query: what is the meaning of trompe l oeil

pos: Trompe-l'œil in the form of "illusion painting", is also used in contemporary interior design, where illusionary wall paintings experienced a Renaissance since around 1980. Significant artists in this field are the German muralist Rainer Maria Latzke, who invented, in the 1990s, a new method of producing illusion paintings, frescography, and the English artist Graham Rust. Old Masters 19th century and modern masters Contemporary Trompe-l'œil Trompe-l'œil (French for "deceive the eye", pronounced ) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture.

pos: Trompe-l'œil Trompe-l'œil Trompe-l'œil (French for "deceive the eye", pronounced ) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. Though the phrase, which can also be spelled without the hyphen and ligature in English as trompe l'oeil, originates in the Baroque period, when it refers to perspectival illusionism, trompe-l'œil dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l'œil mural might depict a window,

pos: Claudio Bravo (painter) He was fascinated by their forms and the texture of the paper they were wrapped with. Bravo’s first exhibit in Spain, at the Galería Fortuny in 1963, had all types of paintings, including these new package ones. "White and Yellow Package", painted in 2005, is a good example of Bravo's continuation of the parcel series. One of the first things to catch the eye is his use of trompe l'oeil, a technique from the Baroque period meaning "to deceive the eye", used to create the illusion of three-dimensionality. This painting style is similar to his approach to still lifes and

pos: Sylvia Hyman Sylvia Hyman Sylvia Hyman (September 9, 1917 – December 23, 2012) was an American ceramic artist, art teacher and visual artist. She was known for her lifelike ceramic pieces and sculptures which are included in the collections of museums worldwide. Her trademark pieces, which were fashioned from stoneware or porcelain, often used the artist technique of trompe-l'œil (meaning "deceive the eye" or "fooling the eye" in French) to create the realism of art. Much of Hyman's work featured everyday objects, such as paper, books, or food, realistically crafted from ceramic. She was also the founder of the Tennessee Association of

neg: Iglesia San Germán de Auxerre San Germán's interior is one of the most lavishly decorated on the island. The vault and arches are painted in the Trompe l' oeil manner. The church conserves the 1869 marble altar as well as ten other 19th century smaller secondary marble altars. A collection of 17th century metalwork, 18th century wooden carvings and a painting by José Campeche are kept in the choir loft. It was listed on the National Register of Historic Places in 1984. Iglesia San Germán de Auxerre The Iglesia San Germán de Auxerre () is a historic Roman Catholic parish church located in San Germán,

neg: Oeil de perdrix today where each vineyard has a unique grape. This gave white wine, red wine and what was called grey wine because the wine was neither white nor red. It is also an old name for very pale rosé wine made – not by the saignée method- but by "pressurage direct", in which the juice of red grapes is drawn off and fermented with very little contact with the skins. With the modernization of viticulture and separation of grapes the term Oeil de Perdrix disappeared in France but remained in the Canton of Neuchâtel in Switzerland. The Canton of Neuchâtel would

neg: Trompe le Monde the title of the first track, "Trompe le Monde", a French phrase meaning "Fool the World". Unlike previous albums, the title of the album comes from the name of a song (rather than a song lyric), and is a play on the French phrase "Trompe-l'œil"—a painting technique in which the painter fools the viewer into thinking objects presented are real. "Head On" is a cover of the Jesus and Mary Chain track that was released as a single reaching number 6 in the Billboard Modern Rock Tracks Chart. "U-Mass" is a song about the University of Massachusetts Amherst, where Black

neg: Catalan phonology voicing assimilation; a set of 7 or 8 phonemic vowels, vowel assimilations (including vowel harmony), many phonetic diphthongs, and vowel reduction, whose precise details differ between dialects. Several dialects have a dark "l", and all dialects have palatal "l" () and "n" (). Phonetic notes: Voiced obstruents undergo final-obstruent devoicing so that ('cold', m. s.) is pronounced with , while ('cold', f. pl.) is pronounced with . Voiced stops become lenited to approximants in syllable onsets, after continuants: → , → , → . Exceptions include after lateral consonants and after , e.g. ('oeil-de-boeuf'), ('excellent ballpoint'). Additionally, fails to lenite

neg: Oeil de perdrix Winery. In 1975, this wine experienced a stuck fermentation, and the pink, sweet style of White Zinfandel, that would go on to enjoy massive commercial success, was thus accidentally born. Bob Trinchero originally planned to name the new wine Oeil de Perdrix, but the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) demanded that Trinchero translate the name, so he added "White Zinfandel" to the label. Oeil de perdrix Oeil de Perdrix is a rosé wine produced in Switzerland. The history of the wine style dates back to the Middle Ages in the Champagne region of France and from there

neg: Oeil de perdrix export Oeil de Perdrix primarily to the German-speaking cantons of Switzerland but also to other cantons, namely to the cantons of Geneva, Vaud and Valais. After the Second World War, the latter decided to start producing their own Oeil de Perdrix. When the policy for wine of controlled origin (AOC) in Switzerland began, the Canton of Neuchâtel claimed the sole Oeil de Perdrix AOC, but it was refused; the cantons of Geneva, Vaud, Valais, and Neuchâtel all have the Oeil de Perdrix AOC today. The early origins of the American wine White Zinfandel can be traced to a California winemaker's

neg: Trompe-l'œil wall. Then he runs towards what appears to be a hallway, but when he runs up this as well we realize that it is a large trompe-l'œil mural. More recently, Roy Andersson has made use of similar techniques in his feature films. Matte painting is a variant of trompe-l'œil, and is used in film production with elements of a scene are painted on glass panels mounted in front of the camera. Fictional trompe-l'œil appears in many Looney Tunes, such as the Road Runner cartoons, where, for example, Wile E. Coyote paints a tunnel on a rock wall, and the Road

neg: Antler hair follicles, the same material as human fingernails and toenails. Horns are never shed and continue to grow throughout the animal's life. The exception to this rule is the pronghorn which sheds and regrows its horn sheath each year. They usually grow in symmetrical pairs. Antler comes from the Old French "antoillier " (see present French : "Andouiller", from" ant-, "meaning before," oeil, "meaning eye and" -ier", a suffix indicating an action or state of being) possibly from some form of an unattested Latin word "*anteocularis", "before the eye" (and applied to the word for "branch" or "horn"). Antlers are

neg: Oeil de perdrix the area around Neuchâtel in Switzerland, where it is made from Pinot noir grapes. It has a continued presence in Swiss wine as a dry rose style made from the free run (i.e. not pressed) juices of Pinot noir. The wine is meant to be chilled and consumed young. Vin gris is a more general term to describe white wine made from the black Pinot noir grapes. Currently, Oeil de Perdrix is an AOC wine and can only be produced in the designated AOC region. Perhaps the most successful Oeil de Perdrix wine was made from Zinfandel at Sutter Home

neg: Oeil-de-boeuf applied to horizontal oval windows, but is also used for vertical ones. Oeil-de-boeuf Oeil-de-boeuf, also œil de bœuf, (French, "bull's eye"), and sometimes anglicized as ox-eye window, is a relatively small oval window, typically for an upper storey, and sometimes set on a roof slope as a dormer, or above a door to give light. Windows of this type are commonly found in the grand architecture of Baroque France. The term is also so often applied to similar round windows, like those found in Georgian architecture in Great Britain, and later Greek Revival and Colonial Revival styles in North America,

neg: Oeil-de-boeuf Oeil-de-boeuf Oeil-de-boeuf, also œil de bœuf, (French, "bull's eye"), and sometimes anglicized as ox-eye window, is a relatively small oval window, typically for an upper storey, and sometimes set on a roof slope as a dormer, or above a door to give light. Windows of this type are commonly found in the grand architecture of Baroque France. The term is also so often applied to similar round windows, like those found in Georgian architecture in Great Britain, and later Greek Revival and Colonial Revival styles in North America, that this must be considered part of the usage. The term initially

neg: Trumpet type, while some have the rotary type. The use of rotary-valved trumpets is more common in orchestral settings, although this practice varies by country. Each valve, when engaged, increases the length of tubing, lowering the pitch of the instrument. A musician who plays the trumpet is called a "trumpet player" or "trumpeter". The English word "trumpet" was first used in the late 14th century. The word came from Old French ""trompette"", which is a diminutive of "trompe". The word "trump", meaning "trumpet," was first used in English in 1300. The word comes from Old French "trompe" "long, tube-like musical wind

neg: Oeil de perdrix Oeil de perdrix Oeil de Perdrix is a rosé wine produced in Switzerland. The history of the wine style dates back to the Middle Ages in the Champagne region of France and from there spread to the Canton of Neuchâtel in Switzerland where it would become a popular dry rosé made from Pinot noir. The name "Œil de perdrix" means "eye of partridge" in French, a reference to the pale pink colour of the eye of a partridge in death throes. Until about a century ago, it was common for vineyards to have the red and white grapes unseparated unlike

neg: Trompe L'Oeil (Westworld) Kain of "Forbes" also reviewed the episode, saying, "Sunday night's episode of "Westworld" was perhaps the first in the show's opening salvo to give us as many answers as it did questions. In a very real, and very chilling way, the seventh episode of the first season pulled back the veil, confirming one of the biggest fan theories out there. But it also gave us answers about some of the other mysteries we've been hunting, and that's exactly what it needed to do at precisely the right time." Trompe L'Oeil (Westworld) "Trompe L'Oeil" is the seventh episode of the HBO

neg: Oeil de perdrix attempt at making an Oeil de Perdrix–style wine. The Oeil de Perdrix style of wine is believed to have originated in the Middle Ages in Champagne region of France, prior to that region's development of the sparkling wine style that would take its name. During this period the Champenois were in competition with the Burgundy wine region for the favor of the Royal court and the lucrative Paris market. Red wine was particularly popular during this period and the northern location of the Champagne region had difficulties competing with the more fuller bodied wines of Burgundy. Winemakers in Aÿ, Marne

neg: Trompe-l'œil in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna (1431–1506) and Melozzo da Forlì (1438–1494), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening to create the impression of greater space for the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as "di sotto in sù", meaning "from below, upward" in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the Camera degli Sposi in Mantua and Antonio da Correggio's (1489–1534)

neg: Finstock owner of Cornbury Park. It remains in the possession of Cornbury Park today although most of the manorial rights have lapsed and much of the village of Finstock is now freehold. Finstock Manor House is 17th-century and has a date stone saying 1660. It is an L-shaped house with three gables on each of its longer sides and an attic window in each gable. All the attic windows in the gables are elliptical and one is oeil-de-boeuf. The roof is of Stonesfield slate. The house is a Grade II* listed building. Holy Trinity Church of England parish church is a

neg: Len de l'El French translation "loin de l'œil" meaning "far from the eye" with the synonym sometimes still seen on wine labels along with other alternative spellings. Wine expert Oz Clarke explains that the name refers to the position of the fruit in respect to the bud : the clustered grapes have long stalks that attach to the fruiting cane at a distance that is farther from the bud (or "eye", "oeil" in French) than most grape varieties. This explanation is supported by Gaillac wine growers and at least one French ampelography authority as well. Len de l'El is found virtually exclusively in

neg: Milgate House, Thurnham wing in the early 18th century as an L-shaped addition to the earlier house. Further additions were made in the mid and late 18th century. The red brick north wing is two storeys high with an attic and is seven bays wide with the three centre bays projecting slightly. The left return (east end) of the north wing is four bays wide. Large sash windows on both floors of each are framed with decorative gauged brickwork. The central projection of the north wing is topped by a pediment containing an oval Oeil-de-boeuf window and the main door in its centre

neg: Leucospermum tottum response to what he perceived as a lack of method in existing nomenclatural practice. He revived the genus "Leucadendron", and made the combination "Leucadendron Totta". However, Kuntze's revisionary program was not accepted by the majority of botanists, and "Leucospermum" was given priority over "Leucadendrum" in 1900. John Patrick Rourke regarded "L. tottum" var. "glabrum" as the likely hybrid between "L. tottum" and "L. vestitum", but the biomarkers that were compared in 2014 are identical, suggesting a very recent divergence. "L. tottum" has been assigned to the showy pincushions, section "Brevifilamentum". It is uncertain, what the meaning is of the epithet

neg: Original meaning may prove a faint-hearted originalist") (Scalia, "Originalism: The Lesser Evil", 57 U. Cin. L. Rev. 849 at 864). Original meaning In the context of United States constitutional interpretation, original meaning is the dominant form of the legal theory of originalism today. It was made popular by Supreme Court Justice Antonin Scalia and contends that the terms of the United States Constitution should be interpreted as meaning what they meant when they were ratified, which is to say, it asks the question: "What would a reasonable person living at the time of ratification have understood these words to mean?" The theory

neg: Norman Adams (American artist) jobs outside their “specialty.” What separated Norman's paintings from others was the “trompe l'oeil” detail he routinely put into his paintings. It was this extra detail that made his paintings stand out, especially to professions like Cooper and Fawcett. Illustrators took for granted that it was a waste of time to put detail into their originals that would be lost in the published reproduction. Norman also knew this, but what he did not take for granted: although much of the “trompe l'oeil” detail he put into his originals would be lost in reproduction, it was this detail that would get

neg: Andrea Pozzo large canvas with deep perspective in the scene, including a heavenly assembly whirling above, and the presence space-enlarging illusory architecture offered an example which was copied in several Italian, Austrian, German and Central European churches of the Jesuit order. The architecture of the trompe-l'oeil dome ("illustration, left") seems to erase and raise the ceiling with such a realistic impression that it is difficult to distinguish what is real or not. Andrea Pozzo painted this ceiling and trompe-l'oeil dome on a canvas, 17 m wide. The paintings in the apse depict scenes from the life of St. Ignatius, St Francis Xavier

neg: Slater Bradley The show featured a video work with actress Chloë Sevigny standing on a cloudy beach reciting Thomas Mann's Tonio Kröger as well as the videos "JFK Jr." and "Female Gargoyle". In a review of "Charlatan", critic Roberta Smith offers the statement "It is a declaration of artistic intent that makes one eager to see what Mr. Bradley will do next." Next, Bradley introduced the concept of "The Doppelganger" as a central theme of his work, in 2001 during a show titled "Trompe le Monde" at Galerie Yvon Lambert in Paris. The video for "Trompe le Monde" marks the first appearance

neg: Meaning-making and early 1980s. Kegan wrote: ""Human" being is "meaning making". For the human, what "evolving" amounts to is "the evolving of systems of meaning"; the business of organisms is to organize, as Perry (1970) says." The term "meaning-making" has also been used by psychologists influenced by George Kelly's personal construct theory. In a review of the meaning-making literature published in 2010, psychologist Crystal L. Park noted that there was a rich body of theory on meaning-making, but empirical research had not kept pace with theory development. In 2014, the first Congress on the Construction of Personal Meaning was held as

neg: The Semantic Turn that our perceptions are correlated with language, its grammar and vocabulary. Most important, Krippendorff allies himself with L. Wittgenstein’s definition of meaning as use, culminating in the axiom that "Humans do not see and act on the physical qualities of things, but on what they mean to them". Attributing meaning to something follows from sensing it, and is a prelude to action. "" One always acts according to the meaning of whatever one faces "" and the consequences of these actions in turn become part of the meanings of what one interacts with. Meanings are always someone's construction and depend

neg: John Pugh (artist) described as "not merely ornamental or curiously clever. They are thought-provoking, substantial, and sometimes even philosophical or spiritual. What separates the murals of John Pugh from their less consequential cousins is that he goes beyond trompe l’oeil by combining techniques of illusion with narrative or conceptual elements and thereby not only “fools the eye” but captures the imagination and engages the mind as well." "I am a trompe l’oeil artist focusing primarily on public art. I have found that the ‘language’ of life-size illusions allow me to effectively communicate with a very large audience. People take delight in being visually

neg: Trompe air that is generated is used to oxygenate the mine water and to drive off excess dissolved carbon dioxide that may be present thus raising the pH of the water being treated. Trompe A trompe is a water-powered air compressor, commonly used before the advent of the electric-powered compressor. A trompe is somewhat like an airlift pump working in reverse. Trompes were used to provide compressed air for bloomery furnaces in Catalonia and the USA. The presence of a trompe is a signature attribute of a Catalan forge, a type of bloomery furnace. Trompes can be enormous. At Canadian Hydro

neg: Friulian language correspond to French nouns that form an irregular plural in -"x": "cheval-chevaux, chapeau-chapeaux, cheveu-cheveux, oeil-yeux, genou-genoux". Feminine nouns ending in -l have regular plurals. Masculine nouns ending in -st form their plurals by palatalising the final -t to -cj Some masculine nouns ending in -t form their plurals by palatalising the final -t to -cj: Nouns ending in "s" do not change spelling in the plural, but some speakers may pronounce the plural -s differently from the singular -s. The plural of "an" (year) has several forms depending on dialect, including "ain", "ains", "agn" and "agns". Regardless of pronunciation, the

neg: Trompe Trompe A trompe is a water-powered air compressor, commonly used before the advent of the electric-powered compressor. A trompe is somewhat like an airlift pump working in reverse. Trompes were used to provide compressed air for bloomery furnaces in Catalonia and the USA. The presence of a trompe is a signature attribute of a Catalan forge, a type of bloomery furnace. Trompes can be enormous. At Canadian Hydro Developers' Ragged Chute facility in New Liskeard, Ontario, water falls down a shaft deep and across to generate compressed air for mining equipment and ventilation. Trompes are very simple devices. They consist

neg: Oeil de perdrix began experimenting with creating a fuller bodied white wine from red wine grapes that the Champenois could uniquely market. Despite their best efforts, the Champenois did not have the technical expertise to make a truly "white" wine from red grapes, instead producing slightly pale colored wines which became known as "Œil de Perdrix" or the "eye of the partridge". Centuries later, a Benedictine monk named Dom Pérignon would eventually perfect the method of producing white wine from red grapes that would be a vital component in the success of sparkling Champagne wine. Oeil de Perdrix is a particular speciality of

neg: Postmodern architecture anthropomorphism and materials which perform "trompe l'oeil". These physical characteristics are combined with conceptual characteristics of meaning. These characteristics of meaning include pluralism, double coding, flying buttresses and high ceilings, irony and paradox, and contextualism. The sculptural forms, not necessarily organic, were created with much ardor. These can be seen in Hans Hollein's Abteiberg Museum (1972–1982). The building is made up of several building units, all very different. Each building's forms are nothing like the conforming rigid ones of Modernism. These forms are sculptural and are somewhat playful. These forms are not reduced to an absolute minimum; they are built

neg: Semantic holism be limited. Numerous philosophers of language have taken the latter avenue, abandoning the early Quinean holism in favour of what Michael Dummett has labelled "semantic molecularism". These philosophers generally deny that the meaning of an expression "E" depends on the meanings of the words of the entire language "L" of which it is part and sustain, instead, that the meaning of "E" depends on some subset of "L". These positions, notwithstanding the fact that many of their proponents continue to call themselves holists, are actually intermediate between holism and atomism. Dummett, for example, after rejecting Quinean holism (holism "tout court"

neg: Jean-Christophe Maillot Princess of Hanover, he has been the artistic director of Les Ballets de Monte Carlo. He helped Princess Caroline design the bridesmaids costumes at the wedding of her brother. Works created for Les Ballets des Monte-Carlo: Bêtes Noires; Home, Sweet Home; Dov’è la Luna; Vers un Pays Sage; Roméo et Juliette; Recto Verso; L’Île; Cendrillon; Entrelacs; Oeil pour oeil; La Belle; D’une rive à l’autre; Miniatures; Le Songe; Altro Canto; Casse-Noisette Circus (2000). For the Bolshoi Theater, he created The Taming of The Shrew. He and his wife, Valentine, have three children, born between 1986-1992. His daughter, Juliette Dol, is

neg: Curved mirror and handy security feature, allowing the users to see what is happening behind them. Similar devices are sold to be attached to ordinary computer monitors. Convex mirrors make everything seem smaller but cover a larger area of surveillance. Round convex mirrors called "Oeil de Sorcière" (French for "sorcerer's eye") were a popular luxury item from the 15th century onwards, shown in many depictions of interiors from that time. With 15th century technology, it was easier to make a regular curved mirror (from blown glass) than a perfectly flat one. They were also known as "bankers' eyes" due to the fact

neg: Cephenemyia trompe Cephenemyia trompe Cephenemyia trompe, also known as the reindeer nose botfly, is a species of botfly first described by Adolph Modéer in 1786. It belongs to the "Cephenemyia" genus of deer botflies. This fly is parasitic on reindeer. It is one of two "Cephenemyia" species found only in Scandinavia. The larvae of "Cephenemyia trompe" infect the nose area of reindeer. The adult is active during the Arctic summer, being able to fly very fast and having developed olfactory abilities to find reindeer from long distances. Its activity, however, is inhibited by strong winds, low temperatures and rain or snow. This

neg: Cephenemyia trompe species has a very short pupariation time compared to other reindeer botfly species. Cephenemyia trompe Cephenemyia trompe, also known as the reindeer nose botfly, is a species of botfly first described by Adolph Modéer in 1786. It belongs to the "Cephenemyia" genus of deer botflies. This fly is parasitic on reindeer. It is one of two "Cephenemyia" species found only in Scandinavia. The larvae of "Cephenemyia trompe" infect the nose area of reindeer. The adult is active during the Arctic summer, being able to fly very fast and having developed olfactory abilities to find reindeer from long distances. Its activity,

neg: Quasi-quotation to right) is not a wff of "L", because no Greek letter can occur in wffs, according to the apparently intended meaning of the rules. In other words, our second rule says "If some sequence of symbols φ (for example, the sequence of 2 symbols φ = '~~"p"') is a wff of "L", then the sequence of 2 symbols '~φ' is a wff of "L"". Rule 2 needs to be changed so that the second occurrence of 'φ' (in quotes) be not taken literally. Quasi-quotation is introduced as shorthand to capture the fact that what the formula expresses isn't precisely

neg: Viktor Frankl much of what is described in his book. On Frankl's doctrine that one must instill meaning in the events in ones life, that work and suffering to find meaning, will ultimately lead to fulfillment and happiness. In 1982 the highly cited scholar and holocaust analyst Lawrence L. Langer, who while also critical of Frankl's distortions on the true experience of those at Auschwitz, and Frankl's amoral focus on "meaning" that could just as equally be applied to Nazis "finding meaning in making the world free from Jews", would go on to write: "If this [logotherapy] doctrine had been more succinctly

neg: Trompe L'Oeil (Westworld) Trompe L'Oeil (Westworld) "Trompe L'Oeil" is the seventh episode of the HBO science fiction thriller television series "Westworld". The episode aired on November 13, 2016. The episode received very positive reviews from critics, and in particular for the ending. The title comes from the art of Trompe-l'œil. Theresa meets with Charlotte, and it is revealed that Theresa is colluding with the board of directors to steal a copy of Dr. Ford and Arnold's code and research so the board can force Dr. Ford into retirement without fear that he would erase the code in anger. Since Theresa's plan to transfer

neg: Marasuchus "Lagosuchus", "L. lilloensis". However, in a restudy of "Lagosuchus" by Sereno and Arcucci (1994), the authors concluded that the original (type) specimen was too poorly preserved to allow any further specimens to be assigned to the genus. They also noted that the "L. lilloensis" specimen had limb proportions different from the type species. On this basis, they assigned "L. lilloensis" to a new genus, "Marasuchus". Marasuchus Marasuchus (meaning "Mara crocodile") is a genus of basal dinosauriform archosaur which lived during the late Triassic in what is now La Rioja Province, Argentina. "Marasuchus" was lightly built and small, it had a

neg: Amon Carter Museum of American Art collection. "Ease" (1887) by William M. Harnett (1848–1892) is a large and eloquent example of the trompe-l'œil genre and one that amply demonstrates the allure of Harnett’s trompe-l'œil illusions for his nineteenth-century patrons. John Frederick Peto (1854–1907), a William Harnett contemporary who worked in relative obscurity, is represented in the collection by two highly accomplished trompe-l'œil compositions, "Lamps of Other Days" (1888) and "A Closet Door" (1904-06). Other trompe-l'œil paintings in the ACMAA collection were created by De Scott Evans (1847–1898) and John Haberle (1853–1933). America’s first recognized still-life painter, Raphaelle Peale (1774–1825), is represented in the ACMAA collection by

neg: Trompe-l'œil of Sant'Ignazio. The Mannerist and Baroque style interiors of Jesuit churches in the 16th and 17th century often included such trompe-l'œil ceiling paintings, which optically "open" the ceiling or dome to the heavens with a depiction of Jesus', Mary's, or a saint's ascension or assumption. An example of a perfect architectural trompe-l'œil is the illusionistic dome in the Jesuit church, Vienna, by Andrea Pozzo, which is only slightly curved but gives the impression of true architecture. Trompe-l'œil paintings became very popular in Flemish and later in Dutch painting in the 17th century arising from the development of still life painting.

neg: Trompe le Monde Trompe le Monde Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released on September 23, 1991 on 4AD in the United Kingdom and Elektra Records in the United States. After the surf-pop of "Bossanova" (1990), the band returned to the abrasive sound of the band's earlier releases. Recorded in Burbank, California, Paris and London, the album was produced by Gil Norton, and was Pixies' final studio album before their subsequent break-up two years later. "Trompe le Monde" is the last album to feature founding bass guitarist Kim Deal. The album name comes from

neg: Trompe le Monde Chain. Pixies Additional musicians Production Design Singles Trompe le Monde Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released on September 23, 1991 on 4AD in the United Kingdom and Elektra Records in the United States. After the surf-pop of "Bossanova" (1990), the band returned to the abrasive sound of the band's earlier releases. Recorded in Burbank, California, Paris and London, the album was produced by Gil Norton, and was Pixies' final studio album before their subsequent break-up two years later. "Trompe le Monde" is the last album to feature founding bass guitarist

neg: Sutter Home Winery back door. In 1968 Louis “Bob” Trinchero (Mario's oldest son) began vinifying Amador County Zinfandel. In 1972, another of Bob Trinchero’s innovations provided the American wine consumer with a new style of premium wine known as White Zinfandel. Initially labeled as an Oeil de Perdrix, the Federal Bureau of Alcohol, Tobacco and Firearms demanded something in English on the label, and the name, "A White Zinfandel Wine" was added. By 1975 the name Oeil de Perdrix was removed. A fortunate accident occurred during the making of the 1975 vintage, as some 1,000 gallons of bleed-off juice from red Zinfandel refused

neg: Trompe-l'œil is Jean Claude Adenin, who has created installations for various wealthy clients. Several contemporary artists use chalk on pavement or sidewalk to create trompe-l'œil works, a technique called street painting or "pavement art." These creations last only until washed away, and therefore must be photographed to be preserved. Practitioners of this form include Julian Beever, Edgar Mueller, Leon Keer and Kurt Wenner. The Palazzo Salis of Tirano, Italy has over centuries and throughout the palace used trompe l'œil in place of more expensive real masonry, doors, staircases, balconies and draperies to create an illusion of sumptuousness and opulence. Trompe l'œil,

neg: Pietro Gonzaga Alexander I (1801) and Nicholas I (1826) while his lifelong benefactor Yusupov administered all three events. Gonzaga became a trusted consultant to heiress and later empress Maria Fyodorovna, Golitsyn and Yusupov families and diversified into decorating palace interiors and landscape design. Fyodor Glinka described Gonzaga's three-dimensional trompe-l'œil folly in Pavlovsk Park (1815): "What is a reality and what is a dream? ... Convinced at the existence of what was before me, I kept going further and further forward. But suddenly something strange began to happen to my eyes: it was as if an invisible curtain of some sort was descending

neg: Trompe-l'œil Greenwich, London. This Wren building was painted by Sir James Thornhill, the first British born painter to be knighted and is a classic example of the baroque style popular in the early 18th century. The American 19th-century still-life painter William Harnett specialized in trompe-l'œil. In the 20th century, from the 1960s on, the American Richard Haas and many others painted large trompe-l'œil murals on the sides of city buildings, and from beginning of the 1980s when German Artist Rainer Maria Latzke began to combine classical fresco art with contemporary content trompe-l'œil became increasingly popular for interior murals. The Spanish painter

neg: Contingency (philosophy) be applied to others. Rhetorician Robert L. Scott answers this problem by asserting that while rhetoric is indeed contingent and relative, it is also epistemic. Thus, for Scott, what should be debated is a matter of rhetoric, as individuals make meaning through language and determine what constitutes truth, and therefore, what is beyond question and debate. Theorist Lloyd Bitzer makes five assumptions about rhetoric in his book "Rhetoric, Philosophy, and Literature: An Exploration". The study of contingency and relativism as it pertains to rhetoric draws from poststructuralist and postfoundationalist theory. Richard Rorty and Stanley Fish are leading theorists in this

neg: William Harnett Hunt", were painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l'œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves. Overall, Harnett's work is most comparable to that of the slightly younger John F. Peto. The two artists knew each other, and a comparison can be made between two paintings

neg: Kristen Morgin Kristen Morgin Kristen L. Morgin (born 1968) is an American visual artist working primarily in sculpture. She is best known for her works made of unbaked clay that use trompe-l'œil to appear as wood, paper, or metal and suggest decay. Kristen Morgin was born in Brunswick, Georgia and currently lives and works in Los Angeles, California. Morgin received her B.A. from California State University, Hayward in 1993 and her Master of Fine Arts in Ceramics from Alfred University in 1997. She has taught ceramics at California State University, Long Beach and was Dodd Visiting Professor at the University of Georgia

neg: Lythronax Lythronax Lythronax is a genus of tyrannosaurid theropod dinosaur that lived around 80.6 to 79.9 million years ago in what is now southern Utah, USA. The generic name is derived from the Greek words "lythron" meaning "gore" and "anax" meaning "king". "Lythronax" was a large sized, moderately-built, ground-dwelling, bipedal carnivore that could grow up to an estimated in length and weighed . "L. argestes" is the oldest known tyrannosaurid, based on its stratigraphic position. It is known from a specimen thought to be from a single adult that consists of a mostly complete skull, both pubic bones, a tibia, fibula,

neg: Roman art prices than the greatest paintings of many other artists.” The adjective "vulgar" is used here in its original meaning, which means "common". The Greek antecedents of Roman art were legendary. In the mid-5th century BC, the most famous Greek artists were Polygnotos, noted for his wall murals, and Apollodoros, the originator of chiaroscuro. The development of realistic technique is credited to Zeuxis and Parrhasius, who according to ancient Greek legend, are said to have once competed in a bravura display of their talents, history’s earliest descriptions of trompe l’oeil painting. In sculpture, Skopas, Praxiteles, Phidias, and Lysippos were the foremost

neg: L&M filtered cigarette that became popular. In these L&M advertisements from the early 1950s, ""just what the doctor ordered"" had a double-meaning. Not only did it imply that L&M cigarettes were satisfying in that they offered both flavour and protection, but it also implied that doctors approved of the brand, a testament to the brand's healthfulness. In a typical advertisement that appeared in a February issue of Life magazine, Hollywood star Fredric March made an assertion after having read the letter written by a ""Dr Darkis"" that was inset into the advertisement. Darkis explained in this letter that L&M filters used

neg: Trompe modern hydroelectric plant. Compressed air from a trompe is at the temperature of the water, and its partial pressure of water vapor is that of the dewpoint of the water's temperature. If the water is cool, the compressed air can be made very dry by passing it through pipes that are warmer than the water. Often, ordinary outside air can warm the pipes enough to produce dry, cool compressed air. Today, trompes constructed of plastic pipe are being used to provide aeration for mine drainage treatment. In this application, mine water is used to drive the trompe and the compressed

neg: J. L. Austin come to possess such-and-such a concept" are meaningless, because concepts are not the sort of thing that one possesses. In the final part of the paper, Austin further extends the discussion to relations, presenting a series of arguments to reject the idea that there is some "thing" that is a relation. His argument likely follows from the conjecture of his colleague, S. V. Tezlaf, who questioned what makes "this" "that". "The Meaning of a Word" is a polemic against doing philosophy by attempting to pin down the "meaning" of the words used, arguing that 'there is "no" simple and handy

neg: Lepthoplosternum Lepthoplosternum Lepthoplosternum is a small genus of freshwater catfish in the Callichthyinae subfamily of the armored catfish family. The type species for this genus is "Callichthys pectoralis". The name is derived from the Greek "leptos", meaning "thin", the Greek "hoplon", meaning "weapon", and the Greek "sternon", meaning "chest" or "sternum". "Lepthoplosternum" is relatively basal among callichthyines, being sister to the clade comprising "Megalechis" + "Dianema" + "Hoplosternum". "Callichthys" is the most basal genus in the subfamily. "L. stellatum" and "L. ucamara" are hypothesized to form a partially unresolved polytomy with "L. pectorale" and "L. beni", which are sister-species to each

neg: Ketoctin Baptist Church doctrine. The current single-story, rectangular brick building with a gable roof in the Greek Revival style was built in 1854. It measures approximately 40 feet by 55 feet, and sits on a stone foundation. The interior features a trompe-l'œil painting attributed to Lucien Whiting Powell, a local artist (1846-1930). Also located on the property is the contributing church cemetery with earliest grave recorded in 1777. It is enclosed by a fieldstone wall. It was listed on the National Register of Historic Places in 2003. Stephen L. Longenecker, Shenandoah Religion: Outsiders and the Mainstream, 1716-1865 (Baylor University Press, 2002) Irene Jeffries,

neg: Fishing for Souls the left bank are the two princes of Orange behind an orange tree branch; Maurice and Frederick Henry. They are accompanied by Frederick V, Elector Palatine, King James I of England and the young Louis XIII of France with his mother Maria de' Medici. On the right bank of the river are the Catholic cardinals carrying their pope accompanied by Albert and Isabella. The various attributes of the fishermen (nets, boats, etc.) are labelled with Latin text to clarify the meaning. A large fly is painted on as a trompe l'oeil wink to Jan Brueghel the Elder who created many

neg: Les Barricades Mystérieuses different rhythmic schemes and melodies. The effect is shimmering, kaleidoscopic and seductive, a sonic trompe l'oeil that seem to have presaged images of fractal mathematics, centuries before they existed." The piece was voted at #76 in the Australian 2012 Classic 100 music of France countdown. "Les Barricades Mystérieuses" was originally published with the spelling Les Baricades Mistérieuses ["single r" in the first word, and "i" rather than "y" in the second word]. All four possible spelling combinations have since been used with "double r" and a "y" being the most common. There has been much speculation on the meaning of

neg: Jew's harp parts. Apparently an octave drone is possible, or even an ostinato alternating the fifth step of a scale with an octave. There are many theories for the origin of the name "Jew's harp". According to the Oxford English Dictionary, this name appears earliest in Walter Raleigh's "Discouerie Guiana" in 1596, spelled "Iewes Harp". The "jaw" variant is attested at least as early as 1774 and 1809, the "juice" variant appeared only in the late 19th and 20th centuries. It has also been suggested that the name derives from the French "Jeu-trompe" meaning "toy-trumpet". (Though in the French idiom, if two

neg: Leon Vranken in Ghent in 2007, and has had international exhibitions in cities including New York, Londen and Toronto. Leon Vranken is always able to disrupt direct visual recognisability by depriving everyday objects of their function and deliberately using various materials. One could describe his work as sculptural trompe l'oeils, alluring yet misleading configurations. Geometric ensembles, sophisticated sculptures and fake ready-mades are painstakingly orchestrated in space. Shape, presentation and meaning slide continuously over each other like tectonic plates. With his spatial compositions the artist defies gravity, the viewer and the medium. The image enters into dialogue with the frame, the sculpture with

neg: History of the Cherokee language Choctaw "Chi-luk-ik-bi," meaning "those who live in the cave country". The earliest Spanish rendering of Cherokee, from 1755, is "Tchalaquei". Another theory is that "Cherokee" derives from a Lower Creek word, "Cvlakke" ("chuh-log-gee"), meaning someone who speaks another language. In the Lower dialect of , which was traditionally spoken in what is now Georgia and South Carolina, the Cherokee called their language "jaragi," as the Eastern or lower dialect had a rolling "r" sound in place of the "l" sound used in the other dialects. This pronunciation may have served as a basis for the current English language name for

neg: Trompe-l'oeil (album) Trompe-l'oeil (album) Trompe-l'œil is the second album by the indie rock band Malajube, released in 2006 on Dare to Care Records. The album is inspired in part by medical themes; in the album's liner notes, each song is given a subtitle relating to some aspect of physical or mental health. Unusual for a French language album from Quebec, the album received significant critical attention in both English Canada and the United States, including airplay on CBC Radio 3 and a favourable review on Pitchfork Media. The album was also shortlisted for the 2006 Polaris Music Prize. It was the first

neg: Trompe-l'oeil (album) francophone album to be on that award's shortlist. They have released music videos for "Montréal -40°C", "Pâte Filo", "Le Crabe", "Ton Plat Favori", "Fille à plumes" and "Étienne D'Août". "Le Grand Galion" starts at 8:52 into "La Fin". Trompe-l'oeil (album) Trompe-l'œil is the second album by the indie rock band Malajube, released in 2006 on Dare to Care Records. The album is inspired in part by medical themes; in the album's liner notes, each song is given a subtitle relating to some aspect of physical or mental health. Unusual for a French language album from Quebec, the album received significant

neg: Trompe L'Oeil (Westworld) the United Kingdom, the episode was seen by 1.05 million viewers on Sky Atlantic. "Trompe L'Oeil" received critical acclaim from critics. The episode currently has a 100% score on Rotten Tomatoes and has an average rating of 8.79 out of 10, based on 22 reviews. The site's consensus reads "'Trompe L'Oeil' confirms a major fan theory with a chilling episode whose narrative shocks are further fueled by a bevy of standout performances." Eric Goldman of IGN reviewed the episode positively, saying, "As notable as the ending to "Trompe L'Oeil" was, there was a ton of other events going on beforehand

neg: Palazzo Salis to the sky works in a perfect way ("Trompe-l’œi"l). On the medallion in the centre of the ceiling there is a representation of Bacchus, a hint of the economic base of the building as a centre of wine-production and wine-trading. The historical wine cellars of the Palazzo are situated in its foundation. Constructed already together with the preceding buildings of the Palazzo Salis, most probably from the 15th or 16th century. The production of wine and furthermore the trading of wine to the North have been a highly important economic base of the Family Salis in Tirano. Their delivery market

neg: Trompe-l'œil Salvador Dalí utilized the technique for a number of his paintings. Trompe-l'œil, in the form of "forced perspective", has long been used in stage-theater set design, so as to create the illusion of a much deeper space than the actual stage. A famous early example is the Teatro Olimpico in Vicenza, with Vincenzo Scamozzi's seven forced-perspective "streets" (1585), which appear to recede into the distance. Trompe-l'œil is employed in Donald O'Connor's famous "Running up the wall" scene in the film "Singin' in the Rain" (1954). During the finale of his "Make 'em Laugh" number he first runs up a real

neg: Trompe-l'œil The Flemish painter Cornelis Norbertus Gysbrechts created a chantourné painting showing an easel holding a painting. Chantourné literally means 'cutout' and refers to a trompe l'œil representation designed to stand away from a wall. The Dutch painter Samuel Dirksz van Hoogstraten was a master of the trompe-l'œil and theorized on the role of art as the lifelike imitation of nature in his 1678 book, the "Introduction to the Academy of Painting, or the Visible World" ("Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt", Rotterdam, 1678). A fanciful form of architectural trompe-l'œil, quodlibet, features realistically rendered paintings of

neg: Jacques Poirier the Alain Daune Gallery and then the Galerie Michelle Boulet. His paintings can be seen in Lyon at the Galerie Saint Hubert . Reproductions of his art have found their way online and his works rarely appear in auctions . In 2009, one of his masterpieces "Artnica" was featured during the exhibit "Art and Illusions. Masterpieces of Trompe l’Oeil From Antiquity to the Present Day" held in Florence, Italy at the Palazzo Strozzi. In his November 20, 2009 New York Times review entitled "What Is Real, What Isn't" Roderick Conway Morris wrote: ""Jacques Poirier’s “Artnica” (1997), an astonishing, visually and

neg: Luis Marsans "suggest nineteenth-century American trompe-l'oeil painting. Steeped in the light of memory, a Coke can and a Bic lighter become votive objects..." Described as a realist, Marsans says of his relationship to realism: "One cannot paint what one sees... One can only paint what one remembers... It [realism] is the identification with some realities from the past". Luis Marsans Lluís Marsans i Julià (31 December 1930 – 16 January 2015) was a Catalan painter. Born in Barcelona to a wealthy family, he grew up in Paris, and in 1947 traveled to Mexico and the United States. In 1948 he returned to

neg: Antoine de Noël de la Trompe d'Or d'Argent and Sinnamary. In France De la Barre was promoted lieutenant general of the new company and governor of Cayenne. He had his brother named commander of Cayenne and sent him there at once. The Chevalier de Lézy arrived in October 1665 and succeeded Noël. A note in the Jesuit archives says that "Monsieur Noël returned to his post at Sinnamary, from where after a short time he was kidnapped by English privateers". This may refer to Antoine Noël de la Trompe d'Or. Antoine de Noël de la Trompe d'Or Antoine de Noël de la Trompe d'Or was a French

neg: Schizopolis see the picture again and again until you understand everything." The film's main character is Fletcher Munson (played by Soderbergh), an office employee working under Theodore Azimuth Schwitters. Schwitters is the leader of a self-help company/religion/lifestyle known as Eventualism, a clear reference to L. Ron Hubbard and Scientology. The audience sees the events unfold in the opening act through Fletcher's point of view. Fletcher sees the underlying meaning in everything, paying more attention to what is meant, rather than what is said. As he progresses through his day the audience sees the lack of attention he is paying to the

neg: Modified Overt Aggression Scale across multiple study samples. In a study conducted by Chinese researchers in 2009, the Modified Overt Aggression Scale was found to be both reliable and valid. The results from the study concluded there was high reliability,meaning the scale consistently measures the levels of aggression in each category. The MOAS is also confirmed to be valid, meaning the scale truly measures what it suppose to. In 2009, a study conducted by Ira L. Cohen and her associates studied characteristics, such as aggressiveness, in people with intellectual disabilities (IDs). The MOAS was used and researchers reported it being "a reliable and valid

neg: Antoine de Noël de la Trompe d'Or Antoine de Noël de la Trompe d'Or Antoine de Noël de la Trompe d'Or was a French soldier who was acting governor of Cayenne in 1665. Little is otherwise known of his life. Antoine Lefèbvre de La Barre left the port of La Rochelle, France, on 26 February 1664 with two warships and 400 soldiers. He arrived in Cayenne on 11 May 1664, and after negotiations the Dutch surrendered on 16 May 1664. De La Barre established a garrison at Fort Cépérou and started construction of a settlement of 200 huts. In 11 July 1664 Jean-Baptiste Colbert, with the king's

neg: Trompe-l'œil Runner then races through the fake tunnel. This is usually followed by the coyote's foolishly trying to run through the tunnel after the road runner, only to smash into the hard rock-face. This sight gag was employed in "Who Framed Roger Rabbit". In Chicago's Near North Side, Richard Haas used a 16-story 1929 apartment hotel converted into a 1981 apartment building for trompe-l'œil murals in homage to Chicago school architecture. One of the building's sides features the Chicago Board of Trade Building, intended as a reflection of the actual building two miles south. One of France's most illusive trompe-l'œil artists

neg: Striped grass mouse years. A more typical captive life expectancy is 2–2½ years. While most are common and not threatened, "L. mittendorfi" is restricted to Mount Oku and considered Vulnerable by the IUCN. "L. hoogstraali" and "L. roseveari" are both very poorly known, leading to their rating as Data Deficient. Some of the widespread species are regularly kept in captivity, especially "L. barbarus", "L. striatus" and "L. zebra". The etymology of the genus name "Lemniscomys" derives from the two ancient greek words (), meaning "stripe, ribbon", and (), meaning "mouse, rat", and refers to the pelage pattern. "Lemniscomys" currently includes 11 species. Until

neg: Ronald Francis in Tasmania. Published in: "Trompe L'Oeil Today", written by Ursula E. and Martin Benad. The book was originally published in German under the title "Illusionsmalerei Heute". Ronald Francis Ron Francis is an artist who paints in a trompe-l'œil style. He was born Ronald Malcolm Francis in Stanmore, Sydney, Australia in September 1954. In 1974 he moved to Melbourne, Australia where he exhibited with Profile Gallery and later with MCA (Melbourne Contemporary Art Gallery). Around 1988 he began painting trompe-l'œil murals in affiliation with a company called 'Fresco Site Specific Art'. He moved to South Australia in 1991 and continued to

neg: Ronald Francis Ronald Francis Ron Francis is an artist who paints in a trompe-l'œil style. He was born Ronald Malcolm Francis in Stanmore, Sydney, Australia in September 1954. In 1974 he moved to Melbourne, Australia where he exhibited with Profile Gallery and later with MCA (Melbourne Contemporary Art Gallery). Around 1988 he began painting trompe-l'œil murals in affiliation with a company called 'Fresco Site Specific Art'. He moved to South Australia in 1991 and continued to paint trompe l'oeil murals until 2005 when, motivated by illness, he stopped taking commissions and returned to exhibiting fine art. Since 2010 he has been living

neg: Zulfiqar the weapon. The name is also variously transliterated as "Dhulfiqar, Zulfiquar, Zulfikar, Thulfeqar, Zoulfikar, Zulfeqhar", etc. The meaning of the name is unclear. The word "ḏu" means "lord, master", and the idafa construction "master of..." is common in Arabic phraseology (e.g. in "Dhu-l-Qarnayn", "Dhu-l-Kifl", "Dhu-l-Hijjah"). The meaning of , on the other hand, is unclear. It may be vocalized as either "fiqār" or "faqār"; Lane cites authorities preferring "faqār" and rejecting "fiqār" as "vulgar", but the vocalization "fiqār" still sees the more widespread use. The word "faqār" has the meaning of "the vertebrae of the back, the bones of the

neg: Lexical function synonym. 2. Anti [Lat. "antonymum"] = antonym. 3. Conv [Lat. "conversivum"] = conversive. 4. Gener [Lat. "genus"] = the closest generic concept for L. 5. Figur [Lat. "figuraliter" ‘figuratively’] = standard received metaphor for L. 6. S = Substantival, output N having a congruent meaning to L (which can be of any part of speech except N): 7. A = Adjectival, output A having a congruent meaning to L (which can be of any part of speech except A): 8. V = Verbal, output V having a congruent meaning to L (which can be of any part of speech except

neg: Steward–Emery House facade of the main block has an enclosed Colonial Revival porch extending across most of hits length. The building interior follows a central-hall plan, with high-quality woodwork and marble fireplace surrounds on the first floor. The hall, from the ground floor to the attic, has been painted with an extensive and extremely well-preserved "trompe-l'œil" fresco that includes elements painted to resemble woodwork paneling, elaborate cartouches, and a richly detailed cornice. Some of the downstairs chambers have also retained portions of this fresco work. The frescoes are believed to be the work of a Danish artist named Wallentine L. Keiler (b.

neg: Still life table of food, which symbolizes both the piety of the human subjects and their thanks for God's abundance. Around this time, simple still-life depictions divorced of figures (but not allegorical meaning) were beginning to be painted on the outside of shutters of private devotional paintings. Another step toward the autonomous still life was the painting of symbolic flowers in vases on the back of secular portraits around 1475. Jacopo de' Barbari went a step further with his "Still Life with Partridge, Iron Gloves, and Crossbow Arrows" (1504), among the earliest signed and dated trompe-l'œil still-life paintings, which contains minimal religious

neg: Postmodern architecture and neatly defined forms, but the bright green grass prevents this from being too overwhelming. Postmodern buildings sometimes utilize "trompe l'oeil", creating the illusion of space or depths where none actually exist, as has been done by painters since the Romans. The Portland Building (1980) has pillars represented on the side of the building that to some extent appear to be real, yet they are not. The Hood Museum of Art (1981–1983) has a typical symmetrical façade which was at the time prevalent throughout Postmodern Buildings. Robert Venturi's Vanna Venturi House (1962–64) illustrates the Postmodernist aim of communicating a meaning

neg: Fox Theatre (Atlanta) Ladies Lounge features a replica of the throne chair of King Tut and makeup tables that feature tiny Sphinxes. The Islamic sections feature a number of ablution fountains, which are currently kept dry. Throughout the Fox there is extensive use of trompe l'oeil; "wooden" beams are actually plaster, paint that appears gold leaf is not, areas are painted and lit to appear to receive outside lighting, ornate fireplaces were never designed to have working chimneys, and what appears to be a giant Bedouin canopy in the auditorium is plaster and steel rods designed to help funnel sound to the farthest

neg: Trompe-l'œil such items as paper knives, playing cards, ribbons, and scissors, apparently accidentally left lying around. Trompe-l'œil can also be found painted on tables and other items of furniture, on which, for example, a deck of playing cards might appear to be sitting on the table. A particularly impressive example can be seen at Chatsworth House in Derbyshire, where one of the internal doors appears to have a violin and bow suspended from it, in a trompe l'œil painted around 1723 by Jan van der Vaardt. Another example can be found in the Painted Hall at the Old Royal Naval College,

neg: Scenography and is synonymous with the English language term 'theatre design'. More recently, the term has been used in museography with regards the curation of museum exhibits. Scenography Scenography relates to the material and technological stagecraft of performance design. In what is not the first use of the term, Antonio Caimi in 1862, describes a category of artists practising "pittura scenica e l'architettura teatrale", inspired by the artists Ferdinando Galli-Bibiena, who was also known as a painter quadratura or architectural painting (usually trompe-l'œil depictions of architecture on ceilings or walls). Caimi also calls this "Arte scenografica", and notes that it required

neg: Ascott House are in no way intended to be state rooms. The entrance hall is notable for its large paintings by Thomas Gainsborough, George Romney, and Joshua Reynolds and the large work by George Stubbs, "Five Mares". The dining room, now decorated with what appear to be Dutch tiles but is in fact trompe l'oeil, contains a collection of small, mainly Dutch, paintings from the 16th and 17th centuries by such artists as Aelbert Cuyp, Adriaen van Ostade and Jan Steen. The works of art continue through the common room, with its portrait of a prelate attributed to Lorenzo Lotto. The Drawing

neg: Alexa Meade Alexa Meade Alexa Meade (born 1986) is an American installation artist best known for her portraits painted directly onto the human body and inanimate objects in a way that collapses depth and makes her models appear two-dimensional when photographed. What remains is "a photo of a painting of a person, and the real person hidden somewhere underneath." She takes a classical concept – trompe l'oeil, the art of making a two-dimensional representational painting look like a real three-dimensional space – and does the opposite, making real life appear to be a painting. Meade was born in Washington, D.C., and raised

neg: Antoine de Noël de la Trompe d'Or agreement, founded the Compagnie des Indes occidentales. De La Barre was appointed Lieutenant General of the Company and Governor of Cayenne. His brother, the Chevalier de Lézy, was named lieutenant. In February 1665 the ship "La Suzanne" arrived in Cayenne with 180 men. De La Barre, learned from the ship that Colbert had merged into one all the companies created to exploit the various French possessions in America. De la Barre set off for France. He left Noël de La Trompe d’Or, esquire and commissioner of war, in charge of Guiana. Noël de la Trompe d'Or took possession of Montagne

neg: Dumbleton the years of the Old Rectory is still subject to debate. The home as it stands today was constructed in the 17th century. It is notable that the home is now divided into two parts with what are called the north and south wings. The south wing incorporates a 16th-century timber-framed house with detailed decorative patterning. The wings have separate private owners. A blocked window at the rear of the house has a painted trompe-l'oeil of another window from which the Revd. Charles Cocks is seen looking out. His likeness was copied from a painting found in Eastnor Castle. Both

neg: Peter Ledger on doing large wall murals and trompe-l'œil paintings. He partnered with British artist, Susie Wilson. Together, they created many trompe l'oiel works in the Fresno, Oakhurst, and Monterey areas. Most are in private homes, but some of their work was seen at Castillo's Mexican Restaurant in Oakhurst, California (later renamed Casa Velasco), on the way to Yosemite National Park: jungle scenes, desert scenes, parrots, a pteradactyl bursting in through an open (trompe-l'œil) window. On the evening of 18 November 1994, Ledger was driving home to Oakhurst from Monterey. He was on a dark country road and he either missed or

neg: Dhul-Kifl 'l-Nūn /" ذَا ٱلْنُّون "Dhā 'l-Nūn" ""the One with the Fish"", referring to Jonah, and ذُوٱلْقَرْنَيْن "Dhū'l-Qarnayn" / "/" ذَا ٱلْنُّون "Dhā 'l-Qarnayn" ""He of the Two Light" Kifl" is an archaic Arabic word meaning "double" or "duplicate", from a root meaning "to double" or "to fold"; it was also used for a fold of cloth. The name is generally understood to mean "one of a double portion". Some scholars have suggested that the name means "the man with the double recompense" or rather "the man who received recompense twice over", that is to say that it is a title

neg: Trompe L'Oeil (Westworld) Bernard was a host following his orders the entire time, and that Theresa was not the first person to try ousting him from the park. Dr. Ford then orders Bernard to kill Theresa, which he does by emotionlessly smashing her head against the wall. "Trompe L'Oeil" was written by Halley Gross and series co-creator Jonathan Nolan, and was directed by Frederick E.O. Toye, who worked with Nolan on his previous TV series "Person of Interest". "Trompe L'Oeil" was viewed by 1.75 million American households on its initial viewing. The episode also acquired a 0.8 rating in the 18–49 demographic. In

neg: S/PDIF each. The first 6 bits of the first word are a control code. The meaning of its bits are shown in the accompanying table. Bits 8–14 of the control code are a 7-bit category code indicating the type of source equipment, and bit 15 is the "L-bit", which (for most category codes) indicates whether copy-restricted audio is original (may be copied once) or a copy (does not allow recording again). The L-bit is only used if bit 2 is zero, meaning copy-restricted audio. The L-bit polarity depends on the category, with recording allowed if it is 1 for DVD-R and