query: who sings i wo n 't let you down

pos: I Won't Let You Down (OK Go song) I Won't Let You Down (OK Go song) "I Won't Let You Down" is a single by American rock band OK Go that was released as a single in December 8, 2014 and is part of their album "Hungry Ghosts". The video for the song was released on October 27, 2014. Like many of the band's past videos, the video is a one shot take recorded in double time showing the band members and several hundred dancers on personal transportation devices performing intricate choreographed routines while filmed by a camera on a multirotor aerial drone. The song has a very

pos: I Won't Let You Down (OK Go song) it was released. It garnered 6 million worldwide YouTube views in two days and sent the song to No. 1 on the "Billboard"/Twitter Trending 140 chart. The video won for Best Choreography at the 2015 MTV Video Music Awards. The song debuted at No. 71 on the "Billboard" Hot 100. I Won't Let You Down (OK Go song) "I Won't Let You Down" is a single by American rock band OK Go that was released as a single in December 8, 2014 and is part of their album "Hungry Ghosts". The video for the song was released on October 27,

neg: I Won't Let You Down (Ph.D. song) sings to twin ladies seated next to him with Tony Hymas in the foreground on the synthesizers. In 1999 Australian singer Kate Ceberano recorded a version, which was released in July 1999 as the first single for her first compilation album, "True Romantic". She performed the song on "Hey Hey It's Saturday". Other notable artists who have recorded "I Won't Let You Down": Armand Van Helden's 2016 track "Wings" heavily samples "I Won't Let You Down". I Won't Let You Down (Ph.D. song) "I Won't Let You Down" is a 1982 single by British band Ph.D. It entered the UK

neg: Don't Let the Sun Go Down on Me Cooper and a mellotron played by Dave Hentschel. In the song, Elton John sings to someone he has helped and from whom he is now experiencing rejection: I took a chance and changed your way of life but you misread my meaning when I met you closed the door and left me blinded by the light don't let the sun go down on me although I search myself, it's always someone else I see. I'd just allow a fragment of your life to wander free but losing everything is like the sun going down on me. "Don't Let the Sun

neg: Bionic (Christina Aguilera song) recorded at The Red Lips Room in Beverly Hills, California. The track was written by Aguilera, Kalenna Harper, John Hill and Switch. Hill and Switch also produced and provided musical instruments to "Bionic". "Bionic" is an electronic song and lasts for a duration of (three minutes and twenty-one seconds). It features "twitchy space-ace" rhythms, rapping verses and talks about an "echo-laden" invitation to "jet off to the new millennium". In the middle of the song, Aguilera spells out her name, "X-x-x-t-t-t-i-i-i-n-n-n-n-n-a". During the chorus, she sings, "Bionic, so damn Bionic, gonna get you with my electronic supersonic rocket, ay". Becky

neg: This Lullaby may go" "I will let you down" "But this lullaby plays on..." Note: When Truth Squad does a cover of "This Lullaby", Dexter sings the 6th line as ""Even if I let you down" "instead. This Lullaby This Lullaby (2002) is a young adult novel written by Sarah Dessen. Remy is an eighteen-year-old who is about to leave for college. Her father, a musician, wrote his one and only hit song the day she was born. The song, called "This Lullaby," became extremely popular, but he died soon after its release. Now, Remy's mother is getting married for the fifth

neg: A.K.A. (album) done with pleasing you/ I'm so over needing you, all this space just gave me room so I could fly," she sings over mid-tempo electronic beats. "Let It Be Me" is a melancholic string-backed ballad, featuring Spanish guitar and passionate Latin sensibility. "When they ask who do you love, let it be me… let it be me that you think of," she pleads. The ninth track "Worry No More" features Rick Ross and was produced by Detail, being considered "the album's hardest hip-hop anthem." The "reverb-filled" down-tempo track has intelligible background whispers creeping in and out and vocal effects, adding

neg: Lay You Down beats." The song was released as the third and final single from "Versus", an extended play released as an extension of his sixth studio album, "Raymond v. Raymond" (2010). Describing "Lay You Down" as one of the more sensual songs on "Versus", Mark Nero of About.com wrote "the best of which might be the piano-laced 'Lay You Down,' on which Usher sings: 'This ain't bump 'n grind, I'll show you what love is if you let me lay you down. Sarah Rodman of "The Boston Globe" commended Usher's use of falsetto, whilst writing that the song "is an urgent boudoir

neg: The Open Door … you were never mine". "Weight of the World" is a mixture of pop and metal, according to "Stornoway Gazette". Inspired by the pressures of fame, it contains "Eastern motifs" and "distorted vocals" in the opening lines "Feels like the weight of the world / Like God in heaven gave me a turn / Don't cling to me, I swear I can't fix you" and in the chorus, "If you love me, then let go of me / I won't be held down by who I used to be". "Lithium" is a slow-tempo rock song; the protagonist sings about the

neg: Sweet Nightingale ‘Pray let me alone, I have hands of my own; Along with you I will not go, To hear the fond tale Of the sweet nightingale, As she sings in those valleys below; For I am afraid To walk in the shade, To walk in those valleys below, To walk in those valleys below.’ ‘Pray sit yourself down With me on the ground, On this bank where sweet primroses grow; You shall hear the fond tale Of the sweet nightingale, As she sings in those valleys below; So be not afraid To walk in the shade, Nor yet in those

neg: Naughty Girl (Beyoncé song) for a one-night stand. This "lustful sexual confidence" is further demonstrated in the lyrics of the first verse: "I'm feeling sexy / Wa[nt to] hear you say my name, boy/ If you can reach me, you can feel my burning flame / Feeling kind of N A S T Y / I might just take you home with me" and the chorus lines: " Tonight I'll be your naughty girl / I'm callin' all my girls / We're gonna turn this party out / I know you want my body." Throughout the song, Beyoncé sings the lines "I'd love to

neg: Low (Kelly Clarkson song) second single. I knew it was a great song. I’m happy it saw the light of day." "Low" was written by Jimmy Harry and produced by Cliff Magness, who also arranged and engineered the track. The midtempo country-flavored track finds the singer reflecting on a broken relationship. "It's cool you didn't want me/ Sometimes you can't go back/ But why'd you have to go and make a mess like that?" she sings before asking in the chorus: "Have you ever been low? Have you ever had a friend that let you down so?". Harry has said that "Low" "was a

neg: Coupon collector's problem grows as formula_1. For example, when "n" = 50 it takes about 225 trials on average to collect all 50 coupons. Let "T" be the time to collect all "n" coupons, and let "t" be the time to collect the "i"-th coupon after "i" − 1 coupons have been collected. Think of "T" and "t" as random variables. Observe that the probability of collecting a coupon is "p" = ("n" − ("i" − 1))/"n". Therefore, "t" has geometric distribution with expectation 1/"p". By the linearity of expectations we have: Here "H" is the "n"-th harmonic number. Using the asymptotics of

neg: Short Movie solitariness and dislocation in Los Angeles. Marling has described Los Angeles as a city that rejects negative attitudes in people, and this is reflected in the sixth track, ″Don't Let Me Bring You Down″, in which she sings "Living here is a game I don't know how to play." Marling's activities in Joshua Tree are referenced when she sings "I've got us lost so I've turned us off in Joshua tree," in the song ″Easy″, her implied exploration with psychedelics apparent in the line, "It was a bit too high for me/ I spent a month thinking I was a

neg: Convergent matrix T is semi-convergent. We call an "n" × "n" matrix T a convergent matrix if for each "i" = 1, 2, ..., "n" and "j" = 1, 2, ..., "n". Let Computing successive powers of T, we obtain and, in general, Since and T is a convergent matrix. Note that "ρ"(T) = , where "ρ"(T) represents the spectral radius of T, since is the only eigenvalue of T. Let T be an "n" × "n" matrix. The following properties are equivalent to T being a convergent matrix: A general iterative method involves a process that converts the system of linear

neg: Rock n Roll (Avril Lavigne song) "middle finger to the sky" to "let 'em know that she's still rock and roll," promising "she’ll never cover up her tattoo and revealing that she prefers her jeans ripped." "I don't care if I'm a misfit, I like it better than the hipster bulls**t," she admits on the opening of the song, over bouncy, cheerleader-esque stomps. In the chorus, Lavigne declares, "When it’s you and me, we don’t need no one to tell us who to be / We keep turning up the radio / When it’s you and I, just put up our middle finger to the sky

neg: Consideration (song) "her worth as artist and business asset." The song opens with "a Peter Pan metaphor about being held back from maturing," where she sings: "I come fluttering in from Neverland [...] Why will you never let me grow?." In the chorus, she bluntly sings: "I got to do things my own way, darling," while also complaining and asking "in a thick patois": "Will you ever let me? Will you ever respect me? No!." During the second verse, she "asserts that she's through with acting as the world's avatar," asking: "Darling, would you mind giving my reflection a break from the

neg: Respect (Joel Turner song) you think i'm so pissed off, you just dont f*** with that, I hate seeing fake Tupac T-shirts exploited at a local market with his face on it' it's wrong, he didn't realise it would burn our career before it got started,what the f*** was he thinking, i'm done talking about it, all i can say is if your in the music industry be careful who you work with and keep your artist integrity dont let anyone take it away and if they try 'F*** em' stand up and smack em down' End quote. After the clip was taken down

neg: Control (Traci Lords song) a dominant female who nurses a broken heart of her lover as she sings "Let me kiss it and make it better/After tonight you will forget her". However, Lords later stated she initially wrote it about a drug addiction: "You will forget her" was always about "Forget your heroin." It was never about a person. When I wrote it, it didn't even cross my mind. But then, yeah, sure, later, I thought, "Let me kiss it - and I went, "Oh, ****!" But that's not where I was coming from. It really wasn't. Now I see it, it has all

neg: Lion (Stephen Lynch album) sounds the most mundane, but "Let Me Inside" is actually one of the funniest songs on "Lion"." Piet Levy of the "Milwaukee Journal Sentinel" wrote, "The best song on the album is the most subtle: a tender duet called "The Night I Laid You Down" that slowly unravels to become a lovers' quarrel over the music that was playing on the night in question." Nick Zaino wrote, similarly, "Credit some of Lynch's cohorts for helping create a lush musical backdrop. Courtney Jaye sings backup and the occasional duet, and her voice is gorgeous on "The Night I Laid You Down,"

neg: A.K.A. (album) pleads with a partner for everlasting affection. The album's first single and fourth track "I Luh Ya Papi" features French Montana and was named "an unashamed ode to sex," featuring "squeaky electronica and provocative rhetoric". The fifth track "Acting Like That" is a slow and hip-hop track, bounced in an urban groove, where Jennifer talks about a relationship on the rocks and warning of its demise. "Don't let the tables turn/ don't let the bridges burn/ been down for you don't get it confused/ boy you could lose your turn," she sings. The song features Australian rapper Iggy Azalea, which

neg: Regulate (song) and we'd been a part of it. We just told the story, and then on the hook we just let everybody's imagination flow. After hearing that you're going: 'Wow, he went through this' and then: [sings] 'I laid all them busters down, I let my gat explode' and you roll right back into it. It's on again!" Warren G is driving alone through Eastside, Long Beach, California at night, looking for women. He finds a group of men playing dice and tries to join them, but they pull out their guns and rob him instead. Thinking he's about to die,

neg: Drama Queen (Ivy Queen album) Queen sings: "Pure love does not fight, it does not hurt you, love that is pure does not cause you to fall", and described the song as "an honest statement of what love is". "I Do" is a minor-key, mid-tempo pop and R&B power ballad built on a handclapped rhythm and piano. Lyrically, the song is a message to men and women; Queen sings: "My ladies, if you know better, if he loves you, let him come back. My fellas, if you love her, don't let nothing hold you back, run out and look for her". Queen recorded the song

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: Sparse distributed memory it received sufficient excitatory input (beyond the threshold) and not too much of inhibitory input within a certain period. The formal model of neuron makes further simplifying assumptions. An "n"-input neuron is modeled by a "linear threshold function" formula_13 as follows : For formula_14 where n is the number of inputs, let formula_15 be the output at time "t": formula_16, and let formula_17 be the "i"-th input at time "t": formula_18. Let formula_19 be the weight of the "i"-th input and let formula_20 be the threshold. The "weighted sum" of the inputs at time "t" is defined by formula_21 The

neg: I Care (Beyoncé song) dress. Later, the guitarist in her all-female band comes next to her and performs a guitar solo while Beyoncé sings the bridge. Kenneth Partridge of "The Boombox" praised the performance writing that "the R&B megastar is all growls and snarling glances". He further stated that she looked like "a triumphant rock 'n' roll goddess" while performing "I Care". A writer of "The Huffington Post" praised the performance writing that "'I Care'... showcases an impressive amount of Beyonce-ness. As she belts the lyrics 'You see these tears falling down to my ears/ I swear you like when I'm in pain/ I

neg: Girl Who Got Away twirling in a slow dance through electronic caresses and the subtlest touches of strings. In the chorus, she sings, "I wanna move with the seasons/And go with the flow". Dido finds guests to keep her current, like Kendrick Lamar, whose vociferous rap tears through the conciliatory "Let Us Move On", a spooked trip hop song. The looping intro and muted snares on "Blackbird" are leveled off by her detached vocal and reassuringly familiar lyrics about the darker side of love ("Why do I bring you love, when all you give me back is pain?", she sings). While "End of Night",

neg: Polynomial greatest common divisor "X". Similarly, the "i"-subresultant polynomial is defined in term of determinants of submatrices of the matrix of formula_42 Let us describe these matrices more precisely; Let "p" = 0 for "i" < 0 or "i" > "m", and "q" = 0 for "i" < 0 or "i" > "n". The Sylvester matrix is the ("m" + "n") × ("m" + "n")-matrix such that the coefficient of the "i"-th row and the "j"-th column is "p" for "j" ≤ "n" and "q" for "j" > "n": The matrix "T" of formula_44 is the ("m" + "n" − "i") × ("m" +

neg: End of Time (song) be your friend / I will love you so deeply / I will be the one to kiss you at night / I will love you till the end of time." She continues her appeal as she sings to her love interest, "Take you away from here / There's nothing between us but space and time". On the bridge, Knowles belts her vocal lines over a shooting horn sequence; with her multiple-layered vocals, she commands, "Boy come to me", and towards the end, she repeatedly sings, "Say you’ll never let me go". Knowles "finds the strength in two" as she

neg: On the 6 won't take you cheatin' on me/ Tell me who can I trust if I can't trust in you/ And I refuse to let you play me for a fool". "Let's Get Loud" is a "fiery, soulful" salsa dance song originally written for Gloria Estefan, who gave it to Lopez (who, she felt, would have more fun with it). Lopez asserts her Latin heritage in the song, which opens with the "sassy" declaration ""Ya Jen llego, presente!"" ("Jen has arrived!"). "Feelin' So Good", a mid-tempo hip-hop song featuring Big Pun and Fat Joe, samples Strafe's "Set It Off". Lopez sings about

neg: She's Out of My Life A poignant moment in the song occurs near the end when Jackson begins to break down in tears as he sings the word "life". Although he had attempted to record the song's last few moments with emotional restraint, after numerous tries he continued to end the rendition the same - by breaking down in tears. Producer Quincy Jones subsequently let Jackson's tearful recording stand: "She's Out of My Life", I'd been carrying around for about three years—you can feel the pain in it, you know. And I held on to it and finally something said 'this is the right moment

neg: How Do You Say I Don't Love You Anymore with the discipline of the old pro. She sings big beat and ballad with taste an understanding." Billboard concluded saying "On 'Let It Be Me,' the bluesy treatment takes over. 'Yesterday' is delivered in approved pop standard style. Miss Payne is a versatile and polished performer who understands a lyric." The album was reissued on CD on March 31, 2009 by Poker Records. The reissue contains a biographical essay of Payne's life and career by Mick Patrick (written in December 2008). How Do You Say I Don't Love You Anymore How Do You Say I Don't Love You Anymore was

neg: I Won't Let You Down (Ph.D. song) I Won't Let You Down (Ph.D. song) "I Won't Let You Down" is a 1982 single by British band Ph.D. It entered the UK charts in April 1982 at #34 and peaked at #3 in May of that year. The band consisted of Jim Diamond who was the lead vocalist, Tony Hymas on keyboards and Simon Phillips on drums. It went on to become the 23rd best-selling single of 1982 in the UK. The album and 7" single versions (which is usually the version played on radio) of the song are subtly different – the single version begins with a

neg: Light's associativity test For each "t" in "T", let "L"("t") be the "m" × "n" matrix of elements of "X" whose "i" - th row is and let "R"("t") be the "m" × "n" matrix of elements of "X", the elements of whose "j" - th column are According to the generalised test (due to Bednarek), that the property to be verified holds if and only if "L"("t") = "R"("t") for all "t" in "T". When "X" = "T", Bednarek's test reduces to Light's test. There is a randomized algorithm by Rajagopalan and Schulman to test associativity in time proportional to the input

neg: Glass Spider Tour like 'Warszawa.' I tried that, and that was a bit yawn-making. There was one I was humming to myself the other day: [sings] 'Baby, baby, I'll never let you down' – oh lord, what's that one? Jesus, I can't remember it. ... 'Sons of the Silent Age!' [snaps fingers] Ah! That's right! Thank god I could remember it! So that for me now is a new song. I've never done that one onstage." "Sons of the Silent Age" was performed every night of the tour. All but two songs ("Too Dizzy" and "Shining Star (Makin' My Love)") from his album

neg: Good Enough (Evanescence song) the key of F minor, while Lee's vocals for the song range from the musical note of G to the note of E. The song contains strings, piano and Amy Lee's vocals as the main instrumentation. In "Good Enough", Lee "talks about the rapturous hold of something bigger than herself" in the text "Shouldn't have let you torture me so sweetly … / Shouldn't have let you conquer me completely / Now I can't let go of this dream / Can't believe that I feel / Good enough for you." In the song she also sings the lines "I'm still

neg: Glottalization Glottal reinforcement may occasionally be observed in more conservative varieties of Tweants, a dialect of the Dutch Low Saxon language group. It almost exclusively concerns the consonant, and is sometimes orthographically represented by a double -t. It mostly occurs in monosyllabic verbs, such as "iej loatt" (you let) and "wie weett" (we know). Sometimes it may also occur in contracted words, such as in the phrase: "Wo geet t?" (lit. "how goes it?"), which is pronounced . Glottalization English accents Glottalization Glottalization is the complete or partial closure of the glottis during the articulation of another sound. Glottalization of vowels

neg: World Orthography Σ), Θ, and straight-bottomed Ʒ (shaped like reversed sigma). English sample from Jones 1948: Sinhala sample, "The North Wind and the Sun", from Perera and Jones 1938: World Orthography The World Orthography (WO) is an alphabet and transcription system based on the Africa Alphabet and the International Phonetic Alphabet. In Daniel Jones’s 1948 "Difference between Spoken and Written Language", an adaptation of WO for English is given with the letters a b c d ð e ə f g h i j k l m n ŋ o p r s ʃ t θ u v w x y z

neg: World Orthography World Orthography The World Orthography (WO) is an alphabet and transcription system based on the Africa Alphabet and the International Phonetic Alphabet. In Daniel Jones’s 1948 "Difference between Spoken and Written Language", an adaptation of WO for English is given with the letters a b c d ð e ə f g h i j k l m n ŋ o p r s ʃ t θ u v w x y z ʒ. The capitals of ð, ə, ŋ, ʃ, θ, and ʒ are: Ð (shaped like Ƌ), Ə, the Ŋ (shaped like large ŋ), Ʃ (shaped like sigma

neg: I Will Never Let You Down peaked at number seventy-seven on the "Billboard" Hot 100 chart. "I Will Never Let You Down" also peaked at number twenty-two on the Mainstream Top 40 chart and topped Dance Club Songs chart. The music video for "I Will Never Let You Down" was filmed in Los Angeles and directed by Francesco Carrozzini. The video features twin dancers Polly and Sophie Duniam. Ora premiered the video in Leicester Square on 31 March 2014. It was uploaded to her official Vevo account the same day. Ora performed "I Will Never Let You Down" for the first time on television on an

neg: I Won't Let You Down (Ph.D. song) fades to black. The second version was set in a dressing room at a club with Diamond performing the song as he professes his love to a woman sitting next to him. He also looks at the mirror and after he turns around his image also sings. In the end, Diamond does win over the woman, but after he leaves the room as his mirror image walks up to her (who was in actuality looking in the mirror at Diamond). The third video version of the song is set in a studio with a large statue in the background. Diamond

neg: California King Bed Langone, contestants of the tenth season of "American Idol", covered the song during one of the nights. American rapper Snoop Dogg, released an unofficial remix of the song along with a music video. In his version of the song he sings the lines "California dreamin', schemin', you got me gleamin'/ I need you on my team 'n you get my meanin'/ It sound crazy but it's amazing/ Lay down with me so we can make some babies." The accompanying music video a girl which looks like Kim Kardashian waiting him at the hotel, while the official video of the song

neg: Loop-erased random walk the loop-erased random walk until time "T" is LE("R"([1,"T"])). In other words, take "R" from its beginning until "T" — that's a (random) path — erase all the loops in chronological order as above — you get a random simple path. The stopping time "T" may be fixed, i.e. one may perform "n" steps and then loop-erase. However, it is usually more natural to take "T" to be the hitting time in some set. For example, let "G" be the graph Z and let "R" be a random walk starting from the point (0,0). Let "T" be the time when

neg: Let Me Ride was used for the Up In Smoke Tour in 2000. Dr. Dre also produced the beat for the remix. Nate Dogg refers to "Let Me Ride" in Warren G's 1994 song "Regulate", in which he sings, "She said 'my car's broke down and you seem real nice, would ya let me ride?'" Rapper Fabolous, in his 2001 hit "Can't Deny It", had the lyric ""bitches be yellin "let me ride", like I'm Snoop, and Dr. Dre."" Rapper The Game similarly refers to "Let Me Ride" in his 2005 song "Put You on the Game", where he claims to be in

neg: Sings Way Out from Down Under Sings Way Out from Down Under Sings Way Out from Down Under was the first of two ABC albums for Jazz singer Lu Elliott. It featured songs such as "I've Got You Under My Skin", "Some Other Town" and "I Was a Fool". The Album was released in 1967 on ABC ABC 584 and ABCS 584. It was dedicated to Elliott's Australian audience stemming from her time in Australia. The arrangements for the album were by Johnny Pate. "I Love The Ground You Walk On" which was produced by Jpohnny Pate and Lou Zito was released as a single in

neg: Yung L.A. Jason and let him know I want my release papers dog, I want my walking papers whatever I gotta pay you'll whatever it gone to take, im ready to walk, because my name big enough right now I gotta big enough buzz and a big enough fanbase to say f*** it I'm a do this s*** independent, let me get all my money you feel me. So you know that's really what it was, it wasn't no bad blood it just like a n**** gotta family, a n**** got kids to feed, so a n**** gotta make the best decision

neg: O'Nan–Scott theorem of "M" is primitive and if we take "α" = 1 we have "M" = {("t","t")|"t" ∈ "T"}, which includes Inn("T") on Ω. In fact any automorphism of "T" will act on Ω. A primitive group of type HS is then any group "G" such that "M" ≅ "T".Inn("T") ≤ "G" ≤ "T".Aut("T"). All such groups have "N" and "N" as minimal normal subgroups. HC (holomorph of a compound group): Let "T" be a nonabelian simple group and let "N" ≅ "N" ≅ "T" for some integer "k" ≥ 2. Let Ω = "T". Then "M" = "N" × "N"

neg: Dammn Baby vocals cooing "dammn, dammn" over the beats. According to PopCrush's Bradley Stern, "Dammn Baby" "blends in slick synths and DJ Mustard-esque beats" for a "solid, motivational groove", while referencing to the singer's own originality: "Can't nobody tell you what you can't do, shut that down automatic / And I guarantee they'll all fall in line". Jackson also sings, "It's all about love" / And how we ain’t gonna never let words get in the way". Anupa Mistry of "Pitchfork" said that the "lazy bass and airy vocals" of "Dammn Baby" sounded like "Tinashe-meets-Teena Marie". Desiree O from Brit + Co

neg: Freak Scene plays the guitar like he skis: effortlessly and fully in control. The song slows down, catches on fire, whispers sweet harmony and then starts blowing a tornado. 'So fucked ...you'd see it,' J. sings with heavy resignation ... 'Don't let me fuck up will you?' J. pleads, helpless in his slumber. 'Because when I need a friend, it's still you.'" "Freak Scene" is rated as one of the best songs by Dinosaur Jr. In his review of "Bug", Stephen Thomas Erlewine of Allmusic called the track "the masterpiece of the record, . . . a surprisingly catchy song encapsulating the

neg: F.I.N.E.* Music Resource Center censorship campaign during this time), and "Joe Perry" (a reference to Aerosmith's lead guitarist). The only mentions of the term "F.I.N.E." are in the line "my brand new baby looks so F-I-N-E fine" and in a bridge towards the end of the song, where Tyler sings, "Everything about you is so F-I-N-E fine". Later on the "Pump" album, in "What It Takes", is the line, "Girl, before I met you I was F-I-N-E fine". "F.I.N.E." was one of the potential titles brainstormed for the album that became "Pump", but was blocked by Geffen A&R man John Kalodner.

neg: Just a Girl am a female'." Other themes of "Just a Girl" display Stefani's exasperation over stereotypical female portrayals; Stefani sings: "Don't you think I know exactly where I stand? / This world is forcing me to hold your hand". She gathered examples from her sister and female friends of how being "just a girl" is patronizing. Through "sustained sarcasm", she sings: "I'm just a girl in the world / That's all that you'll let me be / I'm just a girl, all pretty and petite / So don't let me have any rights". Critiques of "Just a Girl" during its release era

neg: Let Me Love You (Tamara Todevska, Vrčak and Adrijan Gaxha song) Skopje Fest with the song, "Kaži Koj Si Ti", losing to Karolina Gočeva, who went on to represent Republic of Macedonia at the Eurovision Song Contest 2007. Adrian Gaxha was a runner-up in the 2006 Macedonian Eurovision qualifier, having performed the song "Ljubov E" with Esma Redžepova. Vrčak, Tamara and Adrian have also taken some promotional photos of their Macedonian entry for the Eurovision Song Contest. "Vo ime na ljubovta" is an R&B-style song with several hip hop verses. Tamara sings about the person she loves, explaining that "without you every second is killing me slowly". She sings that "I

neg: Ω-consistent theory but ω-inconsistent (as it proves formula_1, and "c" ≠ "n" for every number "n"). Σ-sound ω-inconsistent theories using only the language of arithmetic can be constructed as follows. Let "I"Σ be the subtheory of PA with the induction schema restricted to Σ-formulas, for any "n" > 0. The theory "I"Σ is finitely axiomatizable, let thus "A" be its single axiom, and consider the theory "T" = "I"Σ + ¬"A". We can assume that "A" is an instance of the induction schema, which has the form If we denote the formula by "P"("n"), then for every natural number "n", the theory

neg: You Got to Move Vastine said, 'I see my name,' and she went down the list and she took the ruler from me and she said, 'That's Anna, that's my first name.' And then she went over on the other side up and down 'til she found Vastine and said, 'That's my name, V-A-S-T-I-N-E ,Vastine.' And goose pimples just came out all over me, because that woman couldn't read or write when she came in there. She was 65 years old." Bernice Johnson Reagon A college student who participated in challenging the legality of segregated public facilities in her hometown of Albany, Georgia—a student

neg: Polynomial greatest common divisor "n" − 2"i")-submatrix of "S" which is obtained by removing the last "i" rows of zeros in the submatrix of the columns 1 to "n" − "i" and "n" + 1 to "m" + "n" − "i" of "S" (that is removing "i" columns in each block and the "i" last rows of zeros). The "principal subresultant coefficient" "s" is the determinant of the "m" + "n" − 2"i" first rows of "T". Let "V" be the ("m" + "n" − 2"i") × ("m" + "n" − "i") matrix defined as follows. First we add ("i" + 1) columns of

neg: Let No Man Write My Epitaph (1960). Ella Fitzgerald, in her role as "Flora", performs several songs in the film, including "I Can't Give You Anything But Love, Baby", "Angel Eyes", and "Reach For Tomorrow". In connection with the film's release, Fitzgerald released the album "Ella Fitzgerald Sings Songs from "Let No Man Write My Epitaph"" containing the songs from the film along with other selections. Let No Man Write My Epitaph Let No Man Write My Epitaph is a 1960 American crime drama film about the son of an executed criminal who aspires to escape his impoverished, crime-ridden neighborhood with the help of his mother

neg: You Found Me 42 on Billboard's "Top 100 Digital Tracks of the Decade" list and No. 61 on the ARIA's list of the "Top 100 Tracks of the Decade." In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song: "'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you’re let down, sometimes you’re the one who lets someone else down. It gets hard to know who you can trust,

neg: Howard Brown (Halifax Bank) Ricky Gervais as David Brent and Paul "Bubble" Ferguson from Big Brother 2. The three men took part in a nightclub promotion "Blind Date" game which was hosted by Mike McClean. Brown and Bubble were getting on much better with the female contestant than Brent, much to his dissatisfaction. When Brown sat down, McClean shouted at the audience "Who gives you extra?" to which they replied "Who Who Who?". This is a reference to the Halifax advert which sings "Who gives you extra?" to the tune of "Who Let the Dogs Out?" by the Baha Men. Brown does not actually

neg: Compact operator on Hilbert space strong operator topology and "T" is compact, then "ST" converges to "ST" in norm. For example, consider the Hilbert space "l"(N), with standard basis {"e"}. Let "P" be the orthogonal projection on the linear span of {"e" ... "e"}. The sequence {"P"} converges to the identity operator "I" strongly but not uniformly. Define "T" by "Te" = (1/"n") · "e". "T" is compact, and, as claimed above, "PT" → "I T" = "T" in the uniform operator topology: for all "x", Notice each "P" is a finite-rank operator. Similar reasoning shows that if "T" is compact, then "T" is the

neg: Right Here Right Now (Jordin Sparks album) for those people. Sparks sings "Baby, on the low / You stay on my page cause I guess I’m your favorite / But you won’t let it show, no way / If you like what you see then you gotta let me know / Bet you won’t double tap that hoe / Bet you won’t double tap that hoe". The next song, "Boyz In The Hood" keeps the upbeat energy of the album going with its piano-led snapping production. The "infectious" jam sees Sparks take on her ideal version of the perfect bad boy, describing all different types of guys

neg: Wet the Bed begins with keys laced over a beat of dripping sound effects. It also makes use of acoustic guitar. According to Brad Wete from "Entertainment Weekly", the song "rival[s] the bump-'n'-grind heights of '90s Casanova crew Jodeci." Ludacris opens the song proclaiming: "Hear the sound of your body drip, drip, drip / As I kiss both sexy lip, lip, lips." Using "blatant sexual metaphors", Brown then sings: "I ain't afraid to drown, if that means I deep up in your ocean yeah / Girl I'll drink you down, sipping on your body all night." Brown and Ludacris performed the song live

neg: Who Says (Selena Gomez & the Scene song) low-note of G# to the high-note of E. The song contains string accents described as "sympathetic, but not overpowering". Described as a "jangly pop tune", having an "overarching feel-good vibe", lyrically, the song speaks of "embracing who you are and not letting your critics get you down". Gomez sings of insecurities, and people telling her she is not good enough, before asserting "I'm sure you got some things/ You'd like to change about yourself/ But when it comes to me/ I wouldn't want to be anybody else." According to Brian Voerding of AOL Radio Blog, "Gomez sings about staying true

neg: Rigid body dynamics known as the "principle of virtual work." This is equivalent to the requirement that the generalized forces for any virtual displacement are zero, that is "Q"=0. Let a mechanical system be constructed from n rigid bodies, B, i=1...,n, and let the resultant of the applied forces on each body be the force-torque pairs, F and T, i=1...,n. Notice that these applied forces do not include the reaction forces where the bodies are connected. Finally, assume that the velocity V and angular velocities ω, i=,1...,n, for each rigid body, are defined by a single generalized coordinate q. Such a system of

neg: Just Wanna Rock N' Roll to The Boot. "You choose to be happy, and in life we have as many good days as bad days. I try to find and record those songs that pull you through the bad days, and keep you believing that the good days are just around the corner. Sometimes it's just a matter of singing [Atkins sings] 'oh, oh, oh' when you feel that thing in your head, where you're stressed out or messed up. It's crazy, but it works. It carries you through some tough times. I see the crowd singing 'Rock 'N Roll' or 'Back Road' at my

neg: Stephen Street to fire warning shots across his bow, say 'Listen, you've got to sort yourself out here because if you don't I can't work with you'. I felt like I was going to let down the rest of the band if I walked away from things." Street went on to produce the band's third album Sequel to the Prequel. Street also produced Doherty's solo album "Grace/Wastelands" (2009) and also will produce the next Babyshambles record. In 1988, Street, along with journalist Jerry Smith, set up the Foundation Label. The label was home to artists including Bradford and Sp!n. However, the label

neg: With You (Mariah Carey song) her 1998 single "Breakdown" featuring Bone Thugs-n-Harmony, as she sings "Ever since that Bone Thugs song, you ain't gotta break down, you're too strong". Some critics thought that the song was reminiscent of Carey's earlier work including the songs: "I Stay in Love", "Bye Bye", and "Angels Cry", and lauded the singer for being "one of the few pop/R&B stars to have consistently and overtly woven her life into her songs in the confessional manner of the more rootsy (and white) prototypical singer-songwriter image". The song is performed in the key of A major with a tempo of 74 beats

neg: Used to Love You a record out where I’m actually going through things in real time. [But t]his is like, I wrote that song like a couple weeks ago." According to Daniel Kreps of "Rolling Stone" that could be seen in the lines of the chorus, "I don't know why I cry / But I think it's cause I remember for the first time / Since I hated you / That I used to love you." In other poignant lyrics, she sings, "I guess nobody taught you, nobody taught you how to love." Kreps further compared the lyrical content of "Used to Love You"

neg: Die Feen who she is. But the day before he did ask her, and Arindal and Gernot found themselves in the wilderness. Morald and Gunther depart before Arindal can know of their presence. Arindal appears and sings of his grief at the loss of Ada ("Wo find ich dich, wo wird mir Trost?"). Gernot tries to argue him round to believing that Ada is a sorceress who has abandoned him and that he should return to his kingdom. He sings of an evil witch who had disguised herself as a beautiful woman ("War einst 'ne böse Hexe wohl"). Gunther returns, disguised as

neg: Devendra Banhart 2005 Devendra collaborated with Antony and the Johnsons on the award-winning album "I Am a Bird Now". Banhart sings the introduction to the song "Spiraling" and plays guitar on "You Are My Sister" in which Boy George also appears. Devendra was the first artist to design a t-shirt for the Yellow Bird Project, in 2006. He chose to donate the profits from the sale of his T-shirt to the Teenage Cancer Trust. In 2007, he started a relationship with actress Natalie Portman. He recorded his second album for XL Records, "Smokey Rolls Down Thunder Canyon", at his home studio in

neg: I Can't Make You Love Me "I Can't Make You Love Me" was recorded against a quiet electric piano-based arrangement, with prominent piano fills and interpolations supplied by Bruce Hornsby. The singer depicts a now one-sided romantic relationship about to end in soft but brutally honest terms: "Turn down the lights, turn down the bed/Turn down these voices inside my head/Lay down with me, tell me no lies/Just hold me close, don't patronize ... don't patronize me/'Cause I can't make you love me if you don't/You can't make your heart feel something that it won't," she sings. "I Can't Make You Love Me" received acclaim from

neg: Put It Down (Brandy song) prospective beau on his swag. "You’re talking so tough, damn, I love it all, even the way you flex, that’s what turns me on," she sings. Later, according to "Idolator" blog, Brown adopts a Nicki Minaj-like vocal delivery and raps, "Sippin’ on that Brandy, that liquor comes in handy, girl, I know you fancy, but this party I’m financing." In the chorus, Norwood sings: "I’mma put it down / you gon' fall in love." The song received generally positive reviews from music critics upon its release. Priya Elan from "The Guardian" called the song "Brandy's best single for ages". He

neg: Someone like You (Adele song) her confronting his marriage. At the beginning of the song, she sings the lines "I heard that you're settled down/That you found a girl and you're married now. I heard that your dreams came true/Guess she gave you things I couldn't give to you" with a softly voice and accompanied just by a simple piano melody. The lyrics of "Someone like You" are talking about what once was and what could have been as stated by a writer of "Daily Herald". Finding the strength to bounce back from hardship and heartache, Adele sings the lines, "Never mind, I'll find someone

neg: Where Are Ü Now Now" talks about caring and praying for an ex who didn't return the favor, with Bieber yearning for compassion amidst a sea of loneliness. He sings: "When you broke down I didn't leave you/ … I was on my knees when nobody else was praying, oh Lord." In another part, he complains: "I gave you the key when the door wasn't open, just admit it [...] See, I gave you faith, turned your doubt into hoping, can't deny it, Now I'm all alone and my joys turned to moping." Some critics, such as "Complex" Khal, pointed out that it "finds

neg: Turning Tables singer to 1980s Welsh rocker Bonnie Tyler in delivering the vocals with a mixture of anger, pain and pathos. According to "Paste" magazine, cinematic strings "serve as fitting counterpoint to [the song's] heartbroken, hollowed-out lyrics." "Turning Tables" opens with a piano sequence after which Adele sings the first lines: "Close enough to start a war/All that I have is on the floor". The chorus consists of the lyrics: "So I won't let you / Close enough to hurt me / No, I won't rescue / You to just desert me / I can't give you / The heart you think

neg: Alice Doesn't Live Here Anymore look down or go right back to the script. But this kid, you couldn't shut him up." The film was shot on location predominantly in and around Tucson, but some scenes were shot in Amado, and Phoenix. A Mel's Diner still exists in Phoenix. The soundtrack includes "All the Way from Memphis" by Mott the Hoople; "Roll Away the Stone" by Leon Russell; "Daniel" by Elton John; "Jeepster" by T-Rex; and "I Will Always Love You" by Dolly Parton. During her lounge act, Alice sings "Where or When" by Richard Rodgers and Lorenz Hart; "When Your Lover Has Gone" by

neg: Live from New Jersey from "Day I Forgot". The remainder tracks are covers and one new song. The album is a recording of Yorn's performance at the Community Theatre in Morristown, NJ. When Yorn sings "I was killed in half a day, I hadn't time to regret you, R-E-A-C-T" in the song "Life On A Chain," he is referencing the song "Harborcoat" by R.E.M. off of their album Reckoning. In "Harborcoat," Michael Stipe sings "There's a splinter in your eye and it reads 'react,' R-E-A-C-T." Live from New Jersey Live from New Jersey is a live album released by Pete Yorn in 2004. It

neg: Impatient (Anna Abreu song) Abreu sings 'you say you listen but you never do' and 'you make me sad when I'm happy'. However, rather than be deluded, she is fully aware of the negativity the relationship is causing, but is unable to break away due to her love for her partner: 'still I go weak when you just look at me'. The song ends with Abreu providing a clear ultimatum: 'let me love...or let me be free'. Released only to radio in order to promote the album from which it was lifted, "Impatient" did not chart on the Finnish Top 20 or the Download

neg: All I Want for Christmas Is You nucleus of the song, the melody primary music, and then some of the words were there as we finished writing it. I started playing some rock 'n' roll piano and started boogie woogie-ing my left hand, and that inspired Mariah to come up with the melodic [Sings.] 'I don't want a lot for Christmas.' And then we started singing and playing around with this rock 'n' roll boogie song, which immediately came out to be the nucleus of what would end up being 'All I Want For Christmas Is You.' That one went very quickly: It was an easier song

neg: You Take My Heart Away on the "Billboard" Hot 100, "Stargazer" from Neil Diamond. Only one track dates from a previous era: "Can't Help Falling in Love" was recorded by Elvis Presley in 1962. Two singles were issued from the album "I Let You Let Me Down Again" which featured "Razzle Dazzle", a non-album track, on the B-side. The second single, issued in the wake of the success of the "Rocky" movie, was "You Take my Heart Away" with "I Let You Let Me Down Again" issued as the B-side. "You Take My Heart Away" was issued originally on 33.3rpm vinyl and audio cassette with

neg: Zooey Deschanel group Von Iva in a fictional band called "Munchausen by Proxy". In "500 Days of Summer" (2009), Deschanel sings a cover of The Smiths's "Please, Please, Please, Let Me Get What I Want" and it appears on the soundtrack of the film, as performed by She & Him. She also sings a cover of "Sugar Town" by Nancy Sinatra. Deschanel and Joseph Gordon-Levitt did a music video, called "Bank Dance", directed by "500 Days of Summer" director Marc Webb, to accompany the film. It uses the She & Him song "Why Do You Let Me Stay Here?", and some complicated

neg: Clay Walker (album) about Walker, James Stroud flew down to Beaumont, Texas to meet him and see his show. After being "completely impressed", Stroud brought Walker to Nashville to record demos and then signed him to Giant and they began work on the debut album. Stroud revealed, "Clay is very consistent, and that's pretty rare in such a young act. He's one of those artists who, when he sings and you hear him going down on tape, you just know. I knew it with Clint [Black], and I could hear it with Clay." Walker explained the meeting in "SUCCESS" by saying, "I finished

neg: I Will Never Let You Down of the Beautiful Game" (2014). The production was done by British record producer Switch. Digital download CD single Digital download – Remixes Digital download – Remixes (Beatport exclusive) Streaming – Remixes I Will Never Let You Down "I Will Never Let You Down" is a song by British singer Rita Ora, released on 31 March 2014, through Roc Nation and Columbia Records. The song debuted at number one on the UK Singles Chart, making it Ora's fourth overall UK number-one single (and third as a solo artist) within three years. In January 2014, Ora appeared alongside Nick Grimshaw and Paolo

neg: I Will Never Let You Down episode of "The Tonight Show Starring Jimmy Fallon" which aired on 22 April 2014. Towards the end of the performance, pop artist Mr. Brainwash appeared, dousing her with colorful paint while she continued to sing. On 8 May 2014, she performed "I Will Never Let You Down" on the finale of "Germany's Next Topmodel". Ora was supposed to perform the song at the 2014 Teen Choice Awards, but was forced to pull out after ex-boyfriend, Calvin Harris, refused to allow her to perform their song. "I Will Never Let You Down" was remixed for the Pepsi visual album, "Pepsi Beats

neg: I Will Never Let You Down I Will Never Let You Down "I Will Never Let You Down" is a song by British singer Rita Ora, released on 31 March 2014, through Roc Nation and Columbia Records. The song debuted at number one on the UK Singles Chart, making it Ora's fourth overall UK number-one single (and third as a solo artist) within three years. In January 2014, Ora appeared alongside Nick Grimshaw and Paolo Nutini to announce Radio 1's Big Weekend 2014 in Glasgow. During the promotion, she confirmed she had collaborated with Calvin Harris on a new song. The preview of the song was

neg: Back to Basics (Christina Aguilera album) artists including Etta James, Marvin Gaye, Coltrane and Aretha Franklin. "F.U.S.S." (which stands for "Fuck You Scott Storch"), is directed toward producer Scott Storch, who didn't accept Aguilera's offer to produce "Back to Basics", containing lyrics such as: "Looks like I didn't need you / Still got the album out". In the lyrics of "Slow Down Baby", Aguilera tells a "lusty" man to leave her alone as she sings: "If you knew anything you'd realize I'm wearing a ring". "Still Dirrty" was described as a sequel to Aguilera's song "Dirrty" (2002), in which Aguilera sings about her "sexual independence": "Why

neg: Little Women (opera) 20. We Stand Together on the old 21. Jupiter Ammon! The Poetry! 22. We Stand Together On This Old/New Day 23. Don't Dare Suggest It, Laurie Act II 1. Cockling? Cackling? 2. Drizzling In New York 3. But That's Why I Loved It! So Lurid and Preposterous 4. Kennst Du Das Land, Wo Die Zitronen Bluhn? 5. Do You Know The Land Where The Lemon Trees Bloom? 6. It's Lovely. My Father Swears By Him 7. She's Asked For You 8. Have Peace Jo 9. She Who Is Down Need Fear No Fall 10. That's The Problem With Solitaire: You

neg: Ambient construction scaling action. Then the following properties are immediate: Let "N" = "N" × (-1,1), with the natural inclusion "i" : "N" → "N". The dilations δ extend naturally to "N", and hence so does the generator "X" of dilation. An ambient metric on "N" is a Lorentzian metric "h" such that Suppose that a fixed representative of the conformal metric "g" and a local coordinate system "x" = ("x") are chosen on "M". These induce coordinates on "N" by identifying a point in the fibre of "N" with ("x","t""g"("x")) where "t" > 0 is the fibre coordinate. (In these coordinates,

neg: Lost in You (Three Days Grace song) band's music. While electric guitars still play a prominent role, the focus is on Adam Gontier's voice and the melody. The song, unlike much of the band's other works, is quite positive. It is a song written with simple words: "Let me inside, let me get close to you / Change your mind, I'll get lost if you want me to / Somehow I found a way to get lost in you." The lyrics are bittersweet as Gontier sings about a love that has its ups and downs. On March 15, 2011, the band released an EP, via online download,

neg: Boyfriend (Justin Bieber song) the key of B♭ minor and its tempo is 54 beats per minute. The song opens with Bieber using a lower-register and breathy vocals while rapping, "If I was your boyfriend, I’d never let you go/ I can take you places you ain’t never been before/ Baby, take a chance or you’ll never ever know/ I got money in my hands that I’d really like to blow/ Swag, swag, swag on you/ Chillin' by the fire while we eatin’ fondue." As the chorus follows, he adopts a Michael Jackson similar falsetto, and sings about being "everything you want". The instrumentation,

neg: Barnacle Bill (song) as lyrics only with no indication of key or meter. <poem> "Who is knocking at my door," "Who is knocking at my door," "Open the door and let me in," "Open the door and let me in," "You may sleep upon the floor," "To hell with the floor, I can't fuck that," "You may lie down at my side," "To hell with your side, I can't fuck that," "You may lie between my thighs," "What've you got between your thighs?" "O, I've got a nice pin-cushion," "And I've got a pin that will just fit in," "But what if we

neg: Let Me Down verse made up for it and he is sick." Smith added in a press release: "'Let Me Down' is about meaning very little to someone, but being okay with that, even though it hurts." She explained that the song was inspired by her dream of writing a James Bond theme song. "When I am writing music I sometimes envision a video playing alongside. 'Let Me Down' does sound quite Bond-y: you can imagine it during a scene when "James Bond" has gone down into an underground, dimly lit, secret bar and he approaches the Bond girl who is sitting at

neg: Talk a Good Game a "snaky but sweet" production from T-Minus Rowland sings "I don’t think I can take another broken promise / Why do things the hard way when you can just be honest". Hampp said that Cossom's rap gave the song a "street edge". It takes the listener on an emotional journey according to "The Honesty Hour". The next song, "Down on Love", is a midtempo production featuring another classic sample, this time the 1987 song "Rock Steady" by American R&B group The Whispers. Using her mezzo-soprano vocals, Rowland takes on a downtrodden romantic situation, "We want two different things at two

neg: George S. Patton are the first Negro tankers ever to fight in the American Army. I would never have asked for you if you weren't good. I have nothing but the best in my army. I don't care what color you are, so long as you go up there and kill those Kraut sonsabitches! Everyone has their eyes on you and is expecting great things from you. Most of all, your race is looking forward to you. Don't let them down and, damn you, don't let me down!" Likewise, Patton called heavily on the Black troops under his command. Historian Hugh Cole notes

neg: Up Down (Do This All Day) was only right. I don't make people conform to what I'm doing when I got to get somebody. When you get T-Pain, you don't really want to tell T-Pain what to do. If you got in mind what you want T-Pain to do, you could've done it yourself. That's where B.o.B came from, and he enjoys strip clubs as much as I do. It was only right to get him." On January 14, 2014, T-Pain performed "Up Down (Do This All Day)" on DJ Skee's "SKEE Live". On January 16, 2014, T-Pain performed the song on "The Arsenio Hall Show".

neg: Radar (song) the rest of "Blackout" and added that it "sounds like Las Vegas goes Eurodisco." In the lyrics, Spears lets the subject know he is on her radar, while she lists the qualities the man has. Kimberly Chou said Spears' delivery "[is] so aggressive it's almost threatening." Spears sings lyrics such as "Confidence is a must / cockiness is a plus / edginess is a rush / edges I like 'em rough / A man with a Midas touch / Intoxicate me I'm a lush." During the bridge she sings "I got my eye on you / And I can't let

neg: From the Sky Down were at times uncomfortable with the extent to which Guggenheim probed into their history. Responding to the band's concerns, Guggenheim said, "I tell the story that's in front of me, warts and all. In the rock 'n' roll business, it's about adding layers. My process strips layers away. Rock stars are more comfortable creating an aura and mystique." Despite U2's discomfort, they allowed Guggenheim to have creative control over the film. He remarked, "They said from the beginning, we want you to make the movie that you want to make and they let me make the movie I wanted to

neg: 1000 Fires a slamming heavy metal guitar intro on an insanely hyper track." The song is about a dominant female who nurses a broken heart as she sings, "Let me kiss it and make it better/After tonight you will forget her". "Fallen Angel" is also an up-tempo techno-trance song with elements of ambient music. It features Spanish guitar and castanets. The lyrics were influenced by and written surrounding the death of Kurt Cobain. The third track, "Good-N-Evil", incorporates elements of industrial music. "Fly" is a mid-tempo song built around a trip hop beat. The album's fifth track and the only ballad on

neg: George Jones singer is, I say, 'You mean besides George Jones?'"; Randy Travis: "It sounds like he's lived every minute of every word that he sings and there's very few people who can do that"; Tom T. Hall: "It was always Jones who got the message across just right"; and Roy Acuff: "I'd give anything if I could sing like George Jones". In the same film, producer Billy Sherrill states, "All I did was change the instrumentation around him. I don't think he's changed "at all"." Unlike some of his contemporaries, Jones painstakingly adhered to country music. Jones never reached the top

neg: Differential forms on a Riemann surface on the non-compact Abelian group C = R, i.e. the methods of Fourier analysis, in particular convolution operators and the fundamental solution of the Laplacian. Let T = {("e","e": "x", "y" ∈ [0,2π)} = R/Z = C/Λ where Λ = Z + "i" Z. For λ = "m" + "i" "n" ≅ ("m","n") in Λ, set . Furthermore, set "D"= -"i"∂/∂"x" and "D" = -"i"∂/∂"y". For α = ("p","q") set "D" =("D") ("D"), a differential operator of total degree |α| = "p" + "q". Thus , where . The ("e") form an orthonormal basis in C(T) for the inner product

neg: Virtual work principle of virtual work, which is used to derive the equations of motion for a mechanical system of rigid bodies. The expression "compatible displacements" means that the particles remain in contact and displace together so that the work done by pairs of action/reaction inter-particle forces cancel out. Various forms of this principle have been credited to Johann (Jean) Bernoulli (1667–1748) and Daniel Bernoulli (1700–1782). Let a mechanical system be constructed from n rigid bodies, B, i=1...,n, and let the resultant of the applied forces on each body be the force-torque pairs, F and T, i=1...,n. Notice that these applied forces