query: who sings the chorus in all i do is win

pos: All I Do Is Win cameos on the video. Swizz Beatz was not included in the video. DJ Khaled also raps a verse on the remix. There is another remix titled "Hood Remix" or "G-Mix" which is by Nappy Boy artist Young Cash. The remix features a new rap line up, Yo Gotti, Gudda Gudda, Bun B, Ice Berg, 2 Chainz, T-Pain, & Field Mob. On this version, instead of T-Pain on the chorus, Young Cash is, while T-Pain delivers a verse of his own. The song has become an anthem for numerous sports teams, most notably the Auburn Tigers football team during their 2010

pos: Welcome to My Hood walls. The official remix features Ludacris, T-Pain, Busta Rhymes, Twista, Mavado, Birdman, Ace Hood, Fat Joe, Game, Jadakiss, Bun B, and Waka Flocka Flame, released on March 14, 2011. As with the remix for Khaled's previous song "All I Do Is Win", Khaled himself raps a verse on the "Welcome to My Hood" remix, making a reference to "All I Do Is Win". After the song ends, Khaled shouts the original release date for "We the Best Forever", June 28. Also, T-Pain modifies the chorus slightly to "We get fly like a G6, and everybody know this is the remix"

neg: Tudo Outra Vez While Patrícia sings the chorus, "But I do not give up I still want to be who I am, there's no such sensation." The second part is sung by Aline, "Sweaty body, closed time, head held high and feet on the ground." The singer still completes, "Good to meet you again," and Fantine completes, "I would do it all over again." Karin does not sing a single part, making second voice in some parts. On the night of April 22, 2013, the song was released in full after the episode of "Fábrica de Estrelas"", which showed the process of songwriting

neg: Girl Who Got Away twirling in a slow dance through electronic caresses and the subtlest touches of strings. In the chorus, she sings, "I wanna move with the seasons/And go with the flow". Dido finds guests to keep her current, like Kendrick Lamar, whose vociferous rap tears through the conciliatory "Let Us Move On", a spooked trip hop song. The looping intro and muted snares on "Blackbird" are leveled off by her detached vocal and reassuringly familiar lyrics about the darker side of love ("Why do I bring you love, when all you give me back is pain?", she sings). While "End of Night",

neg: Lose My Breath the chorus-verse pattern. The song opens with the lines "Hit me" and the first verses sung by Beyoncé follow: "I put it right there made it easy for you to get to / Now you want to act like you don't know what to do". The chorus follows during which the group repeatedly sings the lines "Can you keep up?". Rowland's second verses follow where she sings the lines "Put it on me deep in the right direction". The chorus is repeated twice before the bridge by Williams. After the bridge, the group sings the lines "Here's your papers, baby

neg: FourFiveSeconds little drunk/ I say what's on my mind/ I might do a little time. Cause all of my kindness/ Is taken for weakness." After the first chorus West sings, "Woke up an optimist/ Sun was shining, I'm positive/ Then I heard you was talking trash/ Hold me back/ I'm about to spazz." On the second chorus, he and Rihanna harmonize as they sing, "Now I'm four, five seconds from wylin'/ And we got three more days 'till Friday/ I'm just trying to make it back home by Monday morning." McCartney's voice can be heard sped up underneath West's opening vocals.

neg: I Could Fall in Love in love (in love) with you" before wondering how she would feel if she were to touch him for the first time. The fear of being rejected and unloved leads her to keep her feelings to herself, and she begins to believe that her love is "not right". She continues, "and I guess I should try / to do what I should do / but I could fall in love / fall in love with you". During the midpoint break, Selena sings in Spanish that she is always dreaming about him, imagining that he loves her. She sings the chorus

neg: Do It Well and the little boy leave together. Do It Well "Do It Well" is a song recorded by American singer Jennifer Lopez for her sixth studio album, "Brave" (2007). It was written by Ryan Tedder, Leonard Caston, Anita Poree, and Frank Wilson. The song was produced by Tedder, with additional vocal production from Cory Rooney. "Do It Well" features influences by disco and hip hop music. "Do It Well" contains hip hop beats and disco sirens at the bridge. In the chorus, she sings to someone who caught her eye: "I ain't ever met a man like that / I ain't

neg: Do It Well Do It Well "Do It Well" is a song recorded by American singer Jennifer Lopez for her sixth studio album, "Brave" (2007). It was written by Ryan Tedder, Leonard Caston, Anita Poree, and Frank Wilson. The song was produced by Tedder, with additional vocal production from Cory Rooney. "Do It Well" features influences by disco and hip hop music. "Do It Well" contains hip hop beats and disco sirens at the bridge. In the chorus, she sings to someone who caught her eye: "I ain't ever met a man like that / I ain't ever fell so far, so fast

neg: Sem Você find someone to love, but that when seeing the person loved, the world of her changed. In the chorus, everyone sings as "second voice," while Patricia has more vocal highlights, "And now I can not stop feeling, without you and I can not breathe, I do not want to live if you're not here with me, I can not be happy," they sing the girls. The second part is sung by Karin Hils, and talks about love seem like a dream come true. The second chorus brings Fantine Thó in the lead vocals, while the other girls do "second voice".

neg: I Drove All Night sexual gratification. She sings in the first verse, "Maybe I should have called you first, but I was dying to get to you/I was dreaming while I drove the long, straight road ahead." In the chorus, she sings, "Woke you from your sleep to make love to you/Is that all right?/I drove all night." In the second verse, Dion duplicates a line as it is heard in Orbison's original recording. Instead of singing, "no matter where I go I hear the beating of our heart," Dion sings, "our "one" heart," which is where the title of the album the song

neg: Under the Bridge After the next verse an E major seven chord again marks a break before the start of the chorus. The second chorus transitions into a different verse, where Smith begins to play the drums, and Kiedis sings "Take me all the way/Yeah/Yeah-e-yeah/Oh no, no." After Kiedis cues "One time," a choir, whose presence was added to make the ending sound more epic, sings "Under the bridge downtown," in which Kiedis sings "Is where I drew some blood/I could not get enough/Forgot about my love/I gave my life away" in between. As the choir, Kiedis and drums stop, Frusciante and Flea

neg: ¿A quién le importa? she is. The chorus of the song asks (translated from the Spanish): "Who cares what I do? / Who cares what I say? / I am the way I am. I'll keep on being that. / I will never change." The music video was filmed in 1986 on TVE's soundstage for Alaska's program "La Bola de Cristal". The music video depicts Alaska with her "Rastafari Punk" look (her makeup is green, and her hair is shaved from the sides and is grabbed into a high pony tail with dreadlocks), as she sings at the center of an energetic crowd (whom

neg: Livin' It Up (Ciara song) Minaj's verses affirmes her partner's greatness. "I have my doubts in love, but I know it’s true/ I don’t have many friends, but I’ve got you," sings Ciara, chanting "Ola ola ey!" on the catchy chorus. "Cause a girl's got to do what a girl's got to do/ Making up her own rules" Ciara sings. Musically, "Livin' It Up" is a mid-tempo, "Island-flavored", Euro and electropop "feel-good" track, with Pip Elwood pointing out that, "it has an 80s vibe that is ridiculously infectious." In this song Ciara displays a vocal range spanning from the harmonized low note of C#3 to

neg: Do or Die (Super Furry Animals song) Rhys sings "If we do or die we should try, if we don't try I say bye-bye, and if I say bye-bye, I'll wonder why we didn't try to do or die" backed by high harmony backing vocals and occasional keyboard noises. The song breaks down again for a second verse before the second chorus enters at 46 seconds. An instrumental passage follows with the lead guitar and keyboard reprising the melody which plays during the intro. The instrumental leads into a double chorus. At the end of the final chorus the track crescendos, with Rhys singing "yeah, yeah, yeah"

neg: The Day Before I Met You You" is a pop love song with an acoustic guitar riff and "very low pitched" vocals in the verses. Lyrically, it is about Mauboy "not wanting to go back to a time before that special someone was in her life". During the chorus, she sings: "What did I do without you here / How did I breathe when you're my air / If I had a time machine I would never go back / to the day before I met you." Kirsten Maree of "Renowned for Sound" noted that the chorus has a "soft melody". According to Mauboy, "The Day

neg: The Perfect American Walt aboard the miniature train. The train derails as Dantine reenters. Scene 3 Walt recalls that Dantine fired for trying to form a union and exposing his "stupid leftist": "I fired him because his leftist and unpatriotic comments insult all that Disney represents"; Walt dreams of a machine that would be able to replace his entire workforce. Dantine asks for compensation. The chorus sings about how Walt is a magician who can do nothing wrong. Dantine accuses Walt of being a thief. Scene 4 Walt meets Josh, a fellow patient, as he is admitted into the intensive care unit. Josh

neg: Famous Blue Raincoat of these lyrics matches the lyrics of "When I Need You" as follows: "(When I) need you, I just close my eyes and I'm with you, and all that I so want to give you, is only a heart beat away." In a 2006 interview with "The Globe and Mail" Cohen said: I once had that nicking happen with Leo Sayer. Do you remember that song 'When I Need You'?" Cohen sings the chorus of Sayer's number one hit from 1977, then segues into 'And Jane came by with a lock of your hair', a lyric from 'Famous Blue Raincoat'.

neg: Love 'Em All and a woman "playing the field", "Love 'Em All" is a response to Chris Brown's 2013 single "Loyal". Michelle said that the single was based on the line "these bitches ain't loyal", and explained that she wanted to make "a record that basically said what most women do but they won’t say". Music critics described "Love 'Em All" as a "heartbreaker anthem". The song opens with Michelle narrating: "They say I move too fast / Going man to man / Always holding a new hand.” She sings about her relationships in the chorus: 'Cause they think I love 'em /

neg: Real Friends (Camila Cabello song) soprano voice. In the lyrics, she reflects on being surrounded by negative things and people, while asking for an honest friendship. In the chorus, Cabello sings: "I'm just lookin' for some real friends / All they ever do is let me down / Every time I let somebody in / Then I find out what they're all about". According to Mike Nied of Idolator, the singer "laments her ability to find true companionship over acoustic strings". Lasting three minutes and 33 seconds, the song is influenced by tropical, reggae and Latin music. According to sheet music published by Sony/ATV Music

neg: All the Lovers included as the B-sides to the song. Musically, "All the Lovers" is an electropop-influenced disco track. Minogue's breathy and whisper-y vocal delivery and the electronic production of the song make it similar to "I Believe in You", a single from Minogue's greatest hits album "Ultimate Kylie" (2004). Through the lyrics of the song, Minogue invites her lover to dance with her, beginning with a line in which she softly sings "Dance, it's all I wanna do, so won't you dance? I'm standing here with you, why won't you move?". During the anthemic chorus of the song, which is backed by

neg: Research (Big Sean song) not you.” In the chorus, meanwhile, Grande sings, “I still have to hide/Now you're next to me at night/You test me all the time/Say I know what you like, like I did the last time/Do you remember? Do you remember?/Do you remember?/When you had nothing to hide...” "Research" received generally mixed to positive reviews from music critics upon the release of "Dark Sky Paradise". In a positive response, Shannon Weprin from Hypetrak called the song a "pop-esque duet" and "infectiously catchy." Justin Charity from Complex called "Research" one of the album's pop high-points. Eric Diep from HipHopDX described the track

neg: Oh Father ushers on top of the violins, as Madonna sings the chorus line "You can't hurt me now, I got away from you, I never thought I would." The violins and the drum beats drop after the chorus, but come back again during the next bridge. As Madonna sings the verse "Oh father I have sinned", the violins change their pitch to a higher one. After the second chorus, there is an instrumental break where she sings about the realization that her father did not want to hurt her but she still ran away. The song ends with the guitar and

neg: Mr. Know It All have you ever been robbed? I have. I’ve been physically robbed a couple of times, but this is much worse." later adding "No point in getting angry because there's nothing I can do so I hope (everyone) likes the music." The video features Clarkson singing behind a wall full of newspaper articles, both derogatory and favorable, about Clarkson's music career and personal life. The video continually cuts Clarkson confronting a man as a metaphor for "Mr. Know It All" by singing angrily at him. Throughout the chorus, silhouettes Clarkson's touring band fade into the wall as she sings. The video

neg: When I Need You close my eyes and I'm with you, and all that I so want to give you, is only a heart beat away." In a 2006 interview with "The Globe and Mail" Cohen said: I once had that nicking happen with Leo Sayer. Do you remember that song 'When I Need You'?" Cohen sings the chorus of Sayer's number one hit from 1977, then segues into 'And Jane came by with a lock of your hair', a lyric from 'Famous Blue Raincoat'. 'Somebody sued them on my behalf … and they did settle', even though, he laughs, 'they hired a musicologist,

neg: Showgirl: The Homecoming Tour excerpts of "Shocked" and "Do You Dare?", before Minogue rises out of the centre of the stage as the DNA intro of "Shocked" is heard. She sings up to the middle eight, before a short segue is played using excerpts of "It's No Secret", "Keep on Pumpin' It", "Give Me Just a Little More Time" and "What Kind of Fool (Heard All That Before)", which leads into a one-verse-one-chorus performance of "What Do I Have to Do", which is followed by another segue using an excerpt of "Over Dreaming (Over You)" and then a performance of "Spinning Around" (sampling the

neg: Blá Blá Blá (song) to show her the right way to go. But the singer says, "As an illusion, I will not believe it, I'll let the story happen." After that, a strong beat starts, and Karin sings how life is like a journey, saying that she does not know the time to leave or arrive, and that she will let time show. Soon after, Fantine "attacks" stronger the "people" who talk about what they do not know (probably an indirect one to all that said that the real reason for leaving Luciana, was a fight involving both). In the "pre-chorus," they sing, "na

neg: Blá Blá Blá (song) na na na na", and Fantine "screams", "And everyone wants to talk". In the chorus, the girls sing, "Lenga lenga, Blá! Blá! Blá !, speak, talk, nonstop, lero-lero !, blah! Blah !, I do not want to hear." Karin once again sings in the second part, talking about "nosy people" that appeared, just to get in their way. Fantine, in turn, says, "I'm right, I'm wrong, let time show me, but no one's going to tell me what I should do." After the chorus, Aline does a rap (as she did in the song "Vem Cair na Zueira",) this time

neg: Showgirl: The Greatest Hits Tour out of the centre of the stage as the DNA intro of "Shocked" is heard. She sings up to the middle eight, before a short segue is played using excerpts of "It's No Secret", "Keep on Pumpin' It", "Give Me Just a Little More Time" and "What Kind of Fool (Heard All That Before)", which leads into a two-verse-two-chorus performance of "What Do I Have to Do", which is succeeded by another segue using an excerpt of "Over Dreaming (Over You)" and then a performance of "Spinning Around" (sampling the instrumentation of "Finally"), which is followed by a dance interlude

neg: Only U be close to him, acting out of character and falling for him more with each day. "Oh I can't wait to get next to you/ Oh I just can't leave you alone/ Boy you got me doing things that I would never do," she sings. In the chorus, she emphasizes that the guy is only one who makes her feel in love and turned on, "Only u can make me feel and only u can take me there," she chants. "Only U" received generally favorable reviews from music critics. Hattie Collins of "The Guardian" called it "a deliciously dark song."

neg: Your Love (Nicole Scherzinger song) Bradley Stern from the website MuuMuse noted that Scherzinger opts to moan and do "sultry, filtered near-whispers" throughout the song. Lyrically, Scherzinger sings how her man's love makes her feel. The song begins with a rave piano-driven beat with Scherzinger repeating "yeah" and "woo". On the first verse she sings “Something ’bout you so enticing, even when I try to fight it / Knock me out like Michael Tyson / I’ll do whatever you want” over the galloping beat. The pre-chorus follows, with her pleading the lines, "I’m never letting you go baby, I love you so baby!" The song's

neg: Crazy in Love the lyrics: "Jay Z in the range, crazy and deranged [...] I been inhaling the chain smokers, how you think I got the name 'Hova', I been real and the game's over". The song continues to the bridge, singing: "I'm not myself, lately I'm foolish, I don't do this, / I've been playing myself, baby, I don't care / 'Cuz your love's got the best of me, / And baby, you're making a fool of me, / You got me sprung and I don't care who sees." She then sings the chorus again and the song fades out with the

neg: Blanche Merrill Yiddish accent, wishing to become an actress. In the second section, having lost her accent, she is a chorus girl, stepping out of the stage door while pining for an impoverished man; in the third section the woman and man are together and very affluent, but he wants to divorce her; she recognizes that gold is the reason for her troubles and sings a song "I Was All Right When Things Were All Wrong,"; in the final section they have six children and are poor once again. Although an October review noted that the final scene could do with improvement,

neg: One in Every Crowd the duo's other half, both sing lead vocals. The verses describe a male character at a bar who rouses the patrons until they want to party with him. In the verse, the narrator reveals that the character being described is himself ("There's one in every crowd / And it's usually me"). A backup chorus sings "hey y'all" after the choruses, and begins cheering before the final chorus. Thom Jurek of allmusic gave the song a favorable description in his review of "Back When I Knew It All". He described the song as "an anthemic, heartland rocker with a crowd-chanting chorus"

neg: All in My Head (Flex) a shot of the girls together near the water. Ally then sings as she lays in the sand, moving sensually as an attractive man comes out of the water towards her. The camera fades to Lauren, who sings the bridge as she stands next to a background of rocks, as a take of another man is shown. The group is then scattered in different spots standing in a large rock formation, where shots of Dinah alone are spliced as she sings the chorus. Normani shares the chorus, as she sings on top of the rock cliff, shown earlier in the

neg: Here's to Never Growing Up "Tik Tok" (2009) and Lavigne's "Girlfriend" (2007) for the same musical structure. Lyrically, the song talks about a "celebration of being forever young". In the song, Lavigne sings about the things she’s going to do that she believes will keep her forever young, such as getting drunk and dancing on a bar, running down the street screaming profanities, blasting music and staying up all night. At the beginning, Lavigne sings "Singing Radiohead at the top of our lungs", referencing rock band Radiohead, which is also features in the chorus. At the chorus, she continues "We'll be running down the street

neg: Who Dares, Sings! Who Dares, Sings! Who Dares, Sings! is a karaoke style game show airing in the United Kingdom on the ITV Network and in the Republic of Ireland on TV3 Ireland. It premiered at 20:00 BST on 28 June 2008 and was hosted by Ben Shephard and Denise Van Outen. Only seven episodes have been shown in one series. Tickets were offered for a Christmas special, but this has not aired and will probably never do so. The studio audience of 100 people all attempt to sing to win a potential jackpot of £50,000. In the first round, all 100 people

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: I Turn to You (All-4-One song) my own mother," she claimed. "For a shield, from the storm for a friend, for a love to keep me safe and warm, I turn to you/For the strength to be strong, for the will to carry on/For everything you do, for everything that's true, I turn to you," she sings in the chorus. "I Turn to You" received mixed reviews from music critics, with some praising Aguilera's vocals, while others criticizing the ballad for being too formulaic. In a positive review, Amanda Murray of "Sputnikmusic" called the song a "truly well-made pop song", writing that "the music plays a

neg: St Matthew Passion the basses, Chorus I intones , until in measure 26 they sing (Hark!) and Chorus II promptly asks (Whom?), Chorus I replying with (the bridegroom – implying Christ). The next call by Chorus I is (See him!), followed by the question (How?) by Chorus II, to which Chorus I answers (just like a lamb – another reference to Christ). The dialogue with these questions is repeated, and then, from measure 30, Chorus I sings the text of the incipit again while in ripieno sopranos sing the first two lines of Nikolaus Decius' chorale "" (O Lamb of God, innocent) as

neg: Flashing Lights (Havana Brown song) US Hot Dance Club Songs charts. "Flashing Lights" is a downtempo, disco song, written by Brown together with RedOne, John Mamann, Jean Claude Sindres, Yohanne Simon and Teddy Sky, with RedOne producing the track. In an interview with "The Herald Sun", Brown described the theme of "Flashing Lights": "It's about sexual kryptonite and intense passion". In the chorus Brown sings, “In the flashing lights / Looking for some love tonight / You know I love the way you lie / I wanna do it and do it / and do it again.” She elaborated on the lyrics with the Australian

neg: Damned If I Do Ya (Damned If I Don't) talk show called "Damned If I Do Ya, Damned If I Don't". The video opens with Alex and the host, Nika "Nothing Personal" Jones, as she talks about Alex's affair with his school teacher. The video displays distractions Alex has with his classes and at his band practices due to this affair. At the end of the bridge of the song, after Alex sings "but I never promised you", the song comes to a halt. Jack, Zack, Rian, Alex's parents, and the school teacher come out, and a full out brawl is started. The chorus of the song comes back

neg: Não Dá pra Resistir and hip-hop. The song talks about a love that is irresistible, where the protagonist tries to disguise, but ends up falling in love with the loved one. The song begins with Luciana on lead vocals, followed by Patricia, who changes versions with Luciana to the chorus. In the chorus, the girls sing, "I can not resist your love, you look at me like this, baby, I go, your kisses just for me, and your taste, I can not resist I need your love." After the chorus, Karin sings the second full part, taking help from the girls in the backing

neg: What I Did for Love (A Chorus Line) The remaining dancers, gathered together onstage, are asked what they would do if they are told they can no longer dance. Diana Morales, in reply, sings this anthem, which considers loss philosophically, with an undefeated optimism; all the dancers concur. Whatever happens, they will be free of regret. What they did in their careers, they did for love, and their talent, no matter how great, was only theirs "to borrow", was to be only temporary and would someday be gone. But the love of performing is never gone. They are all pointed toward tomorrow. Marcia Hines recorded and released a

neg: Who Dares, Sings! - 3.25m (18.59) Who Dares, Sings! Who Dares, Sings! is a karaoke style game show airing in the United Kingdom on the ITV Network and in the Republic of Ireland on TV3 Ireland. It premiered at 20:00 BST on 28 June 2008 and was hosted by Ben Shephard and Denise Van Outen. Only seven episodes have been shown in one series. Tickets were offered for a Christmas special, but this has not aired and will probably never do so. The studio audience of 100 people all attempt to sing to win a potential jackpot of £50,000. In the first round,

neg: I Will Be (song) at a later date, due to the police closing in on them. As the song begins to play, Lewis sings the first verse on the car bonnet in which they were shown sitting in previously. As she sings the first chorus, she stands up and faces Crawford in the car, and begins to walk away in a car park as she sings the second verse. For the second chorus, Lewis is shown to evade the police by trying to escape by car park stairways, but is confronted by policemen wherever she goes. For the final chorus, Lewis makes it out

neg: Consideration (song) "her worth as artist and business asset." The song opens with "a Peter Pan metaphor about being held back from maturing," where she sings: "I come fluttering in from Neverland [...] Why will you never let me grow?." In the chorus, she bluntly sings: "I got to do things my own way, darling," while also complaining and asking "in a thick patois": "Will you ever let me? Will you ever respect me? No!." During the second verse, she "asserts that she's through with acting as the world's avatar," asking: "Darling, would you mind giving my reflection a break from the

neg: I Care (Beyoncé song) power in her lower register. Each time, her voice slowly builds until the commanding chorus is reached, where towards the end, she sings, "la la la", in a muted saxophone line. Her voice expresses anger as she sings the chorus lines. In the second verse, Beyoncé continues the "wild-eyed pleas", as stated by Guerra and sings the lines, "Even since you knew your power / you made me cry / And now every time our love goes sour / you won't sympathize". Her raw vocals then punch through most powerfully at the second chorus leading up to the bridge. After

neg: Orfeo ed Euridice take any more, Orfeo turns and looks at Euridice; again, she dies. Orfeo sings of his grief in the famous aria "Che farò senza Euridice?"/"J’ai perdu mon Eurydice" ("What shall I do without Euridice?"/"I have lost my Euridice") Orfeo decides he will kill himself to join Euridice in Hades, but Amore returns to stop him (1774 only: Trio: "Tendre Amour"). In reward for Orfeo's continued love, Amore returns Euridice to life, and she and Orfeo are reunited. After a four-movement ballet, all sing in praise of Amore ("Trionfi Amore"). In the 1774 version, the chorus ("L’Amour triomphe") precedes the ballet,

neg: No, No, No (Destiny's Child song) "Strange Games and Things". In the video for "Part 2", directed by Darren Grant in October 1997, Wyclef Jean plays his guitar as Destiny's Child sings the chorus. Beyoncé stops Wyclef, saying, "that ain't right." Wyclef says to the group, "Nah, nah, it's phat; all we need to do is drop a phat beat for the clubs. I'm tellin' you, they gon' lose their minds; I can see it right now." The group begins a choreographed dance in a large gold room. Wyclef Jean also makes an appearance in a room next to the room where the group is. In

neg: We Ride lace dress. For the second chorus, a new scene of Rihanna is introduced, with Rihanna meeting with her friends, having arrived at her destination, where they eat in restaurant and walk down the street. During the bridge, as Rihanna sings about the difficulties of getting over a failed relationship, scenes of Rihanna partying and talking to her ex-boyfriend on her phone are depicted, which results in her agreeing to meet him as she sings "Just blame yourself 'cause you blew it/I won't forget how you do it, my sweet baby/This is where the game ends now/But somehow wanna believe you

neg: Hate My Life paid""), he almost gets hit by a car (""I hate all of the people, who can't drive their cars..."), we meet his wife, played by his real wife Christine Danielle Connolly (""I hate how my wife; is always up my ass..."), a girl drops her bag of lingerie ("Tyler looking at it interestingly"), a construction worker's boss telling him off (""I still hate my job, my boss is a dick..."), and when he sings the chorus, a sign comes down from a building reading "I Hate My Life." Then, Tyler jumps onto a parade float with the rest of the

neg: XO (song) "XO" are echo-laden and in contrast to other songs on "Beyoncé", the ballad contains several hooks. Beyoncé starts the song by asking a loved one to kiss her. Some of the ascending chorus lines are call and response; Beyoncé is backed by a sing-along crowd as she sings about how her "darkest nights" are enlightened by the lover's face: "In the darkest night hour / I search through the crowd / Your face is all that I see / I give you everything". The chorus ends with the singer adding, "Baby love me, lights out", with a croak in her

neg: Try (Colbie Caillat song) song resulted from a 'venting experience' for Caillat, who translated her disappointment about her scrapped album into a message of self-love aimed at women." "Put your makeup on/ Get your nails done/ Curl your hair/ Run the extra mile/ Keep it slim so they like you, do they like you?" she sings in the beginning. "You don’t have to try so hard/ You don’t have to give it all away/ You just have to get up, get up, get up, get up/ You don’t have to change a single thing," she sings in the chorus. In an interview for Elle,

neg:
Mirrors (Justin Timberlake song) Cause your shine is somethin' like a mirror
 And I can't help but notice
 You reflect in this heart of mine. "Mirrors" is a "new-age wedding reception song". Lyrically, in the song, Timberlake sings to a lover about "coming to the realization" that she is his "other half". The singer references "taking a break from the relationship": "It was easy coming back to you/ Once I figured it out, you were right here all along," he sings on the chorus. "It's like you're my mirror, my mirror staring back at me/ I couldn't get any bigger/ With anyone else beside

neg: Underneath It All F# to B. The song opens with a line sampled from Bob Clarke's Sunday radio show on IRIE FM. The verses use a simple I-vi chord progression, alternating between a first inversion E major chord and a second inversion C# minor chord, played on the off-beats and switch to a IV-iii progression. Each verse is followed by the chorus, which uses a I-IV-V-IV progression. After the bridge, Lady Saw performs her toast. Stefani then sings the chorus twice, and Clarke closes the song after Stefani repeats the line "Mm mm mm underneath it all" four times. "Underneath It All" received

neg: Journals (album) that he really has lost the one girl (Selena Gomez?) who means everything to him, and that he'll do anything to win her back." The first song, "Heartbreaker" co-produced by Maejor, finds Bieber begging for his lover to not break his heart, "suggest[ing] that while he's got real flaws, those shouldn't completely disqualify him" and "pledg[ing] love through ups and downs, good times and bad." "I know the seasons may change/And sometimes love goes from sunshine to rain/ … I still believe in us/I still believe in love," he sings. "All That Matters" continues in the same vein, with lines

neg: Coming Home (Diddy – Dirty Money song) the line "I miss you, B.I.G." The chorus features vocals from the group's female members, Kalenna Harper and Dawn Richard, as well as background vocals from fellow Bad Boy Records recording artist Cassie. The trio use a vocal range of A–A. Grey also sings some of the vocals, predominately during the song's opening chorus. "Rap-Up" magazine reflected on the lyrics of the song, calling them a personal reflection of Diddy's life and career thanks to lines like "What am I ‘posed to do when the club lights come on/ It’s easy to be Puff, but it’s harder to be Sean/

neg: Your Body (Christina Aguilera song) sings "All I wanna do is fuck your body" in the chorus. On September 12, 2012, Aguilera revealed details about "Lotus" and "Your Body" via Twitter, including the cover artwork. RCA Records premiered the song on "On Air with Ryan Seacrest" on September 14, 2012. Two days later, the single was serviced to contemporary hit rhythmic radio stations in the United States. "Your Body" was available via iTunes Stores worldwide for digital download on September 17, 2012. It was also digitally release in the United Kingdom on November 2, 2012; three remixes of the track was purchased for on-line sales

neg: A.K.A. (album) a robotic element to it. "Do anything that you can to make me feel so protected/ I don't wanna worry no more," she sings on the chorus. The final track on the regular edition is the Diplo-produced track "Booty", which was co-written by Chris Brown and features longtime collaborator and personal friend Pitbull on their sixth collaboration. It's the only dance song on the album, with a quirky middle eastern vibe in the mix. "All the sexy girls in the party, go grab a man and bring him to the dancefloor", she commands. Originally titled "Big Booty", Lopez first thought

neg: Feel Again working. I reach out trying to love but I feel nothing," Tedder aches before bursting into the melodic chorus that is filled with bliss, "But with you I feel again." The hand-clap song is ultimately a tale about grabbing life by the horns and feeling new again no matter what happened the day prior. In the chorus, Tedder sings about transforming from "a lonely soul" to a man who is able to love again; "I'm feeling better since you know me/I was a lonely soul but that's the old me." The song received a favorable reception from music critics. Arjan

neg: Three Days in a Row Days in a Row" opens directly to the chorus of the song, in which Anouk sings she has loved someone for three days, after which she has never seen him again ("Three days in a row / You were mine alone / And I haven't seen you since that day"). Apparently, this person was not aware of Anouk's love for him ("I've been loving you / Without you even knowing"). Anouk also sings she is sure their love will be continued ("I know it's a matter of time / Before it all falls back into place"). The number is considered

neg: La Isla Bonita minor and is set in the time signature of common time, moving at a moderate tempo of 95 beats per minute. "La Isla Bonita" starts with a musical introduction performed on Bongos, before descending into synthesized beats from castanets. Madonna sings the chorus in the same G to C range. After the second chorus there is a Spanish guitar interlude whence Madonna's voice expands to F minor as she sings "I want to be where the sun warms the sky" and then comes down to the C minor when she sings "loves a girl". There is another musical interlude with

neg: Endless Night (song) chorus. Simba sings the song directly to his father; the opening lines are "Hem hem hem. Hem hem. Where has the starlight gone?". The chorus is: "I know that the night must end, and that the sun will rise. I know that the clouds must clear and that the sun will shine." The song focuses on Simba's growth into new responsibilities and his memories of his father's promise to remain with him. He questions whether he should help to reclaim the Pride Lands, and sings to his father: "Whenever I call your name / You're not anywhere." Symbolizing "voices of

neg: Can I Get a Moment? I'm burnin' up, Have you heard the news? I'm on the move". In the chorus, Mauboy sings: "No disrespect, I'm not impressed, right now I'm doing me. You do the most, you're way too close, it's hard for me to breathe! Can I get a moment?". In an interview with "The Daily Telegraph", Mauboy described the song as "sexy" and "sassy" and said "it is about being in a really great place, my head is clear and I am just having a moment and I'm celebrating that moment". Naomi Janes of "Renowned for Sound" awarded "Can I Get a Moment?"

neg: Hair (Lady Gaga song) synth-pop song and begins with Gaga singing the line "Whenever I dress cool, my parents put up a fight/ And if I'm a hot shot, Mom will cut my hair at night/ And in the morning I'm short of my identity/ I scream, 'Mom and Dad, why can't I be who I want to be?" As the music grows louder, Gaga sings the sing along chorus of the song, gradually moving towards the breakdown—which is inspired by retro music—talking about the different hairstyles she has had. Jocelyn Vena from MTV described the track as a "fist-pumping, defiant disco track all

neg: Where Have You Been features a "monstrous bass", which will according to Graham "will make you want to trade in your factory-installed car speakers for a top-of-the-line sound system." In the "unashamedly sexual" song, Rihanna sings about her desire and wish to find a man who is able to satisfy and please her in any way possible, singing "Where have you been all my li-i-i-i-i-fe" (sic). According to Robert Copsey for Digital Spy, it is when Rihanna performs this line that the instrumental changes into a "strobing trance section that ends in a synth-squelching breakdown." Andy Kellam for AllMusic likened the song's chorus to

neg: I Love U (Tila Tequila song) electric guitar riff and utilizes strong elements of hip hop music such as 808 bass, claps and hi-hats. Lyrically, the song is about a dominant female. In the chorus, Tequila sings "You better go down when you get with me / You better realize that I'm what you need / You better get here before I count to three / You better do right, I'll fuck you up". I Love U (Tila Tequila song) "I Love U" is a song recorded by American recording artist Tila Tequila. It was written by Tequila, Craig Love and Jonathan Smith. The song was

neg: Irreplaceable everything you own in a box to the left". In bar seven, she sings the first verse, arguing with her boyfriend about the indifference of their relationship, and tells him to walk away. The pre-chorus and chorus follow, "You must not know 'bout me ... I can have another you by tomorrow / I could have another you in a minute ... Don't you ever for a second get to thinking / You're irreplaceable". In the second verse, Beyoncé recollects the moment she discovered her boyfriend's infidelity. The same pattern leads to the second chorus. Towards the end, Beyoncé sings

neg: All I Can Do Is Write About It All I Can Do Is Write About It "All I Can Do Is Write About It" is a song performed by Lynyrd Skynyrd. The song is credited as having been written by band members Allen Collins and Ronnie Van Zant. The song was first released on the band's 1976 album "Gimme Back My Bullets" and subsequently on the compilations, "The Essential Lynyrd Skynyrd" and "All Time Greatest Hits". The song is sung by Ronnie Van Zant, who lived in the Southern United States and is commenting on recent developments occurring at the time. In the song's chorus, Van Zant states

neg: You Make Me Feel... the concept of people trying to find the right person is something that's universal." The song is written in common time maintaining a tempo of 126 beats per minute. The song is set in the key of B-flat major. Backed up by a simple beat and minimal synth arrangement, Saporta sings about finding the girl he’s been missing: "Girl, I’ve been all over the world looking for you / I’m known for taking what I think I deserve, and you’re overdue." Sabi, provides the chorus and the "la-la-la-la-la" melody that carries the song as Saporta sings "You make me feel

neg: Who Do You Think You Are (Spice Girls song) a wry manner, then the chord progression changes to G–Bm–G–Bm–G–Fm during the pre-chorus, which features Melanie Chisholm's vocals prominently. After the chorus, the same pattern occurs leading to the second chorus, with Victoria Beckham and Melanie Brown singing the second verse. Then the group sings the bridge, the pre-chorus, and repeats the chorus until the song gradually fades out with Mel C singing "Groove It!", while Chisholm adds the high harmony—"Swing it, shake it, move it, make it". The inspiration for the lyrics comes from some of the people the group met in the music industry, and are about the

neg: Iridescent (song) instruments' parts are removed or added for instance, drum beats are added at the beginning which were not present in the album version, the third chorus sung by all six members is cut and directly leads to the bridge "Let it go" and to the fourth final chorus with a part of the piano cut shorter. Just like their previous single, "Burning in the Skies", Shinoda sings the verses while lead vocalist Chester Bennington sings the chorus and backup vocals on the verses. On the third chorus of the song, all six band members sing together. Some LPTVs (behind-the-scenes footage)

neg: Find Your Love be on "808s and Heartbreak" and that Drake showed off his "versatility" and "smooth singing on this slow-jam", stating, "I better find your loving / I better find your heart," he sings (over and over and over) on the chorus to this bump-'n'-grind single." Ryan Brockington of the "New York Post" said the song consisted of "dripping double-drum beats, 80's filtered vocals and a catchy little chorus". Jayson Rodriguez of "MTV News" said that the song features "Drake in full crooner mode as he sings about saving his relationship: "I'm more than just an option," he sings over sparse drums

neg: Sea Drift (Delius) The chorus gives the bird's cry, and the baritone responds with the lyrical passage describing how the boy listened to the song, 'Yes my brother, I know: The rest might not, but I have treasured every note...' The remainder of the setting is from the text of the bird's song (somewhat edited), (beginning 'Soothe! soothe! soothe!') overlapping as the baritone sings 'Following you, my brother...': from this point on the baritone takes important sections of the bird's song ('You must know who I am, my love!'), with the chorus singing other parts of the text at the same time, interweaving,

neg: Dance for You "about keeping things hot with her man". Echoing Vena's sentiments, Marc Hogan of "Spin" magazine described the lyrics as detailing a "triumphantly monogamous relationship". In the first verse, Beyoncé sings about how understanding, loyal, and patient her man is. She further states that she really cares about his heart, she has a lot of valuable things to say, and that for all these reasons, she is going to dance for him. After telling her love interest to "sit back and watch", Beyoncé sings the chorus, where she states the things she will do to show her appreciation to her love

neg: A Child of Our Time the trouble I see" 17. Scena: Duet (bass and alto): "The boy becomes desperate" 18. The Narrator (bass solo): "They took a terrible vengeance" 19. Chorus: The Terror: "Burn down their houses!" 20. The Narrator (bass solo): "Men were ashamed" 21. A Spiritual of Anger (chorus and bass solo): "Go down, Moses" 22. The Boy Sings in his Prison (tenor solo): "My dreams are all shattered" 23. The Mother (soprano solo): "What have I done to you, my son?" 24. Alto solo: "The dark forces rise" 25. A Spiritual (chorus and soprano solo): "O by and by" Part III 26.

neg: All You Wanted music video was directed by Liz Friedlander. It begins with Branch entering a club where her boyfriend is. During the chorus, everything around her freezes, and she takes the opportunity to sing at him, "If you want to, I can save you, I can take you away from here..." assuming he cannot hear her. They then go on a bus together, she sits down, assuming he will sit next to her, but he runs into friends, and he ignores her. She again sings at him during the chorus. After they exit the bus, it begins to rain and her surroundings

neg: G.I. Carmen two words, "It stinks!". Act 1 opens on the "Damen" and "Herren" of the Slopopolitan Opera Chorus swinging to a number by the onstage band. Our hero, Tom Wand enters looking for his girl, "Sweet Sue". Sue enters and Tom sings "I Love You" (by Cole Porter, 1944), "But you didn't shave today, did you?". Soon Carmen enters and steals Tom's affections. Sue is heartbroken and the chorus sings "Her Tears Flowed Like Wine" (by Joe Green and Stan Kenton, 1944) ending Act 1. Act 2 Another chorus number opens Act 2. Carmen and Tom enter. "Boy! Can she play

neg: Work from Home to work but instead, put the "work" at home with her. Its instrumentation is complete with electro claps, strong bassline and backed-synth. The song has a typical verse-pre-chorus-chorus structure with a rap bridge done by Ty Dolla Sign before the third chorus and the outro. The song begins with bubbling beat and finger snaps. The first verse is sung by Cabello, the first pre-chorus is sung by Kordei. "I know you're always on the night shift/but I can't stand these nights alone", she sings. Following is the chorus sung by Jauregui, with the word "work" repeated seven times after each

neg: Sorry (Halsey song) I can be/ Cause I can sometimes treat the people/ That I love like jewelry" sung by Halsey. During the chorus, she sings "So I'm sorry to my unknown lover/ Sorry that I can't believe/ That anybody ever really/ Starts to fall in love with me". Toward the ending, she sings "Someone will love you/ But someone isn't me". An accompanying music video for "Sorry" was directed by Sing J Lee and Halsey, who had also helmed the videos for the previous singles, "Now or Never" and "Bad at Love". It was uploaded on February 2, 2018, on Halsey's Vevo

neg: Get Me Bodied hook, where Beyoncé sings: "Can you get me bodied? I want to be myself tonight." The second verse follows, the chorus repeats giving way to the bridge, and Beyoncé sings the chorus again, ending the song with "hey!". "Get Me Bodied" received universal acclaim from music critics who praised its party sound and Beyoncé's vocals. Chris Richards of "The Washington Post" referred to the track a "club-hungry come-ons" with a "dexterous melody". He further stated that the "skeletal" track "keeps Beyoncé tethered to the ground". Jody Rosen of "Entertainment Weekly" commented that "a piddly home hi-fi can hardly capture the

neg: Right There (Nicole Scherzinger song) "[talking] about all the things she likes her man to do," In lyrics such as "Me like the way that you hold my body / Me like the way that you touch my body." In the pre-chorus she becomes territorial with her man, and warns other girls away: "No I ain’t never gonna let no girl take him from me / Never gonna let no girl steal him from me." Throughout the song Scherzinger sings in a Caribbean-influenced vocal style. Then, 50 Cent comes in with his verse, rounding out the song with his male perspective. According to Nadine Cheung

neg: 24K Magic (song) vocoder. The synthesizer riff and backbeat of "24K Magic" resembles the one in "The Message" (1982) by Grandmaster Flash and the Furious Five. Critics found the sound to be closer to the 1980s electronica, hip-hop and R&B, than the 1970s style of "Uptown Funk" (2014). The track reaches its "ebullient" and "infectious" chorus where Mars sings, "Put your pinky rings up to the moon, What ya’ll tryna do? 24K magic in the air." All the verses are designed with a call-and-response hook. In the opening lyrics, Mars shouts, "Guess who’s back again!/Oh, they don’t know? I bet they know soon

neg: Sweeter Than Fiction a "rock-tinged" bubblegum pop song that also contains influences of synthpop and new wave music. Critics have deemed the song reminiscent of 80's pop. The song is musically and lyrically upbeat, with Swift singing from the point of view of a longtime friend or fan who has always believed in a performer's talents. "There you'll stand, ten feet tall", Swift sings in the chorus, "and I will say, 'I knew it all along.'" It was written by Swift along with Jack Antonoff and is in the key of B major with Swift's vocal range between the octaves of F Sharp

neg: Deeper and Deeper Cadan's text in the inner notes of the 2001 compilation "GHV2", the song is actually about a young man coming to terms with his homosexuality; "'I can't help falling in love, I fall deeper and deeper the further I go', he sings as he disappears deep into the dark shaft". The song begins with Madonna repeating the words "Deeper and Deeper and Deeper and Deeper", before moving to the chorus. The opening line, "when you know the notes to sing you can sing most anything", references the song "Do-Re-Mi" from "The Sound of Music". Also present in the song are

neg: All I Do Is Win among Miami Hurricanes football fans as Snoop Dogg's line "We like the U in the 80s" refers to the University of Miami football team that dominated college football in the 80s and early 90s. It was subsequently arranged for the Band of the Hour, Miami's marching band. Internet mashup artist DJ Earworm has included the song in a mash-up designed for the 2012 Summer Olympics. A remix version was made in December 2011 for Tim Tebow of the Denver Broncos, called "All He Does Is Win" – the video went viral on YouTube. The New Orleans Saints play the chorus

neg: Arthi (Balmiki) Rama preys to you always. Praise Valmiki------- (Chorus) Oh Lord you wrote yoga Vasistha and the Ram Charitar (Ramayana) by your holy hands for the world to listen and rid of all its troubles. Praise Valmiki------- (Chorus) Lord those who sings your praise and hymns daily, you will give them all their hearts desire. Praise Valmiki------- (Chorus) Arthi (Balmiki) Arthi (Panjabi: ਆਰਥੀ ) is a Balmiki ritual, similar in form to the Hindu practice of Aarti in which light from wicks soaked in ghee or camphor is offered to Bhagawan Valmiki. Arthi is a form of bhakti devotion. The word

neg: Magic to Do Magic to Do "Magic to Do" is the opening song from the musical "Pippin". It was introduced by Ben Vereen in the Broadway production and performed by Northern Calloway in London. The entire song runs around four minutes. The song is sung by the Leading Player and the in-show theatre troupe, who invites the audience to watch a show about a Pippin, a prince living in Charlemagne's France who is searching for fulfillment and does not know where to go in life. At the start of the song, only the Leading Player sings. Fastrada and the Chorus come in at

neg: Love Yourself tone while "hating on a girl for loving herself too much." In the pre-chorus, he sings with a husky tone in the lower registers: "My mama don't like you, and she likes everyone," "in a style that molds well to Sheeran's," according to "Rolling Stone" Brittany Spanos. "And I [never] like to admit that I was wrong. And I've been so caught up in my job, didn't see what's going on, and now I know, I'm better sleeping on my own," he continues. In the chorus, Bieber sings, "Cause if you like the way you look that much, oh baby

neg: Una storia sbagliata (song) except for the chorus, do not tell a consistent story. Indeed, the titular Titti appears only in the chorus, which was freely inspired by Jorge Amado's 1966 fantasy novel "Dona Flor and Her Two Husbands". In a very lightweight tone, De André sings about a carefree woman named Titti who "had two loves, one of heaven, one of earth; of opposite sign, one of peace, one of war" and, in the second half of the chorus, "one on earth, one in heaven, [...] one good, one true". The verses, on the other hand, consist in a series of disconnected images

neg: Imitation of Life (song) see you cry" vocal bringing them into the chorus. The new bridge included the same lyric but echoed between Stipe and Scott McCaughey three times throughout the 20-second midsection. When the song is performed live, Stipe commonly alters the way in which he sings the first two choruses, using a lower register. Singing at a higher pitch, he states, is difficult to do live; on "R.E.M. Live", he mentions how he "routinely sings off-key in the chorus." The single's music video, depicting a scene of an elaborate pool party, was shot in Agoura Hills, California, by Garth Jennings. Michael Stipe,

neg: Missing My Baby solo before the other instruments enter to form the musical foundation. Selena sings to her absent lover about how much she misses him, saying that he is "always on [her] mind" and that she feels lonely when he is not with her. Three times she sings, "I often think of the happy times we spent together / And I just can't wait to tell you that I love you". In the chorus, she sings of wanting to hold him tight and feel his heartbeat. "Missing My Baby" received positive reviews from critics. "Vibe" magazine reported that Full Force was awarded

neg: Lonely Is the Night (Air Supply song) song talks about the difficulty of dealing with a long-distance relationship. In the beginning, Russell Hitchcock sings that he thought he'd live well without his girlfriend, "Really thought that I could live without you, Really thought that I could make it on my own," he sings. However, he realizes that he's lost without the one he loves, "Now I'm so lost without you, now you're not here and now I know." In the chorus, he sings about how difficult it is to spend the night away from his love. "Lonely is the night when I'm not with you, lonely is

neg: Poison (Rita Ora song) / Trying to get over how bad I want you so much". Sharp percussion and dark string instrumentation begins playing as the chorus builds in intensity. Ora then belts out the song's hook, "I pick my poison and it's you / Nothing could kill me like you do / You're going straight to my head / And I'm heading straight to the edge / I pick my poison and it's you / I pick my poison and it's you ", over prominent synthesizers. Drums later feature most prominently during the middle eight in which Ora sings about her world falling

neg: Up (The Saturdays song) the beat of the song is set in 6/8 and progresses at an uptempo 126 beats per minute. The chorus follows an Am–F–Dm–E chord progression. Una Healy sings both the first and second verse. While Vanessa White sings the 2 bridges, middle 8 and leads the chorus. Rochelle Wiseman sings backing vocal in Healy's second verse. Healy and Wiseman take lower harmonies in the chorus while Mollie King and Frankie Sandford who don't sing solos in the song, both take higher harmonies. "Up" contains several travelling-themed lyrical lines which act as a metaphorical way of taking a relationship to the

neg: Don't Go Breaking My Heart (Agnes song) sings "The walls caving in, I'm giving in /../ I can't stop this now, 'cause my world revolves 'round you, and there's nothing I can do". Agnes is then shown in an upfront angle with a pony-tail and the wind blowing in her hair, this scene shifts with earlier scenes during the chorus. In the end, Agnes appears in a wedding dress with an arrow pointing out of her heart when she is slowly fading away. Anders Nunstedt, from the Swedish tabloid Expressen, compares "Don't Go Breaking My Heart" with "Release Me" and says that it has the same sort

neg: Run the World (Girls) mutha / Girls! / Who run the world." It moves into smoother, more persuasive but still boastful lyrics, "I think I need a barber/ None of these ho's can fight me/ I'm so good with this/ I remind you I'm so 'hood with this." She then delivers the repetitive hook and chorus lines. In the second verse, Beyoncé sings that education gives women strength and independence. Other lyrics of this theme include the line, "smart enough to make these millions, strong enough to bear the children, then get back to business." Jocelyn Vena of MTV News said that Beyoncé sings

neg: Blackout (Britney Spears album) about it is that it's from the perspective of someone who feels like they really need this person just to feel safe and feel good." Spears named the song her favorite from "Blackout". The sixth track, "Get Naked (I Got a Plan)" is an uptempo song about sex. It is a duet between Spears and Danja, who sings the chorus with his voice distorted to sound like a decaying moan. Spears contributes a series of gasps, sighs and chants and her voice is also distorted. The seventh track, "Freakshow", is built around the "wobbler" effect of dubstep. Spears sings about

neg: Work from Home line. The second verse is sung by Hernandez who sings: "Let's put it into motion / Imma give you a promotion / I'll make it feel like a vacay / Turn the bed into an ocean". Hansen sings the second pre-chorus. Ty Dolla Sign sings after the second chorus, and on the third and final chorus Cabello closes the song with an ad-libbed outro. Matt Collar from AllMusic described "Work from Home" as one of the "most playful tracks" from "7/27" writing that said song along with "Not That Kinda Girl" "build upon Fifth Harmony's knack for mixing juicy R&B

neg: Heartbeat Song (Kelly Clarkson song) is "a Kurstin production that sparkles with new-found passion" and said Clarkson sings a lyric of the chorus with a bubblegum snap. In his review for music website Popdust.com, Jason Scott gave the song an "A–" grade, saying that song would fit quite nicely to Clarkson's previous studio album "All I Ever Wanted" (2009). He also added that despite the song's the chorus isn't quite as "tasty" as what she's capable of, it's just as momentous as her previous singles such as "Mr. Know It All" (2011) and "Breakaway" (2004). Reviewing for "Time", Nolan Feeney wrote that "Heartbeat Song" as