query: sound of music where did they escape to

pos: The Sound of Music (film) the cemetery crypt. Brownshirts soon arrive and search the abbey, and the family is discovered by Rolfe. Upon seeing Liesl, he hesitates raising the alarm long enough to allow the family time to flee, and the family is able to escape using the caretaker's car. When the soldiers attempt to pursue, they discover their cars will not start as two nuns have removed parts of the engines. The next morning, after driving to the Swiss border, the von Trapp family make their way on foot across the frontier into Switzerland to safety and freedom. "The Sound of Music" story is

pos: The Sound of Music "Anschluss", going by train to Italy and then traveling on to London and the United States. To make the story more dramatic, Lindsay and Crouse had the family, soon after Maria's and the Captain's wedding, escape over the mountains to Switzerland on foot. In Salzburg, Austria, just before World War II, nuns from Nonnberg Abbey sing the "Dixit Dominus". One of the postulants, Maria Rainer, is on the nearby mountainside, regretting leaving the beautiful hills ("The Sound of Music"). She returns late to the abbey where the Mother Abbess and the other nuns have been considering what to do about

pos: The Sound of Music (film) the cemetery crypt. Brownshirts soon arrive and search the abbey, and the family is discovered by Rolfe. Upon seeing Liesl, he hesitates raising the alarm long enough to allow the family time to flee, and the family is able to escape using the caretaker's car. When the soldiers attempt to pursue, they discover their cars will not start as two nuns have removed parts of the engines. The next morning, after driving to the Swiss border, the von Trapp family make their way on foot across the frontier into Switzerland to safety and freedom. "The Sound of Music" story is

pos: Untersberg the mountain. The landmark gained international fame as the "distinctive, lopsided peak" featured at the beginning and end of the 1965 movie "The Sound of Music", although the filming was done on the German side, not the Austrian side. It was where Julie Andrews sang "The Hills Are Alive" at the opening scene and where the family climbed the mountain on their escape to Switzerland at the end of the film. The mountain also lends its name to an 1829 opera, "Der Untersberg," by Johann Nepomuk von Poißl (1783–1865). The Untersberger marble ball mills are located in Marktschellenberg in Berchtesgaden,

neg: Good Kid, M.A.A.D City not sound like "Section.80", but will return to his Compton roots: "I couldn't tell you what type of sound or where I [will] be in the next five years as far as music... Back to the neighbourhood and [going] back in that same space where we used to be, got [me] inspired. So this album won't sound like "Section.80"." Lamar also said that the album will showcase the influence of his hometown: "The kid that's trying to escape that influence, trying his best to escape that influence, has always been pulled back in because of circumstances that be". Before the

neg: Hot Panda Bondies, Transmusicales 2012 in Rennes (with Ms Mr, Melody's Echo Chamber), France; Primavera Sound Festival in Barcelona, May 2012 (a festival at which the likes of Jeff Mangum, The Cure, M83, Franz Ferdinand and Refused were performing); The Great Escape in Brighton, The Reeperbahn Festival in Hamburg, Liverpool's Sound City, and Glasgow's Stag And Dagger Festival. The band played some North America, festivals, including South By South West in Austin (where they were selected by Esquire Magazine as one of fifteen hot new emerging artists of the 2011 festival), CMJ Music Marathon in New York City, Pop Montreal, Canadian Music

neg: Gentle Giant and the Big Sound as the band behind the record. In 1969, the Shulman brothers finally dissolved the group in order to escape the pop music environment that had frustrated them. Surprisingly, they did not return directly to rhythm and blues or soul, but chose to pursue a more complicated direction. Ray Shulman later stated "We knew we couldn't continue with the musicians we'd had before. We weren't interested in the other musicians in the band — they couldn't contribute anything. We had to teach them what to do. It got rather heavy when we could play drums better than

neg: Mathcore Are the Romans" of November 1999 was influenced by Drive Like Jehu, Sepultura and Meshuggah. This album has influenced numerous bands and met high critical acclaim throughout the years, being lauded by TeamRock in 2015 as "one of the greatest albums in the history of heavy music". In 1997, The Dillinger Escape Plan evolved from the political-oriented act Arcane because they did not want to become part of "cliques" again. They turned around their sound significantly in their second EP, "Under the Running Board" of 1998, and their debut album, "Calculating Infinity" of September 1999, drawing from progressive death metal

neg: The Dillinger Escape Plan and their albums became "packed with the sometimes brutal, sometimes beautiful music only they play" that "skids from grindcore to progressive jazz and beyond". Some reviewers have compared them with jazz-grindcore project Naked City and progressive metal band Meshuggah. When asked to define The Dillinger Escape Plan's music, bassist Liam Wilson said: "I usually tell my parents' generation that we sound like what might happen if you took the sophistication of King Crimson and cross-bred us with the snottiness of the Sex Pistols... or 'punk jazz' which is how Jaco Pastorius once described his sound." In the words of lead

neg: Game (Perfume album) of occasions where the production completely overwhelms the sometimes flimsy melodies on offer, and it's hard to escape the impression that producer Yasutaka Nakata's attitude to the three members' vocal contributions is basically one of damage limitation." He did, however, commend the album's catchiness and complimented the mixture of dance genres. Zac Bentz from Japanator.com gave the album a mixed review. He criticized the album's lack of development and personality and felt the album didn't have a diversity of musical genres outside of electronic dance music. He commented, "If Perfume doesn't start expanding their sound, maybe moving out of the

neg: To Light a Candle They do not give him a chance to speak and say if he does not leave they will kill him. They then banish Cilarnen and do the same thing to him as they did to Kellen—send the Outlaw Hunt after him. Once he is outside he meets the elf, who says he will help him escape. Kellen, Idalia, Jermayan, Vestakia, Shalkan and the knights find the place where the children are hidden. Idalia has a cloak that makes people invisible and hides sound and smell and decides to go in and help them. The things that kidnapped them are half-elf

neg: North of Blue palette, composition and content emerged organically and they created fresh focus and new strands of inquiry. The process felt very much like an extension of the spell of the far north.” Jamie Haggerty composed original music and created the sound designed for North of Blue. It took ten months and he used Ableton Live and Studio One Pro. Priestley and Haggerty met at Will Vinton Studios where he was an armature designer, composer and sound designer for 11 years. Haggerty did sound design and music for three of Priestley’s short films: Dew Line (2005), Relative Orbits (2004, documentary) and Utopia

neg: Escape the Day the songs. The line up changes. When spending time in the studio it was clear that some changes had to be made in order to reinvent the sound of the band. They came across the very young screamer Jonas Jenelin, who made a direct impact to the sound, with his style of screaming, giving the music what it needed and leading Mindscape into Escape the Day. In 2011, Maria Petersèn left the band to pursue her dream, as a Musical Artist. Through a friend of the band, Angeline Stenbock came in and completely changed the script. With a voice that

neg: Escape the Day the release of the "Acoustic Sessions" EP, including the acoustic version of "Breaking The Tide" and "Undone". Escape the Day's sound is similar to bands, such as Dead by April, and Amaranthe. Their sound is Melodic Metalcore, while blending Rock and Pop with electronic music. The band has described their sound as "90's Dance-Trance scene blended with Metal and a slight touch of Rock and Pop." Escape the Day Escape the Day is a Swedish electronicore band from Gothenburg, formed in 2007, as Mindscape, by Sebastian Westman and Patrick Möhlenbrock. Escape the Day started their journey in 2007, as Mindscape.

neg: Disobedient (album) in hindsight, the album did not necessarily take the direction they wanted it to. Disobedient (album) Disobedient is the fifth full-length studio album by American melodic hardcore band Stick to Your Guns, released on February 10, 2015. It is the band's first album to be produced by John Feldmann (The Used, Escape the Fate, Beartooth). This is the band's last release on Sumerian Records. On October 21, 2014, the band released the first single off the album, "Nobody", with the music video premiering on "Alternative Press". The album was included at number 16 on "Rock Sound"s top 50 releases of

neg: Vespertine embroidery piece. Matmos came in the last two weeks and added percussion on top of the songs, but they didn't do any of the main parts, and they are credited "everywhere" as having done the whole album. [Matmos'] Drew [Daniel] is a close friend of mine, and in every single interview he did, he corrected it. And they don't even listen to him. It really is strange. Björk has stated that she wanted the album to sound like "modern chamber music", referring to the times where "the most ideal music situation was in the home, where people would play harps

neg: Dälek Dillinger Escape Plan, The Bug, Mastodon and Lovage. Oktopus and MC dälek collaborated with experimental metal/hardcore punk band Starkweather on their 2010 album "This Sheltering Night". Dälek's music is dark, noisy and atmospheric, equally inspired by industrial music like Einstürzende Neubauten, the layered noise of My Bloody Valentine and the dense sound collages of Public Enemy. Their sound is often constructed through sampling and a musical base atypical of most hip hop, making it difficult for people to classify their sound. They have been described as trip hop, glitch hop, metal, shoegaze, and hip hop, as well as being criticized

neg: Ape Escape (video game) "Ape Escape". The music changes in-game depending on the situation and level; for example, should players act stealthily, the music alters slightly to give a mellow atmosphere. Music from the game was included in "Ape Escape Originape Soundtracks", published on November 18, 2011 by Terada's label Far East Recording. The gameplay sound effects were designed by Masaaki Kaneko, while the sound effects in the cutscenes were provided by Masatoshi Mizumachi. The English voice acting was recorded at Dubey Tunes Studios in San Francisco, California, with Sara Holihan and Hunter A. Pipes III serving as voice-over director and producer, respectively. "Ape

neg: Giles Romilly door, preventing him from sleeping. Following a visit from the Red Cross, a red carpet was placed outside his door to dull the sound. Romilly did successfully escape however, whilst the "Prominente" were being moved to "Oflag VII-D" Tittmoning Castle in April 1945. The camp was home to some Dutch officers amongst whom was captain Machiel van den Heuvel, "Vandy". Romilly and Vandy knew each other from their Colditz time where Vandy was the Dutch escape officer. Vandy was transferred to Tittmoning because of his leading role as escape officer and the Germans thought he could do no more harm

neg: Alien Spidy of reviewers called the game and its characters "cute". While a few of the reviewers praised the game's music, Jeremy Peeples of Hardcore Gamer found that it lacked staying power. He noted, however, that the music could be muted without also muting the sound effects, allowing people to play their own music. Critics near universally took issue with the game's controls. Critics found that the webs that they shot did not go where they wanted them to go, and multiple reviewers described navigation as "trial and error". Reviewers also found that they could not always jump when they wanted to,

neg: On Your Radar "we're five girls after all". While in an interview with "Sugarscape" the band confirmed that they want the whole album to be "fresh" and have a completely different sound from their previous albums, so it does not sound like the band are releasing the same type of music. They also said that the music would be "current" meaning they will release music which the public are interested in at the moment. However, they did say there would be some type of their "original sound" on the album as they want to "make everyone welcome" on the album. It was confirmed

neg: The Sweet Escape (song) that would suit the marketing of Stefani's music and her clothing lines L.A.M.B. and Harajuku Lovers, settling on "Sweet Escape". Akon played her the beat he had developed, and they began working on the song. They wrote it in 10 minutes, coming up with a doo-wop song rather than the hip hop sound Stefani had expected. "The Sweet Escape" is a ska and doo-wop song composed in the key of B minor. It is written in compound quadruple meter, commonly used in doo-wop, and has a moderate tempo of 120 beats per minute. Stefani's vocal range covers nearly two octaves,

neg: Perfect (Simple Plan song) part 2 of Perfect". Comeau also stated that this song is about his brother who supports him in his music career. "Perfect" begins with a low-melody guitar-sound and ends with a faded out guitar-sound. In the bridge of the song, the song becomes more punk rock sounding. In the music video of the single, the band are playing on the roof of a house. Throughout the video, it shows how teens are trying to escape such pressure by letting everything out, and finally realizing that they can't keep their pain in any longer. The music video was directed by Liz

neg: Public Access T.V. their appearance at various music festivals. The band performed at the Great Escape and London Calling festivals. These performances led The Guardian to run a feature on Public Access TV and their potential to ignite a revival for New Wave music. In November 2014, Public Access TV released their debut single "In The Mirror" in the UK to critical acclaim. To promote the song, the band returned to the UK where they did a support tour and also played their first headlining London concert. In Spring 2015, a few days after performing at the SXSW music festival in Austin Texas,

neg: Are You Metal? in doing this, and have to put their headphones back on. However, the third woman takes off her headphones, and when she hears the sound, she begins to headbang (It is then implied that the sound is the band's heavy metal music, or possibly just heavy metal music in general). She is able to reach the key and they are able to escape. For the second half of the video, scenes of the band playing in front of a crowd are featured, which includes snippets of Dr. Stein. Notes: Are You Metal? "Are You Metal?" is a song and a

neg: On Your Radar heard the new songs from The Saturdays and Black Eyed Peas :) didn't expect The Saturdays song to sound like it did!" The band flew out to Los Angeles to film the music video for "Notorious" According to the band, they took the music video influences outline from TV series, "Ugly Betty". Where "PopDash" stated the band teased us for the music video all week and seeing them partying in the club as well as they're secretaries scene waiting to clock off for the day; they stated it was a bit like the Boots advert but with a better song

neg: Elend (band) Elend (band) Elend was a dark ambient/neoclassical band formed in France in 1993 by composers and multi-instrumentalists Iskandar Hasnawi of France and Renaud Tschirner of Austria. The band's name is German for "misery." Their music can be described as a combination of contemporary classical music and gothic. Early Elend albums utilized samplers and synthesizers to create a dense and horrifying orchestral sound. In their last three albums for the "Winds Cycle", Elend's sound was broadened; they did now rely almost entirely on acoustic instruments and chamber orchestras instead of synthesizers, giving them a more full and natural sound. They did

neg: The Life and Adventures of Joaquín Murieta same way they did in Calaveras. John Rollins Ridge depicts a miraculous story where Joaquín was caught in his sleep by a man named Prescott and group of fifteen men who were out to kill him. Having awoken by the sound of men in his room, him and his men instantly began shooting and managed to escape. However, during the encounter, Prescott himself had shot Joaquín in the chest with a double-barreled shotgun. Three Fingered Jack recounted, “How it come not to kill him, the devil only knows. I’m certain it would have done the job for me”. Similar stories

neg: All Saints (All Saints album) and "Bootie Call", as well as "I Know Where It's At" (#4) and "War of Nerves" (#7). "All Saints" received mixed reviews from music critics. Many critics praised the choice of singles and the group's musical direction, while some did not enjoy the music direction and felt they lacked personality. Nick Butler from "Sputnikmusic" gave it a mixed review, awarding it two-and-a-half stars out of five. He felt that the musical direction and sound "hasn't aged well" but praised the group's creativity, where the group were more pleasurable than their all girl group rivals Spice Girls, as he stated they

neg: Damon Albarn shows were well received; "The Guardian"s music critic Alexis Petridis gave their performance at Goldsmiths College a full five stars, and wrote that "Blur's music seems to have potentiated by the passing of years ... they sound both more frenetic and punky and more nuanced and exploratory than they did at the height of their fame". Blur headlined the Glastonbury Festival on 28 June, where they played for the first time since their headline slot in 1998. Reviews of the Glastonbury performance were enthusiastic; "The Guardian" called them "the best Glastonbury headliners in an age". The band released their second

neg: Deathsport explosives. They easily defeat the other riders and escape from Helix city with two other prisoners, Doctor Karl and his son Marcus. During the escape, though, the doctor is killed. Eventually they rescue Deneer's child from mutant cannibals, and battle the other Death Machine riders who followed them. Finally safe, Deneer delivers Marcus to Tritan, while Kaz Oshay faces his nemesis Ankar Moor in "honorable" combat, using Whistlers (plastic swords that sound like music). After a bloody battle Kaz decapitates Ankar, becoming the greatest guide alive. The film ends with him and Deneer riding their horses off into the sunset.

neg: Esoteric Escape Esoteric Escape Esoteric Escape is the debut studio album by Scottish rock and Electronic music band Keser. "Esoteric Escape" was recorded in 2006 at the studio of Alex Tronic Records in Edinburgh, Scotland, and was produced by Paul Croan. The album features guitar-driven Electronic music and it is predominantly instrumental, with 3 exceptions, Lost for Days, In the Next Beginning and Frozen Fireworks. It consists mainly of Guitar, Bass, Keyboards and the use of various types of Drum Machine. When questioned about the influences for the sound created on "Esoteric Escape", the band have been quoted as saying "Esoteric Escape"

neg: The Dillinger Escape Plan open the venues at which they played until the sound was ideal. In 2009, Weinman founded the independent record label Party Smasher Inc. for all things related to The Dillinger Escape Plan, as well as hosting diverse independent artists and contributors. Weinman stated that, rather than creating a record label as such, this was intended to give them total freedom to explore all the possibilities of the music industry in the Information Age instead of being restricted by a traditional record deal. They released their last three albums on the label. Although never having had an agenda on their lyrics,

neg: LucasArts adventure games having a list of verb actions to choose from on screen, and the inventory system was moved to an off-screen menu. The more streamlined interface allowed for more of the screen to be dedicated to gameplay. Land, Bajakian and McConnell returned to score the game's music. While Bajakian did not compose any further LucasArts adventure games, he was still involved with sound production in later titles (note: he is credited as both a music supervisor and one of 4 composers on Escape From Monkey Island). In 1995, after a year-long hiatus from adventure games, LucasArts released "Full Throttle". "Full Throttle"

neg: Alan Howarth (composer) break came in 1979, when he met the sound effects team for "", and was taken on as a sound designer for the following six "Star Trek" films. Howarth's collaborations with John Carpenter include: "Escape From New York", "Halloween II", "", "", "", "", "Christine", "Big Trouble in Little China", "Prince of Darkness" and "They Live". His music been featured in films like "The Dentist" and "The Dentist 2", "Boo", "Evolution", "Basement Jack", "Hansel and Gretel", "Zombie Night", and "Brutal". His award-winning sound designs have appeared in "", "", "", "", "", and "", "Raiders of the Lost Ark", "Poltergeist",

neg: Sakanaction (album) songs at a large recording studio, but instead used the home-recorded takes. The band felt that recording at Yamaguchi's home had a different atmosphere, as the location did not come with the pressure of time limits and recording staff, which made these sessions feel less like work. For the "Sakanaction" album sessions, the band found that they felt free to record any music that they wanted to, and that the location allowed for the band to develop a different sound, as this was the space where Yamaguchi usually listened to music. Yamaguchi described these home sessions as feeling like an

neg: Escape (Whodini album) in New York City; although they were friends and often discussed music, he said that they did not originally consider working together. Jive Records could not find a producer, and Hutchins asked Smith to come to Europe and produce the album. The producer initially refused for financial reasons, but called Hutchins the following day saying that he needed money to pay a hospital bill for a friend who had his finger tips ripped off. Smith and Hutchins then quickly met to develop music to show to the label, recording the bass for "Five Minutes of Funk". "Escape" was recorded in

neg: International Sound Version soundtrack) music over any dialogue in the film and splice in intertitles (which would be replaced with the appropriate language of the country). Singing sequences were left intact as well as any sound sequences that did not involve speaking. International versions were sound versions of films which the producing company did not feel were worth the expense of re-shooting in a foreign language. They were meant to cash in on the talkie craze; by 1930 anything with sound did well at the box-office while silent films were largely ignored by the public. These "international sound versions" were basically part-talkies and

neg: MUSHA rhapsody". To compose the music, Sakoda used real instruments, then notated the music on an MSX computer and converted it onto a PC-9800. Since he did not like mechanical sounds, he programmed the virtual instruments to sound like they were played by humans. Sakoda worked closely with sound effects programmer Masanobu Tsukamoto. Since the game had limited sound channels, or tracks, he exercised caution not to create too many simultaneous sounds so the sound effects would not cut out the music. Sakoda only had four channels to use in any given song, one of which was always fixed on drums.

neg: Veronica Mars so that it did not sound like a traditional piano. Live bass and percussion was also used, as Kramon did not like to program them. The main instrument used was guitar, but Kramon felt that piano was "by far the most important instrument for working on TV shows, especially when you're doing everything yourself." A week before choosing the sounds for the episodes, the crew had a "spotting session", where they would discuss with Thomas and the producers which type of music was going to be featured. Kramon did not decide the songs to be featured, but composed and created

neg: Leitmotif link between the leitmotivs and the persons they characterised' because people's innate mental processes did not necessarily correspond with Wagner's subtle intentions or optimistic expectations. He continues: The degeneration of the leitmotiv is implicit in this ... it leads directly to cinema music where the sole function of the leitmotiv is to announce heroes or situations so as to allow the audience to orient itself more easily. The main ideology behind Leitmotif is to create a sense of attachment to that particular sound that evokes audiences to feel particular emotions when that sound is repeated through the film. Leitmotifs in

neg: Pilot (Veronica Mars) using an acoustic piano, Kramon would use compression so that it did not sound like a traditional piano. Live bass and percussion was also used, as Kramon did not like to program them. The main instrument used was guitar, but Kramon felt that piano was "by far the most important instrument for working on TV shows, especially when you're doing everything yourself." A week before choosing the sounds for the pilot, the crew had a "spotting session", where they would discuss with Thomas and the producers which type of music was going to be featured. Kramon did not decide the

neg: Boston Symphony Orchestra and then Pierre Monteux from 1919 to 1924. Monteux, because of a musician's strike, was able to replace 30 players, thus changing the orchestra's sound; the orchestra developed a reputation for a "French" sound which persists to some degree to this day. The orchestra's reputation increased during the music directorship of Serge Koussevitzky. One million radio listeners tuned in when Koussevitzky and the orchestra were the first to perform a live concert for radio broadcast, which they did on NBC in 1926. Under Koussevitzky, the orchestra gave regular radio broadcasts and established its summer home at Tanglewood, where Koussevitzky founded

neg: The Sound of Hush calm and simple music, and they moved to Copenhagen. Here they tried for some time to get a record contract, but did not succeed despite radio rotation and a movie appearance. The duo decided to go to a showcase in London in 2002 playing for the English music industry, where Tina Dico set them up with her English manager Jonathan Morley. He arranged for them to go to Nashville to exchange ideas with American song writers in 2003, and this trip reaffirmed their belief of having a special musical expression. Another showcase in London brought good reviews in the British

neg: The Tin Syndrome a TV special on Wellington music) and coming, as they did, before such wacky Wellington bands as the Six Volts, they did a lot to define the eccentric character of the Wellington sound. Both Austin and Long have gone on to be successful soundtrack composers. Sound man Mark Ingram, who cut his teeth with this band, went on to be a music producer of international renown, in Australia. The Tin Syndrome The Tin Syndrome was an alternative rock group from Wellington, New Zealand, active in the early to mid 1980’s. Led by quirky songwriter/guitarist Mark Austin (New Zealand Composer), the

neg: The Sweet Escape "Scarface"]", which in turn drew inspiration for the cover. The pair of oversized sunglasses on the album cover is intended to represent her "guarded exterior", and the other images symbolize her various emotions. "The Sweet Escape" has themes of romantic situations and details of her career and personal life, while sonically the album features "sparsely rhythmic tracks where she chants as much as she sings" and "pop songs that aim for choruses." It starts with "Wind It Up", which features fanfares and samples from "The Sound of Music"s "The Lonely Goatherd", having "material-minded lyrics touting her fashion line and her

neg: No Sound Without Silence Sound Without Silence", is both a shortening of philosophical idea put forward by the band and a critical comment on the music industry. "No Sound Without Silence" is a phrase derived from an idea put forward by the band, where meaningful statements cannot be made without thinking about what you want to say first; the "silence" referring to the silence that persists while a person thinks about what they want to say, and the "sound" referring to the sounds made by people when they speak. The phrase is also a comment on the state of the music industry, where, according

neg: Escape (Whodini album) Night". Unlike other hip-hop musicians, Whodini's backing music and beats were synthesizer-based. "Escape" contains tracks with minimal musical backing, such as "Big Mouth" and "Friends", and faster-paced music such as "Escape (I Need a Break)". Hutchins believed that the Fender Jazz Bass was part of Whodini's signature sound, and used it on "Five Minutes of Funk". "Escape" lyrics are generally egocentric, but also explored the difficulty of city life ("Escape (I Need a Break)"), failed romance ("Friends") and New York's party lifestyle ("Freaks Come Out at Night"). The album was released on October 17, 1984 by Jive Records. The group

neg: The Dillinger Escape Plan a unique sound", spawning "countless imitators, iterations and acolytes." Maximus Frank of "MetalSucks" has remarked "The Dillinger Escape Plan will be remembered as one of the greatest bands of all time – and possibly, the greatest punk band ever. Full stop." "Drowned in Sound"'s Ben Patashnik declared in 2007 that Dillinger is one of the few bands to have "emerged from small, insular, resolutely non-mainstream scenes" and at the same time "managed to reach well further than one might reasonably think possible." The Dillinger Escape Plan were honored at the 2017 Association of Independent Music Awards. The band received the

neg: Paul Chavez Paul Chavez Paul Chavez (born July 1, 1964) is an American composer of dance music, and a sound designer for installation and theater. He often composes under the project name FeltLike. Chavez has worked in the Los Angeles, California area since 1990 where he did some of his first works at Los Angeles Contemporary Exhibitions where he started as a sound engineer. Chavez's music is influenced by the minimalism of Steve Reich and Paul Dresher and the experimental music of Robert Ashley and Laurie Anderson. His work has been featured at the REDCAT Theater in Los Angeles (part of the

neg: Jakop Janssønn Hauan in ”nõmme jazz international youth competition, Jazz artist 2010”. Hauan collaborates within the duo AvantGong including Jørn Øien, where they want to create forms, melodies and coherence using synths, drums, electronics with free music and world music as a starting point. The result is musical ideas where the sound sources merges seamlessly into a free-improvised expression that groove and tonality varied through a stream of fascinating sound images. Inspired by the music and cultures from around the world, electronica music and noise, jazz and improvisational music, the duo seeks to create a distinctive sound. Hauan is one of the initiators

neg: Escape the Day a new sound. They returned with two new singles, "Turn Back Time" and "As We Were Once", which were both recorded for the video game Rock Band 3. Escape the Day released their first full album, "Into Inception", in 2016. Before the release of their debut album, founding member Patrick Möhlenbrock decided to leave the band. On 31 December 2017, the band announced, through their Facebook page, that new music was on its way. On 26 February 2018, new single "Breaking The Tide" was released. In August, an acoustic rendition of their latest single was released, which was followed with

neg: Music technology is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate existing sounds (instruments, vocal, natural sounds, etc.), or generate new electronic timbres or sounds that did not exist before. They are often played with an electronic musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled using a controller device. Music technology Music technology is the

neg: Escape the Fate Nightmare" or "Zombie Dance" or "Issues" or anything like that. It would have been more like a straightforward record. That's not what we like to do. We like to have a lot of that diversity in our sound." Another track, entitled "Dream" was fully recorded and mixed for the final cut of the album. Before finalizing, however, Monte Money decided to rerecord the guitar part with a lower tune to change the sound of the song. After rerecording, the band agreed they liked the original version better but the deadline for the record did not allow them to finish the

neg: Still Searching said McTernan helped find the sonic depth they had been looking for: "We don’t want the songs to be flat planes; we want movement." He named "All the Best Cowboys Have Daddy Issues" and "The Priest and the Matador" as two examples where McTernan "worked extremely hard to make them sound a certain way." Paul Leavitt and Saraceno did Pro Tools editing. Chris Lord-Alge mixed the recordings, with assistance from Keith Armstrong, at Resonate Music in Burbank, California. Ted Jensen then mastered the recordings at Sterling Sound. A 40-minute "making of" video of the album sessions was later released via

neg: Escape from the Studio '06 Escape from the Studio '06 Escape from the Studio '06 was a 2006 concert tour by American heavy metal band Metallica. The tour took place during the writing process of the group's then-untitled ninth studio album, "Death Magnetic", and follows the Madly in Anger with the World Tour in support of "St. Anger". Previously to the tour, drummer Lars Ulrich had hinted that they might play some material from their upcoming album, which the band also did on "Escape From The Studio '95" (when they first used this tour name, under similar circumstances), where they played "Load"'s "2 X 4"

neg: Music technology (electronic and digital) King Tubby. Music technology has been and is being used in many modernist and contemporary experimental music situations to create new sound possibilities. A synthesizer is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate existing sounds (instruments, vocal, natural sounds, etc.), or generate new electronic timbres or sounds that did not exist before. They are often played with an electronic musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers,

neg: Mute (music) a plunger mute to get a "dirtier" sound. It was a favorite of Sam Nanton of the Duke Ellington Orchestra. Practice mutes, also known as Whispa, whisper, or hotel mutes, are similar to straight mutes in appearance, but have a solid ring of cork that prevents air from escaping from the bell like a Harmon mute. There are sound baffles inside the mute, and tiny holes in the sides of the mute that allow air to escape silently. These mutes are extremely quiet and are rarely used in performance. They are usually used for privacy and to avoid disturbing bystanders

neg: Tejano music sexto, Tejanos now had a sound they could begin to call their own. In the 1940s, Valerio Longoria introduced lyrics to conjunto music, further establishing the Tejano claim to this new sound. Tejano music did retain some of its roots in the old European styles. Polkas and waltzes were still popular, and also popular was the German habit of dancing in a circle around the dance floor. It can also be noted that country & western is also danced in the same manner, but only in Texas. In the 1950s, Isidiro Lopez further revolutionized the Tejano sound by emphasizing less

neg: The Sound of Music (film) child-actors actually sing is when they sing "The Sound of Music" on their own after Maria leaves. Charmian Carr refuted the claim that the voices of the child actors were dubbed in the film and on the soundtrack. Carr contended that all of the children who are in the film sing on the track, but four other children were added to most of the songs to give them a fuller sound, they did not replace them as singers. The voices of some of the adult actors had voice doubles, including Peggy Wood and Christopher Plummer. Principal photography began on March

neg: Brother Where You Bound low-profile group also did extensive radio and TV appearances, including a high-profile appearance on radio's Rockline after a simulcast of the "Brother Where You Bound" video on MTV and Global Satellite Network. Allmusic's review was resoundingly positive, noting that the album's thematic exploration of Cold War tensions "is dated and hasn't aged very well… but the music is a pleasure." They particularly praised the "crystalline sound", the strong performances of the guest musicians, and the complexity of the compositions. They also praised the band for being "gutsy" enough to "re-embrace its progressive-rock roots" while improving their pop songcraft at the

neg: Kinetoscope The viewer listened through tubes to a phonograph concealed in the cabinet and performing approximately appropriate music or other sound." Historian Douglas Gomery concurs, "[Edison] did not try to synchronize sound and image." Leading production sound mixer Mark Ulano writes, "[O]nly 45 Kinetophones were made. They did NOT play synchronously other than the phonograph turned on when viewing and off when stopped." Though the surviving Dickson test involves live-recorded sound, certainly most, and probably all, of the films marketed for the Kinetophone were shot as silents, predominantly march or dance subjects; exhibitors could then choose from a variety of musical

neg: Sound Fantasy online in April 2015. "Sound Fantasy" contains eccentric concepts and untested game mechanics. Music games, especially on home consoles, were not popular in the early 1990s, and it wouldn't be until much later in the decade that they gained mainstream attention. The "Sound Fantasy" prototype contains four different games in one cartridge. "Pix Quartet" was inspired by Toshio Iwai's "Music Insects". There are four insects of different colors, where the player can select different insect to each represent a different instrument. They crawl all over the screen, where the player can draw. Insects that crawl over a colored pixel make

neg: Speed, Glue & Shinki Shinki from previous studio work. However, it also featured two unreleased songs titled "Sniffin & Snortin" and "Run & Hide" which had been recorded for "Eve" but cut from the final release, as they did not fit the album's overall sound. Thereafter, Shinki took a disliking to recording music, and decided to become a live musician only; which he continues doing to the present day. Kabe continued his own successful music career, while Smith reinvented his stage persona as "Pepe Smith" and returned to the Philippines, where he has become something of a phenomenon with his Pinoy rock group, Juan

neg: Escape the Fate (album) Me" or "Gorgeous Nightmare" or "Zombie Dance" or "Issues" or anything like that. It would have been more like a straightforward record. That's not what we like to do. We like to have a lot of that diversity in our sound." Another track, entitled "Dream" was fully recorded and mixed for the final cut of the album. Before finalizing, however, Monte Money decided to rerecord the guitar part with a lower tune to change the sound of the song. After rerecording, the band agreed they liked the original version better but the deadline for the record did not allow them

neg: Treasure Planet the sound effects and music. Sound designer Dane Davis mentioned that he and his team "scoured hobby shops and junk stores for antique windup toys and old spinning mechanisms" in order to create the sound effects for John Silver to "avoid sounding slick or sci-fi". The team did some experimentation with the sound used in dialogues, especially with the robot B.E.N., but opted to keep Short's natural voice because everything they tried "affected his comedy", and "the last thing you want to do in a story like this is affect performances". The music from the film is largely orchestral in

neg: Berlin Trilogy UK top five. Bowie would later call the music of the trilogy his "DNA". "Consequence of Sound" characterized the trilogy as an "art rock trifecta", while "Rolling Stone" wrote that the Berlin Trilogy "stands as some of the most innovative music in the artist's influential canon". Following Bowie's Thin White Duke period and the commercial success of the singles "Fame" and "Golden Years" in 1976, he was eager to escape the drug culture of Los Angeles, where he had developed a cocaine addiction. He had also become embroiled in controversy regarding comments he made seemingly in favour of fascism. He

neg: In a Dim Light equipment." "In A Dim Light" landed on "Drowned in Sound"<nowiki>'</nowiki>s year-end list of the "Lost 12 of 2012," where Elliot McVeigh heavily praised Okakita's vocals which she described as "powerful, and not in an aimless, caterwauling way," and like "air" since "without it, the album would suffocate." A common highlight in many reviews of "In A Dim Light" was its how it mixed several different genre and elements of other artist's works together while still maintaining a unique and coherent sound. In fact, Diver analyzed that it did have elements of music by other acts, but they were hardly noticeably

neg: The Artful Escape career. Before his first public concert, he sets off on a journey not only geographically to get away from London, but to also create a new identity for himself to completely stand out from his uncle. "The Artful Escape" is a platform game, where the player controls Francis in moving him across a musical-infused landscape. Besides running and jumping, Francis has a guitar which he can play to create various effects, such as creating platforms or facing against boss characters. During the game, the player will encounter creatures that they can study to obtain a sound sample that they can

neg: Thomas Abernethy (explorer) for Franklin, the main one commanded by James Ross in "HMS Enterprise", with Robert McClure, Francis McClintock and Abernethy as icemaster; and "HMS Investigator". The ships were accompanied by steam pinnaces. The ice was exceptionally bad in Lancaster Sound but they were able to winter at Port Leopold. Early next season they carefully checked in Peel Sound by sledge, not realising this had actually been Franklin's route, and returned to "Enterprise" after 500 miles and 39 days. Ross presumed Franklin had got beyond Melville Island from where he would try and escape south to a region covered by one of

neg: Whatever Happened to Slade through it. Dave did all the playing on the record." After the varied sound of their previous album, "Nobody's Fools" (1976), which prominently featured a "Californian" sound and influences from soul music, "Whatever Happened to Slade" presents a "straight" rock sound, a sound which would have helped it to settle into the punk rock-focused British music industry of the time had it had more success. "AllMusic" also noted the album as sounding similar to early-Kiss, but noted "its still pure Slade, though". They also noted "the songs and playing [on the album] are pretty much out of sight, with monster

neg: The Sweet Escape (song) In the song's accompanying music video, Stefani attempts to escape from a golden prison. Interscope Records' CEO Jimmy Iovine, who helped with A&R for "The Sweet Escape", arranged the collaboration between Stefani and Akon. Interscope sent Stefani a copy of Akon's 2004 debut album "Trouble" and repeatedly encouraged her to work with him. Akon readily accepted, and Stefani accepted after several people had pushed her to work with him. When Akon was asked to work with Stefani, he reviewed her work, ranging from her music with No Doubt to her solo career. He noted that the sound Stefani had cultivated

neg: Shin Megami Tensei sections, which they found well-drawn and detailed. They praised the designs of the game's female characters, especially Nekomata, Lamia, and Yuriko, but felt that the designs of the male characters were bland. "TouchArcade" found the music to be fantastic. RPGFan said that every piece fits into the scene where it is played, but that few were memorable. They did note "Ginza" as an exception, which they felt was so well-composed that it would sound good in any format. The success of "Shin Megami Tensei" led to multiple sequels over the coming years and made the "Megami Tensei" franchise more popular.

neg: Blur (band) "Blur's music seems to have potentiated by the passing of years ... they sound both more frenetic and punky and more nuanced and exploratory than they did at the height of their fame". Blur headlined the Glastonbury Festival on 28 June, where they played for the first time since their headline slot in 1998. Reviews of the Glastonbury performance were enthusiastic; "The Guardian" called them "the best Glastonbury headliners in an age". The band released their second greatest hits album "" in June 2009. Blur also headlined at other summer festivals, including Oxegen 2009 in Ireland, and the Scottish outdoor

neg: Devon Allman He did not meet his father until he was in his teens, but they then bonded instantly. For several years in the 1990s he performed around the growing St. Louis blues and rock music scene, while also managing a suburban Guitar Center store where he met his future Royal Southern Brotherhood bandmate, Mike Zito. In his twenties, Allman tried various musical styles and sounds to distance himself from his father's sound and avoid obvious comparisons, though his father did not meddle in Allman's career. In his thirties, Allman embraced the blues and rock genres. Allman grew up on classic, blues-inspired

neg: Robbers & Cowards various introspective topics concluding with, "The depth of the music, topics, and lyrics is something that most bands spend years trying to pull together, but Cold War Kids pull it off on their debut with ease." Betty Clarke of "The Guardian" commented on how the religious overtones in the songs can get tiring when Nathan Willett shouts about "murder and alcoholism that both sound like a tempting escape." But Clarke concluded by saying the band can still write great songs and Willett performs better sounding like Jeff Buckley than Jack White. The album did receive some negative reception. Joe Crofton

neg: Monuments (band) also did some impromptu sound performances. These included "Sunset Boulevard" in 1984 during which Monuments played a two-hour improvised sound track to accompany a sunset at 2,400 meters in the Alps. In 1986, Monuments decided to abandon the live set, but they held on to their synthesizers and music. In previous years they had often been commissioned to write music and now decided to return to their private studio to work on soundtracks for the theatre, radio and independent cinema. In 1987, they pooled economic and physical resources by joining forces with Carlo Ubaldo Rossi and Andrea Lesmo to create

neg: The Rails aspire for a simple sound with "no tricks" where "you can hear everything", adding that "it's hard to convince people to make a record like that now but the sound is fantastic, it's so direct." Walbourne grew up with "a fascination for early rock 'n' roll and roots Americana and was exposed to the music of Frank Sinatra and Bo Diddley by his father. Regarding the legacy of her parent's music, Thompson admits that folk music was formative for her and states that "at the time folk was a box I didn't want to be in, and I did my

neg: Myst by driving slowly over stones in a driveway because recordings of actual fire did not sound like fire burning. The chimes of a large clock tower were simulated using a wrench, then transposed to a lower pitch. At first, "Myst" had no music, because the Millers did not want music to interfere with the gameplay. After a few tests, they realized that the background music did not adversely affect the game and, in fact, "seemed to really help the mood of certain places that you were at in the game." Robyn Miller ended up composing 40 minutes of synthesized music

neg: Sound amplification by stimulated emission of radiation the lattice levels, until they escape from the lattice structure in a form of an ultrahigh frequency-phonon beam. Namely, a concerted emission of phonons can lead to coherent sound and an example of concerted phonon emission is the emission coming from quantum wells. This stands in similar paths with the laser where a coherent light can build up by the concerted stimulated emission of light from a lot of atoms. A SASER device transforms the electric potential energy in a single vibrational mode of the lattice (phonon). The medium where the amplification takes place, consists of stacks of thin layers

neg: Music of Final Fantasy XIII-2 composers rather than just Hamauzu. Toriyama also wished for the music to have "a more edgy sound" and more vocal pieces, so that it would sound "unlike the typical "Final Fantasy" title". The music incorporates a wide variety of styles, from orchestral and electronic to rap, hip-hop, jazz funk, and metal. Prior to the game Hamauzu was known for working on orchestral pieces, Mizuta for instrumental pieces, and Suzuki for electronic pieces, and as a result all three composers attempted to write music that did not fit their general style to avoid only writing music similar to what they had

neg: The Wailing Wind five years earlier, remains in charge by driving to the bunker where they find the mummified body of Denton's wife Linda, and her love note as she waited for him to rescue her. Denton killed McKay so quickly that he gave McKay no chance to mention where Linda was being held hostage, as Denton did not believe that threat. The music she played that night, heard by the passing students intermingled with the sound of the wind, was dismissed as a Halloween prank when police could not find the source. Chee and Manuelito arrive at the bunker, preventing any use

neg: Music of Xenosaga orchestral sound while creating the music" so that the music played using the PlayStation 2's sound chip would match the music played off of the CD. He had predicted that there would be a fan outcry against "changing composers on a series like Xenosaga", and suspects that his music from the game will never be released on an album; to date the released albums for the game include only Kajiura's work. Kajiura and Hosoe did not collaborate on any of the tracks in "Episode II"; according to Kajiura they never even met during the production. "Episode II"s soundtrack was first

neg: Access All Arenas 2013. The album received generally positive reviews upon release. "Pitchfork" praised how the music had unmistakable flaws indicative of live performance, noting that this gives the album "an organic energy" in contrast with other dance acts where pre-sequenced music would play. "Pitchfork" also noted how they recorded tones of crowd noise, concluding that "even if you weren't there to appreciate the show in person, they'll make damn sure you know that 2,000 others did." "Consequence of Sound", in a three-star review, praised the variety of styles in the album, saying ""Access All Arenas" threads seamlessly from one track into the

neg: Sensurround allowed for more creative effects, such as a sound being panned from front to back of the theater. Re-engineering the system was important to MCA because there were times during dialogue sequences when the sound mixers wanted the Sensurround running but did not want the dialogue to shift to the back of the theater. Having separate control of the front and back groups of Sensurround horns allowed this. The drivers in the Sensurround horns were improved to extend their frequency response higher so they could reproduce the low notes in music, thus allowing sound mixers to incorporate music into the

neg: King Biba of 11. In his inception, he only sung in Arabic, imitating his idol Farid Al Atrash, a famous Syrian-Egyptian singer. Influenced by Assyrian singer Oshana Youel Mirza, Biba ultimately began to sing in the Assyrian language in 1961 on stage, where he became an instant sensation and adopted his stage name "Biba". A pioneer of his kind, he and musician George Ishu endeavored to bring to life a new type of music sound, stating, "We did not want to imitate Western music...We wanted to continue in the path of Eastern music, but possess a new sound, provide a new dimension".

neg: Streaming audio in video games stage. Streaming audio in computer games came about with the advent of improved sound cards. Early sound cards had support for playing back sequenced but not streamed audio. It wasn't until Creative Labs's Sound Blaster series, introduced in 1989, that PCs became capable of playing back pre-recorded audio. However, the early Sound Blasters' streaming audio support was not widely made use of, and only with the 1992 release of the Sound Blaster 16, did the use of pre-recorded audio begin to catch on. Use of streaming audio does not lack any limitations on sound quality, where sequenced music is limited

neg: Mark Wheat of Minnesota where he became heavily involved in the local music scene and did radio shows on KFAI and the short-lived Zone 105 (now known as Love 105). During the mid to late 1990s, he hosted "Local Sound Department" on KFAI, and also worked at Zone where he did a show named "Across the Pond" which focused on what was happening back in the United Kingdom. In 1998, he was hired to work at the University of Minnesota's music station, 770 Radio K (KUOM), which is one of the most popular college radio stations in the country. Wheat spent six

neg: Here We Go Magic and completed tours of North America with White Rabbits and of Europe with The New Pornographers. In summer 2010 the band played at multiple major festivals including Primavera Sound, Bonnaroo, Pitchfork, The Great Escape, Latitude, Bestival, and Glastonbury, where Thom Yorke said they were his favorite act of the festival. They ended the year 2010 touring with the Canadian band Broken Social Scene. In the months leading up to "The January EP", Here We Go Magic played a few shows around North America, including sets at Coachella and Wilco's Solid Sound Festival. "The January EP" was produced by the band's

neg: Crisis (DC Comics) him and destroys his vibratory watch. Meanwhile, the Green Lanterns turn the Flashes to light and sound waves so they can escape the vibratory bubbles, as they can see and hear them they know these can pass through the bubbles, the superheroes are transported into cages floating into space. It is revealed the villains did not have the power to spring this trap, but the Green Lanterns supplied the extra power. The heroes are unable to break the cages and the Atom is unable to shrink between the atoms, but he uses the telepathic circuits to contact the Lanterns and

neg: Henceforward... attempt to persuade him to come with them. Eventually they give up. Whether or not they escape the Daughters of Darkness is not seen, but they are replaced at the door by Rita who attempts to break it down, and then smashes the camera. Jerome completes his composition and is briefly ecstatic, but the sound of violence outside brings him back to full awareness. He realises that to complete his music he has given up the chance of a reconciliation with his wife and child, and has put them in danger. He is distraught as the curtain closes. There are

neg: La balsa Beatles, the Rolling Stones, and the Yardbirds; the major British groups had a following in South America, but the few Argentine rock acts were older and had yet to embrace the new sounds in music, putting the young band ahead of the trends." Regarding the music of Los Gatos Salvajes, Nebbia recalled in 2006: In that time of adolescence, the music that got played in the radio was very commercial, a music that was not representative of what one wanted sound-wise. Neither the lyrics, they were European or American songs with a Spanish version that did not sound the way

neg: Sayonara wa Emotion sound, while "CDJournal" reviewers believed that the song's minimal and electronic sound created "a world of Sakanaction", where that the song's comfortable nature gave listeners a floating feeling. Yuichi Hirayama of "EMTG" noted that the song felt odd compared to contemporary songs charting in Japan, believing that "Sayonara wa Emotion" expressed reality much stronger than the other songs. He believed that this was a sign that Sakanaction did not write music in response to the Japanese music scene, instead were creative musicians of their own volition independent of the music scene in general. He was impressed by Yamaguchi's sigh-like delivery

neg: Hypnotic Brass Ensemble Hypnotic Brass Ensemble Hypnotic Brass Ensemble is an eight-piece, Chicago-based brass ensemble consisting of eight sons of the jazz trumpeter Phil Cohran. Their musical style ranges from hip hop to jazz to funk and rock, including calypso and gypsy music. They call their eclectic blend of sound "now music", or "Hypnotic". Reared in the teachings of music since they were children, they grew up on the stage playing as the "Phil Cohran Youth Ensemble". The brothers were raised in a house where music was a constant element of the household. Phil Cohran's "Circle of Sound" held rehearsals in the living

neg: The Jeweler's Shop A terrifying sound on a hike into the mountains with their priest, Fr. Adam, helps them to realize how much they mean to each other. The origin of the "signal" is never explained. Stefan meets Anna on that same hike and falls in love with her at first sight. Andrew later proposes to Teresa near to the town jeweler's shop, where they buy the wedding rings which symbolize their desire to be permanently united. Andrew and Teresa remain in Poland, where they are swept up in the tragedies of World War II; Stefan and Anna escape the war by emigrating

neg: Star (TV series) haunt them. However they escape the many troubles of their past and starts to become successful in gaining recognition. 'Big Trouble' soon wins notable competitions that led them fiances to get a major record deal. The girls eventually sign with a record label, Midtown Sound as a favor from The Lyon Family of Empire Entertainment and soon begin their journey as professional R&B/Pop artists "." Subsequently they learn that the music industry is hard to navigate as they sacrifice a lot to stay on top and relevant while they tour with the labels' other artist and find themselves at constant

neg: Shin-shiro (album) came to know Sakanaction through "Sen to Rei" to be able to the entirety of the band's sound. Kusakari's version of the song "Sen to Rei" had a very strong guitar-based rock sound, which the band mixed with electronic music. "Sen to Rei" was a challenge for the band, to bring as many entertaining and popular aspects to their music as they could, to balance the underground attributes of their sound. Sakanaction found that after moving to Tokyo, where the band stood in the Japanese music scene was a lot clearer to them. The album's sound was inspired by Tokyo,

neg: Music of Illinois but broke up in 2010. The band Rauk Schizzl was a favorite from 1981 -1984 in the Addison, Itasca area with their thunderous sound and ripping vocals. They did not play out much but they certainly had a reputation. When they did play something crazy was sure to happen and they always drew the crowds. Steve Spaperri was one of the guitarists for Schizzl, he was also an engineer who worked with bands such as Ministry, Smashing Pumkins, Red Hot Chilli Peppers, amongst many others. Illinois has a thriving indie music scene. Artists include: Smith Westerns, Andrew Bird, Jim O'Rourke,

neg: Distortion (music) "scooped" out). Conversely, decreasing the bass while increasing the midrange and treble creates a punchy, harsher sound. Rolling off all of the treble produces a dark, heavy sound. While musicians intentionally create or add distortion to electric instrument signals or vocals to create a musical effect, there are some musical styles and musical applications where as little distortion as possible is sought. When DJs are playing recorded music in a nightclub, they typically seek to reproduce the recordings with little or no distortion. In many musical styles, including pop music, country music and even genres where the electric guitars are

neg: Dancehall Ce' Cile, Spice, Macka Diamond and more. Sound systems and the development of other musical technology heavily influenced dancehall music. The music needed to "get where the radio didn't reach" because Jamaicans oftentimes were outside without radios. Especially because the audience of dancehall sessions were lower-class people, it was extremely important that they be able to hear music. Sound systems allowed people to listen to music without having to buy a radio. Therefore, the dancehall culture grew as the use of technology and sound systems got better. The Jamaican dancehall scene was one created out of creativity and a desire

neg: Notorious (The Saturdays song) Rochelle Wiseman, while a storm of synths, strings and techno beeps brews behind them. The result isn't quite as instant as the lyrics would suggest, but there's no doubting they talk a good game. Giving the song a four out of five stars. "Music Entertainment" said, "The Saturdays are back and they are bringing a tougher, edgier sound." Radio presenter Aled Jones took to Twitter and tweeted, "Just heard the new songs from The Saturdays and Black Eyed Peas :) didn't expect The Saturdays song to sound like it did!" "Yahoo! Music" stated The Saturdays are pulling out all the