query: who sings the song i ca n 't go for that

pos: I Can't Go for That (No Can Do) I Can't Go for That (No Can Do) "I Can't Go for That (No Can Do)" is a song by the American duo Daryl Hall and John Oates. Written by Daryl Hall and John Oates, and co-written by Sara Allen, the song was released as the second single from their tenth studio album, "Private Eyes" (1981). The song became the fourth number-one hit single of their career on the "Billboard" Hot 100 and the second hit single from "Private Eyes". It features Charles DeChant on saxophone. "I Can't Go for That (No Can Do)" is one of fourteen Hall &

neg: Bionic (Christina Aguilera song) recorded at The Red Lips Room in Beverly Hills, California. The track was written by Aguilera, Kalenna Harper, John Hill and Switch. Hill and Switch also produced and provided musical instruments to "Bionic". "Bionic" is an electronic song and lasts for a duration of (three minutes and twenty-one seconds). It features "twitchy space-ace" rhythms, rapping verses and talks about an "echo-laden" invitation to "jet off to the new millennium". In the middle of the song, Aguilera spells out her name, "X-x-x-t-t-t-i-i-i-n-n-n-n-n-a". During the chorus, she sings, "Bionic, so damn Bionic, gonna get you with my electronic supersonic rocket, ay". Becky

neg: Naughty Girl (Beyoncé song) for a one-night stand. This "lustful sexual confidence" is further demonstrated in the lyrics of the first verse: "I'm feeling sexy / Wa[nt to] hear you say my name, boy/ If you can reach me, you can feel my burning flame / Feeling kind of N A S T Y / I might just take you home with me" and the chorus lines: " Tonight I'll be your naughty girl / I'm callin' all my girls / We're gonna turn this party out / I know you want my body." Throughout the song, Beyoncé sings the lines "I'd love to

neg: Argonotes the top" "Pull together till the Grey Cup's won" "Go Argos go Toronto go" "Go Argos go go go" Another traditional-style fight song played by the band is "Argos Rule the CFL", a song written by Tony Daniels and Damon Papadopolous of Talk 640 Radio shortly before the band's formation: "The Alouettes, Lions and the Blue Bombers" "Tiger-Cats, Eskimoes and Stampeders" "The Roughriders and the other Rough Riders" "But the Argos Rule the CFL" "T! O! R! O! N! T! O!" "A! R! G! O! N!A!U!T!S!" Note that since the demise of the Ottawa Rough Riders, the third line is

neg: Pusha T and forth with him, it's not right, I won't get anything out of it." Later that day, Consequence called in to Chicago's WGCI's The Morning Riot in retaliation to the remarks Pusha T made about him. He also premiered a song titled "Everybody Told Me 2 (Straighten It Out)" where he disses West, Pusha T and GOOD Music in general. Since then Pusha T has responded to Consequence on a record. The song was the remix to Ace Hood's "Go 'N' Get It" which also featured Beanie Sigel, Busta Rhymes and Styles P. In the song Pusha raps "Consequence, nigga,

neg: All I Want for Christmas Is You nucleus of the song, the melody primary music, and then some of the words were there as we finished writing it. I started playing some rock 'n' roll piano and started boogie woogie-ing my left hand, and that inspired Mariah to come up with the melodic [Sings.] 'I don't want a lot for Christmas.' And then we started singing and playing around with this rock 'n' roll boogie song, which immediately came out to be the nucleus of what would end up being 'All I Want For Christmas Is You.' That one went very quickly: It was an easier song

neg: Ola Kala (song) that many would be curious as to how Rouvas sings in English, adding that "we must admit that [Rouvas] has the capabilities of [establishing a career abroad]." He further noted of the maxi single "[n]ot bad...! Not bad...!", indicating his belief that it had potential to be successful abroad. In a flashback review of the artists work, Thomai Karathanou of Tralala reviewed the song positively for its positive message, saying "he [gave] us courage." The music video of the song was directed by French director Xavier Gens of the production company Bullring, who would also go on to direct the

neg: Find Your Love be on "808s and Heartbreak" and that Drake showed off his "versatility" and "smooth singing on this slow-jam", stating, "I better find your loving / I better find your heart," he sings (over and over and over) on the chorus to this bump-'n'-grind single." Ryan Brockington of the "New York Post" said the song consisted of "dripping double-drum beats, 80's filtered vocals and a catchy little chorus". Jayson Rodriguez of "MTV News" said that the song features "Drake in full crooner mode as he sings about saving his relationship: "I'm more than just an option," he sings over sparse drums

neg: Live from New Jersey from "Day I Forgot". The remainder tracks are covers and one new song. The album is a recording of Yorn's performance at the Community Theatre in Morristown, NJ. When Yorn sings "I was killed in half a day, I hadn't time to regret you, R-E-A-C-T" in the song "Life On A Chain," he is referencing the song "Harborcoat" by R.E.M. off of their album Reckoning. In "Harborcoat," Michael Stipe sings "There's a splinter in your eye and it reads 'react,' R-E-A-C-T." Live from New Jersey Live from New Jersey is a live album released by Pete Yorn in 2004. It

neg: Pills n Potions and a sit down interview for Power 106's "The Big Boy's Neighborhood Morning Show". "Pills n Potions" is a piano ballad "framed in the druggy imagery of mixtape rap". Chris Payne of "Billboard" said the song coupled a chorus "reminiscent of a Rihanna ballad" with rapped verses. Kory Grow of "Rolling Stone" opined that the song shows Minaj "sublimely (and maturely) rising above her detractors, even singing that she still loves them." The song opens with a sparse, haunting drum beat, while Minaj sings the pre-chorus in a feather-like near-whisper, "Pills 'n potions, we're overdosin'/I'm angry but I still love

neg: So Alive (Ryan Adams song) So Alive (Ryan Adams song) "So Alive" is a song by singer-songwriter Ryan Adams from his 2003 album "Rock n Roll". The song was co-written with Johnny T. Yerington and was released as a single in 2004. In a 2003 interview with VH1, Adams talked about the song's background: "It was the last song [on the album] to have lyrics. It was the last day of making the record. I got up... walked down to Stuyvesant City Cove and watched the boats go by... I wanted to write a song about how romantic I was feeling. [The song] has a

neg: Go n Get It video made in his home town, Broward County. The official remix to "Go n Get It" features Beanie Sigel, Busta Rhymes, Pusha T and Styles P. Tyga also did this song as "Bad Bitches", which features fellow Young Money rapper Gudda Gudda, off of Tyga's "Black Thoughts 2" mixtape. Then, he remixed the song with 2 Chainz on his mixtape #BitchImTheShit. Go n Get It "Go n Get It" is the second official single from rapper Ace Hood from his third album "Blood, Sweat & Tears". It was on released June 14, 2011. The song was written by Antoine McColister.

neg: F.I.N.E.* Music Resource Center censorship campaign during this time), and "Joe Perry" (a reference to Aerosmith's lead guitarist). The only mentions of the term "F.I.N.E." are in the line "my brand new baby looks so F-I-N-E fine" and in a bridge towards the end of the song, where Tyler sings, "Everything about you is so F-I-N-E fine". Later on the "Pump" album, in "What It Takes", is the line, "Girl, before I met you I was F-I-N-E fine". "F.I.N.E." was one of the potential titles brainstormed for the album that became "Pump", but was blocked by Geffen A&R man John Kalodner.

neg: I Am the Walrus he sings the line "he bag production, he got walrus gumboot"; and in his 1970 solo song "God", admits: "I was the walrus, but now I'm John". Eric Burdon, lead singer of the Animals, claims to be the "Eggman" mentioned in the song's lyric. Burdon was known as "Eggs" to his friends, the nickname originating from his fondness for breaking eggs over naked women's bodies. Burdon's biography mentions such an affair taking place in the presence of John Lennon, who shouted "Go on, go get it, Eggman..." I Am the Walrus "I Am the Walrus" is a song by the

neg: Bobby Vinton Sings the Big Ones Bobby Vinton Sings the Big Ones Bobby Vinton Sings the Big Ones is Vinton's fourth studio album, released in 1962. There were two singles from this album: "Rain Rain Go Away" and "I Love You the Way You Are" (the latter written completely by Vinton). Cover versions include "I'm Getting Sentimental Over You", "Ramblin' Rose", "The Twelfth of Never", "Because of You", "Be My Love", "My Heart Cries for You", "I Remember You", "He'll Have to Go" and "Autumn Leaves". The song "I Love You The Way You Are" was originally recorded in the late 50s as a demo and

neg: N-Dubz dispute then started between N-Dubz and Lethal Bizzle, who claimed he had written and produced N-Dubz's hit "I Need You" for them and so should be acknowledged in the credits for it, with Tulisa hitting back on Twitter that "he's jus triena boost his status, ...wat an unbelievable loser!" and N-Dubz later posted a video on their official YouTube channel through Twitter with the caption: "THE PROOF WE DIDNT STEAL S**T, WE MAKE OUR OWN HITS!" of when he had sent them the finished song and when they had actually finished the song, implying that their version was over 2

neg: Gta’ language ring with noun stems either remain intact or change at par with the main stems. "Examples" Type 1: sur-cu "to fry in oil" > sur-ca, sur-ci, sar-ca, s?r-cf, sar-cu. gag-bo? "to tie onto the head" gag-ba?, gig-bT?, gag-bT?, gTg-ba?, gig-bo?. "tur-t?a "to graze cattle" > tar-ti, t?r-ti, tar-t?a, t?r-t?a. Type 2: kula-re "kinsman" > ka I a-re, k?I i-re. sari-ja "paddy flower" > sara-ja, s?ri-j?, si ri-ja. ra-ko "peacock feather" > bara-ka, bir?-k?, bir?-ko. ult-so "mango wood" > ala-sa, ?l?-sf, ala-so, Mi-so. huQ-be "baby bear" > har?-ba, h?tj-b?, harj-be, h?n-be. Rules of Formation "Rule#" 1. Echo-words are formed by changing

neg: If I Prove False "Charcoal Records". In "The Redcastle Sessions" performance of this song, as well as when performed live, Cara sings the following lines towards the end of the song, followed by the chorus, sung by her alone: "Night wind go tell my sailor man" "I'll be waiting in the day" "I long to feel his warm embrace" "In this cold and hardy year" The song is derived from a traditional song that is known under various titles, including "The Lass of Roch Royale", "Oh Who Will Shoe My Foot", "O, Who Will Shoe your Pretty Little Foot" and "The False True Lover".

neg: I Drove All Night sexual gratification. She sings in the first verse, "Maybe I should have called you first, but I was dying to get to you/I was dreaming while I drove the long, straight road ahead." In the chorus, she sings, "Woke you from your sleep to make love to you/Is that all right?/I drove all night." In the second verse, Dion duplicates a line as it is heard in Orbison's original recording. Instead of singing, "no matter where I go I hear the beating of our heart," Dion sings, "our "one" heart," which is where the title of the album the song

neg: Seasoned Veteran album features guest performances by 2Pac, E-40, Luniz, D'wayne Wiggins, T-Boz, and Rame Royal of Rhythm & Green. Along with the single, a music video was produced for the song, "Let's Ride". A second single, "Do G's Get To Go To Heaven?", was also released as a music video, featuring Bo-Roc, and is dedicated to the memory of Tupac Shakur. In the song N—-s Done Changed’ Feat. Tupac, 2Pac predicts his own death by saying “I been shot and murdered, can tell you how it happened, word for word / But best believe n—-s gonna get what they deserve.” The

neg: Não Dá pra Resistir and hip-hop. The song talks about a love that is irresistible, where the protagonist tries to disguise, but ends up falling in love with the loved one. The song begins with Luciana on lead vocals, followed by Patricia, who changes versions with Luciana to the chorus. In the chorus, the girls sing, "I can not resist your love, you look at me like this, baby, I go, your kisses just for me, and your taste, I can not resist I need your love." After the chorus, Karin sings the second full part, taking help from the girls in the backing

neg: Wild Ones (song) it is a "slightly more subdued, but equally dancefloor/radio-ready follow-up". Tim Byron from "The Vine" stated, "When [Sia] sings the chorus, phrases like 'I heard' and 'if I took you home' speak of uncertainty. She likes the idea of wildness, but isn't certain how it will go. Flo Rida's role in the song is to convince her that she actually does want to be a wild one, to convince her that it is okay to let go, to obliterate herself." The song was nominated to the Grammy Award for Best Rap/Sung Collaboration at the 2013 Grammy Awards. The song made

neg: Otis Blue/Otis Redding Sings Soul also states that he sang the backing chorus of "Hey hey hey". The song used for the fifth track, "I've Been Loving You Too Long", had been previously recorded in mono with Booker T. Jones on piano and released as a single in April 1965, becoming a number-two hit on "Billboard"s R&B chart; it was rerecorded in stereo for the album. The majority of the tracks on "Otis Blue" are cover versions, including three by Sam Cooke who had been shot dead the previous December. The album opens with the "mournfully harried" "Ole Man Trouble". For Claudrena N. Harold of

neg: Go! (Noise International song) Go! (Noise International song) "Go!" is a song by Sydney based sound house group Noise International featuring vocals from Sharon Muscat of Sister2Sister fame. It was produced by member Bruce Heal specially as the original theme song for GO! along with many shorts riffs resembling the song. After many demands for who sings the song, TVCentral.com.au told Nine about it, who revealed info about the song along with a hint of the song coming to iTunes. He also stated that people were dancing to remixes of the short one-minute version played by DJs in nightclubs. The song was finally released

neg: Butterfly (Mariah Carey song) to flourish in the light / wild horses run unbridled / or their spirit dies / you have given me the courage / to be all that I can / and I truly feel ...[sings] and I truly feel your heart will lead you back to me when you're ready to land.' At that point I really believed that I was going to go back to the marriage – I didn't think I was going to leave forever. But then the things that happened to me during that time caused me to not go back. Had it been, 'Go be

neg: Your Love (Nicole Scherzinger song) Bradley Stern from the website MuuMuse noted that Scherzinger opts to moan and do "sultry, filtered near-whispers" throughout the song. Lyrically, Scherzinger sings how her man's love makes her feel. The song begins with a rave piano-driven beat with Scherzinger repeating "yeah" and "woo". On the first verse she sings “Something ’bout you so enticing, even when I try to fight it / Knock me out like Michael Tyson / I’ll do whatever you want” over the galloping beat. The pre-chorus follows, with her pleading the lines, "I’m never letting you go baby, I love you so baby!" The song's

neg: Maneater (Hall & Oates song) a reggae song. I said, "Well, the chords are interesting, but I think we should change the groove." I changed it to that Motown kind of groove. So we did that, and I played it for Sara Allen and sang it for her…[Sings] "Oh here she comes / Watch out boy she’ll chew you up / Oh here she comes / She's a maneater… and a…" I forget what the last line was. She said, "drop that shit at the end and go, 'She's a maneater,' and stop! And I said, 'No, you’re crazy, that's messed up.'" Then I thought

neg: Cultural influence of Gilbert and Sullivan including "A British Tar". In the 2003 fantasy movie "Peter Pan", the Darling family sings "When I Was A Lad". The 1969 film "Age of Consent" featured the song "Take a Pair of Sparkling Eyes" from "The Gondoliers". In the 1971 film "Whoever Slew Auntie Roo?", Shelley Winters as the title character sings the song just before she is murdered. In the 1988 drama "Permanent Record", a high school class performs "Pinafore". Judy Garland sings "I am the monarch of the sea" in the film, "I Could Go On Singing". In a number of films, a significant part of the

neg: Skyscraper (song) piano as she sings, "Skies are crying, I am watching catching teardrops in my hands/ Only silence, as it's ending, like we never had a chance". As the song progresses, the piano is accompanied by heavy percussion and breathy backing vocals. In the chorus, Lovato sings, "You can take everything I have/ You can break everything I am/ Like I'm made of glass, like I'm made of paper/ Go on and try and tear me down/ I will be rising from the ground like a skyscraper". In the second verse, Lovato "begins to find more strength". The song has a

neg: When I Get Thru with You I get through with you, you'll love me true, not Sue". French singer Françoise Hardy covered the song in 1965 as "Quel mal y a-t-il à ça?" When I Get Thru with You "When I Get Thru with You (You'll Love Me Too)" is a song written by Harlan Howard which became a hit for Patsy Cline in 1962. The song went to #10 on the country chart and #53 on the pop chart. Howard had previously co-written Cline's #1 hit "I Fall to Pieces". Cline sings about how she desperately wants a man that she really likes, the only

neg: Low (Kelly Clarkson song) second single. I knew it was a great song. I’m happy it saw the light of day." "Low" was written by Jimmy Harry and produced by Cliff Magness, who also arranged and engineered the track. The midtempo country-flavored track finds the singer reflecting on a broken relationship. "It's cool you didn't want me/ Sometimes you can't go back/ But why'd you have to go and make a mess like that?" she sings before asking in the chorus: "Have you ever been low? Have you ever had a friend that let you down so?". Harry has said that "Low" "was a

neg: See No More We’ve all been there and can relate. Towards the end of the song, during the bridge, Jonas sings, over a looped beat, “I used to be afraid of letting go / Right now I need you to set me free/ I can see it in your eyes” and “I don’t wanna see no more” as he still tries to expunge his brain from the memory of the one who has inflicted misery on his heart. Joe sings over scattered beeps, cinematic strings and a raspy R&B drumbeat - neatly side-stepping the feather-light pop-rock sound synonymous with his siblings." Sarah Maloy

neg: OK Go Time" Johnson in the Musicians Village. Johnson, who sings on "I Will Be Released," the final song on the EP, moved into his new home in December 2008. In support of the EP, OK Go and Bonearama played two benefit shows, one on Jan 11, 2008, at Tipitina's in New Orleans, and the other on February 2, 2008, at the 9:30 Club in Washington DC, which was streamed live by NPR and featured on a subsequent NPR podcast. On October 12, 2008, OK Go announced that the members had finished writing new songs for its third album and were in

neg: Side Effects (Mariah Carey song) that beauty/has to flourish in the light/wild horses run unbridled/or their spirit dies/you have given me the courage/to be all that I can/and I truly feel ...[sings] and I truly feel your heart will lead you back to me when you're ready to land.' At that point I really believed that I was going to go back to the marriage – I didn't think I was going to leave forever. But then the things that happened to me during that time caused me to not go back. Had it been, 'Go be yourself, you've been with me since you were

neg: I Won't Let Go (Rascal Flatts song) vague but said that the song was "beautifully executed", also praising Gary LeVox's voice. Matt Bjorke of Roughstock gave it four stars out of five, saying, "this ‘power ballad’ showcases off the better parts of Gary LeVox’s singing style as he sings the melody of the lyric in a soft, tender tenor that is often the best pocket of his voice and while he does some vocal runs throughout the song, he sings this song in a tone that suits him the best." Ben Foster of "The 1-to-10 Country Music Review" gave it five stars out of ten, saying, "their

neg: Holle Thee Maxwell UK. George Blaise described her as a "true queen of [the] Chicago blues scene" in an interview on his WICU-TV program "26 N. Halsted" on December 30, 2014. Maxwell sings in a wide range of genres, from opera to soul, jazz, rock, country, and blues. She sings in English, French, German, and Italian. "American Blues News" reported that her early influences included Shirley Temple, Mae West, Marian Anderson, Josephine Baker, and Dinah Shore. Blues singer Bobby Bland sang her song "Ain"t God Something" on his album "Come Fly with Me". In 1978, South African reviewer Roy Christie credited the success

neg: Please Don't Leave Me 20, peaking at 17. The song was featured in "Suburgatory". "Please Don't Leave Me" was co-written by Pink and Max Martin, who handled the production as well, for the track. It is one of four songs from the album produced by Max Martin, with the number one single "So What" being another of the four. The song is a mid-tempo track that details a love-hate relationship. Pink sings of someone having a bad effect on her, yet not being able to let go of the person. She insists during the chorus, "I always say how I don't need you, but

neg: Send My Love (To Your New Lover) and blessings for his new relationship, "Send my love to your new lover / Treat her better / We gotta let go of all our ghosts / We both know we ain't kids no more." Petrusich added that "[t]here's unrequited love, but then there’s love that changes shape; [...] This is the love that Adele sings of, the kind where there’s nothing left to do but resign." During an interview with "The Guardian", Adele referred to the track as a "fuck-you song" to an ex-boyfriend, whom she dated between the guy who inspired her "21" album, and husband Simon Konecki.

neg: Glitter (How I Met Your Mother) Robin reveals that she has been afraid that Lily will abandon her once she becomes pregnant like Jessica did, while Lily promises not to talk about babies so much. Jessica, who has come to the Hoser Hut as well, sings the Beaver Song from "Space Teens" and Robin joins her, rekindling their friendship. Meanwhile, Robin and Jessica's estrangement prompts Ted to contact his old high school friend Punchy, who appears in New York. Punchy's male bonding with Ted irks Barney, who tells Ted that Punchy has to go. When Ted tells Punchy that he has to go back to Cleveland,

neg: The Day Before I Met You You" is a pop love song with an acoustic guitar riff and "very low pitched" vocals in the verses. Lyrically, it is about Mauboy "not wanting to go back to a time before that special someone was in her life". During the chorus, she sings: "What did I do without you here / How did I breathe when you're my air / If I had a time machine I would never go back / to the day before I met you." Kirsten Maree of "Renowned for Sound" noted that the chorus has a "soft melody". According to Mauboy, "The Day

neg: No Better the seasons change". At the first verse, she sings "We roll in every summer when there's strength in our numbers / And your breath's hot and gross but I kiss you like a lover". During the chorus the bass beat becomes more intense as Lorde sings "Go all the way / Have your fun, have it all". Marc Hogan from "Spin" wrote that the song "flits between fairly vivid first-person details", while Whitney Phaneuf from HitFix labelled "No Better" a "sexy" track. Eric Danton of "Rolling Stone" opined that the lyrics of the song are "girlish and knowing". Writing for

neg: State observer \\ CA^{2}L & CAL & CL & \cdots & 0 \\ \vdots & \vdots & \vdots & \ddots \\ CA^{n-2}L & CA^{n-3}L & CA^{n-4}L & \cdots & 1 \end{bmatrix} \begin{bmatrix} \int\limits^t_{t-t_d} State observer In control theory, a state observer is a system that provides an estimate of the internal state of a given real system, from measurements of the input and output of the real system. It is typically computer-implemented, and provides the basis of many practical applications. Knowing the system state is necessary to solve many control theory problems; for example, stabilizing a system using state feedback. In most

neg: If I Should Die Tonight and claims that if he was to die tonight, he wouldn't die sad because of his knowledge of his love crush. The song was placed third on the set list of "Let's Get It On", quickly after the song "Please Stay (Once You Go Away)" ends. The song opens with orchestral string arrangements before Gaye begins singing. Like most of his songs on the album, Gaye sings two leads in the song. In an alternate version later released on the deluxe edition issue of "Let's Get It On", one of the leads sings the song without help from the other

neg: Bingo (folk song) dog leapt over the stile, his name was little Bingo. B with an I — I with an N, N with a G — G with an O; his name was little Bingo: B—I—N—G—O! His name was little Bingo. The farmer loved a cup of good ale, he called it rare good stingo, the farmer loved a cup of good ale, he called it rare good stingo. S—T with an I — I with an N, N with a G — G with an O; He called it rare good stingo: S—T—I—N—G—O! He called it rare good stingo And is

neg: I Wanna Go Robert Copsey of Digital Spy called it "anthemic" and noted the song would become a future single. Rich Juzwiak of "The Village Voice" called "I Wanna Go" the highlight of the album, and said "get ready for [it] to score your summer." However, Juzwiak went on to note that Spears' vocals are heavily manipulated to maximize the chorus's potential, even though "the joy she sings about is palpable." The "Chicago Sun-Times" journalist Thomas Conner also noted that the singer's vocals were processed to the point "these songs could be sung by anyone", exemplifying I Wanna Go' tweaks her up so

neg: A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission) Dylan song "Rainy Day Women No. 12 & 35". There is another potential Dylan reference in the line "I just discovered somebody's tapped my phone," possibly alluding to "Subterranean Homesick Blues" where Dylan sings that "the phone's tapped anyway." At the end of the 1966 recording Simon says, "Folk rock," and, after an audible noise, "I've lost my harmonica, Albert." This presumably refers to Dylan's manager, Albert Grossman. In the 1965 version, however, Simon sings, "When in London, do as I do: find yourself a friendly haiku... Go to sleep for ten or fifteen years." This could be a reference

neg: Fabolous second single was "Return of the Hustle" which featured Swizz Beatz, also came out before the album release, to some acclaim, but little airplay. His third single though, "Make Me Better," which features fellow Def Jam artist Ne-Yo, and is produced by Timbaland, was his biggest hit to date, spending 14 weeks at number one on the Hot Rap Track Billboard Chart. The fourth single was "Baby Don't Go." Jermaine Dupri produced it and T-Pain sings the hook. However, in music video version of the song, Jermaine Dupri sings the hook. This song also found success, reaching number four on

neg: 1000 Forms of Fear slipknot / Tied by a juicehead who just took his T-shot." "Eye of the Needle" is a "military-march" piano ballad, while "Hostage" is a new wave pop and ska track that features Sia's voice "cracking like a punk singer." The sixth song, "Straight for the Knife", is instrumented by strings and lyrically details a tempestuous relationship: "But will someone find me swinging from the rafters / I’m hanging on your every word." "Fair Game", where Sia sings "Watch me squirm baby, but you're just what I need," is a minimalist and string-laden song about the desire to find an equal

neg: FML (song) on the second round of Weeknd's hook. "FML" is titled to stand for both 'For my lady' and 'Fuck my life up', since West raps in the first verse: "I been waiting for a minute/For my, lady" and Weeknd sings on the chorus: "I wish I would go ahead and fuck my life up/Can't let them get to me/And even though I always fuck my life up/Only I can mention me". West mentions the antidepressant drug Lexapro in reference to his issues with mental health, a subject West mostly touched on in the song "I Feel Like That" from the

neg: Used to Love You a record out where I’m actually going through things in real time. [But t]his is like, I wrote that song like a couple weeks ago." According to Daniel Kreps of "Rolling Stone" that could be seen in the lines of the chorus, "I don't know why I cry / But I think it's cause I remember for the first time / Since I hated you / That I used to love you." In other poignant lyrics, she sings, "I guess nobody taught you, nobody taught you how to love." Kreps further compared the lyrical content of "Used to Love You"

neg: As Tears Go By (song) blues standards. A story surrounding the song's genesis has it that Rolling Stones manager Andrew Loog Oldham locked Jagger and Richards in a kitchen in order to force them to write a song together, even suggesting what type of song he wanted: "I want a song with brick walls all around it, high windows and no sex." The result was initially named "As Time Goes By", the title of the song Dooley Wilson sings in the film "Casablanca". It was Oldham who replaced "Time" with "Tears". We thought, what a terrible piece of tripe. We came out and played it

neg: Good Enough (Evanescence song) the key of F minor, while Lee's vocals for the song range from the musical note of G to the note of E. The song contains strings, piano and Amy Lee's vocals as the main instrumentation. In "Good Enough", Lee "talks about the rapturous hold of something bigger than herself" in the text "Shouldn't have let you torture me so sweetly … / Shouldn't have let you conquer me completely / Now I can't let go of this dream / Can't believe that I feel / Good enough for you." In the song she also sings the lines "I'm still

neg: You and Me Both the album was over the song "Happy People", which she refused to sing. She told "The Quietus" in 2011, "There are just some places you can't go, I tried singing that song a couple of times but I couldn't genuinely bring anything to it so I wouldn't do it. But that's the only time I ever refused a song." As a result, Clarke ended up singing on the track, the only Yazoo song on which he sings lead vocals. Clarke said that "Happy People" was written about the Liberal Party of which his mother had just become a member, but

neg: Stagecoach (1966 film) 2½ stars (out of 4), describing it as a "[C]olorful, star-studded Western" which "is OK, but can't hold a candle to the 1939 masterpiece". Maltin also calls it "[O]verlong" and notes that "Wayne Newton sings the title song!". "Steven H. Scheuer's Movies on TV" (1972–73 edition) also granted 2½ stars (out of 4), characterizing it "[A]n all-star remake of the classic" and evaluating that "[T]he Ford version was better, but the action is still pretty good the second time around". A later edition (1986–87) shortened the capsule review to "[A]n all-star…" and "[A]ction is still pretty good…". A still later

neg: Girl Who Got Away twirling in a slow dance through electronic caresses and the subtlest touches of strings. In the chorus, she sings, "I wanna move with the seasons/And go with the flow". Dido finds guests to keep her current, like Kendrick Lamar, whose vociferous rap tears through the conciliatory "Let Us Move On", a spooked trip hop song. The looping intro and muted snares on "Blackbird" are leveled off by her detached vocal and reassuringly familiar lyrics about the darker side of love ("Why do I bring you love, when all you give me back is pain?", she sings). While "End of Night",

neg: I Love U (Tila Tequila song) electric guitar riff and utilizes strong elements of hip hop music such as 808 bass, claps and hi-hats. Lyrically, the song is about a dominant female. In the chorus, Tequila sings "You better go down when you get with me / You better realize that I'm what you need / You better get here before I count to three / You better do right, I'll fuck you up". I Love U (Tila Tequila song) "I Love U" is a song recorded by American recording artist Tila Tequila. It was written by Tequila, Craig Love and Jonathan Smith. The song was

neg: Wet the Bed begins with keys laced over a beat of dripping sound effects. It also makes use of acoustic guitar. According to Brad Wete from "Entertainment Weekly", the song "rival[s] the bump-'n'-grind heights of '90s Casanova crew Jodeci." Ludacris opens the song proclaiming: "Hear the sound of your body drip, drip, drip / As I kiss both sexy lip, lip, lips." Using "blatant sexual metaphors", Brown then sings: "I ain't afraid to drown, if that means I deep up in your ocean yeah / Girl I'll drink you down, sipping on your body all night." Brown and Ludacris performed the song live

neg: Tropic Island Hum "Tuesday". The film tells the story of Wirral the Squirrel, who was almost killed by soldiers. Froggo helped him and took him to another place he would go. He couldn't go back there again! But then, he finds a tropical island. Bison is the chief of that island, and Wirral's new love crush is Wilhelmina. Then, all 3 of them (except Wilhelmina) get cleaned up and that night, they perform the theme song to the island. Bison sings the first part of the song. A parrot gets banged on the bass drum and is dizzy. Later, an alligator sings. Right

neg: Tom T. Hall despite never having been a hit in the UK and being familiar to Radio 2 listeners mostly through occasional plays by DJ Terry Wogan. His song ""I Love"", in which the narrator lists the things in life that he loves, was used, with altered lyrics, in a popular 2003 TV commercial for Coors Light, and also used in 2014 in a TV advert for Clipper Teas. On July 3, 2007, he released the CD "Tom T. Hall Sings Miss Dixie & Tom T." on his independent bluegrass label Blue Circle Records. On June 1, 2014, "Rolling Stone" magazine ranked "(Old

neg: This Lullaby may go" "I will let you down" "But this lullaby plays on..." Note: When Truth Squad does a cover of "This Lullaby", Dexter sings the 6th line as ""Even if I let you down" "instead. This Lullaby This Lullaby (2002) is a young adult novel written by Sarah Dessen. Remy is an eighteen-year-old who is about to leave for college. Her father, a musician, wrote his one and only hit song the day she was born. The song, called "This Lullaby," became extremely popular, but he died soon after its release. Now, Remy's mother is getting married for the fifth

neg: With You (Mariah Carey song) her 1998 single "Breakdown" featuring Bone Thugs-n-Harmony, as she sings "Ever since that Bone Thugs song, you ain't gotta break down, you're too strong". Some critics thought that the song was reminiscent of Carey's earlier work including the songs: "I Stay in Love", "Bye Bye", and "Angels Cry", and lauded the singer for being "one of the few pop/R&B stars to have consistently and overtly woven her life into her songs in the confessional manner of the more rootsy (and white) prototypical singer-songwriter image". The song is performed in the key of A major with a tempo of 74 beats

neg: Wild Heart (Mindi Abair album) FL and Skip Saylor Studios in Northridge, CA. The album features several guest musicians, including Max Weinberg, Gregg Allman, Booker T. Jones, Keb' Mo', Joe Perry and Trombone Shorty. Wild Heart saw Abair stepping away from her traditional smooth jazz style, for a more rock n roll influenced sound. Wild Heart received mostly positive reviews from critics, who often commented on the different sound of the album. James Woods of AXS said "Wild Heart’s roots actually go back to when Abair found herself “moonlighting”—performing a lot of rock and roll, blues and organic music. So it should come as no

neg: I Know You Rider then added a number of verses from other sources and named it "Woman Blue". The music and melody are similar to Lucille Bogan's "B.D. Woman Blues" (ca. 1935), although the lyrics are completely different. In the mid-1950s, traditional musician Bob Coltman found the song in the Lomax book, arranged it and began singing it frequently around Philadelphia and New England circa 1957-1960. In 1959, Coltman taught it to Tossi Aaron who recorded it in 1960 for her LP "Tossi Sings Folk Songs & Ballads" on Prestige International. Joan Baez recorded a version for her 1960 debut album on Vanguard Records

neg: One After 909 perhaps more reminiscent of early American rock 'n' roll than any of the other songs from the rooftop show, and as a joke for the rooftop chatter, Lennon sings a variant on the opening line of "Danny Boy" after the song is finished. In his 1980 "Playboy" interview Lennon explained, "That was something I wrote when I was about seventeen. I lived at 9 Newcastle Road. I was born on the ninth of October, the ninth month. It's just a number that follows me around, but, numerologically, apparently I'm a number six or a three or something, but it's all

neg: Here We Go Again (Demi Lovato album) usual pop rock sound into more prominent power pop and synthpop with "a bit of techno". In the song, she reminisces a winter romance: "I remember us together / With a promise of forever." The twelfth and final track "Everything You're Not" was co-written by Toby Gad, Lindy Robbins and Lovato. The lyrics chronicle self-respect as Lovato sings "I want a gentleman who treats me like a queen/I need respect, I need love/Nothing in between." The first bonus track of the album, "Gift of a Friend", was co-written and produced by Adam Watts and Andy Dodd. The song is about

neg: One of the Boys (Katy Perry album) Bill Lamb. The track features instrumentation provided by drums, guitars and bass. The song sparked controversy for its homosexual themes. The album's third song is "Waking Up In Vegas", the song has been described as a power pop and pop rock song. The song deals with trips with friends to Las Vegas. "Thinking of You" is the first ballad of the album. It is a downtempo pop rock song, as the singer reflects on settling for the second best: "You said move on, where do I go?"/"I guess second best, it is all I will know", she sings. Reviewing the

neg: Sinatra Sings of Love and Things Sinatra Sings of Love and Things Sinatra Sings... of Love and Things is an album by Frank Sinatra, released in 1962. This is the fifth compilation of Capitol singles and B-sides. All songs are available in the box set "The Complete Capitol Singles Collection", except "I Gotta Right to Sing the Blues," the final song Sinatra recorded for Capitol (which appears as a bonus track on the CD reissue of "Come Swing with Me!") and "The Nearness of You," which appears as a bonus track on the CD reissue of "Nice 'n' Easy" (It was recorded at those sessions.) It

neg: K–Ca dating K decay leads to significantly greater Ca enrichment than any other isotope. The decay constant for the decay to Ca is denoted as λ and equals 4.962 × 10 yr; the decay constant to Ar is denoted as λ and equals 5.81 × 10 yr. "The general equation for the decay time of a radioactive nucleus that decays to a single product is:" Where λ is the decay constant, t is the half-life, N is the initial concentration of the parent isotope, and N is the final concentration of the parent isotope. "Similarly, the equation for the decay time of

neg: Projectivism degree of belief of 0.8 in the proposition that his dog stole the sausages. For each person A, we can define a (partial) function CA mapping the set of propositions to the closed interval [0, 1] by stipulating that for a proposition P CA(P)=t if and only if C has a degree of belief t in the proposition P. Ramsey and de Finetti independently attempted to show that if A is rational, CA is a probability function: that is, CA satisfies the standard (Kolmogorov) probability axioms. They supposed that when I describe an event as having probability P I am

neg: Skin (Rihanna song) "restrained" and "controlled". Throughout the song, Rihanna sounds "suspenseful" and "sultry" as she sings the lyrics "I got secrets that I wanna show you". Thomas Conner of "Chicago Sun-Times" wrote that the singer "teases her man" and "lets him at her" as she sings the line "You've waited long enough" before instructing "Don't hold back/you know I like it rough". Of the multiple music critics who commented on the song, the majority praised "Skins musical structure and Rihanna's vocal performance. Apart from writing about the song's composition, Daw called the ballad "smoldering" and compared the last minute of the song

neg: Bookends (album) bless her, and heaven will welcome her. The song includes a famous reference to athlete Joe DiMaggio of the New York Yankees, one of Simon's favorite baseball teams. It also features an explicit homage to the Beatles, with Simon uttering the meaningless phrase "coo-coo-ca-choo" that John Lennon sings in "I Am the Walrus". "A Hazy Shade of Winter" is an older track that dates back to Simon's days in England in 1965. The song follows a hopeless poet, with "manuscripts of unpublished rhyme", unsure of his achievements in life. In sharp contrast, the whimsical, Orwellian "At the Zoo" both concludes

neg: Sins of My Father (song) is about being a "tortured soul" in a "volatile" relationship. Trent Fitzgerald of PopCrush hinted at Foster to be the bases of the song. The narrator "believes that his bad relationship is karma for his father being a rolling stone." "Sins of My Father" begins with Usher gasping "My sons, Keep them ... please forgive me." Unterberger of Popdust concluded that the track gets more intense, as Usher sings in the song’s opening verse: "I think this woman went and put a hex on me / Oh now, why’d I let her go and put that sex on me?". The

neg: I Love Rock 'n' Roll Jerkins' hip-hop blaspheming of Joan Jett's "I Love Rock 'n' Roll" doesn't go as far as it should (is a Limp Bizkit remix in its future?), but it certainly beats what her earlier studio architects did to those Sonny and Cher ("The Beat Goes On" on "...Baby One More Time") and Stones ("(I Can't Get No) Satisfaction" on "Oops!... I Did It Again") songs." Another positive reception came from PopMatters's editor Nikki Tranter, who enjoyed that the song is "different from the average run-of-the-mill pop offering," and praised that "she does strange justice to the tune, vamping up her vocals

neg: Connie Smith Sings Her Hits Chart in 1974). "Allmusic" album reviewer Thom Jurek stated that with each song Smith carried "the countrypolitan style as far as it would go." The material recorded under the label was mainly recorded in the popular countrypolitan style. The album also included two cover versions of songs originally recorded by The Everly Brothers: "(Till) I Kissed You" and "So Sad (To Watch Good Love Go Bad)", both of which were singles by Smith. An up-tempo version of Hank Williams's "Why Don't You Love Me" is also included. "Connie Smith Sings Her Hits" was reviewed by "Allmusic", which gave it three

neg: I Don't Wanna Know Why the Caged Bird Sings episodes he enjoyed this season, the other being "Midnight Towboy". I Don't Wanna Know Why the Caged Bird Sings "I Don't Wanna Know Why the Caged Bird Sings" is the fourth episode of "The Simpsons"<nowiki>'</nowiki> nineteenth season. It first aired on the Fox network in the United States on October 14, 2007. For the second time in the series, Marge helps a prison assailant. Marge meets Dwight (Steve Buscemi), a man who attempts to rob the bank the two are in. Marge promises that she would visit him in prison, should he turn himself in, but too frightened to go

neg: I Don't Wanna Know Why the Caged Bird Sings I Don't Wanna Know Why the Caged Bird Sings "I Don't Wanna Know Why the Caged Bird Sings" is the fourth episode of "The Simpsons"<nowiki>'</nowiki> nineteenth season. It first aired on the Fox network in the United States on October 14, 2007. For the second time in the series, Marge helps a prison assailant. Marge meets Dwight (Steve Buscemi), a man who attempts to rob the bank the two are in. Marge promises that she would visit him in prison, should he turn himself in, but too frightened to go into the prison, she breaks her promise. It was written

neg: Homer Goes to College in the same college dormitory as O'Brien. The Fox Network executives had wanted the season premiere to be "Homer Goes to College" because it was an "Animal House" parody. However, the writers felt that "Homer's Barbershop Quartet" would be a better episode because of George Harrison's involvement. During the episode, Homer sings "I am so smart! S-M-R-T... I mean S-M-A-R-T!" while he lights his high school diploma (and the house) on fire. During the recording session, Dan Castellaneta was singing the song and accidentally misspelled "smart". The writers decided that it was much funnier that way, because it seemed like

neg: Don't Go Away Although "Don't Go Away" appears for the first time in 1997, its origins date back to 1993, when Oasis spent time with The Real People at their studio in Liverpool. "Don't Go Away" was included in a batch of songs written under the wing of the Griffiths brothers (which also included "Columbia", "Rock 'n' Roll Star", "Rockin' Chair" and others). Liam Gallagher claims to have cried whilst recording the song, as a result of dwelling on "a certain thing". He said, in a 1997 interview, "I just thought 'fuck that, I can't be singing this song' and I had to

neg: Pretty Girl Bullshit By the middle of the song, he is explicitly dismissive of his partner's "pretty girl bull" and sings "...if you wanna go, walk right out that door...If you wanna leave, it's okay with me...Matter of fact I'm begging please." All three artists add various phrases "ad libitum", particularly in the last two choruses. In a generally good review of "Hurt No More", a reviewer for Allmusic spoke negatively about this song saying: Winans doesn't wear the few occurrences of harder-edged material so well -- "Pretty Girl Bullsh*t," featuring an ill-matched verse from Foxy Brown, is particularly out of character and

neg: Original songs in Smash a song of theirs used in Veronica Moore's concert, as explained below for I Can't Let Go. They have been going through a list of songs for Tom and Karen, and Karen sings a portion of this song, which is a ballad. Tom rejects it as not right for Veronica. It has been confirmed by Jeremy Jordan that the song does not exist in full, and that the snippet heard in the episode is all that was written. "Cut, Print...Moving On" is an original song introduced in the first episode of the second season of the musical TV series "Smash",

neg: I Know You (Skylar Grey song) lover to let go of his past and just be chill". In a non-favorable review, Kenneth Partridge for "Billboard" said the song is "fairly lackluster" for a "torch song". Emilee Lindner of MTV stated "Grey sings sweetly and achingly for her lover to fully commit, telling him “I know you, baby.” It’s as if they’ve been through it all before and she just wants to be in love without complications". In its day of release, "I Know You" reached the top spot on the American, Canadian and Mexican iTunes charts. The following day, the song reached the top in 10

neg: Jealous (Beyoncé song) strong, independent woman, and the fulfillment that comes with love and marriage". Finney wrote that during the beginning of the song, Beyoncé seemed excited about her role as a wife in the kitchen, but afterwards as the events go wrong and she is left alone, the same role feels oppressive.The singer continues singing lines about jealousy and realizes her partner will not come: "I wish you were me/ So you could feel this feeling/ I never broke one promise, and I know when you're not honest." After the chorus, Beyoncé sings the lines "Sometimes I want to walk in your

neg: Last Night (Good Charlotte song) the singer still says it might have been the time of his life. In the chorus, he sings: "Last night, can't remember / What happened? Where'd we go? / I woke up this morning / Where's my car? Where's my keys? Where's my clothes? / I feel my head still spinning but I'm doing alright / Cause I think I just had the best night of my life." Sputnikmusic's reviewer said that: "Last Night” begins with some fuzzy “bleeps and bloops” that have no impact on the song and proceed to continue intermittently throughout the background of the track’s remaining

neg: Destiny Fulfilled sings about sleeping in bed with their man's T-shirt, "craving his presence, and inhailing his scent". "Is She the Reason" is an R&B ballad which was noted to have a similar chord progression to materials by The Beatles, which lyrically speaks on being in competition with another woman for her mans love & attention. It contains a trumpet-laden sample from Melba Moore's song "I Don't Know No One Else to Turn To". The next song, "Girl" was noted for its Motown influence and a theme talking about friendship. "If", complete with strings, lyrically talks about men who don't appreciate their

neg: Rock n Roll (Avril Lavigne song) "middle finger to the sky" to "let 'em know that she's still rock and roll," promising "she’ll never cover up her tattoo and revealing that she prefers her jeans ripped." "I don't care if I'm a misfit, I like it better than the hipster bulls**t," she admits on the opening of the song, over bouncy, cheerleader-esque stomps. In the chorus, Lavigne declares, "When it’s you and me, we don’t need no one to tell us who to be / We keep turning up the radio / When it’s you and I, just put up our middle finger to the sky

neg: Flatline (Mutya Keisha Siobhan song) members' vocal ranges go from the notes of G to E. Lyrically, the song addresses the deterioration of a relationship, which is more visible on the song's chorus, where the trio sings "I can feel a flatline, that ought to be a wave". It commences with a "noodly" guitar riff, set against a 90s-inspired piano-driven R&B melodies and "bubbling" 80s pop beats, which is reminiscent of the production found in American recording artist Solange Knowles' extended play "True"—which, much like "Flatline", was produced entirely by Hynes. Siobhán Donaghy sings the first verse of the track, being followed by Keisha Buchanan,

neg: White Night (album) Michael Jackson and Usher, is a "impassioned after-hours early mid tempo track", "featuring smooth early 90s rhythms", while Taeyang sings with a "a go-weak-in-the-knees falsetto." The nu-disco song, "Amazin'", was described as a "slow-burner of a club banger" with a Weeknd production style. Lyrically, the song narrates that "a ex has attempted to resurface in his life", but the singer "is firm and resolute in not allowing her to invade his mind and heart as she did previously." The following "Empty Road" is an acoustic soft rock number, where Taeyang sings with "vulnerability" the lyrics "Because I miss you so

neg: Underwater World (song) magazine "Soundi": "What could i say about it? It's a cool song, it swings. I don't want to say anything about the lyrics. Everybody can have their own interpretation". Later the band Guns N' Roses took the title of their hit song, "Welcome to the Jungle" from "Underwater World's" chorus where Michael Monroe sings: "Welcome to the ocean. Welcome to the sea. Welcome to the jungle. Deep inside of me.". The song "Shakes" was recorded in the same sessions as the whole "Two Steps From The Move" album and was produced by the album's producer Bob Ezrin. The song was

neg: Walk Away (Christina Aguilera song) still can't let go?" are spoken by Aguilera. In the first verse, she sings, "Your love was like candy/ Artificially sweet, I was deceived by your wrapping". The track was described as a non-sense song by Amanda Murray for Sputnikmusic. Upon its release, "Walk Away" received mainly positive reviews from contemporary music critics. "Slant Magazine" editor Sal Cinquemani chose "Walk Away" as one of the stand-out ballads from "Stripped". Jancee Dunn from "Rolling Stone" called it "sophisticated fare" and a "torchy can't-let-go number". Doug Elfman for the "Las Vegas Review-Journal" labelled it "gorgeous", while Amanda Murray from Sputnikmusic wrote that

neg: Frank the Pug investigate, but Agent J informs him that he had neuralyzed Agent T. Frank then volunteers to be J's new partner. Frank, now known as "Agent F" and wearing an MIB uniform, soon becomes a nuisance to J as he doesn't feel he needs a partner and Frank never stops talking. Frank sings a few lines of "I Will Survive" by Gloria Gaynor as he rides with J to the scene of the crime (Tim Blaney as Frank sings the song, slightly altered, in its entirety on the film's soundtrack). When the two agents arrive, he notices the "suit" that the

neg: C'Mon (Kesha song) Kesha sings: "Saw you leaning against that old record machine/ Saw the name of your band written on the marquee/ It's a full moon tonight so we gettin' rowdy/ Yeah, we gettin' rowdy, get-get-gettin' rowdy." The refrain is sung with the lyrics: "C'mon 'cause I know what I like/ And you're looking just like my type/ Let's go for it just for tonight/ C'mon, c'mon, c'mon/ Now don't even try to deny/ We're both going home satisfied/ Let's go for it just for tonight/ C'mon, c'mon, c'mon". According to the sheet music published at Musicnotes.com, "C'Mon" is written in the

neg: Talk a Good Game a "snaky but sweet" production from T-Minus Rowland sings "I don’t think I can take another broken promise / Why do things the hard way when you can just be honest". Hampp said that Cossom's rap gave the song a "street edge". It takes the listener on an emotional journey according to "The Honesty Hour". The next song, "Down on Love", is a midtempo production featuring another classic sample, this time the 1987 song "Rock Steady" by American R&B group The Whispers. Using her mezzo-soprano vocals, Rowland takes on a downtrodden romantic situation, "We want two different things at two

neg: Wherever I Go (song) funk-driven rhythm, marking a new style for the band. Explaining why it was important the lead single be different from the rest of the new album, Ryan Tedder said, "It's not indicative of the entire album but it's kind of like if you go have dinner, you don't order steak for an appetizer and steak for dinner. You split it up, and you have different things. So the first single... it's definitely an appetizer, I think it's the best appetizer we could come up with." Tedder sings here of not being able to find a love to match one that

neg: Trip distribution = 3, "t" = 4, etc., to "t" = "n". The first technique developed to model zonal interchange involves a model such as this: where: Zone "i" generates "T" trips; how many will go to zone "j"? That depends on the attractiveness of "j" compared to the attractiveness of all places; attractiveness is tempered by the distance a zone is from zone "i". We compute the fraction comparing "j" to all places and multiply "T" by it. The rule is often of a gravity form: where: But in the zonal interchange mode, we use numbers related to trip origins ("T")

neg: Ride (Lana Del Rey song) In the song, Del Rey sings over a string-drenched, piano-driven melody produced by Rick Rubin. Lyrically, the song was written by Del Rey and Justin Parker, who co-wrote almost every song on Del Rey's debut album, "Born to Die". In the song, Del Rey sings lines such as, "I'm tired of feeling like I'm fucking crazy" and "Been trying' hard not to get into trouble/But I, I've got a war in my mind... so I just ride". The song opens with an audible inhalation, before Del Rey gushes out, "I've been out on that open road". The recording features mild

neg: I Care (Beyoncé song) dress. Later, the guitarist in her all-female band comes next to her and performs a guitar solo while Beyoncé sings the bridge. Kenneth Partridge of "The Boombox" praised the performance writing that "the R&B megastar is all growls and snarling glances". He further stated that she looked like "a triumphant rock 'n' roll goddess" while performing "I Care". A writer of "The Huffington Post" praised the performance writing that "'I Care'... showcases an impressive amount of Beyonce-ness. As she belts the lyrics 'You see these tears falling down to my ears/ I swear you like when I'm in pain/ I

neg: I Write the Songs the song "I'll Never Go". Manilow performed a parody duet entitled "I Write the Songs/I Wreck the Songs" with Rosie O'Donnell on her talk show on April 18, 1997. Manilow performed another shortened version of this song with Stephen Colbert when he was a guest on "The Colbert Report" on October 30, 2006. After his version reached number one, Manilow himself composed a novelty song based on this song which he recorded under the title "I really do write the songs" in which he sings about how he composes each part of a song and the line "sometimes I really

neg: Untouchable (Girls Aloud song) number of instrumental solos. Nadine Coyle sings a middle 8 ("Without any meaning, we're just skin and bone...") as the music drops out. The song builds back up and concludes with a final chorus. Sarah Harding described the song as "so Nineties, a proper pop dance song. It’s got that trancy, chilled Ibiza feel. [...] I get lost in the music at the beginning and then it builds and builds and builds. You just want to go mental." The "emotional twangy guitar noise" heard in the song was the result of Xenomania musician Jason Resch responding to Higgins' request for

neg: Upstairs, Downstairs (1971 TV series) day out together, and Hudson goes so far as to offer a song on the vaudeville stage, but their enjoyment is curtailed by the announcement that Britain is about to go to war with Germany. Hudson sings "Rule Britannia" instead. James serves in World War I, is seriously injured in a trench battle and brought home, amid much difficulty, to recover. He is nursed by his step-cousin Georgina, who now volunteers as a VAD Nurse and serves in France during the war. Georgina and James develop a close understanding and affection during the war but do not go so far

neg: Stable range condition stable range condition "SR"...") Less commonly, one has the notion of the stable range of an ideal "I" in a ring "R". The stable range of the pair ("R","I") is the smallest integer "n" such that for any elements "v", ... , "v" in "R" that generate the unit ideal "and" satisfy "v" 1 mod "I" and "v" 0 mod "I" for 0 ≤ "i" ≤ "n"-1, there exist "t", ... , "t" in "R" such that "v" - "v""t" for 1 ≤ "i" ≤ "n" also generate the unit ideal. As above, in this case we say that ("R","I")

neg: This Is Me... Then "South Bronx". "The Age" wrote that the song intones Lopez's "modest childhood roots, vowing she wishes to remain simple despite her diamonds", while MTV said that she finds "the middle ground between Hollywood A-Lister and Big Apple B-Girl" on the "club-banging" song. In the ballad "Again", Lopez considers finding love again; "I was scared to let go and trust your love," she sings in the second verse. The theme of Lopez's relationship with Affleck is also evident in the vintage-sounding mid-tempo song "Baby I Love U!", which features a guitar and piano instrumentation that includes a "haunting" interpolation from the