query: which world culture features the singing style known as call and response

pos: Call and response (music) Call and response (music) In music, a call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. It corresponds to the call-and-response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental

neg: Music of Guam singing"), a kind of Chamorro poetry, are also important elements of Guamanian music. Kantan Chamorrita is a kind of improvised poetry with a call and response format that is documented back to 1602 and remains a vital part of Chamorro culture. In Kantan Chamorrita, individuals and groups trade witty remarks at each other as part of a debate. These songs are "ancient folk songs, arranged in quatrains of two octosyllabic couplets, which, according to some writers, are composed on a single melody, the variations depending on the individual style of performance. The distinctive features are spontaneous improvisation and a dialogue

neg: 24K Magic (song) it was a talk box, developed by Roger Troutman and Zapp, which heavily influenced the single. "Forbes" and "Entertainment Weekly"s music critics noticed the resemblance between the "robotic-sound" intro on "24K Magic" and Tupac Shakur's "California Love" (1995). The song features several layers of funk synthesizers in its instrumentation, which drew comparisons to Prince. It also features bass lines similar to The Gap Band's style. Its structure borrows from "Uptown Funk" (2014) as Mars raps while singing the track with a "call and response" composition. The bridge features a record scratching, while the backing vocals make heavy use of a

neg: Catholic Church in Lesotho Church has fused some aspects of local culture into its services. For example, the singing of hymns during services has developed into a local and traditional way of singing (a repetitive call and response style) in Sesotho, the indigenous language, as well as English. In addition priests are seen dressed in local dress during services. There are three main missionary groups, all of which are Christian, active in the country: Catholics, Protestants, and Anglicans. The prominent role of the Catholic Church in the country derives from the successful establishment of Catholic schools in the last century and their influence over

neg: Early in the Morning (Sonny Boy Williamson I song) singing in a piano blues style, Carr's recording opens: Both lyrical variations have been used frequently in subsequent recordings, but it is unknown if Carr's recording influenced Spand's. John Lee "Sonny Boy" Williamson recorded "Early in the Morning" in 1937. The song is a medium-tempo twelve-bar blues that features Williamson's vocal and harmonica accompanied by Robert Lee McCoy (later known as Robert Nighthawk) and Henry Townsend on guitars. He incorporated his signature "call-and-response style of alternating vocal passages with pungent harmonica blasts" that became a fundamental of blues harmonica. Williamson's chorus uses lyrics similar to the earlier songs: Williamson's "Early

neg: Antiphon (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing alternate musical phrases. "Antiphonal psalmody" is the singing or musical playing of psalms by alternating groups of performers. The term “antiphony” can also refer to a choir-book containing antiphons. The 'mirror' structure of Hebrew psalms renders

neg: Sam & Dave produced the duo's biggest hits (although they did not receive production credits until the "Soul Men" LP and singles). According to Moore and Prater, they also greatly influenced the duo's singing style, and shifted their recording style from the style of their Roulette records to a more live, more energetic gospel, call-and-response feel and beat driven soul style the group is known for today. Sam & Dave's Stax records also benefited from the musicians and engineering at Stax. The Stax house band, Booker T. & the M.G.'s, and the Stax horn section, the Mar-Keys, were world-class musicians who co-wrote (often

neg: Villalobos Brothers and culture of the southern coastal plain of Veracruz, who for more than two centuries have shaped a distinctive regional music), Jazz, Rock and Blues. Most of their original music features complex patterns of interwoven three-violin harmonies, intricate call-and-response arrangements and lyrical melodies carried out by one of the brothers as the other two reinforce it in counterpoint. While touring in support of their album, Ernesto Villalobos noted, "Due to our training in different parts of the world, each brother brings something unique to the table: From my years in New York and Israel my violin playing style and technique

neg: Music of Martinique Carnival is a very important festival, known as Vaval on Martinique. Music plays a vital role, with Martinican big bands marching across the island. Vaval declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Like Guadeloupe, Martinique features participatory, call-and-response style songs during its Vaval celebrations. In the early 20th century on Martinique, Creole bands travelled on trucks or small carts during Vaval, playing a music known as "biguine vidé" (or just "videé"). After the decline of Vaval in World War II, the tradition began anew in the 1980s, when large

neg: Music of Guadeloupe across the island, and travelling and performing music known as C (or just "videé") in a manner akin to Brazilian samba schools. Carnival in both islands declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Both islands feature participatory, call-and-response style songs during their Carnival celebrations. Biguine vidé is an up tempo version of the biguine rhythm, combining other carnival elements. It is participatory music, with the bandleader singing a verse and the audience responding. It allows one to grab an improvised percussion instrument and join in. Traditionally, Carnival includes dances

neg: Goadec Sisters and developed a new form of call and response singing ("kan ha diskan"). The Breton revival, Celtic rock and the popularity of Folk music put them in the spotlight in 1972–1973, in the wake of Alan Stivell, one of their biggest admirers. The three sisters contributed much to Breton culture and its sustainability. Over several recordings they transmitted a vast repertoire of songs and techniques specific to Breton folk singing. Annie Ebrel is a second cousin of Louise Ebrel, who is a daughter of Eugénie Goadec. Goadec Sisters The Goadec Sisters (Ar C'hoarezed Goadeg in Breton) usually known as "Les

neg: Kirtan example, states Novetzke, a "kirtan" is a call-and-response style performance, ranging from devotional dancing and singing by a lead singer and audience, to an "intricate scholarly treatise, a social commentary or a philosophical/linguistic exposition", that includes narration, allegory, humor, erudition and entertainment – all an aesthetic part of "ranga" (beauty, color) of the "kirtana". "Kirtan" is locally known as "Abhang", "Samaj Gayan", "Haveli Sangeet", "Vishnupad", "Harikatha". The Vaishnava temples and monasteries of Hinduism in Assam and northeastern, called "Satra", have a large worship hall named "Kirtan ghar" – a name derived from their being used for congregational singing and performance

neg: Music of Puerto Rico possible to reconstruct the history of bomba; various aspects reflect Congolese derivation, though some elements (as suggested by subgenre names like "holandés") have clearly come from elsewhere in the Caribbean. French Caribbean elements are particularly evident in the bomba style of Mayagüez, and striking choreographic parallels can be seen with the bélé of Martinique. All of these sources were blended into a unique sound that reflects the life of the Jibaro, the slaves, and the culture of Puerto Rico. In its call-and-response singing set to ostinato-based rhythms played on two or three squat drums ("barriles"), bomba resembles other neo-African genres

neg: Overtone singing in these gaps with her own rhythmic sounds. Sometimes both women would be doing a dance-like movement such as rocking from left to right while throat singing. The practice is compared more to a game or competition than to a musical style. In the game, Inuit women sit or stand face-to-face and create rhythmic patterns. Some Thembu Xhosa women of South Africa have a low, rhythmic style of throat-singing, similar to the Tuvan Kargyraa style, that is called umngqokolo. It is often accompanied by call-and-response vocals and complicated poly-rhythms. The 1920s Texan singer of cowboy songs, Arthur Miles, independently created

neg: DJ Hollywood DJ Hollywood Anthony Holloway, better known as DJ Hollywood (born December 10, 1954), is an American MC/rapper and DJ. According to Kurtis Blow and Pete DJ Jones, Hollywood was the first rapper in the hip-hop style, making him the "Father" of the Hip Hop style. Before Hollywood introduced "Hip Hop style" rapping, he had already impacted DJing by creating a set that included singing, rhyming, and call and response, where he interacted with the crowd. An example would be Hollywood saying, "If you're feeling good with Hollywood somebody say, Oh yeah!" And the crowd would shout back: "Oh yeah!" Some

neg: Flick of the Wrist Flick of the Wrist "Flick of the Wrist" is a song by the British rock band Queen, released as a Double A-side with "Killer Queen" in the United Kingdom, Canada, the Netherlands, the United States and most other territories. It was written by Freddie Mercury for the 1974 album "Sheer Heart Attack". Freddie Mercury never explained whether the unpleasant character in the song was based on anyone in particular. The song includes Freddie Mercury singing octave vocals throughout the verses, and the chorus features a call and response style section between the backing and lead vocal parts. When Brian May

neg: Shosholoza "stimela siphume Rhodesia". According to cultural researchers Booth and Nauright, Zulu workers later took up the song to generate rhythm during group tasks and to alleviate boredom and stress. The song was sung by working miners in time with the rhythm of swinging their axes to dig. It was usually sung under hardship in call and response style (one man singing a solo line and the rest of the group responding by copying him). It was also sung by prisoners in call and response style using alto and soprano parts divided by row. The late former South African President Nelson

neg: Culture of Georgia (U.S. state) to the Piedmont blues, shape note singing and African American music. The "ring shout", an African American musical and dance tradition among the oldest surviving African American performance styles in North America, can still be found in McIntosh County, Georgia where black communities have kept the style alive. The McIntosh County ring shout is a counterclockwise ring dance featuring clapping and stick-beating percussion with call-and-response vocals. The ring shout tradition is strongest in Boldon, Georgia, where it is traditionally performed on New Year's Eve. The Sacred Harp, compiled and produced by Georgians Benjamin Franklin White and Elisha J. King, was

neg: Ella Jenkins may be communicated to them through song.” Through her songs, she hopes to develop greater intercultural understanding and rhythmic-consciousness, and to help people discover the joy of singing and communicating through active participation in songs. Jenkins' repertoire includes nursery rhymes, holiday songs, bilingual songs, African-American folk songs, international songs, rhythmic chants, and original songs. Drawing from cultures all over the world, she sings in many languages, exposing her audiences to diverse cultures and promoting greater cultural awareness. Through her style of call-and-response singing, Jenkins promotes group participation. Found in cultures worldwide, from Greece to the Middle East to West Africa,

neg: Polyphony Australia and New Zealand, among others. Polyphonic singing in the Balkans is traditional folk singing of this part of southern Europe. It is also called "ancient", "archaic" or "old-style" singing. Incipient polyphony (previously primitive polyphony) includes antiphony and call and response, drones, and parallel intervals. Balkan drone music is described as polyphonic due to Balkan musicians using a literal translation of the Greek ('many voices'). In terms of Western classical music, it is not strictly polyphonic, due to the drone parts having no melodic role, and can better be described as "multipart". The polyphonic singing tradition of Epirus is a

neg: Folklore of the United States music. Slavery was introduced to the British colonies in the early 17th century. The ancestors of today's African-American population were brought from hundreds of tribes across West Africa, and brought with them certain traits of West African music including call and response vocals and complex rhythmic music, as well as syncopated beats and shifting accents. The African musical focus on rhythmic singing and dancing was brought to the New World, where it became part of a distinct folk culture that helped Africans "retain continuity with their past through music". The first slaves in the United States sang work songs, and

neg: Music of the United States with them certain traits of West African music including call and response vocals and complexly rhythmic music, as well as syncopated beats and shifting accents. The African musical focus on rhythmic singing and dancing was brought to the New World, and where it became part of a distinct folk culture that helped Africans "retain continuity with their past through music". The first slaves in the United States sang work songs, field hollers and, following Christianization, hymns. In the 19th century, a Great Awakening of religious fervor gripped people across the country, especially in the South. Protestant hymns written mostly by

neg: Nofinishi Dywili music as "iingoma zesiXhosa" – "songs of Xhosa culture". She was acknowledged as the leading uhadi player in Ngqoko, and was also regarded as one of the most important Xhosa song leaders of the 20th century. Traditional Xhosa songs are in a call-and-response form. The song leader leads the song by singing the "call", and the rest of the people respond to the call in song. The song leader also chooses the songs to be sung, and helps structure and organise the different traditional ceremonies. In Ngqoko, Nofinishi was the most important leader of beer songs, these were ancestor songs

neg: Need for Speed Rivals play style. "Rivals" features eleven upgradeable gadgets such as EMPs, shockwaves, spike strips, and the ability to call in roadblocks. The game takes place in a fictional location known as Redview County. The open world environment features a similar set-up to "Most Wanted", with several jumps, speed traps, and unlockable cars, as well as shortcuts that are not shown on the map. "Rivals" features a career progression system for both Cop and Racer. Progression is made by means of Speedlists for Racer and Assignments for Cop, which are sets of objectives which involve dangerous driving, maneuvers, and race standings. When

neg: Coco (music) Coco (music) Coco is an African-influenced musical rhythm that originated in Northern Brazil. "Coco" may also refer to the style of dance performed to the music, a kind of stomping. The name "Coco" (Portuguese for "coconut") is a common Northeastern Brazilian slang for head, referring to the fact that song lyrics are often improvised. Coco is often performed with a repetitive musical beat and call and response singing reminiscent of Capoeira music. The music is commonly performed at traditional parties in the Northeast, such as weekend street parties and Carnival. Coco is also alternatively known as "embolada" (another slang word,

neg: Culture of Hong Kong century and exported their products even to the Western world. Nowadays, however, as the city has shifted her focus to service and finance, it is mostly hobbyists who would spend time on this style of porcelain art. Cantonese opera is one of the major categories in Han Chinese opera, originating in southern China's Cantonese culture. Like all branches of Han Chinese opera, it is an art form involving music, singing, martial arts, acrobatics, and acting. Features particular to Cantonese opera include being sung in the Cantonese language, plus its heavy use of makeup and headdresses. Cantonese opera also uses a

neg: Up Above My Head with another word (such as "singing," "shouting," et cetera). In the years following the song's introduction many have added more replacement words, which extend the song's length. Up Above My Head "Up Above My Head" is a Gospel song, originally recorded in the 1940s by Sister Rosetta Tharpe and Marie Knight as a duo. The song is formed in the traditional call and response format, with Tharpe singing a short line followed by Knight's "response" of the same line. There are seven lines (save responses) in each verse—the first six in call and response, and the seventh sung in unison.

neg: Music of Dominica to keep the audience excited and participating in the music. Characteristics of Dominican music include the West African use of call and response singing, clapping as a major part of rhythm and lyrical, dance and rhythmic improvisation. Lyrics are almost all in Dominican Creole French, and are traditionally sung by women ("chantwèl"), while the instrumental traditions are predominantly practiced by men. Drums, generically known as "lapo kabwit", are the most prominent part of Dominica's instrumental tradition. Dominican folk music includes, most influentially, the French Antillean quadrille tradition, the "jing ping" style of dance music, as well as bélé and heel-and-toe

neg: Call and response (music) formation. In Western classical music, call and response is known as antiphony. The "New Grove Dictionary" defines antiphony as "music in which an ensemble is divided in to distinct groups, used in opposition, often spatial, and using contrasts of volume, pitch, timbre, etc." Early examples can be found in the music of Giovanni Gabrieli, one of the renowned practitioners of the Venetian polychoral style:] Gabrieli also contributed many instrumental canzonas, composed for contrasting groups of players: Heinrich Schutz was one of the first composers to realise the expressive potential of the polychoral style in his "Little Sacred Concertos". The best

neg: Nebra sky disk is attributed to a site near Nebra, Saxony-Anhalt, in Germany, and associatively dated to 1600 BC. It has been associated with the Bronze Age Unetice culture. The style in which the disk is executed was unlike any artistic style then known from the period, with the result the object was initially suspected of being a forgery, but it is now widely accepted as authentic. The Nebra sky disk features the oldest concrete depiction of the cosmos yet known from anywhere in the world. In June 2013 it was included in the UNESCO Memory of the World Register and termed "one

neg: Black Bear (band) Black Bear (band) Black Bear, sometimes credited as Black Bear Singers, are a Canadian musical group from Manawan, Quebec, who perform traditional First Nations music. They are frequent collaborators with the group A Tribe Called Red. Black Bear started in 2000. They showed their pride in their Atikamekw culture and heritage by singing in their language, which is still commonly spoken today. They began forming in the style characterized as northern contemporary, which features high-pitched singing, songs that speed up after 2nd, 3rd and 4th song repetition (three levels of speed) and honour beats that occur at the end of

neg: Lampião of TV soap operas, with all the elements of drama, passion, and violence typical of "Wild West" stories. Capoeira culture honors his folk hero status in a verse of the quadra (call and response style song), 'Sim, Sim, Sim, Não, Não, Não'. Lampião was mentioned in the lyrics of "Ratamahatta", a song of Brazilian metal band Sepultura, from their "Roots" record. The special song of Lampião's band——is thought by some to have been composed by Lampião, who is known to have played the accordion, but it seems more likely that it was a traditional tune to which the bandits added

neg: Biguine be distinguished from the orchestrated biguine in the following ways: its instrumentation (cylindrical single-membraned drum (bèlè) and the rhythm sticks (tibwa); the call-and-response singing style; the soloist's improvisation, and the nasal voice quality. According to a study by Rosemain (1988), the biguine figured in fertility rituals practiced in West Africa, but its ritual significance has since disappeared in Martinique. Bidgin bèlè originates in slave bèlè dances and characterized by the use of bèlè drums and tibwa rhythm sticks, along with call and response, nasal vocals and improvised instrumental solos; has its roots in West African dances. The "bèlè" is also

neg: Barbershop Harmony Society and encouragement of the style. Many members were concerned that the term "quartet" had been dropped, fearing a movement in the direction of choral singing and downplaying quartet singing. A key aspect of the Society's mission is in the preservation of barbershop music. To this end, it maintains the Old Songs Library. Holding over 100,000 titles (750,000 sheets) this is the largest sheet music collection in the world excepting only the Library of Congress. The "Barberpole Cat Program" is a collection of 12 songs (commonly known as "polecats") that are considered standard repertoire for every barbershopper ("Let Me Call You

neg: Money note singer or recording are subjective and vary between listeners, cultures, and time periods. Different vocal styles are considered to be desirable in different cultures. In Southeast Asia, for example, female pop singers sing with a very high-pitched, nasal tone; while this singing style would be unlikely to create positive responses for most Western listeners, for Asian audiences, the sound of the most popular singers hitting high notes creates a physiological response of emotional excitement. Even within a single culture, the singing styles vary widely from one style to another. Within the death metal fan subculture, the low, guttural sound of

neg: Culture of Suriname expression "casser le corps" ("break the body"), which was used during slavery to indicate a very swift dance. Kaseko is a fusion of numerous popular and folk styles derived from Europe, Africa and the Americas. It is rhythmically complex, with percussion instruments including skratji (a very large bass drum) and snare drums, as well as saxophone, trumpet and occasionally trombone. Singing can be both solo and choir. Songs are typically call-and-response, as are Creole folk styles from the area, such as kawina. Kaseko evolved in the 1930s during festivities that used large bands, especially brass bands, and was called "Bigi

neg: Culture of Tonga Free Wesleyan Church (Methodist) which claims some 40,000 adherents in the country. There are four other Methodist denominations in the country, as well as a number of (much smaller) Pentecostal and Evangelicalist congregations. Roman Catholic Church and each have a strong presence in the country as well. There is a small Seventh-day Adventist Church group, an Anglican church, and a few adherents of the Bahá'í Faith in Tonga. There are even some Tongan Muslims. Tongans are ardent churchgoers. Methodist services usually follow a call and response structure. Singing in the church is often done a cappella. Although church attends primarily

neg: Anthem Anthem An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of Anglican church music. "Anthem" is derived from the Greek ("antíphōna") via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". Anthems were originally a form of

neg: Partition (song) The lyrics are candidly sexual; Melissa Locker of "Time" magazine wrote that "Partition" leaves no sexual innuendo unturned. Commenting on Beyoncé's vocal styles and experimentation on the track, Annie Zaleski of "Las Vegas Weekly" noted that she displays much attitude through her lines and ornaments her singing with trills—rapid alternations between two adjacent notes, usually a semitone or tone apart. Zaleski further wrote that Beyoncé adopts a doo-wop vocal-based style to sing some of the lyrics and even utters occasional purrs—murmuring sounds expressive of pleasure. The song begins with a short call-and-response audio clip from The Mrs. Carter Show World

neg: Indigenous music of Canada for "La Papessa", is also of South American indigenous descent.) The compilation album "Native North America, Vol. 1", released by Light in the Attic Records in 2014, collects many rare and out-of-print songs by First Nations and Inuit musicians from the era in which the rock and country and folk genres were beginning to emerge as influences on Indigenous music. Inhabiting a wide swath of the United States and Canada, Eastern Woodlands natives, according to Nettl, can be distinguished by antiphony (call and response style singing), which does not occur in other areas. Their territory includes Maritime Canada, New England,

neg: Lingnan culture hei; Traditional Chinese: 大戲, literally "great drama") is the style of opera associated with the Cantonese language and has been listed as one of intangible cultural heritage of the world. Originated in late 13th century, Cantonese opera is a stage art that combines acrobatics, singing, martial arts, and acting. While sharing features with other Chinese-language opera styles, it does have several particular traits, including: Cantonese opera also uses a different set of musical instruments. Some of these are used also in other oriental opera styles, such as Guzheng (Jyutping: Gu zaang; Traditional Chinese: 古箏). Due to influence from Western opera,

neg: Music of France in 1839. A collection of folk songs compiled by Hersart de la Villemarqué, "Barzaz-Breizh" re-branded and promoted Breton traditions and helped ensure their continuity. Sonneurs couples, consisting of a bombard and a biniou (bagpipe), is usually played at festoù-noz (Fest Noz) celebrations (some are famous, such as Printemps de Chateauneuf). It is swift dance music and has an older vocal counterpart called "kan ha diskan". Unaccompanied call and response singing was interspersed with the "gwerz", a form of ballad. Probably the most popular form of Breton folk is the bagad pipe band, which features native instruments such as biniou and

neg: Music of the Virgin Islands "Carisos" were still performed as late as the 1990s by several elderly singers, most famously Ethel McIntosh and Leona Watson. Though similar in some ways to quelbe, "cariso" is more African in its melodic style, frequent sustained syllables and traditional performance context, namely women singing in groups in call-and-response. "Carisos", like quelbe, commemorate historical events, and spread news and opinions about important issues. One particularly famous "cariso" dates to 1848, and documents the emancipation of the slaves; the first segment is the refrain, sung by a chorus, which is followed by a verse performed by a soloist singer: Clear the

neg: Roberto Iolini performed the world premier of Iolini's composition Okinawa. Iolini is also known as a composer of electroacoustic music. Characteristic features of his electroacoustic compositions are spoken and sung vocals and themes that explore social justice and contemporary culture. The form and style of these works, ostensibly for radio, vary greatly. Iolini often crafts field recordings, archival material, musical samples, scripted dialogues, original songs and instrumentals, into finely detailed narrative compositions that blur the boundaries between drama, documentary and experimental music. The first example of this style is his radio 'opera' Vanunu – which tells the story leading up to the

neg: The Missouri Harmony where they were held," the singing was loud enough to "waken the echoes." Loud participatory singing was the order of the day in singing schools, worship services, and—perhaps most of all—outdoor camp meetings. The shape-note tune books were used primarily in singing schools (at least in what is now the Midwest), while a practice known as "lining out" prevailed almost exclusively in church and "call and response" at camp meetings. Over time, musical taste changed. By the mid-19th century, the minor-key melodies and dark, untamed folk harmonies of the old shape-note repertory seemed quaint and unschooled alongside the Victorian hymns

neg: Band of Gypsys from other R&B songs, are also improvised and show considerable differences between the two renditions. As it unfolds, there is an R&B-style vocal call and response section between Hendrix and Miles, then separate vocal sections for each, which Miles follows with scat singing. During the middle section, most of the instrumentation drops out and returns with more Hendrix guitar tonal explorations before winding down at 8:23 (second show) and 9:32 (third show). While McDermott feels that the jam is underdeveloped and biographer Harry Shapiro criticizes Miles' vocals, Shadwick and writer David Henderson focus on the "easy groove" and "lilting flow".

neg: Indigenous music of North America branch used to accompany singers and dancers. Inhabiting a wide swath of the United States and Canada, Indigenous peoples of the Eastern Woodlands, according to Nettl, can be distinguished by antiphony (call and response style singing), which does not occur in other areas. Their territory includes Maritime Canada, New England, U.S. Mid-Atlantic, Great Lakes and Southeast regions. Songs are rhythmically complex, characterized by frequent metric changes and a close relationship to ritual dance. Flutes and whistles are solo instruments, and a wide variety of drums, rattles and striking sticks are played. Nettl describes the Eastern music area as the region

neg: Choral Fantasy (Beethoven) dynamic leads into a more lyrical piano line. The orchestra accompanies an eighth-note heavy piano part as the piece modulates from C minor to C major. A calm, flowing A-major section, ending with a call-and-response section between double reeds, horn, and piano, leads into the "Marcia", an F-major variation on the main theme in march style. A reprise of the instrumental theme from the first "Allegro" transitions into the choral entrance. The chorus enters with the sopranos and altos singing the main theme, harmonized in triads. The tenors and basses then sing the theme, after which the entire chorus is

neg: Dark Was the Night, Cold Was the Ground written by English clergyman Thomas Haweis in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of “lining out”, a call-and-response style of singing hymns that is common in southern African-American churches. "Dark Was the Night, Cold Was the Ground" is 3 minutes and 21 seconds of Johnson's unique guitar playing in open "D" tuning for slide. By most accounts, Johnson substituted a knife or penknife for the bottleneck. His melancholy, gravel-throated humming of the guitar part creates

neg: Culture of New Zealand World Cup in 1987. The style of name has been followed in naming the national team in several other sports. For instance, the nation's basketball team is known as the Tall Blacks. Horseracing was also a popular spectator sport and became part of the "rugby, racing and beer" culture during the 1960s. Many New Zealanders either play or support their local rugby team and the All Blacks are national icons. Some have argued that rugby is a national religion. Pre-Colonial native Māori religion was polytheistic. One of its major features was tapu (sacred and/or forbidden), which was used to maintain

neg: Sofía Blanco of Livingston, near the home of noted paranda singer Ursino "Fidu" Cayetano. Unlike other Garifuna of her generation, she attended school, but left after fourth grade. From a young age, she participated in musical performances and developed an interest in preserving the music heritage of the Garifuna people. At the age of 20, she married the composer Gregorio Baltazar Roche, with whom she raised two children, Silvia and Gregorio Baltazar Blanco. Though she began singing in the paranda, by the 1980s, Blanco's voice and style were more suited to "gayusa", a call and response type of singing accompanied by a

neg: Vladimir Vysotsky singing style. He had an unusual habit of elongating consonants instead of vowels in his songs. So when a syllable is sung for a prolonged period of time, he would elongate the consonant instead of the vowel in that syllable. Vladimir Vysotsky Vladimir Semyonovich Vysotsky (; 25 January 1938 – 25 July 1980) was a Russian singer-songwriter, poet, and actor whose career had an immense and enduring effect on Soviet and Russian culture. He became widely known for his unique singing style and for his lyrics, which featured social and political commentary in often humorous street jargon. He was also

neg: Čížečku, čížečku may also be arranged in the form of a dance. Čížečku, čížečku Čížečku, čížečku ("Siskin, o Little Siskin") is a traditional Czech children's folk song and a singing game which was performed in the past as an annual custom supposed to enhance the yield of poppy. The song is a chain of verses of the same pattern of call and response: In Czech language: The call/response are repeated, with the verb "sown" being replaced with other events with the poppies: "grows", "blossoms", "is harvested", "is milled" (option: "crushed"), "is eaten". With every response the children are supposed to show a

neg: Čížečku, čížečku Čížečku, čížečku Čížečku, čížečku ("Siskin, o Little Siskin") is a traditional Czech children's folk song and a singing game which was performed in the past as an annual custom supposed to enhance the yield of poppy. The song is a chain of verses of the same pattern of call and response: In Czech language: The call/response are repeated, with the verb "sown" being replaced with other events with the poppies: "grows", "blossoms", "is harvested", "is milled" (option: "crushed"), "is eaten". With every response the children are supposed to show a pantomime how exactly the poppy is sowed, grows..., eaten. It

neg: Kobzarstvo it can also include the culture of the more modern non-blind conservatory trained musicians and bandura ensembles - both amateur and professional. Kobzarstvo Kobzarstvo () in the wider definition, is the art and related culture of singing to the accompaniment of the Ukrainian folk instruments known as the bandura, kobza and the Ukrainian hurdy-gurdy whom as the lira. More specifically, it deals with the related culture of the blind professional itinerant folk singers, known as the kobzars and the lirnyks. It includes their musical genres, style of performing, playing techniques, customs, secret language (known as Lebiy), organization and para-religious traditions.

neg: Don't Tell Me No on to call it "strong, just not as well known as some of the other material [on the album]". The song's B-side titled "Don't Go to Pieces", which was also the B-side to "Gimme Some Slack", features Benjamin Orr on lead vocals. The song can be described as one of their more punk-oriented tracks, but with a perfect blend of soft rock, it includes rare backing vocals from lead guitarist Elliot Easton and keyboardist Greg Hawkes singing "You can make the switch, you can have your wish", followed by the band joining and singing the chorus "don't go to pieces,

neg: Mahvash from there, she went on to perform in Tehran’s cabarets and cafes and drew large support from the working people. However there is confusion around her biography, and different accounts of what type of performances were happening at this age and where. The most common story is that she performed risqué songs in the cabarets, on the radio and in movies. She gained the admiration of the masses’ by articulating in her songs the problems, difficulties, and frustrations of the common people, struggles which she knew very well. Her most famous songs involved a call and response style singing with

neg: Ernest Phipps Records. He recorded six sides in 1927 and six more in 1928. All were religious in subject matter. Although his records were all released by Victor he did not record again and returned to Corbin where he continued to preach for the rest of his life. The Pentecostal Holiness musical style encouraged a rousing, emotional approach with group singing and a call and response led by a leader. The material was based on traditional hymns which allowed a large number of singers to quickly learn the songs. Phipps led the quartet with a clear voice and a broad mountain accent

neg: Sometimes (Stranglers song) wanting to hit them. The song features a guitar and keyboard solo played in the call and response style during its climactic bridge before reprising its elongated chorus. The lyrics were written by Hugh Cornwell, inspired by an altercation between him and his girlfriend in which he caught her cheating on him and proceeded to hit her. The music was written predominantly by JJ Burnel with Hugh adding various pieces of music to Burnel's riff. The song is in the key of E minor, and features a large instrumental passage during its bridge. Sometimes (Stranglers song) "Sometimes" is a song

neg: Salar people targeting Xunhua and Hualong as areas to draw officers from. Westerners who encountered Salars said that they were racially mixed, of Turkic, Mongol, Tibetan, Han Chinese, and Hui descent, and had features from these different races. During the Qing dynasty, according to the "Encyclopædia of religion and ethics" the akhunds of the Salar spoke Persian, and the Salar commonly consumed alcohol in addition to knowing the Arabic script. They wore Chinese attire. Singing is part of Salar culture. A style of singing called Hua'er is shared among the Han, Hui, Salar, and Tibetans in Qinghai province. Matchmakers and parents arrange

neg: Better Call Saul (season 4) was able to work in filming for "Better Call Saul" between filming on "Billions", but had only about a week to memorize both his dialogue and the lyrics to Tom Lehrer's "The Elements" which he had to sing karaoke style in his scenes. This short period contrasted with his past singing performances on "Breaking Bad", when he had more time to learn the lyrics. The death of Jimmy's brother Chuck serves as a catalyst for his further transformation into Saul Goodman, and Jimmy's entrance into the criminal world puts a strain on his relationship with Kim and his future as

neg: American modernism way. Harlem, New York City, became the new center for the jazz age. Jazz music, as a central element of American culture, has its roots in Black slave culture. The music combined elements from African call and response patterns into its instrumentation and riffs. In its beginnings jazz was looked critically upon by parts of the white population, who thought that jazz and ragtime rhythms were "savage crash and bang," and denigrated the genre as a product "not of innovators, but of incompetents." Its expressive and pulsating style initially served racial stereotypes in the public mind and was widely encountered

neg: Cypress String Quartet Quartet as a method of demonstrating to contemporary audiences the ongoing process of inspiration, and to help make clear the relevance of older music to today's culture and society. The 2010 Call & Response program (the 11th consecutive year of the project) saw the World Premiere of Elena Ruehr's "Bel Canto" string quartet based on the novel of the same name by Ann Patchett. With the theme of the 2010 Call & Response program "Lyrical Music Inspired by Literature," Dr. Ruehr's new work was paired with Mozart's String Quartet in D Major K.575 "The Violet" and Schubert's String Quartet in

neg: Singing performed with or without instrumental accompaniment, in which singing provides the main focus of the piece. Vocal music is probably the oldest form of music since it does not require any instrument or equipment besides the voice. All musical cultures have some form of vocal music and there are many long-standing singing traditions throughout the world's cultures.Music which employs singing but does not feature it prominently is generally considered as instrumental music. For example, some blues rock songs may have a short, simple call-and-response chorus, but the emphasis in the song is on the instrumental melodies and improvisation. Vocal music

neg: Winnipeg arts and culture was constructed in the "château style" (also termed the "neo-château" or "châteauesque" style), which as a result the hotels became known as a distinctly Canadian form of architecture. The design reflects the François I style of hotel which became prevalent in the eastern United States at the turn-of-the-20th-century. Henry Janeway Hardenbergh initiated the architectural trend, with New York City's Plaza Hotel (1906–07) as his most well known structure. The Fort Garry Hotel has more than a passing similarity to The Plaza, related features include: the classic base, shaft, and capital divisions of the skyscraper; flat facades with slightly projecting, four-bay

neg: Denver International Airport Automated Guideway Transit System and jingles that precede the system's pre-recorded warning announcements, which are delivered by well known voice talent from the Denver area. Train Call was recorded by sound artist Jim Green, who is also known for recording the audio for the singing sinks in the restrooms at the Denver Art Museum, the "Laughing Escalators" at the Denver Convention Center, and the "Musical Warning Beacons" on the baggage carousels at Fort Lauderdale-Hollywood International Airport. Train Call features the voices of former Denver Broncos and Colorado Rockies announcer Alan Roach, and local KUSA-TV anchor Kim Christiansen. Each individual announcement is preceded by its

neg: Sheffield in 2007 Sheffield hosted the Awards of the International Indian Film Academy. The 2018 series of "Doctor Who", which features the Park Hill estate, premiered in Sheffield. Sheffield has a thriving folk music, song and dance community. Singing and music sessions occur weekly in many pubs around the city and it also hosts the annual Sheffield Sessions Festival. The University of Sheffield runs a number of courses and research projects dedicated to folk culture. The tradition of singing carols in pubs around Christmas is still kept alive in the city. The Sheffield Carols, as they are known locally, predate modern

neg: Bounce music Bounce music, which had long been a staple in the city, also enjoyed a resurgence in popularity in the City of Houston after Hurricane Katrina. Bounce music Bounce music is an energetic style of New Orleans hip hop music which is said to have originated as early as the late 1980s. Bounce is characterized by call-and-response-style party and Mardi Gras Indian chants and dance call-outs that are frequently hypersexual. These chants and call-outs are typically sung over the "Triggerman beat" which is sampled from the songs "Drag Rap" by the Showboys, "Brown Beat" by Cameron Paul, "Roll Call" by c2K

neg: Band of Gypsys Besides adding a fresh rhythmic element to his music, it also gives Hendrix more room to experiment with different approaches and sounds on guitar. Similarly, the Buddy Miles song "We Gotta Live Together" is a jam number. It forms the second part of a medley with "Voodoo Child (Slight Return)" and had only been performed once before at the Baggy's rehearsal room. The song features Miles attempting to engage the audience in a call and response "testifying" soul music-style vocal section, which was mostly edited out for the album release. Hendrix and Cox back Miles' vocal sections with parallel funk-style

neg: Culture of Martinique combining elements of a number of musical styles from the Caribbean and United States. Its biggest influence was biguine, which was popular dance orchestra music from the 1930s to 1950s. Zouk today has evolved from big band ensembles to smaller, electronically peppered bands. Musicians use synthesizers, DIGITAL samplers, and drum machines, which they program to sound like native percussion instruments. Another favorite musical genre, bèlè is an early form of biguine which incorporates group dance and song accompanied by drumming, often led in a call and response style. For most of the year, local music dominates. But during Carnival, other

neg: University of the Philippines Madrigal Singers humorous of novelty numbers. This world-class choir can honestly sing anything with authenticity and professionalism while keeping their audience thoroughly entertained. The group performs a variety of styles and forms but it specializes in the Madrigal, a polyphonic and challenging musical style popular during the Renaissance period where singers and guests would gather around the table during a banquet to sight-sing and make music together. This served as the inspiration for their unique style of singing - singing seated in a semicircle without a conductor. As Philippine ambassador of culture and goodwill, the Madz has had the pleasure and privilege

neg: Better Place (Rachel Platten song) a phone call from her sister announcing her engagement; she remarked that "the song just wrote itself after that". Platten opens the song by singing the line, "I'll tell the world / I'll sing a song". She continues by a couple's mutual love for each other, "I see the whole in your eyes / It's like I've known you all my life / We just feel so right". Platten stated that the song's lyrics revolve around finding positivity and optimism in everyday situations. "Better Place" received a mixed to positive response from music critics. Maura Johnston from "The Boston Globe"

neg: Ace Combat: Assault Horizon comparing the game to the "Call of Duty" series. In response to the initial mostly positive response, Namco Bandai Games created a special "Accolades Trailer" one month after the game's release, in which many of the positive comments from well-known reviewers are featured alongside gameplay. As of May 8, 2012, the game has sold 1.07 million copies worldwide. Ace Combat: Assault Horizon The major new gameplay feature is a system called "Dogfighting mode" (DFM), which aims to increase the intensity and bring the action closer to the player. The game features two modes of control, named "Optimum"", which prevents the

neg: Gypsy punk Gypsy Punk may be disputable, but it is agreed that the Romani culture is how the style of it began. The Romani people, who are spread out throughout the world, have affected the music industry in the west as seen through bands such as Gogol Bordello. Eastern European and traditional instrumentation and multilingual lyrics are both common characteristics of Romani music. In the case of Gogol Bordello, the upbeat tempo and “punk scream-singing” along with these common “gypsy” characteristics create a concrete example of what is known as gypsy punk. “The word “gypsy” coupled with the term “punk” has interesting

neg: Bounce music Bounce music Bounce music is an energetic style of New Orleans hip hop music which is said to have originated as early as the late 1980s. Bounce is characterized by call-and-response-style party and Mardi Gras Indian chants and dance call-outs that are frequently hypersexual. These chants and call-outs are typically sung over the "Triggerman beat" which is sampled from the songs "Drag Rap" by the Showboys, "Brown Beat" by Cameron Paul, "Roll Call" by c2K Vocah Redu "Gin In My System" by Big Freedia, and also Derek B's "Rock The Beat". The sound of bounce has primarily been shaped by

neg: Koutammakou program was coordinated by the Ministry of Culture and the Ministry of Primary Education of Togo and by Dominique Sewane, whose groundwork was her research and publications on the Batammaribas’ ceremonial life. Koutammakou Koutammakou, the Land of the Batammariba is a cultural landscape designated in 2004 as a UNESCO World Heritage Site in northern Togo. The area features traditional mud tower-houses which remain the preferred style of living. The traditional mud houses are known as a national symbol of Togo. Many of the mud houses have two floors and some of them have a flat roof. In 2008, to complete

neg: Kobzarstvo Kobzarstvo Kobzarstvo () in the wider definition, is the art and related culture of singing to the accompaniment of the Ukrainian folk instruments known as the bandura, kobza and the Ukrainian hurdy-gurdy whom as the lira. More specifically, it deals with the related culture of the blind professional itinerant folk singers, known as the kobzars and the lirnyks. It includes their musical genres, style of performing, playing techniques, customs, secret language (known as Lebiy), organization and para-religious traditions. The study of kobzarstvo initially started in the mid 18th century and continues to this day. The wider definition, although not accurate,

neg: Music of Saint Lucia nevertheless, elements of "jwé" have entered mainstream Lucian culture, such as the use of "lang dévivé", or "saying the opposite of what is meant". Musical elements of "jwé" include "gém" ("game song"), "listwa" (storytelling), "jwé chanté" (sung songs) and "jwé dansé" ("song-play-dance"). These forms are united by their use of the Creole language, their use of call-and-response singing between a leader and a chorus, with the exception of "listwa", and the use of improvisation. "Jwé chanté" and "listwa" are purely vocal styles with no accompaniment, nor any traditional dance; the other two are typically accompanied by a "ka" drum or

neg: Tapori (word) Wresinski met a group of children living in Mumbai train stations known as 'Tapori'. Wresinski noticed how these children shared among themselves what food they had. He was so moved that he decided to call ATD's children's network Tapori. Tapori (word) Tapori literally translates into vagabond or rowdy in Hindi. Street thugs in Mumbai were perhaps the most notable taporis. Their unique style of speaking Hindi was called tapori language. They also had a unique style of dressing, which they called as tapori style. Tapori culture though resented by many is widely imitated by many as humorous or comical. It

neg: Bebop Monk was adapting the new harmonic ideas to his style that was rooted in Harlem stride piano playing. Drummers such as Kenny Clarke and Max Roach were extending the path set by Jo Jones, adding the ride cymbal to the high hat cymbal as a primary timekeeper and reserving the bass drum for accents. Bass drum accents were colloquially termed "bombs," which referenced events in the world outside of New York as the new music was being developed. The new style of drumming supported and responded to soloists with accents and fills, almost like a shifting call and response. This

neg: Sea shanty labor as they toiled at repetitive tasks. Singing helped to alleviate boredom and to lighten, perhaps, the psychological burden of hard work. Shanties may also be said to have served a social purpose, as to build camaraderie. All shanties had a chorus of some sort, in order to allow the crew to sing all together. Many shanties had a "call and response" format, with one voice (the shantyman) singing the solo lines and the rest of the sailors bellowing short refrains in response (compare military cadence calls). The "shantyman" was a regular sailor who led the others in singing. He

neg: Music of Brittany "Barzaz Breiz", was also influential, and was partially responsible for preserving Breton traditions. Kan ha diskan (roughly translated as "call and response singing") is probably the most common type of Breton vocal music, and is the most typical style to accompany dance music. It has become perhaps the most integral part of the Breton roots revival, and was the first genre of Breton music to gain some mainstream success, both in Brittany and abroad. The lead singer is the "kaner", and the second singer is the "diskaner". The "kaner" sings a phrase, and the "diskaner" sings the last few lines

neg: Moja štikla Kennedy with "Every Song Is a Cry for Love". At the close of voting, it had received 56 points, placing equal 12 in a field of 24 and returning Croatia to the semi-final for their next Contest appearance. The song itself was described in commentary as being in the turbo-folk style, with Severina singing about various chat-up attempts from local men, as well as entering into folk-influenced call-and-response lyrics with her backing singers. The performance featured the combination of traditionally-dressed Balkan folk musicians and Severina herself in a red dress. The dress was partly removed (in a move made famous

neg: Kan ha diskan Kan ha diskan Kan ha diskan is probably the most common type of traditional music of Brittany. It is a vocal tradition ("kan ha diskan" translates from Breton as, roughly, "call and response singing"). The style is the most commonly used to accompany dances. It has become perhaps the most integral part of the Breton roots revival, and was the first genre of Breton music to gain some mainstream success, both in Brittany and abroad. The lead singer is the "kaner", and the second singer is the "diskaner". The kaner sings a phrase, and the diskaner sings the last few

neg: Coco (music) by Brazilian slaves who broke coconuts with rocks for their masters. Coco (music) Coco is an African-influenced musical rhythm that originated in Northern Brazil. "Coco" may also refer to the style of dance performed to the music, a kind of stomping. The name "Coco" (Portuguese for "coconut") is a common Northeastern Brazilian slang for head, referring to the fact that song lyrics are often improvised. Coco is often performed with a repetitive musical beat and call and response singing reminiscent of Capoeira music. The music is commonly performed at traditional parties in the Northeast, such as weekend street parties and

neg: Treemonisha The performance was called a "semimiracle" by music historian Gilbert Chase, who said "Treemonisha" "bestowed its creative vitality and moral message upon many thousands of delighted listeners and viewers" when it was recreated. The musical style of the opera is the popular romantic one of the early 20th century. It has been described as "charming and piquant and ... deeply moving", with elements of black folk songs and dances, including a kind of pre-blues music, spirituals, and a call-and-response style scene featuring a preacher and congregation. The opera celebrates African-American music and culture while stressing that education is the salvation

neg: Michigan & Smiley larger hit, "Nice Up the Dance" was a version of the quintessential Studio 1 rhythm, "Real Rock". These singles, with four other tracks, also versions of Studio One rhythms, were released as their first album, "Nice Up the Dance". The names of these two singles were quickly incorporated into the lexicon of dancehall phraseology. Their call and response style was likewise influential on the future developments of the music, blending together straightforward singing styles and toasting. By 1982, they caught the attention of Henry "Junjo" Lawes, who recorded their biggest hit, "Diseases" over the "Mad Mad" riddim. This track was

neg: The Wild Tchoupitoulas (album) The Wild Tchoupitoulas (album) The Wild Tchoupitoulas is a 1976 album by the New Orleans Mardi Gras Indian tribe The Wild Tchoupitoulas. The album features the "call-and-response" style chants typical of Mardi Gras Indians. Vocals were provided by George Landry, as "Big Chief Jolly", as well as other members of his Mardi Gras tribe. Instrumentation was provided in part by members of the New Orleans band The Meters. The album also notably features Landry's nephews, the Neville Brothers, providing harmonies and some of the instrumentation. While not a commercial success, the effort was well received critically and the experience recording

neg: The Wild Tchoupitoulas (album) adapted from AllMusic and Discogs. The Wild Tchoupitoulas (album) The Wild Tchoupitoulas is a 1976 album by the New Orleans Mardi Gras Indian tribe The Wild Tchoupitoulas. The album features the "call-and-response" style chants typical of Mardi Gras Indians. Vocals were provided by George Landry, as "Big Chief Jolly", as well as other members of his Mardi Gras tribe. Instrumentation was provided in part by members of the New Orleans band The Meters. The album also notably features Landry's nephews, the Neville Brothers, providing harmonies and some of the instrumentation. While not a commercial success, the effort was well received

neg: Dorinda Clark-Cole Jacky, and Denise. The sisters sang in their father's church and usually performed songs written and composed by their mother. Clark-Cole, who is referred to as the "jazzy sister" of the group, helped develop what is known as "The Clark Sound", which often features high and fast melismas, riffs, runs, scats, and soulful growls. Clark–Cole attributes her fiery, convicting singing style to her mother, who saw the gift of singing and preaching in her at an early age. Back in the 1960s and 1970s, when other children their age were playing outside, Clark–Cole and her sisters had to work on

neg: African-American music as "the shout") and other forms of bodily movements to the singing. They also changed the melodies and rhythms of psalms and hymns, such as speeding up the tempo, adding repeated refrains and choruses, and replaced texts with new ones that often combined English and African words and phrases. Originally being passed down orally, folk spirituals have been central in the lives of African Americans for more than three centuries, serving religious, cultural, social, political, and historical functions. Folk spirituals were spontaneously created and performed in a repetitive, improvised style. The most common song structures are the call-and-response ("Blow, Gabriel")

neg: Let's Get It On of R&B and soul listeners, while experiencing commercial pressure from contemporary styles that incorporated more diverse elements, such as Philly soul and funk. The Motown sound was typified by characteristics such as the use of tambourines to accent the back beat, prominent and often melodic electric bass guitar lines, distinctive melodic and chord structures, and a call and response singing style that originated in gospel music. In addition, pop production techniques were simpler than that of Gaye's 1970s concept albums. Complex arrangements and elaborate, melismatic vocal riffs were avoided by Motown musicians. Following his breakthrough with "What's Going On", an

neg: Ichimaru a success for the next ten years. After the war Ichimaru became interested in United States culture, becoming greatly interested in jazz music. The result of this interest was the hit song "Shamisen Boogie Woogie", composed with jazz songwriter Ryoichi Hattori. In 1950, she became the first Japanese singer after World War II to be invited to Hawaii to perform, along with Noboru Kirishima, Akiko Futaba and Masao Koga. This performance was followed by other international concerts. During this time Ichimaru was singing for kabuki, and composing her own ko-uta, a style that would later become known as "Ichimaru Air".

neg: Motown the resignation of CEO Barry Weiss. In a press release sent out by Universal Music Group, the label will now be reorganizing Def Jam Recordings, Island Records and Motown Records all as separate entities. Motown would then begin serving as a subsidiary of Capitol Records. Motown specialized in a type of soul music it referred to with the trademark "The Motown Sound". Crafted with an ear towards pop appeal, the Motown Sound typically used tambourines to accent the back beat, prominent and often melodic electric bass-guitar lines, distinctive melodic and chord structures, and a call-and-response singing style that originated in

neg: Crystal Castles (album) and 40 vocal layers sung by Glass. The album's opener "Untrust Us" uses vocals from Death from Above 1979's "Dead Womb." The vocals are "disembodied and chopped up" and are performed over a "cyclical synth loop," wrote "Pitchfork" contributor Ian Cohen. The vocals are edited in a way that "could very well be confused for gibberish or Japanese," analyzed King. The electroclash-style "Courtship Dating" includes Three 6 Mafia-esque percussion click sounds, what Cohen described as "fizzy synths" and a "call-and-response chant." Phares described Glass' singing on the track as like a "spaced-out valley girl." "Alice Practice" is a mic check

neg: Blues is now known) can be seen as a musical style based on both European harmonic structure and the African call-and-response tradition that transformed into an interplay of voice and guitar, the blues form itself bears no resemblance to the melodic styles of the West African griots, and the influences are faint and tenuous. Additionally, there are theories that the four-beats-per-measure structure of the blues might have its origins in the Native American tradition of pow wow drumming. No specific African musical form can be identified as the single direct ancestor of the blues. However the call-and-response format can be traced

neg: Anna-Maria Hefele number two on The Guardian's Viral Video Chart, with one online video titled "Polyphonic Overtone Singing", which features Hefele as she demonstrates and explains overtones. As of March 2018, this video has received more than 11 million hits. Anna-Maria Hefele Anna-Maria Hefele is a German overtone singer. Hefele is from Grafing near Munich. This technique of singing polyphonic overtones is also known as "throat singing," and Hefele has been practicing it since 2005. There are several styles of overtone singing found around the world. Canadian Inuit and several forms displayed in Mongolia and surrounding regions are the most recognized. Hefele's

neg: Tuva are traditionally a Central Asian nomadic culture. Tuva is an agrarian republic. The main branch of agriculture is livestock breeding (mainly sheep breeding and meat and dairy cattle breeding); also goat breeding and horse breeding are developed. In the tundra, reindeer are bred, in the mountains - yaks, south, in the semi-desert - camels. Tuva has a rich historical heritage and a preserved ethnic culture among the local population. Tuvan music features the world famous Tuvan throat singing (khoomei). This type of singing can be heard, in particular, during the performances of the Tuva National Orchestra. Sainkho Namtchylak is one

neg: Willie Ruff out – in which a precentor read or chanted a line of the psalm, which was then sung by the congregation – led to the call and response form of black gospel music. Ruff co-created the documentary "A Conjoining of Ancient Song", which focuses on a rapidly vanishing form of congregational singing that is shared by Scottish, African American, and Native American music. It received its world premiere screening at Yale in 2013. Ruff's work in this area is also a subject of Sterlin Harjo's 2014 documentary film, "This May Be the Last Time". He has written about classical composer

neg: USM Alger they are call them Almsamaah and this name was called to the bands singing women celebrate weddings and sing This name did not call them in a vacuum and grew to the quality of their songs and their horror, which prompted all the supporters of other Algerian clubs and even the supporters of some of the Arab nomads to quote their songs and replay The supporters of the Union were not distinguished from the rest of the other clubs' supporters, but in spite of that, they were known for their high sports spirit in accepting the loss and the style

neg: The Joggers the Joggers. Dan has been recently playing with the Cajun Gems as well. The Joggers The Joggers, formerly known as Stateside, are a four-piece band from Portland, Oregon. They play complex songs with elements of math rock which retain a pop sensibility. The guitar style of (lead singer and songwriter) Ben Whitesides and the second guitarist rejects a traditional rhythm & lead style for more scale exploration and includes elements of call and response. Murphy Kasiewicz played second guitar on "Solid Guild", but left the band before the recording of "With A Cape And A Cane" and was replaced by