query: when did the sound of music first come out

pos: The Sound of Music (film) The Sound of Music (film) The Sound of Music is a 1965 American musical drama film produced and directed by Robert Wise, and starring Julie Andrews and Christopher Plummer, with Richard Haydn and Eleanor Parker. The film is an adaptation of the 1959 stage musical of the same name, composed by Richard Rodgers with lyrics by Oscar Hammerstein II. The film's screenplay was written by Ernest Lehman, adapted from the stage musical's book by Lindsay and Crouse. Based on the memoir "The Story of the Trapp Family Singers" by Maria von Trapp, the film is about a young Austrian woman

neg: Take Back it "impressive". An editor from Yahoo! Music Japan wrote on Koda's biography that the mixture of pop and R&B music was a "perfect balance of contemporary charm and vocals." Adam Greenberg, a writer of AllMusic, did not mention the original recording, but wrote about the Sunset in Ibiza remix from her remix album "Koda Kumi Driving Hit's" (2006), and stated: "When the DJs complement her voice just right, Koda can sound like any number of other singers. [...] "Real Emotion" and "Take Back" come out as something very similar to Ayumi Hamasaki's works." Upon its release, Koda felt insecure about

neg: Come Back to Me (Vanessa Hudgens song) on the song. The song received generally positive reviews from music critics. About.com writer Bill Lamb rated "Come Back to Me" three and a half stars out of five; he praised its pop sound and Hudgens' "engaging personality", but criticized it for having a manufactured sound from the "Disney pop factory". Moreover, Lamb wrote: "'Come Back to Me' is unlikely to linger too long in your memory, but it also fails to generate any annoying after taste. Program it into your listening when you need a contemporary, breezy, light pop confection... Sure, you are being manipulated by the corporate music

neg: The Miseducation of Lauryn Hill Fire" by The Doors. Hill said that she "didn't want to come out with a [Fugees] type of sound", but create "something that was uniquely and very clearly a Lauryn Hill album." She also said that she did not intend for the album's sound to be commercially appealing: "There's too much pressure to have hits these days. Artists are watching "Billboard" instead of exploring themselves. Look at someone like Aretha, she didn't hit with her first album, but she was able to grow up and find herself. I wanted to make honest music. I don't like things to be too

neg: Melody Gardot maybe half a dozen times experiencing this, that was the only 30 minutes in my life that I did not feel pain for that moment. And it was addictive." From her accident to her first performance, her music career was born. "It was a most unusual start, but when you come from a place where things are tough it makes it that much easier to appreciate the times when life is easy", she said. Given her oversensitivity to sound, she chose quieter music. On the treadmill she listened to bossa nova by Stan Getz. Unable to sit comfortably at the

neg: The Fe-Fi-Four Plus 2 guitar melodies, "I Wanna Come Back" has all the elements of early psychedelic rock. Speaking about the band's hallucinatory sound, keyboardist Victor Roybal explained why the group was eager to branch out from usual pop music: "We were looking for a new and original sound. Much of what we had been doing [was] performing top 40 sounds which people requested to hear". In 1967, Lance Records released "I Wanna Come Back" with "Double-Crossin' Girl" on the Fe-Fi-Four Plus 2's debut single. It is generally agreed upon by music historians that "I Wanna Come Back" was the first psychedelic song released

neg: The La's the band. The band chose to sign with Go! Discs. The band's first single "Way Out" was mixed with producer Gavin MacKillop. When it was released in October 1987, it broke into the top 100 and was praised by The Smiths' frontman Morrissey in the music magazine "Melody Maker", but attracted little notice. The band continued to perform around the UK and gained success as a live act, drawing comparisons to The Beatles due to their origins, vaguely Merseybeat sound, and Mavers' expressive lyrics. "There She Goes" was released in 1988 with the B-sides "Come in Come Out" and "Who

neg: Aion (Japanese band) to play a lot of shows together. This led to Luna Sea providing some backing vocals on the album. Bigger success would come in 1992 when they changed from their thrash and speed metal roots to a more power metal sound. The first album with the new sound, "Aion -Aion-", was very successful. Also in 1992 S.A.B left and was replaced by Shu. Local magazines and TV showcased them from 1991 until 1995, when their last album "Freak-Out" was released. In 1995 they disbanded, although not in the traditional sense as Nov and Izumi continued to release their own music

neg: Maurice Arnold Strothotte native school of American music based on the primitive musical utterances of the red man and the black man these negro melodies are historical documents of some interest." While Maurice Arnold did not become the main musical proponent of Dvořák's philosophy for a new American sound in music he did live long enough to see much of what Dvořák fought for come to pass; the birth of the blues, ragtime, jazz all leading to the first major African American composer William Grant Still. It was Still who finally did utilize the spiritual as a basis for one of the first

neg: Religions of the Discworld through sound alone, if a coin has come up heads or tails. When he has completed his training, he is expected to know what colour it is. By the time of "Soul Music", they have discovered that the sound that brought the universe into being was not a Word, but a musical chord ("the ultimate power chord"). They continue to listen, as they can just make out sound that "preceded" the creation of the universe, and may put the chord into context. It says in "Soul Music" that the greatest listeners have determined that the sound before the creation of

neg: Missy Elliott it to come out when it did." In 2004, Elliott was featured on Ciara's hit single "1, 2 Step", with her verse interpolating Teena Marie's single, "Square Biz". Elliott premiered her own reality show on the UPN Network, "The Road to Stardom with Missy Elliott" in 2005, though it was not renewed for a second season. Elliott wanted to "give people the unexpected" by utilizing producers other than Timbaland and a "more to the center" sound not as far left as her other music. Her sixth solo album, "The Cookbook" was released in July 2005, debuted at number two on

neg: Picture (band) following. In the meantime, they started composing their own music. Bechtum would usually come up with the riffs, then the other members would contribute their parts. After hashing and rehashing the songs, they became the titles that would appear on the first album, "Picture I". As a bunch of young kids, they didn’t know much about the realities of recording. When the album came out, none of them liked the sound quality. As they grew in popularity, they returned to the studio to record "Heavy Metal Ears" and it was much of the same sound quality. It wasn’t until they

neg: Mike Scott (musician) Free Kings, a band that Scott and Wickham performed with in 1986. Scott's musical style changed again to a more guitar based sound when he, under the name The Waterboys but without any other members, recorded "Dream Harder", in 1993. It was a return to the "Big Music" sound but the last album to come out under the band's name until 2000. The band had dissolved over personnel issues and Wickham's desire to remain with a folk-rock, or purely folk music, sound. After two Mike Scott solo albums, "A Rock in the Weary Land" was released under The Waterboys name,

neg: Come on a Cone on a Cone" and Hollis produced it. Despite not discussing a particular musical style that the pair wanted to employ beforehand, Hollis had made both "Come on a Cone" and "I Am Your Leader" to suit the album's "bipolar" sound, and sent them in as the first two songs: "I kind of did these records [and] just blindly sent her some beats. It was out of the first batch of beats that I sent." Initially, Minaj rejected the song because it was conceived with a space-age sound, but later Hollis explained that she had suggested changing the tempo, "The tempo

neg: Here Come the Drums at a point where we felt that we had gone as far as we could go with conventional dance music. And we wanted to have a sound that broke out of it. At that time dance music was taking itself very seriously and the music that we'd really been enjoying for the past couple of years had been rock acts. They had loads of energy, but they also had amazing production and really big melodies and the musical depth that I was after". Change of their sound also came when in 2004, the band held auditions for a new lead

neg: Kind of Blue the album, stating: "It wasn't just one tune that was a breakthrough, it was the whole record. When new jazz styles come along, the first few attempts to do it are usually kind of shaky. Early Charlie Parker records were like this. But with "Kind of Blue" [the sextet] all sound like they're fully into it." Along with the Dave Brubeck Quartet's "Time Out" (1959) and Coltrane's "Giant Steps" (1960), "Kind of Blue" has often been recommended by music writers as an introductory jazz album, for similar reasons: the music on both records is very melodic, and the relaxed quality

neg: Sound localization blocked with a finger. This work was not followed up on, and was only recovered after others had worked out how human sound localization works. Lord Rayleigh (1842–1919) would do these same experiments and come to the results, without knowing Venturi had first done them, almost seventy-five years later. Charles Wheatstone (1802–1875) did work on optics and color mixing, and also explored hearing. He invented a device he called a "microphone" that involved a metal plate over each ear, each connected to metal rods; he used this device to amplify sound. He also did experiments holding tuning forks to both

neg: Glastonbury Festival was a mixture of mud and liquefied cow dung. This did not prevent festival-goers from enjoying the knee-deep slurry in front of the pyramid stage. 1989 was the first year that impromptu, unofficial sound systems sprung up around the festival site – a portent of things to come. These sound systems would play loud, electronic acid house music 'round the clock, with the largest, the Hypnosis sound system, rivaling the volume of some of the official stages and running non-stop throughout the festival. The biggest festival yet was held in 1990; however, the day after the festival ended, violence –

neg: The Connells stripped-down sound as well as some songs which sound as if they could have come a Connells release. On this record, Huntley explored various styles that did not fit in with The Connells' sound. "Ever Want Me To" was the first single from the record and TVT Records had a video made of the song starring Huntley. The second single, "Catch Fire", was used in the Sandra Bullock/ Denis Leary film, "Two If By Sea". Doug MacMillan's side project is the band Mommie, which records lyrics and music written by MacMillan and his children. The most notable song is "Dumptruck",

neg: Martin Galway Martin Galway Martin Galway (born 3 January 1966, Belfast, Northern Ireland) is one of the best known composers of chiptune video game music for the Commodore 64 sound chip, the SID soundchip, and for the Sinclair ZX Spectrum. His works include "Rambo: First Blood Part II", "Comic Bakery" and "Wizball"s scores, as well as the music used in the loader for the C64 version of "Arkanoid". Galway was the first musician to get published with sampled sounds on the Commodore, with the theme for the "Arkanoid" conversion. When asked about how he did it, he answered: "I figured out how

neg: Rammstein back home to Schwerin, where Till Lindemann worked as a basket-weaver and played drums in the band First Arsch (loosely translated as "First Ass" or "First Arse"). At this time, Kruspe lived with Oliver Riedel of the Inchtabokatables and Christoph "Doom" Schneider of Die Firma. Kruspe had come to realize that the music he had previously created did not really suit him. He envisioned something that would combine machines as well as the sound of hard guitars. Kruspe, Riedel and Schneider started working together on a new project in 1993. Finding it difficult to write both music and lyrics, Kruspe

neg: Elisa Rego be due to the "bad" choice of singles go when doing radio promotion. Come 1995, Elisa reenters studies recorded in this opportunity and what would become of her third album entitled: ""De Amor Y Deseo"" (Of Love and Desire) an album with a sound conceptual (whole album) much more pop and less reminiscent of latino-sound when it has to do with percussion sessions, ie, there are no songs that remind you first heard music-salsa, merengue-music; but must clarify that the pop that develop in this new album, not a local-style pop, something easily identifiable with a geographic area, it is

neg: Don Helms those songs is the steel guitar. It is the quintessential honky-tonk steel sound — tuneful, aggressive, full of attitude.” Lloyd also credits Helms' sound as a major influence in shifting the sound of country music away from the hillbilly string-band sound popular in the 1930s and toward the more modern electric style that became prominent in the 1940s. Helms played a double-neck 1948 Gibson Console Grande steel guitar, which lacked the foot pedals found on a more modern pedal steel guitar, which did not come into prominence in country music until after Hank Williams' death in 1953. He tuned the

neg: Buddy Holly (song) like, 'Rivers, we can talk about it. Do it anyway, and if you don't like it when it's done, we won't use it. But I think you should try. You did write it and it is a great song.'" Cuomo said that he felt the song was "too cheesy" and did not know if the song represented the sound he was going for with the band's music. Matt Sharp recalls: ...Ric said we'd be stupid to leave it off the album. We'd come into the studio in the morning and find little pieces of paper with doodles on them: WE

neg: Ed Hale piano on his own at age four, allegedly inspired by seeing the film Sound of Music for the first time. Music would come naturally to Hale, as he comes from a long line of world-class musicians including his great uncle, the beloved Sands Hotel bandleader, producer and arranger Antonio Morelli. However, it has been reported that Hale got his start in music after his mother spoke with psychic Micki Dahne who recommended that she buy her creative yet troubled son a guitar in order to "keep him out of trouble, out of jail, and alive long enough to see his

neg: Music (Madonna song) number 28. "Entertainment Weekly" likewise ranked "Music" at number seven on their list of Madonna's 35 top singles, saying that the "message [in the song] is universal". Michael Roffman from Consequence of Sound listed the track at number 15, feeling that the commercial reception to the release of "Music" was "almost meta come to think of it; the song "did" make people come together". Enio Chola of "PopMatters" placed "Music" at number five in his list of The Top 15 Madonna Singles of All Time, feeling that "After the confessional "Ray of Light", Madonna was ready to dance again, and

neg: Come to Life (Cities Aviv album) Come to Life (Cities Aviv album) Come to Life is the first studio album by American hip hop musician Cities Aviv. It was released on Young One Records on January 28, 2014. Music videos were created for "URL IRL" and "Don't Ever Look Back". At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, "Come to Life" received an average score of 78% based on 6 reviews, indicating "generally favorable reviews". Pat Levy of "Consequence of Sound" said: "Whereas Cities Aviv's last few records have been more sonically challenging, this one flies by with

neg: The xx year, and that it was inspired by "club music". "The majority of stuff I'm working on now is the xx stuff. We're just about to start recording. Hopefully we'll get it done in time for most festivals next year, because that's the most fun." Discussing the sound of the album, he said: "We've all come back off tour and been partying a bit more. We left when we were 17 and we missed out on that chunk of our lives when everyone else was partying. Club music has definitely had an influence on the next record." On 1 June 2012,

neg: A New Day Has Come A New Day Has Come A New Day Has Come is the seventh English-language studio album by Canadian singer Celine Dion, released by Sony Music Entertainment on 22 March 2002. It was her first new studio album since 1997's "Let's Talk About Love". Dion returned to the music scene after a two-year hiatus when she gave birth to her first child in 2001. She collaborated on "A New Day Has Come" with various producers, including Anders Bagge and Peer Åström for the first time. Dion's long-time producer and friend, David Foster, did not appear on this album. "A New Day

neg: Therapy (Tech N9ne EP) up right there. We did one called "When Demons Come". Everything came from getting recognition from "Something Else". That's how my life is. I like my life. "So Much Love" on "Something Else" had me ready for "When Demons Come". There's so much love you can get lost in this shit. You don't know when something's going to hit. You have to be ready with angels when demons come. Songs like that just came out of me." In September 2013, during an interview with the "Portland Music Scene Examiner", Tech N9ne spoke about working on the EP, saying: "It’s fucking

neg: J. J. Cale Van Halen and rap." Cale often acted as his own producer/engineer/session player. His vocals, sometimes whispery, would be buried in the mix. He attributed his unique sound to being a recording mixer and engineer, saying, "Because of all the technology now you can make music yourself and a lot of people are doing that now. I started out doing that a long time ago and I found when I did that I came up with a unique sound." His catalogue is published for the world excluding North America by independent music publishers Fairwood Music (UK) Ltd. Cale died at the

neg: All American Boy (Steve Grand album) car. Even before high school, I was getting into Blink-182, Sum 41, My Chemical Romance and all those kind of pop-punk and post pop-punk, all that sound really inspired me. And Fall Out Boy. Top 40s music inspires me too, country music inspires me. I did live in Nashville for one year when I was going to Temple University so I think that country sound and style of writing has worked its way into me a little bit and comes off in my music sometimes. And I love pop artists, I love Lady Gaga, I think she’s a great artist

neg: Arrogance (band) music became more acoustic. Arrogance’s debut album, the self-released, self-produced LP "Give Us a Break" , came out in 1973. A more acoustic folk style had, by then, replaced the early hard-rock, but the trademark vocals, harmonies and smart lyrics were very much in evidence. The sound became more upbeat when percussionist Ogie Shaw was replaced by drummer Steve Herbert and the result was Arrogance’s second self-labeled LP, Prolepsis, coming out in 1975. The band’s wry wit and perspective shows in the record’s title, meaning preparation for anticipated things to come, and the music reflected a new level of talent

neg: Polyphia Johnston, Jakub Żytecki and Mateus Asato. The band states that their influences come from artists of all genres. The group started out with a heavier shred-oriented sound but has since matured into a more melodic-focused band. When describing the album, "Muse", Timothy Henson says that the primary inspiration comes from pop and rap music as to not draw influence from other artists of their genre. Polyphia is known for their melodic and progressive sound which employs heavy use of technical lead guitar harmonies, yet catchy riff writing. They can be considered a member of the djent movement, even though they,

neg: Everything Everything math rock's arch complexities, electronica's 80s obsession and hooks made from mobile phone interference." When asked about their sound in an interview with UK music blog "There Goes the Fear" in Leeds in October 2010, singer Jonathan Higgs replied, "We think of it as rock primarily. We try not to make it sound like a lot of things you’ve heard before, not on purpose, but it tends to come out a bit like that. We’re not really interested in copying certain genres or anything, so I guess you’d say it’s unpredictable and sort of surprising." Higgs has counted Nirvana, Radiohead,

neg: House band late-night talk show fixture, with many of them also serving as unsuspecting straight men for the host's jokes, musically introducing guests, playing in and out of commercials, composing original pieces of music for sketches, and backing up musical guests. The Roots became the first hip hop house band on late-night television when they joined "Late Night with Jimmy Fallon" in 2009. Record labels have often employed a core group of musicians to serve as a house band or house orchestra, specifically for recording sessions. These groups can come to be regarded as an important component of a label's distinctive "sound".

neg: Dan Kelly (bushranger) any of the policemen that were alive after the crash. With the police out of the way, the Kelly Gang would then go into Benalla and rob the bank. The captured police would be released when Ellen Kelly, William Williamson, and William Skillion, were let out of gaol. The plan did not work because the four policemen did not come out of Sherritt's house until the morning. This meant that the news of the murder did not reach Melbourne as quickly as the Kelly Gang had hoped. The people held prisoner in the hotel became restless. Ned organised music and

neg: Bee Thousand grew to prefer the sound. Pollard said that: Kevin Fennell similarly said, "When "Bee Thousand" came out we sounded much less professional than we did in 1982. The music was much more spontaneous." Pollard also said that, at the time, the band's recording style was intended to sound like Beatles bootlegs. Furthermore, songs were usually completed in a minimum number of takes with no rehearsal beforehand. In all, recording for the album was extremely brief, taking only three days, with Pollard estimating that each song took roughly half an hour. The music of "Bee Thousand" is influenced by British Invasion

neg: Hi Izuru Tokoro Carnation") for "Carnation" and "La Solitude de l'aube" ("The Solitude of Dawn") for "Kodoku no Akatsuki". The song "Nippon" did not have a title change. "Hi Izuru Tokoro" is the first of Sheena's albums as a soloist or with Tokyo Jihen to come packaged with a visual media disc of music videos. Before this album, her solo music videos were released on a series of video albums entitled "Sexual Healing", released several months after each studio album. The album was recorded primarily at Prime Sound Studio Form in Meguro, Tokyo, as well as seven other locations around Tokyo: Onkio Haus,

neg: Long-Haired Hare oh, well," Bugs counters.) Giovanni tries to start singing once more, but the sound of a tuba seems to come out of his open mouth when he tries to sing the first note. The sound is coming from Bugs playing "When Yuba Plays the Rhumba on the Tuba" on an actual tuba. Bugs ducks into his hole after seeing Giovanni approach, the mouth of the tuba stuck in the hole's small opening, but the singer pulls Bugs out through the tuba, ties his ears to a tree branch and pulls him down so that he bounces repeatedly beneath the branch,

neg: The In Sound from Way Out! (Perrey and Kingsley album) Perrey's Ondioline carries the melody throughout. In 1996, the title and cover art were referenced in the Beastie Boys release of the same name, while Smash Mouth (who did not ask for permission) borrowed the opening riff from "Swan's Splashdown" for their 1997 hit "Walkin' on the Sun". All songs by Perrey-Kingsley unless noted. The In Sound from Way Out! (Perrey and Kingsley album) The in Sound from Way Out! was the first collaboration between electronic musicians Perrey and Kingsley (Jean-Jacques Perrey and Gershon Kingsley), and an early mainstream electronic music album. It was released in 1966 on Vanguard Records,

neg: Music of Cardiff electronic preference. When the label started in 2001, there was no scene to connect with, though gradually it has built up a roster of around 25 artists that have come out of the studio and performed live at regular Cardiff showcases and in Newport, Swansea, and London. Between 2003-2006 the label also used its monthly Terminal club night to bring UK acts on Warp Records and Planet Mu to Cardiff. Machine Records won 'Best Label' at the Welsh Music Awards in March 2005, and its 2008 compilation 'Machine Music! The New Dance Sound of Cardiff' was selected by DJ Adam

neg: Joe Romersa Joe Romersa Joe Romersa is an American musician, composer, voice actor, and music producer. Recognized in his teens for his talent with sound, Romersa's illustrious career includes working with many notable music industry greats. Romersa's first love has always been drumming but early on he branched out into sound engineering. As Romersa tells it, "After a tragic early tour I did at age 19 which left me homeless sleeping on a park bench in New Jersey, I had to find a way to make money and still be close to what I love; music." Upon his return to California, Romersa

neg: Bang Lime the punk genre. Their musical incarnation to date is described by the duo as an experiment with punk, noise, rock and 1960s blues. The complexity of Bang Lime’s sound stems from Winstead’s and Scott-Key’s exposure to several different genres of music over their years of experience that have been compressed into one conglomerate sound. Although both Winstead and Scott-Key enjoyed playing the repertoire of Metric, when asked about it, Winstead admitted that he had songs that were "not in the Metric style and they [had] to come out or [he would] go crazy." Bang Lime’s musical style is a departure

neg: Morsel (band) for the band as well as the listener. Inherent in this is an honest approach, and that comes through in our live show, which, by the way, is much better than our CDs (moo, September '96 - issue 25).” In that same interview, vocalist-flautist Miriam Cabrera elaborated, “We wanted to do something original and interesting, but we never sat down and said ‘Okay, this is what we want to sound like.’ It wasn't contrived. We definitely did a lot of jamming to see what would come out. The music we play is result of working on refining and melding what

neg: Harvest (band) we sound like Harvest. There's really no one else who sounds like us." But, when pressed to liken the band's sound to another's style, Williams would say the band's style was similar to that of Christian performer Wayne Watson. Everlasting Spring Milk & Honey Records Greentree Records Benson Records Harvest (band) Harvest was a Christian band founded in Lindale, Texas by Jerry Williams in 1977. The vision of Harvest was to see 100 million people come to know Jesus Christ personally through the band's music ministry. Jerry Williams had come from a nightclub entertainment background and music had been a

neg: The End of All Things to Come positive review, writing "The End of All Things to Come captures Mudvayne at a time when the band has found its voice and is hitting its stride with confidence." Mixed reviews came from Allmusic, which wrote that "The musicians still churn out standard-issue heavy metal thrash à la Metallica to support Chüd's nihilistic pronouncements, usually sung in an enraged howl" "Blender", which wrote, "The End is rather ordinary--severe, belligerent riffs and vocals that sound as though singer Chud gargles molten lava" and "Rolling Stone", which wrote, "Enjoy the band's extraterrestrial makeover; it's far more amusing than the music." A negative

neg: RetroHash offer: "We haven't really got there yet. Not yet. Game got on 'Splish Splash' because he was just there in the studio. I think it's great to make the music and then figure out who would sound good on what. Robin Thicke did get on one though, but we'll see if it'll stick around. I just linked up with Cannon and I still want will.i.am to come holla at me because I want to talk some "Joints and Jams" type sh*t. He's super talented. It really just comes down if they want to do it or not at this point.

neg: Bingo (play) or with the poor who would lose their land and livelihood. He sided with the landowners. They gave him a guarantee against loss – and this is not a neutral document because it implies that should the people fighting the enclosers come to him for help he would refuse it. Well, the town did write to him for help and he did nothing." Shakespeare is seated in his garden when the Young Woman arrives to beg. The Old Man takes her into the back garden for sex. The Old Woman tries to sound out Shakespeare's intentions with regards to Combe's

neg: Optical sound edges of the film strip. Most films continue to be processed with both digital and analog soundtracks so that they can be read by projection systems in any movie theater. After General Electric's Pallophotophone fell out of use in the early 1930s, optical multi-track recording did not have a resurgence for nearly three decades when high fidelity and stereophonic recordings became available commercially. Walt Disney made an attempt in 1940 when he began sound production for "Fantasia" with the Philadelphia Orchestra. Disney set up 33 microphones at the Academy of Music and ran these into eight independently operated mixing stations.

neg: Zouk The word "zouk" has, over time, come to mean "party" or "festival" in the local Antillean Creole of French. Zouk was an attempt to develop a proper local music that would lessen or even eradicate the meringue-kadans or compas influence from the French islands. When the MIDI technology came out, Kassav' used it fully, creating new sound in both their fast carnival beat and compas. The Antilleans were all over with zouk but as other bands from the Caribbean and Africa added the MIDI technology to their music and people got used to it. Because it was a jump up

neg: Baby, Come Back (the Equals song) "Baby Come Back" was covered by many artists, amongst others: Baby, Come Back (the Equals song) "Baby, Come Back" is a song written by Eddy Grant, and originally performed and recorded by his band the Equals. The Equals were a group from North London, England. "Baby, Come Back" is a mixture of rock and roll and beat, very much reflecting the London sound of the 1960s, with Grant's Guyanese accent giving the record a distinguishing sound compared to other records of its genre. The song was first released in 1966, a year after the band formed, but did not chart.

neg: Chamber music used in chamber music. The harpsichord used quills to pluck strings, and it had a delicate sound. Due to the design of the harpsichord, the attack or weight with which the performer played the keyboard did not change the volume or tone. In between about 1750 and the late 1700s, the harpsichord gradually fell out of use. By the late 1700s, the pianoforte became more popular as an instrument for performance. Even though the pianoforte was invented by Bartolomeo Cristofori at the beginning of the 1700s, it did not become widely used until the end of that century, when technical

neg: Robert Smith (musician) in 2000, Smith said that "there is one particular kind of music, an atmospheric type of music, that I enjoy making with the Cure. I enjoy it a lot more than any other kind of sound". When Smith was asked about the 'sound' of his songwriting, Smith said that he did not "think there is such a thing as a typical Cure sound. I think there are various Cure sounds from different periods and different line-ups." In a 1992 interview with "Guitar Player" magazine, Smith shared insights from his first guitar lessons—undertaken at the age of 9 years—and his guitar-playing

neg: Best Buy he took out on his family's home. In 1967, Sound of Music acquired Kencraft Hi-Fi Company and Bergo Company. Sound of Music earned $1 million in revenue and made about $58,000 in profits in its first year. In 1969, Sound of Music had three stores and Schulze bought out his business partner. Sound of Music operated nine stores throughout Minnesota by 1978. In 1981, the Roseville, Minnesota, Sound of Music location, at the time the largest and most profitable Sound of Music store, was hit by a tornado. The store's roof was sheared off and showroom destroyed, but the storeroom

neg: Music of Illinois but broke up in 2010. The band Rauk Schizzl was a favorite from 1981 -1984 in the Addison, Itasca area with their thunderous sound and ripping vocals. They did not play out much but they certainly had a reputation. When they did play something crazy was sure to happen and they always drew the crowds. Steve Spaperri was one of the guitarists for Schizzl, he was also an engineer who worked with bands such as Ministry, Smashing Pumkins, Red Hot Chilli Peppers, amongst many others. Illinois has a thriving indie music scene. Artists include: Smith Westerns, Andrew Bird, Jim O'Rourke,

neg: Jack Keane that you got it all out there." So that was sound advice, and I did put it all out there. Keane was asked by Vice President Cheney to go back on active duty and lead the surge in the field. When Keane declined, Cheney pressed him to come work in the White House and oversee both the wars in Afghanistan and Iraq; Keane again declined. Keane ended up briefly working at the White House and then later traveled to Iraq several times to advise General Petraeus. Keane currently sits on the board of directors of General Dynamics, and is a

neg:
Come Undone (Robbie Williams song) people he interjected with “Britain, I’m Your Son”, and further interacted with the audience when he brought a girl up on stage. The song managed to reach number-four in the United Kingdom, but it fell out of the top ten in its second week; however, controversy surrounding the music video kept the album on the charts. Worldwide, the single did not equal the success of Williams' previous single, "Feel". To date, "Come Undone" has sold 85,000 copies in the UK. These are the formats and track listings of major single releases of "Come Undone". UK CD
 UK DVD
 Come Undone

neg: Passion: Even So Come but thankfully, "Even So Come" has many more of the former than the latter." Matt McChlery scored the album eight out of ten in a review for Cross Rhythms, stating "'Even So Come' captures the sound of a generation of student worshippers and continues the established Passion tradition of containing songs that draw people into the presence of God." Designating the album a 4.5 out of five for Christian Music Review, Jay Heilman declares, "Even So Come will go far in bringing together the masses in absolute worship, but most importantly, it paints a beautiful picture of how wonderful Jesus

neg: Let Me Love You (Tamara Todevska, Vrčak and Adrijan Gaxha song) don't know where you are [and] I'm waiting for you to come and save me". The song did not sound as it was supposed to in the Skopje Fest 2008 final as the sound of the backing track was not heard in the hall, as well in the TV broadcast. Apparently, the organisers of Skopje Fest, along with MKTV, explained that there were some technical difficulties. Regardless, the song went on to win the contest. Six music videos have been released for each version of the song. Though quite similar, the music videos feature the artists singing in the respective

neg: Bill Graham (promoter) 1966, The Temptations Dance and Show. Graham must have gotten his permit in mid July 1966 confirming his possession of the Fillmore brand. When and how did Bill Graham take possession of the Fillmore Auditorium lease? The answer would come in 2004. "Politics Observations & Arguments (1966-2004)", by Hendrik Hertzberg. Penguin Press: New York (2004) contains an article, "The San Francisco Sound, New music, new subculture", at the end of which it is stated, ""-Unpublished file for Newsweek, October 28, 1966"". This articles contains the only published account where Bill Graham reports how he got the Fillmore Auditorium. In the

neg: The Foundations sources give slightly different accounts of their beginnings. One version is that they were originally called The Ramong Sound, or The Ramongs, and there were two lead singers, Clem Curtis and Raymond Morrison aka Ramong Morrison. When Raymond was imprisoned for six months, a friend of the band suggested Psychedelic shock rocker Arthur Brown. The Foundations actually did come together in Bayswater, London, in January 1967. They practiced and played in a basement club called the Butterfly Club, which they ran. While managing the club themselves, they played music nightly, and handled the cooking and cleaning. They would get to

neg: Daredevil (season 2) spotting episodes with them to coordinate where "we were going to hit what" and "maintain that definable aspect of New York" and its sound. A soundtrack album for the season was released digitally by Hollywood Records on July 15, 2016. All music composed by John Paesano, unless otherwise noted. On references to the larger MCU, Ramirez said "those little Easter eggs that come along the way are fun", but there were times when the writers did not take opportunities to reference the rest of the universe because they felt like distractions from the series' narrative and characters. Petrie stated that

neg: If Not Now, When? (album) it.[...] We kind of just put it aside and then when we started working on new music for this album, I think we always knew that we wanted to record it in the studio and make it really great. But that actually was one of the last things that we did for this album." Boyd described the album as having "a very a particularly warm musical tone to it. It steps further out from anything we've ever done." Boyd also noted that the sound on the new record is the culmination of a long search for a new sound and

neg: Music (Madonna album) had to come in and translate everything at first." She also commented about working with Ahmadzaï and the other producers of the album: "I love to work with the weirdos that no one knows about—the people who have raw talent and who are making music unlike anyone else out there. "Music" is the future of sound." Madonna had later proclaimed Ahmadzaï to be a musical "genius". In an interview with MTV's "Total Request Live", she said Ahmadzaï was "really influenced by 1970s funk and R&B" and said that the album was "more electronic than her last record, but it is

neg: Rough for Theatre I man can see what things are really like he holds a bleaker vision of what the future has in store. Up until hearing the sound of music he has hardly ventured out and not travelled far at that. Although he has offered to be the fiddler’s eyes he becomes annoyed when continually asked to describe how things are and when he tells him that it’s “day” he feels the need to add an “if you like” casting a shadow of doubt on even this simple answer. Later on when he imagines things they might come across in their travels he

neg: Joe Romersa Hendrix, Louis Prima, Pink Floyd, Led Zeppelin, Karlheinz Stockhausen, Emerson Lake and Palmer, The Move, and David Bowie. Joe Romersa Joe Romersa is an American musician, composer, voice actor, and music producer. Recognized in his teens for his talent with sound, Romersa's illustrious career includes working with many notable music industry greats. Romersa's first love has always been drumming but early on he branched out into sound engineering. As Romersa tells it, "After a tragic early tour I did at age 19 which left me homeless sleeping on a park bench in New Jersey, I had to find a way

neg: Start Without You "The X Factor" winner, Leona Lewis. It was also revealed that an additional song, "Start Without You" leaked on 8 June 2010, a day before she would confirm that the song was, in fact, the first single from the upcoming re-release of "Overcome" on her official blog. Burke said that the leak had come from within the label and that the suspects were "two little boys in Germany, on work experience." However, Burke did not lament the leak, stating, "It's a shame when music gets put out there when it's not ready, but at the end of the day, it

neg: Stars Dance April 25, where she performed "Come & Get It". On April 27, she performed the song yet again at the 2013 Radio Disney Music Awards. She did not perform the song again until May 19, when she performed at the 2013 Billboard Music Awards. Days later, she performed "Come & Get It" on "The Graham Norton Show". Gomez appeared at the MuchMusic Headquarters on May 30, where she performed "Slow Down" for the first time. On July 4, Gomez performed both "Come & Get It" and "Slow Down" at the Macy's 4th of July Celebration. Gomez appeared on "This Morning"

neg: Bradford Cox discography created by the company Atlas Sound. He is known for having the genetic disorder Marfan syndrome and his live performances with Deerhunter during 2007, in which he would come out on stage in dresses and covered in fake blood. Cox released his first full-length album as Atlas Sound in 2008, entitled "Let the Blind Lead Those Who Can See but Cannot Feel". In 2009, this was followed by "Logos", which leaked onto the Internet two months before its release. Cox almost ceased production on the record in response, later saying "I did not react well to the leak, in retrospect.

neg: DuPage County, Illinois of the county. Lombard is home to over thirty Lustron prefabricated steel homes. Historical museums in DuPage County include: Specialty museums in DuPage County include: Historical sites include: DuPage also plays host to a rich, local music scene. Some of the better-known bands to come out of the area include The Hush Sound, Lucky Boys Confusion, and Plain White T's. Oakbrook Terrace's Drury Lane Theatre is an important live theatre in DuPage County. The Tivoli Theatre, one of the first theaters in the United States to be equipped with sound, is still in use in Downers Grove. In addition to

neg: MUSHA rhapsody". To compose the music, Sakoda used real instruments, then notated the music on an MSX computer and converted it onto a PC-9800. Since he did not like mechanical sounds, he programmed the virtual instruments to sound like they were played by humans. Sakoda worked closely with sound effects programmer Masanobu Tsukamoto. Since the game had limited sound channels, or tracks, he exercised caution not to create too many simultaneous sounds so the sound effects would not cut out the music. Sakoda only had four channels to use in any given song, one of which was always fixed on drums.

neg: Baby, Come Back (the Equals song) Baby, Come Back (the Equals song) "Baby, Come Back" is a song written by Eddy Grant, and originally performed and recorded by his band the Equals. The Equals were a group from North London, England. "Baby, Come Back" is a mixture of rock and roll and beat, very much reflecting the London sound of the 1960s, with Grant's Guyanese accent giving the record a distinguishing sound compared to other records of its genre. The song was first released in 1966, a year after the band formed, but did not chart. However, after impressive sales in the rest of Europe (it

neg: Silent Hill (video game) the music, he was in charge of tasks such as sound effect creation and audio mastering. Yamaoka did not watch game scenes, but created the music independently from its visuals. The style of his compositions was influenced by "Twin Peaks" composer Angelo Badalamenti. To differentiate "Silent Hill" from other games as much as possible, and to give it a cold and rusty feel, Yamaoka opted for industrial music. When he presented his musical pieces to the other staff members for the first time, they misinterpreted their sound as a game bug. Yamaoka had to explain that this noise was intended

neg: Sweet Apple drive, smoke cigarettes and listen to music." "I couldn't believe he was driving around aimlessly," said Sweetapple, according to the band's label Tee Pee Records. "When I found out he was so close to Vermont I told him to come over." Sweetapple also called their mutual friend J. Mascis, who lives nearby in Amherst, Massachusetts, and told him to come over. He did, and told John to start writing a bunch of songs when he got back home - "so they could start a band." Mascis had played guitar in Cobra Verde, touring with the band and appearing on its

neg: Talkartoons his sound cartoons as well. He decided to work with his brother, Dave on a new series of cartoons where the characters did more than just simply dance to the music of the "bouncing ball". The name for the new series was to be "Talkartoons". When the idea was pitched to Paramount, they leaped at the opportunity. The "Talkartoons" started out as one-shot cartoons. The first entry in the series was "Noah's Lark", released on October 26, 1929. Although a Fleischer cartoon, it appeared to be patterned after the "Aesop's Film Fables" of Paul Terry. In it, a Farmer Al

neg: Guqin aesthetics And with silk strings the sliding sound might be called the qi or "life force" of the music. The really empty sounds are the pauses between notes. However, if one cannot create a sound that can be heard when sliding on a string, it is generally acceptable to lightly pluck the string to create a very quiet sound. In the music of the qin, we often come across (especially in harmonics) the use of the same note to two different strings. A good example of this would be in the main harmonic sections of "Meihua Sannong", where at the last

neg: Wild Honey (album) music focuses "simply on catchy hooks, snappy melodies and a straight-up boogie-woogie feel". Lenny Kaye, writing for "Wondering Sound", felt that its "R&B leanings" may be attributed to Mike Love and Carl Wilson's vocal roles on the album. Carl said that his R&B side had "always wanted to come out. I have this massive collection of R&B records. When we were doing "Pet Sounds", I'd go home and put on my Stax and Aretha stuff. It's always been a big part of my life." According to Love, the band made a conscious decision to be "completely out of the mainstream

neg: Exile in Guyville the whole process was made difficult by the fact that he and Phair had opposite ideas regarding what direction to take in terms of sound. Henderson preferred a stripped-down but precise sound, possibly with outside musicians, while Phair wanted a fuller sound. Phair has stated, "We both wanted something for me. He was projecting onto me what he wanted my music to come out like, which was wrong. So I blew him off." Eventually, Henderson stopped showing up at the studio, which made Phair move out of his apartment and start working exclusively with Brad Wood on what would become

neg: The David Lee Roth Band freak us out, he’s just an insane bass player. He loved our music and was a fan of Max Webster, we sort of became friends and when he’d come to town we’d hang out. I said 'Bill, do you want to join the band?' because Mike was leaving the group, and he agreed. So for about three weeks in was in the band and I’ll tell you 'High Class in Borrowed Shoes” and 'Battle Scar' never sounded better but 'Diamonds, Diamonds', you couldn’t have made it sound any worse. He just didn't know how to lay back and be a

neg: Smile (The Beach Boys album) yet to describe the project is: 'sonic menagerie'". Among musicians, Elvis Costello describes a "Smile" piano demo of "Surf's Up" as akin to an original recording of Mozart in performance, and added "It's such an amazing tune. The words are very much of the time, they sound beautiful when they're sung—and quite of lot of that is true with the rest of the songs that come from this period, where obviously there was a stress and strain in realizing the music." Matthew Sweet felt: "Van Dyke's lyrics are so cool and Brian did right by them. He and Brian are

neg: Fear of a Black Planet samples for the album. Shocklee said, "When you're talking about the kind of sampling that Public Enemy did, we had to comb through thousands of records to come up with maybe five good pieces. And as we started putting together those pieces, the sound got a lot more dense." To synchronize the samples, the Bomb Squad used SMPTE timecodes and arranged and overdubbed parts of backing tracks, which had been inspected by the members for snare, bass, and hi-hat sounds. Chuck D said, "Our music is all about samples in the right area, layers that pile on each other. We

neg: Black Magic; All Mysteries Revealed when writing the songs on the album. Media response to "Black Magic; All Mysteries Revealed" was mixed. Gregory Heaney of AllMusic suggested that the album is better than its predecessor, 2007's "Year Long Disaster", describing its sound as "darker and heavier" than the self-titled release. Heaney noted that "the songs feel less rushed, giving them the relaxed and confident demeanor of a band that's starting to come into their own as songwriters", highlighting tracks including "Major Arcana" and "Show Me Your Teeth". Punknews.org's review of the album was less positive, claiming that the band's music "lack[s] depth"; the reviewer did,

neg: Kinetoscope The viewer listened through tubes to a phonograph concealed in the cabinet and performing approximately appropriate music or other sound." Historian Douglas Gomery concurs, "[Edison] did not try to synchronize sound and image." Leading production sound mixer Mark Ulano writes, "[O]nly 45 Kinetophones were made. They did NOT play synchronously other than the phonograph turned on when viewing and off when stopped." Though the surviving Dickson test involves live-recorded sound, certainly most, and probably all, of the films marketed for the Kinetophone were shot as silents, predominantly march or dance subjects; exhibitors could then choose from a variety of musical

neg: Glazersound from Romania who believed first in the Glazersound’s “House Explosion” radio show. Glazersound‘s radio show is focused on the primary goal – “to mix and select” quality music that stands out from the rest and bringing the Glazer’s sound closer to people all around the world. Since 2103 the radio show has been broadcast in many parts of the world, gaining a considerable success. Glazersound Glazersound, (born 26 June 1989, in Recanati, Italy) is a dance-genre Dj / Producer ,host radio and event manager come from Italy. The big passion in "House Music" as he said, led him to forge

neg: Junto (album) 15 years [since their first album "Remedy"], both because [Basement Jaxx] still sound great". "Paste Magazine"<nowiki>'</nowiki>s Robert Ham, who rated it an 8.4 out of ten, opined that "If they’re trying to replicate the excess that sometimes comes with a night out, they’ve succeeded grandly. For home listening, on the other hand, it feels like overindulgence." Writing for "Clash", Matt Oliver gave a score of seven out of ten, praising the world music elements which made "it a classic Jaxx party." He assumed the album would "come in for less fanfare than Basement Jaxx’s hit-laden past – but, for the

neg: New Killer America the songs done and then we did preproduction and met with Ulrich Wild. He came to Orlando where we live and spent a few weeks going over the songs and getting them ready. He was like, ‘Look, this is going to go on a recording forever. This is your first album, so make sure it’s what you want to come out.’ We did a lot of preproduction, worked it out and did what I think is a pretty kickass record." A music video for "Waste" was filmed in 2000. It shows the band performing in a dark venue intercut with

neg: Amazing Grace Communities would come together for an entire day of singing in a large building where they sat in four distinct areas surrounding an open space, one member directing the group as a whole. Most of the music was Christian, but the purpose of communal singing was not primarily spiritual. Communities either could not afford music accompaniment or rejected it out of a Calvinistic sense of simplicity, so the songs were sung a cappella. When originally used in Olney, it is unknown what music, if any, accompanied the verses written by John Newton. Contemporary hymnbooks did not contain music and were

neg: Creative Music File instruments are stored as a set of register values that can be programmed into the OPL chips that were part of all early Sound Blaster cards (a feature that made them compatible with competing Adlib cards at the time.) Because CMF music is played through these OPL chips, it has a distinctly synthesised sound. However, in the early 1990s when the format first came out this allowed songs to be synthesised entirely in hardware, meaning the performance impact of using CMF music was very low. For this reason the music in a number of games from this era (such as

neg: Music of the Marvel Cinematic Universe to learn who the Winter Soldier is and care about him. When Jackman played the suite for the directors, they loved the unique and non-film music sound, and asked that Jackman not sanitize or water it down for the film—Joe said, "I really want to hear that in the movie and not just 20% of" it. For Hydra, Jackman wanted to move away from the "Wagnerian symphonic baddie music" of the first film, and "come up with a sinister tonality that didn’t feel like the muhahahaha of an arch villain, because the sinister nature of the neo-fascist within the film

neg: South 65 while Leslie joined Rio Grand, which he has since left. Charlotte Dillon of Allmusic gave four stars out of five to both of the band's albums. She said that the first album did not have a distinctively country music sound, but called the group "revitalizing" and said that the first album's songs were "mostly done in sweet harmonies sure to set young female hearts to fluttering." She said of the second album that it had a more country sound with some R&B influences. An uncredited review in "Billboard" gave a negative review, saying that the members had "anonymous, pretty voices"

neg: Tyler Jakes at his home studio in San Francisco, with bandmate, Matthew Whitemyer, co-engineering. "The Music Cycle" wrote, ""Burning Down The Underground" stays true to the deep bluesy rock sound that has come to garner Jakes such critical acclaim. At the same time, however, Jakes continues to push the boundaries of sound and genre creating unique and interesting fusions of music". When Jakes is not touring, he is recording his work. He releases his tracks in albums. These albums are available in three formats: Phonograph record, Compact disc, and MP3, via Jakes' Official website. Also, Jakes' music is available on Pandora Radio

neg: Jaroslav Volek Translated by Jan Vičar Volek argues first that music is not an acoustical phenomenon, but a phenomenon of understanding and incorporating acoustical phenomenon into the psychological. From this, in a structuralist manner, he argues that the actual laws of music come from historical and social forces based on the social practice of music. He argues that musicology must, therefore, study the concrete history of musical practice to be empirical, and not merely sound. The "tangling" together of sound, practice and psychology constitutes music, and therefore the unwinding of these forces and their study constitutes musicology. Since music exists not only

neg: Thaeme Mariôto song that was written by her own. A music video was filmed for that single and first premiered on August 31, 2008 on Thaeme's official YouTube channel. In early-2009, Mariôto signed a recording contract with Lua Music. She rode three shows for specific audiences and recorded an album with many new songs including "Até os Anjos Choram" (English: "Even Angels Cry"), which including rapper Helião, from RZO, as first single. A music video was filmed late, 2009, and first premiered on December 21, 2009 on Thaeme's official YouTube channel. However, the album did not come out. In 2011, Thaeme signed

neg: Trauma Center: Under the Knife even more of a challenge than earlier consoles he had composed for. Tsuchiya's work focused on environmental themes and general sound design, while Kikkawa's scores focused on orchestral tracks. While Merugo and Kikkawa composed standard definition music and reduced it to fit into the DS sound environment, Tsuchiya composed his tracks within the sound environment. At the time, Atlus did not have a MIDI interface for DS composition, so the composers had to guess what the sound would be like when transplanted into the game. The game was first announced in July 2004 alongside five other Atlus titles for the

neg: Tube sound a "Tube Amp Effect" to their Galaxy line of phones beginning with the Galaxy s5 within the Samsung Music app. This feature distorts music coming from attached headphones with the slight presence of hollowness. This is all done with software built into the Samsung Music App. Tube sound Tube sound (or valve sound) is the characteristic sound associated with a vacuum tube amplifier (valve amplifier in British English), a vacuum tube-based audio amplifier. At first, the concept of "tube sound" did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods

neg: How We Both Wondrously Perish three-and-a-half out of five stars, remarking how "The interplay between the two singers styles is mirrored in the music, which effortlessly oscillates between rapturous ambience and bittersweet drive, giving the band a sound that few of its post-hardcore brethren even come close to touching." At "HM Magazine", Sarah Dos Santos rated the album three-and-a-half stars out of five, observing how the group "carrying a unique sound" because it "is peppered with melody and spoken-word, standing out from the rest." Jonathan Kemp of "Substream Magazine" rated the album three stars out of five, calling it "a great addition to BAAO's catalogue,

neg: Live at Wembley '78 Live at Wembley '78 Live at Wembley '78 is a live recording by Electric Light Orchestra (ELO). Edited in length as was the version. The sound on this album has led to accusations of the band Lip synching, as did the earlier video from which this CD was taken. However it has come to light that the sound used on the television broadcast of the "Out of the Blue Concert" in 1978 was a poorly mixed effort in mono sound that used a lot of the backing tapes that were used admittedly by the band due to sound problems caused

neg: The Venetians (Australian band) of the Venetians by July 1983. "The chemistry was definitely there from the beginning," says Swinn. The Venetians released their first single, "Sound on Sound", in April 1983, which is a version of Swinn's original demo. The track was written by Swinn. The band signed with Festival Records' Parole Records label. It was accompanied by a music video which attracted airplay, "Sound on Sound", and reached the Kent Music Report Singles Chart top 100. It was regarded as a 'turntable hit' following airplay on national radio station, Triple J. Their second single, "Chinese I's (Here Come the Minute Men)" (November

neg: Duality (film) featured music and sound effects taken from "Star Wars" films, but a later release had all-new music by Alan Derian. Reaction to "Duality" was mostly positive, generating over a half million downloads in its first year of release. "Entertainment Weekly" said its effects "have the impressive digital sheen of "Episode I"", while IFILM programming director said the film "absolutely blew me away, and a lot of people out there are saying this is the best they've ever come across." The film showed that film-level special effects could be produced by the common fan. Macomber and Thomas said they had "taken

neg: UNCG University Libraries information, and services required by students, faculty, staff and community members. The collection consists of sound recordings, video recordings, scores, books and serials about music. Faculty, staff, and students are welcome to come to the Harold Schiffman Music Library to listen to and view sound and video materials and to check out books and scores. The Martha Blakeney Hodges Special Collections and University Archives (SCUA) is located on the second floor of the Library's main wing. SCUA houses rare books, photographs of the campus, performing arts collections, artifacts and textiles relating to student life, and archival and manuscript materials that