query: bob dylan blowin in the wind original version

pos: Blowin' in the Wind Blowin' in the Wind "Blowin' in the Wind" is a song written by Bob Dylan in 1962 and released as a single and on his album "The Freewheelin' Bob Dylan" in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". In 1994, the song was inducted into the Grammy

pos: Blowin' in the Wind Blowin' in the Wind "Blowin' in the Wind" is a song written by Bob Dylan in 1962 and released as a single and on his album "The Freewheelin' Bob Dylan" in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". In 1994, the song was inducted into the Grammy

pos: The Freewheelin' Bob Dylan The Freewheelin' Bob Dylan The Freewheelin' Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963 by Columbia Records. Whereas his self-titled debut album "Bob Dylan" had contained only two original songs, "Freewheelin" represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of "Freewheelin". The album featured several other

pos: The Freewheelin' Bob Dylan and "Talkin' John Birch Blues". Copies of the "original" version of "The Freewheelin' Bob Dylan" (in both mono and stereo) are extremely rare. The original track listing was as follows: The Freewheelin' Bob Dylan The Freewheelin' Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963 by Columbia Records. Whereas his self-titled debut album "Bob Dylan" had contained only two original songs, "Freewheelin" represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the

pos: Blowin' in the Wind "Sing Out!", accompanied by Dylan's comments: Dylan recorded "Blowin' in the Wind" on July 9, 1962, for inclusion on his second album, "The Freewheelin' Bob Dylan", released in May 1963. In his sleeve notes for "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991", John Bauldie wrote that Pete Seeger first identified the melody of "Blowin' in the Wind" as an adaptation of the old African-American spiritual "No More Auction Block/We Shall Overcome". According to Alan Lomax's "The Folk Songs of North America", the song originated in Canada and was sung by former slaves who fled there after Britain abolished

pos: Blowin' in the Wind influenced by "the Co-Op's high ethical guidelines regarding fair trade and the environment." The Co-Op, which is owned by about 3 million consumers, also includes Britain's largest funeral parlour and farming business. He was described by David Barrett in 2017 as a 'living legend' and 'a true inspiration' to customer service representatives around the globe. "Blowin' in the Wind" has been recorded by hundreds of artists. The most commercially successful version is by folk music trio Peter, Paul and Mary, who released the song in June 1963, three weeks after "The Freewheelin' Bob Dylan" was issued. Albert Grossman, then managing

pos: The Essential Bob Dylan several more. It has been reissued a couple of times over the years such as in 2009 and again as recently as 2016 with varying track listings . All songs written by Bob Dylan except where noted. The Essential Bob Dylan The Essential Bob Dylan is a compilation by Bob Dylan, released as a double-CD set in 2000, part of Columbia Records' "The Essential" series. "The Essential Bob Dylan" spans from 1963's "Blowin' in the Wind" (taken from "The Freewheelin' Bob Dylan") to 1999's "Things Have Changed" (Dylan's Oscar-winning song from the motion picture, "Wonder Boys"). "The Essential Bob Dylan"

pos: The Essential Bob Dylan The Essential Bob Dylan The Essential Bob Dylan is a compilation by Bob Dylan, released as a double-CD set in 2000, part of Columbia Records' "The Essential" series. "The Essential Bob Dylan" spans from 1963's "Blowin' in the Wind" (taken from "The Freewheelin' Bob Dylan") to 1999's "Things Have Changed" (Dylan's Oscar-winning song from the motion picture, "Wonder Boys"). "The Essential Bob Dylan" has proven to be a solid seller in Dylan's catalog, reaching #67 in the US, and peaking at #9 in the UK. The British and Australian releases include all of the tracks from the US edition plus

pos: Peter Yarrow in the Top 10 for ten months, in the Top 20 for two years and sold more than two million copies. The group toured extensively and recorded numerous albums, both live and in the studio. In June 1963 they released a 7" single of "Blowin' in the Wind" by the then relatively unknown, Bob Dylan, also managed by Grossman. "Blowin' in the Wind" sold 300,000 copies in the first week of release and by August 17 was number two on the Billboard pop chart, with sales exceeding one million copies. Yarrow recalled that when he told Dylan he would make

pos: Bob Dylan was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of its first public performances. The film recording of "Madhouse on Castle Street" was destroyed by the BBC in 1968. While in London, Dylan performed at London folk clubs, including the Troubadour, Les Cousins, and Bunjies. He also learned material from UK performers, including Martin Carthy. By the time of Dylan's second album, "The Freewheelin' Bob Dylan", in May 1963, he had begun to make his name as a singer-songwriter. Many songs on this album were labeled protest songs, inspired partly by

pos: Bob Dylan even jazz and the Great American Songbook. Dylan performs on guitar, keyboards, and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed "the Never Ending Tour". His accomplishments as a recording artist and performer have been central to his career, but his songwriting is considered his greatest contribution. Following his self-titled debut album in 1962, which mainly consisted of traditional folk songs, Dylan made his breakthrough as a songwriter with the release of the 1963 album "The Freewheelin' Bob Dylan", featuring "Blowin' in the Wind" and the thematically

pos: Happy Traum Capitol), "Double Back" (1971, Capitol), and "Hard Times In The Country" (1975, Rounder). He has continued as a solo artist and as founder of Homespun Music Instruction. Traum first appeared on record at a historic session in late 1962 when a group of young folk musicians, including Bob Dylan, Phil Ochs, Pete Seeger, Peter LaFarge and The Freedom Singers, gathered in the studio at Folkways Records to record an album called "Broadside Ballads, Vol. 1". With his group, The New World Singers, Traum cut the first version of "Blowin' in the Wind" to be released (early 1963). Traum also sang

pos: All I Really Want to Do (album) rock songs, but it also has a somewhat folky slant to it, in order to differentiate it from the musical style of Sonny & Cher's records. On the album, Cher covered three songs written and performed by Bob Dylan, "All I Really Want to Do", "Blowin' in the Wind", and "Don't Think Twice, It's All Right". The album contains the Bono-penned "Needles and Pins", which was a hit for the British band, The Searchers, in 1963. The album also included Ray Davies' "I Go to Sleep", which was later a hit in the UK for The Pretenders, and Cher's version

pos: Marie Laforêt popularize the Bob Dylan song "Blowin' in the Wind" in France with her 1963 interpretation. On the B-side of the same EP she sings the classic American folk ballad "House of the Rising Sun". Other folk recordings include: "Viens sur la montagne", a 1964 French adaptation of the African-American spiritual "Go Tell It on the Mountain", recorded by American folk trio Peter, Paul and Mary the previous year, "Coule doux" (Hush-a-Bye), another Peter, Paul and Mary song, 1966's "Sur les chemins des Andes", a French version of the traditional Peruvian song "El Cóndor Pasa", and "La voix du silence", a

pos: The Freewheelin' Bob Dylan in the Wind' could be applied to just about any freedom issue. It remains the song with which Dylan's name is most inextricably linked, and safeguarded his reputation as a civil libertarian through any number of changes in style and attitude." "Blowin' in the Wind" became world-famous when Peter, Paul and Mary issued the song as a single three weeks after the release of "Freewheelin". They and Dylan both shared the same manager: Albert Grossman. The single sold a phenomenal three hundred thousand copies in the first week of release. On July 13, 1963, it reached number two on the

pos: Singer-songwriter Woody Guthrie and Pete Seeger had grown to a major movement in the early 1960s, popularized by Joan Baez and her protégée, Bob Dylan, who had started reaching a mainstream audience with his hit, Blowin' in the Wind" (1963) bringing "protest songs" to a wider audience. There were hints of cross-pollination, but rock and folk music had remained largely separate genres, often with different audiences. An early attempt at fusing elements of folk and rock was highlighted in the Animals "House of the Rising Sun" (1964), a folk song, recorded with rock and roll instrumentation. By the mid-1960s Bob Dylan

pos: Mina per Wind in 1962 and released on his album "The Freewheelin' Bob Dylan" in 1963. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". "Ride Like the Wind" is a cover of a song by American singer-songwriter Christopher Cross. It was released in February 1980 as the lead single from his Grammy-winning self-titled debut album. " Gone with the Wind" is the cover of a popular song written by Allie Wrubel and Herb

pos: Theodore Bikel few answers to the chaos that we have," one of the only recourses to avoid social strife, and a means of giving youth hope for a better world. Bikel viewed then 21-year-old Bob Dylan as one of those young performers expressing emotional and social messages through song. In 1963, Bikel joined Dylan, Seeger, Peter, Paul and Mary and Joan Baez for the festival grand finale as they sang "Blowin' in the Wind" and "We Shall Overcome." Following the festival, Bikel, Seeger and Dylan traveled to a planned rally in Greenwood, Mississippi to perform Dylan's newly-written song, "Only a Pawn in

pos: Farewell (Bob Dylan song) to Chicago to appear at The Bear, a folk music club owned by his manager Albert Grossman. The next day, April 26, he was interviewed during a taping of author Studs Terkel's radio show on WFMT. He played seven songs on the show, opening with "Farewell" (the seventh was "Blowin' in the Wind"). Four months later during the first of six "Times They Are a-Changin"' sessions, Dylan recorded four takes of the song, none of them complete. Only one live recording of the song is known to exist, released on The 50th Anniversary Collection 1963. Dylan played relatively few concerts

pos: Madhouse on Castle Street January 1963, when the play was completed, and it was transmitted on 13 January 1963. "Blowin' in the Wind" was used in the opening and closing credits, replacing a song written by Evan Jones, "Cut Me Down, My Love". Dylan also performed "Hang Me, O Hang Me", "Cuckoo Bird", and "Ballad of the Gliding Swan". Philip Saville had heard Dylan singing "Blowin' in the Wind" to two Spanish au pairs, early one morning whilst the singer was staying in his house. "Hang Me, O Hang Me" and "Cuckoo Bird" were traditional folk songs but Dylan altered the words. Jones provided

pos: Bob Dylan's Blues Bob Dylan's Blues "Bob Dylan's Blues" is a song written by Bob Dylan and released in 1963 on the album "The Freewheelin' Bob Dylan". A tribute song for Bob Dylan was written by Jim Savarino and appears on his album "Don't Let The World Get You Down", released in 2002. The song was used on the Bob Dylan Radio Hour on Sirius Satellite Radio to introduce a show consisting of covers of Dylan songs by various artists. "Bob Dylan's Blues" was recorded on July 9, 1962, during the third "Freewheelin"' session. Dylan recorded several new compositions that day, including "Blowin'

pos: Rock music such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics. In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach a mainstream audience with hits including "Blowin' in the Wind" (1963) and "Masters of War" (1963), which brought "protest songs" to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock included the Animals' "House

pos: 1960s in music traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labour politics. In the early sixties figures such as Bob Dylan and Joan Baez had come to the fore in this movement as singer-songwriters. Dylan had begun to reach a mainstream audience with hits including "Blowin' in the Wind" (1963) and "Masters of War" (1963), which brought "protest songs" to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive

pos: Music history of the United States in the 1960s was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics. In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach a mainstream audience with hits including "Blowin' in the Wind" (1963) and "Masters of War" (1963), which brought "protest songs" to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock

pos: Blowin' in the Wind version of the song also spent five weeks atop the easy listening chart. The critic Andy Gill wrote, Dylan performed the song for the first time on television in the UK in January 1963, when he appeared in the BBC television play "Madhouse on Castle Street". He also performed the song during his first national US television appearance, filmed in March 1963, a performance made available in 2005 on the DVD release of Martin Scorsese's PBS television documentary on Dylan, "No Direction Home". An allegation that the song was written by a high-school student named Lorre Wyatt and subsequently purchased

pos: Protest songs in the United States definition of political activism commonly called social activism, which incorporated notions of equal rights and of promoting the concept of "peace". The music often included relatively simple instrumental accompaniment, including acoustic guitar and harmonica. Many Americans still remember Odetta's performance at the 1963 civil rights movement's March on Washington where she sang "Oh Freedom." One of the key figures of the 1960s protest movement was Bob Dylan, who produced a number of landmark protest songs, such as "Blowin' in the Wind" (1962), "Masters of War" (1963), "Talking World War III Blues" (1963), and "The Times They Are A-Changin'" (1964). While

pos: Electric Dylan controversy at the Newport Folk Festival, joined by guitarist Mike Bloomfield and Barry Goldberg of the Paul Butterfield Blues Band. Some sections of the audience booed Dylan's performance, leading members of the folk movement, including Irwin Silber and Ewan MacColl, to criticize Dylan for moving away from political songwriting and for performing with an electric band instead. At the 1963 Newport Folk Festival, Dylan had been received enthusiastically when he performed "Blowin' in the Wind" with Joan Baez, Peter, Paul and Mary, and other Festival performers. At the 1964 Newport Folk Festival, Dylan performed "With God on Our Side" and "Mr

pos: Peter Yarrow more than $5,000 () from the publishing rights, Dylan was speechless. On August 28, 1963, Peter, Paul and Mary appeared on stage with the Reverend Martin Luther King at his historic March on Washington where their performance of "Blowin' in the Wind" established it as a civil rights anthem. Their version also spent weeks on "Billboard"s easy listening chart. By 1964 the 26-year-old Yarrow had joined the Board of the Newport Folk Festival, where he had performed as an unknown just four years earlier. Yarrow's songwriting helped to create some of Peter, Paul and Mary's best-known songs, including "Puff, the

pos: Bob Dylan's Blues in the Wind", a song he had already performed live but had yet to record in the studio. Other tracks recorded during the session included "Down the Highway," and "Honey, Just Allow Me One More Chance". Master takes of the four songs were selected and set aside for the final album. Dylan later recorded the song as a demo for his music publisher, M. Witmark & Sons. This version, taped in April 1963 at Witmark's studio, was officially released in October 2010 on "". Bob Dylan's Blues "Bob Dylan's Blues" is a song written by Bob Dylan and released in

neg: The Freewheelin' Bob Dylan the second Newport Folk Festival. That weekend, Peter, Paul and Mary's rendition of "Blowin' in the Wind" reached number two on "Billboard"s pop chart. Baez was also at Newport, appearing twice on stage with Dylan. The combination of the chart success of "Blowin' in the Wind", and the glamor of Baez and Dylan singing together generated excitement about Dylan and his new album. Tom Paxton recalled: "That was a big breakout festival for Bob. The buzz kept growing exponentially and it was like a coronation of Bob and Joan. They were King and Queen of the festival". His friend Bob

neg: The Freewheelin' Bob Dylan have turned up over the years, despite Columbia's supposed destruction of all copies during the pre-release phase (all copies found were in the standard album sleeve with the revised track selection). Other permutations of the "Freewheelin"' album include versions with a different running order of the tracks on the album, and a Canadian version of the album that listed the tracks in the wrong order. The original pressing of "The Freewheelin' Bob Dylan" is considered the most valuable and rarest record in America, with one copy having sold for $35,000. "Blowin' in the Wind" is among Dylan's most celebrated compositions.

neg: Hollies Sing Dylan Hollies Sing Dylan Hollies Sing Dylan is a 1969 cover album where the Hollies sing Bob Dylan songs. It was also released in the US as Words and Music by Bob Dylan with a different cover but using the same band image and track order. First released on compact disc in West Germany in the late 1980s, it was not released in that format in the rest of Europe until 1993. For this issue, two bonus tracks, the single version of "Blowin' in the Wind" and a live version of "The Times They Are a-Changin'". A later remastered issue in

neg: Hollies Sing Dylan Hollies Sing Dylan Hollies Sing Dylan is a 1969 cover album where the Hollies sing Bob Dylan songs. It was also released in the US as Words and Music by Bob Dylan with a different cover but using the same band image and track order. First released on compact disc in West Germany in the late 1980s, it was not released in that format in the rest of Europe until 1993. For this issue, two bonus tracks, the single version of "Blowin' in the Wind" and a live version of "The Times They Are a-Changin'". A later remastered issue in

neg: New Morning was dedicated to recording new versions of "Blowin' in the Wind," but those recordings were left on the shelf. Bob Johnston was still credited with production, but by July he was absent and would not return. Instead, Dylan and Kooper created the preliminary sequence for "New Morning". The process was wrought with frustration, possibly the result of the negative criticism over "Self Portrait". The first sequence of "New Morning" included a few covers as well as a new version of "Tomorrow is a Long Time," an original composition dating back to 1962. Meanwhile, Kooper convinced Dylan to record orchestral overdubs

neg: The Freewheelin' Bob Dylan song called 'No More Auction Block'—that's a spiritual and 'Blowin' in the Wind' follows the same feeling." Dylan's performance of "No More Auction Block" was recorded at the Gaslight Cafe in October 1962, and appeared on "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991". Critic Andy Gill wrote: Blowin' in the Wind' marked a huge jump in Dylan's songwriting: for the first time, Dylan discovered the effectiveness of moving from the particular to the general. Whereas 'The Ballad of Donald White' would become completely redundant as soon as the eponymous criminal was executed, a song as vague as 'Blowin'

neg: The Freewheelin' Bob Dylan "Baby, Please Don't Go", and Robert Johnson's "Milk Cow's Calf's Blues". Because Dylan's songwriting talent was developing so rapidly, nothing from the April sessions appeared on "Freewheelin"'. The recording sessions at Studio A resumed on July 9, when Dylan recorded "Blowin' in the Wind", a song that he had first performed live at Gerde's Folk City on April 16. Dylan also recorded "Bob Dylan's Blues", "Down the Highway", and "Honey, Just Allow Me One More Chance", all of which ended up on "Freewheelin"', plus one other original composition, "Baby, I'm in the Mood for You", which did not. At this

neg: Opposition to United States involvement in the Vietnam War Another Side of Bob Dylan: Midwestern Isolationist", quotes Todd Gitlin, a leader of a student movement at the time, in saying "Whether he liked it or not, Dylan sang for us. ... We followed his career as if he were singing our songs." The anthem "Blowin' in the Wind" embodied Dylan's anti-war, pro-civil rights sentiment. To complement "Blowin' in the Wind" Dylan's song "The Times they are A-Changin'" alludes to a new method of governing that is necessary and warns those who currently participate in government that the change is imminent. Dylan tells the "senators and congressmen [to] please heed

neg: The Freewheelin' Bob Dylan In his sleeve notes for "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991", John Bauldie writes that it was Pete Seeger who first identified the melody of "Blowin' in the Wind" as Dylan's adaptation of the old Negro spiritual "No More Auction Block". According to Alan Lomax's "The Folk Songs of North America", the song originated in Canada and was sung by former slaves who fled there after Britain abolished slavery in 1833. In 1978, Dylan acknowledged the source when he told journalist Marc Rowland: "'Blowin' in the Wind' has always been a spiritual. I took it off a

neg: The Freewheelin' Bob Dylan Grossman, Dylan stated in a deposition: "Although I didn't know it at the time, the second album was destined to become a great success because it was to include 'Blowin' in the Wind'." Besides "Blowin' in the Wind", "Masters of War", "Girl from the North Country", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right" have all been acclaimed as masterpieces, and they have been mainstays of Dylan's performing repertory to the present day. The album's balance between serious subject matter and levity, earnest finger-pointing songs and surreal jokes captured a wide audience, including The Beatles, who

neg: Bob Dylan Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind". In September Dylan released the new Lanois-produced album, "Time Out of Mind". With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award. In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center

neg: The Freewheelin' Bob Dylan had heard Dylan perform in Greenwich Village, and invited him to take part in a BBC television drama: "Madhouse on Castle Street". Dylan arrived in London on December 17. In the play, Dylan performed "Blowin' in the Wind" and two other songs. Dylan also immersed himself in the London folk scene, making contact with the Troubadour folk club organizer Anthea Joseph and folk singers Martin Carthy and Bob Davenport. "I ran into some people in England who really knew those [traditional English] songs," Dylan recalled in 1984. "Martin Carthy, another guy named [Bob] Davenport. Martin Carthy's incredible. I learned a

neg: Zé Ramalho Canta Bob Dylan – Tá Tudo Mudando Zé Ramalho Canta Bob Dylan – Tá Tudo Mudando Zé Ramalho Canta Bob Dylan – Tá Tudo Mudando is the second tribute album by Brazilian singer-songwriter Zé Ramalho, released in 2008. This time, he pays an homage to Bob Dylan, whose "Knockin' on Heaven's Door" had already been covered by him. Most of the songs' lyrics were almost literally rewritten to Portuguese. The album cover is a reference to Dylan's known promotional film clip for the 1965 song "Subterranean Homesick Blues". "O Vento Vai Responder", a cover of "Blowin' in the Wind", was used in the soundtrack of the Rede

neg: Bob Dylan Bob Dylan Bob Dylan (born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, author, and artist who has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" which became anthems for the Civil Rights Movement and anti-war movement. In 1965, he controversially "went electric", branching out from his earlier work and alienating some fans of the American folk music revival,

neg: Blowin' in the Wind Hall of Fame. In 2004, it was ranked number 14 on "Rolling Stone" magazine's list of the "500 Greatest Songs of All Time". Dylan originally wrote and performed a two-verse version of the song; its first public performance, at Gerde's Folk City on April 16, 1962, was recorded and circulated among Dylan collectors. Shortly after this performance, he added the middle verse to the song. Some published versions of the lyrics reverse the order of the second and third verses, apparently because Dylan simply appended the middle verse to his original manuscript, rather than writing out a new copy with

neg: Blowin' in the Wind album "From Every Stage". In 1975, the song was included as poetry in a high-school English textbook in Sri Lanka. The textbook caused controversy because it replaced Shakespeare's work with Dylan's. During the protests against the Iraq War, commentators noted that protesters were resurrecting songs such as "Blowin' in the Wind" rather than creating new ones. The song has been embraced by many liberal churches, and in the 1960s and 1970s it was sung both in Catholic church "folk masses" and as a hymn in Protestant ones. In 1997, Bob Dylan performed three other songs at a Catholic church congress.

neg: Peter, Paul and Mary Reverend Martin Luther King, Jr.'s "I Have a Dream" speech. The Bob Dylan song "Blowin' in the Wind" was one of their biggest hit singles. They also sang other Dylan songs, such as "The Times They Are a-Changin'"; "Don't Think Twice, It's All Right," and "When the Ship Comes In." Their success with Dylan's "Don't Think Twice, It's All Right" helped Dylan's "The Freewheelin' Bob Dylan" album rise into the top 30; it had been released four months earlier. In December 1969 "Leaving on a Jet Plane", written by the group's friend John Denver, became their only No. 1 single

neg: Marc Bolan first acetates cut. Two tracks were later released, the Bob Dylan song "Blowin' in the Wind" and Dion Di Mucci's "The Road I'm On (Gloria)". A version of Betty Everett's "You're No Good" (still unreleased) was later submitted to EMI for a test screening but was turned down. Warren later sold Bolan's contract and recordings for £200 to his landlord, property mogul David Kirch, in lieu of three months' back rent, but Kirch was too busy with his property empire to do anything for him. A year or so later, Bolan's mother pushed into Kirch's office and shouted at him

neg: Albert Grossman woman in the cover photo with Dylan, in the red trouser suit, was Grossman's wife, Sally. Having returned to Woodstock at the end of his 1966 World Tour, Dylan was on his way home from Grossman's house in West Saugerties when he suffered the motorcycle accident that precipitated his eight-year withdrawal from touring. When managing both Bob Dylan and Peter, Paul and Mary, Grossman brought the trio Dylan's song "Blowin' in the Wind" which they promptly recorded (on a single take) and successfully released. In his autobiography, "", Dylan describes first encountering Grossman at the Gaslight cafe: "He looked like

neg: Gerde's Folk City night, Bob came in and did his first set. Dylan's September 29, 1961 appearance was reviewed in "The New York Times" by Robert Shelton, after which Dylan's reputation was made. Gerdes was where Bob Dylan debuted "Blowin' in the Wind" and was also the place where Joan Baez and Dylan met for the first time. On October 23, 1975 at a celebration for Mike Porco's 61st birthday, Dylan's Rolling Thunder Revue staged a dress rehearsal and played its first real concert. The Review began its national tour a week after playing at Gerdes on October 30, 1975. In May 1976,

neg: Mina per Wind Mina per Wind Mina per Wind is an EP by Italian singer Mina. The album contains four songs, all with the word "wind" in the title. The album was recorded in 2000 as part of a special offer of Italian-based "Wind Telecommunications" which consisted of a package including a phone card and this album. "The Wind Cries Mary" is a cover of the rock ballad written by Jimi Hendrix and released by the Jimi Hendrix Experience as the band's third single on May 5, 1967. " Blowin 'in the Wind" is a cover of the song written by Bob Dylan

neg: A Letter Home disc of this set features a version of Dylan's "Blowin' In The Wind" backed with an alternate take/arrangement of "Crazy" A Letter Home A Letter Home is the 33rd studio album by Canadian musician Neil Young. It was released on April 19, 2014 on Record Store Day by Third Man Records. The entire album, which consists of covers of classic songs by artists Bruce Springsteen, Bob Dylan, Willie Nelson, Gordon Lightfoot and others, was recorded in a refurbished 1947 Voice-o-Graph vinyl recording booth at Jack White's Third Man Records recording studio in Nashville, Tennessee. Of this method, White said, "we

neg: Before the Flood (album) side three are by the Band; tracks one through three on side three by Dylan alone. "Blowin' in the Wind" is a splice of two separate performances. Before the Flood (album) Before the Flood is a live album by American singer-songwriter Bob Dylan and the Band, released on June 20, 1974, on Asylum Records in the United States and Island Records in the United Kingdom. While in later years earlier live recordings would be released, this was the first live album that Dylan released. It is the 15th album by Dylan and the seventh by the Band, and documents their

neg: Rolling Thunder Revue "Onstage it was like a carnival. Bobby Neuwirth and the back-up band [dubbed 'Guam'] warmed up the audience. Next, Dylan ambled on to do about five songs. After intermission, the curtain rose to an incredible sight, Bob and Joan, together again after all these years." Dylan and Baez often opened the second half of the show duetting in the dark on "Blowin' in the Wind". As per Sloman, "After a few numbers, Baez took center stage for a dynamic six-song set, followed by a solo set from Bob. Then he was joined by the band for a few numbers, and

neg: Blowin' in the Wind the civil rights movement. In Martin Scorsese's documentary on Dylan, "No Direction Home", Mavis Staples expressed her astonishment on first hearing the song and said she could not understand how a young white man could write something that captured the frustration and aspirations of black people so powerfully. Sam Cooke was similarly deeply impressed by the song, incorporating it into his repertoire soon after its release (a version would be included on "Sam Cooke at the Copa"), and being inspired by it to write "A Change Is Gonna Come". "Blowin' in the Wind" was first covered by The Chad Mitchell

neg: Newport Folk Festival who was managing Peter, Paul and Mary, Wein decided to allow Bob Dylan (whom Grossman was also managing) to close the night. After Peter, Paul and Mary finished their afternoon set, Wein announced that they would reappear at the end of the evening. Dylan performed a set consisting of particularly topical songs: "With God on Our Side", "Talkin' John Birch Society Blues", and "A Hard Rain's Gonna Fall". Peter, Paul and Mary then returned and performed an encore of "Blowin' in the Wind". Amidst a "deafening roar of applause" they brought to the stage Dylan, Joan Baez, Pete Seeger, Theo

neg: Circles (The New Seekers album) UK singles chart, becoming one of their biggest-selling releases and remaining on the chart for 16 weeks. It is also popularly seen as their finest song according to the group's fans. The album was released soon after and featured a number of notable cover versions, such as "Morning Has Broken" by Cat Stevens, "Blowin' in the Wind" by Bob Dylan and "Song Sung Blue" by Neil Diamond. Original songs were written by group members Marty Kristian, Peter Doyle and Paul Layton but no further singles were issued from the album. The album itself peaked at #23 in the UK album

neg: Morgan Library & Museum as the scraps of paper on which Bob Dylan jotted down "Blowin' in the Wind" and "It Ain't Me Babe". It also contains a large collection of incunabula, prints, and drawings of European artists—Leonardo, Michelangelo, Raphael, Rembrandt, Rubens, Gainsborough, Dürer, and Picasso; early printed Bibles, among them three Gutenberg Bibles; and many examples of fine bookbinding. Other holdings include material from ancient Egypt and medieval liturgical objects (including Coptic literature examples), Émile Zola, William Blake's original drawings for his edition of the "Book of Job"; concept drawings for "The Little Prince" by Antoine de Saint-Exupéry; a Percy Bysshe Shelley notebook;

neg: Gil Turner April 16, 1962, Dylan showed up at Gerde's at a hootennany Turner was hosting. He had just written a new song called "Blowin' in the Wind" and wanted Turner to hear it. After listening to Dylan play the song in the club's basement, Turner had Dylan show him the chords. When he went up upstairs for his next set, Turner sang the song from Dylan's rough manuscript. It was the first performance of what went on to become the greatest folk song of the 1960s. "Blowin' in the Wind" appeared on the cover of "Broadside" two issues later, the song's

neg: Hollies Sing Dylan for any LP and second-highest charting for one with newly recorded material. Nevertheless, the group's next album was titled "Hollies Sing Hollies" in an apparent move to placate critics. In an interview for "Billboard" magazine in 1974, Clarke reflected on the album: This is the first album with new member Terry Sylvester, who replaced Nash. All songs written and composed by Bob Dylan, except "This Wheel's on Fire" composed by Dylan and Rick Danko. As listed in liner notes. String arrangements and composing on "Blowin' in the Wind" by Mike Vickers. All other strings arranged and conducted by Lew Warburton.

neg: Odetta Sings Dylan music done with electric instruments. His songs "Blowin' in the Wind" (which Odetta had recorded earlier) and "The Times They Are a-Changin’" were still anthems of the civil rights movement, and "With God on Our Side" and "Masters of War" longer, bitter anti-war songs. Yet Odetta also made sure to include love songs, and other not obviously political tracks written by Bob Dylan, transformed by her powerful voice. In addition to a number of well-known Dylan compositions, a couple of fairly obscure songs were included, including "Baby, I'm in the Mood for You". This album was re-released on CD in

neg: Blowin' in the Wind both Dylan and Peter, Paul and Mary, brought the trio the song which they promptly recorded (on a single take) and released. The trio's version, which was the title track of their third album, peaked at number 2 on the "Billboard" charts. The group's version also went to number one on the Middle-Road charts for five weeks. "How many words can be written on a page, before they begin to bleed? How many books can one man own, before he has learned to read? How many meanings can he give to a phrase, before, from his lexicon he's freed?" Blowin'

neg: Bob Dylan Randall". With veiled references to an impending apocalypse, the song gained more resonance when the Cuban Missile Crisis developed a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked a new direction in songwriting, blending a stream-of-consciousness, imagist lyrical attack with traditional folk form. Dylan's topical songs improved his reputation, and he came to be seen as more than just a songwriter. Janet Maslin wrote of "Freewheelin": "These were the songs that established [Dylan] as the voice of his generation—someone who implicitly understood how concerned young Americans felt about nuclear disarmament

neg: Bendin' in the Wind Bendin' in the Wind "Bendin' in the Wind" is the thirteenth episode in season three of the animated television series "Futurama". It originally aired on the Fox network in the United States on April 22, 2001. It guest-stars Beck as himself. Bender becomes a folksinger after being broken, and starts touring with Beck. The title comes from the Bob Dylan song "Blowin' in the Wind". Fry gets a free Volkswagen microbus, excavated from the ruins of Old New York. He pushes it back to the Planet Express office, and has to fuel it with whale oil, which replaced gasoline. While

neg: The Hollies record more "pop" material than Nash did. Matters reached a head when the band rejected Nash's "Marrakesh Express" and then decided to record an album made up entirely of Bob Dylan covers. Nash did take part in one Dylan cover, "Blowin' in the Wind", but made no secret of his disdain for the idea and repeatedly clashed with producer Ron Richards. In August 1968 the Hollies recorded "Listen to Me" (written by Tony Hazzard) (Sept. 1968, UK No.11), which featured Nicky Hopkins on piano. That proved to be Nash's last recording session with the Hollies; he officially left the group

neg: Bob Dylan the songs of Woody Guthrie, the blues of Robert Johnson, and what he termed the "architectural forms" of Hank Williams songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while." When

neg: Blowin' in the Wind slavery in 1833. In 1978, Dylan acknowledged the source when he told journalist Marc Rowland: "'Blowin' in the Wind' has always been a spiritual. I took it off a song called 'No More Auction Block' – that's a spiritual and 'Blowin' in the Wind' follows the same feeling." Dylan's performance of "No More Auction Block" was recorded at the Gaslight Cafe in October 1962, and appeared on "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991". The critic Michael Gray suggested that the lyric is an example of Dylan's incorporation of Biblical rhetoric into his own style. A particular rhetorical

neg: Blowin' in the Wind form deployed time and again in the New Testament and based on a text from the Old Testament book of Ezekiel (12:1–2) is: "The word of the Lord came to me: 'Oh mortal, you dwell among the rebellious breed. They have eyes to see but see not; ears to hear, but hear not." In "Blowin' in the Wind", Dylan transforms this into "Yes'n' how many ears must one man have ...?" and "Yes' n' how many times must a man turn his head / Pretending he just doesn't see?" "Blowin' in the Wind" has been described as an anthem of

neg: Chimes of Freedom (song) of a new day in "The Times They Are a- Changin'." Rogovy suggests an answer to one of the main questions asked in Dylan's lyrics by stating: "...The answer was blowin' in the wind out in the night in question; the answer is in poetry; the answer, my friend, is in a transcendent vision of universal freedom and justice for all". In his 2012 book "The Lives of Bob Dylan", Ian Bell speculates that the genesis of "Chimes of Freedom" might lie in the verses Dylan wrote at the time of the Kennedy assassination, which contain the line "as cathedral

neg: Ronnie Wood penultimate set with Bob Dylan. During the performance of "Blowin' in the Wind", one of Dylan's guitar strings broke. Wood gave Dylan his guitar to keep the performance seamless and played air guitar until a stagehand brought him a replacement. In 1990 Wood was made a fully fledged partner in the Rolling Stones' financial organisation. During the 1990s the Rolling Stones released two studio albums and three concert albums, as well as touring in 1990, 1994–95 and 1997–99. In addition, Wood released his seventh solo album, "Slide on This," in 1992; he toured to promote this album in North America

neg: Those Were the Days (Dolly Parton album) vocals to their respective songs. Joni Mitchell was scheduled to join Parton, Collins and Vincent on "Both Sides Now", but could not participate due to illness. Parton told Jon Stewart in an interview on" The Daily Show" to promote the album that she had invited Bob Dylan to sing on "Blowin' in the Wind", but that he declined (though she added that she was not sure whether Dylan himself declined or the refusal came from his management). Other guest artists joining Parton on the album are Nickel Creek, Alison Krauss, Dan Tyminski, Mindy Smith, Rhonda Vincent, Keith Urban, Norah Jones,

neg: Erlend Øye solo album "Legao", recorded in Reykjavík with Hjálmar, a reggae group from Iceland, which was anticipated by the single "Garota" with a videoclip shot in Seoul. Despite currently living in Sicily, he is still involved in the Bergen music scene, promoting local bands and assisting the organization of the annual Traena Music Festival. Erlend Øye often performs reworked versions of other bands' songs during his concerts. Among the most played covers, "Thirteen" by "Big Star", "Blowin' in the Wind" and "Don't Think Twice, It's All Right" by Bob Dylan, "Redemption Song" by Bob Marley, "E la chiamano estate" by Bruno

neg: Gil Turner Bob Cohen. His most notable musical credit, however, was his association with Bob Dylan's "Blowin' in the Wind". He was both the first person to perform the song - at Gerde's on April 16, 1962, the night Dylan completed it - and with The New World Singers, the first to record it. Turner wrote more than 100 songs. His best known include "Benny 'Kid' Paret", a protest song about a boxer who died in the ring, and "Carry It On", a Civil Rights anthem recorded by folk artists such as Judy Collins and Joan Baez. The song's title was used

neg: Quinn the Eskimo (Mighty Quinn) remained so to the end of their career. In 1969, The Hollies put their own spin on "The Mighty Quinn," adding a prominent banjo accompaniment, a horn section, and a flute part in reference to Manfred Mann's version. The song was featured as the last song on Side 2 of Hollies Sing Dylan and was performed in concert in 1969 alongside "Blowin' in the Wind". Dylan makes reference to the song in his 2004 autobiography "Chronicles Volume One": "On the way back to the house I passed the local movie theater on Prytania Street, where "The Mighty Quinn" was showing.

neg: The Freewheelin' Bob Dylan that this guy's not singing about 'moon in June' and he's getting away with it. That's what I thought at the time. The subject matter wasn't pop songs, ya know, and I thought this kind of opens the whole thing up ... Dylan put it into the mainstream that this could be done." "Freewheelin"' was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2002. The citation read: "This album is considered by some to be the most important collection of original songs issued in the 1960s. It includes "Blowin'

neg: The Hooters Live The Hooters Live The Hooters Live is an album by American rock band The Hooters released in 1994. It contains eleven tracks recorded live in Germany and two newly recorded studio tracks. "The Hooters Live" was recorded on December 2, 1993 at Biskuithalle in Bonn, Germany and December 3, 1993 at Hyde Park in Osnabrück, Germany. There were two cover versions of Bob Dylan songs ("All I Really Want to Do" and "Blowin' in the Wind") recorded in a studio at The Ranch in Philadelphia, Pennsylvania in February 1994. The album was released in Europe and Asia, but never saw

neg: The Hooters Live a commercial release in the United States. The album's package design and layout was done by band member Eric Bazilian on his home computer. The Hooters Live The Hooters Live is an album by American rock band The Hooters released in 1994. It contains eleven tracks recorded live in Germany and two newly recorded studio tracks. "The Hooters Live" was recorded on December 2, 1993 at Biskuithalle in Bonn, Germany and December 3, 1993 at Hyde Park in Osnabrück, Germany. There were two cover versions of Bob Dylan songs ("All I Really Want to Do" and "Blowin' in the Wind")

neg: Jeanne Hoban controversial, avoiding Chaucer and Shakespeare, but including Bob Dylan ("Blowin' in the Wind"), John Lennon ("Imagine") and Isaac Asimov ("Jokester") – her personal favourite, Arthur C. Clarke's ("The Star"), was left out for fear of offending Roman Catholics. She returned to England for a short time and was active in the Anti-Nazi League and the trade union movement. In 1981, she returned to Sri Lanka once again. She died in 1997 after being diagnosed with Alzheimer's disease. She left two children, Janaki and Vinod. Jeanne Hoban Jeanne Hoban (3 August 1924 in Gillingham, Kent – 18 April 1997 in Sri

neg: Kabir Suman as Bob Dylan, Pete Seeger, Wolf Biermann etc. He transcribed (with credits) Dylan's "Blowin' in the Wind" as "Uttoro to Jana" in his album "Ichchhe Holo" in 1993 and "Farewell, Angelina" (initially recorded by Joan Baez in 1965) as "Biday Porichita" in his 1997 album "Jatismar". He transcribed (with credits) Paul Simon's "Sounds of Silence" as "Stobdhotar Gaan". Pete Seeger also had an influence on his music. Suman had transcribed Pete Seeger's Where Have All The Flowers Gone to his song called "Kothay Gelo Tara", which he sang on various occasions but never recorded. He had sung this in his

neg: Masked and Anonymous it until the very last moment, then decided not to. As mentioned, a new recording of "Blowin' in the Wind" was used for the film. This is heard over the film's final shots and end credits. Unlike the other performances used in the film, this was a concert performance recorded at Santa Cruz Civic Auditorium, Santa Cruz, California, on March 16, 2000 (when David Kemper was still with the band). This performance was previously found on the limited edition bonus CD single given away with "The Best Of Bob Dylan Vol. 2" in the United Kingdom, and it was also

neg: Parody music kind of musical parody that still continues. For instance, Bob Dylan took the tune of the old slave song "No more auction block for me" as the basis for "Blowin' in the Wind". In the 1940s Spike Jones and his City Slickers parodied popular music in their own way, not by changing lyrics, but adding wild sound effects and comedic stylings to formerly staid old songs. The 1957 Broadway musical "Jamaica" parodied the then very fashionable commercial variety of Calypso music. A musical using heavy parody was the 1959 show "Little Mary Sunshine", which poked fun at old-fashioned operetta. Parodists

neg: Masked and Anonymous song from "Time Out Of Mind" ). The following songs were used for the film, but were never issued on CD: "Drifter's Escape" (a song from "John Wesley Harding"), "I'll Remember You" (a song from "Empire Burlesque"), "Blowin' in the Wind" (from "The Freewheelin' Bob Dylan"), "Watching the River Flow" (a song dating from 1971, when it was released as a single), "Dirt Road Blues" (from "Time Out Of Mind" ) and "Amazing Grace" (traditional). Of these songs, only "I'll Remember You" was featured unedited and uninterrupted in the film. As mentioned, "Standing In The Doorway" (another song from "Time

neg: Rhetorical question Catholic?" Sometimes the implied answer to a rhetorical question is "Yes, but I wish it were not so" or vice versa: Similarly in the Bob Dylan song "Blowin' in the Wind", the rhetorical question is asked, "And how many deaths will it take till we know, that too many people have died?" Another common form is the expression of doubt by questioning a statement just made; for example by appending the following to a sentence: "or did he?", "or is it?", for as in, "The butler did it... or did he?" It is also common to use a rhetorical question

neg: Mother Simpson "Mother Simpson" draws upon a number of references to 1960s popular culture. Three songs from the 1960s appear in this episode: "Sunshine of Your Love" by Cream, "Blowin' in the Wind" by Bob Dylan, and the Jimi Hendrix cover of "All Along the Watchtower". Mona Simpson is seen reading "Steal This Book" by Abbie Hoffman. Mona mentions that she worked a number of jobs while on the run, including "marketing Jerry Rubin’s line of diet shakes, proofreading Bobby Seale's cookbook, and running credit checks at Tom Hayden’s Porsche dealership." Rubin, Seale and Hayden were three liberal radicals from the 1960s.

neg: Bob Dylan Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was an account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. The first song on the "Freewheelin" album, "Blowin' in the Wind", partly derived its melody from the traditional slave song, "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded by other artists and became a hit for Peter, Paul and Mary. Another "Freewheelin song, "A Hard Rain's a-Gonna Fall" was based on the folk ballad "Lord

neg: Secular hymn (genre) "Blowin in the Wind" by Bob Dylan, "Like A Prayer" by Madonna, "Both Sides Now" by Joni Mitchell (famously covered by Judy Collins), "Show Me Heaven" by Maria McKee, "Lean On Me" by Bill Withers, "Stand by Me" by Ben E. King, "You Can Close Your Eyes" by James Taylor, "Somewhere Over the Rainbow" by Judy Garland, "Imagine" by John Lennon, "Free Fallin'" by Tom Petty, "What a Wonderful World" by Louis Armstrong, and "Million Reasons" by Lady Gaga, and many others. Determining exactly what does and does not qualify as a secular hymn is obviously difficult. Professor Steve Thomsen,

neg: Blowin' in the Wind Pope John Paul II, who was in attendance, told the crowd of some 300,000 young Italian Catholics that the answer was indeed "in the wind" – not in the wind that blew things away, but rather "in the wind of the spirit" that would lead them to Christ. In 2007, Pope Benedict XVI (who had also been in attendance) wrote that he was uncomfortable with music stars such as Dylan performing in a church environment. In 2009, Dylan licensed the song to be used in an advertisement for the British consumer-owned Co-Operative Group. The Co-Op claimed that Dylan's decision was

neg: Any Day Now (Joan Baez album) Baez would return to Nashville to record a number of times during the next several years. Laying Bob Dylan sheet music on the floor in front of her, Baez closed her eyes and picked at random, the results of which made up the track listing. Joan Baez did illustrations for each of the songs, included in the gatefold of the album. The record went gold in 1969. The Vanguard reissue contains two bonus tracks: "Blowin' In The Wind" and "It Ain't Me Babe," both live performances from Baez' 1967 tour of Japan. In his Allmusic review, music critic Thom Jurek

neg: Parody in popular music of them. This is another very old (and usually non-humorous) kind of musical parody that still continues. For instance, Bob Dylan took the tune of the old slave song "No more auction block for me" as the basis for "Blowin' in the Wind". The emerging form of Jazz music frequently recycled themes from the staider "white" popular music of the time, as well as producing occasional parodies (usually called "travesties") of well known classical themes. In the 1940s, Spike Jones and his "City Slickers" parodied popular music in their own unique way, not by changing lyrics, but adding wild sound

neg: One Song to the Tune of Another unsteadiness of a guest's voice. Guest panellists sometimes exhibit little or no musical talent, most notably Jeremy Hardy, whose dreadful attempts at singing are greatly anticipated by audiences, and this itself often makes for effective comedy. The panellists also sometimes impersonate a singer associated with one of the songs (usually the tune). In several episodes, Graeme Garden was given a song with a tune by Bob Dylan and not only impersonated him, but broke off into a harmonica solo. Notably "How much is that Doggy in the Window", to "Blowin' in the Wind". The game has been played in several

neg: The Chad Mitchell Trio World", "I Feel So Good About It (Sin Bound Train)", and "One Day When I Was Lost (Easter Morn)". They were the first folk group to record many of the songs of Tom Paxton, such as "The Marvelous Toy", "What Did You Learn In School Today?", and "We Didn't Know". They also sang the work of Woody Guthrie ("The Great Historical Bum (Bragging Song)"), Shel Silverstein ("The Hip Song (It Does Not Pay To Be Hip)", "Three Legged Man"), and Bob Dylan ("Blowin' in the Wind" (they were in fact the first to release it, but Peter, Paul and Mary's

neg: American folk music revival the UK, protesting the British testing of the H-bomb in 1958, as well as by the ever-proliferating arms race and the increasingly unpopular Vietnam War. Young singer-songwriter Bob Dylan, playing acoustic guitar and harmonica, had been signed and recorded for Columbia by producer John Hammond in 1961. Dylan's record enjoyed some popularity among Greenwich Village folk-music enthusiasts, but he was "discovered" by an immensely larger audience when a pop-folk-music group, Peter, Paul & Mary had a hit with a cover of his song "Blowin' in the Wind". Peter, Paul & Mary also brought Pete Seeger and the Weavers' "If I

neg: Stevie Wonder Moy and Wonder worked together to create the hit "Uptight (Everything's Alright)", and Wonder went on to have a number of other hits during the mid-1960s, including "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan cover, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "The Tears of a Clown", a No. 1 hit for Smokey Robinson and the Miracles (it was first released in 1967, mostly unnoticed as the last track of their "Make It Happen" LP,

neg: Music and politics lyrics exemplify Guthrie's socialistic patriotism. Pete Seeger's "Where Have All the Flowers Gone?", was a popular anti-war protest song. Many of these types of songs became popular during the Vietnam War era. "Blowin' in the Wind", by Bob Dylan, was a hit for Peter, Paul and Mary, and suggested that a younger generation was becoming more aware of global problems than many of the older generation. In 1964, Joan Baez had a top-ten hit in the UK with "There but for Fortune" (by Phil Ochs); it was a plea for the innocent victim of prejudice or inhumane policies. Many topical

neg: Cream of the Crop Motown chief Berry Gordy appended the Supremes billing to the single so as to create more publicity for Ross' exit from the group. Another selection of note is "The Young Folks" the charting b-side of "No Matter What Sign You Are" from "Let the Sunshine In", later covered by The Jackson 5. "Cream of the Crop" also includes covers of songs by The Beatles ("Hey Jude") and Bob Dylan ("Blowin' in the Wind", also covered by Stevie Wonder). Since another Ross-led Supremes single or album had not been planned, "Cream of the Crop" was made up mostly of vaulted material.

neg: The Best of Peter, Paul and Mary: Ten Years Together The Best of Peter, Paul and Mary: Ten Years Together The Best of Peter, Paul, and Mary: Ten Years Together is a 1970 greatest hits release by American folk trio Peter, Paul, and Mary. It is the last album released before the group split up in 1970. The album includes all of their greatest hits, including their only #1 hit "Leaving On A Jet Plane", "If I Had a Hammer", and their versions of the Bob Dylan songs "Blowin' in the Wind", "Don't Think Twice, It's All Right," and "Too Much of Nothing," along with others. The thirteen cuts were

neg: Wilson College, Mumbai to create awareness and spread the message of conservation. Songs like "And You Say the Battle is Over" by John Denver, "Garbage" by Pete Seger, "Blowin’ in the Wind" by Bob Dylan and "Don’t Go Near the Water" by Johnny Cash rank high on the club playlist. The central idea behind these camps is to create awareness about environmental issues and to better understand the culture and traditions of the places visited. The WCNC holds the distinction of traversing through its camps the northern-, eastern- and southern-most corners of India between 2005 and 2010 alone. Camp fees are highly subsidized

neg: The Co-operative Group half minute advertisement aired for the first time during "Coronation Street" on ITV. The advertisement, created by McCann Erickson, features the Bob Dylan track "Blowin' in the Wind", a rare occasion that he has allowed his music to be used for commercial purposes. The Co-operative Group is unusual as a co-op because it is owned by millions of UK consumers and also a number of other UK co-operatives, making the business a hybrid of a primary consumers' co-operative and a co-operative federation. This is largely a function of the group resulting from the merger between the Co-operative Wholesale Society (a

neg: Idiot Wind Idiot Wind "Idiot Wind" is a song by Bob Dylan, which appeared on his album "Blood on the Tracks". The song is likely to have been written, or at least begun, in the summer of 1974, after Dylan's comeback tour with The Band that year. Dylan first recorded "Idiot Wind" in New York City in September 1974 during the initial "Blood on the Tracks" sessions. That December, working on a suggestion from his brother, Dylan re-recorded half the songs on "Blood on the Tracks", including "Idiot Wind", in Minneapolis. The re-recorded versions were radical departures from the original recordings, and

neg: Hollies Sing Dylan 1999 added a third bonus track, a live version of "Blowin' in the Wind". This album was recorded and released following Graham Nash's departure from the band to join David Crosby and Stephen Stills in December 1968 after early sessions for a follow-up to the psychedelic concept album, "Butterfly" broke down. Nash became frustrated when the other band members showed opposition to lyrics in his latest compositions. By that time, Nash was the only member of the band using LSD and marijuana and a rift was forming between him and his beer drinking bandmates: Nash quickly became disillusioned with the

neg: Dignity (Bob Dylan song) was released as a single on April 11, 1995, and also appears on "MTV Unplugged" and "". A recording of the song from the original March-April 1989 "Oh Mercy" sessions was issued on "" in 1998, and subsequently included on compilation albums: "The Best of Bob Dylan, Vol. 2", some editions of "The Essential Bob Dylan", and "Dylan". A piano demo version of the song, recorded early in the "Oh Mercy" sessions, possibly in February 1989, was included as part of a six-song sampler in promo editions of Dylan's autobiographical "Chronicles Vol. 1." This demo version was also released on

neg: Lounis Ait Menguellet realises that actually what he wants to say is there, he just has to do it. He returns to the blank page and writes the poem which he leaves as an inspiration to everyone else. Whenever we start a new task that we find daunting, the poem will be there as inspiration and guidance. "Tawriqt tacebhant" was to contain a Kabyle version of Bob Dylan's Blowin' in the Wind. However, versions of the CD circulating in the UK at least, contained the lyrics to the Kabyle version but not the song itself. Despite the fact that Lounis continues to sing