query: who sings clowns to the left of me jokers to the right

pos: Stuck in the Middle with You is playing to find out why and where Very Bad Santa is. In 1997 Greg Kot of the "Chicago Tribune" suggested that the Sheryl Crow song "All I Wanna Do", released on her 1993 debut album "Tuesday Night Music Club", was "a re-write" of "Stuck in the Middle With You." Stuck in the Middle with You "Stuck in the Middle with You" (sometimes known as "Stuck in the Middle") is a song written by Scottish musicians Gerry Rafferty and Joe Egan and originally performed by their band Stealers Wheel. The band performed the song on the BBC's "Top of the

neg: Michael Smerconish talking points (which conflict with his own opinions). The more Stan Powers says on fictionalized radio station WRGT with which he personally disagrees, the higher he sees his star rising. With a Republican convention coming to his hometown of Tampa, Florida, will Powers continue to spout the lines that pay for his beachfront condominium, or will he take the professional risk of being true to himself? Warner Horizon Television optioned the rights to the novel. "Clowns to the Left of Me, Jokers to the Right: American Life in Columns" (2018) is Smerconish's seventh book, a collection of 100 columns written

neg: Joker (playing card) suit, called the "right bower" (from the German " or Jack"); the second-highest trump, the "left bower", is the Jack of the suit of the same color as trumps. Around 1860, American Euchre players may have devised a higher trump, the "Best Bower", out of a blank card. Samuel Hart is credited with printing the first illustrated "Best Bower" card in 1863 with his "Imperial Bower". Best Bower-type jokers continued to be produced well into the 20th-century. Cards labelled "Joker" began appearing around the late 1860s with some depicting clowns and jesters. It is believed that the term "Joker" comes

neg: Okey face up tile is the green 10, the green 11s are jokers. The false jokers are not wild - they are used only to represent the tiles that have become jokers. So for example when the green 11s are jokers, the false jokers are played as green 11s (and cannot represent any other tile). If the face up tile is a 13, the 1s of the same colour are jokers. Now the stacks of tiles are distributed to the players. The player to dealer's right will receive 15 tiles and the others 14 each. The player to the right of

neg: Impractical Jokers once in the discomfort of the fellow doing the asking." He later wrote that the cast-members' occasional integrity [kept] these four clowns a little bit lovable." Dean Robbins of "The Daily Page" echoed this sentiment, stating that "the friends are jovial rather than Jackass-obnoxious, even rejecting some dares as too offensive." The series has been generally well received, garnering 1.5 million viewers during its December 15, 2011 premiere. The review of the show by "Variety"<nowiki>'</nowiki>s Brian Lowry was less positive, ending with this statement: "Nobody will ever confuse "Impractical Jokers" with high art, certainly, but as low-brow, micro-cost comedy in

neg: Krusty Gets Kancelled animation, director David Silverman xeroxed several drawings and made the animation very jerky. The scene where Krusty sings "Send in the Clowns" was very tricky for the animators because it involves two shots of the same scene from different angles. Parts of the scene were animated by Brad Bird. Frank Sinatra's 1973 rendition of the song "Send in the Clowns" from "Ol' Blue Eyes Is Back" is parodied in the episode, and Krusty sings the altered lyrics: "Send in those soulful and doleful, schmaltz-by-the-bowlful clowns" in a musical number of his comeback special. Gabbo's name comes from the 1929 film

neg: Smear (card game) of the same color as the trump suit is known as the "Jick" (Ji) or "Left Bower". The Left Bower and the two Jokers are considered to be part of the trump suit, where they rank below the Right Bower and above the Ten. In case both Jokers are played to the same trick, the second ranks higher than the first. Smear is a point-trick game, i.e. the winner of "Game" is determined by the total value of the cards won in tricks, rather than the number of tricks won. The card-values are Ace = 4, King = 3, Queen

neg: See Me Now one thing, my momma would be proud/And you see me looking up cause I know she's looking down right now". During the hook Wilson sings the lines "I know you see me now right now, I know you see me now right now" with a "deep" tenor. "See Me Now" received generally positive reviews from music critics. Christian Hoard of the "Rolling Stone" gave the song three and half out of five stars. Writing: "'I'm Socrates, but my skin more chocolaty,' shouts Kanye, who goes on to detail several feats of attention-whore behavior — cruising in Ferraris, rocking fur coats,

neg: Lose My Breath the chorus-verse pattern. The song opens with the lines "Hit me" and the first verses sung by Beyoncé follow: "I put it right there made it easy for you to get to / Now you want to act like you don't know what to do". The chorus follows during which the group repeatedly sings the lines "Can you keep up?". Rowland's second verses follow where she sings the lines "Put it on me deep in the right direction". The chorus is repeated twice before the bridge by Williams. After the bridge, the group sings the lines "Here's your papers, baby

neg: Hard Candy (Madonna album) album's second single, Madonna merged bounce-beats and a funky bassline. "If it's against the law, arrest me", she sings "If you can handle it, undress me." The song has a short interlude where Madonna continuously repeates the words "Get stupid", as Williams chants, "To the left, to the right". "Give It 2 Me" was written by Madonna as an anthemic, self-manifesto song which, although it appears to be about dance and sex, is a reference to Madonna's career spanning three decades in the music industry. Musically it is an upbeat dance song, featuring instrumentation from West African percussion and cowbells.

neg: Till the Clouds Roll By the second, a "crooner version" by Frank Sinatra, featured as the grand finale. Barbette consulted on the creation of the film's circus sequence. A video of an excised musical number survives from this film, although part of the soundtrack has been lost. Judy Garland, as Marilyn Miller, sings "D'Ya Love Me?" to two clowns in a circus setting, representing a scene from the Broadway musical "Sunny". The film was one of the first motion pictures to have a soundtrack album released concurrent with it arriving in theaters. The soundtrack was produced by MGM Records. It originally contained four 78-rpm records

neg: J Team (3-0), Saigon Jokers (3-2), and Taipei Snipers (3-2) in the knock out stages and became the champion of the tournament. During the time of 2014 GPL Winter, TPA also took part in IEM Season VIII - Singapore, but lost to Saigon Jokers and got the 5th/6th place along with Singapore Sentinels. Right after 2014 GPL Winter, Sarsky left TPA. DinTer became the starting jungler and the team played in 2014 GPL Spring. They did a very good job in group stage by winning all the matches. In the knock out stages, TPA defeated Insidious Gaming (3-0), Taipei Snipers (3-2), and

neg: Okokok the key of D major, "Okokok" has a tempo of 134 beats per minute. Lyrically, the song talks about a cheating partner and about getting over the relationship. "Okokok" draws influences from the hip hop and pop music genres. The song begins with the lines "Heard 'bout what you say when you're not with me/ Say you live alone and your bed is empty/ Oh, that's so funny/ 'Cause when I go to sleep/ I lay on the left and you right next to me" sung by Burns. During the chorus she sings "Say "no, no, baby, I need you

neg: The Immaculate Collection and percussion. Madonna begins singing "I'm talking /I believe in the power of love /I'm singing /I believe that you can rescue me" before engaging in the breathy, spoken word vocals, like on "Justify My Love". She sings "Rescue me /It's hard to believe your love has given me hope /Rescue me /It's hard to believe I'm drowning, baby throw out your rope" over the chorus. At one point of the song, Madonna sings the line "And right while I am kneeling there I suddenly begin to care", which was likened to oral sex. "Justify My Love" was released as

neg: Klondike (solitaire) in Klondike. Klondike is played with a standard 52-card deck, without Jokers. After shuffling, seven piles of cards are laid from left to right. Each pile begins with one upturned card. From left to right, each pile contains one more card than the last. The first and left-most pile contains a single upturned card, the second pile contains two cards (one downturned, one upturned), the third contains three (two downturned, one upturned), and so on, until the seventh pile which contains seven cards (six downturned, one upturned). The remaining cards form the stock, and are placed facedown at the upper

neg: Connie Smith Sings Her Hits Connie Smith Sings Her Hits Connie Smith Sings Her Hits is a compilation album by American country artist, Connie Smith. The album was released in 1997 on Sony Special Products. The album was a collection Connie Smith's major hits at Columbia Records (1973–1976). "Connie Smith Sings Her Hits" was a ten-track collection of Connie Smith's major hits under Columbia Records. The album contained Smith's major hits (although most of them were minor), including the co-written "You've Got Me (Right Where You Want Me)" as well as Dallas Frazier's "Ain't Love a Good Thing" (which reached #10 on the "Billboard" Country

neg: Kiss Me Once Tour Like This", Kylie invited Giorgio Moroder on stage to sing their collaboration: "Right Here, Right Now" followed by a snippet of Donna Summer's "I Feel Love". The third section is a medley, entitled "Dollhouse", containing five of Kylie's songs from her PWL days. It begins with "Enjoy Yourself", seeing the dancers emerge looking like Ken and Barbie. Kylie then rises out of the stage and sings "Hand on Your Heart", "Never Too Late", "Got to Be Certain" and "I Should Be So Lucky", taking off a layer for each song, being left with a garter and corset to sing "I

neg: The Jokers shot in a number of London locations for nine weeks in the summer of 1966. Filming started 23 June 1966. "The New York Times" wrote, "ANOTHER of those wonderfully eccentric British crime comedies, to compare with such whoppers as "The League of Gentlemen," "Private's Progress" and "The Lavender Hill Mob," has popped up in Universal's "The Jokers," which came to the Sutton yesterday. And right away its young director, Michael Winner, justifies his name." The Jokers The Jokers is a 1967 British comedy film written by Dick Clement and Ian La Frenais, and directed by Michael Winner. The film stars

neg: Holly Farrell February 2015 Examiner, Artist Holly Farrell, article on book paintings, December 2014 Lincoln Journal, September 2014 Culture Catch, “Pushing Against the Boundaries”, May 2014 art ltd., (review), May 2014 Frankie Magazine, “Throwback Thursday”, March 2014 Examiner, “Toronto Artist Sends In The Clowns” (interview), February 2014 Chicago Tonight, “The Jokers Are Wild”, February 2014 Creative Block, Danielle Krysa, (artist profile), February 2014 Zinc, December 2013 Daily Beast, “Outsider Art Fair: 10 Artists To Buy Now”, February 2013 Arts Observer, “Outsider Art Fair”, January 2013 Tokyo Art Beat, (review), March 2012 Home Build Life Design, February 2012 Arts Observer, “Outside Art Fair”,

neg: Short Fast Loud 7. letlive - The Blackest Beautiful 6. The Bennies - Rainbows In Space ** 5. Clowns - I'm Not Right ** 4. A Day To Remember - Common Courtesy 3. The Smith Street Band - Don't Fuck With Our Dreams ** 2. Bring Me The Horizon - Sempiternal 1. Northlane - Singularity ** <nowiki>**</nowiki> Denotes Australian Artist 30. Postblue - I Hope They're Praying For Me ** 29. New Found Glory - Resurrection 28. Real Friends - Maybe This Place Is The Same and We're Just Changing 27. Comeback Kid - Die Knowing 26. The Decline - Can I Borrow

neg: John Wayne Gacy 1978. Through his work with the parade, Gacy met and was photographed with First Lady Rosalynn Carter on May 6, 1978. Through his membership in a local Moose Club, Gacy became aware of a "Jolly Joker" clown club whose members would regularly perform at fund-raising events and parades in addition to voluntarily entertaining hospitalized children. By late 1975, Gacy had joined the Jolly Jokers and created his own performance characters: "Pogo the Clown" and "Patches the Clown". Gacy designed his own costumes and taught himself how to apply clown makeup, although some professional clowns noted the sharp corners Gacy painted

neg: See No More We’ve all been there and can relate. Towards the end of the song, during the bridge, Jonas sings, over a looped beat, “I used to be afraid of letting go / Right now I need you to set me free/ I can see it in your eyes” and “I don’t wanna see no more” as he still tries to expunge his brain from the memory of the one who has inflicted misery on his heart. Joe sings over scattered beeps, cinematic strings and a raspy R&B drumbeat - neatly side-stepping the feather-light pop-rock sound synonymous with his siblings." Sarah Maloy

neg: 500 rum awarded to players who play certain cards. 500 rum is played using a standard French deck and can use 52 cards, or 53-54 cards including one or two jokers. When playing with 5 or more players, two decks of cards should be used with a total of 104-108 cards. The players draw for deal, low dealing first. Ace is the lowest card in the draw. The dealer shuffles, and the player to the right cuts. The dealer completes the cut and deals cards one at a time to each player face down, clockwise starting at the dealers left. The number

neg: I Remember Me (song) electronic drum, starts to become an issue." Brian Mansfield from USA Today claims, "Jennifer says there's little left of the woman she was 10 years ago except her voice and a scar of her hand. And anyone who watched her during American Idol's third season could be forgiven for barely recognizing the Oscar-winning singer and actress of 2011. So this kind of confident self-examination is probably warranted, as she sings, "Memories, they fading, but I'm the one who made them/So I keep the love close enough to say, 'I remember me.'" "Slant Magazine's" Matthew Cole stated that ""I Remember Me"

neg: Sy Johnson two weeks and ended when Johnson came into work and found himself replaced by Yusef Lateef, the multi-instrumentalist. Mingus explained: "If you were me, and had the chance to hire Yusef Lateef or you, who would you hire?" In 1971, eleven year later, Mingus climbed the stairs to Emile Charlap’s copying office, home to many great arrangers, and before he left, he gave Johnson "Let My Children Hear Music" to arrange, which featured two Mingus pieces, "Shoes of the Fisherman’s Wife (Are Some Jiveass Slippers)" and "Don’t Be Afraid, the Clowns Afraid Too". The album's emergence was heralded with a

neg: The Electric Co. occasional performances played after the show opener "The Miracle (Of Joey Ramone)", again with "Send in the Clowns" and "I Can See for Miles" regularly snippeted. "The Electric Co." has appeared in 3 video releases and 3 live album releases beginning with "Under a Blood Red Sky", "", "Live from Boston 1981", "" and "Live from Paris". In "Under a Blood Red Sky", Bono sings a snippet of "Send in the Clowns" by Stephen Sondheim lasting 27 seconds. U2 didn't get permission to sing this song, causing them to pay US $50,000. The original release (along with other releases) contains

neg: Odetta (son of Josh White), Emory Joseph, Rattlesnake Annie, the Brooklyn Technical High School Chamber Chorus, and videotaped tributes from Tavis Smiley and Joan Baez. Odetta influenced Harry Belafonte, who "cited her as a key influence" on his musical career; Bob Dylan, who said, "The first thing that turned me on to folk singing was Odetta. I heard a record of hers "Odetta Sings Ballads and Blues" in a record store, back when you could listen to records right there in the store. Right then and there, I went out and traded my electric guitar and amplifier for an acoustical guitar,

neg: Sarah Vaughan avoided classifying herself as one. She discussed the term in a 1982 interview for "Down Beat": I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and

neg: Sad Clowns & Hillbillies Sad Clowns: Mellencamp told Brian Hiatt of Rolling Stone magazine: "As soon as I wrote that, I looked up and said, 'Thanks, Ray.' Because I know it's a Ray Davies song, like 'Sunny Afternoon' – a self-deprecating song". My Soul's Got Wings: Mellencamp also told Gardner the story of how he set this Woody Guthrie poem to music: "Nora Guthrie called me up [in 2003] – for those who don't know, that's Woody's daughter – and asked if I would accept the Woody Guthrie Award and, of course, who wouldn't, so I said 'yes,' and ever since then her and

neg: Roll with Me sings about taking lyrical inspiration from the world around him, and learning the life lessons about which he sings. This sentiment is reflected in the lines "I'm thinking maybe it's time to be livin' the rhyme / When I'm singing a song about nothing but right / And it'd sure be nice if you would roll with me." According to "Country Weekly", songwriter Tommy Karlas wrote the song after he could not sleep due to insomnia. He got together with fellow songwriter Clint Daniels to finish it. Karlas added the second verse when he thought about a high school friend

neg: Send In the Clowns at herself, her life and her choices – sings "Send in the Clowns". She is, in effect, using the song "to cover over a moment when something has gone wrong on stage. Midway through the second Act she has deviated from her usual script by suggesting to Fredrik the possibility of being together seriously and permanently, and, having been rejected, she falters "as" a show-person, finds herself bereft of the capacity to improvise and wittily cover. If Desirée could perform at this moment – revert to the innuendos, one-liners and blithe self-referential humour that constitutes her normal character – all

neg: Nothing Really Matters to a mid-tempo dance-pop song. The ambient music becomes restrained, although a cursory bleeping sound can be heard from the right to the left. The background has a number of faint strings in it, which signifies the depth of the stereo field. The chorus starts with a fast-pacing dance sound, over which Madonna sings, "Nothing really matters / love is all we need / everything I give you / all comes back to me." Throughout the entire song, it includes two verses, three choruses, one bridge section, and an outro. The bridge is backed by piano sounds with a descending

neg: Release Me (1949 song) Release Me (1949 song) "Release Me" (sometimes rendered as "Release Me (and Let Me Love Again)"), is a popular song written by Eddie "Piano" Miller and Robert Yount in 1949. Four years later it was recorded by Jimmy Heap & the Melody Masters (in 1953), and with even better success by Patti Page (1954), Ray Price (1954), and Kitty Wells (1954). Subsequently, Jivin' Gene [Bourgeois] & the Jokers recorded the tune in 1960, and that version served as an inspiration for Little Esther Phillips, who reached number one on the R&B chart and number eight on the pop chart with

neg: Sad Clowns & Hillbillies [Ryan's] movie ("Ithaca") that Carlene Carter sings on this record. The line is something like, 'Sugar Hill, Sugar Hill Mountain, where's there's bubblegum and cigarette trees' – and that's straight from a Burl Ives song! Well, I don't think it was 'bubblegum,' but it was 'cigarette trees'. So I thought, 'Yeah, I'll use that!'" Damascus Road: The only song on the album written solely by Carter, "Damascus Road" was conceived during the period when "Sad Clowns & Hillbillies" was going to contain original gospel tunes. "I ended up writing a song that ended up on the record that was intended

neg: Huey "Piano" Smith a hit for Ford. Smith left Ace Records for Imperial Records, to record with Fats Domino's noted producer (and fellow Louisianan) Dave Bartholomew, but the national hits did not follow. Instead, Ace Records again overdubbed new vocals by Gerri Hall, Billy Roosevelt and Johnny Williams on another one of Smith's unreleased tracks, to produce "Pop-Eye", the last hit single credited to Smith. One of the vocalists for the Clowns during the late 1950s and 1960s was Curley Moore (1943–1985), who also had minor regional solo hits under his own name, including "Don't Pity Me", recorded for SanSu Records; "Soul Train",

neg: The Joker's Wild the money and control by supplying the correct answer. Spinning three jokers automatically added $250 to his/her score and the right to pick one of three categories for $100 a question. However, unlike with the classic version where contestants went off the board and chose any of the categories in the round, jokers only represented categories on the wheels and the value of the question had to be taken for $50 with one joker and $100 with either a pair and a joker or two jokers and a category. Additionally, no bonus was awarded for spinning a natural triple. The

neg: Zulu Cannibal Giants supposedly resemble Ethiopian war clubs, and always played barefoot. The players did not use their real names, but rather played under "native" names, as shown in a game lineup from 1935 listing: "Wahoo, right field, Limpopo, first base," among others. At some point in their career they were managed by New York City promoter Syd Pollock, who also managed a similar novelty team called the Indianapolis Clowns (also known as the Cincinnati Clowns, and the Ethiopian Clowns). Popularly regarded as a Negro league team, they technically were not accepted members of the formal league. Although the team was extremely popular

neg: Bohemian Rhapsody riff written by Mercury. At 4:15, a quadruple-tracked Mercury (in stereo, the four parts are panned two on the left and two on the right) sings angry lyrics addressed to an unspecified "you", accusing them of betrayal and abuse and insisting "can't do this to me, baby". Three ascending guitar runs follow. Mercury then plays a similar B run on the piano, as the song builds up to the finale with a "ritardando". After Mercury plays ascending octaves of notes from the B mixolydian mode (composed of the notes from the E scale), the song then returns to the tempo

neg: Sad Clowns & Hillbillies tell it by looking, but I was working out and all of a sudden I just started singing 'easy targets' and I thought, 'oh no, now I've got to stop what I'm doing' and it took me...you know, somebody just sent it to me and I just wrote it down. The melody came [intact], the lyrics...as fast as I could write is how long it took me to write the whole song". Mellencamp said "Sad Clowns & Hillbillies" was borne out of his collaboration with Carter on "Ghost Brothers of Darkland County" and "Ithaca". He said through those two projects

neg: You Make Me Feel... the concept of people trying to find the right person is something that's universal." The song is written in common time maintaining a tempo of 126 beats per minute. The song is set in the key of B-flat major. Backed up by a simple beat and minimal synth arrangement, Saporta sings about finding the girl he’s been missing: "Girl, I’ve been all over the world looking for you / I’m known for taking what I think I deserve, and you’re overdue." Sabi, provides the chorus and the "la-la-la-la-la" melody that carries the song as Saporta sings "You make me feel

neg: Shara Barkhovot Shara Barkhovot "Shara Barkhovot" (Hebrew script: שרה ברחובות, English translation: "Singing In The Streets") was the Israeli entry in the Eurovision Song Contest 1990, performed in Hebrew by Rita. The song is a ballad, with Rita describing her ambiguous feelings about a relationship. She sings of her lover that "you, who are all my life/Will remain a salt inscription on my hands" and remarks that "the great waters/Have gone far away and don't come to me anymore". As a result of this, she sings that she has left her lover and is now singing in the streets to avoid confronting

neg: I've Grown Accustomed to Her Face the D23 Expo, once again using the Rosemary Clooney soundtrack. Barbra Streisand performed several lines in her "Color Me Barbra Medley" from the TV special and album "Color Me Barbra". Subsequently, on her 2016 album "", Streisand performs the song (combined with "I'll Be Seeing You" from the 1938 musical "Right This Way"), as a duet with actor Chris Pine. Stewie Griffin sings his version in the Family Guy episode "Running Mates" Sideshow Bob sings his own version of this song ("The Very Reason That I Live") in "The Simpsons" (in the Season 14 episode "The Great Louse Detective"). Henry

neg: Steel City Clown Brigade Logo on the upper left front. "Responsibilities": To learn clowning skills and to teach other clowns. Must set a good example for other clowns and be good stewards of their equipment. Must assist in the daily operation of the Brigade. They must also assist in the training of Junior Clowns, Apprentice Clowns and Cadets. Must complete 13 additional Prof., including 2 production prof., complete 75 additional performing hours, must complete 300 additional practice hours, must be a good steward of their equipment and complete a board of review. "Uniform": Royal purple shirt with the Brigade Logo on the upper left

neg: Vancouver Rowing Club the distinct orange colour for the uniforms came from Joost Wolsak (who is Dutch). The newly formed Jokers team entered into the British Columbia Lower Mainland Grass Hockey League in Division 1, circumventing the rule that new teams had to start in the second division by attending the league's AGM en masse and passing a motion for the exception (winning by a single vote). Over the next four years, Jokers added more teams (named Jokers Too, Jokers Also and Jokers Again). In 1967, following the first mixed hockey tournament in Vancouver, the first women’s team joined the Jokers. The women's

neg: Send In the Clowns to marry him, but now it is he who rejects her: he is in an unconsummated marriage with a much younger woman. Desirée proposes marriage to rescue him from this situation, but he declines, citing his dedication to his bride. Reacting to his rejection, Desirée sings this song. The song is later reprised as a coda after Fredrik's young wife runs away with his son, and Fredrik is finally free to accept Desirée's offer. Sondheim wrote the song specifically for Glynis Johns, who created the role of Desirée on Broadway. The song is structured with four verses and a bridge,

neg:
Fredesvinda García una mujer que canta
 Para mitigar las penas.
 No era nada ni nadie y ahora,
 Dicen que soy una estrella,
 Que me convertí en una de ellas
 Para brillar en la eterna noche.
Rough translation:
I am a woman who sings to soften the sufferings of the vivid and lost hours. This is all I have left: Telling the night all that I feel, singing songs; lively illusions asleep in me. Many saw me walking alone under the lights empty and blue of my solitude. What has my life always been like? Only work and misery; this is why

neg: Air-Sea Battle games (7–12) are similar to the anti-aircraft games, except that each player mans a submarine that can move left and right and fires at a 90 degree angle. The targets are ships instead of planes. As with the anti-aircraft games, in games 7–9, all targets are worth one point, while games 10–12 have variable point values for targets and additional zero-point obstacles. The shooting gallery games (13–15) differ from the previous variants in that the player can both set the angle of the gun and move the gun left and right. Instead of planes or ships, clowns, ducks, and rabbits

neg: Loba (card game) shuffled and stacked face down to form a new stock pile. Jokers Jokers may only be put down in escaleras, not in piernas. Not more than one Joker can be included in one escalera. Jokers cannot normally be discarded. The only exception is when you have put down all your other cards in combinations. When it is time to discard and the only card left in your hand is a Joker, you are allowed to discard it, thus ending the game. Thus, drawing a Joker from the stock, especially towards the end of the round, may be a serious inconvenience

neg: Sinatra Sings of Love and Things Sinatra Sings of Love and Things Sinatra Sings... of Love and Things is an album by Frank Sinatra, released in 1962. This is the fifth compilation of Capitol singles and B-sides. All songs are available in the box set "The Complete Capitol Singles Collection", except "I Gotta Right to Sing the Blues," the final song Sinatra recorded for Capitol (which appears as a bonus track on the CD reissue of "Come Swing with Me!") and "The Nearness of You," which appears as a bonus track on the CD reissue of "Nice 'n' Easy" (It was recorded at those sessions.) It

neg: The Ashlee Simpson Show performances in episode seven. She is dissatisfied with the first of these, in which she sings "Pieces of Me" at Summer Music Mania 2004 in May; Jessica introduces her to the crowd and enthusiastically enjoys the performance, but Ashlee herself is left hoping that her next performance will go better. Another performance at the end of the episode goes well; Simpson sings "La La" and is congratulated by Jordan Schur. Episode eight begins with a performance of "Pieces of Me" on "The Tonight Show with Jay Leno" in May, and she appears on MTV's "Total Request Live" to promote her

neg: Waltzing Matilda one two three Whose is the jumbuck you've got in your tucker bag? You'll come a'waltzing Matilda with me But the swagman he up and he jumped in the water hole Drowning himself by the coolibah tree And his ghost may be heard as it sings in the billabong Who'll come a'waltzing Matilda with me? ("Chorus")</poem> In May 1988 the Australasian Performing Right Association (APRA) Chief Executive, John Sturman, presented five platinum awards, "which recognised writers who had created enduring works which have become a major part of the Australian culture", at the annual APRA Awards ceremony as part of

neg: Sad Clowns & Hillbillies album's second single, "Grandview", was written in the early 1990s by Mellencamp's cousin, Bobby Clark (Mellencamp has a co-writing credit – he contributed to the melody and the arrangement), who plays in a band in Indiana. Country star Martina McBride sings the song's bridge. McBride said of her involvement: "At that time... the head of both of our labels was Scott Borchetta and he just put it together. I was just thrilled to do it because [Mellencamp] has been a part of the soundtrack of my life". "All Night Talk Radio" was originally recorded for potential inclusion on Mellencamp's 1996

neg: Cygnus X-1 (song series) All Too Human" and was the opposite of Apollo. 'Right-brainers' are more common than 'left-brainers,' and include people who are artistic and sensitive. "Armageddon: The Battle of Heart and Mind" The title is reference to the Biblical war, but in this case Apollo and Dionysus pull man in opposite directions, toward Order or Chaos, respectively. The debate between classical and romantic (Apollonian and Dionysian) cultures is ongoing. The left stereo channel switches to the right for dramatic effect when Lee sings the word 'hemispheres'. "Cygnus: Bringer of Balance" The chords played at the end of "The Voyage" return here. The

neg: Hank Aaron and me from being teammates – fifty dollars. While with the Clowns he experienced some overt racism. His team was in Washington, D.C. We had breakfast while we were waiting for the rain to stop, and I can still envision sitting with the Clowns in a restaurant behind Griffith Stadium and hearing them break all the plates in the kitchen after we finished eating. What a horrible sound. Even as a kid, the irony of it hit me: here we were in the capital in the land of freedom and equality, and they had to destroy the plates that had

neg: Right Here, Right Now (High School Musical song) I would thank that star, that made our wish come true," and she sings with Efron in some parts of the "‘cause he knows that where you are, is where I should be too" line in the first verse and the "It’s always you and me" line in the bridge. However, on the soundtrack, Efron sings these lines by himself, with Hudgens providing background vocals during these parts in the song. On the reprise, which is found only during the extended version of the movie, the background music from the beginning of the song is used while the soundtrack version

neg: Sad Clowns & Hillbillies was bringing – they weren't so religious. I write a lot of sad songs, so it's like "Sad Clowns & Hillbillies" – that's where it came from". The artwork on the front cover of "Sad Clowns & Hillbillies" was taken from a 2005 Mellencamp painting called "Twelve Dreams". Mellencamp said he saw an article that reviewed of one of his painting exhibits where "Twelve Dreams" was "stripped" and he then thought it would work as the album's cover art. He told Jim Kerr of iHeart Radio: "It never really dawned on me to use it for an album cover, but

neg: Amateur Night in the Big Top difference from shit and treacle" "Clowns" - "I don't want to be beaten to death by clowns, pound for pound, beaten by clowns, big floppy shoes on my head, beating me around until I'm dead..." "Long Legs" - "Here's comes the pest getting shit off his chest... even a full time coke freak needs some rest...Confessions of the money I hear them all, confessions of the money made a big man small, and I announce to the whole fuckin world I'm not paying for nothing no more." "Murder" "100 years I spent in here, don't smoke, don't think, don't do,

neg: Brand New Me (Alicia Keys song) Keys sings about being a brand new version of herself, where nobody has control of her mind, heart and soul. On her official website, the singer wrote: "Brand new me is about the journey it takes to get to a place where you are proud to be a new you." She sings over the soft piano melody: "It's , I'm not who I was before/You look surprised your words don't burn me anymore/Been meaning to tell ya, but I guess it's plain to see/Don't be mad, it's just a brand-new kinda me/Can't be bad, I've found a brand-new kinda free."

neg: Right Thru Me nothing wrong." he whispers to her in a form of comfort. The next scene begins with a title screen saying "Right Thru Me" as the song officially starts. As the song begins, both Minaj and Monfret are seen either in bed touching each other sensually and at the beach walking together. Another fight takes place when Minaj tries to prevent Monfret from driving away by refusing to leave the driver's seat of his car. In between the scenes, frames of Nicki behind a full-length window covered with steam are inserted as she sings the chorus. As the video continues, scenes

neg: Evermore (Beauty and the Beast song) reads: "Now I know she'll never leave me/Even as she runs away/She will still torment me/Call me, hurt me/Move me, come what may/Wasting in my lonely tower/Waiting by an open door/I'll fool myself, she'll walk right in/And be with me for evermore", which Stevens performs vulnerably. The track also discusses themes such as true love, sacrifice and learning to understand love. Stevens sings within the vocal range of a "deep, resonating baritone" throughout the song, which lasts a total duration of three minutes and fourteen seconds; Channel NewsAsia contributor Genevieve Sarah Loh compared Stevens' voice, whose notes are suspended by

neg: My Baby Left Me his concert performance of "Burn Down the Mission" on his "17-11-70" live album. "My Baby Left Me" was covered by the British rock band Slade in 1977 and released as a non-album single as a tribute to Elvis Presley, who died in August of that year. The Slade version merged "My Baby Left Me" with "That's All Right", another Crudup-penned track. "My Baby Left Me/That's Alright Mama" reached No. 32 in the UK and remained in the charts for four weeks. Returning to the UK from the United States in August 1976, Slade found themselves out-of-favour at the time of

neg: Sad Clowns & Hillbillies 'Lets just cut 'Early Bird Cafe.' And so that's what we did". Mellencamp also told Gardner about his favorite part of the song, saying: "I love the last part of it where she says, 'She asked me where I'd been, and I said I was hung up with some beggar in the sky.' I thought that was a beautiful line. 'I was hung up with God – I was trying to find God' is what he's saying. I guess you guys figured that out, right?" Mellencamp concluded: "I related to that song ever since I was like 17 years old".

neg: Lay Up Under Me club as the party is right at home with her, as she sings "You ain't gotta worry 'bout a club, just come on lay up under me tonight." The song received generally positive reviews from music critics. Danielle Cheesman of MSN Music wrote that "Lay Up Under Me" is the type of song to which people "step to at a barbecue". Bradley Stern of MuuMuse found the song to be as "soul-warming" as "Love on Top". Likewise, Andrew Tidball of the New Zealand-based website Cheese on Toast commented that "Lay Up Under Me" is a Motown-esque number in the vein

neg: Saint Patrick's Breastplate hand to guard me, God's way to lie before me, God's shield to protect me, God's host to secure me – against snares of devils, against temptations and vices, against inclinations of nature, against everyone who shall wish me ill, afar and anear, alone and in a crowd... Christ, be with me, Christ before me, Christ behind me, Christ in me, Christ beneath me, Christ above me, Christ on my right, Christ on my left, Christ where I lie, Christ where I sit, Christ where I arise, Christ in the heart of every man who thinks of me, Christ in

neg: Mary Wells Sings My Guy Mary Wells Sings My Guy Mary Wells Sings My Guy is the fourth studio album and fifth overall album released by Motown vocalist Mary Wells. The album features her signature hit of the same name (which had already appeared on "Greatest Hits" earlier in the year) and the proposed singles "Whisper You Love Me Boy" and "He's the One I Love", the latter later re-recorded by Tammi Terrell during her own brief Motown tenure. It turned out to be the last studio effort Wells released for Motown as she left the label that year for 20th Century Fox Records. Dezo

neg: Quatorze Quatorze Quatorze (the number "14" in French) is a 2+ player card game from Lebanese origin. Quatorze is played with mixed 2 standard 52-pack cards and 2–3 jokers mixed in as well. The ranking is Ace, King, Queen, Jack, 10, 9, 8, 7, 6, 5, 4, 3, 2, Ace. The objective of Quatorze is to have the lowest possible score and cause the each other player to reach a score of 201+. The deal alternates to the right each round with the first dealer chosen arbitrarily. The dealer shuffles the cards and the person to their left cuts the deck.

neg: Clownhouse to the extremely loud noise of the cameras. It's unclear whether or not Winters did his own dubbing. Arlene Calkins of the "Daily Utah Chronicle" wrote that "This movie, for me, rivals anything I've seen done by Stephen King at his best... Salva's direction is crisp and right on the mark." "TV Guide" gave the film two out of four stars, writing that the film "plays cleverly on the visceral dislike many people feel for clowns and the result is often truly creepy." Joan Bunke of "The Des Moines Register" noted that the film "looks like a family-and-friends project... Salva...

neg: Right There (Nicole Scherzinger song) "[talking] about all the things she likes her man to do," In lyrics such as "Me like the way that you hold my body / Me like the way that you touch my body." In the pre-chorus she becomes territorial with her man, and warns other girls away: "No I ain’t never gonna let no girl take him from me / Never gonna let no girl steal him from me." Throughout the song Scherzinger sings in a Caribbean-influenced vocal style. Then, 50 Cent comes in with his verse, rounding out the song with his male perspective. According to Nadine Cheung

neg: Mak yong series of three hour performances over several nights. The lead dancer is called the "pak yong" and dresses as a king. The cast usually includes a queen in second lead, palace girls and jesters. Traditionally, all performers were female except for the clowns who are always male. A group called "Jong Dongdang" sings and dances in between chapters and at the story's closing. The mak yong orchestra is small with the main instruments played being the three-stringed spiked lute, drum (gendang) and a pair of gong. It may also include the flute ("serunai"), "keduk" drums and small cymbals ("kesi"). Today

neg: Lucky Jokers of years ago. Krishanvarma Thampuran (Jagathy Sreekumar) is the current Rajah of the palace. The Prince (Ajmal Ameer), who finds to his dismay that the treasure is lost, sets out on an adventurous hunt for an ancestral diamond. Suraj Venjaramoodu appeared in double roles as a fraud Sanyasin Himagirisringan and also as a Tamilian named Narasimha Gowundar. "Lucky Jokers" is the first Malayalam film from Aascar Films. The various locales for the film include Kerala, Nepal and Malaysia. Lucky Jokers Lucky Jokers is a 2011 Malayalam comedy film written by Saju Kodiyan, directed by Sunil, and produced by D. Ramesh

neg: Beautiful 'Cause You Love Me United Kingdom. "Beautiful 'Cause You Love Me" was written by Rachel Moulden and produced by Jim Eliot. The song was described as "a typical pop ballad" by Ayeesha Walsh of "The Sun", while its lyrics were deemed "striking and memorable" by Sam Lansky of Idolator. Amy Sciaretto of PopCrush noted that the lyrics address to "how the love of a good man can make you beautiful, and that love, not looks, are what’s important in life." During the chorus, the group sings, "Right now the whole world could call me ugly / So what? To you, I'm not / You

neg: Free Me (Joss Stone song) outro, she even sings "Free me, free me, EMI". It was reported that Stone wanted to leave EMI, but EMI didn't want to end the four-album contract Stone signed in 2006. Before "Colour Me Free", she had only released one out of the four albums that were in her contract. It was announced Stone left EMI, and is now assigned to a new label called "Stone'd Records", based in New York City and Bristol. EMI/Virgin retained the rights to her previously released songs and released the compilation album "The Best of Joss Stone 2003–2009" which included the song "Free Me".

neg: Get Me Bodied hook, where Beyoncé sings: "Can you get me bodied? I want to be myself tonight." The second verse follows, the chorus repeats giving way to the bridge, and Beyoncé sings the chorus again, ending the song with "hey!". "Get Me Bodied" received universal acclaim from music critics who praised its party sound and Beyoncé's vocals. Chris Richards of "The Washington Post" referred to the track a "club-hungry come-ons" with a "dexterous melody". He further stated that the "skeletal" track "keeps Beyoncé tethered to the ground". Jody Rosen of "Entertainment Weekly" commented that "a piddly home hi-fi can hardly capture the

neg: Euchre game variations they need 34 points to win. The players divide into four teams of two players. Teammates should be sitting directly across the table from each other (there should be three people between partners on either side). There will be 4 bowers, 1 right and 3 left. The rank of Trump goes as follows: First team to get 10 points wins the game. A variation is played in Southern Ontario with nine players. Similar to the 6-handed game with the exception of the details below. When the Dealer turns up a Joker Because Jokers do not have suits printed on them,

neg: Brave Belt a decent musician to play with me, except Chad Allan, who had also been in The Guess Who and left. He and I bonded together, and I might not have gotten started without him, even though he left sometime after that first album. Those [Brave Belt] albums are so important to me because, for the first time, I was making my own music, paying for it, finding strengths in it, and going through the process of finding the right music for the record. It led to me becoming a stronger producer for BTO." "Brave Belt I" and "Brave Belt II"

neg:
Mirrors (Justin Timberlake song) Cause your shine is somethin' like a mirror
 And I can't help but notice
 You reflect in this heart of mine. "Mirrors" is a "new-age wedding reception song". Lyrically, in the song, Timberlake sings to a lover about "coming to the realization" that she is his "other half". The singer references "taking a break from the relationship": "It was easy coming back to you/ Once I figured it out, you were right here all along," he sings on the chorus. "It's like you're my mirror, my mirror staring back at me/ I couldn't get any bigger/ With anyone else beside

neg: Impractical Jokers they filmed a pilot episode for a scripted sitcom for Spike TV, but the show did not go to series. TruTV announced the series "Impractical Jokers", originally slated to be named "Mission: Uncomfortable", on April 12, 2011, eight months before the show's debut. Murray explained how the hidden camera format made sense based on the jokesters' skills. "We needed to find the right format... thing is, we've been doing this for years, but when it's on camera, the embarrassment is amplified." Q and Sal have said when they gave their pilot episode to TruTV, it was recorded on their iPhones.

neg: A Thousand Clowns were by George Jenkins, and costumes were by Ruth Morley. The play received two 1963 Tony Award nominations: Featured Actor in a Play (Barry Gordon) and Best Play, and Sandy Dennis won the Tony Award for Featured Actress in a Play. Walter Kerr, in his review for the "New York Herald Tribune", wrote of Sandy Dennis: "Let me tell you about Sandy Dennis. There should be one in every home." A Thousand Clowns A Thousand Clowns is a 1965 American comedy-drama film directed by Fred Coe and starring Jason Robards, Barbara Harris, Martin Balsam, and Barry Gordon. An adaptation of

neg: Sings the Songs of Andrew Lloyd Webber previously been recorded by Shirley Bassey, "I Don't Know How To Love Him" in 1972 for the album And I Love You So, "Don't Cry for Me Argentina" in 1978 for the album "The Magic Is You", "Memory" in 1984 for the B-side of the European single "That's Right" and "All I Ask of You" in 1991 for the album Keep the Music Playing. Several TV performances and interviews were made by Bassey to promote this album. The album entered the UK Albums Chart on December 4, 1993 and peaked at No. 34. Sings the Songs of Andrew Lloyd Webber

neg: Clown Many circus clowns have become well known and are a key circus act in their own right. The first mainstream clown role was portrayed by Joseph Grimaldi (who also created the traditional whiteface make-up design). In the early 1800s, he expanded the role of Clown in the harlequinade that formed part of British pantomimes, notably at the Theatre Royal, Drury Lane and the Sadler's Wells and Covent Garden theatres. He became so dominant on the London comic stage that harlequinade Clowns became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design were, and still are, used by

neg: Vancouver Rowing Club Joost Wolsak. During the 1963/64 season, a few field hockey players at UBC realized that they wanted to continue to play together after their graduation. They checked out some of the local teams, but none of them really interested these gentlemen, who still wanted to play good, competitive hockey, but with an active social side to it. So, this group of “hockey pioneers” formed their own team. DK Fraser chose the name "Jokers" after concluding “Well, we’re a bunch of Jokers." John Young was a recently graduated architect, who used his skills to design the now famous Jokers logo. And

neg: Paper or Plastic (song) for the nights, living for the chance to give what's right, now tell me who the hell you think I am." During the song's hook, Candy sings "Why do all the good girls have to die/ Living in a bad girl's paradise"; Yasmeen Gharnit wrote that the section discusses how women must discard their innocence to achieve independence. Other parts include: "Go buy a life that's fantastic cause all you are is your assets” and "You can't buy love without passion / So please don't do nothing drastic". Critical response to "Paper or Plastic" was mixed following its debut. Daisy

neg: Indian Marriage me remembered that the game is won who ever has the highest points in the end. Hence the main aim for every player must be to show the game as early as possible to get maximum points. Getting "value" points - Another important aspect of this variation is "values" i.e. wildcards. A major part of scoring will comprise points scored in "value". Hence every players must watch out what other players are discarding, especially the players who have seen the joker, as they will never discard a joker or wildcard and also will always pick jokers and wildcards from discard

neg: Marriage (card game) the stock deck only. Dublee cannot be formed by using the wildcard (jokers or maals). However two jokers is considered a dublee. When the game is ended, the players who have not completed pure rounds will also know the "Tiplu" and other jokers/points cards. On a typical game, there are 3 primary sets (9 cards) and 4 secondary sets (12 cards). The player who ends the game will get 10 points from each of the players who have not completed primary/pure rounds. The player who ends the game will get 3 points from each of the players who have completed

neg: Francesco Motta Francesco Motta Francesco Motta, also known simply as Motta (Pisa, Italy, October 10, 1986), is an Italian singer-songwriter. Born in Pisa, his first band is , a busker-punk band with new wave influences, where he writes the lyrics, sings, and plays the drum. The band's first album is This Was Supposed to Be the Future (2010), produced by Andrea Appino, the Zen Circus' leader. The second album of Criminal Jokers, Bestie (2012), is the first written in Italian. Meanwhile, Motta also plays live with Nada, Zen Circus, Il Pan del Diavolo, and Giovanni Truppi. In 2013 he moves to Rome

neg: Marriage (card game) of two cards. A set can contain: There are two kinds of sets The objective of the game is to arrange all twenty one cards into sets. The play includes 5 stages The game uses three Standard 52-card deck. Jokers are optional. If jokers are included then they are wildcard by default. The person to the right of dealer gets the first card. The dealer starts dealing the card anti-clockwise. The dealer deals the card so that each player is dealt a hand of twenty one cards each. The remaining cards are kept face down to form a stack. This

neg: Two Singing Boys with a Lute and a Music Book he beats time with his right hand. He looks down to the left at an open music-book on the table. Behind him to the left is the head of another boy, who looks at the music and sings with him. Signed on the left at foot with the monogram; canvas, 26 inches by 20 1/2 inches." Hals has "an accomplice" peering over his shoulder, and besides the other two paintings already mentioned, this theme of a main subject with a secondary witness was common to many of his paintings of the 1620s: Two Singing Boys with a Lute and a

neg: Look Right Through knight in shining armour, if you will (we'll stop that now). "Seven long years of moving through the streets, letting people in/ But they don't talk to me, they look right through" he sings over a bobbing house line, finger-snapping beats and a looping chorus that quickly lodges deep in the brain. The result, like all fairytales, already sounds like a classic." Look Right Through "Look Right Through" is a song by American record producer Storm Queen, vocals by Damon C. Scott. It was first released on 19 October 2010, with two remix packages released through Defected in February 2012.

neg: Tarzan (musical) John, who composed the music for the songs in the movie version of The Lion King (with lyrics by stage veteran Tim Rice), left others to expand the score for Broadway, while Phil Collins, who wrote music and lyrics for the five songs in the 1999 Tarzan movie, wrote an additional nine for the Broadway show". Phil Collins sings a bonus track "Everything That I Am" at the end of the album. The album includes "all four of the 'old' Tarzan songs (Two Worlds, You'll Be In My Heart, Son Of Man and Strangers Like Me)". The album entered the

neg: Me Rehúso by Ocean, It opens "stealthily", with a pair of synthesizers that "vies for one's attention". Their interlocking pattern barely changes, allowing the song to maintain an illusion of stasis. Then, a lone sampled hand drum sound is added around the 40-second mark and a whiff of a reggaeton beat right before one minute has passed; suddenly, Ocean sings in a hungry, scratchy register and multi-tracking his own voice, "transforming his sleek, bare-bones instrumental into a vehicle for a crushing expression of heartache". ! scope="row"| Portugal (AFP) Me Rehúso "Me Rehúso" is a song by Venezuelan singer Danny Ocean. The song

neg: Dale Hackbart converged into the endzone. Billy Thompson, who was playing left corner for the Broncos, jumped in front of me and Boobie Clark and intercepted the pass. I tried to block Boobie and landed on the ground. When I came up on to one knee watching Thompson run the ball, Boobie came up from behind me and whacked me in the back of the head, with a right fore-arm and drove me into the ground, after the Play was finished. My left arm went numb ! At halftime in the locker room I couldn’t take off my helmet so I was

neg: My Whole World Ended (The Moment You Left Me) intended to be sung by the Temptations when Ruffin was still the group's front man, but when he finally agreed to a solo contract with Motown, the song was given to him. A bittersweet ballad in the style of "Since I Lost My Baby", "All I Need", "I Could Never Love Another (After Loving You)", "(Loneliness Made Me Realize) It's You That I Need", "(I Know) I'm Losing You" and "I Wish It Would Rain", Ruffin, as the narrator, sings of the extensive pain he has felt since his lover has left him. All throughout the song, Ruffin asks his

neg: Don't Let the Sun Go Down on Me Cooper and a mellotron played by Dave Hentschel. In the song, Elton John sings to someone he has helped and from whom he is now experiencing rejection: I took a chance and changed your way of life but you misread my meaning when I met you closed the door and left me blinded by the light don't let the sun go down on me although I search myself, it's always someone else I see. I'd just allow a fragment of your life to wander free but losing everything is like the sun going down on me. "Don't Let the Sun

neg: You Lost Me the love is gone" sung by Aguilera. During the chorus, she sings, "I feel like our world's been infected/ And somehow you left me neglected". Toward the ending, Aguilera's "painful" and "catharsis" voice "crescendos dramatically". According to Jon Pareles from "The New York Times", Aguilera "barely" holds back her tears in the song. "The Village Voice" critic Drew Hinshaw thought that Aguilera is "less vexed by what he did than what he lost". "You Lost Me" received generally positive reviews from music critics. Leah Greenblatt from "Entertainment Weekly" noted Furler's efforts on the "lovely" ballads "You Lost Me", "All I

neg: Christoffer Hiding is from his 2013 album, "Yes, Higher!". Christoffer Hiding Christoffer Hiding (born 25 December 1985 in Göteborg but raised in Alingsås) is a Swedish singer who took part in the Swedish "Idol 2007" finishing 6th place. His cover version of Nelly Furtado's "Say It Right" was a minor hit for him reaching #53 on the Swedish Singles Chart. In 2011, Hiding took part in "Melodifestivalen" singing alongside Swingfly to the song "Me and My Drum" at the Globe Arena finals in Stockholm, coming 5th overall. Swingfly raps the verses, whereas Christoffer sings the chorus in the song. He released his

neg: Christoffer Hiding Christoffer Hiding Christoffer Hiding (born 25 December 1985 in Göteborg but raised in Alingsås) is a Swedish singer who took part in the Swedish "Idol 2007" finishing 6th place. His cover version of Nelly Furtado's "Say It Right" was a minor hit for him reaching #53 on the Swedish Singles Chart. In 2011, Hiding took part in "Melodifestivalen" singing alongside Swingfly to the song "Me and My Drum" at the Globe Arena finals in Stockholm, coming 5th overall. Swingfly raps the verses, whereas Christoffer sings the chorus in the song. He released his debut music video for "Shine On" which

neg: Week Without You more like, I am this person who embraces all my past selves. This album is the most me for right now that I can be." Tatiana Cirisano of "Billboard" described the song as "a twangy, country-tinged break-up waiting to happen". Ross McNeilage of MTV News called the song a "a country kiss-off to an unsatisfying lover", and felt it is "full-out country in its production, compared to the airy fun vibes of 'Malibu' and 'Younger Now', as Miley sings of leaving over a familiar-sounding guitar melody". Deepa Lakshmin of the same publication opined that the song "takes the opposite approach"

neg: Patch Adams dislike Williams, stating "I think Robin himself is compassion, generosity and funny. I like to think that that's who I am, and so I think he was the only actor I wanted to play me, and I think he did a fabulous job." Williams also had actively supported St. Jude Children's Research Hospital for several years. Upon hearing of the death of Robin Williams, he released this statement. The terrible news of the passing of Robin Williams reached me here in the Peruvian Amazon late Monday night with tremendous sadness. Surrounded by over 100 friends and clowns on our annual

neg: What's a Woman? interview : "We were discussing the whole project at Sony BMG and they asked me "Who would you like to do a duet with?" The first person that came into my mind was Aaron Neville, because I'd seen him a few months ago here in Brussels and I was just amazed at his voice! This man has a unique voice... his voice is incomparable. The song goes "What's a woman if a man doesn't treat her right?" And the fact that a man sings that gives it another dimension. I thought that was interesting." The song is featured in the

neg: When She Loved Me enchantingly innocent love", themes he believes are seldom explored in mainstream pop music. The term "heartbreaking" is often used to describe the song; Arkansas Online deemed the track "bittersweet". Described as "a heart-wrenching lament about being left behind", the song's lyrics begin, "When somebody loved me, ev'rything was beautiful." McLachlan movingly sings the line "I was left alone. Still I waited for the day when she'd say I will always love you." Despite having been written about "that fragile bond between child and favorite toy", the song's lyrics are open to universal interpretations. Richard Walters, editor of the book "The

neg: Irreplaceable everything you own in a box to the left". In bar seven, she sings the first verse, arguing with her boyfriend about the indifference of their relationship, and tells him to walk away. The pre-chorus and chorus follow, "You must not know 'bout me ... I can have another you by tomorrow / I could have another you in a minute ... Don't you ever for a second get to thinking / You're irreplaceable". In the second verse, Beyoncé recollects the moment she discovered her boyfriend's infidelity. The same pattern leads to the second chorus. Towards the end, Beyoncé sings