query: who sings the song baby come to me

pos: Baby, Come to Me (Patti Austin and James Ingram song) Baby, Come to Me (Patti Austin and James Ingram song) "Baby, Come to Me" is a love ballad from Patti Austin's 1981 album "Every Home Should Have One", sung as a duet by Austin and James Ingram. It was written by Rod Temperton (formerly of Heatwave). The song was released as a single in April 1982, peaking at #73 on the "Billboard" Hot 100 chart. However, several months later the popular American soap opera "General Hospital" began to feature the song heavily, as the love theme for the character Luke Spencer. The single was re-released in October 1982, and reached

pos: Baby, Come to Me (Patti Austin and James Ingram song) Brothers decided to re-release "Baby, Come to Me" as a single. On October 16, 1982, the song re-entered the "Billboard" Hot 100. It reached #1 on February 19, 1983, where it stayed for two weeks, and spent seven months on the Hot 100. It also hit #1 on the Adult Contemporary chart in early 1983 and reached #11 in the UK in March 1983. Among artists who have covered the song are: Baby, Come to Me (Patti Austin and James Ingram song) "Baby, Come to Me" is a love ballad from Patti Austin's 1981 album "Every Home Should Have One",

pos: Me, Myself and I (Beyoncé song) noted the song as the "most notable 80s throwback" of the album, as its "augmented chords" call to mind Patti Austin and James Ingram's 1983 single "Baby Come to Me" and Michael Jackson's 1983 single "Human Nature", or a decelerated version of "Baby Be Mine", from Jackson's 1982 album, "Thriller". Neil Drumming of "Entertainment Weekly" said: "Me, Myself, and I" rides Storch's signature gangsta guitar, mellowed for Beyoncé's lovesick lament ... While reviewing Beyoncé second studio album, "B'Day" in 2006, Andy Kellman of Allmusic remarked that there are no songs with the " ... smooth elegance of 'Me, Myself and

pos: What About Me? (Kenny Rogers song) time of its release in late 1984. It was most successful on the adult contemporary chart, where it spent two weeks at number one in November of that year. This was the first adult contemporary chart topper for either Carnes or Ingram, who also had a #1 adult contemporary song with Patti Austin "Baby, Come to Me" in 1983, though both had achieved pop hits before this song. For Rogers, this was his eighth (and to date, final) number one on the AC chart. On the "Billboard" Hot 100, the song peaked at number 15, while it accomplished the rare

neg: Lucky Day (Nicola Roberts song) described by Robert Copsey of Digital Spy as a "60s-swing-meets-East-London vibe". Roberts' voice has been described by Katherine St Asaph of Pop Dust as a "springy" vibrato, with breathy background vocals featuring sounds effect including repeated kissing noises. Roberts sings about falling in love with someone, as she sings: "Aah, say that you love me, say that you need me too... best you ever had. It could be so easy, for you to please me, baby. So how come you tease me?". Roberts discussed the track on her blog, commenting that its lyrical content alludes to a boy that initially

neg: Come to Me (France Joli song) for Donna Summer at a concert held on Fire Island, whose estimated audience numbered 5,000. "Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play chart on 22 September 1979. "Come to Me" peaked at #15 on the Hot 100 and at #36 on the R&B chart. Come to Me (France Joli song) "Come to Me" is a #1 disco hit from 1979 performed by France Joli, who had recorded it at the age of fifteen with producer, Tony Green, who composed the song and briefly sings on it. The track also features the famed Philadelphia

neg: Baby Come to Me (Regina Belle song) Baby Come to Me (Regina Belle song) "Baby Come to Me" is a 1989 R&B/Soul single by American singer–songwriter Regina Belle. Released on October 2, 1989 on Columbia Records, The song was written by Narada Michael Walden and Jeffrey Cohen and produced by Narada Michael Walden. This song is from Belle's sophomore album "Stay with Me". The single was Regina Belle's first number one on the Hot Soul Singles chart, as well as the singer third entry onto the Hot 100, where "Baby Come to Me" peaked at number sixty. This song was certified gold by the RIAA on January

neg: Come to Me (France Joli song) Come to Me (France Joli song) "Come to Me" is a #1 disco hit from 1979 performed by France Joli, who had recorded it at the age of fifteen with producer, Tony Green, who composed the song and briefly sings on it. The track also features the famed Philadelphia session vocalists, The Sweethearts of Sigma Sound. The song was introduced on the album "France Joli", which was released in the US on 17 April 1979 on Prelude, and rose to #26. "Come to Me" received a major boost on 7 July when Joli performed it as a last minute replacement

neg: Aimee Mann she sang on Rush's song "Time Stand Still" on the album "Hold Your Fire". The single is credited as "Rush (featuring Aimee Mann)". In 1995, she recorded a cover version of Harry Nilsson's "One" on the album "For the Love of Harry: Everybody Sings Nilsson" and in 1996, "Baby Blue" on the Badfinger tribute album "Come and Get It". In 1997, Mann recorded a cover of "Nobody Does It Better", the theme song of the James Bond film "The Spy Who Loved Me", on the album "". In 2001, Mann recorded covers of The Beatles' "Two of Us" with Michael

neg: One in a Million (Aaliyah song) the song as "a twitchy, booming slow jam that sounded both lush and minimal, expansive and intimate, alien and sexy". Lyrically the song is about Aaliyah professing her love for a guy that "she views as one in a million and a love she can't resist"."Baby you don't know, what you do to me/Between me and you, I feel a chemistry/Won't let no one come and take your place/Cause the love you give can't be replaced", she sings. According to Khal from Complex "One in a Million showcased an unstoppable trio, with Aaliyah being a perfect muse for the futuristic

neg: She Called Me Baby She Called Me Baby "She Called Me Baby" is a country song written in 1961 by Harlan Howard which despite a number of recorded versions did not appear in the Top 20 of the C&W chart in "Billboard" until 1974 when a mid-60s recording by Charlie Rich was belatedly released to reach #1 C&W. In its female version, "He Called Me Baby", the song was a Top Ten R&B hit for Candi Staton in 1971. "She Called Me Baby" was first recorded by the song's composer Harlan Howard for his September 1961 album release "Harlan Howard Sings Harlan Howard". The

neg: Baby, Come Over (This Is Our Night) the re-release of "Gotta Tell You". The single was first released in April 2001 to radio airplay in the U.S. and was commercially released elsewhere in September 2001. In the U.S. the song was titled "Baby, Come Over (This Is Our Night)"; internationally, the song's title was kept the same as the original, "Baby Come on Over". It was rumored the song's title was changed due to confusion with Christina Aguilera's single "Come On Over Baby (All I Want Is You)". In the song, Mumba sings a portion of Kool & the Gang's hit single "Ladies' Night". The song is

neg: Crazy in Love the lyrics: "Jay Z in the range, crazy and deranged [...] I been inhaling the chain smokers, how you think I got the name 'Hova', I been real and the game's over". The song continues to the bridge, singing: "I'm not myself, lately I'm foolish, I don't do this, / I've been playing myself, baby, I don't care / 'Cuz your love's got the best of me, / And baby, you're making a fool of me, / You got me sprung and I don't care who sees." She then sings the chorus again and the song fades out with the

neg: Baby Come to Me (Regina Belle song) 8, 1990. Belle performed the song at the 1990 Soul Train Music Awards, where it was also nominated for Best R&B/Urban Contemporary Single, Female. Baby Come to Me (Regina Belle song) "Baby Come to Me" is a 1989 R&B/Soul single by American singer–songwriter Regina Belle. Released on October 2, 1989 on Columbia Records, The song was written by Narada Michael Walden and Jeffrey Cohen and produced by Narada Michael Walden. This song is from Belle's sophomore album "Stay with Me". The single was Regina Belle's first number one on the Hot Soul Singles chart, as well as the singer third

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: Way Over There Robinson had several lead parts on this song (as the "lover way over there on the mountainside"), answering Smokey's leads with chants of "Come to me, Baby". The song's B-side, "(You Can) Depend on Me", while not charting nationally, did become a popular regional hit in many areas of the country,and Smokey still sings it in his live shows today. "Way Over There" has inspired cover versions by Edwin Starr, The Temptations, The Marvelettes, The Royal Counts, The Spitballs, and Eddie Adams Jr, while "(You Can) Depend on Me" has inspired cover versions by The Temptations, The Supremes, Mary Wells,

neg: Blackout (Britney Spears album) as Ice", she sings in a higher register: "I'm just a girl with the ability to drive a man crazy / Make him call me 'mama', make him my new baby." "Blackout"s tenth track "Ooh Ooh Baby" contains a flamenco guitar and blends the beat from Gary Glitter's "Rock and Roll" (1972) and the melody of The Turtles' "Happy Together" (1967). In the lyrics, she sings to a lover "Touch me and I come alive / I can feel you on my lips / I can feel you deep inside". Kara DioGuardi said she was inspired by the relationship between

neg: Samantha Mumba Top 50 Hits in the US. Another hit from this album was "Baby, Come Over (This Is Our Night)", a remixed version of "Baby, Come on Over" and features on the US edition of the album, which was then nominated for a Grammy for Best Remixed (Non-Classical) Recording. In 2001, Mumba contributed to the track "You Raise Me Up" by The Celtic Tenors. An EP titled "Samantha Sings Christmas" was released at Christmas 2001, which featured covers of "White Christmas" and "All I Want For Christmas Is You". "Samantha Sings Christmas" also serves as a bonus disc on rare special

neg: Paradise (Lana Del Rey EP) outtakes from the "Summertime Sadness" music video. In the song, Del Rey sings, "Roses, Bel Air, take me there/ I’ve been waiting to meet you/ Palm trees, in the light, I can see, late at night/ Darling I’m willing to greet you/ Come to me, baby." "Rolling Stone" praised the shift in persona that Del Rey exhibited in the video, noting a significant difference from her usual Americana lounge singer, Jackie O and biker chick alter egos. Alongside "Paradise", Del Rey released a short film titled "Tropico" that featured the songs "Body Electric", "Gods and Monsters" and "Bel Air". "Tropico"

neg: Blackout (Britney Spears album) Spears and her first son in the studio, saying: "I would look at the two of them, the way they looked at each other and the way she would hold the baby. It kind of struck me as interesting. At times it'd be about a kid at times about a lover." "Perfect Lover" has a propulsive, clattery belly-dance beat in which Spears sings lyrics such as "Tick-tock / Tick-tock / Come and get me while I'm hot". The twelfth track is "Why Should I Be Sad", a midtempo song directed to her ex-husband Kevin Federline. The bonus track exclusive to

neg: Blanche Merrill was "It's a Dog's Life" in which McCane is a nurse who pushes around a baby carriage, surprising the audience that she pushes around a dog rather than a baby. The second song, "What Is It Happened To Me?" was a reflective number followed by a sentimental song, "I'll Get Along Somehow." After recovering she finds the determination to be a vamp and sings "I'm Goin' To Be Bad" and concludes with the song: "The Girl I Used To Be. By April of the following year, McCane had refined the act so much that a critic wrote: "She has a

neg: Your Love (Nicole Scherzinger song) Bradley Stern from the website MuuMuse noted that Scherzinger opts to moan and do "sultry, filtered near-whispers" throughout the song. Lyrically, Scherzinger sings how her man's love makes her feel. The song begins with a rave piano-driven beat with Scherzinger repeating "yeah" and "woo". On the first verse she sings “Something ’bout you so enticing, even when I try to fight it / Knock me out like Michael Tyson / I’ll do whatever you want” over the galloping beat. The pre-chorus follows, with her pleading the lines, "I’m never letting you go baby, I love you so baby!" The song's

neg: Baby Come On (+44 song) it on his personal Tumblr blog in 2011: "To me, it means: life is cyclical. People and situations change and come back again, and your experiences in the past give you foresight into the future before you. You can choose to change or break the cycle, or choose to let it happen again. That's what I interpret that line to mean." In 2012, Hoppus remarked that "sometimes I feel like "Baby Come On" is the best song that I could ever write." Baby Come On (+44 song) "Baby Come On" is a song by American rock band +44, released in

neg: The Way You Love Me (Keri Hilson song) AOL Radio and Matthew Horton of BBC, the song features an aggressive tone, and dizzying percussion and electro elements create a "frenzied pace that Hilson matches with an intense vocal delivery." During the bridge and the chorus, she utters gasps and groans, like 'oohs and aahs' while singing the lyrics. As the first verse begins, Hilson sings: "Ooh ahh, baby don't stop / You know how I like it Daddy when you hit the spot / Ooh ahh, baby don't stop / Imma take control when I climb up on top". As the song progresses, Hilson sings that she is

neg: Come Back to Me (Vanessa Hudgens song) establishment, but the song is fun." He also noted that the "Baby Come Back" sample was possibly added to "trigger pleasant deja vu in parents listening along with their kids". In an editorial review for Rhapsody, Nick Cavalieri named the song one of the best tracks on "V". Kyle Anderson of MTV Newsroom deemed "Come Back to Me" a song with "a clever sample and a particularly infectious hook". "Entertainment Weekly" writer Leah Greenblatt considered the song the album's standout and said that it "excellently jacks a sample from soft-rock smash 'Baby Come Back'." In a more mixed review, Fraser

neg: ...Baby One More Time (song) Britney Spears was something else—an inflection point in the culture". The music video is also referenced in the music video of Spears's 2000 single, "Stronger" where Spears sings, "My loneliness ain't killing me no more" - a reference to "...Baby One More Time" where she sings, "My loneliness is killing me." The music video is also referenced in the 2009 single, "If U Seek Amy". After she comes out of the house dressed as a housewife, her daughter is dressed with a similar schoolgirl outfit while wearing pink ribbons in her hair. The video was ranked at number four on

neg: Come Back to Me (Utada Hikaru song) Mandler and was filmed in two days, January 27 and 28, 2009. The theme of the video comes from the fashion style of the 1920s. The video premiered on February 27, 2009. The video starts with Utada playing a Vox piano. As she sings she reminisces on the times shared with her ex-boyfriend Other versions Come Back to Me (Utada Hikaru song) "Come Back to Me" is a pop and R&B song by Japanese American pop singer Utada. The song was written by Utada and Stargate and was produced by Utada, Stargate and her father, Sking U. "Come Back to

neg: Ven a bailar conmigo Ven a bailar conmigo "Ven a bailar conmigo" (English: "Come dance with me", ) was the Norwegian entry in the Eurovision Song Contest 2007, performed in English and Spanish by Guri Schanke. The song is a Latin-inspired number. Schanke sings about how much she loves to dance and urges her unnamed listener (in Spanish) to "Come dance with me". BBC commentary during the Contest explained that Schanke had participated in a reality-television show with a dancing theme, thus explaining the lyrics. The song was written and composed by , who also contributed the Spanish entry at the same Contest -

neg: All of Me (Estelle album) produced by Don Cannon, is a modern hip-hop soul. On the song, Ross glides smoothly over the beat, while Estelle sings about how she's unsure about committing to a new man because she just got out of a relationship and doesn't want to get hurt again. "I just wanna love you baby, I don't wanna waste no time," she sings. "I wanna be your only one baby, please don't break my heart." The song "International (Serious)" featuring Chris Brown and Trey Songz is about Estelle's living the life as an international jet-setter. The clunky, apocalyptic track finds her dipping into

neg: The Immaculate Collection and percussion. Madonna begins singing "I'm talking /I believe in the power of love /I'm singing /I believe that you can rescue me" before engaging in the breathy, spoken word vocals, like on "Justify My Love". She sings "Rescue me /It's hard to believe your love has given me hope /Rescue me /It's hard to believe I'm drowning, baby throw out your rope" over the chorus. At one point of the song, Madonna sings the line "And right while I am kneeling there I suddenly begin to care", which was likened to oral sex. "Justify My Love" was released as

neg: The Great Otis Redding Sings Soul Ballads album "Out of Our Heads". Isaac Hayes made his debut as a pianist with Otis Redding, possibly on songs "Come to Me" or "Security". It is unclear because prior to 1966, the Memphis Musicians Union kept little or no sessions documentation; Fantasy Records, who bought Stax in 1977, has none at all prior to 1966. That Hayes debuted in 1964 with Redding is known; which song remains in question. "Come to Me", Redding's fourth Volt single, was written by Redding and Phil Walden and became the second song after the Volt session not to feature a horn section. The song

neg: Baby Phat (song) Baby Phat (song) "Baby Phat" is the only official single from De La Soul's sixth studio album, "", released in late 2001. The song was produced by Dave West and featured vocals from Devin the Dude and Yummy Bingham. This single was the introduction for Yummy Bingham. The song is an ode to "plus size" women, as Devin sings ""Don't get stuck on the things they say, now you know it's a nasty world / Tryin' to get with ya anyway cause I know you're a nasty girl / We ain't never gon' discriminate so let me compliment your size""

neg: Lose My Breath the chorus-verse pattern. The song opens with the lines "Hit me" and the first verses sung by Beyoncé follow: "I put it right there made it easy for you to get to / Now you want to act like you don't know what to do". The chorus follows during which the group repeatedly sings the lines "Can you keep up?". Rowland's second verses follow where she sings the lines "Put it on me deep in the right direction". The chorus is repeated twice before the bridge by Williams. After the bridge, the group sings the lines "Here's your papers, baby

neg: She Called Me Baby Wilson remade "He Called Me Baby" for her 1975 album "Come Get to This"; released as a single the track reached #74 R&B. She Called Me Baby "She Called Me Baby" is a country song written in 1961 by Harlan Howard which despite a number of recorded versions did not appear in the Top 20 of the C&W chart in "Billboard" until 1974 when a mid-60s recording by Charlie Rich was belatedly released to reach #1 C&W. In its female version, "He Called Me Baby", the song was a Top Ten R&B hit for Candi Staton in 1971. "She Called

neg: Jesse (Carly Simon song) Jesse (Carly Simon song) "Jesse" is a song written and performed by Carly Simon and produced by Mike Mainieri. The song was the lead single from Simon's ninth studio album, "Come Upstairs". The song is told in first-person about the narrator's disdain for her former lover, Jesse, who has just moved back to town. She vows to have nothing to do with him, "Don't let him near me, don't let him touch me, don't let him please me," she sings. She asks her friends to remind her of how he has wronged her, because she fears she'll end up letting

neg: Get Me Bodied hook, where Beyoncé sings: "Can you get me bodied? I want to be myself tonight." The second verse follows, the chorus repeats giving way to the bridge, and Beyoncé sings the chorus again, ending the song with "hey!". "Get Me Bodied" received universal acclaim from music critics who praised its party sound and Beyoncé's vocals. Chris Richards of "The Washington Post" referred to the track a "club-hungry come-ons" with a "dexterous melody". He further stated that the "skeletal" track "keeps Beyoncé tethered to the ground". Jody Rosen of "Entertainment Weekly" commented that "a piddly home hi-fi can hardly capture the

neg: Come Back to Me (Vanessa Hudgens song) notes. Come Back to Me (Vanessa Hudgens song) "Come Back to Me" is the debut single by American actress and singer Vanessa Hudgens. The song was written and produced by Antonina Armato and Tim James. It was released on September 12, 2006, through Hollywood Records as the lead single from Hudgens' debut studio album, "V" (2006). The song is built around a sample of "Baby Come Back" (1977) by American band Player. Due to the inclusion of the sample, the original song's writers, Peter Beckett and J.C. Crowley, obtained writing credits. Musically, "Come Back to Me" is a pop and

neg: Come Back to Me (Vanessa Hudgens song) Come Back to Me (Vanessa Hudgens song) "Come Back to Me" is the debut single by American actress and singer Vanessa Hudgens. The song was written and produced by Antonina Armato and Tim James. It was released on September 12, 2006, through Hollywood Records as the lead single from Hudgens' debut studio album, "V" (2006). The song is built around a sample of "Baby Come Back" (1977) by American band Player. Due to the inclusion of the sample, the original song's writers, Peter Beckett and J.C. Crowley, obtained writing credits. Musically, "Come Back to Me" is a pop and R&B

neg: Baby Don't Lie a hip hop-inflected breakdown, in which Stefani raps, "You can tell me what you're hidin' boy/And you can tell me if I'm gettin' warm". Lyrically, the song discusses insecurities in a relationship, where Stefani questions her man's love. Nolan Feeney of "Time" complimented that the song is "about falling in love with someone who's got a few skeletons in their closet." As noted by "Spin"'s Brennan Carley, "Stefani sounds shattered as she sings, "But there's something behind those eyes / Those eyes / That you can't that you can't disguise / Disguise." In the "stomping, infuriatingly catchy" chorus she sings,

neg: The Arkansas Traveler (song) a snack, And his folks are still a-waiting for Bosephus to come back. For the boy became the teacher of this kind and gentle creature Who can play upon the fiddle in a very skillful way. And they'll never, ever sever, and they'll travel on forever, Bosephus and the fiddle and the old black bear. </poem> <poem> I'm bringin' home a baby bumblebee Won't my mommy be so proud of me I'm bringin' home a baby bumblebee—Ow! It stung me! I'm squishin' up my baby bumblebee Won't my mommy be so proud of me I'm squishin' up my baby bumblebee-Yuck!

neg: Tule luo from the singer for someone (presumably a lover) to "come to me". She sings about the reasons this person should come to her, including that he or she will "bring a light to the dark night". The lyrics are notable for not containing any "Ö" or "Ä" sounds, as otherwise very common in the Finnish language. Katri Helena did not record "Tule luo" in any other language than Finnish. It was succeeded as Finnish representative at the 1994 Contest by CatCat with "Bye Bye Baby". Tule luo "Tule luo" (English translation: "Come To Me") was the Finnish entry in the

neg: Frank Sinatra technically demanding. In September, Sinatra released "Frank Sinatra Sings for Only the Lonely", a stark collection of introspective saloon songs and blues-tinged ballads which proved a huge commercial success, spending 120 weeks on Billboards album chart and peaking at No. 1. Cuts from this LP, such as "Angel Eyes" and "One for My Baby (and One More for the Road)", would remain staples of the "saloon song" segments of Sinatra's concerts. In 1959, Sinatra released "Come Dance with Me!", a highly successful, critically acclaimed album which stayed on Billboard's Pop album chart for 140 weeks, peaking at #2. It won

neg: Come Back to Me (Vanessa Hudgens song) and hand claps. In an interview with Madison Chapman from "Time for Kids", Hudgens acknowledged the variety of musical styles present on her debut album, calling it a "fun mixture of everything". She used "Come Back to Me" as an example of the multiple genres on the album and described it as "pop and R&B". The song opens with a string-laden intro. Bill Lamb of About.com noted Hudgens' vocals as "loose" and "friendly" on the track. The song samples American rock band Player's single "Baby Come Back" (1977), written by Peter Beckett and J.C. Crowley, who both received writing credits

neg: Não Dá pra Resistir and hip-hop. The song talks about a love that is irresistible, where the protagonist tries to disguise, but ends up falling in love with the loved one. The song begins with Luciana on lead vocals, followed by Patricia, who changes versions with Luciana to the chorus. In the chorus, the girls sing, "I can not resist your love, you look at me like this, baby, I go, your kisses just for me, and your taste, I can not resist I need your love." After the chorus, Karin sings the second full part, taking help from the girls in the backing

neg: Ice (Kelly Rowland song) lovin’ be givin’ me chills". During the chorus, Rowland sings: "You're like ice, I-C-E / Feels so nice, scorching me". Wayne obliges Rowland with a few double-entrendres in his sexualized verse, "Uh, ice, ice baby / Shake that a — just like dice baby / You hot and I’m Tunechi / I beat the cat, animal cruelty". " Wayne continues rapping: "Pillow under her stomach, the other pillow she bite / Would you like anything? Cause I'll do anything you like". "Ice" received positive reviews from most music critics. Erika Ramirez of "Billboard" magazine wrote that "The slow winding song

neg: Archaeology (album) 5 and 13, and Halsey on tracks 2 and 8. (Innes briefly sings a second lead in the middle of track 8.) The Japanese release of "Archaeology" includes 4 bonus tracks: "Lullaby", "Baby S'il Vous Plait", "It's Looking Good" (rehearsal), and "My Little Ukulele". "Baby S'il Vous Plait" and "It's Looking Good" were also issued (along with the LP version of "Joe Public") on a UK CD single and 10" of "Shangri-La." "Baby S'il Vous Plait" was a 'cod' Franglais version of an earlier Rutles song "Baby Let Me Be", from the 1978 soundtrack. The song was recorded as a

neg: 1000 Forms of Fear slipknot / Tied by a juicehead who just took his T-shot." "Eye of the Needle" is a "military-march" piano ballad, while "Hostage" is a new wave pop and ska track that features Sia's voice "cracking like a punk singer." The sixth song, "Straight for the Knife", is instrumented by strings and lyrically details a tempestuous relationship: "But will someone find me swinging from the rafters / I’m hanging on your every word." "Fair Game", where Sia sings "Watch me squirm baby, but you're just what I need," is a minimalist and string-laden song about the desire to find an equal

neg: Angel (Natasha Bedingfield song) peaked at #41. Phil Griffin shot the music video for the song. The video features Bedingfield in several different rooms and outfits, with multiple versions of her suddenly appearing and then disappearing. The music video uses the Radio Edit of the song which alters the bridge: the lyrics "I wish somebody would disrespect my man, they gon' have to come see me. I go hard for my baby..." being changed to ""if someone ever should" disrespect my "love", they gon' have to come see me. I "fight" hard for my baby..." Angel (Natasha Bedingfield song) "Angel" is a song by

neg: Oh Baby Don't You Weep the course of the song, the theme suddenly changes, as Brown sings of famous entertainers he has met in his travels "("I've got a lot of friends in my business")", and then begins to quote titles of songs recorded by them, such as Jackie Wilson ("You Better Stop Dogging Me Around"), Solomon Burke and Wilson Pickett ("If You Need Me...Call Me" and "It's Too Late"), Sam Cooke ("You Send Me") Ray Charles ("Born To Lose") and Famous Flames member Bobby Byrd's solo release ("I Found Out Now"). "Oh Baby Don't You Weep" was the last new recording Brown made for

neg: I Care (Beyoncé song) to potent". Over ominous keys, a keyboard opening and a repeating drum loop in the first verse, Beyoncé sings about how her relationship turned sour and puts all her cards on the table, "I told you how you hurt me, baby / But you don't care / Now I'm crying and deserted, baby / But you don't care / Ain't nobody tell me this is love / You're immune to all my pain / I need you to tell me this love / You don't care, well, that's OK". While singing the first and second verses, she pulls out the

neg: Consideration (song) "her worth as artist and business asset." The song opens with "a Peter Pan metaphor about being held back from maturing," where she sings: "I come fluttering in from Neverland [...] Why will you never let me grow?." In the chorus, she bluntly sings: "I got to do things my own way, darling," while also complaining and asking "in a thick patois": "Will you ever let me? Will you ever respect me? No!." During the second verse, she "asserts that she's through with acting as the world's avatar," asking: "Darling, would you mind giving my reflection a break from the

neg: Elvis sings The Wonderful World of Christmas later pressings, the song "Blue Christmas", which was recorded on June 27, 1968, was added to the track listing. The song had been previously released on the 1968 album, "Elvis". Elvis sings The Wonderful World of Christmas Elvis sings The Wonderful World Of Christmas is the fifteenth studio album by American singer and musician Elvis Presley, released in October 1971. It was his first Christmas album with new recordings since "Elvis' Christmas Album" (1957). The album's single, "Merry Christmas Baby" / "O Come All Ye Faithful", was later released in November 1971. This album was a top seller and topped

neg: Sock-a-Bye Baby the celery being prepared for Jimmie's meal, Curly sings an a cappella "nonsense song" with lyrics imagining he was a Brazilian coffee bean: ""I was a boy in Brazil and I grew on a tree. / When they shook the tree then I fell down. / Then they put me in a bag / and they fastened on a tag / and they shipped me off to New York town."" Sock-a-Bye Baby Sock-a-Bye Baby is a 1942 film directed by Jules White and starring American slapstick comedy team The Three Stooges (Moe Howard, Larry Fine and Curly Howard). It is

neg: His Way (Star Trek: Deep Space Nine) you?" and Odo grabs her and kisses her passionately, in front of the crowd on the Promenade. Later, Odo stops by the Holodeck to thank Vic for his help. This episode includes the characters Sisko and Odo singing "They Can't Take That Away from Me". The song originates from the 1937 film "Shall We Dance" and was composed by George Gershwin; it was his only song to be nominated for an Academy Award. Vic also sings several songs in the holosuite, including a version of the 1957 song “Come Fly with Me”. The character Lola Chrystal sings a cover of

neg: Original Song their original songs, Santana sings "Trouty Mouth" as a tribute to Sam's large mouth and Puck (Mark Salling) sings "Big Ass Heart" to Lauren (Ashley Fink). Mercedes (Amber Riley) later sings "Hell to the No". While Will agrees that it's a great song, he says that it's not appropriate for Regionals, also noting that the best songs "come from a place of pain". After the club members share recent hurtful anecdotes, he writes "Loser Like Me" on the board, deciding that could be the title for the yet-unwritten song. The judges for this year's Regionals competition are local broadcasting legend

neg: Shara Barkhovot Shara Barkhovot "Shara Barkhovot" (Hebrew script: שרה ברחובות, English translation: "Singing In The Streets") was the Israeli entry in the Eurovision Song Contest 1990, performed in Hebrew by Rita. The song is a ballad, with Rita describing her ambiguous feelings about a relationship. She sings of her lover that "you, who are all my life/Will remain a salt inscription on my hands" and remarks that "the great waters/Have gone far away and don't come to me anymore". As a result of this, she sings that she has left her lover and is now singing in the streets to avoid confronting

neg: Baby, Baby, Baby (Teresa Brewer song) Baby, Baby, Baby (Teresa Brewer song) Baby, Baby, Baby is a 1953 hit song by Teresa Brewer from the film "Those Redheads from Seattle". The song was written in 1950 by Jerry Livingston and lyricist Mack David. The song was sung by Brewer in the role of a singer, who appears through a red curtain line of dancing girls and commences the lyrics: "Baby, Baby, Baby love me love me do, Baby, Baby, Baby love me love true." The song reached No.12 in the US hit parade in December 1953. Coral released the record first in 1953 as 9-61067 with

neg: Wir geben 'ne Party that, for one of them at least, "I need a kick to have a successful evening". The song ends with a particularly rapid-fire section in which the three give one guy at the party the once-over (arguing about who he was looking at), before deciding "Better we forget them, come on let's dance". In a pre-emptive move before the "free language rule" was reinstated, the song features a series of Anglicisms, particularly in the chorus. The girls sing such lyrics as "So rock me, Baby, heut ist alles egal" ("So rock me, baby, nothing matters today"). Of particular note is

neg: Fabolous second single was "Return of the Hustle" which featured Swizz Beatz, also came out before the album release, to some acclaim, but little airplay. His third single though, "Make Me Better," which features fellow Def Jam artist Ne-Yo, and is produced by Timbaland, was his biggest hit to date, spending 14 weeks at number one on the Hot Rap Track Billboard Chart. The fourth single was "Baby Don't Go." Jermaine Dupri produced it and T-Pain sings the hook. However, in music video version of the song, Jermaine Dupri sings the hook. This song also found success, reaching number four on

neg: Come Go with Me compilation was reissued on CD, an alternative take of the song was used. According to Al Jardine, he requested bandmate Brian Wilson to contribute the horn arrangement, devising it on the spot at Sunset Sound Recorders while dressed in a bathrobe. The Beach Boys Dion covered a version of the song on his 1962 album, "Lovers Who Wander." Released as a single, it reached #48 on the "Billboard" Hot 100 in 1963. Israeli artist Danny Sanderson sings a Hebrew a cappella version of the song entitled "Bo'ee Motek/בואי מותק" ("Come, my Darling"); this was released on his 1984 album" חף

neg: Rehab (Rihanna song) sings the opening lines, "Baby, baby, when we first met, I never felt something so strong". Critics noted similarities among the structures of "Rehab" and some of Timberlake's songs, such as "What Goes Around... Comes Around" and "Cry Me a River". Spence D. of IGN wrote that the song has an "R&B swoon", similar to Rihanna's previous singles. In an interview with Margeaux Watson for "Entertainment Weekly", Rihanna explained the meaning of the song's lyrics: "'Rehab' is a metaphorical song. Rehab really just means we have to get over the guy. So we talk about checking ourselves into rehab, meaning

neg: Autobiography (Ashlee Simpson album) of the band Good Charlotte, with whom she worked on the song "Harder Everyday", which was released as an international bonus track. The title track, which was also the theme song to her MTV reality series "The Ashlee Simpson Show", opens the album by introducing Simpson, who sings "got stains on my t-shirt, and I'm the biggest flirt" and "if you want my auto, want my autobiography / baby, just ask me". The "Village Voice" review described the song as "wrist-pumping Joan Jett rock candy", but "Stylus" labelled the track "an age-old trope and a boring one at that". "Pieces

neg: Walk Away (Kelly Clarkson song) who will support her, not disappear when she needs him the most. She asks if he thinks the relationship is worth fighting for. "I wanna love/ I want a fire/ To feel the burn/ My desires/ I wanna man by my side/ Not a boy who runs and hides/ Are you gonna fight for me?/ Die for me?/ Live and breathe for me?/ Do you care for me?/ 'Cause if you don't then just leave," she sings. Pam Avoledo of Blogcritics wrote that "[...] Clarkson vocals fiery and smoldering. She's come a long way from American Idol where she had

neg: Me, Myself and I (Beyoncé song) I'". Spence D., writing for IGN Music considered "Me, Myself and I" as a typical sounding R&B ballad with a familiar theme, and in which Beyoncé sings with passion. At the 2005 American Society of Composers, Authors, and Publishers Pop Music Awards, Beyoncé received the Songwriter of the Year award, sharing it with Storch and Waller. It was recognized as Most Performed Song in 2005, alongside Beyoncé's "Baby Boy" and "Naughty Girl". Beyoncé's live version of "Me, Myself and I" from "The Beyoncé Experience Live!" gained a nomination for Best Female R&B Vocal Performance at the 2009 Grammy Awards. "Me,

neg: Misery (Gwen Stefani song) Nicki Gostin, writing for the "New York Daily News", questioned the song's subject matter, stating "it's not clear who she's crooning about — ex Gavin Rossdale or new love Blake Shelton." Alexis Rhiannon of "Bustle" claimed that the song "give[s] an inside look to a painful past relationship." Lyrically, "Misery" details the feelings one receives following a new relationship. Stefani sings: "Hurry up, come see me / Put me out of my misery", which shows the singer debating whether she wants to relive the pain or experience the pleasure. Elsewhere, she compares her boyfriend to medications: "You're like drugs to

neg: Love Is Strong (album) also won a Dove Award for Country Recorded Song of the Year at the 24th GMA Dove Awards in 1993. All songs were written or co-written by Paul Overstreet. "Lord She Sure is Good at Loving Me" was co-written with country music artist Randy Travis. Christian music singers Susan Ashton and Lisa Bevill provided background vocals on a couple songs while Kathie Baillie, lead singer for the country group Baillie & the Boys sings back up on "Me and my Baby". Glen Campbell also sings harmony vocals on "What's Going without Saying". Taken from liner notes. Love Is Strong (album)

neg: Baby, You Knock Me Out the third film of the series. On his very lengthy audio birthday card, Cleveland can be heard singing Hanson's "MMMBop". During Lois' final fight, Peter sings the Survivor song "Eye of the Tiger" and is interrupted by Quagmire to focus on the fight. "Baby, You Knock Me Out" was broadcast on November 14, 2010, as a part of an animated television night on Fox, and was preceded by "The Simpsons", and "Family Guy" creator and executive producer Seth MacFarlane's spin-off, "The Cleveland Show", and followed by an episode of "American Dad!". It was watched by 7.00 million viewers, according to

neg: Barney in Concert coming out behind the curtains jumping and dancing around to the theme song with the audience clapping to the tune. Barney sings "Everyone Is Special" as he tells the audience that everyone is special in their own way. As the show continues, Michael, Luci, Amy, Adam, Derek, and Tina come out and introduce themselves to the audience and begin by performing their rap. During the show, Barney introduces Baby Bop who comes to join in for the rest of the show. The show starts to end as they sing The Grand Old Flag and Barney's favorite song "I Love You."

neg: Jerry Lewis then sang a rendition of a song he'd learned as a child, "Rock-a-Bye Your Baby with a Dixie Melody" along with "Come Rain or Come Shine." Lewis recalled, "When I was done, the place exploded. I walked off the stage knowing I could make it on my own". At his wife's pleading, Lewis used his own money to record the songs on a single. Record company Decca Records heard it, liked it and insisted he record an album for them. The single of "Rock-a-Bye Your Baby" went to #10 and the album "Jerry Lewis Just Sings" went to #3 on

neg: Ugly (Jaira Burns song) was written by Henry Walter, Alexandra Hughes, Brett McLaughlin, Mathieu Jomphe-Lepine and produced by Cirkut and Billboard. Written in the key of F minor, "Ugly" has a tempo of 136 beats per minute. Lyrically, "Ugly" talks about a hookup gone wrong. Mike Wass from Idolator described the song as a "serious pop pedigree". During the chorus, she sings "As long as you love me, this could get ugly/ Yeah, baby, trust me, this could get ugly/ But it's fuckin' good, real fuckin' good/ It's fuckin' good, lovin' me like he should". On February 13, 2018 Genius released a video with

neg: Baby Ranks Baby Ranks David Luciano Acosta, known professionally as Baby Ranks, is a Puerto Rican reggaeton artist.He has co-billing on the Luny Tunes album "Mas Flow 2", and sings on multiple tracks including the single "Mayor Que Yo" ("Older than Me"). The album ranked #5 on the "Billboard" year-end Latin Album Chart, #7 on the year-end Tropical Album Chart, and #9 on the Reggae Album Chart, for the year 2005. "Mayor Que Yo" won Reggaeton Song of the Year at the 2006 Latin Billboard Music Awards. After more than a decade laying down tracks for other artists, Baby Ranks saw the

neg: Until You Come Back to Me (Floy Joy song) sings with a deceptive ease of a proper singer with a song to work on, embroidered by saxophones that bleed lyrical heartache and an underlie of rhythm which allows no chance for the tune to idle at any stopover. Honey, and it rocks."" In a 1986 issue of The Face magazine, the author spoke of the song in an article on Floy Joy. The article stated ""Mere mention of the number–one–that-got-away, the sublimely beautiful single "Until You Come Back to me" (still ripe to be covered if you're reading this Whitney Houston), reduces strong persons to tears. When Floy Joy

neg: Chocolate Salty Balls verse, Chef becomes concerned that his chocolate salty balls have become burned, and urges his lover to blow on them. In particular the lyrics he sings at that point are: "Hey... wait a minute... What's that smell? It smells like something's burnin'. Well, that don't confront me none, as long as I get my rent paid on Friday. Baby, you better get back in the kitchen... 'cause I've got a sneakin' suspicion. Oh, man baby... Baby! You just burned my balls!" The verse features a line from the song "One Bourbon, One Scotch, One Beer". The radio version features an

neg: The Edge of Glory Gaga's vocals over a keyboard, singing the line: "There ain't no reason you and me should be alone tonight, yeah baby, tonight, yeah baby." According to MTV's Jocelyn Vena, the song's production evokes the "late '80s, early '90s adult-contemporary pop, when big choruses were the norm for songs." Jason Lipshultz from "Billboard" stated the song "leans upon sunny electronica" that sounds big on the chorus, where Gaga sings "I'm on the edge of glory and I'm hanging on a moment of truth". Evan Sawdey of the website PopMatters found several rock elements in the composition of the song. Vena also

neg: Baby Now That I've Found You a 12" version OPINT001 in 1987. In the late 1980s, Clem Curtis and Alan Warner teamed up to recut "Baby, Now That I've Found You" and "Build Me Up Buttercup" as well as other hits of The Foundations. The song has been covered by a number of other artists. One of the earlier versions was a rocksteady version was recorded by Alton Ellis for his 1967 album "Sings Rock and Soul". Lana Cantrell recorded it for her 1968 "Lana" album. The same year The Marble Arch Orchestra recorded an instrumental version of the song for their album "Tomorrow's Standards". In

neg: Tossin' and Turnin' begins with Lewis singing "I couldn't sleep at all last night," and it appears this way on most oldies compilations. However, on some releases the song has a prelude, where Lewis sings "Baby...Baby...you did something to me," followed by a musical cue into the first verse. Lewis usually includes this prelude when he performs the song live. The personnel on the original hit recording included Ritchie Adams and Eric Gale on guitar, Bob Bushnell on bass, King Curtis on a tenor sax mouthpiece, Frank Haywood Henry on baritone sax, Paul Griffin on Piano, and Sticks Evans on drums. In 2008,

neg: Shape of You sings over a marimba-fueled percussive sway about a budding romance. "The club isn't the best place to find a lover, so the bar is where I go/ Me and my friends at the table doing shots drinking fast and then we talk slow", he sings. "Come over and start up a conversation with just me/ And trust me I'll give it a chance." According to "NT News", the song "tells the story of loved (or lusted) up Sheeran meeting a girl in a bar where he and his mates are doing shots." "Shape of You" is written in the key

neg: Mind Playing Tricks on Me Fury". The Notorious B.I.G. references "Mind Playing Tricks on Me" and sings the guitar line from the song's chorus (originally sampled from the Isaac Hayes song "Hung up on my Baby") in his hit "One More Chance." In the song "She Lives In My Lap" off the highly successful 2003 OutKast album "Speakerboxxx/The Love Below", Andre 3000 samples Scarface's vocals from the track. In the track "Walk in the Streets" The Game references the song with the lines: "Must I remind you of that Geto Boy track/ Your mind is playing tricks on you, you'll never go plaque". Game also

neg: Okokok the key of D major, "Okokok" has a tempo of 134 beats per minute. Lyrically, the song talks about a cheating partner and about getting over the relationship. "Okokok" draws influences from the hip hop and pop music genres. The song begins with the lines "Heard 'bout what you say when you're not with me/ Say you live alone and your bed is empty/ Oh, that's so funny/ 'Cause when I go to sleep/ I lay on the left and you right next to me" sung by Burns. During the chorus she sings "Say "no, no, baby, I need you

neg: Lay Up Under Me club as the party is right at home with her, as she sings "You ain't gotta worry 'bout a club, just come on lay up under me tonight." The song received generally positive reviews from music critics. Danielle Cheesman of MSN Music wrote that "Lay Up Under Me" is the type of song to which people "step to at a barbecue". Bradley Stern of MuuMuse found the song to be as "soul-warming" as "Love on Top". Likewise, Andrew Tidball of the New Zealand-based website Cheese on Toast commented that "Lay Up Under Me" is a Motown-esque number in the vein

neg: Seyi Sodimu also a songwriter and sings backup on a lot of Seyi's tracks. Albums 1998: Born in Afrika 2002: State of Mind Singles Born In Afrika (1998) 1) The Birth 2) Come Sing Our Song 3) The Way We Are 4) Almighty 5) AYO 6) Love me jeje 7) Don't Blame 8) Talking Drum 9) Moni Jesu 10) Come Sing Our Song 11) The Way We Are (House Remix) State of Mind (2002) 1) State of Mind 2) Mo De 3) Money Man 4) Dying Young 5) Give it to me 6) Fela the King (tribute to Fela) 7) Here We

neg: Come Wander with Me seeing a nearby tombstone inscribed with his name "Floyd Burney, the Wandering Man." In the foggy woods, Floyd twice passes a woman in a black shawl, whom he fails to see. Next to a lake, he encounters the singer, Mary Rachel, who reluctantly plays a song for him about two lovers who meet in the woods. Floyd offers to buy the song rights, but she claims it isn't for sale. By seducing her, he convinces her to sing part of the song into his tape recorder. As Mary Rachel sings, the mysterious woman in black is watching. This woman appears

neg: Bad Girl (Avril Lavigne song) rock. "Bad Girl" begins with Manson saying "Just lay your head head in daddy's lap, you're a bad girl." Nick Catucci of "Entertainment Weekly" compared Manson's "croaking" vocals on the song to Cookie Monster's speaking voice. The song has "crunching guitars" and is about BDSM, with Lavigne asking Manson to choke her. Lavigne sings "I've been a bad girl, don't you know?/Come get it now or never/I'll let you do whatever" and "Miss me. Miss me. Now you wanna kiss me." At different points in the song, Lavigne purrs and screams. Laurence Green of "musicOMH" wrote that "Bad Girl" "sounds

neg:
Talk About Love what you've done to make that come about
 Talk to me about something real, baby / Can you hear me now?" Talk About Love "'Talk About Love" is a song recorded by Christine Anu. It was released in October 2003 as the first and only single from her third studio album, "45 Degrees" (2003). The song peaked at number 85 on the ARIA Chart. Lyrically, the song sees Anu confront someone who believes they know about love, without evidence: "You talk about love / But I can't see any love coming out of your mind
 You talk about

neg: Judas (Lady Gaga song) feet with my hair if he needs/ Forgive him when his tongue lies through his brain/ Even after three times, he betrays me/ I'll bring him down, a king with no crown." The tone lightens up on the song's chorus, which is influenced by '80s pop in its melody, as the beat picks up a bit and Gaga sings, "I'm just a holy fool/ Oh, baby, it's so cruel/ But I'm still in love with Judas, baby." After the second verse and chorus, the song features a break down influenced by house music. Gaga chants the lines in the same

neg: Precious (Pretenders song) it supplements the "pounding rhythm." Music critic Simon Reynolds described the lyrics as a "strafing stream of syllables" mixing "speed rap, jive talk, baby babble," and the song as "punk scat, all hiccoughs, vocal tics, gasps and feral growls, weirdly poised between love and hate, oral sensuality and staccato, stabbing aggression." Mason notes that the music of "Precious" maintains some restraint, but still sounds more threatening than other songs which sound angrier. The climax of "Precious" comes when Hynde sings the line "But not me, baby, I'm too precious/Fuck off!" "Spin" critic Charles Aaron noted that Hynde's singing this line

neg: Come On Pilgrim line, "C'mon pilgrim, you know He loves you", which the Pixies use in the song "Levitate Me". Larry Norman's lyric ("C'mon pilgrim, you know He loves you. He loves you more, than He loves this cloven earth. Don't make your life bad, and start acting like an idiot") derives from Stevie Wonder's, "Sweet Little Girl" ("Come on now baby, you know your baby loves you, even more than he loves his clavinet. Don't make me get mad and act like a nigger."). "Come On Pilgrim" showcased much of Pixies' variety and set up the beginnings of many trends in their

neg: Come See About Me Come See About Me "Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The song became third of five consecutively released Supremes songs to top the "Billboard" pop singles chart in the United States (the others are "Where Did Our Love Go", "Baby Love", "Stop! In the Name of Love" and "Back in My Arms Again"). It topped the chart twice, non-consecutively, being toppled by and later replacing the Beatles' "I Feel Fine" in December 1964 and January 1965. Written and produced by Motown's main production team Holland–Dozier–Holland, it was the number one

neg: Come Along with Me (Adventure Time) miniseries "Stakes", "Islands", and "Elements", "Come Along with Me" features a unique title sequence. The sequence was animated specifically for the episode by Masaaki Yuasa's company Science SARU and storyboarded by Wolfhard. Former storyboard artist Rebecca Sugar returned to compose the song "Time Adventure", which BMO sings to Jake in order to calm him. Sugar said of the song: I wanted to write about how even if something ends, it continues to exist in the past, nothing ever really goes away, you only feel like it does because our mind has to process information one moment at a time in

neg: Too Good at Goodbyes D. Jon Blistein from "Rolling Stone" called Smith's comeback song "poignant" and wrote, "The piano-led song finds the singer pulling away from a volatile relationship. 'But every time you hurt me, the less that I cry / And every time you leave me, the quicker these tears dry,' he sings, soulfully. 'And every time you walk out, the less I love you / Baby, we don't stand a chance / It's sad, but it's true.' The lilting chorus is buoyed by a choir, as they harmonize, 'I'm way too good at goodbyes.'" Chris Willman of "Variety" said about the track,

neg: My Whole World Ended (The Moment You Left Me) intended to be sung by the Temptations when Ruffin was still the group's front man, but when he finally agreed to a solo contract with Motown, the song was given to him. A bittersweet ballad in the style of "Since I Lost My Baby", "All I Need", "I Could Never Love Another (After Loving You)", "(Loneliness Made Me Realize) It's You That I Need", "(I Know) I'm Losing You" and "I Wish It Would Rain", Ruffin, as the narrator, sings of the extensive pain he has felt since his lover has left him. All throughout the song, Ruffin asks his

neg: Miley Cyrus & Her Dead Petz of affection from a love interest and a desire for him to "fuck [her] so [he stops] baby talking." The "swaying, stoney, piano-based" "Fweaky" describes a sexual encounter after drinking and using drugs. "Bang Me Box", a "raunchy electro R&B" song, expresses an explicit desire for lesbian sex. Cyrus sings the tenth song, "Milky Milky Milk", in a "robotic" voice over a "wiggy synth" beat. It shares the lyrics "I feel like a slab of butter / that is melting in the sun / oppression melts away / now that you and me are one" with the next track, "Slab

neg: End of Time (song) be your friend / I will love you so deeply / I will be the one to kiss you at night / I will love you till the end of time." She continues her appeal as she sings to her love interest, "Take you away from here / There's nothing between us but space and time". On the bridge, Knowles belts her vocal lines over a shooting horn sequence; with her multiple-layered vocals, she commands, "Boy come to me", and towards the end, she repeatedly sings, "Say you’ll never let me go". Knowles "finds the strength in two" as she

neg: Evermore (Beauty and the Beast song) reads: "Now I know she'll never leave me/Even as she runs away/She will still torment me/Call me, hurt me/Move me, come what may/Wasting in my lonely tower/Waiting by an open door/I'll fool myself, she'll walk right in/And be with me for evermore", which Stevens performs vulnerably. The track also discusses themes such as true love, sacrifice and learning to understand love. Stevens sings within the vocal range of a "deep, resonating baritone" throughout the song, which lasts a total duration of three minutes and fourteen seconds; Channel NewsAsia contributor Genevieve Sarah Loh compared Stevens' voice, whose notes are suspended by

neg: Baby Ranks release of his long-in-the-making solo debut, "", in the summer of 2008. Baby Ranks David Luciano Acosta, known professionally as Baby Ranks, is a Puerto Rican reggaeton artist.He has co-billing on the Luny Tunes album "Mas Flow 2", and sings on multiple tracks including the single "Mayor Que Yo" ("Older than Me"). The album ranked #5 on the "Billboard" year-end Latin Album Chart, #7 on the year-end Tropical Album Chart, and #9 on the Reggae Album Chart, for the year 2005. "Mayor Que Yo" won Reggaeton Song of the Year at the 2006 Latin Billboard Music Awards. After more than

neg: Inside Out (Britney Spears song) the verge of a breakup, there's apparently still some sexual tension between them, which is perceived in lines such as "You ... touch me and it's breaking me down/ I'm telling you, let's just give it up and get down." Spears crescendos "So come on/Won't you give me something to remember/Baby shut your mouth and turn me inside out." during the chorus section, and then goes on to "Hit me one more time it's so amazing" and "You're the only one who's ever drove me crazy" referencing her first singles "...Baby One More Time" (1998) and "(You Drive Me) Crazy"

neg: Don't Rush (song) song on Country Music Association Awards on November 1, 2012. The song was officially sent to country radio stations on November 15, 2012. "Don't Rush" is a country song written by Blu Sanders, Natalie Hemby and Lindsay Dawn Chapman, and produced by Dann Huff. It features American country singer-songwriter Vince Gill. The song is set in a "drowsy, take-it-easy beat" which is composed of a layer of Clarkson's and Gill's soulful harmonies. The song begins with a breezy soft-rock tune. In the first verse, Clarkson sings "I see the way you’re looking at me / Baby know I’m feeling it

neg: Norway (song) wealth,' sings Legrand over a carsick slide guitar riff. No, 'Norway' is radiant with the sunshiny 70s pop vibes. It's Stevie Nicks territory, for sure. Climate change has come to Beach House, and the weather suits them beautifully." Norway (song) "Norway" is a song by American dream pop band Beach House, from their third studio album, "Teen Dream". The song was released on January 18, 2010, with "Baby" as its B-side. The song was released as a free download on the band's site on November 17, 2009, before its commercial release. "Norway" received very positive reviews from contemporary music critics.

neg: Right Here, Right Now (High School Musical song) I would thank that star, that made our wish come true," and she sings with Efron in some parts of the "‘cause he knows that where you are, is where I should be too" line in the first verse and the "It’s always you and me" line in the bridge. However, on the soundtrack, Efron sings these lines by himself, with Hudgens providing background vocals during these parts in the song. On the reprise, which is found only during the extended version of the movie, the background music from the beginning of the song is used while the soundtrack version

neg: A Song Flung Up to Heaven Feiffer and his wife Judy. Judy Feiffer, inspired by her tales about Angelou's childhood, contacts editor Robert Loomis, who challenges Angelou to write her autobiography as literature. She accepts his challenge, and "Song" ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, "I Know Why the Caged Bird Sings": "What are you looking at me for. I didn't come to stay". Starting with "Caged Bird", Angelou made a deliberate attempt while writing all her autobiographies, including "Song", to challenge the usual structure of the autobiography by critiquing, changing, and expanding the