query: when did the song you should be here come out

pos: You Should Be Here (Cole Swindell song) You Should Be Here (Cole Swindell song) "You Should Be Here" is a song co-written and recorded by American country music artist Cole Swindell. The song was released to radio on December 14, 2015 by Warner Bros. Nashville as the lead single to his second studio album of the same name (2016). The song, written by Swindell and Ashley Gorley, is a tribute to Swindell's father who died unexpectedly while Swindell was out on tour after signing his record deal. "You Should Be Here" reached number one on both the "Billboard" Country Airplay and Hot Country Songs charts respectively, giving

pos: You Should Be Here (Cole Swindell album) You Should Be Here (Cole Swindell album) You Should Be Here is the second studio album by American country music artist Cole Swindell. It was released on May 6, 2016 via Warner Bros. Nashville. The lead single, its title track, was released to radio on December 14, 2015. The song became Swindell's fourth number-one hit after it reached the top of both the Hot Country Songs and Country Airplay charts of "Billboard" magazine. The track listing was announced on April 4. The track "Flatliner" peaked at No. 2 on US Country Airplay in 2017. "Flatliner" also hit No. 1 on

neg: Come On to Me (Paul McCartney song) is sort of a pick-up song, and I’m imagining myself, probably in the sixties, going to a party and seeing someone and thinking "okay, how do I make an approach here?". So it’s a sort of, it’s an imaginary song, a fantasy song about a guy seeing someone and thinking "we should try and find a place to be alone here, and maybe exchange information and stuff, and hey you look like you flashed a smile and said to me you wanted so much more than casual conversation. So would you come on to me, or am I going to

neg: Here You Come Again (song) Here You Come Again (song) "Here You Come Again" is a song written by Barry Mann and Cynthia Weil, and recorded by American entertainer Dolly Parton, which topped the U.S. country singles chart for five weeks, and won the 1979 Grammy award for Best Female Country Vocal Performance; it also reached number three on the U.S. "Billboard" Hot 100, representing Parton's first significant pop crossover hit. Having been composed by Mann and Weil, the song was a rare example of a Parton hit that she did not write herself. The songwriting duo originally composed "Here You Come Again" in 1975

neg: Eggesford away to her parish people, etc. altogether a delightful household. There are ladies here too, visiting, but of course I have only had a glimpse as yet. They sympathize with you - and Lady Portsmouth says you MUST come when you are well. I am now in the library writing this. I should say that a married daughter, Lady Rosamond Christie, I think she is, who is here, strikes me as a particularlarly sensible woman. If Lady Portsmouth's orders are to be carried out my room will be like a furnace - she is so particularly anxious that I should

neg: Internationalist (album) of "The Day You Come"; The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision. "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25. The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about

neg: Buddy Holly (song) like, 'Rivers, we can talk about it. Do it anyway, and if you don't like it when it's done, we won't use it. But I think you should try. You did write it and it is a great song.'" Cuomo said that he felt the song was "too cheesy" and did not know if the song represented the sound he was going for with the band's music. Matt Sharp recalls: ...Ric said we'd be stupid to leave it off the album. We'd come into the studio in the morning and find little pieces of paper with doodles on them: WE

neg: You Should Be Here (Cole Swindell song) tribute to his father, who died unexpectedly while Swindell was out on his radio tour in September 2013, shortly after Swindell had signed a record deal with Warner Music Nashville. According to CMT News, Swindell's father, William Swindell, died unexpectedly "when a truck he was working on fell on him." Website "Taste of Country" reviewed the single favorably, saying that "Cole Swindell‘s 'You Should Be Here' is personal and accessible. The piano-driven ballad about the death of his father isn’t so specific that those who haven’t lost a parent feel left out. More than a tribute, it’s a soundtrack for

neg: Come On In (You Did the Best You Could Do) single "Come On In". Come On In (You Did the Best You Could Do) "Come On In (You Did the Best You Could Do)" is a song written by Rick Giles and George Green, and recorded by American country music group The Oak Ridge Boys. It was released in November 1985 as the third single from the album "Step On Out". The song reached number 3 on the "Billboard" Hot Country Singles & Tracks chart. The song was also recorded by Oak Ridge Boy William Lee Golden on his 1986 solo album "American Vagabond". It is not to be confused

neg: Hard out Here name back to Lily Allen and tweeted new music would be arriving "soon". "Hard out Here" was written by Allen and Greg Kurstin, with production handled by the latter. Lasting for three minutes and twenty two seconds, musically "Hard out Here" is a "typically outspoken, sweary" synth-pop song. Lyrically, it speaks about "body image pressures and misogyny in the entertainment industry". The song's verses introduce the concept of the song: "You should probably lose some weight 'cause we can't see your bones/ You should probably fix your face or you'll end up on your own." The overall message of the

neg: Pete Stark due to Stark's belittling of the chairman, Bill Thomas of California, he replied, "You think you are big enough to make me, you little wimp? Come on. Come over here and make me, I dare you. You little fruitcake." In an older video taped interview with Jan Helfeld concerning the size of the national debt, Stark stated that the size of the national debt is a reflection of the nation's wealth. When pressed if the nation should take on more debt in order to have more wealth, Stark threatened Helfeld: "You get the fuck out of here or I'll throw

neg: Come On In (You Did the Best You Could Do) Come On In (You Did the Best You Could Do) "Come On In (You Did the Best You Could Do)" is a song written by Rick Giles and George Green, and recorded by American country music group The Oak Ridge Boys. It was released in November 1985 as the third single from the album "Step On Out". The song reached number 3 on the "Billboard" Hot Country Singles & Tracks chart. The song was also recorded by Oak Ridge Boy William Lee Golden on his 1986 solo album "American Vagabond". It is not to be confused with the band's 1978

neg: Scarecrow (John Mellencamp album) called 'Stand For Something'," Mellencamp explained to Creem Magazine in late 1985, "but I never did say what you should stand for – except your own truth. That song was supposed to be funny, too, and I hope people got that. But I think that's the key to the whole LP – suggesting that each person come to grips with their own individual truth – and try to like themselves a little bit more. Find out what you as a person are – and don't let the world drag you down. People should have respect for and believe in themselves."

neg: Milton H. Erickson miles from where I had boarded him, he turned into a farm yard and the farmer said, "So that's how that critter came back. Where did you find him?" I said, "About four miles from here." "How did you know you should come here?" I said, "I didn't know. The horse knew. All I did was keep his attention on the road." Erickson's metaphorical strategies can be compared with the teaching tales of the Sufis (those of for example the Nasreddin) and the Zen tradition of Koans, each also designed to act on the unconscious mind. Compare this with "Prescribing

neg: You Should Be Mine (The Woo Woo Song) You Should Be Mine (The Woo Woo Song) "You Should Be Mine (The Woo Woo Song)" is a 1986 song by Jeffrey Osborne from the album "Emotional". "The Woo Woo Song" is the title in parentheses because his little daughter did not know the exact title, she identified the song saying "Daddy, sing 'The Woo Woo Song'!" Jeffrey thus affectionately nicknamed the track. It was his biggest pop hit when released as a single, reaching #13 on the "Billboard" Hot 100 pop chart. On other US charts, "You Should Be Mine" peaked at #2 on both the Hot Black Singles

neg: You Should Be Mine (The Woo Woo Song) and Adult Contemporary charts. You Should Be Mine (The Woo Woo Song) "You Should Be Mine (The Woo Woo Song)" is a 1986 song by Jeffrey Osborne from the album "Emotional". "The Woo Woo Song" is the title in parentheses because his little daughter did not know the exact title, she identified the song saying "Daddy, sing 'The Woo Woo Song'!" Jeffrey thus affectionately nicknamed the track. It was his biggest pop hit when released as a single, reaching #13 on the "Billboard" Hot 100 pop chart. On other US charts, "You Should Be Mine" peaked at #2 on both

neg: Flatliner (song) "Flatliner", criticizing it as "a hit that employs the laziest clichés of contemporary country music". He called the song "a step back for Swindell as a serious artist", compared to the maturity in the lyrics of previous releases "You Should Be Here" and "Middle of a Memory". "Flatliner" first entered the Hot Country Songs at No. 36 on April 30, 2016 based on 14,000 copies sold when it was released as a preview track before the album "You Should Be Here" dropped. It only entered Billboard's Country Airplay at No. 48 on chart date of January 28, 2017 when it

neg: Chempanoda : There are many rest houses and hotels surrounding the Peruvannamuzhi Dam. They would also provide you best, traditional as well as modern food stuffs. When to come Peruvannamuzhi Dam There is no particular season to come Peruvannamuzhi Dam. But it would be better to come here in summer seasons (Mar-May) for boat riding. You should also reach here before 6pm since the Peruvannamuzhi Dam closes by 6pm. The Peruvannamuzhi Dam is also close on national holidays and Sundays. How to reach Peruvannamuzhi Dam 1) By Road : The Peruvannamuzhi Dam can be reached by road within two hours from

neg: California, Here I Come ship carrying fortune seekers comes to port in Sacramento. Richard Nixon, in a set of instructions he left in case he were to die in office, directed that "California, Here I Come" should be played "softly and slowly" at his funeral. When President and Mrs. Ronald Reagan left Washington, D.C. in 1989 to return to Los Angeles, "California, Here I Come" was played as they boarded Air Force One. The song was one of many California related songs played throughout "Sunshine Plaza" in the original Disney California Adventure. The fight song of San Francisco State University, the "State Victory Song,"

neg: When Did You Stop Loving Me, When Did I Stop Loving You When Did You Stop Loving Me, When Did I Stop Loving You "When Did You Stop Loving Me, When Did I Stop Loving You" is a 1978 song recorded by singer Marvin Gaye for his "Here, My Dear" album, following his 1976 divorce when he was ordered to give half the takings of his next album to ex-wife Anna Gaye. In the album, he "poured his emotions into songs agonisingly documenting their relationship's rise and fall." The song was a six-minute-long opus that has been considered the centerpiece of the "Here, My Dear" album. As if offering confessional testimony to

neg: Chasm (song) pact with the vultures again! You don't have to be slaves to death! We've come to bring the truth of freedom! You were meant to be free!" But they wouldn't listen and kept crying out, "Please give me something! I'm so thirsty." I tried again with more urgency. "If you die here this way, you will have wasted your life on death and you will have never lived! Once you die here, the chasm will be fixed and you can never undo it. Turn from death and drink this life-giving water we are offering you!" The battle continued to rage,

neg: Len Walston Play, and Amazon. Within two days of its release, the single became a top seller on CD Baby's Urban/R&B charts. ‘You Should Be Here' was well received internationally, gaining its first notoriety in the UK. The single gained favorable reviews from online Soul and Jazz music reviewers. Sonic Soul Reviews said that Walston "lets his true destiny run free" and that 'You Should Be Here' is a "great song. . ." with "great production, great voice." During an interview with Walston and Soul Discovery's Mick O'Donnell of Solar Radio, O'Donnell refers to Walston and his song 'You Should Be Here'

neg: Podge and Rodge mean anything to you?"" He was asked: ""Does it get on your tits though when people are saying, Jaysus – Pat Kenny earns how much? He should be paying me to watch that shite!"" He was also asked: ""Where did the nickname Pat the Plank come from? Who came up with that beauty?"" Pat blamed it on Eamon Dunphy. ""Are you bored with the wood puns?"" they asked to which Pat jibed: ""In fairness lads I'm not the puppet round here."" Then it was time for a quick game of "Plankety Plank" which featured author Patricia Cornwell – he'd forgotten

neg: Angry Anderson when it comes to cultures that do not want to integrate. We should be very careful about where certain Muslims come from and what they believe. If you come here, you should behave yourself – it's as simple as that... If people come and live in any country and their way of life is "so different" they need their own "special laws", then possibly they have to pick somewhere else to live. The idea of any Muslim being photographed for a passport or a licence with one of those shrouds on – sorry, it just can't happen. On 1 March

neg: You Can't Catch Me debut album, "A Fool In Love", in 2009. George Thorogood and the Destroyers covered it on their album "Born to Be Bad". Berry's music publisher, Morris Levy, sued Lennon for copyright infringement because of the melodic similarity between "You Can't Catch Me" and the Beatles' 1969 song "Come Together", written by Lennon, and because the Beatles' song used some of the lyrics of Berry's song ("here come old flat-top"). The suit was settled out of court. As part of the settlement, Lennon included a rendition of "You Can't Catch Me" on his 1975 album of cover versions, "Rock 'n' Roll".

neg: You Should Be Here (Cole Swindell song) those moments that are perfect except for one vacant parking spot." The song debuted on the "Billboard" Hot 100 at No. 69, and No. 10 on Hot Country Songs charts on the song release. The song topped both the Hot Country Songs, and the Country Airplay charts in March 2016. The song peaked at No. 31 on the Hot 100 for chart dated April 16, 2016. The song has sold 706,000 copies in the US as of July 2016. The music video was directed by Michael Monaco and premiered in December 2015. You Should Be Here (Cole Swindell song) "You

neg: Plans (song) sales exceeding 210,000. In an interview with Triple J, frontman Ian Kenny said regarding the song: "When you're writing records, every now and then you come across a bit of a stone in the road in the writing process, and you start questioning things. 'Plans' just wasn't coming together the way we thought it should, so we put the song down for a bit, and when we returned to it — I don't remember what we did differently — it came together. We got the demo and went, 'Yep, that's got something in its guts.'" "Plans" debuted on the ARIA

neg: Westworld (film) one of the final films to be shot there. It was filmed with Panavision anamorphic lenses by Gene Polito, A.S.C. Richard Benjamin later said he loved making the film: It probably was the only way I was ever going to get into a Western, and certainly into a science-fiction Western. It's that old thing when actors come out here from New York. They say, "Can you ride a horse?" And you say, "Oh, sure," and then they've got to go out quick and learn how to ride a horse. But I did know how to ride a horse! So you

neg: Poetic Justice (song) Drake’s arguably fetishistic feature. He raps:Young East African Girl, you too busy fucking with your other man/I was trying to put you on game, put you on a plane/ Take you and your mama to the motherland/ I could do it, maybe one day / When you figure out you're gonna need someone/ When you figure out it's all right here in the city/ And you don't run from where we come from…These lyrics invoke a faceless girl whose tokenization fits an overall trend of over-representation of East African women as emblems of acceptable Black beauty. As Farah writes, this

neg: Right Here, Right Now (High School Musical song) I would thank that star, that made our wish come true," and she sings with Efron in some parts of the "‘cause he knows that where you are, is where I should be too" line in the first verse and the "It’s always you and me" line in the bridge. However, on the soundtrack, Efron sings these lines by himself, with Hudgens providing background vocals during these parts in the song. On the reprise, which is found only during the extended version of the movie, the background music from the beginning of the song is used while the soundtrack version

neg: Sweetheart Like You on its list of 100 Greatest Bob Dylan Songs, also naming the song one of Dylan's greatest songs of the 1980s. The magazine called "Sweetheart Like You" "the sort of love song only Bob Dylan could write." The song has received criticism for the lyric "a woman like you should be at home/That's where you belong." In a 1984 interview, Dylan stated that the line did not come across as he had intended, stating "I could easily have changed that line to make it not so overly, uh, "tender," you know? But I think the concept still woulda been the

neg: Do You Wanna Come Over? instrumentation. For Brian Josephs of "Spin", the song's guitar slaps "recall her 2001 single 'I'm a Slave 4 U.'" Other critics also felt that the "strummed flamenco guitar" on the song is similar to those on Justin Timberlake's "Like I Love You". Bianca Gracie of "Fuse" opined that the song reminded her of "the glory days (no pun intended) of 'Circus' and 'Femme Fatale'." Lyrically, "Do You Wanna Come Over?" is a flirty song about Spears "offer[ing] several reasons why her lover should come over and options, which can be seen in the lines "Nobody should be alone if they

neg: Robb Huxley instrumental written by Pete Holder and Robb Huxley titled "Saxon Warcry". In December 1965, Joe Meek summoned the Saxons to London to work professionally as his house band, renamed The Tornados. They were also known as the New Tornados. During their short association with Joe Meek, they put out two singles. “Pop-Art Goes Mozart” / “Too Much in Love to Hear” and “Is that a Ship I Hear” / “Do You Come Here Often”. Both singles were released in 1966. Nowadays “Do you Come Here Often” is recognized as being the first ever openly “gay” song to be released on

neg: Maneater (Hall & Oates song) a reggae song. I said, "Well, the chords are interesting, but I think we should change the groove." I changed it to that Motown kind of groove. So we did that, and I played it for Sara Allen and sang it for her…[Sings] "Oh here she comes / Watch out boy she’ll chew you up / Oh here she comes / She's a maneater… and a…" I forget what the last line was. She said, "drop that shit at the end and go, 'She's a maneater,' and stop! And I said, 'No, you’re crazy, that's messed up.'" Then I thought

neg: Mr. Mr (band) here? / Girl, you come out so easily from behind the curtain / Not me, but another mistake, Mr.Mr / I bet you're amused by my embarrassment," and, "I become faint for a main like you / Am I loser and are you a winner? / We're going the same path / I must have looked small from your high perch / Is that why you did that to me?"" The group's agency WinningIn Sight CEO, released an official position on the group's diss song towards Girls' Generation's title track name on March 5. They mentioned the controversial diss's rumours

neg: Gladden Bishop want it. I say to you Bishops, do not allow them to preach in your wards. Who broke the roads to these valleys? Did this little nasty [Alfred] Smith, and his wife? No they staid in St. Louis while we did it, peddling ribbons, and kissing the Gentiles. I know what they have done here—they have asked exorbitant prices for their nasty stinking ribbons. [Voices, 'that's true.'] We broke the roads to this country. Now, you Gladdenites, keep your tongues still, lest sudden destruction come upon you. ... "I say, rather than that apostates should flourish here, I will unsheath

neg: From Scotland with Love far between, and when you did go out, there would be no holding back. If your drunk character – because everyone's got one – could only come out once a year, it would be hugely exaggerated." The track, "Miserable Strangers", features a reprise of the chorus from "678"; a song which previously appeared on the studio album, "KC Rules OK" (2005). A full re-recording of "678" appears during the course of the film, and is included on the deluxe edition of "From Scotland from Love". The song "Pauper's Dough" is a reworking of the song, "Harper's Dough", which previously appeared

neg: Orange Grove affair things that come out of Liverpool. There had been some allegations from Westfield." On 19 April, Ryan met Wedderburn and gave more details of his claims about Liverpool City Council, but conceded that he had no hard evidence. Wedderburn told Beamer, at a meeting on 20 April, "You should be very careful, you should take great care not to be influenced, subject to any undue influence, not to be inappropriately lobbied in making this plan, in making decisions here", according to Meagher. Nevertheless, according to evidence subsequently presented at ICAC, Wedderburn made no suggestion as to what Beamer's decision on

neg: You Should Be Here (Cole Swindell song) Swindell his fourth number-one country hit overall. It also gave him his second top 40 hit on the Hot 100, peaking at number 31. The song was certified Gold by the RIAA, and has sold 706,000 copies in the United States as of July 2016. It achieved similar chart success in Canada, peaking at number 3 on the Country chart and number 67 on the Canadian Hot 100. An accompanying music video for the song was directed by Michael Monaco. The song is the title track of Swindell's second album "You Should Be Here". The song was written as a

neg: Super Columbine Massacre RPG! may come out of this work be grounds for its suppression from society? This is, in a sense, pre-crime. If you believe in what you're doing and you want to express yourself, the expression should be primary and any interpretations that come after must always remain of secondary importance to the creation of the work itself. On another level, the entire correlation between the Dawson College shooting and my game is unfounded. [...] What else did Kimveer like? Black clothes? Goth music? Pizza? [...] If anything, the Dawson College shooting is proof positive that games like ["Super Columbine Massacre"] "should"

neg: English markers of habitual aspect ordinary verb, and forms questions and negatives using "did": "Did he use(d) to come here? He didn't use(d) to come here." Note the difference in pronunciation between the ordinary verb use /juːz/ and its past form used /juːzd/ (as in scissors are used to cut paper), and the habitual verb form, which can be the same or can be /juːst/. The verbal use of "used to" should not be confused with the adjectival use of the same expression, meaning "familiar with", as in "I am used to this", "we must get used to the cold". When the adjectival form is

neg: You Should Hear How She Talks About You had that idea in mind for some time: then when Snow first played a new tune which had come to him for Pitchford the latter felt: "this [could] be the song where we write our modern day 'She Loves You.'" Pitchford came up with the main hook line as "You should hear the way she talks about you" which Snow amended to "You should hear how she talks about you". Arif Mardin who produced Manchester's recording described the track as "a real departure for Melissa because it has a new wave dance quality and she had been known for her

neg: Here You Come Again (song) the U.S "Billboard" country charts and earned Parton the award for best female country vocal at the Grammy Awards of 1979. Here You Come Again (song) "Here You Come Again" is a song written by Barry Mann and Cynthia Weil, and recorded by American entertainer Dolly Parton, which topped the U.S. country singles chart for five weeks, and won the 1979 Grammy award for Best Female Country Vocal Performance; it also reached number three on the U.S. "Billboard" Hot 100, representing Parton's first significant pop crossover hit. Having been composed by Mann and Weil, the song was a rare example

neg: The Black Monk little novella, just a couple of quires'. "Come to visit me here, and I'll give it for you to read," he added somewhat teasingly. Suvorin suggested that the story should be published in "Novoye Vremya", but Chekhov declined the offer. Later, upon having read the story, Suvorin asked to what extent did it reflect the author's own mental condition. "When the writer depicts a sick person it does not mean he is sick himself... Just wanted to portray a man suffering from delusions of grandeur. The image of a monk riding in the fields came to me in a dream,

neg: Believe in Me (Michelle Williams song) 'oh my gosh you're great, you have a great calling on your life,' or 'Oh your hair is so pretty today'" Williams told CP. "...If I come to you and give you a compliment, it probably should be confirmation of what you already know. I just did not believe, I didn't think I was as good as other people around me." Williams performed the song at a post Stellar Award celebration hosted by E1 Music on Saturday March 28th. A music video for "Believe in Me" was released on April 29, 2015. Premiering on VH1 Soul and VH1.com, the video

neg: Sticks and Stones (Nicola Roberts song) haven't done that,' I'm like, 'I know you have because I don't feel the same as I did when I first heard it so we either sit here and argue this one out all day or you just admit that you've changed it and you can change it back." The song describes a time when Roberts was in severe depression, and discusses when she would "beg" her driver to buy her alcohol underage - with lyrics saying, "How funny that I was too young for so many things, yet you thought I'd cope with being told I'm ugly." Whilst writing

neg: Space (Prince song) a human has to go through, in a planet that's so bitter and cold / Universal love awaits you, baby all you got to say is that you really, really, really wanna go / And we're outta here". While "Space" did not chart on any airplay charts, it did reach #71 on the R&B/R&B/Hip-Hop chart due to single sales. In Australia, "Space" peaked at #91 on the ARIA singles chart. Space (Prince song) "Space" is a song by American musician Prince from his 1994 album "Come". The B-side of the single is actually the album track. The A-side is the

neg: Who Did You Think I Was as the B-side on the Trio's subsequent EP, "Live @ Yahoo! Music", after the track, "Out of My Mind", a heavily blues-influenced song written by Mayer which also appears on "Try!". The B-side to "Who Did You Think I Was" is "Come When I Call", which did not appear on the album "Try!", but was frequently played throughout the trio live performances, like the song, "I Don't Need No Doctor". This audio sample shows the end of the last chorus of the song, through the outro and almost until the end. The main guitar riff is reminiscent of Joe Walsh's

neg: Rude Boy (Rihanna song) on "The Ellen DeGeneres Show", and "". "Rude Boy" was also featured on the set lists of Rihanna's Last Girl on Earth, Loud, Anti and Diamonds tours. "Rude Boy" was produced by Rob Swire and StarGate who co-wrote the song with Rihanna, Ester Dean, and Makeba Riddick. During an interview on the television show, "" in February 2010, Carr asked Rihanna about the song's lyrics, with particular emphasis on the line "Come here Rude Boy, Boy, can you get it up?/Come here Rude Boy, Boy, is you big enough?" Rihanna explained: "When we wrote the song, it was kind of

neg: Mystik and be still and you get carried away thinking that you have to do all these things all the time when you probably just should "be" instead of "do". Mystik "Mystik" is a song by Australian alternative rock artist Tash Sultana. It was released on 6 October 2017 as the second single from Sultana's debut studio album "Flow State" (2018). The song peaked at number 77 on the ARIA Singles Chart and was certified gold in 2018. Sultana told Triple J she wrote the song "..about the death of my ego, really. [I] Tried to just come back down and

neg: Mr. Happy Go Lucky here that hasn't happened.' So I just ran out and recorded 'Jackamo Road' in two minutes. I tried to sing it as country as I could, just to make it the opposite of the song I knew was going to come after it, 'Life Is Hard,' which is as urban-sounding a song as we've got. I'm still agonizing over 'Jackamo Road' because I wish I'd said another word. I think it says, 'I'd like to buy you a cabin cruiser/we could sail around.' You don't sail a cabin cruiser. When I sang it, it never dawned on me. But when

neg: Here I Come (Fergie song) entered the chart at number thirty-nine on the issue dated March 31, 2008. It spent only one week on the chart. "Here I Come" was used in the ABC television series "Ugly Betty" on the nineteenth episode of season one, titled "Punch Out". It was also featured on the Fox television reality show "So You Think You Can Dance" on the episode for week five were dancers Kameron Brink and Lacey Schwimmer performed a hip-hop styled dance to it. The song was also used for a commercial promoting a Motorola product, Motorola Rokr, in mid-2008, in which Fergie was featured

neg: Why'd You Come in Here Lookin' Like That Why'd You Come in Here Lookin' Like That "Why'd You Come in Here Lookin' Like That" is a song written by Bob Carlisle and Randy Thomas, and recorded by American country music artist Dolly Parton. It was released in May 1989 as the first single from the album "White Limozeen". The song was Parton's eighteenth number one on the country chart. The single went to number one for one week and spent a total of 20 weeks on the country chart. The song has also been recorded as a duet by Jill Johnson and Nina Persson, released on the 2007

neg: Why'd You Come in Here Lookin' Like That Jill Johnson cover album "Music Row", which received much SR P4 airplay. Why'd You Come in Here Lookin' Like That "Why'd You Come in Here Lookin' Like That" is a song written by Bob Carlisle and Randy Thomas, and recorded by American country music artist Dolly Parton. It was released in May 1989 as the first single from the album "White Limozeen". The song was Parton's eighteenth number one on the country chart. The single went to number one for one week and spent a total of 20 weeks on the country chart. The song has also been recorded as

neg: Falling in Love Again (Marvin Gaye song) time his love for Janis will be what he had always wanted. But as irony would have it, by the time of the album's release, Marvin and Janis' relationship was failing. By the end of the album's promotion, Janis had split from the singer after nearly two years as a married couple. They eventually divorced in February 1981. This song was the last song on "Here, My Dear" with a reprise from the album's "theme song", "When Did You Stop Loving Me, When Did I Stop Loving You", playing soon afterwards putting the album to a close for good. Falling

neg: Here You Come Again (song) sounding too pop, and he called in Al Perkins to fill that role. "She wanted people to be able to hear the steel guitar, so if someone said it isn't country, she could say it and prove it," Klein told Roland. "She was so relieved. It was like her life sentence was reprieved." "Here You Come Again" was released as a single in September 1977 as the title track from Parton's album "Here You Come Again", and was the centerpiece of her now famous pop crossover move in the late 1970s. The recording spent five weeks at the top of

neg: The Day You Come speculation that it alluded to Pauline Hanson's political climb, however the band has reported that the song is more vague than specifically referring to one person, indicating that the song was not directly describing or attacking Hanson, though not ruling out that she may be one of many described. The song's release did fall within Hanson's party, One Nation's political peak. "The Day You Come" received the ARIA Music Award for "Song of the Year" in 1999, was nominated for the APRA Award also for "Song of the Year", though this award was won by "Addicted to Bass" by Amiel.

neg: When I Look at You "She is just as accomplished on the EP's ballads". Bill Lamb of About.com disagreed and stated, "the two ballad songs, 'When I Look At You' and 'Obsessed,' feel like throwaways. Miley Cyrus did have a big hit with the highly inspirational 'The Climb,' but the ballads here flush out the distinctiveness in her voice and simply feel ordinary." Michael Hann of the English newspaper "The Guardian" referred to "When I Look at You" as one of the "inferior ballads" on "The Time of Our Lives". The song won the 2010 Teen Choice Award for "Choice Music: Love Song". In the

neg: Wish You Were Here (musical) contest with the camp sitting around a campfire ("Where Did the Night Go? - Reprise"). Fay returns to tell Pinky that Teddy won't meet him. She's too ashamed of the way things have gone. Teddy's been talking to her mother in New York, and Fay suspects that Herman may be back to pick Teddy up soon. Pinky thinks if Teddy hears them having fun, she'll come join them. Itchy performs a rousing number that he hopes will both draw out Teddy and win Fay back ("Don Jose"). Unfortunately, Fay ends up kissing Muscles at the end of the song. Itchy

neg: Rajan Zed prayer protest in the chamber of the United States Senate, it is incumbent on a Christian to stand up and speak the truth. No matter what, we must obey God rather than men." When pressed by a reporter, he clarified that he did not think non-Christians should be arrested, but asked "Now, why are Hindus allowed here? Why are Muslims allowed here? Because we are a nation that's free, built upon the principles of almighty God." Having made no response to Americans United call to come out in support of religious diversity before the prayer took place, Tony Perkins an official for

neg: Louboutins (song) to do a dance video, and it's going to be really empowering. It's going to be about that woman, you know when you have that moment when you realize you have to really get out of here that's the moment we're trying to cauterize in the video. Even when you know that it's gonna hurt later, you feel good about making the decision, so you're like "I decided! I'm walking up out the house right now" and that's the part we're gonna do in the video except I'm gonna dance my way out the house." However following Lopez's departure from

neg: One Life Crew notably on the track "Pure Disgust". OLC compared the track to anti-racist skinhead band, Agnostic Front's "Public Assistance". However, Crime Ridden Society's lyrics and liner notes also expressed overtly anti-immigrant sentiments deemed by many in the scene to be racist. Pure Disgust lyrics: "Don't come over here, We don't need or want you, A country for Americans, Vultures won't rule, In your rat land you belong and rot, D.P. worthless scums, Should all die enraged, Dirty fucking leaches, You must GET OUT, Don't use this country for free HAND OUTS, Bringing your infections, Don't infect our people, We pay out

neg: California, Here I Come California, Here I Come "California, Here I Come" is a song written for the 1921 Broadway musical "Bombo", starring Al Jolson. The song was written by Buddy DeSylva and Joseph Meyer, with Jolson often listed as a co-author. Jolson recorded the song in 1924. It is often called the unofficial state song of California. Several attempts were made to designate "California, Here I Come" as the official state song of California, especially after a resolution passed by the California State Legislature in 1951 designated "I Love You, California" as the state song. However, these attempts proved unsuccessful, as "I Love

neg: The Immortals (song) "In a way, I kind of wanted it to be something that I could say to my children. It really says it all in one chorus. Here it is: go out and be who it is you wanna be and at the end of the day, before you've gone, make sure you've loved." In late 2011, Norwegian band Röyksopp remixed the song which then leaked online and was not physically released. The Immortals (song) "The Immortals" is a song by American rock band Kings of Leon. It is the sixth track on their fifth studio album "Come Around Sundown". The

neg: Heartless (Heart song) doctor said come back again next week / I think that you need me / All she did was cry / She wanted to die doctor when can you see me / There's a guy out there / Seems like he's everywhere / It just ain't fair." "Heartless" and "Without You" were the only singles released from "Magazine", with "Heartless" peaking at number twenty-four on the US "Billboard" Hot 100. Only five months passed before Heart released their next album, "Dog and Butterfly". Heartless (Heart song) "Heartless" is a song written and recorded by the rock band Heart in 1976

neg: Sex Therapy (song) turns the heat all the way up. 'Stressed out, uptight, overworked, wound up/Unleash what you got, let's explore your naughty side,' the singer croons. 'Just let me love you, lay right here, I'll be your fantasy/Give you sex therapy.' The come-hither lyrics, accompanied by Thicke's breathy falsetto and deep bass undertones, give the song an unforced eroticism that feels ideal for lovers of romance. Thicke's stripped-down brand of R&B is of an ultra-suggestive nature, but his earnest vocal performance is what ultimately keeps it classy." The official remix features Ludacris and a short intro by Polow Da Don and was

neg: Mr. Happy Go Lucky 'It would really mean a lot to me.' So I come out here. He's out here by himself and he's got all the machines going. I came out here and he said, 'Help me write this song.' So we wrote a song and it wasn't very good. I said, 'Is this all you've got done?' And he said, 'No, I've got something I want to play you.' He played me 'Emotional Love,' and I (couldn't believe it). . . . We took his track, took his voice off and put mine on, added some guitars and some background vocal parts.

neg: Rudy Bozak was invited back into the laboratory and sat down and played the instrument again. He didn’t play ten or fifteen bars when he said, This goddamn thing doesn’t sound right. What did you guys do to it?’ We said we hadn’t done anything. Well, he didn’t believe us. ‘You did something to it. You messed it up here,’ he said. ‘Restore it back to the way you had it.’ So what we did was let the damn instrument sit there for another week, and he comes back and plays it again. ‘Now this is the way it should be,’ he

neg: Forty Percent Leadbelly is insincere. He sends Bender away and says, "Don't come back 'til you've lived a life worth singin' about!" Fry is still making biting comments about Bender's abandonment, as when Leela echoes Silicon Red: "You can't write a real folk song about experiences you haven't had." Fry interjects, "You should write a song about a heartless robot who leaves his best friend to be murdered!" Bender continues to ignore him, and Fry becomes increasingly agitated. Bender follows Zoidberg's suggestion to go work on "the railroad" in order to have the experiences necessary to be a folk singer. In the Rusty

neg: (Come 'Round Here) I'm the One You Need The song's "B" side, "Save Me" was covered in a 1966 ska version as "Rude Boy Prayer" by a group consisting of Alton Ellis, Zoot Sims, Bob Marley and an unknown female vocalist. Despite being highly regarded, this version remains officially unavailable outside its original blank labelled 7" vinyl release. The Undertones also covered the song. Come 'Round Here (I'm The One You Need) "By The Miracles- (1966) " (Come 'Round Here) I'm the One You Need "(Come 'Round Here) I'm the One You Need" is a 1966 hit single by Motown group The Miracles, released on Motown Records' Tamla

neg: Please (Toni Braxton song) Riddick, Kameron Houff, and Vincent Herbert, with production being handled by Storch. A frequent collaborator, Herbert had co-written and produced her 1994 hit "How Many Ways. Vocal production was overseen by Keri Lewis, while Braxton's younger sister Tamar, Riddick, Kim Johnson and Keri Hilson all provided background vocals on "Please". Musically, "Please" is an upbeat R&B and hip-hop song that talks about how to handle a temptation in a relationship. Braxton starts the song singing, "I know you watching all over here, trying to find a way to come into my situation, because you should know that it is so

neg: Meanwhile Back at the Ranch/Should I Smoke Meanwhile Back at the Ranch/Should I Smoke "Meanwhile Back at the Ranch"/"Should I Smoke" is a medley released by the British power pop band Badfinger. The song was the closing track on their critically acclaimed but commercially unsuccessful album, "Wish You Were Here". "Meanwhile Back at the Ranch" was written by Pete Ham, while "Should I Smoke" was penned by Joey Molland. "Meanwhile Back at the Ranch"/"Should I Smoke" was first released on the "Wish You Were Here" album in November 1974, where it was the ninth and final track. However, when the album was pulled from shelves in 1975

neg: Eddie Hurley waiting for Hurley. Again he started, "You gotta believe me, I didn't mean it." "Please Yogi, not now", said Hurley, "It's been a hot game, and I'm tired. I want to go take a shower. Forget it." "Okay", said Berra. "But I'll be right here when you come out." Thirty minutes later in the deserted park, there stood Berra when Hurley came out with the others. "All I want to tell you", said Yogi, is that I didn't mean to bump you. I want you to say you believe me." "I believe you"', said Hurley. "We're friends?", said Berra. "We're

neg: Edmund MacGauran for Ireland, and the army that should come for Ireland should come by Scotland and land in the north, but their only want was to have some great man here to be (as it were) their leader or general, and have now thought Hugh Roe O'Donnell to be 'the most fittest' for the same. The Primate himself landed at Drogheda, and staid there two or three days after his landing. All which I have thought good to signify unto you, that you may advertise the Lord Deputy thereof. And if it be his pleasure to lay privy at Drogheda, no

neg: Bobby Winkelman "Magic Spell", "When You Touch My Hand" (lyrics by Linda Wallimann), "Where Ships Come Sailing By", and a new version of "Spirit of A Dead". Man". The title track on the CD was called "Children of the Stars". That CD also contains "Old Glory",& "Be Here Now" with the piano & organ as performed by Nicky Hopkins of the Rolling Stones fame, for his magnificent keyboard work on their original song entitled "You Can't Always Get What You Want". Lastly, "Off Again On Again Love" according to the label,is actually another original song entitled, "Rainbows (The Phantom Messenger)". In 2002,

neg: Stay Downtown Stay Downtown "Stay Downtown" is a song written by Matt Dragstrem and Cole Taylor and recorded by American country music artist Cole Swindell. The song was released to radio on September 5, 2017 as the fourth and final single to Swindell's second studio album "You Should Be Here". "Stay Downtown" was written by Matt Dragstrem and Cole Taylor, thus becoming the first single in Swindell's career that he did not co-write. He said that he chose to record the song because he wanted to show support for those writers, after noticing that they had written for other artists. The song

neg: Assist (Scientology) official orders entitled HCO BULLETIN OF 8 APRIL 1988: If a person has done a bunk, you can simply order him to come back and bring the body to life. The commands are addressed to the person and should be given in a tone of authority. It would be as simple as commanding, “Come back and bring this body to life!” Or ordering the person, “Come back here and pick up your body! At once! Pick it up! I order you! Right now!” You just keep commanding him with Tone 40. He is still around and can be gotten to

neg: Lew Platz here’. I thought it was captain Steve Edge [playing a trick]. “He said, "No, it’s Jack". I was an import, and you were only allowed 12. Jack said: "I thought I should ring you before you get tomorrow’s paper. I never graded you. I regard you as a first grader, but I’ve got a couple of blokes here I’m going to use more than you and I don’t think you want to play reserve grade. “I said "Jack, what a thing to do when I’m am import!". "He said, "I’ve been sacked by plenty of places and I’ve always come

neg: Hermetray Canada but no certain reasons for the abandonment of Hermetray have come to light. In 1921, a Norwegian ship, the "Puritan" was wrecked here. Reportedly the three survivors would not partake of a crate of whisky which was wrecked with them, and did not thank their rescuer, Alasdair Beag of Berneray, when he arranged for them to be returned to their home country. The Hebrideans explained this by the name of the ship, although it should be pointed out that the survivors spoke neither Scottish Gaelic nor English. Heremtray is currently owned by the Scottish Government and there is a

neg: Do the Funky Chicken it in the middle of doing another song... and the words just started to come. I don't know how, they just came out of the blue. I just separated it. 'You raise your left arm up, and your right arm too.' When you're doing the funky chicken you use both arms. You don't just use one. It just happened I separated it. Then I put a little rhythm in between it. The same pattern that you heard on 'The Dog' is here on 'The Funky Chicken' but it is cut in half. That's how it came about. Thomas added a

neg: Codex Bezae greater to become the lesser. Also, when ye enter and are invited to dine, do not recline in one of the distinguished places, lest one more honorable than you might come and, upon approaching the dinner host, you should be told, "Move further down," and you will be humiliated. But if you recline in the inferior place, and one lesser than you should come, the dinner host will tell you, "Come, be joined in yet higher," and this will be of benefit to you. omits text καὶ ζώνην δερματίνην περὶ τὴν ὀσφὺν αὐτοῦ ("and a leather belt roundabout his waist")

neg: Born to Love You (Lanco song) towns across the Southeast, and we all come from different places, but when you start talking about it, they all kind of sound like the same place... This song explores that, and talks about how, when you're from a certain place, you may feel that a certain path is set out for you, but if there's a person that you love in your life, no matter what you end up doing or where you end up going, you're kind of doing it for them anyways." He also told "American Songwriter" that he intended for the song to be "anthemic", and

neg: American Horse live in now and I am anxious to learn all that I can, so that I can come home by and by and live with you. I hear that they have a big school out there and it makes me very glad. If you can, come again, and tell me if you can come again, when. I want to tell you that some more girls and boys came here. Twenty-five. Fifteen of them are girls. There are a great many of us here now, and Capt. Pratt is very kind to us. That is all I want to say now.

neg:
Melbourne Vixens will continue to support netball as we pursue our future triumphs." In 2009, as a way to bond the team, the Vixens created a team song, titled 'We Are The Vixens'. The players came up with the lyrics themselves, with help from a company called Muso Magic. These are the lyrics: You want the best, Here we are, We'll give it all right now.
 We're here to win, Come with us
 We're gonna show you how Stand up, Be proud, Shout it out loud We are the Vixens, No one stands in our way, Power together
 Stronger in every way,

neg: Speak (Lindsay Lohan album) out here in L.A. or whatever. It should be fun, because she's got this whole thing about, you know, this little bad-girl image that everyone's trying to put on her, you know what I mean? Basically, the record that we did is basically saying, you know, 'I'm not ordinary. Bottom line, I'm different.'" The album features different styles of music such as pop rock, dance-pop, teen pop, electropop and soft rock ballads. "I wanted to have a mixture like that because I love those kinds of club tracks that you can listen to before you go out at night with

neg: Eddie Razaz never had any problems with it. I am fortunate to have such good parents. But when you find yourself in the spotlight, questions like "coming out" comes up again. And I did not want to. It [coming out] should never be forced. But now I do not feel compelled, I like it here." Eddie Razaz Eddie Razaz (in Persian ادى رزاز) (full name Ardalan Razaz Rahmati, in Persian اردلان رزاز رحمتى) born on 21 December 1988 in Stockholm, Sweden) is an Iranian-Swedish singer. He was a former participant of Swedish "Idol 2009" and finished sixth. Eddie Razaz and Rabih Jaber,

neg: When You Come Back and You Will Come Back a 1918 song contest at Proctor's Twenty-Third Street Theatre in New York, "When You Come Back and You Will Come Back" won the prize. When You Come Back and You Will Come Back When You Come Back (and You Will Come Back, There's the Whole World Waiting for You) is a World War I era song written and composed by George M. Cohan and produced by M. Whitmark and Sons, New York in 1918. The song was described in "The Music Trades" magazine as "the biggest popular song success ever published." It reached number nine on the US Billboard charts

neg: When You Come Back (World War I song) without him near. In the chorus, the narrator questions how things will be when this man returns. The song was performed by John McCormack, and reached the number four spot on the US song charts of May 1919. It was released under the Victor record label. When You Come Back (World War I song) When You Come Back is a World War I song released in 1919. The song was written by the Harrison sisters. Olivette Harrison wrote the lyrics, and Bennella Harrison composed the music. The song was produced by the Harrison Sisters Publishing Company in Philadelphia, Pennsylvania It

neg: Andre Rison would be relocating to Baltimore. After a home loss to the Packers, Rison, who had been booed by the fans throughout the game, lashed out, stating, "We didn't make the fucking move. So, for all the booers, fuck you too. I'll be glad when we get to Baltimore, if that's the case. We don't have any home-field advantage. I've never been booed at home. Baltimore's our home. Baltimore, here we come." Rison, however, did not make the move with the team to Baltimore as he joined the Jacksonville Jaguars in the offseason. Rison had a very short stint with the

neg: Operation Arabian Knight landlord said Alessa had visited Jordan about two years prior to his arrest, for six months. Alessa reportedly said: "They only fear you when you have a gun and when you — when you start killing them, and when you — when you take their head, and you go like this, and you behead it on camera." He discussed carrying out a suicide bombing in the U.S., adding: "We'll start doing killing here, if I can't do it over there." And: "Only way I would come back here is if I was in the land of "jihad" and the leader

neg: Here I Am (Air Supply song) Hitchcock. Here I Am (Air Supply song) "Here I Am (Just When I Thought I Was Over You)" is the title of a popular song from 1981 (see 1981 in music) by the Australian group Air Supply. It was written by Norman Sallitt and included on the group's album "The One That You Love". To prevent confusion, the song was originally released as "Here I Am" on the LP but was re-titled " Here I Am (Just When I Thought I Was Over You)" for the release of the single, so as not to be confused with the group's No.

neg: Here I Am (Air Supply song) Here I Am (Air Supply song) "Here I Am (Just When I Thought I Was Over You)" is the title of a popular song from 1981 (see 1981 in music) by the Australian group Air Supply. It was written by Norman Sallitt and included on the group's album "The One That You Love". To prevent confusion, the song was originally released as "Here I Am" on the LP but was re-titled " Here I Am (Just When I Thought I Was Over You)" for the release of the single, so as not to be confused with the group's No. 1

neg: Patti Clayton very very tropical equator, so you should never put bananas in the refrigerator". This was one of the most successful commercial jingles of all time, and was played up to 376 times a day on radio stations across the United States. Clayton cut a number of transcription discs, backed by the Four Vagabonds – "Can't Get Out of This Mood", "Three Dreams", "You'd Be So Nice to Come Home To", "Why Don't You Fall In Love With Me", "Saving Myself For Bill", "Hit the Road to Dreamland", "I've Heard That Song Before", "Could It Be You", "It Can't Be Wrong"

neg: Benny Hester the Southern Gospel Charts in February 2009 and was nominated Gospel Music Song Of The Year and Album Of The Year. Other top Benny Hester songs include "Nobody Knows Me Like You", "Christ The Solid Rock", "Rubber Canoe", "Come Back", "Goodbye Salty", "Legacy", "Whoever Touches You", "Streets Of Las Vegas", "Can I Get To You From Here", "No Man's Land", "Step By Step", "To Fill Our Empty Hearts", "Real Change", "Melody Man", "Hold Me", "Jesus Came Into My Life", "Be A Receiver", "Sure Of Your Call", "The Door", "Squeeze You", "We All Know He's Comin'", "Out Of The Natural", "Underground

neg: Jakestown good as the fellers off TV, And I'm not bad when I've had a few, you should come and listen to me. Well the tug boats on the River Mersey have a song all of their own, And the Goodison Choir and the Anfield Army sing 'You'll never walk alone', When the sun comes out the Liver Birds stand up and stretch their wings, And there's a song in a thousand hearts, And that's when Liverpool sings. A bustling city, open wide, The North West gate to Merseyside." Jakestown Jakestown was a radio show hosted by Brian Jacques on BBC

neg: Birthday Cake (song) fuck you right now." Brown's verse continues with "Been a long time I've been missing your body/ Turn the lights down/ When I go down it's a private party." Brown delivers his vocals in an aggressive and manipulative manner as he sings "Give it to her in the worst way, can't wait to blow her candles out." At the end of the song, Rihanna performs new lyrics which were not included on the original 1 minute and 18 second interlude; "Remember how you did it/ If you still wanna kiss it/ Then come and get it." According to Ben Rayner

neg: Matthew 25 good and faithful servant. Since you were faithful in small matters, I will give you great responsibilities. Come, share your master’s joy.’ 24 Then the one who had received the one talent came forward and said, ‘Master, I knew you were a demanding person, harvesting where you did not plant and gathering where you did not scatter; 25 So out of fear I went off and buried your talent in the ground. Here it is back.’ 26 His master said to him in reply, ‘You wicked, lazy servant! So you knew that I harvest where I did not plant and

neg: Lonely Town (Brandon Flowers song) (Penelope Mitchell) while doing random things around her house with headphones on while dancing to the song. Someone is watching her from outside her window. The video is retro-styled. Lonely Town (Brandon Flowers song) "Lonely Town" is a song by American singer Brandon Flowers from his second studio album, "The Desired Effect" (2015). It was released on April 27, 2015, as the album's third single. Sonically the track appears to be a breezy love song but lyrically it features lines with dual meanings (e.g., "When will you come home again? Did you lock the door when it shut?"), potentially attributable

neg: Watching You (Rogue Traders song) only spent two weeks in the chart after falling out of the charts at number fifty-eight. Australian CD Single UK CD Single # 1 UK CD Single # 2 Australian Promo # 1 Australian Promo # 2 UK Promo # 1 UK Promo # 2 UK Promo # 3 UK 12" Vinyl # 1 UK 12" Vinyl # 2 UK 12" Vinyl # 3 Watching You (Rogue Traders song) "Watching You" (2006) is the third song released by Australian band Rogue Traders from their second album "Here Come the Drums". The song was released as their second single in the

neg: Gallagher (comedian) traditionally begins with the following preamble ""Ladies and gentleman! I did not come here tonight just to make you laugh. I came here to sell you something and I want you to pay particular attention. The amazing master tool corporation, a subsidiary of fly by night industries, has entrusted who? Me! To show you! The handiest and the dandiest kitchen tool you’ve ever seen. And don’t you wanna know how it works!? Well first you get out an ordinary apple. You place the apple between the patented pans. Then you reach for the tool that is not a slicer is