query: who wrote baby now that i found you

pos: Baby Now That I've Found You Baby Now That I've Found You "Baby, Now That I've Found You" is a song written by Tony Macaulay and John MacLeod. Part of the song was written in the same bar of a Soho tavern where Karl Marx is supposed to have written "Das Kapital". The lyrics are a plea that an unnamed subject not break up with the singer. In 1967, The Foundations released it as their début single. After receiving airplay on the newly-launched BBC Radio 1, it took off and by November it was number one in the British charts. It met with great success, becoming

pos: Baby Now That I've Found You album "MYMP Live at the Music Museum". South American artist has also recorded a version which appears on his "Songs 4 U" album. The Foundations' recording of the song appeared on the soundtrack to the film "Shallow Hal". The Alison Krauss version was featured in the 1997 Australian comedy, "The Castle". Her rendition was also featured in the end credits of the 2001 film "Delivering Milo". Baby Now That I've Found You "Baby, Now That I've Found You" is a song written by Tony Macaulay and John MacLeod. Part of the song was written in the same bar of a

pos: Clem Curtis both sang separately as well as doing some duets. The group emerged in January 1967 with Curtis as their lead singer. The Foundations would go on to have worldwide hits with "Baby Now That I've Found You" and "Build Me Up Buttercup". Curtis is the lead voice on their hits "Baby Now That I've Found You", "Back on My Feet Again", and "Any Old Time (You're Lonely and Sad)". After having found success with The Foundations, two hit singles and releasing two albums, some problems started with their songwriter producer Tony Macaulay as well within the group. Curtis felt that

pos: John Macleod (songwriter) In the 1960s and early 1970s, Macleod co-wrote songs with Tony Macaulay. They had major success with The Foundations, when they recorded "Baby Now That I've Found You", and it topped the UK Singles Chart in November 1967. This was followed by Long John Baldry's "Let the Heartaches Begin", Paper Dolls' "Something Here in My Heart (Keeps A Tellin' Me No)" and Pickettywitch's "That Same Old Feeling". The full list of songs that Macleod wrote with Macaulay are: In the early 1970s, Macleod presented a series of easy listening instrumental albums comprising cover versions of chart hits, on the Pye

neg: Bert Williams matter of race prejudice. But if it were prejudice a baby would have it, and you will never find it in a baby... I have notice that this "race prejudice" is not to be found in people who are sure enough of their position to defy it." In a letter to a friend, Williams described some of the segregation and abuse he'd experienced, adding, "When ultimate changes come... I wonder if the new human beings will believe such persons as I am writing you about actually lived?" Even so, in 1914, a perceptive critic for the Chicago Defender wrote, "Every

neg: The Water-Babies, A Fairy Tale for a Land Baby could never make sure about that Water Baby." "I have seen Babies in water and Babies in bottles; the Baby in the water was not in a bottle and the Baby in the bottle was not in water. My friend who wrote the story of the Water Baby was a very kind man and very clever. Perhaps he thought I could see as much in the water as he did – There are some people who see a great deal and some who see very little in the same things." "When you grow up I dare say you will be

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: The Divine Conspiracy parts, Simons commented: "You can believe whatever you want to if it gives you strength, but you should not oblige others to believe the same thing and all the suicides commands, the honor killings, all that stuff, it gives me goose bumps even right now." Later on, she exemplifies with the songs "Living a Lie" and "Death of a Dream": "I wrote about a Christian couple who were pregnant, who had a baby which died at birth. That's "Living a Lie". "Death of a Dream" is about the position of women in the Islam society, that they are not equal

neg: Somewhere in the Real World think this album represents me finally. When I listen to "Absolutely Everybody" and "Shine" now, I sound like a baby, because I was a baby. "Somewhere in the Real World" represents who I am now and I believe it’s still recognisable. You can’t change your soul, but I have matured and have had life experiences that brought out these songs.<br> I took a long time making sure that every song on the album meant something to me. I wanted it to be one of those albums you buy, where you listen to it from the beginning to the end and

neg: Ooh Baby (You Know That I Love You) Ooh Baby (You Know That I Love You) "Ooh Baby (You Know That I Love You)" is a song by English musician George Harrison, released in 1975 on his album "Extra Texture (Read All About It)". Harrison wrote the composition as a tribute to American singer Smokey Robinson, whom he often identified as one of his favourite vocalists and songwriters. The song was intended as a companion piece to Robinson's 1965 hit with the Miracles, "Ooo Baby Baby", and its inclusion on "Extra Texture" contributed to that album's standing as Harrison's soul music album. His impersonation of Robinson's celebrated vocal

neg: What You Don't Know (Exposé album) Think" and "Now That I Found You"), Jeanette Jurado on three ("When I Looked at Him," "Still Hung Up on You," and "Your Baby Never Looked Good in Blue"). Five singles were released from this album. "What You Don't Know", "When I Looked at Him" and "Tell Me Why" all peaked within the top 10 of the "Billboard" Hot 100, at #8, #10, and #9, respectively. "Your Baby Never Looked Good In Blue" peaked within the top 20 at #17. "Stop, Listen, Look, & Think" was released solely to dance clubs and as a 12-inch single. Singles - Billboard (North

neg: Since I Met You Baby (song) Honeybears, and Johnny "Guitar" Watson. Since I Met You Baby (song) "Since I Met You Baby" is an American rhythm and blues song written and recorded by pianist Ivory Joe Hunter. The song, which Hunter recorded in 1956, became an American standard, and saw renewed popularity in 1969 when country music artist Sonny James released his hit version. Hunter had already tasted major success with popular and rhythm and blues audiences with songs such as "I Almost Lost My Mind". He moved to Atlantic Records by 1954, and around that time wrote "Since I Met You Baby." The song, a

neg: Since I Met You Baby (song) Since I Met You Baby (song) "Since I Met You Baby" is an American rhythm and blues song written and recorded by pianist Ivory Joe Hunter. The song, which Hunter recorded in 1956, became an American standard, and saw renewed popularity in 1969 when country music artist Sonny James released his hit version. Hunter had already tasted major success with popular and rhythm and blues audiences with songs such as "I Almost Lost My Mind". He moved to Atlantic Records by 1954, and around that time wrote "Since I Met You Baby." The song, a 12-bar blues, was described by

neg: Ooh Baby (You Know That I Love You) "fails simply because he isn't much of a melodist". Neil Spencer of the "NME" wrote of "Ooh Baby": "the vocals try unsuccessfully to capture some kind of intimacy of soft soul. All form, no content, and you can't whistle it." Writing more recently, for Rough Guides, Chris Ingham pairs the song with "Can't Stop Thinking About You" as two examples of Harrison's "threadbare" compositions on "Extra Texture" and the "slick playing" found throughout the album. In a 2002 article on Harrison's solo career, for "Goldmine" magazine, Dave Thompson described the collection as "patchy" but listed "the contemplative (if somewhat Wings-ish)

neg: Ooh Baby (You Know That I Love You) synth-soul tribute" and "perhaps the best song" on the album. Joe Marchese of The Second Disc describes it and "Can't Stop Thinking About You" as two tracks that "happily reflected [Harrison's] newfound bliss with Olivia".<ref name="Marchese/Review">Joe Marchese, "Review: The George Harrison Remasters – 'The Apple Years 1968–1975'", The Second Disc, 23 September 2014 (retrieved 10 October 2014).</ref> Ooh Baby (You Know That I Love You) "Ooh Baby (You Know That I Love You)" is a song by English musician George Harrison, released in 1975 on his album "Extra Texture (Read All About It)". Harrison wrote the composition as a tribute

neg: Baby It's You (film) release: "I went to high school for a while, but my experiences were shitty. Somebody asked me how I prepared for that role. I put on those knee socks and that skirt and - I don't know. I just felt her." In July 2008, "Baby It's You" was released on DVD. Film critic Janet Maslin discussed the music in the film and wrote, "Music is a major part of "Baby, It's You," as the title may indicate. The score consists of rock songs that more or less correspond to the time, although Sheik's entrances are accompanied by Bruce Springsteen songs;

neg: Yashwantrao Holkar self-seekers. You wrote to me that you were coming for my support, but you did not make your promise good. If you had advanced into Bengal as was planned, we could have paralyzed the British Government. It is no use of now talking of past things. When I found myself abandoned on all sides, I accepted the offer which the British agents brought to me and concluded the war." Maharaja Yashwantrao Holkar again tried to unite the Maratha Confederacy and wrote to Daulatrao Scindia about this. However, Scindia gave the information about this letter to British resident Marsor, who appraised

neg: Things Fall Apart (Ugly Betty) the country and I want you and the baby to come with me." He confesses that he hates Daniel for taking Molly from him, but that he loves Willy now, not Molly. "When I found out about them, I came up with a plan to steal everything... I found a way to take all of their money and I want to give it to you. We could work for these people for the rest of our lives or we could be happy together." He's chartered a private jet that's leaving tonight and he wants her to be on it. Wilhelmina

neg: Lying to the Moon Lying to the Moon Lying to the Moon is the debut album of American country music singer Matraca Berg. It was released in 1990 via RCA Records Nashville. The album accounted for the singles "Baby, Walk On", "The Things You Left Undone", "I Got It Bad", and "I Must Have Been Crazy". Berg co-wrote all ten of the tracks. The album's first two singles, "Baby, Walk On" and "The Things You Left Undone," both peaked at 36 on the "Billboard" Hot Country Singles & Tracks (now Hot Country Songs) charts. Following these were "I Got It Bad" and "I Must

neg: Mona (I Need You Baby) Mona (I Need You Baby) "Mona (I Need You Baby)" is a song written by Ellas McDaniel (Bo Diddley) and was the B-side to his 1957 single "Hey! Bo Diddley". According to Diddley's obituary in "The New York Times", "Mona" was a song of praise he wrote for a 45-year-old exotic dancer who worked at the Flame Show Bar in Detroit. The song also became the template for Buddy Holly's "Not Fade Away". In 1990, Australian actor/musician Craig McLachlan released a version with his band "Check 1–2". It was their second single from their album, "Craig McLachlan & Check 1-2".

neg: Kind Hearted Woman Blues woman, but I love you just the sameI know you didn't want me, the day I changed your name When he wrote new words to the tune, his mood was still resigned: You's a cruel heated woman, swear, and you just can't realiseThat's all right baby, I'll be the same when I rise Johnson decides that his "kind-hearted woman" is, after all, hostile. But there is no resignation, only anguish: I love my baby, my baby don't love meAnd I really love that woman, can't stand to leave her beShe's a kind-hearted woman, she studies evil all the timeYou wells

neg: Annie Thompson Thompson was concerned about losing an electoral battle in Antigonish, Annie wrote him to say that "I wish I could be with you for one ten minutes to talk square to you...So keep up your courage... win or lose they can't keep you from me much longer...So now you must not be such an awful baby until you get home and then I'll see how far you can be indulged." John Thompson was appointed to the Supreme Court of Nova Scotia in 1882. When he was offered the opportunity to become Minister of Justice in 1885, Annie Thompson encouraged him

neg: Breaking Things on any previous All album. Egerton wrote the nine-second "Strip Bar" as well as the music for "Rosco" and "Crucified". Rob Williamson of the Tacoma, Washington band My Name, who had opened for All on tour the previous year, wrote the lyrics for "Rosco". In addition to the album's two singles, "Shreen" and "Guilty", Stevenson penned "Birthday I.O.U." which described his feelings after Sarina Matteucci, his girlfriend of several years, had an abortion: "There really wasn't a choice / Seventeen was just too young [...] I know you could have been a girl, baby / Now you can't be anything

neg: Baby I Love You (TEE song) a crowd of four thousand fans at Lazona Kawasaki Plaza. In February 2014, RIAJ certified "Baby I Love You" as triple platinum after it sold more than 750,000 copies in Japan. As of 2018, TEE and Che'Nelle's solo releases and their duet version have earned "Baby I Love You" total sales figures of over 2.8 million. In 2015 TEE released a song called "I Love You After Five Years". He has revealed he wrote the song as a sequel to "Baby I Love You", imagining what the song would sound like after the years have passed. The same video director

neg: I Can't Give You Anything But Love, Baby (film) I Can't Give You Anything But Love, Baby (film) I Can't Give You Anything But Love, Baby is a 1940 American musical comedy film starring Broderick Crawford and Jessie Ralph. It was also released under the title "Trouble in B flat". Around the time that the film was produced, Universal Studios were producing a number of musicals named after well-known songs, such as "Ma, He's Making Eyes At Me" and "I'm Nobody's Sweetheart Now". "I Can't Give You Anything But Love, Baby" was named after a 1928 song of the same name, written by Jimmy McHugh and Dorothy Fields. McHugh

neg: Sometimes (Britney Spears song) was released as the second single from "...Baby One More Time" on April 30, 1999. The song created controversy over the writing credits. Steve Wallace, an Indiana songwriter, claimed he wrote "Sometimes" in 1990, but did not copyright it until 2003, four years after Spears registered the song's copyright. Wallace claimed Spears confessed he wrote the song, by showing to the court a possible e-mail from the singer, which said, "I now know for a fact that you wrote ['Sometimes']. But there's nothing I can do about it. That's all I can say about it." The e-mail was considered fake

neg: I Don't Want To Blow You Up! to the illustrations as "graceful". University of Alberta political science professor Thomas Butko offered criticism, claiming the authors' belief that children stereotype Muslims as terrorists has an adverse effect on the good they are trying to do by publishing the book. The "Ottawa Citizen" wrote that it was sad that the authors "found it necessary to write a book reassuring children that people who look different are not going to blow them up", and "if the little reader wasn't afraid before, he or she probably is now". I Don't Want To Blow You Up! I Don't Want To Blow You

neg: Carl Hall (singer) the now much sought-after tracks, "You don't know nothing about love" / "Mean it baby" (1967) and "I don't want to be your used to be" / "The dam busted" for the Warner Brothers subsidiary label, Loma Records, using a strong gospel-inspired style. Ragovoy also produced another single on Atlantic in 1972 and then the following year, a now in-demand track called "What About You" on Columbia. He co-wrote and co-produced his final single for small NYC label, Martru in 1987. Hall, who also was known as C. Henry Hall or Carl Henry Hall, also appeared on Broadway in the

neg: Lupe Vélez morning. A suicide note addressed to Harald Ramond was found nearby. It read: To Harald, May God forgive you and forgive me too, but I prefer to take my life away and our baby's before I bring him with shame or killing him. – Lupe. On the back of the note, Vélez wrote: How could you, Harald, fake such a great love for me and our baby when all the time you didn't want us? I see no other way out for me so goodbye and good luck to you, Love Lupe. The day after Vélez's death, Harald Ramond told

neg: Tom Mankiewicz wrote for W.C. Fields. I wrote Westerns. I wrote anything when I started out. The point is, Tom sold his stuff. Now I happen to think he's better than that. Tom found it a little too easy. Instead of shooting the fourth draft of his screenplay, they shot the second. I have said to him, 'I don't think the second draft is good enough, Tom. You can do better.' But he didn't have to do better, and that was a pity. You see, Tom didn't have sitting on his tail half a dozen very good producers. Mankiewiz was unhappy at

neg: Al Stewart I mean, it just seems crazy. So, if I have two little rules and guiding principles, they would be: (a) Don't use words that other people use. Very few people would put the word, oh, I don't know, "pterodactyl" into a song. So that's fine. No "Oh"'s. No "Baby"'s. No "I miss you so"'s. And no "you done me wrong". No "bad"'s or "sad"'s. (b) And the other thing is, write about subjects that no one else writes about. Basically 90% of all songs seem to be either "Baby, I love you so", or "Baby, you've done me wrong". Now,

neg: Lola Pearce it difficult to imagine the pain, so just thought of the "worst pain imaginable". She went on to say, "I love playing a mum now and working with the two babies who play Lexi, they are so cute. Playing someone who was pregnant did make me a bit broody. I found myself walking around the canteen rubbing my bump. Then I'd get on the train and think, 'Aren't you gonna let a pregnant woman sit down?' because I'd forget I wasn't really pregnant. But I don't think I'm ready for one yet. It's nice to give the baby back when

neg: Oh Baby Don't You Weep the course of the song, the theme suddenly changes, as Brown sings of famous entertainers he has met in his travels "("I've got a lot of friends in my business")", and then begins to quote titles of songs recorded by them, such as Jackie Wilson ("You Better Stop Dogging Me Around"), Solomon Burke and Wilson Pickett ("If You Need Me...Call Me" and "It's Too Late"), Sam Cooke ("You Send Me") Ray Charles ("Born To Lose") and Famous Flames member Bobby Byrd's solo release ("I Found Out Now"). "Oh Baby Don't You Weep" was the last new recording Brown made for

neg: Thank God I Found You You" is such an example. He went on to say that the song was a "trifle". In 2005 Andrew Unterberger of "Stylus" gave a negative review, writing the song was "a sub-par, extremely lazy example of an artist reaching the top spot almost solely on reputation." He wrote that the song would have been the end of Carey's career. At the 43rd Grammy Awards held in February 2001, the song was nominated in the category of the Best Pop Collaboration with Vocals, but lost to B.B. King and Dr. John for "Is You Is or Is You Ain't My Baby".

neg: I Found Love (Now That I Found You) is on "Pure Disco 2". I Found Love (Now That I Found You) "I Found Love (Now That I Found You)" is a 1977 disco single by Love & Kisses, a studio group formed by Alec Costandinos. Along with the track "Accidental Lover", "I Found Love (Now That I Found You)", from Love & Kisses self-titled debut album, hit number one on the disco/dance chart for three weeks in July 1977. The single, written by Costandinos, can be found on the compilation CD, "Disco Nights Vol. 3: The Best of Euro Disco". A brief snippet of this song is used

neg: I Found Love (Now That I Found You) I Found Love (Now That I Found You) "I Found Love (Now That I Found You)" is a 1977 disco single by Love & Kisses, a studio group formed by Alec Costandinos. Along with the track "Accidental Lover", "I Found Love (Now That I Found You)", from Love & Kisses self-titled debut album, hit number one on the disco/dance chart for three weeks in July 1977. The single, written by Costandinos, can be found on the compilation CD, "Disco Nights Vol. 3: The Best of Euro Disco". A brief snippet of this song is used in "The Diva Megamix", which

neg: Sam Butera series of questions, the last of which is, "Are you regular?" Sam Butera was featured in an episode of "Space Ghost Coast to Coast" (1997). Butera's advice for the host on getting "chicks, like a fox [insert purr]" is, "Well, first a little music, a little jive talk. You gotta call her baby, sweetheart, darling, you know all the names that go along with love." When he sang part of "Just a Gigolo," the hosts found it familiar and he began to tell how David Lee Roth stole the song from him. "I wrote that arrangement thirty four years ago,

neg: Peoples Temple in San Francisco Milk wrote to Jones: "Rev Jim, It may take me many a day to come back down from the high that I reach today. I found something dear today. I found a sense of being that makes up for all the hours and energy placed in a fight. I found what you wanted me to find. I shall be back. For I can never leave." In a hand-written note, Milk wrote to Jones "my name is cut into stone in support of you - and your people." Jim Rivaldo, who attended Temple meetings with Milk, explained that, until Jonestown, the

neg: Ooh Baby (You Know That I Love You) Harrison wrote the slow soul ballad "Ooh Baby (You Know That I Love You)" in the spring of 1975, shortly before starting recording for "Extra Texture". The song was Harrison's musical tribute to Robinson. In an interview held at his Los Angeles home that April, with disc jockey Dave Herman, Harrison included Smokey Robinson among his preferred artists, along with Shankar, Bob Dylan and Eric Clapton, and added: "Musically, he's so "sweet" ... he makes you feel nice – he makes me feel good."<ref name="Contra/NoClearBlue">"No Clear Blue Skies", Contra Band Music, 2 November 2012 (retrieved 29 April 2013).</ref> In his

neg: Kat Slater filming the baby swap storylines "did not stretch her acting abilities". She told "Buzz": "None of it's been really tough for me, to tell you the truth. I go in, do my scenes and then I go home. As an actress you want to get roles you can get your teeth into. I leave it at the gates when I leave work. Years ago, with the storyline when Kat told Zoe Slater she was her real mother, I found it tougher because I was new to the game. But I've been doing it a lot longer now, and can detach

neg: Dave Berry (musician) of Me" / "Sticks And Stones" / "Now And From Now On" / "Same Game" / "Alright Baby" / "I Love You Babe" / "Soft Lights And Sweet Music" / "Green Grass" / "Love Has Gone Out of Your Life" / "Little Things" "Hey Little Girl" / "Round And Round" / "Casting My Spell" / "Girl From The Fair Isle" / "Fanny Man" / "If You Wait For Love" / "Sweet And Lovely" / "Tears To Remind Me" / "Baby It's You" / "Run My Heart" / "I Love You Babe" / "Heartbeat" "Maybe Baby" / "Coffee Song" / "She

neg: When a Man Loves a Woman (song) said:When I wrote the song at first, it was called "Why Did You Leave Me Baby". And I changed it from that to "When a Man Loves a Woman". I just reversed it. Quin told me that if I was to write some lyrics around that melody and the expression I'd put into "Why Did You Leave Me Baby", he believed it would've been a hit record. He was one of the top disc jockeys at that time. Sure enough, he asked me if I had any lyrics for that. He said, "That's it! Write a story around that title!

neg: October Baby average rating of 32 out of 100 based on 14 critical reviews, indicating "generally unfavorable reviews". It also found some praise within the media. Gary Goldstein in the "Los Angeles Times" wrote that "October Baby" is "a film whose poignancy is hard to deny whatever side of the abortion debate you fall on." While he found fault with the script, he praised Jasmine Guy's performance, saying she was "superb in one beautifully wrought scene as the ex-abortion clinic nurse who later witnessed Hannah's birth." Roger Ebert also praised Guy's performance, but overall found the film wanting, writing: "the film as

neg: Now That I've Found You: A Collection Now That I've Found You: A Collection Now That I've Found You: A Collection is an album by Alison Krauss, released February 7, 1995. It is a retrospective of the early part of Krauss' recording career. It includes songs that appeared on her solo albums, albums by Alison Krauss & Union Station, and some that appeared on an album by Alison Krauss & the Cox Family. It also contains some new material. The album features the hit country single "When You Say Nothing at All", sold over two million copies earning double platinum RIAA certification. The title single "Baby, Now

neg: Protein Wisdom (blog) at Breitbart Media. His site was later hacked, and no fix has yet been found to restore his archives. On July 4, 2006, University of Arizona adjunct professor Deborah Frisch started writing comments at Protein Wisdom. Two days later, she wrote "You live in Colorado, I see. Hope no one JonBenets your baby." She then added: "I reiterate: If some nutcase kidnapped your child tomorrow and did to him what was done to your fellow Coloradan, JonBenet Ramsey, I wouldn't give a damn." She later resigned and apologized, saying "I don’t think professors should do that. I crossed the line."

neg: I Found a Million Dollar Baby (in a Five and Ten Cent Store) and Ten Cent Store)". In a 1975 episode of "All in the Family", "The Very Moving Day", Gloria, trying to tell her parents that she is pregnant, sings the song to them as a hint: ("I found a million-dollar HMM-HMM at the five and ten cent store"), to which Archie responds, "You found a baby at Woolworth's?" The song was used in the biographical 1987 miniseries 'Poor Little Rich Girl: The Barbara Hutton Story' about the life of Woolworth heiress Barbara Hutton. The film starred Farrah Fawcett who portrayed the heiress from her young adulthood until her death in 1979.

neg: Cliff Friend Happiness Boys. Over the next 15 years Friend also co-wrote "Lovesick Blues", "June Night", "Then I'll Be Happy", "(Oh) If I Only Had You", "A Night in June (Beneath the Moon)", "My Blackbirds are Bluebirds Now", "It Goes Like This", "You're a Real Sweetheart", "Bashful Baby", "I Want to Sing About You", "It's Great to Be In Love", "Let's Have a Party", "Don't Let Temptation Turn You Around", "The Sweetest Music This Side of Heaven", "When My Dream Boat Comes Home" (as recorded by John Serry Sr. on "Squeeze Play" in 1956), "You've Got Me In the Palm of Your

neg: The Foundations but the contract became void when he died. When "Baby Now That I've Found You" was first released it went nowhere. Luckily the BBC's newly founded BBC Radio 1 were looking to avoid any records being played by the pirate radio stations and they looked back at some recent releases that the pirate stations had missed. "Baby, Now That I've Found You" was one of them. The single then took off and by November was number one in the UK Singles Chart. This was the ideal time because of the soul boom that was happening in England since 1965 and

neg: Mary Shelley I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be "sleeping" so quietly that I would not awake it. It was dead then, but we did not find "that" out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived

neg: Antonietta Meo in the last months of her life that displayed understanding and actions beyond the normal for a child of her age. "Dear baby Jesus, you are holy, you are good," she wrote in one of the letters. "Help me, grant me your grace and give me back my leg. If you don't want to, then may your will be done." At first she dictated letters to her mother; later she wrote poems and letters herself and left each at the foot of her crucifix. In another letter she wrote: "Dear Jesus, I love you very much. I want to abandon

neg: Ice (Kelly Rowland song) lovin’ be givin’ me chills". During the chorus, Rowland sings: "You're like ice, I-C-E / Feels so nice, scorching me". Wayne obliges Rowland with a few double-entrendres in his sexualized verse, "Uh, ice, ice baby / Shake that a — just like dice baby / You hot and I’m Tunechi / I beat the cat, animal cruelty". " Wayne continues rapping: "Pillow under her stomach, the other pillow she bite / Would you like anything? Cause I'll do anything you like". "Ice" received positive reviews from most music critics. Erika Ramirez of "Billboard" magazine wrote that "The slow winding song

neg: I Can't Give You Anything but Love, Baby couple did not have the resources to buy jewelry from Tiffany's, but nevertheless they drew closer to them. It was then they heard the man say, "Gee, honey I'd like to get you a sparkler like that, but right now, i can't give you nothin' but love!" Hearing this, McHugh and Fields rushed to a nearby Steinway Tunnel, and within an hour they came up with "I Can't Give You Anything but Love, Baby". Some controversy surrounds the song's authorship. Andy Razaf's biographer Harry Singer offers circumstantial evidence that suggests Fats Waller might have sold the melody to McHugh in

neg: I Love You, Baby I Love You, Baby I Love You, Baby is a 2000 German action thriller film directed by Nick Lyon with Jasmin Gerat, Mark Keller, Maximilian Schell and Burkhard Driest in the lead. The film revolves around two con partners named Peter and Gwen who plan to steal money from the millionaire Walter Ekland by posing Peter as his long lost son and Gwen as Peter's wife who is undergoing treatment for cancer. Their plan gets in jeopardy when a detective named Decker, who knows their identities, decides to get a share of the money. "I Love You, Baby" was met

neg: Now That I Found You in April 1998. "Now That I Found You" debuted at number 74 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of April 4, 1998. Now That I Found You "Now That I Found You" is a song written by Paul Begaud, Vanessa Corish and J.D. Martin, and recorded by Canadian country music artist Terri Clark. It was released in April 1998 as the first single from her album "How I Feel". On July 17, 1998, the song reached number 1 on the US "Radio & Records chart", number 2 on the Canadian "RPM" Country Tracks chart

neg: Redsan for being simple and lyrical as witnessed in the opening lines which are in English: ""In your eyes, I saw my way; I was sure I'll get there; Now I feel a mile away,but I know I will get there; So much reasons and ways, why she still makes my day; when you show me the meanings, girl you show me the meanings; When you hurt me mama mammy, show me who will be my baby?, Show me who will take care of me, show me who to call darling."" He is a member of the Musician’s Community, an organization

neg: Since I Met You Baby (song) Allmusic critic Steve Huey as "a masterpiece of smooth, bluesy elegance" and "decidedly removed from the tide of raucous rock & roll sweeping the country." In fact, compared to many of the other uptempo, rock-beat songs of the period, the song was "augmented by a wordless vocal choir (supervised by Ray Ellis who also did the orchestral arrangement) that's strongly reminiscent of traditional pop recordings of the period," wrote Huey. Saxophonist Jesse Powell provided the harmony on the second verse. "Since I Met You Baby" topped the "Billboard magazine" Rhythm and Blues Records chart for three weeks in 1956, and

neg: I Can't Give You Anything but Love, Baby record more music with Tony Bennett is a win in my book. 'I Can't Give You Anything but Love' is a great example; Tony Bennett might be 88, but it's Gaga who hasn't sounded this alive in years." Trey Barrineau from "USA Today" complimented the duos vocals, saying that the song "really swings". A writer for "Next Magazine" declared that Gaga sounded "absolutely stellar" in the song, and found it to be a "vocal vehicle" for the artist to "show off" her singing. Debra Kamin from "The Times of Israel" praised Gaga's vocals on "I Can't Give You Anything but

neg: Jim Jones as "what you should see every day when you look in the mirror in the early morning hours... a combination of Martin Luther King, Jr., Angela Davis, Albert Einstein [ and ] Chairman Mao". Harvey Milk, who spoke at political rallies at the Temple, wrote to Jones after one such visit: "Rev Jim, It may take me many a day to come back down from the high that I reach today. I found something dear today. I found a sense of being that makes up for all the hours and energy placed in a fight. I found what you wanted

neg: Ooh Baby (You Know That I Love You) included a song-by-song discussion with BBC Radio 1 DJ Paul Gambaccini. When discussing "Ooh Baby", Harrison said that he was "not anywhere in [Robinson]'s league" as a singer, but the song "always reminds me of that Smokey type of mood".<ref name="Ooh Baby/YouTube">George Harrison interview, "Rockweek", (retrieved 30 April 2013).</ref> Among music critics, Nicholas Schaffner wrote in 1977, "even his disciples tended to find the music plodding and aimless". In another unfavourable album review from "Rolling Stone", Dave Marsh opined that "Too often, Harrison's affectingly feeble voice is buried in a muddy, post-Spector mix" on "Extra Texture", and that "Ooh Baby"

neg: Billy Paul still promoting "360 Degrees of Billy Paul", he was asked about a follow-up LP: "I'm afraid that there will be something of a delay. As of right now, there are two sides actually completed. I have to tell you about one of them — Kenny and Leon wrote it especially and it's a definite single at some point. It's called "I Was Married" and I honestly think it will be bigger than "Me and Mrs. Jones". But for me, there are still two singles from the "360 Degrees" album — "Brown Baby" and "I'm Just a Prisoner". But, we are

neg: It's All Over Now, Baby Blue described by "Q" magazine as, "The most toxic of strummed kiss-offs, with not a snowball's chance in hell of reconciliation." Dylan, later describing the song, said that "I had carried that song around in my head for a long time and I remember that when I was writing it, I'd remembered a Gene Vincent song. It had always been one of my favorites, Baby Blue... 'When first I met my baby/she said how do you do/she looked into my eyes and said/my name is Baby Blue.' It was one of the songs I used to sing back in high school.

neg: Mario Joyner was born on October 3, 1961 in Pittsburgh, Pennsylvania. He made his film debut in 1987 in "Three Men and a Baby", and later starred in "Hangin' with the Homeboys" and "Pootie Tang". During the October 12, 2010, episode of "The Daily Show with Jon Stewart", in an interview with Rep. Eric Cantor (R-VA), Stewart credited Joyner with the joke: "Sort of in the way that murderers get sometimes, like, 'I found Jesus and I'm OK now.' 'Well, when did you find Jesus?' 'Right after you found me.'" Mario Joyner Mario Joyner (born October 3, 1961) is an American stand-up

neg: Jen Foster Wish"), Natalie Hemby ("Only Prettier", "White Liar"), Liz Rose ("Teardrops on My Guitar"), Mike Reid ("I Can't Make You Love Me"), Kristen Hall of Sugarland ("Baby Girl", "Stay"), Greg Barnhill ("Walkaway Joe"), Keith Follese ("Smile","Lookin For a Good Time","I Love You"),Rob Giles (The Rescues), Emily West ("I Hate You, I Love You", "Blue Sky") Jen Foster grew up in a suburban neighborhood in Houston, Texas. Her father is a successful Texas businessman and her mother was a housewife and an antiques dealer who died from endometrial cancer in 2008. Foster began playing the guitar at the age of eight, wrote

neg: Baby Now That I've Found You a 12" version OPINT001 in 1987. In the late 1980s, Clem Curtis and Alan Warner teamed up to recut "Baby, Now That I've Found You" and "Build Me Up Buttercup" as well as other hits of The Foundations. The song has been covered by a number of other artists. One of the earlier versions was a rocksteady version was recorded by Alton Ellis for his 1967 album "Sings Rock and Soul". Lana Cantrell recorded it for her 1968 "Lana" album. The same year The Marble Arch Orchestra recorded an instrumental version of the song for their album "Tomorrow's Standards". In

neg: Rutherford "Rud" Rennie said Rud Rennie, who covered the Yankees for the Herald Tribune. "What are you up to now?" "Headin' back to Oklahoma. I got me a job working with the pump crew down in the lead mine." "Work in the mines?" Rennie said. "You're the star of the World Series. You don't have to do that any more." "Yes, I do," Mantle said. "My dad died, you know." "Yes. Sorry, son." "I got seven dependents counting on me." Mantle named three younger brothers, a sister, his mother and his wife, Merlyn. "That's six," Rennie said. "The baby is due in March,"

neg: Just in Love Joe Jonas and James Fauntleroy, with production by Rob Knox. "Just in Love" is a Latin-tinged dance track with a thumping beat behind a synthy sound. In the song, Joe professes his love for a girl who may not be clear about his intentions. On the chorus, he sings, "Just running from the truth/ That I'm scared of losing you/ You are worth too much to lose/ Baby, even if you're still confused/ Girl I'm just in love with you." Jonas explained the song’s origin, telling Ryan Seacrest: "This is a song I wrote when I was going through a

neg: Catherine Dolgorukov "Now you are my secret wife. I swear that if I am ever free, I will marry you." The Tsar insisted that Catherine and their children remain nearby. He saw her three or four times a week when she was escorted by the police to a private apartment in the Winter Palace and they wrote to one another every day and sometimes several times each day, often discussing the pleasure they found in making love. In one 28-page letter, written when Catherine was pregnant, she asked the Tsar to remain faithful to her "for I know you are capable in

neg: 2006 Seattle Jewish Federation shooting According to Klein, Haq then moved to another section of the building and Klein, bleeding profusely, crawled to her desk and dialed 911, despite Haq's threats to kill anyone who called the police. Haq eventually returned to Klein's office and discovered her on the phone, at which point he reportedly shouted "Now since you don't know how to ... listen, now you're the hostage, and I don't give a [expletive] if I kill you or your baby." Klein told the "Seattle Post-Intelligencer" that Haq "...stated that he was a Muslim, [and] this was his personal statement against Jews and the

neg: Scott Avett "By the Way, I Forgive You", the 2018 album of long-time friend Brandi Carlile. In 2003, Scott Avett married his wife, Sarah, who gave birth to a baby girl, Eleanor, in late October 2008. In April 2011, it was announced that two shows in Texas would be postponed due to the birth of his second child. Avett revealed the sex of his baby in London when he re-wrote the lyrics to his song "Murder In The City" which was originally released in 2007. The original lyrics were "make sure my sister knows I loved her, make sure my mother knows

neg: Gee, Baby, Ain't I Good to You Gee, Baby, Ain't I Good to You "Gee, Baby, Ain't I Good to You" is a 1929 song written by Andy Razaf and Don Redman. It was later performed by The King Cole Trio. The single peaked at #20 on the national charts and was the group's final #1 on the Harlem Hit Parade. The A-side of the song, "I Realize Now" peaked at #9 on the Harlem Hit Parade. It is usually played in E flat blues. Other notable recordings of the song include versions by Fats Waller, Dizzy Gillespie, Count Basie, Billie Holiday, Ella Fitzgerald, Stanley Turrentine, Sonny

neg: Fix a Heart Florino of Artistdirect wrote that the artist "breaks from a whisper into [a] stadium-size refrain". The track has been described by some critics and the singer herself as a break-up song, which is demonstrated in the chorus, "Baby, I just ran out of bandaids / I don't even know where to start / 'Cause you can bandage the damage / You never really can fix a heart". Jenny Chen of Neon Tommy wrote that Lovato "openly admits her weaknesses, including an ability to move on from a broken heart left behind by a former love". Regarding the line "You never

neg: Mark Twain in Nevada war veteran who had seen action at the Battle of Shiloh wrote Twain claiming it was he not Laird who had written the piece that threw Twain's manhood into question. Twain ignored this and wrote back to Laird "...any further attempt to make a catspaw of any other individual and thus shirk a responsibility that you had previously assumed will show that you are a cowardly sneak. I now peremptorily demand of you the satisfaction due to a gentleman--without alternative." Laird responded saying "Mr. Wilmington has a prior claim upon your attention. When he is through with you, I shall

neg: Guy Sigsworth Hot 100. A track Imogen Heap and Sigsworth had worked on for the "In the Zone" album entitled "Over to You Now", was also released on the UK and Japanese bonus EP "Chaotic" of the DVD release of her reality TV show, "", as well as on the Japanese "Someday (I Will Understand)" single. Sigsworth and Spears collaborated on the song "Someday (I Will Understand)". Sigsworth produced the song "Out from Under" and co-wrote and produced the song "My Baby", for Spears' 2008 album "Circus". Sigsworth produced and co-wrote the song "My Paper Made Man" for Amy Studt's 2008 album

neg: Music Box (Mariah Carey album) as a B-side to "Without You" exclusively in the United States. The album, which consisted mostly of slower ballads (with the exception of "Dreamlover", "Now That I Know", and "I've Been Thinking about You"), contained collaborations with some carry-on producers and writers from "Emotions". Of these were Clivillés & Cole (of C+C Music Factory), who co-wrote the track "Now That I Know", a danceable pop ballad, which used similar formulas and synthesizers from tracks on "Emotions". Another writer–producer that worked on the album was David Hall, who with Carey wrote the U.S. single "Dreamlover". During the album's recording, Carey worked

neg: Violet Jessop baby," laughed, and hung up. Her friend and biographer John Maxtone-Graham said it was most likely some children in the village playing a joke on her. She replied, "No, John, I had never told that story to anyone before I told you now." Records indicate that the only baby on boat 16 was Assad Thomas, who was handed to Edwina Troutt, and later reunited with his mother on "Carpathia". Jessop, often winkingly called "Miss Unsinkable", died of congestive heart failure in 1971 at the age of 83. In the 1958 film "A Night To Remember", a scene depicts naval architect

neg: Baby, Baby I Need You releases have retitled this cover as "I Need You So". Baby, Baby I Need You "Baby, Baby I Need You" is a 1963 song recorded by The Temptations for the Gordy (Motown) label. It was written by Smokey Robinson, and was later used as the B-side to their Top 40 1964 hit "Girl (Why You Wanna Make Me Blue)". The song is about one's devotion to the one they love; it's narrator telling the girl he's falling for that if she let their “hearts combine” that he vows to always let her know how much he needs, wants, and loves

neg: I Can't Quit You Baby "Whole Lotta Love" medley during some Led Zeppelin concerts in 1972 and 1973. The song was rehearsed by the surviving members of Led Zeppelin for the May 14, 1988, Atlantic Records 40th Anniversary Celebration, but was not performed during the event. In a contemporary review for the "Coda" album, Kurt Loder of "Rolling Stone" found the "Coda" version of "I Can't Quit You Baby", "tossed off a sound check [in 1970]", "perfectly captures the bluesmania of the period, complete with a classically overwrought guitar solo." Blues historian Gerard Herzhaft identifies "I Can't Quit You Baby" as a blues standard. Rush's

neg: Now That You Got It Tour (2005), Stefani revealed that she was going to release a second album in 2006, stating: "I have a bunch of leftover tracks from making 'Love. Angel. Music. Baby.'. And two months ago, Pharrell called me up, he was like, 'Come down to Miami and write some more songs!' And I'm like, 'OK!' I went down there and wrote four songs and played three of them tonight. They're really fresh". In September 2006, during the Fashion Week, MTV News interviewed Swizz Beatz and he said to be working with Stefani as well, claiming: "She's always taking it to the next

neg: Les Vandyke was still signed to Oriole, he should adopt a pseudonym, and combined Reed's first name with his own telephone exchange, to become Les Vandyke. He provided Faith with his follow-up number one "Poor Me", in January 1960, and for the next two years penned a further six Top Ten British chart hits for Faith: "Someone Else's Baby"; "How About That"; "Who Am I"; "The Time Has Come"; "As You Like It" and "Don't That Beat All". Worth also wrote another chart-topper "Well I Ask You" for Eden Kane, a pseudonym for Richard, the eldest of the three Sarstedt brothers, as

neg: I Care (Beyoncé song) to potent". Over ominous keys, a keyboard opening and a repeating drum loop in the first verse, Beyoncé sings about how her relationship turned sour and puts all her cards on the table, "I told you how you hurt me, baby / But you don't care / Now I'm crying and deserted, baby / But you don't care / Ain't nobody tell me this is love / You're immune to all my pain / I need you to tell me this love / You don't care, well, that's OK". While singing the first and second verses, she pulls out the

neg: So Emotional on the Hot 100 chart. "So Emotional" was written by Billy Steinberg and Tom Kelly, who also penned Madonna's "Like a Virgin," Cyndi Lauper's "True Colors," Heart's "Alone," and The Bangles "Eternal Flame," all of which reached #1 on the charts. The song centers on Houston loving being in love, singing, ""I get so emotional baby / Every time I think of you / I get so emotional baby / Ain't it shocking what love can do"." Allmusic editor Ron Wynn highlighted this track. Vince Aletti of Rolling Stone wrote: "Walden covers all these bases, out-hopping Kashif (but not Jellybean)

neg: Be Mine (David Gray song) or do 'Cos baby when I'm walking with you now My eyes are so wide Like you reached right into my head And turned on the light inside Turning on the light Inside my mind he Come on baby it's all right Sunday Monday day or night Written blue on white it's plain to see That rainy shiny night or day What's the difference anyway Baby till your heart belongs to me If I had some influence girl With the powers that be I'd have them fire that arrow at you Like they fired it right at me And maybe

neg: Symphony No. 4 (Mendelssohn) so rich that now, in the evening, I must collect myself a little, and so I am writing to you to thank you, dear parents, for having given me all this happiness. In February he wrote from Rome to his sister Fanny, The "Italian" symphony is making great progress. It will be the jolliest piece I have ever done, especially the last movement. I have not found anything for the slow movement yet, and I think that I will save that for Naples. The "Italian Symphony" was finished in Berlin on 13 March 1833, in response to an invitation for

neg: If You Had My Love her insecurities get the best of her" on the track. "Billboard" writer Leslie Richin wrote that it "served as a cautionary tale for admirers who might one day have a chance with the budding starlet. Bottom line: liars and cheaters need not apply." In the song's opening lines, Lopez states: "Now if I gave you me, this is how it's got to be / First of all I won't take you cheatin' on me / Tell me who can I trust if I can't trust in you / And I refuse to let you play me for a fool." In

neg: The Water-Babies, A Fairy Tale for a Land Baby become explicitly part of the story. In the accompanying illustrations by Linley Sambourne, Huxley and Owen are caricatured, studying a captured water baby. In 1892 Thomas Henry Huxley's five-year-old grandson Julian saw this engraving and wrote his grandfather a letter asking: "Dear Grandpater – Have you seen a Waterbaby? Did you put it in a bottle? Did it wonder if it could get out? Could I see it some day? – Your loving Julian." Huxley wrote back a letter (later evoked by the "New York Sun"s "Yes, Virginia, there is a Santa Claus" in 1897): "My dear Julian – I

neg: Marv Johnson Me Go", "I'm Not a Plaything" and "I Miss You Baby (How I Miss You)". The latter was also reissued as a single by Tamla Motown and was a hit in Britain, reaching number 25 on the UK charts in November 1969. He also toured the UK with Martha Reeves & the Vandellas. Johnson remained with Motown, working on sales and promotion, in the 1970s. He also wrote songs for Tyrone Davis and Johnnie Taylor. He co-wrote the Dells’ R&B hit "Give Your Baby a Standing Ovation", which peaked at number 3 on the R&B chart and number 34 on

neg: I Can't Quit You Baby Zeppelin from "Un-Led-Ed" (1990); Gary Moore from "Power of the Blues" (2004); and the Rolling Stones from "Blue & Lonesome" (2016) with Eric Clapton on slide guitar. I Can't Quit You Baby "I Can't Quit You Baby" is a blues standard written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It was Rush's first recording and became a record chart hit. The song, a slow twelve-bar blues, has been recorded by various artists, including Led Zeppelin, who included it on their debut album. "I Can't Quit You Baby" was a vehicle for arranger/producer Dixon

neg: I Can't Quit You Baby I Can't Quit You Baby "I Can't Quit You Baby" is a blues standard written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It was Rush's first recording and became a record chart hit. The song, a slow twelve-bar blues, has been recorded by various artists, including Led Zeppelin, who included it on their debut album. "I Can't Quit You Baby" was a vehicle for arranger/producer Dixon to launch Rush and Cobra Records, as it was the first single for both. In this regard, it was a success, reaching number six on "Billboard's" Rhythm

neg: Gee, Baby, Ain't I Good to You Clark, Art Blakey, Ray Charles, Kenny Burrell, Diana Krall, The Coasters, Bill Wurtz, and Geoff Muldaur. The song featured in the 1994 movie "The Mask", performed by Susan Boyd who dubbed Cameron Diaz. Deana Martin recorded “Gee, Baby Ain't I Good To You” on her 2013 album "Destination Moon". In 2015, Matt Dusk and Margaret recorded a version for their album "Just the Two of Us". Gee, Baby, Ain't I Good to You "Gee, Baby, Ain't I Good to You" is a 1929 song written by Andy Razaf and Don Redman. It was later performed by The King Cole Trio.

neg: Baby I Love You (Aretha Franklin song) Baby I Love You (Aretha Franklin song) "Baby I Love You" is a popular song by R&B singer Aretha Franklin. The only single release from her "Aretha Arrives" album in 1967, the song was a huge hit, peaking at #4 on the "Billboard" Hot 100 Singles chart and spending two weeks at number-one on the Hot Rhythm & Blues Singles chart. It was featured in Martin Scorsese's 1990 film "Goodfellas". A live recording featured on the album "Aretha in Paris" (1968). There have been several other famous musicians who have covered Aretha Franklin's "Baby I Love You", such as Lisa

neg: Grand Ole Opry's New Star reflected Jones's 1956 appearance on the "Grand Ole Opry", which solidified his emerging status in the country music world. Extant copies of "Grand Ole Opry's New Star" are rare, and collector's prices are $400 and up. Jones wrote or co-wrote all fourteen songs on the album, which included three of his early top-10 country hits: "Why Baby Why", "What Am I Worth", and "You Gotta Be My Baby". The singer had performed "You Gotta Be My Baby" during his first appearance on the Grand Ole Opry in 1956. The first three songs written for the album, "Play It Cool", "Hold

neg: Alison Krauss "Oh Atlanta", The Foundations' & Dan Schafer's "Baby, Now That I've Found You", which was used in the Australian hit comedy movie "The Castle", and The Beatles' "I Will". A cover of Keith Whitley's "When You Say Nothing at All" reached number three on the "Billboard" country chart; the album peaked in the top fifteen on the all-genre "Billboard" 200 chart, and sold two million copies to become Krauss' first double-platinum album. Krauss also was nominated for four Country Music Association Awards and won all of them. "So Long So Wrong", another Union Station album, was released in 1997 and

neg: Lord Alfred Douglas and threatening to beat people with a horsewhip. Alfred sent his father a postcard stating "I detest you" and making it clear that he would take Wilde's side in a fight between him and the Marquess, "with a loaded revolver". In answer Queensberry wrote to Alfred (whom he addressed as "You miserable creature") that he had divorced Alfred's mother in order not to "run the risk of bringing more creatures into the world like yourself" and that, when Alfred was a baby, "I cried over you the bitterest tears a man ever shed, that I had brought such a creature

neg: Moonshine Jungle Tour In some venues it was preceded by The Desires' "Let It Please Be You." It was followed by "If I Knew," during which Mars chose a woman from the audience so that he and his bandmates could serenade her to see who could impress the girl more. The recording could be interpolated with "It Will Rain" or "Nothin' on You." The latter could also be played solely. "If I Knew" plunged low and slow at the end, before bursting into the "50's-era rock" dance track "Runaway Baby" as the fans "erupted" when the singer channeled The Isley Brothers' "little-bit-softer-now/little-bit-louder-now" routine.

neg: Leevi Madetoja a symphonic composer ("What you wrote about your symphonic business delights me exceedingly," Sibelius wrote to Madetoja. "I feel that you will achieve your greatest triumphs in that genre, for I consider that you have precisely the properties that make a symphonic composer. This is my firm belief."), and the 10 February 1916 premiere of Madetoja's First Symphony found Sibelius's remarking on its beauty. The 17 December 1918 premiere of Madetoja's Second Symphony similarly impressed Sibelius, who was again in attendance. Nevertheless, Sibelius also eyed Madetoja's maturation somewhat wearily. For example, when some reviews of the First Symphony discerned within

neg: Eighteen Inches they were ‘ready’ for a baby. If they had stopped and thought about any of the scenarios, they never would have happened, but when you follow what you feel it can take you a long way” and he also said that the song was written a few years back for Carrie Underwood saying, “Carrie, Kelley Lovelace and I wrote this song a couple of years ago when we were writing for Carrie’s album,” It received three stars out of five rating from Billy Dukes of Taste of Country, who said "The plot is a little predictable, but mostly because it’s

neg: South Pacific (musical) received a large number of letters concerning "You've Got to Be Carefully Taught". Judging by the letters that remain among his papers in the Library of Congress, the reaction was mixed. One correspondent wrote "What can I say to a man who writes, 'You've got to be taught to hate and fear?' ... Now that I know you, I feel that my informants didn't praise you enough." Nevertheless, another wrote, "I feel the inclusion of the song particularly in the album and to some extent in the show itself is not helpful to the cause of brotherhood, your intent to

neg: Baby, Baby I Need You Baby, Baby I Need You "Baby, Baby I Need You" is a 1963 song recorded by The Temptations for the Gordy (Motown) label. It was written by Smokey Robinson, and was later used as the B-side to their Top 40 1964 hit "Girl (Why You Wanna Make Me Blue)". The song is about one's devotion to the one they love; it's narrator telling the girl he's falling for that if she let their “hearts combine” that he vows to always let her know how much he needs, wants, and loves her. A fusion of Gospel and Doo-Wop, the song is

neg: Sweet Baby (band) in 2015. In January 2005, their song, "Baby Baby Baby Baby Baby Baby Baby, I Love You" was featured on Bravo in an advertisement for the show "Queer Eye for the Straight Girl". The East Bay, California based punk rock band now known as Green Day was originally called Sweet Children, but changed their name before releasing their first EP "1,000 Hours" to avoid confusion with Sweet Baby. Studio albums Split albums Demos Compilation appearances Sweet Baby (band) Sweet Baby (originally known as Sweet Baby Jesus) was a pop punk band that originated from Berkeley, California, and was part of

neg: Breaking Dawn and I could do everything she could do which made it really fun." Meyer wanted to experience Bella's vampiric experiences and "enjoyed very much" writing about them and wanted to end the book from her perspective, but still thought it was "a little bit harder" as she couldn't step in into the story anymore. In regard to Renesmee's unique name, Meyer wrote that she "couldn't call her Jennifer or Ashley. What do you name the most unique baby in the world? I looked through a lot of baby name websites. Eventually I realized that there was no human name that