query: who sings would you let me see beneath your beautiful

pos: Beneath Your Beautiful for 'Best British Single' at the 2013 BRIT Awards and was ranked the twelfth best-selling single of 2012 in the UK. "Beneath Your Beautiful" is an R&B ballad written by Labrinth, Mike Posner and Emeli Sandé. It was recorded as a duet between Labrinth and Sandé for Labrinth's debut studio album "Electronic Earth". The title of the song attracted attention from fans, some of whom questioned Labrinth about the spelling of the word "Your" within the song's title, believing that was a grammatical error and should have been spelt "You're" (although the song's lyrics clearly refer to it as a

neg: Beautiful (Mariah Carey song) the first 90 seconds. Carey and Miguel embark on a motorbike cruise at sunset, as he sings about her beauty in the lyrics "let the moonlight kiss your skin". After the first 90 seconds, Carey assumes the lead artist role and performs the rest of "#Beautiful". Carey responds with "I like when you run red lights, don't stop till you thrill me", which Randall Roberts for "Los Angeles Times" thought would alarm mothers and police officers. After Carey sings the line "Take me anywhere", she releases a little giggle. "#Beautiful" ends with a textured layering of both Carey's and Miguel's

neg: Ghazal the traditional restrictions of the form: Where are you now? Who lies beneath your spell tonight? Whom else from rapture's road will you expel tonight? Those "Fabrics of Cashmere—" "to make Me beautiful—" "Trinket"— to gem– "Me to adorn– How– tell"— tonight? I beg for haven: Prisons, let open your gates– A refugee from Belief seeks a cell tonight. God's vintage loneliness has turned to vinegar– All the archangels– their wings frozen– fell tonight. Lord, cried out the idols, Don't let us be broken Only we can convert the infidel tonight. Mughal ceilings, let your mirrored convexities multiply me at

neg: Don't Let the Sun Go Down on Me Cooper and a mellotron played by Dave Hentschel. In the song, Elton John sings to someone he has helped and from whom he is now experiencing rejection: I took a chance and changed your way of life but you misread my meaning when I met you closed the door and left me blinded by the light don't let the sun go down on me although I search myself, it's always someone else I see. I'd just allow a fragment of your life to wander free but losing everything is like the sun going down on me. "Don't Let the Sun

neg: Green Bushes to the ground, If you will prove loyal and constant to me And forsake you own true Love, I'll be married to thee. I want none of your petticoats and your fine silken shows: I never was so poor as to marry for clothes; But if you will prove loyal and constant to me I'll forsake my own true Love and get married to thee. Come let us be going, kind sir, if you please; Come let us be going from beneath the green trees. For my true Love is coming down yonder I see, Down by the Green Bushes,

neg: Control (Traci Lords song) a dominant female who nurses a broken heart of her lover as she sings "Let me kiss it and make it better/After tonight you will forget her". However, Lords later stated she initially wrote it about a drug addiction: "You will forget her" was always about "Forget your heroin." It was never about a person. When I wrote it, it didn't even cross my mind. But then, yeah, sure, later, I thought, "Let me kiss it - and I went, "Oh, ****!" But that's not where I was coming from. It really wasn't. Now I see it, it has all

neg: Intruder (1993 film) for me, so I can tell you, I love you, I love you, a million times. Live, so you can look at yourself in my eyes, so you can feel the warmest of my hands in your forehead. Look at that (pointing out to the moon) she is there, more beautiful than ever, she reflects tomorrow's light. Don’t you wanna see the morning's sun? Open your eyes, tell your name aloud, I order you to yell your name (she slaps him and continues). Hold on; help me, fight for your life. It is inside of you what doesn’t let you

neg: If I Said You Had a Beautiful Body Would You Hold It Against Me of others." If I Said You Had a Beautiful Body Would You Hold It Against Me "If I Said You Have a Beautiful Body Would You Hold It Against Me" is a song written by David Bellamy, and recorded by American country music duo The Bellamy Brothers. It was released in March 1979 as the second single from the album "The Two and Only". The song became their first number 1 hit on the "Billboard magazine" Hot Country Singles chart and their second number one overall, after their 1976 pop hit "Let Your Love Flow". The title as shown on

neg: If I Said You Had a Beautiful Body Would You Hold It Against Me If I Said You Had a Beautiful Body Would You Hold It Against Me "If I Said You Have a Beautiful Body Would You Hold It Against Me" is a song written by David Bellamy, and recorded by American country music duo The Bellamy Brothers. It was released in March 1979 as the second single from the album "The Two and Only". The song became their first number 1 hit on the "Billboard magazine" Hot Country Singles chart and their second number one overall, after their 1976 pop hit "Let Your Love Flow". The title as shown on the original

neg: Right Here Right Now (Jordin Sparks album) for those people. Sparks sings "Baby, on the low / You stay on my page cause I guess I’m your favorite / But you won’t let it show, no way / If you like what you see then you gotta let me know / Bet you won’t double tap that hoe / Bet you won’t double tap that hoe". The next song, "Boyz In The Hood" keeps the upbeat energy of the album going with its piano-led snapping production. The "infectious" jam sees Sparks take on her ideal version of the perfect bad boy, describing all different types of guys

neg:
Maurice Bowra "Diana Cooper: The Biography of Lady Diana Cooper", Hamish Hamilton 1981, p. 310.) Green with lust and sick with shyness,
 Let me lick your lacquered toes.
 Gosh, oh gosh, your Royal Highness,
 Put your finger up my nose,
 Pin my teeth upon your dress,
 Plant my head with watercress.
 Only you can make me happy.
 Tuck me tight beneath your arm.
 Wrap me in a woollen nappy;
 Let me wet it till it's warm.
 In a plush and plated pram
 Wheel me round St James's, Ma'am.
 Let your

neg: You Ruin Me done, standing ovation. You got what you wanted, I guess you won." Following the first verse, Lisa sings the chorus with, "[cause you] play me like a symphony, play me til your fingers bleed, I'm your greatest masterpiece - You ruin me." On 5 September 2014, the duo teased the release of "You Ruin Me" with a 50-second video clip of the twins wearing white and pink tutus, and performing a series of ballet inspired poses beneath a tunnel in Downtown Los Angeles. The song was sent to mainstream radio on 11 September 2014 and was released digitally and physically

neg: Ebernoe Horn Fair a grey mare. "Now take me up behind you fair maid for to ride", "Oh no and then, Oh no, for my mammy she would chide, And then my dear old daddy would beat me full sore, And never let me ride on his grey mare no more." "If you would see Horn Fair you must walk on your way, I will not let you ride on my grey mare today, You'd rumple all my muslin and uncurl my hair, And leave me all distrest to be seen at Horn Fair." "O fairest of damsels, how can you say No?

neg: Brand New Me (Alicia Keys song) Keys sings about being a brand new version of herself, where nobody has control of her mind, heart and soul. On her official website, the singer wrote: "Brand new me is about the journey it takes to get to a place where you are proud to be a new you." She sings over the soft piano melody: "It's , I'm not who I was before/You look surprised your words don't burn me anymore/Been meaning to tell ya, but I guess it's plain to see/Don't be mad, it's just a brand-new kinda me/Can't be bad, I've found a brand-new kinda free."

neg: Lu Xun (Three Kingdoms) well-meaning advice. I've let you down. I've burnt all the documents containing the allegations against your father so that nobody can ever see them." When Ji Yan proposed introducing drastic reforms in the Wu administration (which included the dismissal of many officials he deemed incompetent), Lu Xun cautioned Sun Quan against that and accurately predicted that it would lead to problems. Lu Xun once told Zhuge Ke, "I respect those who are superior to me in status; I assist those who are subordinate to me. I see you behave arrogantly in front of those superior to you, and you belittle

neg: Tammin Sursok I definitely wasn’t the popular girl, but it didn’t define me. You can be ANYTHING you want to be in your life. It’s your choice which path you take. Don’t let other people’s words give you your self worth. You are beautiful. I was beautiful. It just took me a long time to love myself. #thisisbeautiful She has a tattoo on her waist saying "Mind Body Soul". In 1999, after completing year 10, Sursok acquired an agent and landed her first audition for a role in the long-running Australian drama series "Home and Away". She was cast in the role

neg: Cater 2 U feminine assertiveness in "Cater 2 U"; he noted that "the women come off not so much as lovers as full-service romantic servants". J. Freedom du Lac, a staff writer of "The Washington Post" wrote that the song's theme was supplication. Beyoncé opens the song listing the things she would do for her man during her verses: brush his hair, take his shoes off, give him a manicure, rub his feet, help him put his do-rag on, undo his cufflinks. She also sings the lines "Let me feed you, let me run your bath water, whatever you desire" after the things

neg: The Bellamy Brothers Your Love Flow", written by Diamond's roadie Larry Williams. Released in 1976, "Let Your Love Flow" was a No. 1 single on the United States pop charts, as well as more than a dozen countries worldwide. Although "Let Your Love Flow" was also a hit on the Hot Country Singles & Tracks chart, the Bellamys' country music success was limited until 1979, when "If I Said You Had a Beautiful Body Would You Hold It Against Me" was released. The song, whose "double entendre" title was derived from a Groucho Marx quote, landed the Bellamys their first country music No.

neg: Beautiful 'Cause You Love Me FM's Jingle Bell Ball in December 2012. On 14 December 2012, Girls Aloud appeared on BBC Radio 1's Live Lounge, performing a mash-up of the song with a cover of Labrinth and Emeli Sandé's "Beneath Your Beautiful". On 25 December 2012, the group performed the song on "Top of the Pops" Christmas Special. In 2013, the group performed the song on . Credits adapted from the liner notes of "Ten". Beautiful 'Cause You Love Me "Beautiful 'Cause You Love Me" is a song recorded by British girl group Girls Aloud from their second compilation album, "Ten" (2012). It was written

neg: New Day (Alicia Keys song) "New Day", Keys sings about "touching the sky and not letting chances go to waste", singing: "There's no limitation, no / Fill up your life / Let me see your hands up." On the theme of the song, Keys expressed that for her, "a new day is the possibility to choose how to create the life of your dreams and letting no one to stop you." Jenna Hally Rubenstein from MTV noted that the song is "clearly inspired" by the experiences and feelings the singer had about her son, Egypt. She further added that "In short, 'New Day' is a

neg: Just a Girl am a female'." Other themes of "Just a Girl" display Stefani's exasperation over stereotypical female portrayals; Stefani sings: "Don't you think I know exactly where I stand? / This world is forcing me to hold your hand". She gathered examples from her sister and female friends of how being "just a girl" is patronizing. Through "sustained sarcasm", she sings: "I'm just a girl in the world / That's all that you'll let me be / I'm just a girl, all pretty and petite / So don't let me have any rights". Critiques of "Just a Girl" during its release era

neg: End of Time (song) be your friend / I will love you so deeply / I will be the one to kiss you at night / I will love you till the end of time." She continues her appeal as she sings to her love interest, "Take you away from here / There's nothing between us but space and time". On the bridge, Knowles belts her vocal lines over a shooting horn sequence; with her multiple-layered vocals, she commands, "Boy come to me", and towards the end, she repeatedly sings, "Say you’ll never let me go". Knowles "finds the strength in two" as she

neg: Lost in You (Three Days Grace song) band's music. While electric guitars still play a prominent role, the focus is on Adam Gontier's voice and the melody. The song, unlike much of the band's other works, is quite positive. It is a song written with simple words: "Let me inside, let me get close to you / Change your mind, I'll get lost if you want me to / Somehow I found a way to get lost in you." The lyrics are bittersweet as Gontier sings about a love that has its ups and downs. On March 15, 2011, the band released an EP, via online download,

neg: Consideration (song) "her worth as artist and business asset." The song opens with "a Peter Pan metaphor about being held back from maturing," where she sings: "I come fluttering in from Neverland [...] Why will you never let me grow?." In the chorus, she bluntly sings: "I got to do things my own way, darling," while also complaining and asking "in a thick patois": "Will you ever let me? Will you ever respect me? No!." During the second verse, she "asserts that she's through with acting as the world's avatar," asking: "Darling, would you mind giving my reflection a break from the

neg: Blank Page I say I'm sorry?." On the chorus, the lyrics are hopeful that she can right any wrongs she may have committed: "Draw me a smile, and save me tonight/ I'll be your blank page waiting for you to bring me to life/ Paint me a heart, let me be your art/ I am a blank page waiting for life to start/ Let our hearts start and beat as one together/ Let our hearts start and beat as one forever". The arrangement of the minimalist piano composition is "fiery" yet "spare". Aside from garnering innumerable comparisons to Aguilera's own song "Beautiful",

neg: In the Zone song, "It's about heartbreak, it's about your first love, your first true love. That's something all people can relate to, because you all have that first love that you think you're going to be with the rest of your life." When asked if "Everytime" was about Timberlake, she responded "I'll let the song speak for itself." The Rishi Rich's Desi Kulcha Remix of "Me Against the Music" removes the original melody of the song and adds a clattering backbeat and Punjabi shouts. In "The Answer", Spears sings that her lover is the answer to all her needs: "Who can hold

neg: Wrecking Ball (Bruce Springsteen album) our bones," he sings. The song features heavy Irish folk influences (including a prominent tin whistle riff), as well as samples of Sacred Harp singing. The title track was originally written in commemoration of the then-pending demolition of Giants Stadium in New Jersey and is written from the stadium's point of view ("I was raised out of steel here in the swamps of Jersey"). However, in the context of the album it becomes a defiant anthem in the face of economic adversity with the refrain "C'mon on and take your best shot/Let me see what you got/Bring on your wrecking

neg: Eusebia (empress) any of this, O empress, know that you will not benefit me more than your own soul. But if you wish me to come to you, so that the respect due to bishops may be preserved, let me come to you, but do you descend at once from your lofty throne and meet me and offer your head to my hands, asking for my blessing. And then let me sit down, but do you stand respectfully, and sit only when I bid you, when I give the signal. If you accept this, I would come to you; but in any

neg: X Factor (Poland series 4) included "Beneath Your Beautiful" by Labrinth and Emeli Sande, "She's the One" by World Party, "Who Wants To Live Forever" by Queen, "You Are So Beautiful" by Joe Cocker, "I Believe I Can Fly" by R. Kelly, "Billie Jean" by Michael Jackson, "Wake Me Up" by Avicii, "Stacja Warszawa" by Lady Pank, "I Wanna Dance with Somebody (Who Loves Me)" by Whitney Houston, "Firework" by Katy Perry, "Znak" by Ewa Farna and "Alone Again" by Alyssa Reid. Bootcamp was broadcast over two episodes, each of 90 minutes, on 5 and 12 April. The 20 successful acts were: Judges' houses took

neg: See Me Now one thing, my momma would be proud/And you see me looking up cause I know she's looking down right now". During the hook Wilson sings the lines "I know you see me now right now, I know you see me now right now" with a "deep" tenor. "See Me Now" received generally positive reviews from music critics. Christian Hoard of the "Rolling Stone" gave the song three and half out of five stars. Writing: "'I'm Socrates, but my skin more chocolaty,' shouts Kanye, who goes on to detail several feats of attention-whore behavior — cruising in Ferraris, rocking fur coats,

neg: Let Me Ride was used for the Up In Smoke Tour in 2000. Dr. Dre also produced the beat for the remix. Nate Dogg refers to "Let Me Ride" in Warren G's 1994 song "Regulate", in which he sings, "She said 'my car's broke down and you seem real nice, would ya let me ride?'" Rapper Fabolous, in his 2001 hit "Can't Deny It", had the lyric ""bitches be yellin "let me ride", like I'm Snoop, and Dr. Dre."" Rapper The Game similarly refers to "Let Me Ride" in his 2005 song "Put You on the Game", where he claims to be in

neg: Richard Weiner (Czech writer) the rainbow spans O´er blissfulness itself, there is a wondrous country where divine courtiers dwell For who else would in a realm reside Which only those can reach Who know to erase the border That divides good deeds and guilt? They see no shining star to light The way to Bethlehem. (A rhyme would say: a blind bird sings To those who are blind as well. The true rhyme claims: a strangely aware vexation in me stays, Here starts the abrupt journey To heights of insanity.) Accomplished leaders, beware! Your lore inspires my fears. You would infuse a poison Into

neg: Follow My Heart Ich Troje's verses and choruses are sung, while Jeglitza performs a rap somewhat reminiscent of his band's earlier hit "Come And Get Your Love". Lyrically, Jeglitza begins with a bilingual (Spanish and English) rap in which he tells a girl that "you're the one for me/Your love made me a believer" and asks her to "take my gasolina". Michał Wiśniewski then sings in Polish, begging his lover to "let me at least touch your hands", and tells her "I'll get to your heart, do you want it?" At this point, the lyrics switch to English, and feature all the members

neg: Papyrus Oxyrhynchus 120 See that matters are properly conducted on your own part, or our disasters will be complete. We are resolved not to continue in misfortune (?). Farewell; I wish you all prosperity." "Hermias to his son Gunthus, greeting. Unless Ammonius comes to me at once, put off everything or let him do your work and come yourself. Whatever you do, do not fail me in my trouble. Let me know how it was with Didymus. Can time accomplish everything after all? I pray for your health." Papyrus Oxyrhynchus 120 Papyrus Oxyrhynchus 120 (P. Oxy. 120 or P. Oxy. I 120) contains

neg: All of Me (Estelle album) track "Do My Thang", which is an ode to individuality and uniqueness, also works as a girl power anthem, with each singer strongly declaring her independence: "You don't know where I'm going and so you think I'm lost, I ain't on your page, okay, so to you that means I'm off," Estelle sings, before Janelle chimes in with the line: "When I dance, I dance to the beat of a drummer you don't hear and can't see ... the problem must be you, and not me." "Wonderful Life" is a positive jam, as Estelle sings about trying to find the

neg: See No More We’ve all been there and can relate. Towards the end of the song, during the bridge, Jonas sings, over a looped beat, “I used to be afraid of letting go / Right now I need you to set me free/ I can see it in your eyes” and “I don’t wanna see no more” as he still tries to expunge his brain from the memory of the one who has inflicted misery on his heart. Joe sings over scattered beeps, cinematic strings and a raspy R&B drumbeat - neatly side-stepping the feather-light pop-rock sound synonymous with his siblings." Sarah Maloy

neg: If We Had Your Eyes things right." Benjamin also wrote "The R&B track ends with a monologue: "God, if I had Your eyes... / I'd be more patient / God, help me to see things the way You see things / Did I already say help me be patient? / I'll say it again" and noted that it "sounds like a modern take on her first solo records, the gospel albums "Heart to Yours" and "Do You Know"." According to Christine Thomasos of "The Christian Post" "Williams sings about two situations where things are not what they seem. The first verse speaks about her helping

neg: Official Girl attach yourself to the record as soon as you heard it. I didn't want something so vague and so clubby, because I wanted people to see me as a woman with something to say." Cassie defined an official girl as somebody who is in a relationship or seeing someone, and they're "attentive, honest, forthright and not seeing anybody else." She declared, "[...] but at the same time you can let go a little bit. To be an official girl, you just have to ride for your significant other and support them 100 percent." The opposite would be someone who does

neg: Danses gothiques scene, it is unlikely Satie would not have at least heard rumors about this. His status as a part-time lover, whether he recognized it or not, is suggested in his only surviving letter to Valadon, dated March 11, 1893. He is trying to arrange a date with her: "Don't forget that your poor friend hopes to see you...Let me add, Biqui chéri, that I shall on no account get angry if you can't come to any of these rendezvous; I have now become terribly reasonable; and in spite of the great happiness it gives me to see you I am

neg: Live Squad / We can never be friends / I know I'm runnin' through your head now / What could you do? / If it was up to you / I'd be dead now / I let the world know nigga you a coward / You could never be Live / Until you die / See the motherfuckin' bitch in your eye."" Nas, who enlisted Live Squad to contribute beats for his sophomore album "It Was Written" in November 1995, later recollected the situation: "I met Stretch by some dangerous cats that I was hanging with. They put me with Stretch who

neg: On the 6 won't take you cheatin' on me/ Tell me who can I trust if I can't trust in you/ And I refuse to let you play me for a fool". "Let's Get Loud" is a "fiery, soulful" salsa dance song originally written for Gloria Estefan, who gave it to Lopez (who, she felt, would have more fun with it). Lopez asserts her Latin heritage in the song, which opens with the "sassy" declaration ""Ya Jen llego, presente!"" ("Jen has arrived!"). "Feelin' So Good", a mid-tempo hip-hop song featuring Big Pun and Fat Joe, samples Strafe's "Set It Off". Lopez sings about

neg: Favorite Song head like I knew you would." In the sing-a-long chorus, she sings: “I want to be your favorite song/ You can turn it up/ Turn me on all night long/ I want to be your favorite song/ La-la-la-la, la-la-la / I want to be your melody/ Going through your head when you think of me/ I want to be your favorite song/ La-la-la-la.” Meanwhile, Common’s lyrics are softhearted as he tries his hand at crooning. “Girl the songs you sing / They my favorite things / You stay in my dreams / Something so supreme,” he warbles. Later, he raps:

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: A.K.A. (album) done with pleasing you/ I'm so over needing you, all this space just gave me room so I could fly," she sings over mid-tempo electronic beats. "Let It Be Me" is a melancholic string-backed ballad, featuring Spanish guitar and passionate Latin sensibility. "When they ask who do you love, let it be me… let it be me that you think of," she pleads. The ninth track "Worry No More" features Rick Ross and was produced by Detail, being considered "the album's hardest hip-hop anthem." The "reverb-filled" down-tempo track has intelligible background whispers creeping in and out and vocal effects, adding

neg: Kom people (Manipur) to the tiger saying "Tiger, we are brothers, see, I have stripes like yours and the people coming with me are my brothers, so do not kill us." He added "If I kill you or any species of your family then let me have great loss in my family and if you kill me or my family then let your teeth fall out." During the conversation, Saiche shot an arrow at the tiger and the tiger died. The descendants of Shongthu keep the vow, especially Karoungs keep it to this day with some exceptions after Christianity. The Karoungs believe the

neg: Bad Girl (Avril Lavigne song) rock. "Bad Girl" begins with Manson saying "Just lay your head head in daddy's lap, you're a bad girl." Nick Catucci of "Entertainment Weekly" compared Manson's "croaking" vocals on the song to Cookie Monster's speaking voice. The song has "crunching guitars" and is about BDSM, with Lavigne asking Manson to choke her. Lavigne sings "I've been a bad girl, don't you know?/Come get it now or never/I'll let you do whatever" and "Miss me. Miss me. Now you wanna kiss me." At different points in the song, Lavigne purrs and screams. Laurence Green of "musicOMH" wrote that "Bad Girl" "sounds

neg: Frank Buckley (footballer) filled with weeds. Now that was an offer we couldn't refuse. By the time we were finished, we had filled six buckets, and, cheeky bugger that I was, I marched straight up to the Major's office. And when he asked what I wanted, I told him I was there to claim my thirty bob for the weeds. He nearly blew a bloody gasket! 'Get out of here!' he bellowed. 'You're already getting paid to do that work – don't ever let me see you up here again with your buckets.' "Yet beneath the gruff exterior, he was a kind man,

neg: Make Me Smile (Come Up and See Me) version and made it kick. They understood the venom in the lyrics." Robbie Williams recorded a medley of "Make Me Smile (Come Up And See Me)", "You Can Leave Your Hat On" and "Land of 1000 Dances" as a B-side to "Let Me Entertain You" in 1998. Make Me Smile (Come Up and See Me) "Make Me Smile (Come Up and See Me)" is a song by British rock band Steve Harley & Cockney Rebel, released as the lead single from the band's 1975 album "The Best Years of Our Lives". It was written by Harley, and produced by Harley

neg: (Let Me Be Your) Teddy Bear (Let Me Be Your) Teddy Bear "(Let Me Be Your) Teddy Bear" is a popular song first recorded by Elvis Presley in 1957 for the soundtrack of his second motion picture, "Loving You", during which Presley performs the song on screen. It was written by Kal Mann and Bernie Lowe and published in 1957 by Gladys Music. The song was a U.S. No. 1 hit for during the summer of 1957, staying at No. 1 for seven weeks, the third of the four Presley had that year. "(Let Me Be Your) Teddy Bear" would also hit No. 1 on the

neg: Bye Bye Beautiful and the bridge. In the studio version of the chorus he sings "Did you ever let in what the world said" and "Did we play to become only pawns in the game?", but in live sessions he sings "Oh, let in what the world said" and "Did we play - only pawns in the game?" respectively, adding pauses, probably for breathing in. "Bye Bye Beautiful" is written by Tuomas Holopainen about the band's former vocalist, Tarja Turunen, who was dismissed from the band with an open letter in 2005, and his feelings before and after the time she changed her

neg: Djadjaemankh beauties from inside the palace. The heart of highness will be cheering up seeing them rowing to and fro. You will see the beautiful bird's marshes of the lake and their banks then and thine heart will become happy when recognizing their beautiful realms." Sneferu says: "Truly, I shall arrange such a rowing trip. Let me be brought 20 oars made of ebony, decorated with gold, their handles made of "seqab"-wood, covered with dja'am. Let me also be brought 20 virgin maidens with perfect bodies and well-developed bosoms, compassed with braided hairs. Let them be draped in nets after they

neg: One in a Million (Aaliyah song) the song as "a twitchy, booming slow jam that sounded both lush and minimal, expansive and intimate, alien and sexy". Lyrically the song is about Aaliyah professing her love for a guy that "she views as one in a million and a love she can't resist"."Baby you don't know, what you do to me/Between me and you, I feel a chemistry/Won't let no one come and take your place/Cause the love you give can't be replaced", she sings. According to Khal from Complex "One in a Million showcased an unstoppable trio, with Aaliyah being a perfect muse for the futuristic

neg: Lillian Gordy Carter you like some lemonade? How was your journey? Your dress is beautiful'; pouring out the southern hospitality. And the reporter jumped right in on Miss Lillian and said 'Now Miss Lillian, your son's running for president and said he'll never tell a lie now, as a mother, are you telling me he's never told a lie?' And she goes 'oh, Jimmy tells white lies all the time!' the reporter said 'Tell me what you mean: what is a 'white lie'" And Miss Lillian said 'Remember when I said "Welcome to Plains and how good it is to see you. That's

neg: Triumphant (Get 'Em) before continuing: "Don't let 'em ever count you out/ Realize all things are possible/ In your heart who's the greatest/ Reach for the stars/ Be all that you are." During the second verse, Ross' lyrics are somewhat different, "Red bottom Bawse house big as Baltimore" and "With a blonde bombshell trying to bond with your boy." Additionally, he makes reference to strippers, as well as driving with a suspended drivers' license. Throughout the bridge, Carey sings about achieving despite surrounding odds: "In spite of the chains that bind you/ You can see the mountain top/ It’s not too far." Additionally,

neg: Liu Yongfu into a battlefield, in case I ruin its merchants and people. So I am first making this proclamation: You French bandits, if you think you are strong enough, send your rabble of soldiers to Phu Hoai to fight in the open field with my tiger warriors, and then we will see who is the strongest. If you are afraid to come, cut off the heads of your chief men and present them to me. Then give back the cities you have taken. I am a merciful commander, and I will let you miserable ants live. But if you delay, my

neg: On Broadway (Smash) "Bombshell" is shutdown by the government because producer Eileen Rand (Anjelica Huston) has used some dirty money to finance it. Karen Cartwright (Katharine McPhee) reprises "Let Me Be Your Star" during a rehearsal for a party for "Bombshell" to get potential investors. She also sings "Cut, Print...Moving On" as Marilyn Monroe during "Bombshell's" last night in Boston. Karen also duets with Broadway star Veronica Moore (Jennifer Hudson) on "On Broadway" at the party for "Bombshell". Veronica is shown during her "Beautiful" musical that she's in singing "Mama Makes Three" with the show's ensemble. Ivy Lynn (Megan Hilty), who has been

neg: All the Way... A Decade of Song vocals straight from soulside, divadom has never sounded so mighty." According to him, for fans of Dion's "high-caliber" power ballads, this is truly among the best ever and a highlight on "All the Way... A Decade of Song". Longing for romantic attention, Dion sings, "I want you to need me, like the air you breathe/I want you to feel me, in everything/I want you to see me, in your every dream/The way that I taste you, feel you, breathe you, need you." Taylor stated that Warren's trusty melody is wholly natural and free-flowing, while production from the usually rock-oriented Matt

neg: If I Said You Had a Beautiful Body Would You Hold It Against Me single was "If I Said You Have a Beautiful Body Would You Hold It Against Me", but on the album and subsequent releases, the title is shown as "... Had ...". "If I Said You Had a Beautiful Body ..." derived its double entendre title from a Groucho Marx line. Songwriter David Bellamy told country music journalist Tom Roland that he regularly watched Marx's program, "You Bet Your Life", where Marx sometimes used the quote while interviewing an attractive female contestant, then shake his cigar and raise his eyebrows to elicit a reaction. The comment stuck in Bellamy's head as

neg: Jacob would be with him, he would prosper, and he would also see his son Joseph who would lay him to rest. Continuing their journey to Egypt, when they approached in proximity, Israel sent his son Judah ahead to find out where the caravans were to stop. They were directed to disembark at Goshen. It was here, after 22 years, that Jacob saw his son Joseph once again. They embraced each other and wept together for quite a while. Israel then said, “Now let me die, since I have seen your face, because you are still alive.” () The time had

neg: Halo (Beyoncé song) you see [angels'] faces instantly when you hear it. [Its lyrics] are basically saying that I had these walls built up about love; you completely tore them down and when I look at you I see your halo, it's really beautiful." Backed by a piano, claps and step stomps that set a spiritualized atmosphere, Beyoncé opens the song with the lines: "Remember those walls I built? Well, baby, they're tumbling down". She sings the introduction in a low register, and the power of her voice gradually increases as the song progresses. In the pre-chorus, she chants, "Everywhere I'm looking now,

neg: Al-Baqara 256 for that they are in sin.", As well as "Say, "The truth is from your Lord": Let him who will believe, and let him who will, reject (it): ...", "And if your Lord had pleased, surely all those who are in the earth would have believed, all of them; will you then force men till they become believers?", "Therefore do remind, for you are only a reminder. You are not a watcher over them;", "He said: "O my people! See ye if (it be that) I have a Clear Sign from my Lord, and that He hath sent Mercy unto

neg:
Ares not long endure to see you in pain, since
you are my child, and it was to me that your mother bore you.
But were you born of some other god and proved so ruinous
long since you would have been dropped beneath the gods of the bright sky." This ambivalence is expressed also in the Greeks' association of Ares with the Thracians, whom they regarded as a barbarous and warlike people. Thrace was Ares's birthplace, his true home, and his refuge after the affair with Aphrodite was exposed to the general mockery of the other gods. A late-6th-century BC funerary inscription from

neg: Alistair Griffin of the acoustic set he performed in Germany while supporting Robin Gibb. This included "Bring it On", "You and Me (Tonight)", "In Your Smile" and "I Have Lived" with a cover of "I Can't Make You Love Me". The limited edition CD was only made available for a short time at his concerts. At his Christmas concert in December 2006, he released another independently recorded, three track solo CD, "Finding Boethius", consisting of one co-written song, "Let Love Speak Its Name", a cover of "Hallelujah" which he regularly sings live, and an acoustic cover of "Love Will Tear Us Apart".

neg: Your Heart Belongs to Me Gonna Let My Heart Do the Walking" that a Supremes single would feature four Supremes. For this song, Smokey Robinson, who was the sole songwriter and producer for Mary Wells during her Motown tenure, used exactly the same music style that he used with Mary Wells in a few of the several hits he wrote for her, including, "The One Who Really Loves You", "You Beat Me to the Punch", "Two Lovers" and "Laughing Boy". After this single, Marvin Gaye recorded an answer song titled "Soldier's Plea", which was his third single to be released. Your Heart Belongs to Me

neg: If You Love Me (Let Me Know) the country chart. If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to

neg: If You Love Me (Let Me Know) If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to number 83 on

neg: Les biches on my knees, all full of love for you. Come back among us come back again. "My beloved, see "how sweet are my kisses." Oh, how beautiful your eyes are, and how rounded your breast! If it's the dark one you have chosen. My darling, if you love me kiss me again. My daughter, you have to marry and that without further delay. I have four daughters to marry. I have filled my whole loft. </poem> This is the first of the two choral movements for female and male voices. The words are those of a father hoping to marry

neg: Ziyad ibn Abih away by your hatred and anger against me; it would go ill with you. I see many heads rolling. Let each man see that his own head stays upon his shoulders!" In 670, the governor of Kufa, al-Mughira ibn Shu'ba, died of plague. With Mu'awiyah looking to crush the rebellion of Ali's followers in Kufa, Ziyad, being the ruthless governor that he was, proved to be the perfect candidate for the emirate. Caliph Mu'awiyah handed the administration of the city to Ziyad as well, who united Kufa and Basra under one administration. Ziyad altered the city's plan from seven districts

neg: Your Baby Never Looked Good in Blue Good in Blue" for consideration for Exposé to record along with the Warren composition "I'll Never Get Over You Getting Over Me": Arista president Clive Davis had indicated that only one of those two songs could be recorded by the group and while Jurado – who considered "both beautiful songs" – had favored the latter, the group's producer Lewis Martineé opted for "Your Baby Never Looked Good in Blue". (Exposé would be able to record "I'll Never Get Over You Getting Me" for their 1992 album "Exposé" with the track becoming a Top Ten hit.) On the "Billboard" charts, "Your

neg: Beautiful 'Cause You Love Me United Kingdom. "Beautiful 'Cause You Love Me" was written by Rachel Moulden and produced by Jim Eliot. The song was described as "a typical pop ballad" by Ayeesha Walsh of "The Sun", while its lyrics were deemed "striking and memorable" by Sam Lansky of Idolator. Amy Sciaretto of PopCrush noted that the lyrics address to "how the love of a good man can make you beautiful, and that love, not looks, are what’s important in life." During the chorus, the group sings, "Right now the whole world could call me ugly / So what? To you, I'm not / You

neg: Śmigus-dyngus dyngus song went: <poem> Your duck has told me That you've baked a cake Your hen has told me She's laid you a basket and a half of eggs Your sow has told me that you've killed her son If not her son then her little daughter Give me something if only a bit of her fat Who will not be generous today Let him not count on heaven. </poem> In some regional variants of "po dyngusie", the boys would march through the village with one of their number dressed as a bear with a bell on his head –

neg: I Will Praise You album cover was released on 2 February 2011 via Provident Label Group's official website. Two more songs from the album, the title track and "You Never Let Go", were premiered on 17 February. Track four, "You Still Amaze Me", was premiered on 25 February." Tracks five and six, "In a Moment" and "The Kindness of Our God", were premiered on 4 March. "When the Stars Burn Down" and "Almighty God" were premiered on 11 March. The final songs, "You Hold Me Now" and "You Make Everything Beautiful", were premiered on 18 March. On 15 March RSJames.com offered "Shine Your Glory

neg: Intensive short-term dynamic psychotherapy time we attempt to move toward it, you put up this massive wall. The wall keeps me out, and it keeps you from knowing your own true feelings. If you keep me out, you keep me useless. Is that what you want? Because, as you see, you are certainly capable of keeping me useless to you. My first question is, why would you want me to be useless? You see, the consequences of this would be that I would be unable to help you. I'd like to, but the nature of this work is that I can't help everyone. Sometimes

neg: Portia Nelson William Roy, a young pianist and composer who was just beginning a fifty-year career as a musical director for many of cabaret's greatest performers. In 1951 Nelson would also appear at the New York lounge Celeste, accompanied by songwriter and pianist Bart Howard, who soon became the emcee at the Blue Angel. At Celeste, Nelson performed many of the songs (including "In Other Words," later retitled "Fly Me to the Moon") that she would gather on her album "Let Me Love You: Portia Nelson Sings the Songs of Bart Howard". She championed Howard for the rest of her career. The

neg: Khazar Correspondence servants, cupbearers and those who are close to me. It is round in shape and its diameter is three parasangs. The river flows within its walls. This is my residence during the winter. From the month of Nisan [March–April] on we leave the city and each one goes forth to his vineyards, fields and to his work... You mention in your letter that you yearn to see my face. I also would very much like to see your pleasant countenance and the rare beauty of your wisdom and greatness. Would that it were according to your word. If it were

neg: Sing-a-ma-jigs doll sings "Let Me Call You Sweetheart" in her alto voice. In March 2011, the third holiday-themed doll was released for Easter. This Sing-a-ma-jig is a white Easter rabbit with more detailed bunny ears. It sings "Here Comes Peter Cottontail", and rather than saying "Goodbye" or "See you later", signs off by saying, "Happy Easter!" His shirt is covered in a colorful Easter Egg pattern. She has a baritone vocal range. A 4th of July themed doll was released in time for the holiday in 2011, was Red, White, and Blue, and sang "The Star-Spangled Banner". Instead of "Hello!" or

neg: Stabat Mater (Giovanni Pierluigi da Palestrina) true emotion All the sorrow you endured. Virgin, ever interceding, Hear me in my fervent pleading: Fire me with your love of Christ. Mother, may this prayer be granted: That Christ's love may be implanted In the depths of my poor soul At the cross, your sorrow sharing, All your grief and torment bearing, Let me stand and mourn with you. Fairest maid of all creation, Queen of hope and consolation, Let me feel your grief sublime. Virgin, in your love befriend me, At the Judgement Day defend me. Help me by your constant prayer. Saviour, when my life shall

neg: Barnacle Bill (song) as lyrics only with no indication of key or meter. <poem> "Who is knocking at my door," "Who is knocking at my door," "Open the door and let me in," "Open the door and let me in," "You may sleep upon the floor," "To hell with the floor, I can't fuck that," "You may lie down at my side," "To hell with your side, I can't fuck that," "You may lie between my thighs," "What've you got between your thighs?" "O, I've got a nice pin-cushion," "And I've got a pin that will just fit in," "But what if we

neg: Chris Brown (album) place in a party setting, with Brown explaining, "It's really a guy checking for a girl, or a girl checking for a guy...asking to see if they can run it. If they can be eligible to be your girlfriend, boyfriend, whatever. 'Let me see if you can run it; show me what you got.'" "Yo (Excuse Me Miss)" discusses the first conversation someone has with a girl: "Fellas, first thing they say when they see a girl is 'Yo! Yo!'. I'm saying it like that, but technically not like that. She takes my breath away, all I can say is

neg: Sweet Sacrifice concluded that Lee sings the lines "You know you live to break me" and "Are you still too weak to survive your mistakes?" to Evanescence's past guitarist Ben Moody. That sentiment was echoed by Rob Sheffield of "Rolling Stone", who said that the lyrics "One day I'm gonna forget your name/And one sweet day, you're gonna drown in my lost pain" are aimed at Moody. Bill Lamb of the website About.com, put the song on his list of Top Tracks on "The Open Door" alongside "Lacrymosa", "Call Me When You're Sober", "Your Star" and "Good Enough". In his review of

neg: Dorothy Shakespear do not see you alone on Wednesday, I take it that during your 'exile' you have been forbidden to write to me? ... if you have promised—don't break your word—don't write to me!" Olivia allowed Dorothy to write a thank-you note when Pound's "Canzoni" were published—that he dedicated to Olivia and Dorothy—the only instance when she let Dorothy contact him directly. John Harwood, Olivia Sharkespear biographer, writes that Dorothy's lack of resistance seems extreme, even by Edwardian standards; however, he speculates that Olivia's motives were to keep Dorothy's behaviour controlled, whereas Pound's behaviour was ignored. The two remained unofficially engaged

neg: Heaven I Need a Hug before you know the truth you're so quick to judge me." Kelly goes on to blame his current troubles on his celebrity, a belief he also put forth in his May interview with MTV News (see "R . Kelly: In His Own Words"). He sings, "Seems like the more money I make/ The more drama y'all try to create/ The more I move into the positive/ The more y'all don't want to let me live/ When will you realize that I don't owe you nothin?" Kelly has only occasionally performed the song at concerts. The song has been getting a

neg: Jim Jones oppress women and non-whites, and denouncing a "Sky God" who was no God at all. Jones wrote a booklet titled "The Letter Killeth", criticizing the King James Bible. Jones also began preaching that he was the reincarnation of Gandhi, Father Divine, Jesus, Gautama Buddha, and Vladimir Lenin. Former Temple member Hue Fortson, Jr. quoted Jones as saying, "What you need to believe in is what you can see ... If you see me as your friend, I'll be your friend. As you see me as your father, I'll be your father, for those of you that don't have a father

neg: Amazons (DC Comics) physical injury and toxins by becoming one with the Earth's soil and then reforming their bodies whole again. The first time Diana does this she prays to her god Gaea saying: ""Gaea, I pray to you. Grant me your strength. You are the Earth who suckled me, who nurtured and bred me. Through you all life is renewed. The circle which never ends. I pray you, mother Gaea, take me into your bosom. Please, let me be worthy."" During writer John Byrne's time on the comic it was stated that this is a very sacred ritual, to be used only

neg: Amazons (DC Comics) of physical injury and toxins by becoming one with the Earth's soil and then reforming their bodies whole again. The first time Diana does this she prays to her god Gaea saying: ""Gaea, I pray to you. Grant me your strength. You are the Earth who suckled me, who nurtured and bred me. Through you all life is renewed. The circle which never ends. I pray you, mother Gaea, take me into your bosom. Please, let me be worthy."" This is a very sacred ritual to the Themyscirians, only to be used in the most dire of circumstances. Originally a

neg: Nubia (comics) the Earth's soil and then reforming her body whole again. The first time Diana does this she prays to her god Gaea saying: ""Gaea, I pray to you. Grant me your strength. You are the Earth who suckled me, who nurtured and bred me. Through you all life is renewed. The circle which never ends. I pray you, mother Gaea, take me into your bosom. Please, let me be worthy."" During writer John Byrne's time on the comic it was stated that this is a very sacred ritual to the Themyscirians, only to be used in the most dire of

neg: Antiope (comics) with the Earth's soil and then reforming their bodies whole again. The first time Diana does this she prays to her god Gaea saying: ""Gaea, I pray to you. Grant me your strength. You are the Earth who suckled me, who nurtured and bred me. Through you all life is renewed. The circle which never ends. I pray you, mother Gaea, take me into your bosom. Please, let me be worthy."" During writer John Byrne's time on the comic it was stated that this is a very sacred ritual, to be used only in the most dire of circumstances. In

neg: Philippus (comics) Diana does this she prays to her god Gaea saying: ""Gaea, I pray to you. Grant me your strength. You are the Earth who suckled me, who nurtured and bred me. Through you all life is renewed. The circle which never ends. I pray you, mother Gaea, take me into your bosom. Please, let me be worthy."" During writer John Byrne's time on the comic it was stated that this is a very sacred ritual to the Themyscirians, only to be used in the most dire of circumstances. In the alternate timeline of "Odyssey", Philippus was one of the few

neg: Lee Ryan 2011 that there was no deal to release his album. The track listing for Ryan's aborted album was as follows: "Secret Love", "I Am Who I Am", "Guardian Angel", "Perfect Strangers", "I Don't Wanna Let You Down", "I Love Your Smile", "It's Not Me", "Confessions", "Light of Your Soul", "Peaches", "Reinforce Love", "Suffice to Say", "To See the Stars", "Stop the Rain", "Why Me" and "Stand Up as People". Ryan stated in January 2011 that he was working on an album with Blue to be released later in the year. Blue represented the United Kingdom at the Eurovision Song Contest

neg: One Less Lonely Girl "much as he did on his debut single, "One Time," Bieber makes a strong case for why he's the next pop heartthrob. 'I'm gonna put you first, I'll show you what you're worth/If you let me inside your world,' he sings. The stump speech is hard to resist, especially when set to an arrangement that follows the lineage of hit midtempo ballads "With You", and "Irreplaceable". Although the lyrics are generic, Bieber's smooth delivery is right on point, and his tender vocals blend well with the song's easy-flowing beat." Jon Caramanica of "The New York Times" called the song along

neg: Nabuma Rubberband Gothenburg Symphony Orchestra are featured on a few songs from the album, marking the first time Little Dragon have collaborated with outside musicians. "It's nice to see your music reflected on another musician", drummer Erik Bodin said. "Especially when they come from the outside and you can see how they interpret it. It's an honor." Other collaborators include Dave of De La Soul, who co-wrote the songs "Mirror" and "Killing Me", and Robin Hannibal, who co-produced "Killing Me" and "Let Go". Nagano cited Janet Jackson as an influence on "Nabuma Rubberband", particularly her song "Any Time, Any Place" (1993). "When

neg: Sonny Boy (song) Sonny Boy. Friends may forsake me. Let them all forsake me. I still have you, Sonny Boy. You're sent from heaven And I know your worth. You made a heaven For me here on earth. When I'm old and grey, dear Promise you won't stray, dear For I love you so, Sonny Boy. When there are grey skies, I don't mind grey skies. You make them blue, Sonny Boy. Friends may forsake me. Let them all forsake me. I still have you, Sonny Boy. You're sent from heaven And I know your worth. You've made a heaven For me here

neg: 25 (Adele album) "happy you're gone" song, which was inspired by an ex-boyfriend. The drum-filled folk song "I Miss You" has been described as "explicitly seductive" due to the lyrics: "Bring the floor up to my knees/Let me fall into your gravity/And kiss me back to life to see/Your body standing over me." "When We Were Young", another piano-led ballad, is "a reflective serenade about treasuring the moments you will look back on in years to come", while the ballad "Remedy", was written about Adele's best friend, her grandparents, her boyfriend, and her son. "Water Under the Bridge" is a mid-tempo pop song,

neg: Samantha Carter because nothing can ever happen ... He's the one who let her go. He says, 'I'm a safe bet. You know you can't have me so you're just protecting your heart by, you know, hanging your hat on someone you can't have. So, let me go,' is essentially what's said at the end of "Grace"". Tapping said, "The whole episode is her sort of rethinking her life and rethinking her choices, and I don't think that she's lost integrity. I don't think that her feelings for O'Neill are any less. I think she's just placed them in a different box,

neg: Judaism and politics God is about to give you, and you take hold of it and dwell in it, and you say, 'Let me put a king over me like all the nations that are around me', you shall surely put over you a king whom the Lord your God chooses..." (Deut. 17:14-15). But the Talmud also brings a different interpretation of this verse from Rabbi Nehorai, who is quoted as explaining that, "This section was spoken only in anticipation of their future murmurings, as it is written, and you say, Let me put a king over me..." (Sanhedrin 20b). In many interpretations,

neg: Strawberry Kisses Luciana, where she sings about wanting to find that passion again, since she does not just stay. In the chorus, the girls sing, "Eu quero tanto seu beijo molhado Seus lábios de mel, Que me deixaram louca, Eu vou te dar um beijo molhado Eu sei que vou trazer Você pra mim." ("I want your wet kiss so much Your honey lips, That drove me crazy, I'm gonna give you a wet kiss, I know I'll bring you to me.") After the refrain, Patricia talks about not being able to sleep due to this intense passion. Fantine then sings, saying

neg: If You Go Away would happen "if you go away" and what could happen "if you stay". In the original French version, the singer begs for his lover not to leave him and is more supplicant and almost self-humiliating (the title "Ne me quitte pas" translates "Do not leave me"). Significant is the last image of the French version; although the McKuen version has lyrics that come close to the original sentiment, the French lyrics are far bleaker (as is the song in general): ""Let me become the shadow of your shadow, the shadow of your hand, the shadow of your dog"" (lit. translation

neg: Princess Hwahyeop grew up (with me) in the palace. She lived to see twenty springs till one frosty snow took her to join the immortals. Who would have expected this? Now I have rarely seen the wild geese flying across the sky. I could not believe that what had started as a minor illness would end up incurable. Mother and I had been anxious (over your deteriorating health) day and night. You were sincere and filial till the end of your journey. Upon hearing that His Majesty was about to visit you, you rose from your sick bed. But your words drifted

neg: Let Me Be Your Star "Singin' in the Rain" and "Meet Me in St. Louis" said to the writing duo that "this has to be more universal in its story. It has to be about people who want something and fight for it." The song fulfilled the writers' desire "to try and make each song somehow mirror what was going on in the episode." The song makes contextual sense in regards to the lives of both auditionees, and Marilyn Monroe herself. "Let Me Be Your Star", along with other pilot songs "The National Pastime" and "Beautiful", "fit into the storyline in a realist manner and

neg: Papyrus Oxyrhynchus 113 I came upon Plution in the Oxyrhynchite "nome." Do not think that I took no trouble about the key. The reason is that the smith is a long way from us. I wonder that you did not see your way to let me have what I asked you to send by Corbolon, especially when I wanted it for a festival. I beg you to buy me a silver seal and to send it me with all speed. Take care that Onnophris buys me what Irene's mother told him. I told him that Syntrophus said that nothing more should be given

neg: Just Before the Battle, Mother thoughts of home and God For well they know that on the morrow, Some will sleep beneath the sod. "CHORUS:" Farewell, mother, you may never Press me to your heart again, But, oh, you'll not forget me, mother, If I'm numbered with the slain. Oh, I long to see you, mother, And the loving ones at home, But I'll never leave our banner, Till in honor I can come. Tell the traitors all around you That their cruel words we know, In every battle kill our soldiers By the help they give the foe. "CHORUS:" Farewell, mother, you may never