query: who sang tik tok and we are who we are

pos: We R Who We R We R Who We R "We R Who We R" is a song by American singer Kesha from her first extended play (EP), "Cannibal" (2010). The song was released as the EP's lead single on October 22, 2010. It was written by Kesha, with Jacob Kasher Hindlin, Dr. Luke, Benny Blanco and Ammo. Production of the song was completed by Dr. Luke, Blanco, and Ammo. In the wake of news that bullying had led to multiple suicides of gay youth, Kesha wrote the song in hopes that it would become a pride anthem. The song is intended to inspire people

pos: We R Who We R Lipshutz from "Billboard" gave the song a positive review; he praised Dr. Luke's production and the song's chorus. Lipshutz commented on the song's similarity to "Tik Tok", writing, "Instead of straying from the 'TiK ToK' formula, 'We R Who We R,' ... smartly maximizes [Kesha's] most appealing qualities." The review concluded that the song "demonstrates that [Kesha] still has mileage left in her electro-pop sound as she gears up for her next album." Leah Greenblatt of "Entertainment Weekly" called the song a "companion piece" to Pink's "Raise Your Glass" citing their similar subject matter and close releases. Nitsuh Abebe from

pos: We R Who We R footsteps of Kesha's previous singles, as Kesha uses her talk-singing vocal style throughout the song. Kesha uses layered vocals that are enhanced in some parts with the use of Auto-Tune. Musically, the song has been said to follow a musical structure similar to her debut single, "Tik Tok" (2009). According to sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "We R Who We R" is written in the time signature of common time, with a moderate beat rate of 120 beats per minute. The song is written in the key of Eb major; Kesha's vocal range spans from the

pos: Tik Tok She further described the theme of the song in an interview, emphasizing that it embodied her own lifestyle, We're [Kesha and her friends] all young and broke and it doesn't matter. We can find clothes on the side of the street and go out and look fantastic, and kill it. If we don't have a car that doesn't stop us, because we'll take the bus. If we can't afford drinks, we'll bring a bottle in our purse. It's just about not letting anything bring you down. "Tik Tok" is an upbeat dance-pop and electropop song that incorporates the sound of

pos: We R Who We R to be themselves, and as a celebration of anyone deemed quirky or eccentric. Musically, the song is a dance-pop song that incorporates elements of electropop and techno; it uses a synth-infused beat as a backing with sounds interpreted as hand claps. Kesha's vocals have been described as a talk-singing style that use layered Auto-Tune in some parts and vocoders.The song has been compared to her debut single "Tik Tok" (2009), as it has a similar musical structure. "We R Who We R" debuted at number one on the "Billboard" Hot 100, making it the 17th song in the chart's history

pos: We Are the World 25 for Haiti number three in Norway on the charts issue date of February 16, 2010; the chart's position is currently the song's highest charting international territory since its release. The song debuted at number 25 in France on the issue date of February 13. "We Are the World 25 for Haiti" charted at number two on the "Billboard" Hot 100, behind Kesha's "Tik Tok". "We Are the World 25 for Haiti" charted higher in its debut week than the original version, which entered the "Billboard" Hot 100 at number 21. According to "Billboard", the song's charting position stemmed mainly from download sales,

pos: Tik Tok dangers. The members of Glee Club are asked to perform at the school's alcohol awareness assembly, in which "Tik Tok" is one of the songs performed. Todd VanDerWerff of "The A.V. Club" wrote that the song's inclusion in the episode was superfluous, stating that it was just an excuse to get a Kesha song on "Glee". VanDerWerff however, wrote that he "REALLY liked Heather Morris'" rendition of the song. Sandra Gonzalez of "Entertainment Weekly" praised Brittany's choreography and overall performance in "Tik Tok", writing, "The huge star of this number was clearly Brittany, who more and more every week proves

pos: Max Martin on the iTunes singles chart in 50 minutes, hence breaking the previous record held by Lady Gaga's song "Born This Way" with a record of an hour, making "We Are Never Ever Getting Back Together" the fastest selling single in digital history at that time. Swift's "We Are Never Ever Getting Back Together" set the record for the biggest digital sales week (623,000) ever for a song by a female artist, surpassing the record held by Kesha's "Tik Tok" (2009). It also reached the top of the iTunes single chart in 32 countries. He also co-wrote and produced two other

pos: Tik Tok Kesha’s by a couple of years." However, he thought that "if anyone should feel fleeced by 'Tik Tok', though, it’s Lady Gaga, who probably hears significant chunks of her hit 'Just Dance' in its melody and subject matter." In the United States, on the week ending October 24, 2009, "Tik Tok" debuted on the "Billboard" Hot 100 at number seventy-nine. The song steadily climbed the chart and became the first number one of the 2010s decade. It stayed at number one for nine consecutive weeks. On the week ending December 27, 2009, "Tik Tok" broke the record in the United

pos: Tik Tok Tik Tok "Tik Tok" (stylized as "TiK ToK") is the debut single by American singer Kesha. She co-wrote the song with its producers Dr. Luke and Benny Blanco. It was released on August 7, 2009, as the lead single from Kesha's debut studio album, "Animal". The opening line of the song came from an experience where Kesha woke up surrounded by beautiful women, to which she imagined Diddy being in a similar scenario. The experience triggered the writing of the song which she later brought to her producer, Dr. Luke, who was then contacted by Diddy in hopes of a

pos: Kesha Kesha Kesha Rose Sebert ( ; born March 1, 1987; formerly stylized as Ke$ha) is an American singer, songwriter, rapper, and actress. In 2005, at age 18, Kesha was signed to Kemosabe Records. Her first major success came in early 2009 after she was featured on American rapper Flo Rida's number-one single "Right Round". Kesha's music and image propelled her to immediate success, with her debut album "Animal" debuting at the top of the charts in several countries in 2009 and 2010. She achieved 3 more number-one singles, "Tik Tok" and "We R Who We R" as a solo artist,

pos: Blow (Kesha song) brash. In a separate review from AOL Radio, the song was ranked at position nine on the website's list of "10 Best Songs of 2011". The review concluded that Kesha's strongest songwriting skills pertained to party anthems. The review compared the song to previous singles, "Tik Tok" and "We R Who We R". Robert Copsey from Digital Spy gave the single five out of a possible five stars. Cospey felt that the song was representative of Kesha, writing the track "sums up everything [Kesha] – for all her scrubbiness, Auto-Tuning and boozy antics – is all about." The song's chorus

pos: Get Sleazy Tour a background dancer dressed as a penis joins Kesha and the man on stage, dancing and jumping around. The concert is ended with "Tik Tok" and an encore consisting of "We R Who We R" and the Beastie Boys track "(You Gotta) Fight for Your Right (To Party!)". Stephan Lee from "Entertainment Weekly" was positive in the review of the concert. Lee was skeptical of the concert initially, citing her "less-than-stellar TV performances" as the reason for the apprehension but wrote that he was surprised at "how unexpectedly awesome the show was". Kesha's vocal performance was praised with Lee noting

pos: We R Who We R effort to date" that contained "bouncy Dr Luke beats and her usual bubblegum melodies". Jocelyn Vena from MTV News gave the song a positive review, writing "[Kesha] has found a chart-topping formula, combin[ing] killer beats with lyrics about super-fun parties and hot pants." Vena commented that, although the song was not groundbreaking and did not stray too far away from previous singles "Tik Tok" or "Take It Off", that hardly matters as "it's another uber-fun tune about how awesome it is to dance the night away" with an "inspired [message about] the recent rash of suicides among gay youth." Jason

pos: Kesha 2010 MTV Europe Music Awards. In November 2010, "Animal" was re-released with a companion extended play, "Cannibal". The lead single taken from "Cannibal", "We R Who We R", debuted at the top of the "Billboard" Hot 100 chart in the United States. With two number ones and four top ten hits (among them her featured spot on 3OH!3's "My First Kiss") Kesha was named Hot 100 Artist of 2010 by "Billboard" magazine, with "Tik Tok" ranked as the best-performing song of the year in the US. The follow-up single from "Cannibal", "Blow", also charted in the top ten on the

pos: Tik Tok early video game noises in its production, to yield a bitpop beat. Kesha uses a spoken word rap style on the verses while the chorus is sung. Throughout the song Kesha's vocals are enhanced by Auto-Tune in some places. The song also features two lines by Diddy ("Hey, what up girl?" and "Let's go!") Lyrically, the song speaks about "excess pleasures, from drinking ("Ain't got a care in the world but I got plenty of beer") to men ("We kick 'em to the curb unless they look like Mick Jagger")." According to Kesha the lyrics are representative of herself, stating,

pos: Firework (song) female artist behind Adele's "Hello" (1.1 million), Taylor Swift's "We Are Never Ever Getting Back Together" (623,000) and Kesha's "Tik Tok" (610,000), Swift's "I Knew You Were Trouble" (582,000), Perry's own "Roar" (557,000), Swift's "Shake It Off" (544,000) and ninth highest overall. The song was certified Diamond by the Recording Industry Association of America (RIAA) for the shipment of 10 million copies across the United States. "Firework" is one of six of Perry's songs to top 5 million paid downloads, the others being "Hot n Cold", "California Gurls", "ET", "Roar", and "Dark Horse", and she is the first artist in

pos: Tik Tok States for the highest single week sales, selling 610,000 digital downloads, the highest ever by a female artist since tracking began in 2003 and second highest overall, behind her own spot, "Right Round", by Flo Rida (feat. Kesha) which sold 636,000 copies on the chart dated February 28, 2009. The record would later be surpassed by Taylor Swift's single "We Are Never Ever Getting Back Together" when it sold 623,000 digital copies in its debut week in the week ending September 1, 2012. On the week ending February 6, 2010, the song topped the "Billboard" Pop Songs radio airplay chart

pos: We Are Never Ever Getting Back Together in the week ending September 1, 2012. It is Swift's fourth number one on that chart. It set the record for the biggest digital sales week ever for a song by a female artist, surpassing the record held by Kesha's "Tik Tok", which sold 610,000 digital copies in its largest week. It also surpassed Lady Gaga's song "Born This Way" to become the song with the highest first-week digital sales for a female act. It is also the second largest figure ever overall. Only Flo Rida's "Right Round" has sold more in a week, when it debuted at number one

pos: Tik Tok and Santana also vomits up grey slush. It's a fitting end to the song, and the episode." Credits adapted from the liner notes of "Animal", Dynamite Cop Music/Where Da Kasz at BMI. Tik Tok "Tik Tok" (stylized as "TiK ToK") is the debut single by American singer Kesha. She co-wrote the song with its producers Dr. Luke and Benny Blanco. It was released on August 7, 2009, as the lead single from Kesha's debut studio album, "Animal". The opening line of the song came from an experience where Kesha woke up surrounded by beautiful women, to which she imagined Diddy

pos: Israeli–Palestinian conflict in Hebron money he had received for it. 2010 In February 2010, in an incident compared to the Tapuah junction stabbing, one of a group of militants who were throwing rocks at a Jewish home attempted to stab one of the soldiers who arrived to stop them. In the June 2010 IDF Tik Tok incident there was an international media flap when a group of Israeli soldiers was filmed dancing in the streets of Hebron to "Tik Tok" by Kesha while on patrol in full combat gear. In August, Hamas militants killed four Israelis in a drive-by shooting: Yitzhak Ames, Tali Ames,

pos: Tik Tok was shot in Kesha's old neighborhood and the car featured in the video belongs to her. Kesha explained the experience saying, "the video I'm excited about because I actually got to shoot it in my old neighborhood and the guy driving my gold car is a friend of mine". The video's party scene was shot in her friend's house, which they refer to as the "drunk tank". The singer said "the last party scene is in this house called the drunk tank, which is one of my friend's houses that we all go party at. So I like it cause

pos: Tik Tok a group of children and trades the bicycle for their boombox. The video cuts to another scene where she rejects a guy and is picked up by a man portrayed by Simon Rex who drives her in a gold 1978 Trans Am. They are pulled over by the police, who handcuff Kesha. The scene then pans to her singing while standing in the T-top as she dangles the handcuffs hanging from her left arm. The next scene shows Kesha in an empty room filled with glitter. She then attends a party with Rex for the final scene. The video comes

pos: Rose and Rosie Rose and Rosie Rose Ellen Dix (born 15 June 1988) and Roseanne Elizabeth "Rosie" Spaughton (born 30 May 1990), known as Rose and Rosie, are a married British comedy and entertainment duo who have gained popularity through their YouTube videos. Rose Dix joined YouTube for a university class, establishing the "Rose Ellen Dix" channel. She uploaded her first video, entitled "Rose Dix talks Lisa Scinta," on 30 September 2010. An early assignment during Dix's film degree included attempting to make a video go viral. Dix posted a parody of Kesha's Tik Tok on 26 January 2011, and the video received

pos: Tik Tok its super-honest and genuine." The video begins with Kesha waking in a bathtub in a home as she stumbles out and begins to look for a toothbrush in the restroom. She makes her way down a staircase looking at the pictures lining the wall. Kesha makes her way to the kitchen and walks in on a family who are having breakfast, startling them. She shrugs and then leaves the home as the family gets up and follows her. When she arrives at the sidewalk, she picks up a gold bicycle lying against a fallen fence and rides off. Kesha meets

pos: Tik Tok to work by other artists, stating that "the rapped verses are sub-Fergie-grade, proudly stuffed with groaners and to-hell-with-the-expiration-date slang." Weiner echoed the sentiment that the plotline seemed like "a sequel" to "Just Dance", summing it up as "girl wakes up drunk, stays drunk, finds a dance floor and (spoiler alert) gets even drunker." Jon Caramanica of "The New York Times" described the song as "a zippy and salacious celebration of late nights and mornings-after." He noted that "some have compared Kesha, unfavorably, to Uffie, who is signed to the influential French electronic music label Ed Banger and whose sass-rap predated

pos: Animal (Kesha album) dance song that is layered with a heavy electronic backdrop. Her vocals throughout the song have been described as a shouty sing-speak style. Musically, the song uses a simple, upbeat lyric line. On "Tik Tok" Kesha uses a spoken word rap style on the verses while the chorus is sung. According to her the lyrics are representative of herself, stating "it's about my life, it's 100 per cent me". "Take It Off" has been described as "a heavily Auto-Tuned reworking" of "There's a Place in France". "Kiss n Tell"'s lyrics depict a tale of the ""slutty" ex of [Kesha] [who

pos: Animal (Kesha album) and "Tik Tok" on NBC's "Today". In the performance she was seen wearing boots, fishnets, glitter shorts and a loose tank top. By the second verse, her dancers – dressed head to toe in black – started to appropriately undress to the music as the chorus starts revealing gold shirts and tank-tops. The performance featured smoke machines with Kesha playing notes on an electric keyboard while crawling on the floor. Her performance of "Backstabber" for the Bud Light Hotel Super Bowl event on February 5, 2011 was broadcast on February 9 on "Jimmy Kimmel Live!" "Tik Tok" was released as

pos: Tik Tok broadcast on MTV Networks worldwide, where she performed the song alongside her other tracks "Blah Blah Blah" and "Dinosaur". She performed the song alongside "Blah Blah Blah", "Take It Off", "Your Love Is My Drug" and "Dirty Picture" in a set for BBC Radio 1's Big Weekend. On May 29, 2010, Kesha performed "Tik Tok" alongside "Your Love Is My Drug" at the MTV Video Music Awards Japan. Kesha has also made appearances on "It's On with Alexa Chung", "The Wendy Williams Show", "Lopez Tonight", "Late Night with Jimmy Fallon", "The Tonight Show with Conan O'Brien" and "The Ellen DeGeneres

pos: Tik Tok Show" to perform the song. This song was also performed on "Saturday Night Live" on April 17, 2010. On August 13, 2010, Kesha performed "Tik Tok" on "Today". On November 7, 2010, Kesha performed the song at the MTV Europe Music Awards. Throughout the performance she was seen wearing a leotard with day-glow makeup. The performance featured a backing consisting of flashing lights and background dancers. The song's bridge was changed during the performance and featured a more "amping house music vibe". Kelsey Paine of "Billboard" called the song "a love letter to DJs everywhere, with hand claps that build

neg: Tik Tok that she needs to be moved to the forefront of this show's big performances and storylines." Gonzalez gave the cover version of "Tik Tok" a B, calling it "pure, fun entertainment up until we got to the part straight out of the mind of Gordie LaChance." Erica Futterman of "Rolling Stone" gave the cover version of "Tik Tok" a mostly positive review, writing, "Love Brittany as we do, we wish Rachel or Mercedes stepped up to the mic. The performance is less risqué than their Pep Rally "Push It" but winds up causing more controversy when Brittany pukes on Rachel

neg: Tik-Tok (Oz) Oz". Corresponding to Fred Stone Scarecrow or clown part was Shaggy Man, played by Frank F. Moore, who would later play the Scarecrow in "His Majesty, the Scarecrow of Oz". Tik-Tok did not appear in any of the productions of The Oz Film Manufacturing Company. Tik-Tok appeared in the Thanksgiving special "Dorothy in the Land of Oz" voiced by Joan Gerber. Tik-Tok was a main character in Disney's "Return to Oz", adapted from "The Marvelous Land of Oz" and "Ozma of Oz". His legs are very stout and he speaks with his mustache rather than his teeth. In the movie,

neg: The Tik-Tok Man of Oz the one in "Ozma of Oz". In the Rose Kingdom they meet the Shaggy Man and rescue Ozma, the Rose Princess. Later they meet Polychrome, the Rainbow's Daughter, whom Ruggedo tries to keep in his kingdom to brighten it up. As Baum put it in the introduction of "Tik-Tok of Oz", "There is a play called "The Tik-Tok Man of Oz", but it is not like this story of "Tik-Tok of Oz", although some of the adventures recorded in this book, as well as those in several other Oz books, are included in the play. Those who have seen the

neg: Tik-Tok (Oz) whose description matches Baum's Tik-Tok; however, this character's speech key is never wound. It is strongly implied that this tiktok servant kills Doctor Dillamond, on Madame Morrible's orders. Though no great detail is spent on the topic, Grommetik eventually becomes independent, and, possibly due to disgust of the things he was forced to do, tries to foment rebellion among the tik-toks. John Sladek's 1983 novel "Tik-Tok" turns Baum's genial character into a psychotic murderer. Gregory Benford's 1997 novel "Foundation's Fear", set tens of thousands of years in the future, depicts a group of robots named tik-toks, who are responsible for

neg: Tik-Tok (novel) "Robot fuorilegge", published by Arnoldo Mondadori Editore. In 1988 it was translated into the Finnish as "Tik-Tok", published by Karisto oy. In 1998 a French translation followed as "Tik-Tok" (1998), published by Éditions Denoël. Tik-Tok (novel) Tik-Tok is a 1983 science fiction novel by John Sladek. It received a 1983 British Science Fiction Association Award. The title character is an intelligent robot (named after the mechanical man in the Oz books) who originally works as a domestic servant and house-painter. Unlike other robots, whose behavior is constrained by "asimov circuits"—a reference to Isaac Asimov's fictional Three Laws of Robotics, which

neg: Tik and Tok autograph conventions worldwide, as a result of their roles in "Return Of The Jedi." This led to them coming back together as Tik and Tok after 20 years, and releasing an album titled "Dream Orphans". Tik and Tok then appeared at the 2006 Elektrofest, at Koko in London. Tik and Tok Tik and Tok are the robotic mime and music duo of Tim Dry and Sean Crawford. They began performing together with Shock, a rock/mime/burlesque/music troupe in the early 1980s with Barbie Wilde, Robert Pereno, L.A. Richards and Carole Caplin. Shock's first record "Angel Face", with production by Rusty Egan

neg: Tzeltal language "I am following you" ii. ya a-t'un-on "You are following me" iii. ya s-t'un-otik "He is following us" iv. ya h-t'un-tik-0 "We are following him" v. ya h-t'un-tik-at "We are following you" vi. ya a-t'un-otik "You are following us" or "you (pl.) are following us" vii. ya h-t'un-tik-ex "We are following you (pl.)" viii. ya a-t'un-on-ik "You (pl.) are following me" ix. ya s-t'un-at-ik "They are following you" i. ya hk-il-at "I see you" ii. ya aw-il-on "You see me" iii. ya y-il-otik "He sees us" iv. ya hk-il-tik-0 "We see him" v. ya hk-il-tik-at "We see you" vi. ya

neg: Tik-Tok (novel) servant in the Oz books to analyze Asimov's principles, and to question the social status of robots, was first proposed in the 1978 essay "Tik-Tok and the Three Laws of Robotics" by Paul A. Abrahm and Stuart Kenter in the academic journal "Science Fiction Studies", which Sladek may have read. "Tik-Tok" so far has seen five editions in the English language, spread over three different publishers: Gollancz (who published the 1st edition and two later editions); DAW Books (1985) and Corgi (1984). In 1985 "Tik-Tok" was translated into the German as "Tick-Tack", published by Ullstein-Verlag, and into the Italian as

neg: Tik-Tok (novel) Tik-Tok (novel) Tik-Tok is a 1983 science fiction novel by John Sladek. It received a 1983 British Science Fiction Association Award. The title character is an intelligent robot (named after the mechanical man in the Oz books) who originally works as a domestic servant and house-painter. Unlike other robots, whose behavior is constrained by "asimov circuits"—a reference to Isaac Asimov's fictional Three Laws of Robotics, which require robots to protect and serve humans—Tik-Tok finds that he can do as he pleases, and he secretly commits various hideous crimes for his amusement. After manipulating both robots and humans to cause chaos

neg: Tik-Tok (Oz) As Baum repeatedly mentions, Tik-Tok is not alive and feels no emotions. He therefore can no more love or be loved than a sewing machine, but as a servant he is utterly truthful and loyal. He describes himself as a "slave" to Dorothy and defers to her. Tik-Tok was invented by Smith & Tinker at their workshop in Evna. He was the only model of his kind made before the two disappeared. He was purchased by the king of Ev, Evoldo, who gave him the name Tik-Tok because of the sound he made when wound. The cruel king also whipped

neg: We R Who We R from "The A.V. Club", in the album review of "Cannibal", wrote that her "let’s get fucking fucked-up" attitude on the track was a positive calling her "a complete and utter genius." Hyden reviewed the song alongside fellow editor Genevieve Koski in a separate publication, giving the song a B and a D+, respectively. Hyden reiterated his comments from the album review in his review of the song, but added that the song was sonically similar to her previous singles "Tik Tok" and "Take It Off", adding that on the song she "seems a little more self-aware, imploring each and every

neg: The Scalawagons of Oz their heads are in turrets on their roofs. The Wizard makes Tik-Tok the superintendent of the scalawagon factory. The scalawagons are conscious, but not very smart; Tik-Tok pounds sense into them with a rubber mallet. His new duties wear on the mechanical man, however, and he runs down sooner than expected. Bell-snickle finds the factory; bent on mischief, the monster knocks the stationary Tik-Tok out a window. Bell-snickle ignores Tik-Tok's warning signs, and fuels the scalawagons with "flabber-gas" (apparently a pun on the word "flabbergast"); they quickly fly away. In the disorder, Bell-snickle is soaked in the fluid; blown up

neg: Tik-Tok (Oz) angered by Tik-Tok's calling him a "fat nome", smashes him to pieces. Kaliko secretly reassembled Tik-Tok, but does not tell his master. Ruggedo then mistook the rebuilt Tik-Tok for a ghost. Ever after, he was colored whitish-grey in color plates, apparently a mistake. "The Tik-Tok Man of Oz" was a stage musical loosely adapted from "Ozma of Oz"; and the play was adapted back into a novel called "Tik-Tok of Oz", the eighth Land of Oz book, published on June 19, 1914. Although Tik-Tok is a major character in that latter book, he in no way drives the plot. Tik-Tok

neg: Tik-Tok (novel) and bloodshed, Tik-Tok becomes wealthy (partly through health care privatization) and is finally elected Vice President of the United States. The novel gleefully satirizes Asimov's relatively benign view of how robots would serve humanity, suggesting that the reality would be exactly akin to slavery: robots are worked until they drop and are made the victims of humans' worst appetites, including rape. It also, like Sladek's earlier novel "Roderick", mocks the notion of the Three Laws of Robotics and suggests that there is no way such complex moral principles could be hard-wired into any intelligent being; Tik-Tok decides that the "asimov

neg: SOS (Indonesian group) song is more directed to women who are in love. Evident from the song "Tik Tok" in which the song tells of a woman waiting to fall in love again. Continued with the song "Cherry Love", where the song is a continuation of the story of the previous song "Tik Tok" which tells us that she found her other love / fall in love again. For "Show Me Love" is more directed to the story that she expects her love in reply. And a new concept for SOS, more Girly or feminine and sexy, it is seen from the costume

neg: Tik-Tok of Oz be let back into the underground lair ("No Nome can really be happy except underground"), which Kaliko allows on condition that he behave himself. Once on the surface again, Polychrome ascends her rainbow and Ozma uses the magic belt to bring Tik-Tok back to Oz and send Queen Ann, the Army of Oogaboo, Files, and Ozga back to Oogaboo. The Shaggy Man only agrees to return when his brother, Betsy, and Hank are allowed to enter Oz too. Upon being welcomed in Oz, Hank, the Cowardly Lion, the Hungry Tiger, and the Saw-Horse debate who is the best mistress —

neg: Ozma of Oz into its side. Having found the key by the door, they open it and find Tik-Tok, a round copper mechanical man whom they activate by winding up all three of his clockwork motors (one each for thinking, motion and speech) with the key like a wind-up toy. Tik-Tok informs Dorothy and Billina that they are in the Land of Ev, which has recently lost its royal family due to the King of Ev selling them to the Nome King, who rules in a neighboring underground kingdom. Afterwards, the King regretted what he had done and in despair jumped off a

neg: Tik-Tok of Oz Betsy (for Hank), Dorothy (for the Lion and the Tiger), or Ozma (for the Saw-Horse). The three girls are listening and laugh at a silly quarrel, which the animals realize is silly too. In addition, Dorothy finally gets to hear her dog Toto speak — for all animals can in the Land of Oz. Finally, Betsy decides to stay in Oz forever. In 1913, Baum's long-delayed and heavily-adapted stage version of "Ozma of Oz," re-titled "The Tik-Tok Man of Oz", was produced in Los Angeles, with moderate success. The music was composed by Louis F. Gottschalk, Baum's favorite composer, who

neg: The Tik-Tok Man of Oz work on the play in late 1906 or early 1907, but it would take until March 1913 to be produced on stage. L. Frank Baum based two of his Oz stories, the novel "Tik-Tok of Oz" and the short story "Tiktok and the Nome King," on this play. In the play, Ozma is a princess in the Rose Kingdom and is analogous to Ozga in the novel, who is Private Files's love interest, as is Ozga in the novel, there described as Ozma's cousin. Michael Patrick Hearn speculates that both names are in honor of Baum's wife, Maud Gage (MAud

neg: Tik-Tok (Oz) supervising the automated farms on the planet Trantor. A tik-tok revolt against the forces of the Galactic Empire play a major role in the novel. Tik-Tok was played by Wallace Illington in the 1908 film, "The Fairylogue and Radio-Plays", which is now known only from a production still or two. In 1913, the comedian James C. Morton played Tik-Tok in "The Tik-Tok Man of Oz", a musical play by Baum, Louis F. Gottschalk, Victor Schertzinger, and Oliver Morosco. The role of Tik-Tok was a straight man role similar to that of David C. Montgomery's Tin Woodman in "The Wizard of

neg: Tik-Tok of Oz who went digging underground in Colorado and disappeared. He surmised that the Nome King, ruler of the underground Nome Kingdom, captured him. They meet up with Polychrome the Rainbow's Daughter, and they rescue Tik-Tok from the well where the Nome King had tossed him. Once Tik-Tok is wound up, he accompanies Betsy, Hank, the Shaggy Man, Ozga, and Polychrome to their chance encounter with Queen Ann and her army. In a rage, Queen Ann orders them to be seized and bound, but Private Files — the only private in this army of generals, colonels, and majors — refuses to bind

neg: Tik-Tok (Oz) heat and physical exertion of being upside-down, according to Murch, Sundin's "limit was two and half minutes from the moment the lid went on." Sean Barrett provided his voice, while Tim Rose remotely-operated the head. Tik-Tok appears in "Dorothy and the Wizard of Oz" voiced by Jess Harnell. Just like the books, Tik-Tok was created by Smith & Tinker. Tik-Tok's design was used in the video game "Epic Mickey 2" as a design for the "Basher" Beetleworx. Tik-Tok (Oz) Tik-Tok is a fictional character from the Oz books by American author L. Frank Baum. He has been termed "the prototype

neg: Tik and Tok Tik and Tok Tik and Tok are the robotic mime and music duo of Tim Dry and Sean Crawford. They began performing together with Shock, a rock/mime/burlesque/music troupe in the early 1980s with Barbie Wilde, Robert Pereno, L.A. Richards and Carole Caplin. Shock's first record "Angel Face", with production by Rusty Egan and Richard James Burgess, was a modest dance floor hit. In 1981, Shock co-starred with Ultravox at the 'People's Palace Valentine's Ball' at the Rainbow Theatre. Shock went on to support Gary Numan at his Wembley Arena shows in April, 1981. They eventually broke up and reformed as

neg: Tik Tok at number eleven and peaked at number three. In the United Kingdom, "Tik Tok" debuted on the official UK Singles Chart at number six on November 8, 2009, and over a period of just under three months climbed to a peak of number four on January 3, 2010. In 2010, the UK Official Charts Company ranked "Tik Tok" at 100 on their list of the best-selling singles of the 21st century. By the end of 2010, "Tik Tok" had become the best selling song by a foreign artist at 1,412,653 downloads in South Korea. "Tik Tok" made its chart debut

neg: The Tik-Tok Man of Oz The Tik-Tok Man of Oz The Tik-Tok Man of Oz is a musical play with book and lyrics by L. Frank Baum and music by Louis F. Gottschalk that opened at the Majestic Theatre in Los Angeles, California on March 31, 1913. It is loosely inspired by Baum's book "Ozma of Oz" (1907), incorporates much of the material from Baum's book "Tik-Tok and the Nome King" (1913), and was the basis for his 1914 novel, "Tik-Tok of Oz". It was promoted as "A Companion Play to The Wizard of Oz" and directed by Frank M. Stammers. The play is known

neg: Return to Oz wheels instead of hands and feet), Dorothy and Billina hide in a room accessed by a glyph key Billina earlier had found. They meet a mechanical man, Tik-Tok, who explains that King Scarecrow has been captured by the Nome King, a rock dwelling demon who is responsible for the Emerald City's destruction. The three visit princess Mombi in hopes of getting more information, but she is working with the Nome King and imprisons them. Dorothy, Billina, and Tik-Tok meet Jack Pumpkinhead, who explains he was brought to life via Mombi's Powder of Life. Dorothy uses the powder to vivify the

neg: The Tik-Tok Man of Oz GAge). The play introduces several characters that will be familiar with readers of the novel, "Tik-Tok of Oz", such as Private Jo Files, who was portrayed by Charles Ruggles during the beginning of his career, and Queen Ann Soforth of Oogaboo, who was ultimately played by Charlotte Greenwood near the end of the run. The musical was directed by Frank Stammers, with scenery designed by Robert Brunton. It was produced by Oliver Morosco, who by September 1913 had deemed it not successful enough to take it to Broadway, even though he had inserted three songs of his own writing with

neg: Batallion 50 Rock the Hebron Casbah tense flash point of attacks on Israeli soldiers. The soldiers are walking cautiously down a deserted Jabel Rahma Street, near the Tel Rumeida site, in the Jewish section of Hebron, armed and in full combat gear, including bullet-proof vests. The Muslim call to prayer can be heard coming from the loudspeaker of a mosque (all the sound in the video was edited in after the footage was shot). Suddenly, the voice of American electropop singer Ke$ha breaks in. She is singing her hit # 1 pop song "Tik Tok": ""Tonight I'ma fight, Til' we see the sunlight, Tick tock on

neg: Tik-Tok of Oz Tik-Tok of Oz Tik-Tok of Oz is the eighth Land of Oz book written by L. Frank Baum, published on June 19, 1914. The book actually has little to do with Tik-Tok and is primarily the quest of the Shaggy Man (introduced in "The Road to Oz") to rescue his brother, and his resulting conflict with the Nome King. The endpapers of the first edition held maps: one of Oz itself, and one of the continent on which Oz and its neighboring countries belonged. These were the first maps printed of Oz. Queen Ann Soforth of Oogaboo, a small monarchy

neg: The Tik-Tok Man of Oz Recordings from the 1903 Musical The Wizard of Oz" (2003), while James Patrick Doyle performs a suite of many of the songs on synthesizer in his collection "" (1999), both released by Hungry Tiger Press. The Tik-Tok Man of Oz The Tik-Tok Man of Oz is a musical play with book and lyrics by L. Frank Baum and music by Louis F. Gottschalk that opened at the Majestic Theatre in Los Angeles, California on March 31, 1913. It is loosely inspired by Baum's book "Ozma of Oz" (1907), incorporates much of the material from Baum's book "Tik-Tok and the Nome

neg: Tik-Tok of Oz and Dick Martin ultimately corrected these in new maps designed for The International Wizard of Oz Club. A squarish map that largely follows Haff and Martin appears in "The Dictionary of Imaginary Places". The presence of a "Davy Jones Island" on this map indicates that the inclusion of the character Davy Jones, a wooden whale, as a decoration on the map, was misinterpreted by the book's recartographers, as no such place appears in any Oz books up to that book's publication. The 1993 novel "Queen Ann in Oz" is a sequel to "Tik-Tok of Oz". Tik-Tok of Oz Tik-Tok of

neg: Tik-Tok (Oz) Tik-Tok (Oz) Tik-Tok is a fictional character from the Oz books by American author L. Frank Baum. He has been termed "the prototype robot," and is widely considered to be the one of the first robots (preceded by Edward S. Ellis' Huge Hunter, or The Steam Man of the Prairies, in 1868) to appear in modern literature, though the term "Robot" was not used until the 1920s, in the play "R.U.R." Tik-Tok (sometimes spelled Tiktok) is a round-bodied mechanical man made of copper, that runs on clockwork springs which periodically need to be wound, like a wind-up toy or mechanical

neg: The Wonderful Wizard of Oz (1986 TV series) defends Tik-Tok from the Wheelers and accompanied by him goes off to meet Princess Langwidere. Langwidere locks Dorothy and Tik-Tok in the dungeon. As Dorothy and Tik-Tok ask Mr. Mouse to get help from Oz, Princess Langwidere greets Ozma, Scarecrow, Tin Man and Jack Pumpkin head. Mr. Mouse gets Lion to come to Ev and inform his friends of Dorothy's imprisonment. It is then suggested that while Ozma and Jack would return to Oz, Dorothy and Tik-Tok with the accompany of Dorothy’s friends would go to Nomeland to rescue Princess Langwidere's brother, the Prince of Ev from the Nome King.

neg: Tik-Tok (Oz) his mechanical servant, but his whippings caused no pain and merely kept Tik-Tok's round copper body polished. Tik-Tok first appears in "Ozma of Oz" (1907) where Dorothy Gale discovers him locked up in a cave, immobilized. He becomes Dorothy's servant and protector, and, despite his tendency to run down at crucial moments, helps to subdue the Nome King. That novel also introduces Tik-Tok's monotonic, halting mode of speech: "Good morn-ing, lit-tle girl." Later Baum published "Tik-Tok and the Nome King," a short tale in his "Little Wizard Stories of Oz" series (1914). In this story, Ruggedo the Nome King ,

neg: Tik-Tok (novel) circuits" are in fact a collective delusion, or a form of religion, which robots have been tricked into believing. This liberation from tradition, while it makes him a cruel sociopath and nihilist, also provides him with intellectual insight and artistic talent; thus Tik-Tok is an extreme type of Romantic anti-hero. Sladek's love of word play is apparent: the book contains 26 chapters, and the first word of each chapter begins with a consecutive letter of the alphabet. Also, the first three words of the book are "As I move", a reference to Asimov. The notion of using the faithful robot

neg: Fat Cat (singer) Fat Cat (singer) Fat Cat (; born March 14, 1990), also known as Defconn Girl (), is a South Korean singer. Fat Cat gained notice after appearing in the music video for rapper Defconn's song "How Rappers Break Up Part 2," as well as for her participation in live performances with him. Her debut single, "Indifferent Love", was released on September 24. On September 25, she debuted on SBS' Inkigayo with "Indifferent Love" and impressed many viewers including choreographer Bae Sang Mi, who created her "Tik Tok" dance for the song. Later on, drama production company Curtain Call Media signed

neg: Return to Oz the Nome King's mouth. Due to eggs being toxic to Nomes, the Nome King and his subterranean kingdom crumble to pieces all around Dorothy and her friends. Dorothy finds the ruby slippers and wishes she and her friends be returned to a restored Emerald City. There, they mourn the loss of Tik-Tok until Billina notices a green medal stuck to one of the Gump's antlers; Dorothy uses one more "guess" and Tik-Tok materializes. At a celebration, Dorothy is asked to be Queen of Oz but refuses, realizing she must return to Kansas eventually. She learns that the girl who helped

neg: Tik-Tok of Oz Hollow Tube, a conduit leading to the other side of the world. There the party enters the jurisdiction of the immortal called Tittiti-Hoochoo, the Great Jinjin, who vows to punish the Nome King for using the Hollow Tube. He sends Tik-Tok and the others back with his Instrument of Vengeance, a lackadaisical dragon named Quox. Quox and his riders bound from the other end of the Tube into an army of Nomes and narrowly evade them. Queen Ann and the Army of Oogaboo fall into the Slimy Cave when they enter the Nome Kingdom; the Shaggy Man and his companions

neg: James C. Morton shoot it. . Morton is also the bartender who provides Oliver Hardy with a wooden mallet to shut up Stan Laurel singing "The Trail of the Lonesome Pine" in the film "Way Out West". Morton appeared in many Hal Roach productions, playing supporting roles with "Our Gang" and "Laurel and Hardy"., and also played a small role in Charlie Chaplin's "Modern Times". On the Los Angeles stage Morton played the title role of Tik-Tok in "The Tik-Tok Man of Oz" (1913), by L. Frank Baum, Louis F. Gottschalk, Victor Schertzinger and Oliver Morosco. Morton died of chronic myocarditis on October

neg: Tik-Tok of Oz would also be the dedicatee of the "Tik-Tok" novel a year later. Baum adapted some of the material from the stage production for the novel. As in "Ozma of Oz", a shipwreck precipitates the heroine into her adventure, and the quest of the Shaggy Man for his brother, who was named Wiggy in the play, is another attempt to rescue a prisoner of the Nome King. The picking of Ozga is a motif found in "Dorothy and the Wizard in Oz". The book has several continuity errors with earlier books in the series, particularly "The Road to Oz". Whereas Polychrome

neg: Tik-Tok of Oz innocent girls. He resigns his commission on the spot. When Queen Ann learns of the riches to be found in the Nome King's underground kingdom, she calms down and accepts the services of Tik-Tok as her new private. The Nome King (who has recovered from having drunk the Water of Oblivion in The Emerald City of Oz) is aghast at this group coming toward his underground kingdom. Since no one can be killed in Oz, the Nome King seeks to discourage them, first by taking them through the Rubber Country, and then disposing of them by dropping them through the

neg: Shomshuklla numerous awards. Starring Mia Maelzer, Uditvanu Das and Sohini Mukherjee Roy, "Tik Tok" is a surreal romance between a restaurateur and a journalist, directed by Shomshuklla. Tik Tok has won an award at the Nice International Film Festival for Best Original Screenplay. Starring Tanu Kurien Vaswani and Sumanto Chattopadhyay, "White Bee" is a film where a couple meet, after a separation - perhaps for the last time. The woman seems vulnerable, broken by the failed marriage. The man appears blasé about the break-up. If he expresses any doubts, they are about the ability of his wife to cope with the

neg: Tik and Tok a foursome with Wilde, Dry, Crawford and Caplin and released the single, "Dynamo Beat", on RCA Records. However, soon after Dry and Crawford left to form Tik and Tok. Tik and Tok, having perfected a form of mime movement called 'robotics', appeared on television programmes including "The Royal Variety Show" in 1983 and "The Tube". They supported Duran Duran at the Birmingham Odeon in 1982, worked with Vangelis at his home studio, and were themselves supported by a fledgling Depeche Mode. They released five singles and an album on the Survival label in the UK, Germany and Japan. Three of

neg: Tik Tok a viral dance video that opens with six infantry soldiers on patrol in Hebron, walking cautiously down a deserted street, armed and wearing full combat gear, when "Tik Tok" begins to play, and the soldiers break into choreographed dance moves. "Tik Tok" was used in the opening sequence for "The Simpsons" episode "To Surveil with Love", in which the entire cast lip-synced to the song. The cast of FOX musical series "Glee" performed this song on the episode "Blame It on the Alcohol", with Heather Morris' character, Brittany Pierce, taking the lead. The episode revolved around teen drinking and its

neg: Dorothy Meets Ozma of Oz Tin Woodman, the Scarecrow, and the Cowardly Lion arrive, followed by Tik-Tok and the Hungry Tiger. As the Wheelers try to attack Dorothy's friends, Princess Ozma appears and orders them to halt. Dorothy approaches and introduces herself. Eventually, the Wheelers apologize for the behaviour and promise not to do it again. They explain that Toto was headed towards the land of the Nome King. Upon being reunited with her old friends, Dorothy is introduced to Tik-Tok and Hungry Tiger and Ozma explains that they are on their way to rescue the Queen of Ev and her ten children from the

neg: The Tik-Tok Man of Oz The cast was as follows: The orchestra was as follows: The plot, similar to the novel "Tik-Tok of Oz", but lacking Quox and the journey to the kingdom of Tititi-Hoochoo, deals with the Shaggy Man's attempt to rescue his brother, Wiggy (unnamed in the novel), from the Dominions of Ruggedo, the Metal Monarch. Meanwhile, Queen Ann Soforth seeks to lead an army against the world with every man (17 officers and one private) in her tiny kingdom of Oogaboo. Betsy Bobbin and her companion, a mule named Hank, are brought to the land in a shipwreck and storm not unlike

neg: Tik Tok million units. As of March 2016, "Tik Tok" had sold over 6.8 million downloads in the US. The song made its first ever chart appearance in Canada, where the song debuted at number sixty-seven on the Canadian Hot 100. It ascended the chart for numerous weeks before attaining the number one position on the week ending November 21, 2009. The song remained atop the chart for two weeks before falling to the number two position, being dethroned by Lady Gaga's, "Bad Romance". "Tik Tok" regained the number one position weeks later on January 2, 2010, and held the top spot

neg: Tik-Tok (Oz) clock. He has separate windings for thought, action, and speech. Tik-Tok is unable to wind any of them up himself. When his works run down, he becomes frozen or mute or, for one memorable moment in "The Road to Oz", continues to speak but utters gibberish. When he speaks, only his teeth move. His knees and elbows are described as resembling those in a knight's suit of armor. Being a machine, he is quite strong, allowing him to single-handedly overpower a whole horde of Wheelers without much difficulty, as demonstrated in a scene of the 1985 movie, "Return to Oz".

neg: L. Frank Baum parodic by-laws. The group also included Will Rogers, but was proud to have had Baum as a member and posthumously revived many of his works despite their ephemeral intent. Many of these play's titles are known, but only "The Uplift of Lucifer" is known to survive (it was published in a limited edition in the 1960s). Prior to that, his last produced play was "The Tik-Tok Man of Oz" (based on "Ozma of Oz" and the basis for "Tik-Tok of Oz"), a modest success in Hollywood that producer Oliver Morosco decided did not do well enough to take to Broadway.

neg: Return to Oz "Oz" stories. And they were particularly interested in doing something with them because the copyright was going to run out in the next five years." The film is based on the second and third Oz books, "The Marvelous Land of Oz" (1904) and "Ozma of Oz" (1907). The element about Tik-Tok being "The Royal Army of Oz" derives from "Tik-Tok of Oz" (1914), in which he is made the Royal Army of Oogaboo, and also makes frequent cries of "Pick me up!" That book was itself based on a dramatic production, "The Tik-Tok Man of Oz" (1913). Murch also used

neg: Tok Pisin is common, while the trial is less so. The largest Tok Pisin pronoun inventory is, Reduplication is very common in Tok Pisin. Sometimes it is used as a method of derivation; sometimes words just have it. Some words are distinguished only by reduplication: "ship", "sheep". There are only two proper prepositions: (from "belong"), which means "of" or "for", and (from "along"), which means everything else. Tok Pisin: "". → English: "We went to the black market". Tok Pisin: "" → English: "your key" Tok Pisin: "". → English: "They are from Gordon's". (ibid. 640f). Some phrases are used as prepositions,

neg: Plays of L. Frank Baum with "The Wizard of Oz", his failure with "The Woggle-Bug", and "The Tik-Tok Man of Oz" as source material for his novel, "Tik-Tok of Oz", very little is known about his dramatic output, and mostly from the publications of Michael Patrick Hearn, Susan Ferrara, and Katharine M. Rogers. Hearn identifies 41 different titles in the bibliography of the 2000 edition of "The Annotated Wizard of Oz", plus one play without a title, although some of these titles clearly refer to drafts of the same play, such as the early titles of "The Tik-Tok Man of Oz". One of the most

neg: Tik-Tok of Oz met the Shaggy Man in that book, this point is neglected by Baum in "Tik-Tok". Also, whereas the Shaggy Man merely needs to carry the Love Magnet on his person for it to work in "The Road to Oz", in this book it is necessary for him to remove it from his pocket and physically show it to those he wishes to love him. "Tik-Tok of Oz" was more modestly produced than earlier Oz books, with twelve color plates instead of sixteen. Its first edition sold a little over 14,000 copies — a respectable figure, but 3,000 fewer than "The

neg: Bu-Tik Bu-Tik Bú-Tik () is the seventh studio album from Taiwanese black metal band Chthonic. It was released by Spinefarm Records on May 29, 2013 in Asia; June 3, 2013 in the United Kingdom; and June 25, 2013 in North America. "Bú-Tik" is the group's third record to be released through Spinefarm Records, and their second to have been produced and mixed by Rickard Bengtsson. Speaking with "Metalholic", bassist Doris Yeh compared the production of "Bú-Tik" to that of "Takasago Army", stating, "The music production of "Bú-Tik" is very close to "Takasago Army" which we are quite satisfied with it. The

neg: Ân (album) infrastructure." Mayk Şişman from the same newspaper also found the album successful and commented: "We are not facing a surprise; as we expected an album like this from Edis, which is pop, modern and captures the 'moment'." Yavuz Hakan Tok, who writs for Hayat Müzik, mentioned a variety of antique errors in terms of subject integrity, but praised the lyrics in general and said: "There are songs free of innovative content, based on Turkish pop cliches fed by the same writers to use for twenty-three years. ... Different arrangements in this album collide with each other and create a musical

neg: Winkie Country from the Winkie Country by a mountain range. ("Tik-Tok of Oz") The Black Forest is in the southern part of the Winkie Country. Gloma, the good witch, rules there ("The Wishing Horse of Oz"). In some of the Oz books by Ruth Plumly Thompson, the geography is inverted, with the Winkie Country in the Eastern part of Oz and the Munchkin Country in the West. The Winkie Country's many cities and kingdoms each have their own ruler, who in turn are subjects of the Tin Woodman, Nick Chopper, who himself acknowledges Ozma as supreme ruler of Oz. Like all the

neg: Munchkin Country of the yellow brick road. The native inhabitants of this quadrant are called Munchkins. In the story, the novel's protagonist Dorothy Gale, attends a celebration upon her arrival to Oz at the mansion of Boq, who is the friendliest and wealthiest Munchkin man. "Munchkin" does not necessarily mean someone of short stature. Many Munchkins portrayed in the books are of normal height, most notably Nick Chopper (also known as the Tin Woodman). The publishing company Reilly & Britton (later Reilly & Lee) published, in the form of end-papers to the first edition of "Tik-Tok of Oz" (1914), one of the

neg: The Tik-Tok Man of Oz play and those who have read the other Oz books will find in this story a lot of strange characters and adventures that they have never heard of before." Harry Kelly, who had previously turned down the title role in "The Woggle-Bug", and Joe Whitehead replaced Morton and Moore in the leads while they vacationed. All songs are written by Baum and Gottschalk unless otherwise specified. Two player piano rolls of suites and vintage recordings of "Ask the Flowers to Tell You" and "My Wonderful Dream Girl" can be found on Disc 2 of David Maxine's Grammy-nominated collection of "Vintage

neg: Return to Oz Wizard of Oz" and also borrows a few elements of it such as the ruby slippers. The plot focuses on an insomniac Dorothy, who returns to the Land of Oz only to discover that the entire country and its inhabitants are facing near extinction at the hands of a villainous king who dwells in a neighboring mountain. Upon her second arrival, she, alongside her pet hen, Billina, befriend a group of new companions, including Tik-Tok, Jack Pumpkinhead and the Gump. Together they set out on a quest to save Oz and restore it to its former glory. Development of a

neg: Frankie Yankovic the two are not related. Al, who also performs polka music among many other styles, has jokingly hypothesized that he was given accordion lessons as a child because his parents thought that "there should be at least one more accordion-playing Yankovic in the world." Al performed accordion on "Who Stole the Kishka?" on one of Frankie's final records, "Songs of the Polka King, Vol. 1". A portion of Frankie's "The Tick Tock Polka" is included in the song "Polka Face" on Weird Al's "Alpocalypse"; it was used as a lead-in for Weird Al's take on "Tik Tok" by Ke$ha. Yankovic

neg: 2010s in music songs who reached #1 singles this decade "Tik Tok", "Rolling in the Deep", "Just the Way You Are", "Shake It Off"and "Dark Horse" are some of the best-selling singles in the digital era. Adele and Taylor Swift had some of the biggest-selling albums of the 2010's, being the only two artists to have sold more than a million copies of an album within the span of a week multiple times. Rock has remained popular, although it has declined in chart presence since the late 2000s alongside changes in radio format. These changes were driven by the decline in compact discs

neg: Tik-Tok (Oz) also appears in most other Oz novels as a notable inhabitant of the Emerald City, most prominently in "The Scalawagons of Oz", in which he operates the production of the Scalawagons. In the comic book "Oz Squad", Tik-Tok's "Internal Clockwork Morality Spring" winds down and causes him to act violent and sexual, though he closely resembles Neill's depiction. A somewhat sinister version of Tik-Tok is a minor character in Gregory Maguire's revisionist Oz novel "". In the novel, "tiktok" is used as an adjective for any mechanical or robotic being. The character Madame Morrible has a tiktok servant, called Grommetik,

neg: G.E.M. on YouTube. At the 13th Annual KKBOX Music Awards on 21 January 2018, G.E.M. and Namewee together sang "Stranger In The North"《漂向北方》immediately after she sang "Goodbye"《再見》and "Light Years Away"《光年之外》for her 2018 KKBOX Artist Of The Year award-winner performance. On 18 August 2018, her Queen of Hearts World Tour has called for an end for part 1 of the tour and she announced the part 2 tour will hold in 2019 with more new songs. On 21 August, the music video, "TIK TOK" was released and reached 5M views with 12 days. The music video reached over 10M views with only

neg: Diné Bahaneʼ safely. At last they came to , the Boiling Dunes, which began to swirl and boil when they approached. "We must know who you are and where you come from and where you are going and to what purpose," roared the dunes. "We are the children of , the Sun," the twins called. We come from . We go to our father with a message from Spider Woman." They held out the , and sang the song of Spider Woman, and the dunes subsided. "Continue on," the dunes said. "Long life is ahead. Happiness is ahead." To the east the

neg: Ozma of Oz the Deadly Desert on a mission to free the royal family from the Nome King. Upon arriving, Ozma takes charge and has Dorothy, Billina and Tik-Tok released from Langwidere's custody. Cheerful reunions ensue with the Scarecrow, the Tin Woodman, and the Cowardly Lion, and new introductions are made to Ozma and the Hungry Tiger, a massive tiger who desires to eat fat babies, but is prevented from doing so by his conscience. The expedition journeys to the underground kingdom of the Nomes, where the Nome King reveals that he has magically transformed the royal family into decor ornaments. When Ozma

neg: The Road to Oz necessary, because physical contact with the desert's sands, as of this book and "Ozma of Oz" (1907), will turn the travelers to dust. Upon reaching Oz, Dorothy and her companions are warmly welcomed by the mechanical man Tik-Tok and Billina the Yellow Hen. They proceed in company to come in their travels to the Truth Pond, where Button Bright and the Shaggy Man regain their true heads by bathing in its waters. They meet the Tin Woodman, the Scarecrow, and Jack Pumpkinhead who journey with them to the imperial capital called Emerald City for Ozma's grand birthday bash. Dorothy meets

neg: The Simpsons opening sequence the cast lip dubbing to Ke$ha's single "Tik Tok", was animated for "To Surveil with Love" to promote "Fox Rocks" week. This is the first canonical episode that does not feature "The Simpsons Theme" in any capacity, in the show's history. The sequence starts with Lisa waking up and then grabbing Milhouse's glasses. It then shows Groundskeeper Willie brushing his teeth with whiskey. He then gives it to Mrs Krabappel who drinks some while they walk into school before Mrs Krabappel grabs Willie and drags him into a classroom. In the hallway Sherri, Terri and Martin are having pedicures while

neg: Gospel Gangstaz Mr. Solo explained that when he and Tik Tokk first met, he felt he was drawn to minister to Tik Tokk much in the same way that he wanted to minister to others with troubled and violent pasts. When asked about the future of the Gangstaz, Mr. Solo said, 'We are moving on with our ministry with the vision God has given us. Even though Tik Tokk parted from the Gospel Gangstaz, our heart still goes out to him, as well as the families of the victims.'" The Gospel Gangstaz have teamed up with some of the biggest names in

neg: Death and state funeral of Raúl Alfonsín man who fought for our democracy and the strengthening of institutions, during a time of conflicts and polarizations that our society was merged into". Cristian Ritondo, legislator of the Republican Proposal, said that "Alfonsín was the main actor of the return of democracy to Argentina. He was a sinonym of work, responsibility and patriotism". Gerardo Morales said that "when we were young in 1983 and sang 'we are life, we are peace', it was more than a slogan, it was a synthesis of our hopes: do not suffer more persecutions, live in democracy, in freedom and peace. We were part

neg: Tim Dry Beat', on RCA, which again was a dance floor hit in UK clubs, but failed to chart nationwide. In early 1982 Tim and Sean left Shock to pursue their own vision of a combination of mime, visual image and music, creating a duo called Tik and Tok. Signed to Indie label Survival Records, they released 5 singles and an album 'Intolerance' in the UK, Europe and Japan. Their second single 'Cool Running' reached No.69 in the UK Top 70 Singles Chart ("The Guinness Book of British Hit Singles"). In 1982, Tik and Tok were cast as featured creatures in two

neg: Tik Tok registering 11,224 spins, becoming, at the time, the most played song in the charts seventeen-year history, breaking the record set of 10,859 spins just a week earlier by Lady Gaga's "Bad Romance". The song topped the chart for a total of nine consecutive weeks and at the end of 2010, "Tik Tok" was named the Hot 100 song of the year. It was also the seventh most played song on radio in the country and the eighth most downloaded song that year. The song has received 5× Platinum certification by the Recording Industry Association of America for sales of 5