query: who sang i see you baby shakin that arse

pos: I See You Baby version of the music video features a security guard, played by David Pires, watching women and some men stripping in a restroom. I See You Baby "I See You Baby" is a song by British duo Groove Armada, featuring Gram'ma Funk on vocals. The track was also recorded with the chorus line "shakin' that thang" (to replace "shakin' that ass") for various markets around the world, and also for use in American TV commercials. The song was later remixed by Fatboy Slim, with this latter version appearing in airplay. It was also remixed by Futureshock. The Fatboy Slim remix featured

pos: I See You Baby I See You Baby "I See You Baby" is a song by British duo Groove Armada, featuring Gram'ma Funk on vocals. The track was also recorded with the chorus line "shakin' that thang" (to replace "shakin' that ass") for various markets around the world, and also for use in American TV commercials. The song was later remixed by Fatboy Slim, with this latter version appearing in airplay. It was also remixed by Futureshock. The Fatboy Slim remix featured extensively in a Renault Megane television advertising campaign in the United Kingdom in 2003. The Futureshock dance version is used as the

pos: Dillon & Dickins which combined Groove Armada's "I See You Baby" with Teddy Pendergrass's "You Can't Hide From Yourself". This single also featured the vocals of Gram'ma Funk, who performed the original vocals on "I See You Baby". Under the alias of Dillon & Dickins, notable remixes include Vengaboys "Cheekah Bow Bow (That Computer Song)", Blackout "Gotta Have Hope" (which included an interpolation of the classical music piece "Also sprach Zarathustra" by Richard Strauss, and which also reached number 46 in the UK Singles Chart in March 1999), Todd Terry "It's Over Love" (which also featured Shannon on vocals), Gala "Freed from Desire"

neg: You Gotta Be My Baby regular George Morgan handed him a guitar owned by Little Jimmy Dickens and promised he would take responsibility. In the video biography "Same Ole Me", George recalled, "I was just so nervous. This was the biggest thing that could ever happen to anybody in the world and I was just shakin'. I mean just "truly" shakin' all over." You Gotta Be My Baby "You Gotta Be My Baby" is a song written and recorded by George Jones. It was his second Top 10 hit on Starday Records, peaking at #7 on the country singles chart. That same year, he sang

neg: The Water-Babies, A Fairy Tale for a Land Baby could never make sure about that Water Baby." "I have seen Babies in water and Babies in bottles; the Baby in the water was not in a bottle and the Baby in the bottle was not in water. My friend who wrote the story of the Water Baby was a very kind man and very clever. Perhaps he thought I could see as much in the water as he did – There are some people who see a great deal and some who see very little in the same things." "When you grow up I dare say you will be

neg: See You Later, Alligator Guidry, a Cajun musician, adopted a New Orleans-influenced blues style for the recording. The melody of the song was borrowed from bluesman Guitar Slim's "Later for You, Baby" which was recorded in 1954. Guidry also wrote "Walking to New Orleans", which was recorded by Fats Domino. The song was also recorded by Roy Hall, who had written and recorded "Whole Lotta Shakin' Goin' On" ten weeks before, on December 1, 1955, at a Nashville session. The most famous recording of the song, however, was that created on December 12, 1955. by Bill Haley & His Comets at a recording session

neg: Whole Lot of Shakin' in My Heart (Since I Met You) the change in him: <poem>"The guys I used to run around with tell me I changed, and I'm acting kind of strange; But they don't realize, that since I met you, my whole life has been re-arranged."</poem> Song author Frank Wilson later co-wrote The Four Tops' 1970 hit "Still Water (Love)" with Robinson. He also went on to co-write The Temptations' 1967 Top 10 hit, "All I Need." Whole Lot of Shakin' in My Heart (Since I Met You) "Whole Lot Of Shakin' In My Heart (Since I Met You)" is a 1966 R&B song by Motown Records group The

neg: Are You That Somebody? Are You That Somebody? "Are You That Somebody?" is a Grammy nominated single performed by American singer Aaliyah, recorded for the "Dr. Dolittle" soundtrack. The song was written and composed by Static Major, who also sang backing vocals, and Timbaland, who, in addition to writing the song, produced and performed a guest rap for it. The song was sent to U.S. pop radio stations on September 29, 1998 (see 1998 in music). The song samples the sound of a baby cooing from producer Jac Holzman's 1964 track "Happy Baby" from "Authentic Sound Effects Volume 8" (later used in Perrey and

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: If Ever I See You Again as "a song I couldn't stand" that Greenberg insisted she record: "I had a very clever lawyer who made a huge money deal for [my recording] that song": Flack recorded "If Ever I See You Again" at A&R Recording Studios in New York City in a session produced by Brooks which also yielded Flack's versions of "Come Share My Love" and "When It's Over". With a track from Flack's 1977 "Blue Lights in the Basement" album: "I'd Like To Be Baby To You", as B-side, "If Ever I See You Again" was released as a single in 21 April 1978

neg:
The Detroit Wheels Made
 3. In The Midnight Hour
 4. Ooh Poo Pah Doo
 5. I Like It Like That
 6. Little Latin Lupe Lu
 7. Devil With A Blue Dress On/Good Golly Miss Molly
 8. Shakin' With Linda
 9. Stubborn Kind Of Fellow
 10. You Get Your Kicks
 11. I Need Help
 12. Any Day Now
 13. Breakout Re-released on the Sundazed Music Inc. label, ASIN B000003GX5. Sock It To Me! (1967)
 1. Sock It To Me-Baby
 2. I Can't Hide It
 3. Takin' All I Can Get

neg: Kancil Story dog comes to see Sang Kancil. He mocks him and said that he will be cooked the next morning. Sang Kancil stays calm and relaxed. The dog got confused and asks him why. He said, "You are wrong, I'm not going to be cooked! I'm going to be a prince!" The dog becomes more confused. "I’ll marry the farmer's daughter and I will become a prince. I feel sorry for you, all of your loyalties were paid just like this! You just become a dog! Look at me! Tomorrow, I'll become a prince!" said Sang Kancil proudly. The dog, who

neg: Shakin' All Over happened to see a girl who was a real sizzler, we used to say that she gave us 'quivers down the membranes'. It was a standard saying with us referring to any attractive girl. I can honestly say that it was this more than anything that inspired me to write "Shakin' All Over". The Twiliters, a band from Plattsburgh, N.Y. recorded "Shakin" in early 1964 live before a crowd at a local skating rink called "Rollerland". Bill Kennedy the leader of the group had been stationed in Germany in the Air Force and had heard several songs from the UK

neg: Fortune Records Young Shakin' Shelley / Buggin' Baby 1957 525 Nolan Strong and the Diablos featuring Bob Edwards on guitar Can't We Talk This Over / The Mambo Of Love 1957 526 Rose Gambino, Geo Annis and his Orch. We Heard Them Play A Waltz / To Love You 1957 527 The Premiers When You Are In Love / Trap Of Love 1957 528 Gino Parks Just Go / Last Night I Cried 1957 529 Nolan Strong and the Diablos For Old Times Sakes / My Heart Will Always Belong To You 1958 530 Tony Lee Suicide / Poppin' Off 1958 531

neg: Paul Barrett Europe. "Paul Barrett Rock and Roll Enterprises" is now recognised as the principal agency for the genre. Barrett's spoken and bass vocals were featured on several early Shakin' Stevens and the Sunsets albums, on tracks such as "Oh Baby" and "At the Hop", he also spoke the commentary on the track "Superstar". The album "I'm no J.D." was re-released as "Shakin' Stevens and the Sunsets" in the 1980s and was awarded a Gold Record. Barrett also sang live on stage with the band, adding his vocals to the Sunset's mix. Since the 1970s Barrett has regularly appeared as an extra

neg: Dangerfield Newby hope to cheer me in all my troubles, that is to be with you. For if I thought I should never see you on this earth, life would have no charm for me. Do all you can for me which I have no doubt you will. I want to see you so much. The children are all well. The baby cannot walk yet. The baby can step around any thing by holding on to it, very much like Agnes. I must bring my letter to close as I have no news to write. You must write soon and say when

neg: The Clovers Jones arranged five tracks for the group, of which two—"So Young" and "I I I Love You"—were released as a double A-sided single (Atlantic 1139), while "Pretty Pretty Eyes", "Baby Darling" and "Shakin'" were not issued. Krefetz left Atlantic and formed Poplar Records in June 1957. The Clovers' Atlantic contract expired in July 1957 and Krefetz signed Mitchell in September as a solo artist to his Poplar label. In February 1958 Krefetz confirmed that Mitchell would continue recording with The Clovers as well as pursuing his solo career on Poplar. Krefetz signed The Clovers to Poplar Records in May 1958.

neg: The Beatles in Hamburg "Lend Me Your Comb" (Lennon) "Your Feet's Too Big" (McCartney) "Red Sails in the Sunset" (McCartney) "Everybody's Trying to Be My Baby" (Harrison) "Matchbox" (Lennon) "Talkin' 'Bout You" (Lennon) "Shimmy Shimmy" (McCartney) "Long Tall Sally" (McCartney) "I Remember You" (McCartney) "I'm Gonna Sit Right Down and Cry (Over You)" (Lennon) "Where Have You Been All My Life" (Lennon) "Twist and Shout" (Lennon) "Mr. Moonlight" (Lennon) "A Taste of Honey" (McCartney) "Besame Mucho" (McCartney) "Reminiscing" (Harrison) "Kansas City" (McCartney) "Nothin' Shakin' But the Leaves On a Tree" (Harrison) "To Know Her is to Love Her" (Harrison or Lennon) "Little Queenie" (McCartney)

neg: Vince Taylor (later of The Shadows) and bass player Tex Makins (born Anthony Paul Makins, 3 July 1940, Wembley, Middlesex). They formed a band called The Playboys. Whilst looking at a packet of Pall Mall cigarettes he noticed the Latin phrase, "In hoc signo vinces". He decided on the new stage name of Vince Taylor. His first singles for Parlophone, "I Like Love" and "Right Behind You Baby", were released in 1958, followed several months later by "Pledgin' My Love" backed with "Brand New Cadillac", (the latter track featuring guitarist Joe Moretti, who later featured on "Shakin' All Over" with Johnny Kidd

neg: Whole Lot of Shakin' in My Heart (Since I Met You) Whole Lot of Shakin' in My Heart (Since I Met You) "Whole Lot Of Shakin' In My Heart (Since I Met You)" is a 1966 R&B song by Motown Records group The Miracles, issued on Motown's Tamla Records subsidiary. Written by Motown staff songwriter Frank Wilson, it was one of only two singles the group released in 1966, taken from their album "Away We A Go-Go". Although the group's billing on their singles remained "The Miracles" up to this point, their billing on the album was changed to "Smokey Robinson and The Miracles," their second album to receive this billing.

neg: Machiavelli and the Four Seasons Niccolò Machiavelli. The unusual title stems from a conceit found throughout the cover, although not in the tracks themselves, that this is actually an album by a group called "Machiavelli and the Four Seasons". The liner notes include an essay on the band's music, written with gushing praise. Track titles are also given, entirely revolving around the words "I", "Love", "You" and "Baby". A hidden track at the end of the actual album, entitled "Phillip Glass's Arse", is a melodic, a cappella harmonised song that gives a representation of what Machiavelli and the Four Seasons might actually sound like. TISM

neg: English Defence League "No surrender to the Taliban", "Protect women, no to sharia", "If you wear a burqa you're a cunt", "You can stick your fucking Islam up your arse", "You can shove your fucking Allah up your arse", "Allah is a paedo", and "Allah, Allah, who the fuck is Allah?". Examples of the second category include "I'm England till I die", "We want our country back", and "Whose streets? Our streets!", while the third included the chant "E... E... EDL". When confronting counter-protesters from the UAF and other groups, EDL members often chanted "You're not English anymore". Alongside chants, the EDL often

neg: Donna Loren dancers. On the series, Loren performed a wide range of material both in solos and work with other performers, most often Bobby Sherman. Songs included "Shakin' All Over", "Goldfinger", "Ain't That Loving, You, Baby", "Too Many Fish in the Sea", "Boys", "I am Ready", "Rock Me in the Cradle", "Cycle Set", "African Waltz", "It's Alright", "The Boy from New York City", "The Way of Love", "Down the Line", "That's What Love", "Where Have All the Flowers Gone", "With the Wind & the Rain in Your Hair", and "Personality". Loren has referred to her enjoyment of appearing on the series, telling

neg: Shakin' Stevens and the Sunsets their problems. Remembering Rockin' Louie as a frontman from the Backbeat days, Dave Edmunds insisted Louie sang lead vocals on several of the tracks, much to Shaky's annoyance. One of Louie's vocals was for the Smiley Lewis song "I Hear You Knocking". Although it was, at the time, an unfamiliar song to Edmunds, he was inspired to record his own version later that same year. As promised, Dave Edmunds got the band signed to Parlophone and the album "A Legend" was issued in October 1970. The album received some positive reviews, particularly for the authenticity of Edmunds' production which was

neg: Frankie Laine discography Frankie Laine discography This is a discography for all the records released by Frankie Laine. The Gang That Sang Heart Of My Heart, Get Happy, The Girl In The Wood, Hey Good Lookin' (with Jo Stafford), I Would Do Most Anything For You, In the Cool, Cool, Cool of the Evening, The Isle of Capri, Jealousy (Jalousie), Jezebel, Love Is Such A Cheat, Metro Polka, Necessary Evil, One For My Baby, Pretty-Eyed Baby (with Jo Stafford), Rose, Rose, I Love You, She Reminds Me Of You, Song Of The Islands, South of The Border, That's Good! That's Bad! (with Jo

neg: Lloyd Cole (album) hard, Stones-ish rock of 'I Hate To See You Baby Doing That Stuff' smack of leathers and punky sneers. The single 'No Blue Skies' and the ballad 'Loveless' are the pick of the lighter moments on the album which, though not disappointing, offers no surprises or classics.' The Washington Post criticised the album describing it as 'Moody, low-key and drowsy, this long album is almost too too Lloyd Cole, complete with such characteristically literary put-downs as "Baby, you're too well-read." A few more songs that aspire to the rambunctiousness of 'Sweetheart' or 'I Hate to See You Baby Doing That

neg: Love On Top as, "after fighting through my fears [...] finally you've put me first." The chorus, complimented with sweet backing harmonies, then arrives, with Beyoncé chanting, "Baby it's you, you're the one I love / You're the one I need / You're the only one I see / Come on baby it's you / You're the one that gives your all / You're the one I can always call / When I need you make everything stop / Finally you put my love on top." The chorus carries the final two minutes of the song through four key changes, proceeding to D

neg: Streets of Laredo (song) in the Sky" states that his wife Hedli Anderson sang the poem. The Kingston Trio performed this comedy version as "Laredo?" on their 1961 album "College Concert": <poem>As I walked down in the streets of Laredo. As I walked down in Laredo one day, I spied a young cowboy dressed in white linen, Dressed in white linen and cold as the clay. "I can see by your outfit that you are a cowboy." "You can see by my outfit I'm a cowboy too." "You can see by our outfits that we are both cowboys." "Get yourself an outfit, and be

neg: Gilbert Paul Jordan the hatch baby, 20 bucks if you drink it right down; see if you're a real woman; finish that drink, finish that drink, down the hatch hurry, right down; you need another drink, I'll give you 50 bucks if you can take it; I'll give you 10, 20, 50 dollars, whatever you want, come on I want to see you get it all down; you get it right down, I'll give you the 50 bucks and the 13 bucks; I'll give you 50 bucks. I told you that. If you finish that I'll give you $75; finish your drink, I'll

neg: Saipan incident stinging verbal tirade against McCarthy: ""Mick, you're a liar … you're a fucking wanker. I didn't rate you as a player, I don't rate you as a manager, and I don't rate you as a person. You're a fucking wanker and you can stick your World Cup up your arse. The only reason I have any dealings with you is that somehow you are the manager of my country! You can stick it up your bollocks."" Mick McCarthy then held a press conference announcing that he had sent Keane home. Niall Quinn observed in his autobiography that ""Roy Keane's 10-minute

neg: The Who Tour 1972 in Hamburg, Germany on 12 August 1972): There were some set list substitutions, variations, and order switches during the tour. "Shakin' All Over" and "Baby Don't You Do It" were played just twice each. Some other songs were played which are not in the above lists: The Who Tour 1972 The Who Tour 1972 was The Who's European concert tour supporting the "Who's Next" album. After the tours supporting "Who's Next" in the United States and the United Kingdom the previous year, the band did a mini-tour of Europe after recording a few tracks for an album that was ultimately

neg: Dave Prater chart, but the duo's November 1965 single, "You Don't Know Like I Know," started a series of ten straight top twenty "Billboard" R&B hits, including "Hold On, I'm Comin'" (1966), "You Got Me Hummin'" (1966), "When Something Is Wrong with My Baby" (1967), "Soul Man" (1967), and "I Thank You" (1968). Starting with "Hold On, I'm Comin'", Moore was typically given the lead vocal (first verse and lead voice in chorus) on most of their recordings. Prater sang the tenor lead first verse on their only ballad to become a hit single, "When Something Is Wrong with My Baby", demonstrating

neg: When Will I See You Again When Will I See You Again "When Will I See You Again" is a song released in 1974 by American soul group The Three Degrees, from their third album "The Three Degrees". The song was written and produced by Kenny Gamble and Leon Huff. Sheila Ferguson sang the lead, accompanied by Fayette Pinkney and Valerie Holiday. "Billboard" named the song #67 on their list of 100 Greatest Girl Group Songs of All Time. Sheila Ferguson recalled that "the song was played to me by Kenny Gamble at the piano in 1973 and I threw a tantrum. I screamed and yelled

neg: Mary Shelley I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be "sleeping" so quietly that I would not awake it. It was dead then, but we did not find "that" out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived

neg: Roy Keane refused to relent, saying that he had told the newspaper what he considered to be the truth and that the Irish fans deserved to know what was going on inside the camp. He then unleashed a stinging verbal tirade against McCarthy: "Mick, you're a liar... you're a fucking wanker. I didn't rate you as a player, I don't rate you as a manager, and I don't rate you as a person. You're a fucking wanker and you can stick your World Cup up your arse. The only reason I have any dealings with you is that somehow you are the

neg: Song mourning songs, dance songs, work songs, ritual songs and many more. Verse 1: Baby when we touch I feel the power in your eyes, How it lights up the skies, When i see your face It makes my day, Every kiss and touch, Shows that you love me very much.Lift Because it's you and I, When I see your eyes, In the coldest nights, I feel warm inside, When I'm in the dark, Your smile lights up my heart and ignite the sparksChorus Oh, do you see the fire in my eyes, how it lights up the skies, when it's

neg: The Beyoncé Experience guys wearing fatigues. A short section of the reggae classic "Murder She Wrote" was incorporated into "Baby Boy". During "Beautiful Liar", Knowles sang into a microphone that fell from the ceiling and performed a Shakira-styled dance similar to the song's music video; Shakira appeared on the video screen throughout the song. "Naughty Girl" was also sung with Donna Summer's "Love to Love You Baby" being incorporated and while performing she belly-danced on the song's beat. "Me, Myself and I" was performed at a slower tempo than the original recording, after which Knowles sang "Dangerously in Love 2" with a snippet

neg: If Ever I See You Again 1991). If Ever I See You Again "If Ever I See You Again" is the title of a 1978 hit single by Roberta Flack. The song was composed by Joseph "Joe" Brooks and served as the title song for the eponymous 1978 film "If Ever I See You Again", which Brooks directed and also starred in with Shelley Hack as his leading lady. Male vocalist Jamie Carr sang the theme song on the film's soundtrack. Brooks' directorial debut, "You Light Up My Life", had become successful largely on the strength of its title song, which as recorded by Debby Boone

neg: If Ever I See You Again If Ever I See You Again "If Ever I See You Again" is the title of a 1978 hit single by Roberta Flack. The song was composed by Joseph "Joe" Brooks and served as the title song for the eponymous 1978 film "If Ever I See You Again", which Brooks directed and also starred in with Shelley Hack as his leading lady. Male vocalist Jamie Carr sang the theme song on the film's soundtrack. Brooks' directorial debut, "You Light Up My Life", had become successful largely on the strength of its title song, which as recorded by Debby Boone had

neg: Hard out Here refused to apologise, "because I think that would imply that I'm guilty of something". She said that "If I could dance like the ladies can, it would have been my arse on your screens; I actually rehearsed for two weeks trying to perfect my twerk, but failed miserably. If I was a little braver, I would have been wearing a bikini too, but I do not and I have chronic cellulite, which nobody wants to see." Jameela Jamil defended the video, saying that those who have discounted the white dancers in the video are "almost racist" themselves, saying, "It's just

neg: Achin' and Shakin' on the 2010 Academy of Country Music Awards on April 18, 2010. She appeared on "Good Morning America" on April 21, "The Tonight Show with Jay Leno" on April 29 and appeared on "Chelsea Lately" on May 11, 2010. The album is divided into two themes: "Achin'", which comprises tracks 1-6, and "Shakin'", which comprises tracks 7-12. Nathan Chapman produced the "Achin'" tracks; Mike Shimshack produced "Giddy On Up", "I'm No Good for Ya Baby", and "Everybody", while Kyle Kelso produced "Rebound", "Boyfriend?", and "If You Want My Love". The album debuted at number 5 on the U.S. "Billboard" Top

neg: I Will Always Love You Tour, Beyoncé also sang the opening lines of "I Will Always Love You" prior to the performance of "Halo" as the final song of the tour. At the 2017 Commencement of the University of Southern California, Will Ferrell sang "I Will Always Love You" to the graduating class. See Washington Post commentary: I Will Always Love You "I Will Always Love You" is a song originally written and recorded in 1973 by American singer-songwriter Dolly Parton. Her country version of the track was released in 1974 as a single and was written as a farewell to her one-time partner and

neg: The Archies Barry's other hits "Be My Baby", "Baby, I Love You", and Kim's "Rock Me Gently". Fred Weinberg is an award-winning composer and producer in his own right. However, the music for "The U.S. of Archie" TV show which aired in 1974, was produced by Jackie Mills, a Hollywood producer, who also produced Bobby Sherman and the Brady Kids. The vocalist for these shows was Tom McKenzie, who also sang on some "Groovie Goolies" segments, and was a regular member of the popular singing group, the Doodletown Pipers. Although the verses of "Jingle Jangle" seem to be sung by either Betty

neg: Halo (Beyoncé song) you see [angels'] faces instantly when you hear it. [Its lyrics] are basically saying that I had these walls built up about love; you completely tore them down and when I look at you I see your halo, it's really beautiful." Backed by a piano, claps and step stomps that set a spiritualized atmosphere, Beyoncé opens the song with the lines: "Remember those walls I built? Well, baby, they're tumbling down". She sings the introduction in a low register, and the power of her voice gradually increases as the song progresses. In the pre-chorus, she chants, "Everywhere I'm looking now,

neg: Deana Martin Show". In 2003, Martin appeared with Jerry Lewis on "The Jerry Lewis MDA Labor Day Telethon". Martin and Lewis sang "Time After Time". Martin began her recording career with producer Lee Hazlewood at Reprise Records. The recordings included her country music hit "Girl of the Month Club" while she was a teenager. Other tunes were "When He Remembers Me", "Baby I See You", and "The Bottom of My Mind", all recorded during the 1960s. Musicians from the Wrecking Crew, including Glen Campbell, played on these recordings. "Memories Are Made of This" was released in 2006. She covered some of her

neg: Rhythm and blues hit number one that year. Otis scored ten top ten hits that year. Other hits include: "Gee Baby", "Mambo Boogie" and "All Nite Long". The Clovers, a vocal trio who sang a distinctive sounding combination of blues and gospel, had the number five hit of the year with "Don't You Know I Love You" on Atlantic. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW (850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had a primarily African American clientele. Freed began

neg: Take One! (Shakin' Stevens album) and bassist and arranger Stuart Colman. The album charted at No.62 in March 1980 and remained on the UK albums chart for two weeks. In April 1982 the album was re-released under the new title of "Hot Dog" with "That's All Right" and "Ah, Poor Little Baby" being replaced by "You and I Were Meant to Be" and "Make it Right Tonight" respectively. In 2009, Sony Music released a box set of Stevens' original albums called "The Epic Masters". This was the first time the album was released on compact disc and contained bonus tracks of his first three non-album

neg: Safe in Sound (Lower Than Atlantis album) shit day and couldn’t be bothered to [record a] vocal [for] an instrumental [track] I had," which resulted in the creation of "Had Enough". According to Thrower, the song "distils everything that we’re about." Duce mentioned that it was the first track written for the album. With "Boomerang", the group wanted to, according to Duce, "do a pop track and see what comes out." Discussing "Work for It", Duce explained that you "either have a choice to sit on your arse and hope things come your way or get up, get to work and put in the effort and perseverance."

neg: Born Again (Black Sabbath album) pedal board. He was waving at the people, stepped back and, bang!, he went arse over head big time." Gillan also told Birch that it was Don Arden's idea to open the show with a crying baby blaring over the speakers and a dwarf made to look exactly like the demonic baby depicted on the "Born Again" album cover miming to the screaming. "We noticed a dwarf walking around the day before the opening show...And we're saying to Don, 'We think this is in the worst possible taste, this dwarf, you know?' And Don's going, 'Nah, the kids will love

neg: Nao Kawakita voice disappointment that her belly hadn't shrunk back to its normal size. After giving birth, Nao was enthusiastic to get back to drumming. "...I need to start working out and get ready because I have to fight with hungry MTH fans in Japan who have waited to see our shows! ... I guarantee that you are going to see the new, better MTH!" Nao has commented that her baby "looks totally, 150%" like former boxing world champion Guts Ishimatsu. On May 18, 2016, it was announced that Nao was 6 months pregnant with her second child. She was admitted to

neg: Jeff Barry "Then He Kissed Me," and The Ronettes' "Be My Baby" and "Baby, I Love You", as well as the holiday perennial "Christmas (Baby Please Come Home)" by Darlene Love. In early 1963, Barry and Greenwich had chart success with "What A Guy" and "The Kind of Boy You Can't Forget", recorded by the couple under the name The Raindrops for Jubilee Records, with Greenwich providing all the female vocals through the process of overdubbing, while Barry sang backgrounds in a bass voice. (Greenwich's sister, Laura, was drafted for live performances by The Raindrops, though she was little more than a

neg: Hard Candy (Madonna album) about how she felt about her lover in the song. "Can't get my head around it", she sang. "I, I need to think about it." "Beat Goes On" featuring West, has a 70s R&B meeting 80s dance vibe and a rap interlude by West. Williams has commented that Madonna's work ethic was different from other artists that he had worked with before. That is reflected in songs like "Spanish Lesson" where she sings the line "If you do your homework/ Baby I will give you more". It also has influences of Spanish music. Groove inspired music is present in "Dance

neg: Grace O'Malley Newtown within the Mullet, who died about 65 years ago who had seen and intimately known a Mr Walsh who remembered Gráinne. Walsh died at the age of 107 and his father was the same age as Gráinne. A story is recorded of Ní Mháille chiding her son Tíoboíd in the course of an attack on Kinturk Castle, when she thought he was shirking the battle: "An ag iarraidh dul i bhfolach ar mo thóin atá tú, an áit a dtáinig tú as?" ("Are you trying to hide in my arse, the place that you came out of?"). She is

neg: Jack & Diane or five weeks. All of a sudden, for 'Jack & Diane,' Mick said 'Johnny, you should put baby rattles on there.' I thought, 'What the fuck does put baby rattles on the record mean?' So he put the percussion on there and then he sang the part 'let it rock, let it roll' as a choir-ish-type thing, which had never occurred to me. And that is the part everybody remembers on the song. It was Ronson's idea. The opening guitar riff and drum beat of "Jack & Diane" were sampled as a hook on Jessica Simpson's single "I Think I'm

neg: Marie Daulne to open the door and see the life in front of me." Daulne said she sang that song as a teenager "alone in my room." "It’s a magic song, it transforms — when I sang that song I cried, and you need to cry to heal." "I sing it now and I hope, in my turn, that I can help another teenager to do the same if they are having pain from love." When Daulne was 14 she went to England and first heard reggae. "I discovered Bob Marley -- my favorite album was "Kaya". I know that whole album

neg: Jess Phillips 2015 that she had told Corbyn and his staff "to their faces: 'The day that ... you are hurting us more than you are helping us, I won't knife you in the back, I'll knife you in the front, if it looked as though he was damaging Labour's chances of winning the next general election. Responding to criticism about her use of language, Phillips said on Twitter: "I am no more going to actually knife Jeremy Corbyn than I am actually a breath of fresh air, or a pain in the arse". In January 2016, Phillips said on "Question Time"

neg: Be Mine (David Gray song) or do 'Cos baby when I'm walking with you now My eyes are so wide Like you reached right into my head And turned on the light inside Turning on the light Inside my mind he Come on baby it's all right Sunday Monday day or night Written blue on white it's plain to see That rainy shiny night or day What's the difference anyway Baby till your heart belongs to me If I had some influence girl With the powers that be I'd have them fire that arrow at you Like they fired it right at me And maybe

neg: Bobby Byrd concert/motion picture, "The T.A.M.I. Show". Byrd (and fellow Famous Flame Lloyd Stallworth) were credited as songwriters on the Flames hit, "Lost Someone," though Brown was the only member who sang on the recording. Its success led Brown to record more songs on his own but the majority of his early hits were as a member of the Famous Flames including songs such as "Try Me", "I'll Go Crazy", "Bewildered", "Think", "Baby You're Right", "I Don't Mind", "This Old Heart", "Shout and Shimmy", and "Oh Baby Don't You Weep". As was the case with some recordings, the Famous Flames were often

neg: Champion Jack Dupree Domino into "The Fat Man", Domino's first hit record. Some of Dupree's songs had gloomy topics, such as "TB Blues" and "Angola Blues" (about Louisiana State Penitentiary, the infamous Louisiana prison farm), but he also sang about cheerful subjects, as in "Dupree Shake Dance": "Come on, mama, on your hands and knees, do that shake dance as you please". He was a noted raconteur and transformed many of his stories into songs, such as "Big Leg Emma's", a rhymed tale of a police raid on a barrelhouse. The lyrics of Jerry Lee Lewis's version of "Whole Lotta Shakin' Goin' On"—"You

neg: Aye Mere Watan Ke Logo to rehearse it. "It was Pradeepji, ( Kavi Pradeep) the poet, who wrote the immortal lyrics, who came to me and asked me to sing the song. I declined, because there was no time to rehearse. You see, at that time I was working round-the-clock. To give special attention to one song seemed impossible. But Pradeepji insisted," Lata said, admitting that she was very nervous before the performance. Kavi Pradeep, the man who penned lyrics of the song, couldn't witness the event. "My regret is that Pradeepji had not been called for the Republic Day function where I sang the

neg: Mozart and scatology German original is in rhymed verse. <poem style="margin-left: 2em;">Well, I wish you good night But first shit in your bed and make it burst. Sleep soundly, my love Into your mouth your arse you'll shove.</poem> Mozart's canon "Leck mich im Arsch" K. 231 (K 382c) includes the lyrics: This would be translated into English as "lick me in the arse/ass, quickly, quickly!". "Leck mich im Arsch" is a standard vulgarism in German. The closest English counterpart is "Kiss my arse/ass". David Schroeder writes: The passage of time has created an almost unbridgeable gulf between ourselves and Mozart's time, forcing us

neg: Astral Weeks only song on the album to not have string overdubs and according to John Payne, Morrison had not played it live before. Like in the song "T.B. Sheets", the singer tells of watching a young girl die, but in "Slim Slow Slider" the girl seems bent on her own self-destruction: "I know you're dying, baby/I know you know it too." The song ends abruptly with the words, "Every time I see you, I just don't know what to do." It has been said to be about a drug addict, but Morrison has only said that it's about someone "who is

neg: Bye Bye Baby (Madonna song) she is about to abandon: "Does it make you feel good to see me cry? I think it does", she affirms. The lyric "I'd like to hurt you" was compared to that of Madonna's previous single "Erotica", where she said: "I only hurt the ones I love". Richard Harrington from "The Washington Post" noted that Madonna used a "sonically filtered, detached and slightly taunting voice to talk about taking control rather than exacting revenge on a domineering, mind-game-playing partner" in the song. Regarding the lyrics, Chris Willman from the "Los Angeles Times" called "Bye Bye Baby" a "brushoff song". "Bye

neg: Marc Bircham fans sang a song to the tune of "I Love You, Baby": ""We love you, Bircham/ because you got blue hair/ We love you, Bircham/ because you're everywhere/ We love you, Bircham/ because you're Rangers through and through."" In 2007, he moved to Yeovil Town. He scored his first and what turned out to be only goal for Yeovil against Brentford in the Football League Trophy. After a series of ankle injuries in the 2008–09 season it was revealed that Bircham had quit football and is going to set up a youth coaching camp in Cyprus. Bircham was eligible to

neg: I Love You, Baby I Love You, Baby I Love You, Baby is a 2000 German action thriller film directed by Nick Lyon with Jasmin Gerat, Mark Keller, Maximilian Schell and Burkhard Driest in the lead. The film revolves around two con partners named Peter and Gwen who plan to steal money from the millionaire Walter Ekland by posing Peter as his long lost son and Gwen as Peter's wife who is undergoing treatment for cancer. Their plan gets in jeopardy when a detective named Decker, who knows their identities, decides to get a share of the money. "I Love You, Baby" was met

neg: Ted Mason Hop and Urban R&B Snoop Dogg & Kinfolk - Don’t Go To Work https://www.reverbnation.com/Mi5recordings/song/23081253-dont-go-to-work-snoop-dogg-and Snoop Dogg and Kinfolk - Happy I Met You https://www.reverbnation.com/Mi5recordings/song/23081247-happy-i-met-you-snoop-dogg-and Wu-Tang Harlem 6 - Pure Fire https://www.reverbnation.com/Mi5recordings/song/27705794-pure-fire-harlem-6-wu-tang-mi5universal Lamont Fleming, Timmy Allen - Do https://www.reverbnation.com/Mi5recordings/song/23081458-do-lamont-fleming-timmy-allen-producer Kenny Lattimore - I Can See the World https://www.reverbnation.com/Mi5recordings/song/23081446-i-can-see-world-kenny-lattimore Baby Bam and G Jungle Brothers - Skirt Off https://www.reverbnation.com/Mi5recordings/song/23081398-skirt-off-baby-bam-and-g-jungle Baby Bam and G Jungle Brothers - Magic Sand https://www.reverbnation.com/Mi5recordings/song/23081389-magic-sand-baby-bam-and-g-jungle Alternative, Avant Garde MercySide - Roses in the Field https://www.reverbnation.com/Mi5recordings/song/23081626-roses-in-the-field-mercyside MercySide - Truth is https://www.reverbnation.com/Mi5recordings/song/23081616-truth-is-mercyside Mercyside - Prisoner https://www.reverbnation.com/Mi5recordings/song/23081621-prisoner-mercyside African Soukous Diablo Dibala - Papa Wemba Shaima https://www.reverbnation.com/Mi5recordings/song/23081580-shama-diblo-dibala-papa-wemba Country Clarke and Cable -

neg: Sorry I'm Late L.A. Reid to go back into the studio and create more "magic". She stated, "I think that sometimes the industry can panic and you have to be ready to take a risk, you know. If you're not taking a risk then what you have is boring. You do need to go in and find your magic. I've taken many risks on this album and I didn't need to find any more magic, the album was done, ready and it's a bit of a pain in the arse that it got delayed. It's only my fans that suffer, and they have

neg: 1988 Scottish Cup Final a wave of red cards. As she took her seat, thousands of supporters of both teams sang "you can stick your poll tax up your arse". After a goalless first half, Kevin Gallacher opened the scoring for Dundee United a few minutes after halftime. Gallacher outpaced Celtic's Roy Aitken to a ball which had been headed forward by Eamonn Bannon and shot passed Celtic's goalkeeper Allen McKnight, who was in the team due to an injury to Celtic's regular goalie Packie Bonner. Shortly afterwards United failed to take the opportunity to increase their lead when Bannon missed two good opportunities.

neg: I Feel Love to record a version of Summer's "I Feel Love". The full version was actually a medley that also incorporated snippets of Summer's "Love to Love You Baby" and John Leyton's "Johnny Remember Me". It was a big success, reaching third in the UK.[11] Although the original had been one of Marc Almond's all-time favourite songs, he had never read the lyrics and thus incorrectly sang "What'll it be, what'll it be, you and me" instead of "Falling free, falling free, falling free" on the finished record. Following 1993's "The Donna Summer Anthology" and 1994's "", both released by PolyGram, "I

neg: The Beyoncé Experience Live including harem pants, while singing "Baby Boy". She descended the staircase holding an umbrella and was met by three guys wearing fatigues. A short section of the reggae classic "Murder She Wrote" was incorporated into "Baby Boy". During "Beautiful Liar", Beyoncé sang into a microphone that fell from the ceiling and performed a Shakira-styled dance similar to the song's music video; Shakira appeared on the video screen throughout the song. "Naughty Girl" was also sung with Donna Summer's "Love to Love You Baby" being incorporated and while performing she belly-danced on the song's beat. "Me, Myself and I" was performed

neg: Shalamar Carolyn Griffey (a long-time friend and fan of the original band's, and daughter of Dick Griffey). Carolyn's mother is Carrie Lucas, for whom Watley sang backing vocals. Shalamar reached the grand finale of "Hit Me, Baby, One More Time" in May 2005, ultimately losing out to Shakin' Stevens. This was followed by annual concert tours in the UK, Cannes, USA, Nigeria, and Japan. Shalamar was featured in an episode of TV One's series "Unsung", in which Watley, Daniel, and Hewett shared their stories about the group's creation, the lack of payments and royalties from SOLAR, success, egos, and the breakup

neg: Sun Hudson case agreement. On March 15, 2005, Texas Children's Hospital personnel removed the breathing tube. Official reports state that he was sedated, and asphyxiated in under a minute. Hudson disputes this, and told reporters, who were not permitted entrance, "I wanted y'all to see my son for yourself, so you could see he was actually moving around. He was conscious." The hospital lacked confidence in Hudson's mental competence; she was quoted by "The Dallas Morning News" as saying that she didn't seek prenatal care "because I trusted in the Sun", which she claimed fathered the baby. She also made similar comments during

neg: Jetsons: The Movie secretary). Studio executives hoped that Tiffany's involvement would result in a stronger box office performance. Displeased with the casting change, voice director Andrea Romano had her name removed from the finished film. Tiffany said her singing voice was what initially drew the attention of Barbera. Tiffany sang three songs used in the film ("I Always Thought I'd See You Again", "You and Me" and "Home"), which are on the soundtrack album along with "Jetsons' Rap" by XXL and tracks by other artists. Tiffany did not write any of the songs, but she cited "I Always Thought I’d See You Again"

neg: Paul Da Vinci Penny Farthing Records. After "Sugar Baby Love" – featuring Da Vinci's striking falsetto (he also sang all of the low vocal plus the two part harmony on the record) but with Alan Williams, who did not play or sing on the record, miming to the whole vocal on "Top of the Pops" – became a UK no.1 hit in 1974 (also reaching number 37 on the US pop chart), He also sang the lead vocal on the B-side of the record "You could Have Told Me". He issued his first solo single. The song, "Your Baby Ain't Your Baby Anymore",

neg: Sam Butera series of questions, the last of which is, "Are you regular?" Sam Butera was featured in an episode of "Space Ghost Coast to Coast" (1997). Butera's advice for the host on getting "chicks, like a fox [insert purr]" is, "Well, first a little music, a little jive talk. You gotta call her baby, sweetheart, darling, you know all the names that go along with love." When he sang part of "Just a Gigolo," the hosts found it familiar and he began to tell how David Lee Roth stole the song from him. "I wrote that arrangement thirty four years ago,

neg: Death of Aaliyah you always next to me and I can see you smiling through the sunshine," he said. "When our life is over, our book is done. I hope God keeps me strong until I see her again." He read the names of the other victims of the crash and concluded by asking mourners to pray for them as well. As Diane Haughton and the mourners left, they sang Aaliyah's song "One in a Million". Rod Dreher, a columnist at the "New York Post", criticized the funeral for being out of hand. "Right, so we're all sad that Aaliyah is dead, and

neg: Where Have You Been (All My Life) out the lyrics. The song was recorded by Gene Vincent on Columbia Records, and by Gerry and the Pacemakers on Laurie. Also the Liverpool based group The Searchers recorded the song on Pye Records for their 1964 LP "It's The Searchers". This song with the title "Till We Kissed", was sang by the New Zealander Ray Columbus & the Invaders in a 1965 single of the same name. Also Canadian band The Guess Who publish the song with this title in their 1965 debut album Shakin' All Over. Roy Clark made a version in 1978, for his "Labor of Love"

neg: See No More wrote for "Billboard" that "See No More" is reminiscent of the Jonas Brothers' "A Little Bit Longer," but with more fear: "It was so easy to trust you baby/Guess I was so stupid baby/ I did not ever think that this would come/ You're running right to another one," Jonas sings. The first taste of debut solo album "Fast Life" may lack depth, but a strong beat and solid vocal performance position the track as a contender for the stuck-in-your-head song of the summer." Amy Sciarretto from Pop Crunch rated it four out of five stars and says that "he

neg: Willie Clayton one of 11 siblings. He sang gospel in his church as a youngster. Duplex Records issued his debut single, "That's the Way Daddy Did" (1969). In 1971, Clayton relocated to Chicago, Illinois, and appeared regularly in local clubs. He was introduced to Al Green's record producer, Willie Mitchell, who signed Clayton to a recording contract with Pawn, a subsidiary label of Hi Records. Mitchell produced several tracks with Clayton, including "I Must Be Losin' You," "It's Time You Made Up Your Mind," and "Baby You're Ready," but none of them reached the national charts. Clayton toured nationally on the same

neg: Baby (Brandy song) "Brandy" album. On the production process, Patterson commented in 2011: "I remember going over to his [Crouch's] house for two nights in a row and from the first night that he wanted to play the track for me, I heard what I heard, but I kept it to myself because I was pretty much intimidated thinking he would think it was horrible. Then by the third day, he was like “We’ve got to turn this song in by Friday, so whatever you think of, just sing it!” So I sang to him what I had heard instantly when he played

neg: Agape (song) that said: ""My beloved baby, if you can survive, please remember that I love you."" Tao is the son of Victoria, who sacrificed herself to shield him in the earthquake in Sichuan, China and died when he was still young. Tao's father is Korean and was in Korea working at the time of the earthquake. He took Tao to Korea after the earthquake. After Tao grew up in Korea, he worked as a delivery boy. One day after work, he saves a girl (who was also played by Victoria) from a car accident and was surprised to see that she

neg: You Gotta Be My Baby You Gotta Be My Baby "You Gotta Be My Baby" is a song written and recorded by George Jones. It was his second Top 10 hit on Starday Records, peaking at #7 on the country singles chart. That same year, he sang "You Gotta Be My baby" at his first appearance on "The Grand Ole Opry". According to Bob Allen's book "George Jones: The Life and Times of a Honky Tonk Legend", Jones nearly walked off the "Opry" show when one of the WSM officials told him he could not take his guitar with him onstage but relented after Opry

neg: Lovers in Paris their way to mainstream pop culture (sparking trends and parodies), notably when Soo-hyuk put Tae-young's hand over his heart and said, "You are in here"; and Ki-joo's two lines "Let's go, baby"; and "Why can't you say it? Why can't you say that this is my man, that this is the man I love?" In the table below, the blue numbers represent the lowest ratings and the red numbers represent the highest ratings. Source: TNS Media Korea It was adapted into a stage musical that ran at the D-Cube Arts Center in 2012, starring Lee Ji-hoon and Jung Sang-yeon as

neg: Deontay Wilder vs. Tyson Fury round knockout. Post fight, on both occasions Wilder called out Anthony Joshua, who had since become champion by collecting the IBF and WBA titles that had been vacated by Fury in fights against Charles Martin and Klitschko, with Wilder stating his desire to unify the titles saying, "The world wants Wilder and Joshua, I want Joshua! Joshua, come and see me baby, no more hiding, no more ducking, no more dodging, no more excuses, let's make the fight happen and let's see who's the best, I know I'm the best, are you up for the test?" Later that month, Joshua

neg: I See Me, I.C.U. off towards the airport when they hear the reporter mentioned Claire stating that Yoga (whose real name is Amelia Bluman) was "killed" in their escape attempt. Hours later, Wilhelmina later appears in the morgue and makes a proposition to the young doctor who is attending to Bradford's body. As we find out in "Bananas for Betty", Whilhelmina took some of Bradford's sperm and plans to give birth to a baby, so that she can get her stake in the company. "I See Me, I.C.U." was originally titled "You May Find Yourself", but as with most episodes in the series, it

neg: Rachel Bradley They have to work hard to resolve their differences and there is a big transition. I can see why she behaves the way she does—you do become over-protective with a baby. It's amazing what your body does to you and the instincts that suddenly take over. Being a mum myself, I have got real empathy with Rachel." However, "Observer" television reviewer Kathryn Flett criticised the plot as unrealistic: As an obsessive new mother who has spent many an hour hovering over my son with a thermometer and a pre-emptive bottle of Calpol, Rachel's contention that she didn't want to go

neg: Charlie Slater I was surprised when I saw the story come out [...] that it was a baby swap." In his autobiography, released in 2013, Martin revealed that the storyline originally planned for Charlie's exit was that he have a heart attack and die. He also spoke about his shock to be axed, "You know it's part and parcel of the profession to be in and out of work but after thinking Charlie was part of the future of the show, I was shocked. I simply didn't see it coming." Martin revealed that he immediately called former executive producer, John Yorke, who

neg: O du eselhafter Peierl the baritone Johann Nepomuk Peyerl (1761–1800). The canon begins ("Oh, you asinine Peierl; oh you Peierline ass"). Later, the lyrics include "O leck mich doch geschwind im Arsch" ("Oh lick me real quick in the ass (arse)"), a favorite expression in Mozart's scatological works. For more examples and discussion, see Mozart and scatology. "O du eselhafter Peierl" was originally intended to be sung immediately following "Difficile lectu". For the tale of how these two canons originated, see "Difficile lectu (Mozart)". Mozart later transposed "O du eselhafter Peierl" into G major, in versions that replaced "Peierl" with the names of two

neg: The Fame with lyrics like "What's going on on the floor? / I love this record, baby but I can't see straight anymore". "LoveGame" portrays a message about love, fame and sexuality which is akin to the central theme of album. "Paparazzi" portrays a stalker who is following somebody being his or her biggest fan. The lyrics also portray the desire of capturing the attention of the camera as well as achieving fame. Gaga explained that, "This idea of "The Fame" runs through and through. Basically, if you have nothing—no money, no fame—you can still feel beautiful and dirty rich. It's about

neg: Madness Tour time to explain the meaning behind some of the songs. During this part of the show Sebastian also sang the single "Like a Drum", and two singles from previous albums, "Who's That Girl" and "Get Along". In the second half of the concert Sebastian took the audience on a musical journey of his career to date. He started with a re-enactment of his Australian Idol win, and sang his first single "Angels Brought Me Here", and moved through a number of his early songs, including "All I Need Is You", "Out With My Baby", "Elevator Love" and "Like It Like

neg: Baby, Baby I Need You releases have retitled this cover as "I Need You So". Baby, Baby I Need You "Baby, Baby I Need You" is a 1963 song recorded by The Temptations for the Gordy (Motown) label. It was written by Smokey Robinson, and was later used as the B-side to their Top 40 1964 hit "Girl (Why You Wanna Make Me Blue)". The song is about one's devotion to the one they love; it's narrator telling the girl he's falling for that if she let their “hearts combine” that he vows to always let her know how much he needs, wants, and loves

neg: Blanche Merrill giving punch, for instance, is to give one or two words as much length, musically, as perhaps the next dozen words get. These tricks, if you want to call them that, make the song very effective; but when the lines are read they seem absolutely impossible." All this is particularly true of songs like the one I was just speaking of, the one about the young German mother. When Lillian Shaw sang it she came on the stage pushing an old baby carriage with a fake baby in it. She wore an old brown dress and a shabby old hat

neg: Mick Ronson or five weeks. All of a sudden, for 'Jack & Diane', Mick said 'Johnny, you should put baby rattles on there.' I thought, 'What the fuck does put baby rattles on the record mean? So he put the percussion on there and then he sang the part 'let it rock, let it roll' as a choir-ish-type thing, which had never occurred to me. And that is the part everybody remembers on the song. It was Ronson's idea." (John Mellencamp, "Classic Rock" magazine, January 2008, p.61) Both "Jack & Diane" and "American Fool" topped their respective US "Billboard" charts. Ronson was

neg: Shakin' It 4 Daddy commented on Minaj, "I can't wait to do a video with Nicki. There's a power in her. It's not just that she's sexy and that's the only way she can get you to like her. She's got charm – not just sex. Some women may use sex to get what they want; others have charm. She's got charm." Jeremy Stevenson served as a recording engineer of "Shakin' It 4 Daddy" and recorded it at Thom Thom Studios. Minaj appears as courtesy of Young Money, Cash Money Records and Universal Motown Records. Although the song was originally planned to be released

neg: You Can't Fight What You Can't See to wonder if history will remember any of Girls Against Boys' records beyond 1994's "Venus Luxure No. 1 Baby". God knows I won't." You Can't Fight What You Can't See You Can't Fight What You Can't See is the sixth studio album by American post-hardcore/indie rock band Girls Against Boys, released in 2002 by record label Jade Tree. It was their first album released on the label, and also their last release before the band went on hiatus. It received generally favorable reviews from critics. "You Can't Fight What You Can't See" has received a generally favorable reception from critics.

neg: Fiorella Mannoia include the songs "Crazy Boy", written for her by Samuele Bersani and , "Il culo del mondo" (“The Arse of the World”) written by the Brazilian singer-songwriter Caetano Veloso, who sang with her on this number, and " Giovanna d'Arco " (“Joan of Arc”), written for her by Francesco de Gregori. On "Belle speranze" (1997) she collaborated with younger songwriters including and . This album also contained the ironic "Non sono un cantautore" (“I Am Not a Singer-Songwriter”) written by . "Certe piccole voci" (1999), the first live album of her career, contained the Vasco Rossi song "Sally", one of

neg: Ooh Baby (You Know That I Love You) Ooh Baby (You Know That I Love You) "Ooh Baby (You Know That I Love You)" is a song by English musician George Harrison, released in 1975 on his album "Extra Texture (Read All About It)". Harrison wrote the composition as a tribute to American singer Smokey Robinson, whom he often identified as one of his favourite vocalists and songwriters. The song was intended as a companion piece to Robinson's 1965 hit with the Miracles, "Ooo Baby Baby", and its inclusion on "Extra Texture" contributed to that album's standing as Harrison's soul music album. His impersonation of Robinson's celebrated vocal

neg: The Way I See It soul revival music: "You can reproduce variations on melodies and rhythm, but without an emotional commitment, it's all tedious pandering to baby boomers. For Raphael Saadiq, there's a glowing vibrancy in soul music that allows him to work out themes and ideas." "The Way I See It" also earned Saadiq the highest international profile of his career. In promoting the album, he broadened his audience demographic and expanded his repertoire as a touring artist. His extensive touring in the US and Europe garnered the attention of younger, white audiences who were not exposed to his previous solo albums and work

neg: You're All I Need "You Ain't Livin' 'Til You're Lovin'," with Ashford and Simpson completing the production and supervising Gaye's vocal. Fuqua and Bristol also produced "I'll Never Stop Loving You Baby" while Motown CEO Berry Gordy, Jr.'s brother Robert Gordy produced "I Can't Help But Love You." Harvey Fuqua and Johnny Bristol produced "Come On and See Me," "Baby Dont'cha Worry," "Give In, You Just Can't Win," "When Love Comes Knocking At Your Heart," "That's How It Is (Since You've Been Gone)," and "Memory Chest" as Tammi Terrell solo tracks in 1965 and 1966, and had Gaye overdub his vocals to them to

neg:
Talk About Love what you've done to make that come about
 Talk to me about something real, baby / Can you hear me now?" Talk About Love "'Talk About Love" is a song recorded by Christine Anu. It was released in October 2003 as the first and only single from her third studio album, "45 Degrees" (2003). The song peaked at number 85 on the ARIA Chart. Lyrically, the song sees Anu confront someone who believes they know about love, without evidence: "You talk about love / But I can't see any love coming out of your mind
 You talk about