarrel then rescues the couple. Between January and March 1952 the journalist Ian Fleming wrote "Casino Royale", his first novel, at his Goldeneye estate in Jamaica. Fleming conducted research for "Live and Let Die", and completed the novel before "Casino Royale" was published in January 1953, four months before his second book was published. Fleming and his wife Ann flew to New York before taking the Silver Meteor train to St. Petersburg in Florida and

neg: Live and Let Die (film) woman, and after thinking of Catherine Deneuve, Jane Seymour, who was in the TV series "The Onedin Line", was cast for the role. Yaphet Kotto was cast while doing another movie for United Artists, "Across 110th Street". Kotto reported one of the things he liked in the role was Kananga's interest in the occult, "feeling like he can control past, present and future". Mankiewicz created Sheriff J.W. Pepper to add a comic relief character. Portrayed by Clifton James, Pepper appeared again in "The Man with the Golden Gun". "Live and Let Die" is also the first of two films featuring

neg: Live and Let Die (novel) the island, which was once the home port of Sir Henry Morgan, all of which stimulated Fleming's interest. For the background to Mr Big's treasure island, Fleming appropriated the details of Cabritta Island in Port Maria Bay, which was the true location of Morgan's hoard. Fleming builds the main character in "Live and Let Die" to make Bond come across as more human than in "Casino Royale", becoming "a much warmer, more likeable man from the opening chapter", according to the American novelist Raymond Benson, who between 1997 and 2002 wrote a series of Bond novels and short stories. Savoye

neg: Live and Let Die (soundtrack) score "Live and Let Die". Producers Saltzman and Albert Broccoli approached Paul McCartney to write the theme song and McCartney in turn asked Martin to record it for him. Impressed with the orchestration for the finished track, Saltzman and Broccoli considered Martin for the film’s score. Martin worked closely with director Guy Hamilton who described what the music should convey in each scene as it unfolds. Only very minor changes to the finished score were asked for. Martin felt that this was as much for Hamilton's accurate briefing. The orchestra was conducted by Martin and recorded at AIR Studios. The

neg: Live and Let Die (soundtrack) soundtrack was also released in quadrophonic. Having recorded McCartney's performance, Martin was taken aback when Saltzman asked him who he thought should sing the film's title song, suggesting to him Thelma Houston. Saltzman had envisaged a female soul singer. Martin said that it should be McCartney. He nonetheless scored a soul arrangement to accompany singer B. J. Arnau for a nightclub sequence in the film. "Live and Let Die" was the first time that a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since "Abbey

neg: Live and Let Die (film) and orchestrated the "James Bond Theme", was unavailable during production. Broccoli and Saltzman instead asked Paul McCartney to write the theme song. Since McCartney's salary was high and another composer could not be hired with the remainder of the music budget, George Martin, who had been McCartney's producer while with The Beatles, was chosen to write the score for the film. "Live and Let Die", written by McCartney along with his wife Linda and performed by their group Wings, was the first true rock and roll song used to open a Bond film, and became a major success in the

neg: Lois Maxwell Lois Maxwell Lois Maxwell (born Lois Ruth Hooker, 14 February 1927 – 29 September 2007) was a Canadian actress, best known for her portrayal of Miss Moneypenny in the first 14 "James Bond" films (1962–1985). She was the first actress to play the part. The films in which she played Miss Moneypenny were "Dr. No" (1962), "From Russia with Love" (1963), "Goldfinger" (1964), "Thunderball" (1965), "You Only Live Twice" (1967), "On Her Majesty's Secret Service" (1969), "Diamonds Are Forever" (1971), "Live and Let Die" (1973), "The Man with the Golden Gun" (1974), "The Spy Who Loved Me" (1977), "Moonraker" (1979),

neg: Live and Let Die (album) and "Still Wanted Dead or Alive" act as sequels, respectively, to the songs "Streets of New York", "Talk Like Sex", and "Wanted: Dead or Alive" from the previous album. After the release of tensions arouse between Kool G Rap and Eric B. who produced and mixed most of the songs on the album. Rather than using the same formula that he used on his two previous albums, Kool G Rap decided to give "Live and Let Die" a cinematic feel with each song telling a different story and providing backdrops for the respective scenes. He recruited several non-East Coast artists

neg: Gatherers (band) same year. The band appeared on WSOU and described the writing process as visual and driven by the way things sound (e.g. digging in dirt). In support of the album, the band embarked on the Common Vision Tour with Every Time I Die and Gnarwolves. After these releases, guitarist Gianmarco Felix Guerra-Coletti left the band. In June 2016, the band made an appearance on Audiotree Live, wherein the band played songs from their previously released material and one new song. This doubled as a live release, which was released digitally. After the departure of guitarist Austin Lipinski, the band gained

neg: Young Bosnia the arms and assassins into Sarajevo. ""The political union of the Yugoslavs [..] was my basic idea [..] I am a Yugoslav nationalist, aiming for the unification of all Yugoslavs, and I do not care what form of state, but it must be free from Austria""<br>-Gavrilo Princip during his trial Claimed members of Young Bosnia who participated in the assassination were: An evening before the assassination of Archduke Franz Ferdinand, Princip, Čabrinović and Ilić visited the grave of Bogdan Žerajić for the last time. Žerajić's proclamation "He who wants to live, let him die. He who wants to die, let

neg: Bollinger of Champagne for 10 years. The winemaker has also used the popular James Bond film series as a marketing device. In the 1973 film "Live and Let Die", James Bond (played by Roger Moore) is heard asking for a bottle of Bollinger after entering his hotel. In the 1985 film "A View to a Kill", James Bond recognizes the champagne served at the top of the Eiffel Tower as "Bollinger, [19]75." In the 1987 film "The Living Daylights", James Bond (played by Timothy Dalton) delivers a gift basket to General Koskov who, seeing the champagne, exclaims "Bollinger R.D...The Best!" In

neg: Desmond Llewelyn branch), in every EON Bond film until his death, with the exception of "Live and Let Die" in 1973, in which the character Q did not appear. Llewelyn was the only actor in the original Bond series to have worked alongside five of the actors who played the spy, who were Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan. His last appearance as Q prior to his death was in "The World Is Not Enough" in 1999. During his briefing of 007 in the film, Q introduces John Cleese's character, , as his heir presumptive, and the

neg: Institutes of the Christian Religion him, therefore, let us live and die. Also from the nineteenth century, the Henry Beveridge (1845) translation, "Institutes", III, 7: We are not our own; therefore, neither is our own reason or will to rule our acts and counsels. We are not our own; therefore, let us not make it our end to seek what may be agreeable to our carnal nature. We are not our own; therefore, as far as possible, let us forget ourselves and the things that are ours. On the other hand, we are God’s; let us, therefore, live and die to him. The most recent

neg: Sven Felix Kellerhoff Sven Felix Kellerhoff Sven Felix Kellerhoff (born 1971) is a German historian, journalist and author who specialises in the history of the Nazi era. Kellerhoff was born in 1971 in Stuttgart, Germany. He was educated at the Free University of Berlin and the . Since 2003, Kellerhoff has been the Chief Editor of Contemporary and Cultural History at "Die Welt". Prior to "Die Welt", he worked at the "Berliner Morgenpost" and "Berliner Zeitung". Kellerhoff has published more than twenty book titles during his career. Among his works is a recent history of the Nazi Party, published in 2017 as "Die

neg: Live and Let Die (song) 1992, Yankovic asked for permission to put his parody "Chicken Pot Pie" on an album (as a courtesy; legally, he did not need permission). McCartney denied the use because he is a vegetarian and did not want to promote the consumption of meat. Yankovic, a vegetarian himself, said he respected the decision; however, he has performed the song live. "Live and Let Die" was released as the second single from "Use Your Illusion I" album and the fourth out of all the "Use Your Illusion" singles. A music video was made in November 1991 featuring the band playing live on

neg: Felix Kubin Felix Kubin Felix Kubin (born Felix Knoth; 1969 in Hamburg, West Germany) is an electronic musician. He has been involved with music since he was 8 years old, when he studied piano, organ and glockenspiel. His youthful experiments took off in 1980 when he got a Korg MS-20 synthesizer. His early works have been released under the title "The Tetchy Teenage Tapes of Felix Kubin". During this time he also played in a punk band Die Egozentrischen 2. In 1987 Felix Kubin co-founded an experimental noise group Klangkrieg with Tim Buhre. His first solo album "Filmmusik" was released in 1998

neg: Breaking Dawn she was researching vampires, early in 2003, and came across the legend of the incubus, a demon who could father children. Bella's insistence to not let her child die was inspired by Meyer's reaction when asked if she would let one of her children die so she could live, which was to deliver the child no matter what the consequences were. Meyer said in an interview with Shannon Hale, published in "", that the birth scene published is a little less grotesque than the one she wrote before editing due to her editor, agent and publisher's requests to "tone down

neg: Live and Let Die (song) I sing it. I think it's 'in which we're living', or it could be 'in which we live in', and that's kind of, sort of, wronger but cuter," before deciding that it was "in which we're living." "Live and Let Die" was not featured on a McCartney album until the "Wings Greatest" compilation in 1978, and was included again on 1987's "All the Best!" and 2001's "". The entire soundtrack also was released in quadrophonic. United Artists promoted the song in trade advertisements for Academy Award consideration, though producer Broccoli opposed the marketing tactic as unnecessary. The song became the

neg: Felix Gaeta tells Adama that he will not take orders from a Cylon and Adama is not the man he was when they started their journey. He believes the Admiral has let his friendship with Saul Tigh cloud his judgment. Adama warns him that there will be no forgiveness if they continue and that Gaeta will die with nothing. Gaius Baltar phones Gaeta to try to dissuade him from continuing with the mutiny. Baltar states his belief that Gaeta is an honorable man who is trying to do the right thing and forgives him for the attack in Taking a Break from

neg: Live and Let Die (song) No.1 spot by three different acts: Maureen McGovern, Diana Ross, and Stories. "Live and Let Die" also peaked at No. 9 in the UK. The single was certified Gold by the Recording Industry Association of America for sales of over one million copies. Sales of the single release and of the sheet music were "solid." The sheet music used the line "in this ever-changing world in which we live in" as part of the opening verse of the song. In the "Washington Post" interview more than 30 years later, McCartney told the interviewer, "I don't think about the lyric when

neg: Live and Let Die (soundtrack) Road" in 1969. McCartney had been considered as title song composer for the previous Bond film, "Diamonds Are Forever". The song was nominated for an Academy Award but lost to "The Way We Were". The ″Live and Let Die" single was a major success in the U.S. and UK and continues to be a highlight of McCartney's live shows. Chrissie Hynde covered the song for Bond composer David Arnold's compilation album "". The original soundtrack LP ended with track 14, "James Bond theme", and this version was later released on CD in 1988. The digitally remastered CD re-release, 2003, as

neg: Live and Let Die (song) a laser light show. McCartney has continued to play the song on his solo tours, often using pyrotechnics. "Live and Let Die" is the only song to appear on all of McCartney's live albums (except for the acoustic-based "Unplugged.") Following the 9/11 attacks, the song was placed on Clear Channels list of inappropriate song titles. The song was included in the movie "Shrek The Third" (2007) and on its soundtrack. The song was featured in American Hustle, directed by David O. Russell. In 1984, McCartney asked "Weird Al" Yankovic when he was going to parody one of his songs. In

neg: Hugh Fitzcairn describes Fitzcairn as appearing "to be in his early forties, square set, ruddy complexion, a thick thatch of straw colored hair, wearing a white Irish weave fisherman's sweater. He smokes a pipe." Executive Producer Bill Panzer recalls that during the production of "The Hunters", actor Werner Stocker was unable to work and explains, "the part of Hugh Fitzcairn, played by another of the rock stars, Roger Daltrey, of The Who, became enlarged and (...) he was supposed to die at the end of the episode, and we decided to-- we liked him so much, we let him live." Creative Consultant

neg: Red Rose Speedway Hague)" (the B-side to "My Love") and "I Lie Around" (the B-side to "Live and Let Die") as bonus tracks. "Country Dreamer" was later added to the reissue "Band on the Run" from the same series. In 2018 "Red Rose Speedway" was reissued as part of "Paul McCartney Archive Collection". The bonus content included the reconstructed original double LP version of the album, the singles "Mary Had a Little Lamb", "Hi, Hi, Hi" and "Live and Let Die" with their respective b-sides, early and rough mixes of several songs as well as previously unreleased studio and live recordings, with the

neg: Paul McCartney standards, in February 2012; that same month the National Academy of Recording Arts and Sciences honoured him as the MusiCares Person of the Year, two days prior to his performance at the 54th Annual Grammy Awards. McCartney remains one of the world's top draws. He played to over 100,000 people during two performances in Mexico City in May, with the shows grossing nearly $6 million. In June 2012, McCartney closed Queen Elizabeth's Diamond Jubilee Concert held outside Buckingham Palace, performing a set that included "Let It Be" and "Live and Let Die". He closed the opening ceremony of the 2012

neg: David Hedison It's two years I'm not sorry for. The problem was, when I came back to the U.S., it was more difficult getting work then." Hedison guest starred on "Journey to the Unknown", "Love, American Style", "ITV Sunday Night Theatre", "BBC Play of the Month", "The F.B.I.", and "The New Perry Mason". He could be seen in "Kemek" (1970), "A Kiss Is Just a Kiss" (1971), "Crime Club" (1973), "The Cat Creature", and "The Man in the Wood". He was most proud of doing an adaptation of "Summer and Smoke" with Lee Remick. Hedison played Felix Leiter in "Live and Let

neg: Paul Is Live subtitled "The New World Tour" was subsequently released on VHS, and later on DVD. It was directed by Aubrey Powell. The video release includes the controversial pre-concert film, which features vintage footage of the Beatles, solo-era live footage of "Maybe I'm Amazed" and "Bluebird" from the Rockshow film, then switches tone by including graphic animal test footage (all of which is underscored by "Live And Let Die" and "Helter Skelter"), and, finally, warmup footage of the band. The program starts with the warm-up footage, and is played in full at the conclusion of the concert. The packaging included a disclaimer

neg: Right to Die (Masters of Horror) Right to Die (Masters of Horror) "Right to Die" is the ninth episode of the second season from "Masters of Horror" directed by Rob Schmidt. Cliff Addison (Martin Donovan) and his wife, Abby (Julia Benson), have a road accident. He walks away unharmed, but she is left in a coma with her skin burned off. Cliff is told that there is a method of surgery that will allow her to live, but without speech or the ability to take care of herself. Cliff consults with his attorney, Ira, who persuades him to let his wife die. He reveals to Ira

neg: 1970s in film around the world (garnering the film high honors at the Cannes Film Festival and several BAFTA Award nominations). Sean Connery returned to the role of James Bond in 1971 in "Diamonds Are Forever" after George Lazenby filled the role in 1969. Roger Moore succeeded Connery in 1973 with an adaptation of Ian Fleming's "Live and Let Die" which was the most successful of his Bond films in terms of admissions. "Live and Let Die" was followed by an adaptation of "The Man with the Golden Gun" in 1974, which at the time garnered the lowest box office taking of any

neg: 4,5,6 and Buckwild of D.I.T.C. It would also be Cold Chillin' Records' final release before it went defunct in 1997. Following the critical acclaim of a three-album run with D.J Polo, Road to the Riches (1989), (1990) and Live and Let Die (1992), Kool G Rap chose to concentrate his efforts in a more underground direction, in continuation with the sound on his albums with D.J. Polo. In early 1993 Kool G Rap separated from D.J. Polo in the aftermath of the media controversy surrounding the cover art of their previous album Live and Let Die. The cover which depicted two

neg: 4,5,6 police officers being hanged followed the Cop Killer controversy involving Time Warner & Warner Bros. Records. Warner Bros. Records ultimately refused to distribute Live and Let Die resulting in the termination of its contract with Cold Chillin' Records. Live and Let Die was eventually released and distributed independently by Cold Chillin' in 1992. In 1995 Cold Chillin' signed a distribution deal with Epic of which 4,5,6 was the first to be released under the new deal. For the recording of 4,5,6 Kool G Rap retreated to the rural wilds of Bearsville, New York. In contrast to his previous albums with

neg: Roger Moore awards For his acting Moore's book about the filming of "Live and Let Die", based on his diaries, titled "Roger Moore as James Bond: Roger Moore's Own Account of Filming Live and Let Die", was published in London in 1973, by Pan Books. The book includes an acknowledgment to Sean Connery, with whom Moore was friends for many years: "I would also like to thank Sean Connery – "with" whom it would not have been possible." Moore's autobiography "My Word is My Bond" () was published by Collins in the US, in November 2008 and by Michael O'Mara Books Ltd

neg: Live and Let Die (novel) is an ingenious affair, full of recondite knowledge and horrific spills and thrills – of slightly sadistic excitements also – though without the simple and bold design of its predecessor". Elizabeth L Sturch, writing in "The Times Literary Supplement", observed that Fleming was "without doubt the most interesting recent recruit among thriller-writers" and that "Live and Let Die" "fully maintains the promise of ... "Casino Royale"." Tempering her praise of the book, Sturch thought that "Mr Fleming works often on the edge of flippancy, rather in the spirit of a highbrow", although overall she felt that the novel "contains passages

neg: Ahmet Kayhan Dede to share all the goods grown in him with everyone, even though it is being stepped on every time. Let us join to the path that embraces ones who; Have hands that give (share) instead of take, Who is forgiven, because they learn to forgive, Who born with - live for - and die with the belief of Allah (God), and let us join the ones who reborn in the infinitive life.″ All books by Ahmet Kayhan were in the Turkish language. These books are anthologies of essays, poems, book excerpts and condensed books. A selection from these in English

neg: Live Like a Cop, Die Like a Man "Live Like a Cop, Die Like a Man" was released on 11 March 1976. It has grossed 741,142,540 lira domestically. The film was censored on its initial release in Italy. The cut scene involved a scene with Renato Salvatori's character Bibi who has his men gouge out the eyes of a thug played by Bruno Corazzari, and then crush the eyeball under his feet. Live Like a Cop, Die Like a Man Live Like a Cop, Die Like a Man () is a 1976 Italian poliziotteschi crime film, directed by Ruggero Deodato and starring Marc Porel and Ray Lovelock. Filmmaker

neg: Live and Let Die (album) approach that Ice Cube took with writing, recording, and collaborating with, and in a coast that he didn't reside; ("AmeriKKKa's Most Wanted" was recorded in New York, and features several non-West coast artists, namely Public Enemy and its production team the Bomb Squad, though Ice Cube was a California native and resident—"Live and Let Die" was recorded in California and features several non-East coast artists, by G Rap, a New Yorker). The original cover was to display Kool G Rap and DJ Polo robbing a bank, with the photo being in black and white through a surveillance camera's perspective. This

neg: Live and Let Die (novel) is in keeping with the storyline in that Bond brings order without which "the world would quickly turn into the dystopian, barbarian reality feared by [Thomas] Hobbes and celebrated by [Marquis] de Sade." Although Fleming provided no dates within his novels, two writers have identified different timelines based on events and situations within the novel series as a whole. John Griswold and Henry Chancellor—both of whom have written books on behalf of Ian Fleming Publications—put the events of "Live and Let Die" in 1952; Griswold is more precise, and considers the story to have taken place in January and February

neg: Live and Let Die (song) AIR Studios, with Ray Cooper providing percussion instruments. The song "Live and Let Die" was previewed in the 1973 television special "James Paul McCartney", which aired on 16 April in the United States and 10 May in the United Kingdom. In the segment, McCartney and Wings were shown performing the song in his studio while clips of the film were shown, before the film's US theatrical release on 27 June. The single reached No. 1 on two of the three major US charts, though only reached No.2 on the US Hot 100 for three weeks. It was kept from the

neg: Live and Let Die (novel) sees the introduction of a vulnerable side to Bond, identifying the agent's tears towards the end of the story as evidence of this. Similarly, over the course of the book, the American character Leiter develops and also emerges as a more complete and human character and his and Bond's friendship is evident in the story. Despite the relationship, Leiter is again subordinate to Bond. While in "Casino Royale" his role was to provide technical support and money to Bond, in "Live and Let Die" the character is secondary to Bond, and the only time he takes the initiative, he loses

neg: Live and Let Die (novel) and SMERSH—an arm of the Russian secret service—all of which are threats to the West. Bond becomes involved in the US through Mr Big's smuggling of 17th-century gold coins from British territories in the Caribbean. The novel deals with the themes of the ongoing East-West struggle of the Cold War—including British and American relations, Britain's position in the world, race relations and the struggle between good and evil. As with "Casino Royale", "Live and Let Die" was broadly well received by the critics. The initial print run of 7,500 copies quickly sold out and a second print run was ordered

neg: Live and Let Die (film) UK (where it reached number nine in the charts) and the US (where it reached number 2, for three weeks). It was nominated for an Academy Award but lost to "The Way We Were". Producers hired B. J. Arnau to record and perform the title song, not realising McCartney intended to perform it himself. Arnau's version was featured in the film itself, when the singer performed it in a night club which Bond attends. The Olympia Brass Band has a notable part in "Live and Let Die", where they lead a funeral march for a (soon to be) assassination victim.

neg: Motifs in the James Bond film series "The Living Daylights", as well as a double-decker bus in "Live and Let Die". Bond's adventures have taken him to over sixty countries, as well as outer space, in locations mostly described as attractive and exotic. These locations are primarily real places, though on occasion—such as San Monique ("Live and Let Die") and Isthmus ("Licence to Kill")—the destinations have been fictional. The locations used for filming have often altered because of the effects of Bond's presence: Scaramanga's hideout on Ko Tapu () in "The Man with the Golden Gun" is often now referred to as "James Bond Island" both by

neg: Live and Let Die (novel) publicity in other territories. In October 1957 Pan Books issued a paperback version which sold 50,000 copies in the first year. "Live and Let Die" was published in the US in January 1955 by Macmillan; there was only one major change in the book, which was that the title of the fifth chapter was changed from "Nigger Heaven" to "Seventh Avenue". Sales in the US were poor, with only 5,000 copies sold in the first year of publication. Philip Day of "The Sunday Times" noted "How wincingly well Mr Fleming writes", while the reviewer for "The Times", thought that "[t]his

neg: Paul McCartney and Wings the seven-month sessions was the Linda composition "Seaside Woman", which was finally issued in 1977, credited to "Suzy and the Red Stripes". Near the end of the "Red Rose Speedway" sessions, in October 1972, Wings recorded the theme song to the James Bond film "Live and Let Die", which reunited McCartney with Beatles producer/arranger George Martin. Issued as a non-album single in mid-1973, "Live and Let Die" became a worldwide hit and has remained a highlight of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney and Wings filmed a TV special, the critically maligned "James Paul

neg: Live and Let Die (song) A second version of the song, performed by B. J. Arnau, also appears in the film. Arnau's performance originally was meant for the group Fifth Dimension. The Arnau version of the song appears on the soundtrack album as a component in a medley that also contains two George Martin-composed instrumental pieces, "Fillet of Soul – New Orleans" and "Fillet of Soul – Harlem". It was also released by RCA Records as a single in late June 1973. Wings recorded "Live and Let Die" during the sessions for the "Red Rose Speedway" album, in October 1972. The song was recorded at

neg: Live and Let Die (film) a world of gangsters and voodoo as he fights to put a stop to the drug baron's scheme. "Live and Let Die" was released during the height of the blaxploitation era, and many blaxploitation archetypes and clichés are depicted in the film, including derogatory racial epithets ("honky"), black gangsters, and pimpmobiles. It departs from the former plots of the James Bond films about megalomaniac super-villains, and instead focuses on drug trafficking, a common theme of blaxploitation films of the period. It is set in African American cultural centres such as Harlem and New Orleans, as well as the Caribbean Islands.

neg: Live and Let Die (novel) which for sheer excitement have not been surpassed by any modern writer of this kind". The reviewer for "The Daily Telegraph" felt that "the book is continually exciting, whether it takes us into the heart of Harlem or describes an underwater swim in shark-infested waters; and it is more entertaining because Mr Fleming does not take it all too seriously himself". George Malcolm Thompson, writing in "The Evening Standard", believed "Live and Let Die" to be "tense; ice-cold, sophisticated; Peter Cheyney for the carriage trade". Writing in "The New York Times", Anthony Boucher—a critic described by Fleming's biographer, John Pearson,

neg: Live and Let Die (novel) and there was no room for servility". Fleming's villain was physically abnormal—as many of Bond's later adversaries were. Mr Big is described as being intellectually brilliant, with a "great football of a head, twice the normal size and very nearly round" and skin which was "grey-black, taut and shining like the face of a week-old corpse in the river". For Benson, "Mr Big is only an adequate villain", with little depth to him. According to the literary analyst LeRoy L. Panek, in his examination of 20th century British spy novels, "Live and Let Die" showed a departure from the "gentleman

neg: Live and Let Die (song) the most popular cover. Both the McCartney and the Guns N' Roses versions were nominated for Grammy Awards. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US. Even before Tom Mankiewicz had finished writing the screenplay to "Live and Let Die," producers Harry Saltzman and Albert R. Broccoli invited Paul McCartney to write the theme song. McCartney asked to be sent a copy of Ian Fleming's novel. "I read it and thought it was pretty good. That afternoon I wrote the song and went

neg: Shane Rimmer in "Spy Game" (2001) and "Batman Begins" (2005). In the earlier years of his career, Rimmer appeared uncredited in, among other films, "You Only Live Twice" (1967), "Diamonds Are Forever" (1971), "Star Wars" (1977) and "Superman II" (1980). With the exception of cast members playing recurring characters, he has appeared in more James Bond films than any other actor. He also is believed to have provided the voice for the character Hamilton (played by Robert Dix) in 1973's "Live and Let Die" ("Whose, uh, funeral is it?" – "Yours"). Rimmer had a long-running association with TV producer Gerry Anderson, most

neg: Live and Let Die (novel) and Bond comments "that New York 'must be the fattest atomic-bomb target on the whole face of the world'." "Live and Let Die" also gave Fleming a chance to outline his views on what he saw as the increasing American colonisation of Jamaica—a subject that concerned both him and his neighbour Noël Coward. While the American Mr Big was unusual in appropriating an entire island, the rising number of American tourists to the islands was seen by Fleming as a threat to Jamaica; he wrote in the novel that Bond was "glad to be on his way to the soft

neg: Live and Let Die (novel) "Live and Let Die"s promise of future sexual encounters between Bond and Solitaire to be more credible than "Casino Royale"s ending, in which Bond vows to battle a super-criminal organisation. Within the novel Fleming uses elements that are "pure Gothic", according to the essayist Umberto Eco. This includes the description of Mr Big's death by shark attack, in which Bond watches as "Half of The Big Man's left arm came out of the water. It had no hand, no wrist, no wrist watch." Eco considers that this is "not just an example of macabre sarcasm; it is an emphasis on

neg: Live Squad / We can never be friends / I know I'm runnin' through your head now / What could you do? / If it was up to you / I'd be dead now / I let the world know nigga you a coward / You could never be Live / Until you die / See the motherfuckin' bitch in your eye."" Nas, who enlisted Live Squad to contribute beats for his sophomore album "It Was Written" in November 1995, later recollected the situation: "I met Stretch by some dangerous cats that I was hanging with. They put me with Stretch who

neg: Live and Let Die (film) proceeds to lower them into a shark tank. However, Bond escapes and forces Kananga to swallow a compressed-gas pellet used in shark guns, causing his body to inflate and explode. Leiter puts Bond and Solitaire on a train leaving the country. Tee Hee sneaks aboard and attempts to kill Bond, but Bond cuts the wires of his prosthetic arm and throws him out the window. As the film ends, a laughing Samedi is revealed to be perched on the front of the speeding train. While filming "Diamonds Are Forever", "Live and Let Die" was chosen as the next Ian Fleming

neg: Live and Let Die (novel) and he initially considered making the story a meditation on the nature of evil. The novel's original title, "The Undertaker's Wind", reflects this; the undertaker's wind, which was to act as a metaphor for the story, describes one of Jamaica's winds that "blows all the bad air out of the island". The literary critic Daniel Ferreras Savoye considers the titles of Fleming's novels to have importance individually and collectively; "Live and Let Die", he writes, "turns an expression of collective wisdom, in this case fraternal and positive, into its exact opposite, suggesting a materialistic epistemological outlook, individualistic and lucid". This