query: who sings the song that 's what i like

pos: That's What I Like (Bruno Mars song) That's What I Like (Bruno Mars song) "That's What I Like" is a song by American singer-songwriter Bruno Mars from his third studio album, "24K Magic" (2016). That's What I Like" was written by Mars, Philip Lawrence, Christopher Brody Brown, James Fauntleroy, Johnathan Yip, Ray Romulus, Jeremy Reeves, and Ray McCullough II. The former three handled the production under the name Shampoo Press & Curl along with co-production by the latter four as The Stereotypes. Atlantic Records first serviced the track to Hot AC radio in the United States on January 30, 2017, as the second single from the album.

neg: Killer Diller (1948 film) sings the racy jazz tune "I Don't Want to Get Married." Her second song "Ain't Nobody's Business What I Do" is likewise racy, about the joy of carousing and cheating: "If I feel like going out and having some fun/ With some young cat who looks like he might be my son/ That ain't nobody's business what I do." The act of Warren Patterson & Al Jackson sing Jule Styne & Sammy Kahn's "I Believe," Warren leading off and Al doing his part as a Louis Armstrong impersonation. Then Al sings the Fats Waller classic "Ain't Misbehavin" as Warren tapdances.

neg: Someone like You (Adele song) her confronting his marriage. At the beginning of the song, she sings the lines "I heard that you're settled down/That you found a girl and you're married now. I heard that your dreams came true/Guess she gave you things I couldn't give to you" with a softly voice and accompanied just by a simple piano melody. The lyrics of "Someone like You" are talking about what once was and what could have been as stated by a writer of "Daily Herald". Finding the strength to bounce back from hardship and heartache, Adele sings the lines, "Never mind, I'll find someone

neg: Blow That Smoke for a song, which he liked and put to a track. Lo told Zane Lowe that she later heard the finished version of the song, which had been sped up about 10 BPM from what was a "very slow, moody song to begin with". "Billboard"s Marina Pedrosa called the song a "tropical dance anthem" as well as an "electropop tune" containing a "sultry beat with a dash of reggaeton" that Lo's "angelic voice" sings lyrics like "I got the keys to heaven now/Babes all around and they got my mind spinning" over. Mike Wass of "Idolator" positively contrasted the song

neg: Il cielo in una stanza (song) in her vocal style, who became a mature interpreter with "Il cielo in una stanza", discovering she could "give voice to an important song, making it higher, unaccessible" and departing from the "urlatrice" style which characterized her previous production. Despite this, Paoli criticized Mina's version of the song in 2010, considering Carla Bruni a better performer of the song and claiming that "Mina sings it the same way she would sing the phone book. I don't know if she understands what she sings. She performs it as if she was a perfect technical instrument, like a flute or a guitar".

neg: Person of Interest (song) that. It's very much a dance type song. It will make you get up and dance and sing along in your car." The song opens with Black singing "When I talk, you listen, I like that/When you listen, you smile and I like that/Why you lookin' lookin' at me just like that?" Near the end of the song, Black sings "Can't deny, you're implicated/In the mayhem in my mind/What has got me so frustrated/You should be mine, you should be mine" "Person of Interest" received mixed to negative reviews from music critics. "Entertainment Weekly" admitted that the song "could totally

neg: Siouxsie Sioux by the normal kids and that was the first example where I thought, we've got them, they're hooked! I watched people dance to that song, people who had never heard of any of the music that I listened to, they heard that music in a club and went crazy". Dave Gahan of Depeche Mode said about her: "She always sounds exciting. She sings with a lot of sex–that's what I like". Mark Lanegan stated that he would like to collaborate with her: "In my wildest dreams I would love to sing with Siouxsie". Siouxsie has been hailed by many female

neg: Dangerous Woman Christopher Weingarten as a Chicago soul-influenced song, it opens with strings that drop off in the first verse, where Grande sings among clips and R&B beats: "I used to let some people tell me how to live and what to be/But if I can't be me, the fuck's the point?" "NME"'s Larry Bartlet noted the song is "genuinely satisfying to hear her put that sentiment on record so resoundingly". In "Bad Decisions", Grande sings, "I've been doing stupid things, wilder than I've ever been," with Mikael Wood of "Los Angeles Times" noting that "a tune whose message initially appears clear:

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: Put It Down (Brandy song) prospective beau on his swag. "You’re talking so tough, damn, I love it all, even the way you flex, that’s what turns me on," she sings. Later, according to "Idolator" blog, Brown adopts a Nicki Minaj-like vocal delivery and raps, "Sippin’ on that Brandy, that liquor comes in handy, girl, I know you fancy, but this party I’m financing." In the chorus, Norwood sings: "I’mma put it down / you gon' fall in love." The song received generally positive reviews from music critics upon its release. Priya Elan from "The Guardian" called the song "Brandy's best single for ages". He

neg: Rather Die Young to American actor James Dean, "You're my James Dean / you make me feel like I'm seventeen". She also relates about how good girls often fall for bad boys; she affirms that "bad boy" she loves, "drive[s] too fast" and "smoke[s] too much". During the chorus, Beyoncé projects the image of a woman, who wants to love and be loved regardless of what others may say, "I'd rather die young / Than live my life without you / Rather not live at all". As the song progresses, Beyoncé references "some deeper emotional fires burning" as she sings, "Nobody understands what

neg: Dirty Laundry (Kelly Rowland song) solo success following the disbandment of Destiny's Child. The lyrics include lines such as "When my sister on stage, killing it like a motherfucker, I was in a rage, feeling it like a motherfucker. Went our separate ways but I was happy she was killin' it. Bittersweet she was up, I was down. No lie, I feel good for her but what do I do now? Post-"Survivor", she on fire. Who wanna hear my bullshit". Later in the song, Rowland speaks about the abuse she suffered in a past abusive relationship. On "Dirty Laundry", Rowland sings "I was battered, he

neg: Rin (album) one of the album's "standout" tracks; according to Kudo, she was drawn to the song because of its "cool factor". She singled out the opening line of the first chorus Sawachika wrote, and the "mouthful" of lyrics she sings throughout the song, as its most impressive aspects. "Hotori", co-written by Gorō Matsui and Koji Tamaki, came about because Kudo specifically requested the two collaborate on a song together. She explained to Yahoo: "I was curious to find out what [Tamaki]'s songs would sound like sung by a woman." Kudo wanted the song to evoke a sensation of floating and was

neg: I'm Real (Jennifer Lopez song) featured a reference to the song on the remix of her single "Loverboy", her first single released by her record company at the time, Virgin Records. The verse can be heard in Da Brat's rap section, where she sings, "Hate on me much as you want to / You can't do what the fuck I do / Bitches be emulating me daily" over the melody of "Firecracker". Irv Gotti, who produced the remix of "I'm Real", openly admitted during an interview with "XXL" magazine that Mottola contacted him with instructions to create a song that sounded exactly like a song

neg: Empty Orchestra Robinson (who star in "Private View"), claiming to be having more fun. Howlett, like Janet, is deaf. Unlike Howlett, however, Janet is "quite passive, quiet, sweet and generally happy looking after people, especially her boss". As Janet sings, Howlett faced a particular acting challenge. She possesses, she explained, "very little understanding of what constitutes music, and no idea at all about things like keys, pitch or melody – I even struggle with the concept of 'high' and 'low' sounds". The song Janet sings—"Only You" by Yazoo—was particularly challenging. Howlett sought help from the composer John Chambers, with whom she had

neg: On Again... Off Again wonder what the pair have in common anymore. The second verse takes much the same form, with Julie pledging her love for Ludwig, who describes her as "the air, you're the love that I breathe" and "the magic that flows from within". The duo sings the chorus in unison, describing their love as being "Like the rhythm of rain" and needing to "find an end to this game" of their mutual attraction. They describe the "wonderful times/Many natural highs" which they have experienced. At the climax of the song, Ludwig sings (in operatic style) a bridge begging Julie to "come

neg: Skin (Rihanna song) "restrained" and "controlled". Throughout the song, Rihanna sounds "suspenseful" and "sultry" as she sings the lyrics "I got secrets that I wanna show you". Thomas Conner of "Chicago Sun-Times" wrote that the singer "teases her man" and "lets him at her" as she sings the line "You've waited long enough" before instructing "Don't hold back/you know I like it rough". Of the multiple music critics who commented on the song, the majority praised "Skins musical structure and Rihanna's vocal performance. Apart from writing about the song's composition, Daw called the ballad "smoldering" and compared the last minute of the song

neg: Utautai ga Uta Utai ni Kite Uta Utae to Iu ga Utautai ga Uta Utau dake Utaikire ba Uta Utau keredomo Utautai dake Uta Utaikirenai kara Uta Utawanu!? "a singer asks me to sing a song; if I could sing a song like a singer sings a song, I would sing a song like a singer sings a song, but I cannot sing a song like a singer sings a song, so I will not sing a song." Utautai ga Uta Utai ni Kite Uta Utae to Iu ga Utautai ga Uta Utau dake Utaikire ba Uta Utau keredomo Utautai dake Uta Utaikirenai kara Uta Utawanu!? Utautai ga Uta Utai ni Kite Uta Utae to Iu ga Utautai ga Uta Utau dake Utaikire ba Uta Utau keredomo Utautai

neg: Anymore (Goldfrapp song) claim, "Under the Radar"s Matt Raven felt it resembled their albums "Black Cherry" and "Supernature" (2005). The "boomeranging riffs and whistles" found in the song's production was compared to those created by William Orbit for Madonna's 1998 song "Ray of Light" by Gaca. In the lyrics, Goldfrapp and Gregory write about the passion found in romance and love; the former sings, "I want your love / All of the time" during a "slippery bass synth" sound in the production. Opening the song, she demands, "You're what I want / You're what I need / Give me your love / Make

neg: Johnny Mathis Sings ended rather abruptly when he arrived there. "'I needed someone to listen and suggest alternatives as far as my note selections were concerned…a producer who listens to you and says, "I like what you’re doing, but I hate that last note you made. Don't do that…do this." It just didn't work as well as it did at Columbia.'" The time at Mercury may have been frustrating, but it did begin a new path in terms of song selection. "'I'd listen to the stuff [recorded at Mercury] and wish I had a chance to do it again. But it was beneficial

neg: Ride (Lana Del Rey song) In the song, Del Rey sings over a string-drenched, piano-driven melody produced by Rick Rubin. Lyrically, the song was written by Del Rey and Justin Parker, who co-wrote almost every song on Del Rey's debut album, "Born to Die". In the song, Del Rey sings lines such as, "I'm tired of feeling like I'm fucking crazy" and "Been trying' hard not to get into trouble/But I, I've got a war in my mind... so I just ride". The song opens with an audible inhalation, before Del Rey gushes out, "I've been out on that open road". The recording features mild

neg: Dinosaur (Kesha song) that the song's conception was auto-biographical and that it stemmed from a previous experience she had when an older man had been hitting on her, which she elaborated on: "I just write about what I live — literally, my entire record is totally autobiographical, because I think there's a great pop song in anything and everything, any situation. There's a song called 'Dinosaur' about this old guy who was hitting on me, and his toupee was kind of falling off, and I was like, 'Oh my God, you're so old, you're prehistoric, you're like a dinosaur. D-I-N-O-S-A-you are a dinosaur.'"

neg: The Life and Times of Jonny Valiant different that to stand out as an artist, being different isn't different anymore. It's almost too far and too many rappers looking like Lenny Kravitz. I'll be at clubs, and I can't tell who raps, who sings in Rock bands. It's all just a big mess. So you ask people about mess and it's like, “Shit, that’s my swag.” Well you know what? Fuck your swag." The first video for the album was released on March 28, 2013, for the song "For Real". The first single, "Switch Lanes" featuring Mike Posner, was released on April 12, 2013. On April 10,

neg: Oceania (song) sounds like a thrilling slow-motion circus act". "Oceania" was "spoilt by some overenthusiastic vocal whoopings", according to David Hooper from BBC Music. "The Guardian"s writer David Peschek said that when the singer sings in the song, "choral swoops [explodes] like fireworks behind her". AllMusic's Heather Phares noted that the song, along with "Medúlla"s lead single "Who Is It", "have an alien quality that is all the stranger considering that nearly all of their source material is human (except for the odd keyboard or two)". Dominique Leone of Pitchfork thought "Oceania" was hardly the most obvious choice for a promotional single

neg: As a Man Thinketh the song ‘Heaven upside down’ from Manson’s (2017) album also titled ‘Heaven upside down’, Manson sings “I don’t attract what I want, I attract what I am”, which seems like a reference to Allen’s “Men do not attract that which they want, but that which they are”. As a Man Thinketh As a Man Thinketh is a self-help book by James Allen, published in 1903. It was described by Allen as "... [dealing] with the power of thought, and particularly with the use and application of thought to happy and beautiful issues. I have tried to make the book simple,

neg: Who's That Girl (Madonna song) that a reality was to have a hand in writing the tunes myself. [...] The songs aren't necessarily about Nikki [her character name in the movie] or written to be sung by someone like her, but there's a spirit to this music that captures both what the film and the characters are about, I think." The song is composed in Madonna's typical style—mingling the drum machine, a bubbling bass synth line, and the sound of stringed instruments. The three parts of the song, namely the bridge, where Madonna sings "what can help me now", the chorus and the verse flow

neg: Un train qui part Un train qui part "Un train qui part" (English translation: "A departing train") was the Monegasque entry in the Eurovision Song Contest 1973, performed in French by French singer Marie. The song is about people striking out on their own. Marie sings about a girl from rural France who is boarding a train to Paris in the hope that she will find work there, despite not knowing exactly what she will do. The departing train, she sings, ""is a bit like a home...For one who has never known home"". The song was performed sixth on the night, following Norway's Bendik

neg: Blackout (Britney Spears album) about it is that it's from the perspective of someone who feels like they really need this person just to feel safe and feel good." Spears named the song her favorite from "Blackout". The sixth track, "Get Naked (I Got a Plan)" is an uptempo song about sex. It is a duet between Spears and Danja, who sings the chorus with his voice distorted to sound like a decaying moan. Spears contributes a series of gasps, sighs and chants and her voice is also distorted. The seventh track, "Freakshow", is built around the "wobbler" effect of dubstep. Spears sings about

neg: Au clair de la lune she is singing him into drowsiness. I am on the floor, as usual among the chair legs, and I crawl behind my mother's chair because I do not like the song she is singing and do not want her to see what it does to me. She sings: "Au clair de la lune; Mon ami, Pierrot; Prête-moi ta plume; Pour écrire un mot." Then the vowels darken ominously. My mother's voice deepens dramatically, as if she were singing in a theater. This was the part of the song I disliked most, not only because I knew that it was sad,

neg: Face to Face (Daft Punk song) little raspier, like Foreigner". Thomas Bangalter of the duo recalled: "Todd Edwards sings sometimes but not like that. I think we were all very excited and surprised by the way he could sing this song." Recording took place in New York and New Jersey as well as in Paris. The duo expressed gratitude in working with Edwards, and stated that after they did so, "we [Daft Punk] are free to explore other areas. It will be interesting to see what we'll do next. Now we can work with other people." Daft Punk would later reunite with Edwards for the song

neg: Skyscraper (song) piano as she sings, "Skies are crying, I am watching catching teardrops in my hands/ Only silence, as it's ending, like we never had a chance". As the song progresses, the piano is accompanied by heavy percussion and breathy backing vocals. In the chorus, Lovato sings, "You can take everything I have/ You can break everything I am/ Like I'm made of glass, like I'm made of paper/ Go on and try and tear me down/ I will be rising from the ground like a skyscraper". In the second verse, Lovato "begins to find more strength". The song has a

neg: 1000 Forms of Fear slipknot / Tied by a juicehead who just took his T-shot." "Eye of the Needle" is a "military-march" piano ballad, while "Hostage" is a new wave pop and ska track that features Sia's voice "cracking like a punk singer." The sixth song, "Straight for the Knife", is instrumented by strings and lyrically details a tempestuous relationship: "But will someone find me swinging from the rafters / I’m hanging on your every word." "Fair Game", where Sia sings "Watch me squirm baby, but you're just what I need," is a minimalist and string-laden song about the desire to find an equal

neg: What a Catch, Donnie up like him, behind my back I already am..." of Fall Out Boy's song "Headfirst Slide into Cooperstown on a Bad Bet". On the band's "Believers Never Die – Greatest Hits" album, Fall Out Boy vocalist Patrick Stump sings the line on the song as the legal agreements were not made in time. The title of the song is a reference to Donny Hathaway. His writing partner, Roberta Flack, is mentioned several times throughout the song. What a Catch, Donnie "What a Catch, Donnie" is Fall Out Boy's second digital download single and third radio single from their fourth studio

neg: The Emperor's New Clothes (song) The Emperor's New Clothes (song) "The Emperor's New Clothes" is a song recorded by Irish singer Sinéad O'Connor for her second studio album "I Do Not Want What I Haven't Got" (1990). It was released as the album's second single on 5 June 1990 by Ensign and Chrysalis Records. Lyrically, the song is about personal tribulations amid the oppression of the world around her, while she sings: "I will live by my own policies/I will sleep with a clear conscience". The lyric "It seems like years since you held the baby/ While I wrecked the bedroom," according to Mark Richardson

neg: Sorry (Halsey song) I can be/ Cause I can sometimes treat the people/ That I love like jewelry" sung by Halsey. During the chorus, she sings "So I'm sorry to my unknown lover/ Sorry that I can't believe/ That anybody ever really/ Starts to fall in love with me". Toward the ending, she sings "Someone will love you/ But someone isn't me". An accompanying music video for "Sorry" was directed by Sing J Lee and Halsey, who had also helmed the videos for the previous singles, "Now or Never" and "Bad at Love". It was uploaded on February 2, 2018, on Halsey's Vevo

neg: Bart's Inner Child Goodman was based on the American self-help author John Bradshaw, who popularized such psychological ideas as the "wounded inner child" and the dysfunctional family. Singer James Brown guest stars as himself. Brown makes an appearance at the "Do What You Feel" festival, during which he sings his 1965 song "I Got You (I Feel Good)". After a bandstand collapses, he proclaims "Hey, wait a minute, hold on here! This bandstand wasn't double-bolted!" He described the experience as "good, clean, and humorous. And we need more of that around." According to Mirkin, the writers like to give guest stars awkward lines

neg: Baxter Taylor song Shel Silverstein and I had written about the New Orleans witch Marie Lavaux called, 'POOF, ANOTHER MAN DONE GONE.' " "My friend said, “Up to now I was buying this whole singer/songwriter bit. Now, you try to pass off a hit song as yours. I’m not buying that!” “What are you talking about?” I said. “I’m probably one of only three or four people who know that song.” “Yeah, right," my friend replied. "That song is number one on the country charts right now. Bobby Bare sings it.” And he went over and turned on the radio. And they

neg: Homer Goes to College in the same college dormitory as O'Brien. The Fox Network executives had wanted the season premiere to be "Homer Goes to College" because it was an "Animal House" parody. However, the writers felt that "Homer's Barbershop Quartet" would be a better episode because of George Harrison's involvement. During the episode, Homer sings "I am so smart! S-M-R-T... I mean S-M-A-R-T!" while he lights his high school diploma (and the house) on fire. During the recording session, Dan Castellaneta was singing the song and accidentally misspelled "smart". The writers decided that it was much funnier that way, because it seemed like

neg:
Mirrors (Justin Timberlake song) Cause your shine is somethin' like a mirror
 And I can't help but notice
 You reflect in this heart of mine. "Mirrors" is a "new-age wedding reception song". Lyrically, in the song, Timberlake sings to a lover about "coming to the realization" that she is his "other half". The singer references "taking a break from the relationship": "It was easy coming back to you/ Once I figured it out, you were right here all along," he sings on the chorus. "It's like you're my mirror, my mirror staring back at me/ I couldn't get any bigger/ With anyone else beside

neg: The Woman who Sings this song and so in Pugachev's repertoire appeared the song "Dad Bought a Car". Additionally, in the episode of the concert at the Railwaymen's Club, before the song "Come" sounded the first few measures of the song "What was Once", which was recorded by Pugacheva for the movie "31 June" but did not make it into the film. The text of the song "The Woman Who Sings" was originally written by the poet Qaysin Quli in Karachay-Balkar language, translated into Russian by Naum Grebnev and was called "The Woman I Love". Pugacheva removed two verses, changed the viewpoint from the

neg: What Now (song) a chord progression of Gm–B–F–F–F. The instrumental features "crashing" drums; Dean Martin of NME described it as a 'bonkers marriage of pianos and bass-pop'. According to Mesfin Fekadu of "The Huffington Post", the song "builds nicely from its calming verse to its electrified hook." "The Urban Daily"'s Smokey D. Fountaine compared "What Now" to the works by singer Pink as according to him contains "yell-as-long-as-you-have-a-great-hook style". Its structure "flips" from verse to chorus "like they’re from two different planets", according to Michael Gallucci of PopCrush. Gallucci also felt that Rihanna's over-sings on the track, in contrast with Chris Younie of

neg: The Way You Love Me (Keri Hilson song) AOL Radio and Matthew Horton of BBC, the song features an aggressive tone, and dizzying percussion and electro elements create a "frenzied pace that Hilson matches with an intense vocal delivery." During the bridge and the chorus, she utters gasps and groans, like 'oohs and aahs' while singing the lyrics. As the first verse begins, Hilson sings: "Ooh ahh, baby don't stop / You know how I like it Daddy when you hit the spot / Ooh ahh, baby don't stop / Imma take control when I climb up on top". As the song progresses, Hilson sings that she is

neg: Find Your Love be on "808s and Heartbreak" and that Drake showed off his "versatility" and "smooth singing on this slow-jam", stating, "I better find your loving / I better find your heart," he sings (over and over and over) on the chorus to this bump-'n'-grind single." Ryan Brockington of the "New York Post" said the song consisted of "dripping double-drum beats, 80's filtered vocals and a catchy little chorus". Jayson Rodriguez of "MTV News" said that the song features "Drake in full crooner mode as he sings about saving his relationship: "I'm more than just an option," he sings over sparse drums

neg: The Woman who Sings want to give up her favorite work, continuing to sing and make her way to fame. When Anna reads a poem titled "The Woman I Love", she feels that it would make a good song. Later she meets the poem's author, Andrei, who advises her to change the lyrics to "The Woman who Sings". Even before this Anna's career begins establishing and she starts to sing in many performances. Her songs have already been accomplishments, but still nothing like "The Woman who Sings" which she performs at the end of the film. Anna finally achieves incredible popularity and is now

neg: Lose My Breath the chorus-verse pattern. The song opens with the lines "Hit me" and the first verses sung by Beyoncé follow: "I put it right there made it easy for you to get to / Now you want to act like you don't know what to do". The chorus follows during which the group repeatedly sings the lines "Can you keep up?". Rowland's second verses follow where she sings the lines "Put it on me deep in the right direction". The chorus is repeated twice before the bridge by Williams. After the bridge, the group sings the lines "Here's your papers, baby

neg: Stay Together (Suede song) Anderson's lyrics on "The Living Dead", where he sings "I was the wife of an acrobat." Sheffield said: "It's one of the many Suede moments that feels like heaven for cultists, hell for everybody else." Writing for "The Guardian", Caroline Sullivan spoke favourably of Suede's new musical direction, saying that "Suede prematurely reach the eight-minute song stage of their career. But what could have been a pretentious misjudgement turns out to be one of their brightest moves." "NME" awarded it Single of the Week, writing: "Luxuriating in the ambitious, dramatic, exhausting spell of this makes everything else sound like so

neg: Blá Blá Blá (song) to show her the right way to go. But the singer says, "As an illusion, I will not believe it, I'll let the story happen." After that, a strong beat starts, and Karin sings how life is like a journey, saying that she does not know the time to leave or arrive, and that she will let time show. Soon after, Fantine "attacks" stronger the "people" who talk about what they do not know (probably an indirect one to all that said that the real reason for leaving Luciana, was a fight involving both). In the "pre-chorus," they sing, "na

neg: ¿A quién le importa? she is. The chorus of the song asks (translated from the Spanish): "Who cares what I do? / Who cares what I say? / I am the way I am. I'll keep on being that. / I will never change." The music video was filmed in 1986 on TVE's soundstage for Alaska's program "La Bola de Cristal". The music video depicts Alaska with her "Rastafari Punk" look (her makeup is green, and her hair is shaved from the sides and is grabbed into a high pony tail with dreadlocks), as she sings at the center of an energetic crowd (whom

neg: That's What I Like (Bruno Mars song) Weingarten of "Rolling Stone" noted that the track "brings the silky vibes" of R. Kelly's "12 Play" (1993) "into the boom of modern trap". Chris Molanphy from "Slate" defined "That's What I Like" as a mix of the "80's-into-90's styles like New Edition pop-and-B and New Jack Swing" infused with "the skittering, thumping 808 drums of a modern trap" song. Molanphy compared Mars' vocals to Bobby Brown, especially in the singer's "high-register vocal." Katherine St. Asaph of "Pitchfork" compared its sound to "The 20/20 Experience" (2013) by Justin Timberlake. "Vulture" Craig Jenkins noticed the resemblance between the composition of "That's

neg: You Lost Me the love is gone" sung by Aguilera. During the chorus, she sings, "I feel like our world's been infected/ And somehow you left me neglected". Toward the ending, Aguilera's "painful" and "catharsis" voice "crescendos dramatically". According to Jon Pareles from "The New York Times", Aguilera "barely" holds back her tears in the song. "The Village Voice" critic Drew Hinshaw thought that Aguilera is "less vexed by what he did than what he lost". "You Lost Me" received generally positive reviews from music critics. Leah Greenblatt from "Entertainment Weekly" noted Furler's efforts on the "lovely" ballads "You Lost Me", "All I

neg: Research (Big Sean song) not you.” In the chorus, meanwhile, Grande sings, “I still have to hide/Now you're next to me at night/You test me all the time/Say I know what you like, like I did the last time/Do you remember? Do you remember?/Do you remember?/When you had nothing to hide...” "Research" received generally mixed to positive reviews from music critics upon the release of "Dark Sky Paradise". In a positive response, Shannon Weprin from Hypetrak called the song a "pop-esque duet" and "infectiously catchy." Justin Charity from Complex called "Research" one of the album's pop high-points. Eric Diep from HipHopDX described the track

neg: Invasion of Privacy (album) R&B mid-tempo songs–"Ring" (featuring Kehlani) and "Thru Your Phone"–which both lyrically show Cardi B's emotional vulnerability. "Ring" is followed by three hip hop and trap songs: "Money Bag", "Bartier Cardi" (featuring 21 Savage), and "She Bad" (with YG). On "Bartier Cardi", Cardi B raps about her attraction to diamonds, sports cars and sex, while 21 Savage raps about a similar theme from a male perspective. The album ends with "I Do", a hip hop song featuring SZA which speaks about a protagonist who does whatever she likes and expresses independence, as SZA sings the lyrics, "I do, what I like,

neg: Toy Soldiers (song) light songs. I came up to Michael and said I wanted to write about drugs. It was the first time I got the nerve to write about something that was scary for me to talk about, so I did." According to an episode of VH-1's "Pop-Up Video", in which "Toy Soldiers" was featured, the friend-in-question eventually conquered the addiction. The song is performed in the key of C minor with a tempo of 65 beats per minute in time. The song follows a chord progression of A–B–A–B–Cm–B–Cm–Gm–Cm–B. Martika is the only one who sings throughout the song, although she is

neg: Stress Relief (The Office) the roast, Pam says Michael's penis is so small, "If it were an iPod, it would be a Shuffle", a reference to the smallest of the Apple Inc. portable media player brands. Kelly said she would rather kiss Lord Voldemort, the hideous antagonist of the "Harry Potter" novels and films, than Michael. Andy sings a song about Michael, "What I Hate About You", to the tune of the rock song by The Romantics, "What I Like About You". Angela makes a joke, "If you put sunblock on a window, you might be Michael Scott", which is modeled after the "you

neg: Whatever U Like to the works of Timbaland. Lyrically, Scherzinger sings about doing whatever her man likes: “riding it like a Harley.” Garrett appears throughout the song repeating the lines, "Ladies and gentlemen, I know what you want! She's hot as a stove. Her name is Nicole," while T.I. appears towards the middle of the track. Rap-Up was one of the first media outlets to hear seven full tracks from "Her Name is Nicole" which included "Whatever U Like". A reviewer described the song as a "club banger," while commented, "It’s a perfect lead single and a good song to release in the

neg: I Wish I Could Shimmy Like My Sister Kate a bawdy tune by Louis Armstrong (about Kate Townsend, a murdered brothel madam) or transcribed from a version performed by Anna Jones and Fats Waller . The lyrics of the song are narrated first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by

neg: Pills n Potions and a sit down interview for Power 106's "The Big Boy's Neighborhood Morning Show". "Pills n Potions" is a piano ballad "framed in the druggy imagery of mixtape rap". Chris Payne of "Billboard" said the song coupled a chorus "reminiscent of a Rihanna ballad" with rapped verses. Kory Grow of "Rolling Stone" opined that the song shows Minaj "sublimely (and maturely) rising above her detractors, even singing that she still loves them." The song opens with a sparse, haunting drum beat, while Minaj sings the pre-chorus in a feather-like near-whisper, "Pills 'n potions, we're overdosin'/I'm angry but I still love

neg: Mainstreet (song) and R&B bands playing on the weekends. He stated "Again, that's going back to the 'Night Moves' situation where I was writing about my high school years in Ann Arbor and what it was like — the discovery, the total naivete and fresh–faced openness that I went through. It was sort of an entire awakening of my life; before that I was kind of a quiet, lonesome kid.". "Ultimate Classic Rock" critic Jed Gottlieb cites "Mainstreet" as an example of Seger's love for "beautiful losers." He notes that Seger sings about a "dancer in a downtown dive" rather than the

neg: Kick Out the Jams a sort of esoteric phrase. Now, I think people can get what they like out of it; that's one of the good things about rock and roll. Kramer also claimed during a 1999 interview that was excerpted for "Goldmine" magazine that the phrase was specifically aimed toward British 1960s bands playing at the Grande who MC5 felt were not putting enough energy into their performances. The title has also (jokingly) been reinterpreted as an establishment message masquerading as a revolutionary anthem. David Bowie sings in the song "Cygnet Committee": "[We] stoned the poor on slogans such as/Wish You Could Hear/Love

neg: Beware My Love Like a number of successful Paul McCartney songs, "Beware My Love" is made of several disparate elements. The song begins with a brief harmonium melody followed by a repeated acoustic guitar figure. (The song's album version has the previous song, "She's My Baby", fading out into the harmonium intro; "Beware"'s "single" version fades in as the harmonium part fades out into the acoustic guitar riff.) Linda McCartney sings the intro and outro movements, with her voice multi-tracked, effectively singing on behalf of Paul McCartney—who sings the lead vocal in the main song. Over the course of the song, Paul McCartney's

neg: Faithless Street Whiskeytown. Said Adams: "I think they [Grothmann and Gilmore] felt like it had gone to a place where they weren't comfortable... I know that at the time, Skillet didn't like the idea that it had turned into a lot of phone calls, managers, and lawyers. I can see how he felt that way, because we were hardly ever playing." Unlike subsequent Whiskeytown releases, "Faithless Street" features other band members besides Adams on lead vocals - Wandscher sings two songs ("What May Seem Like Love" and "Top Dollar") and Cary sings one ("Matrimony"). Lyrically, a few of Adams' songs on the

neg: 1 Train (song) Kendrick Lamar, Joey Badass, Yelawolf, Danny Brown, Action Bronson and Big K.R.I.T.. Rocky described the meaning behind the song saying, "I wanted to make a posse cut that felt like an original '90s underground track, and I didn't have to tell anyone what to do." He also said he "took it upon myself to feature all the people who I respect as artists of my generation." Rocky wanted to make sure that the track turned out perfectly, so he pieced it together himself, determining the order of every feature. He also said his favorite verse in the song is K.R.I.T.'s.

neg: Long Hair in Three Stages H Little, "then they really go wild, Shippy going at it like a maniac while Rittman lays down big riffs, before the song opens up, Johnson sings, “The state was bad/And if I come back I’m dumb,” and the song closes in a caterwaul." "Aplomado" is a "towering" and "sly" song featuring distorted drums and large riffs. "You Know What… Will Get You You Know Where" opens with Rittman playing a heavy riff while Shippy plays a cool repetitive riff as Samson bashes away, whilst "When a Man Says “Ow”" is a "strange and dissonant" song that is "almost blues"

neg: Free & Easy (Ayumi Hamasaki song) Hamasaki and produced by CREA along with DAI. In the director notes for "Rainbow", Hamasaki explained that the song was inspired by an actual magazine photo shoot with "Free & Easy" magazine. The lyrics speak of self-empowerment and freedom. Hamasaki explained: "In 'Free & Easy', I wrote what I am feeling at the moment. In other words, I want to be a person who lives by taking responsibility for my own freedom, and I want to be a person for whom these words are perfectly applicable." The song opens with an eastern flute, and Hamasaki sings the verses with a

neg: Love U Right shown on Division1's official website. They said... Singer Cherlise promises she can love you better than your current girl on her first single, ‘Love U Right,’ which features a cameo from Lil Wayne. The Miami newcomer sings “I ain’t hatin,’ but I know she don’t love you right,” on the song, which blends hip-hop and R&B influences. The track is produced by Rico Love, who signed Cherlise to his Division1 label. Rico has been responsible for a number of huge hits, like Kelly Rowland‘s ‘Motivation’ and Beyoncé‘s ‘Sweet Dreams.’‘Love U Right’ sounds every bit as radio-ready as those two songs.

neg: My Enemy (Chvrches song) this into something special with someone like Matt, who can sell stories so purely, who sings one word and I'm there. The first time I ever heard 'Fake Empire' from "Boxer", I will never fucking forget that." Bianca Gracie of Fuse complimented Chvrches' ability to "effortlessly express tangible emotions in synth-pop", writing that the song has "a completely different tone" than "Get Out" and "leaves you feeling surprisingly empty, but satisfied enough to give it another play". Scott Russell of "Paste" sees the song as "another indication that Chvrches are aiming high on their new album, packing more punch than

neg: C'Mon (Kesha song) Kesha sings: "Saw you leaning against that old record machine/ Saw the name of your band written on the marquee/ It's a full moon tonight so we gettin' rowdy/ Yeah, we gettin' rowdy, get-get-gettin' rowdy." The refrain is sung with the lyrics: "C'mon 'cause I know what I like/ And you're looking just like my type/ Let's go for it just for tonight/ C'mon, c'mon, c'mon/ Now don't even try to deny/ We're both going home satisfied/ Let's go for it just for tonight/ C'mon, c'mon, c'mon". According to the sheet music published at Musicnotes.com, "C'Mon" is written in the

neg: Haddocks' Eyes and what the name of the song is called' both uses and mentions the use–mention distinction. The White Knight sings the song to a tune he claims as his own invention, but which Alice recognises as "I give thee all, I can no more". By the time Alice heard it, she was already tired of poetry. The song parodies the plot, but not the style or metre, of "Resolution and Independence" by William Wordsworth. Like "Jabberwocky," another poem published in "Through the Looking Glass," "Haddocks’ Eyes" appears to have been revised over the course of many years. In 1856, Carroll

neg: As Tears Go By (song) blues standards. A story surrounding the song's genesis has it that Rolling Stones manager Andrew Loog Oldham locked Jagger and Richards in a kitchen in order to force them to write a song together, even suggesting what type of song he wanted: "I want a song with brick walls all around it, high windows and no sex." The result was initially named "As Time Goes By", the title of the song Dooley Wilson sings in the film "Casablanca". It was Oldham who replaced "Time" with "Tears". We thought, what a terrible piece of tripe. We came out and played it

neg: Dreaming (I Dream song) in this song. Dreaming (I Dream song) "Dreaming" is a song by pop singers and S Club 8 members Frankie Sandford and Calvin Goldspink, released as the first single from the "I Dream" TV series soundtrack album "Welcome to Avalon Heights". It was released on 15 November 2004, peaking at #19 on the UK Singles Chart. Frankie Sandford sings the whole song along with Calvin, plus solo backing vocals in the intro and during the bridge. Calvin Goldspink sings the whole song along with Frankie. Aaron Renfree, Stacey McClean, Rochelle Wiseman, Daisy Evans, Hannah Richings and Jay Asforis do not

neg: Till the World Ends blow your mind tonight." In the chorus, the song slows down while Spears sings "I can't take it take it take no more / Never felt like felt like this before / Come on get me get me on the floor / DJ what you what you waiting for?". The melody's 4:3 cross-rhythm continues into a chant-like segment, in which "whoa-oh-oh-oh" is repeated. The bit was compared by Scott Shettler of AOL to the "rapid word repetition" of Kesha. Keith Caulfield of "Billboard" said the chorus "comes on hard like it's the sexy spawn" of American recording artist Usher's "OMG"

neg: Make It Happen (Mariah Carey song) signing with Columbia. She hoped to give her fans an idea of what her life two years prior and to instill relief or inspiration in them. In the song, Carey sings "Not more than three short years ago / I was abandoned and alone / Without a penny to my name / So very young and so afraid / No proper shoes upon my feet / Sometimes I couldn't even eat / I often cried myself to sleep." Later in the song, Carey sings "But still I had to keep on going / I struggled and I prayed / And

neg: Lava (2014 film) the altar, I thought about how happy she was and how long she’d waited for her very special day. There, at my sister’s wedding, I remembered Loihi and I had an epiphany… What if my sister was a volcano? And what if volcanoes spend their entire lives searching for love, like humans do?" On a tropical island in the Pacific Ocean, a lonely volcano watches the wildlife creatures frolic with their mates and hopes to find one of his own. He sings a song to the ocean each day for thousands of years, gradually venting his lava and sinking into

neg: Dreaming (I Dream song) Dreaming (I Dream song) "Dreaming" is a song by pop singers and S Club 8 members Frankie Sandford and Calvin Goldspink, released as the first single from the "I Dream" TV series soundtrack album "Welcome to Avalon Heights". It was released on 15 November 2004, peaking at #19 on the UK Singles Chart. Frankie Sandford sings the whole song along with Calvin, plus solo backing vocals in the intro and during the bridge. Calvin Goldspink sings the whole song along with Frankie. Aaron Renfree, Stacey McClean, Rochelle Wiseman, Daisy Evans, Hannah Richings and Jay Asforis do not have any solos

neg: Livin' It Up (Ciara song) Minaj's verses affirmes her partner's greatness. "I have my doubts in love, but I know it’s true/ I don’t have many friends, but I’ve got you," sings Ciara, chanting "Ola ola ey!" on the catchy chorus. "Cause a girl's got to do what a girl's got to do/ Making up her own rules" Ciara sings. Musically, "Livin' It Up" is a mid-tempo, "Island-flavored", Euro and electropop "feel-good" track, with Pip Elwood pointing out that, "it has an 80s vibe that is ridiculously infectious." In this song Ciara displays a vocal range spanning from the harmonized low note of C#3 to

neg: Songs of Pain plays organ. The opening track, "Grievances", introduces themes that reoccur throughout Johnston's career. He sings about his unrequited love to "the librarian", which refers to a girl named Laurie Allen who has functioned as a muse in many of Johnston's songs. This has been described as the quintessential Daniel Johnston song, including by Johnston himself. Not only the lyrical but also the musical theme of the song has been alluded to in later works. The word "grievances" has also been reused in other song titles, like on "More Songs of Pain"s "Mabel's Grievances" and "Yip/Jump Music"s "Don't Let the Sun

neg: Drunk on Love (Rihanna song) three minutes and 32 seconds. Instrumentation consists of "a storm of drums" and "clattering synths." Katherine St. Asaph for Popdust described the song's percussion as "huge." The song samples the melody of The xx's song "Intro", which was included on their debut album "xx". Robert Copsey for Digital Spy noted that Rihanna describes herself as someone who wants to be loved in the lyric "I just wanna be in love" as she sings about being a "hopeless romantic". He also described the lyric "I wear my heart on my sleeve/ Always let love take the lead" as "Talk That Talk"s

neg: Mine & Yours just a moment ago and told me it’s doing well on the pre-orders, which in itself feels amazing. I performed on QVC last week and that’s what got the sales rocketing – I didn’t believe that could happen. The album includes familiar tracks which Byrne performed on "The X Factor" such as "It's a Man's Man's Man's World", "I (Who Have Nothing)" and "The Way We Were". Byrne stated that every song featured on the album has a "special meaning" to her and each song was chosen carefully for the memory or the feeling it creates when she sings it.

neg: Who Says (Selena Gomez & the Scene song) low-note of G# to the high-note of E. The song contains string accents described as "sympathetic, but not overpowering". Described as a "jangly pop tune", having an "overarching feel-good vibe", lyrically, the song speaks of "embracing who you are and not letting your critics get you down". Gomez sings of insecurities, and people telling her she is not good enough, before asserting "I'm sure you got some things/ You'd like to change about yourself/ But when it comes to me/ I wouldn't want to be anybody else." According to Brian Voerding of AOL Radio Blog, "Gomez sings about staying true

neg: This Time (Pia Toscano song) touch awe-inspiring. Chris Willman of "Los Angeles Times" gave the song a more negative review, saying Pia "sings the hell out of it, of course"; he calls the song itself "a compendium of comeback cliches that almost reads like a parody of the whole I-will-survive genre." Jillian Mapes and Sarah Maloy of "Billboard" say "Lyrically, Toscano finds her strength -- from what sounds to be an emotionally or even physically abusive relationship -- on the midtempo pop ballad." In its debut week, the single sold 19,000 copies. After her performance on "So You Think You Can Dance," sales went up

neg: Sexy Sadie from Alexis Mardas, had been fabricated.) Lennon once said of the song: "That was inspired by Maharishi. I wrote it when we had our bags packed and were leaving. It was the last piece I wrote before I left India. I just called him, 'Sexy Sadie,' instead of (sings) 'Maharishi what have you done, you made a fool...' I was just using the situation to write a song, rather calculatingly but also to express what I felt. I was leaving the Maharishi with a bad taste. You know, it seems that my partings are always not as nice as I'd

neg: I Like Chinese I Like Chinese "I Like Chinese" is a comedic song written and performed by Eric Idle and arranged by John Du Prez. It features on "Monty Python's Contractual Obligation Album" from 1980, and was issued as a 7" single in the UK on 3 October 1980. It was later included on the CD "Monty Python Sings". The song has four verses; the first discussing how the world has become a terrible place (due in part to "nuclear bombs that can blow us all sky high"). The song then segues into a jaunty melody in which the singer states that he

neg: Demonstrate (song) that I would consider the album to be. It’s just about fine-tuning and sitting down with my team and things like that. "Demonstrate" was written by JoJo, Daniel Daley, Anthony Jeffries and Noah "40" Shebib who also produced the track. Noah "40" Shebib is known for his work on Drake's sophomore studio album, "'Take Care" as well as Alicia Keys' "Un-Thinkable (I'm Ready)". ""Demonstrate"" is an R&B driven song and is about demonstrating your thoughts, she sings "Baby there’s a lot of freaky shit running my mind that/I can’t say, but I know I can demonstrate". It is set for

neg: You Make Me Feel... the concept of people trying to find the right person is something that's universal." The song is written in common time maintaining a tempo of 126 beats per minute. The song is set in the key of B-flat major. Backed up by a simple beat and minimal synth arrangement, Saporta sings about finding the girl he’s been missing: "Girl, I’ve been all over the world looking for you / I’m known for taking what I think I deserve, and you’re overdue." Sabi, provides the chorus and the "la-la-la-la-la" melody that carries the song as Saporta sings "You make me feel

neg: Take Me Home (Cher song) Bacon & Quarmby at the Strongroom studios. Being a cover of Cher's song, the song retains writing credits for Bob Esty and Michele Aller, while Ellis-Bextor included new lyrics written by herself. While both versions address sexual intercourse, the publication noted that in the original version, Cher "sings romantically about 'makin' love'" while Ellis-Bextor sings "more aggressive" lyrics such as "only fair I get my way". Even before Ellis-Bextor had released the cover, Cher's management deemed the rewritten lyrics overly sexual. To "NME", Ellis-Bextor stated: I was told by my publishers that Cher heard my version and she doesn't like

neg: That's What I Like (Bruno Mars song) tour—24K Magic World Tour (2017–18). Kurt Hugo Schneider and Mario Jose covered "That's What I Like" on YouTube and released their version for download on July 13, 2017. Macy Kate made a cover of the single, which is now only available on YouTube. Several television shows have used the song. In 2017, it first appeared on the sixth episode of the first season of "Crashing" (2017). The sixteenth episode of "Being Mary Jane"s (2013) fourth season in 2017 featured "That's What I Like". It made an appearance on "Undressed" (2017), debut season, episode six. The track was part of "The

neg: Ego (Beyoncé song) "very confident and having [this] swagger when they walk and when they talk, and that being one of the reasons why [she is] attracted to them." The song explores the restrained vocals of Beyoncé singing "I talk like this, cos I can back it up" and consists of a piano breakdown. As Beyoncé sings, she lets out a slinky snarl in her voice. She describes the ego of her love interest as: "It’s too big, it’s too wide, it’s too strong, it won’t fit, it’s too much." The remix of the song features Kanye West rapping on it. He sings

neg: Billy Breathes solo for the track "Billy Breathes": On the song "Billy Breathes" there's a guitar solo I like a lot. That's a composed solo. I didn't labor over it. What I did is, I walked around the kitchen—my daughter had just been born and we were living out in the woods in Vermont. I was in my union suit, chopping wood. I was not thinking about anything, and then I just started singing [sings melody] the first four notes of the solo. I had a cassette player and I'd run over and get it recorded. Then I'd forget about it. And

neg: Don't Judge Me In the song, Brown encourages his lover that there is nothing going on between him and his ex-girlfriend as he sings, "You're hearing rumors about me / And you can't stomach the thought / Of someone touching my body / When you're so close to my heart / I won't deny what they saying / Because most of it is true / But it was all before I fell for you." He later declares "that he is a changed man who can now be trusted" as shown in the lines, "Take me as I am / Not who I was

neg: Feel Again working. I reach out trying to love but I feel nothing," Tedder aches before bursting into the melodic chorus that is filled with bliss, "But with you I feel again." The hand-clap song is ultimately a tale about grabbing life by the horns and feeling new again no matter what happened the day prior. In the chorus, Tedder sings about transforming from "a lonely soul" to a man who is able to love again; "I'm feeling better since you know me/I was a lonely soul but that's the old me." The song received a favorable reception from music critics. Arjan

neg: Bradley Nowell most successful radio track, "What I Got", Nowell sings, "...livin' with Louie Dog's the only way to stay sane". Another prominent song of the band, "Garden Grove", mentions Lou Dog as such: "We took this trip to Garden Grove. It smelled like Lou dog inside the van, oh yeah". In the song "Doin' Time" Nowell can be heard singing: "All the people in the dance will agree That we're well qualified to represent the LBC Me, me and Louie run to the party Dance to the rhythm it gets harder" Nowell would sometimes begin live songs by referencing Lou Dog,

neg: Sweeter Than Fiction a "rock-tinged" bubblegum pop song that also contains influences of synthpop and new wave music. Critics have deemed the song reminiscent of 80's pop. The song is musically and lyrically upbeat, with Swift singing from the point of view of a longtime friend or fan who has always believed in a performer's talents. "There you'll stand, ten feet tall", Swift sings in the chorus, "and I will say, 'I knew it all along.'" It was written by Swift along with Jack Antonoff and is in the key of B major with Swift's vocal range between the octaves of F Sharp

neg: Hit the Freeway view. In the chorus, Braxton sings, ""Farewell my lonely one, nothing else here can be done, I don't ever wanna see you again." The song received mostly favorable reviews from music critics. Stephen Thomas Erlewine of "Allmusic" picked the song as a stand-out track of the album. Keysha Davis of "BBC Music" called the chorus "eagerly contagious", writing that, "What at first sounds like a quintessential Neptunes track - melodic synthesiser, staged handclaps and funky drum patterns - later transpires into an impressive slice of pop R&B. Revenge has never sounded sweeter." Sal Cinquemani of "Slant Magazine" called it a

neg: Hyperballad acid house. The chords and lyrics in the verses move in three bar phrases. The choruses are in four bar phrases. It combines a house beat with a string section conducted by Brazilian musician Eumir Deodato. Heather Phares from AllMusic compared the song to the work of Aphex Twin. Lorraine Ali from "Rolling Stone" said that Björk "turns fantasy into morbid but honest wonderment for 'Hyperballad.' Here's what she sings over a sweeping, panoramic vista: 'I imagine what my body would sound like slamming against the rocks, and when it lands, will my eyes be closed or open?'" A reviewer

neg: Baby Don't Lie a hip hop-inflected breakdown, in which Stefani raps, "You can tell me what you're hidin' boy/And you can tell me if I'm gettin' warm". Lyrically, the song discusses insecurities in a relationship, where Stefani questions her man's love. Nolan Feeney of "Time" complimented that the song is "about falling in love with someone who's got a few skeletons in their closet." As noted by "Spin"'s Brennan Carley, "Stefani sounds shattered as she sings, "But there's something behind those eyes / Those eyes / That you can't that you can't disguise / Disguise." In the "stomping, infuriatingly catchy" chorus she sings,

neg: What It Feels Like for a Girl played song on European radios, holding the top position for five weeks. In February 2001, English filmmaker Guy Ritchie, Madonna's then husband, said that they were planning to work together on her new music video; "creatively, we like the same sort of things, so it just makes sense". One month later, Madonna revealed to Ingrid Sischy that the video would be for "What It Feels Like for a Girl", which she found "ironic because [Ritchie]'s such a macho man, and his movies are so testosterone-driven, but I asked him a long time ago what song on the album he responded

neg: I Thank You (Sam & Dave song) get off your seat,/ And get your arms together,/ And your hands together,/ And give me some of that old soul Clapping". First, Sam sings the Refrain, plus the first verse, and the refrain, while Dave sings the second verse, the refrain, and the third verse, with both Sam and Dave sharing on the repeated "Thank Yous" portion. Following a brief instrumental, Sam sings the Refrain, with Dave, joining him, on the Coda with the repeated "Thank Yous". ZZ Top covered the song on their 1979 album "Degüello". The band released the song as a single the next year. Like

neg: Underneath Your Clothes your clothes/There's an endless story/There's the man I chose/That's my territory," she sings. During the song, she "repeatedly describes herself as a good girl, worthy of her boyfriend's love, and as a woman of very developed maternal instincts." As noted by Alexis Petridis of "The Guardian" and Matt Cibula of "PopMatters", the song has "a Beatles-influenced brass arrangement" and a melody from The Bangles' Eternal Flame." "Underneath Your Clothes" received mixed reviews from music critics. While calling her voice "odd", Chuck Taylor of "Billboard" wrote that it "dart[s] from a delicate, girlie, Jewel-like delivery to a determined, tough-chick croon -

neg: Feel All My Love Inside previous album, 1973's "Let's Get It On". Feel All My Love Inside "Feel All My Love Inside" is an album track issued by Marvin Gaye on his 1976 album, "I Want You". The song was co-written by Gaye and collaborators Leon Ware and Arthur "T-Boy" Ross. The erotic tune, much like "Come Live with Me Angel" and "Since I Had You", featured sexual moans by an unidentified female voice while Gaye sings seductively through. The song's personal nature related to Marvin's relationship with girlfriend Janis Hunter, then nineteen at the time of recording of the song. Much of the album

neg: Roger Hodgson of adolescence that often ends in the cynicism and disillusionment of adulthood. In The 'Logical Song', the burning question that came down to its rawest place was 'please tell me who I am,' and that's basically what the song is about. I think this eternal question continues to hit such a deep chord in people around the world and why it stays so meaningful." "Breakfast in America" was written by Hodgson during his late teens at a time when he "had a lot of dreams" and still brings a smile to his face when he sings it on stage. Prior

neg: Bomb in a Birdcage "Coming Around" and "Silent War". The album's title is taken from the end of the LP's first song, "What I Wouldn't Do", where Sudol sings: "It was now and we were both in the same place / Didn't know how to say the words / With my heart ticking like a bomb in a birdcage / I left before someone got hurt." In an iTunes podcast about "The World Without", Sudol revealed that she felt "Bomb in a Birdcage" is about "two totally messed up people trying to stay afloat despite all the odds." "Bomb in a Birdcage" received generally