query: who wrote the hymn fill my cup lord

pos: Richard E. Blanchard Sr. use this material for this Wikipedia entry has been granted by the Tryon Daily Bulletin. Richard E. Blanchard Sr. Richard Eugene Blanchard Sr. (Mar. 14, 1925 – April 19, 2004) was a songwriter who was widely known for writing the popular "Fill My Cup, Lord" (gospel song). He was born in 1925 in Chungking, China, to Methodist missionary parents Ralph and Grace Kipka Blanchard. When the Blanchard family returned home to the United States, Richard grew up as a child and youth in Indiana and North Carolina. Rev. Ralph Blanchard moved from Wolcottville, Indiana, to Tryon, North Carolina, in 1942,

pos: Richard E. Blanchard Sr. Richard E. Blanchard Sr. Richard Eugene Blanchard Sr. (Mar. 14, 1925 – April 19, 2004) was a songwriter who was widely known for writing the popular "Fill My Cup, Lord" (gospel song). He was born in 1925 in Chungking, China, to Methodist missionary parents Ralph and Grace Kipka Blanchard. When the Blanchard family returned home to the United States, Richard grew up as a child and youth in Indiana and North Carolina. Rev. Ralph Blanchard moved from Wolcottville, Indiana, to Tryon, North Carolina, in 1942, bringing his family with him. Blanchard was a senior in high school and graduated from

neg:
Richard E. Blanchard Sr.
 Fill my cup Lord, I lift it up, Lord!
 Come and quench this thirsting of my soul.
 Bread of heaven, feed me till I want no more.
 Fill my cup, fill it up and make me whole!

 There are millions in this world who are craving
 The pleasures earthly things afford.
 But none can match the wondrous treasure
 That I find in Jesus Christ my Lord.

 Fill my cup Lord, I lift it up, Lord!
 Come and quench this thirsting of my soul.
 Bread of heaven, feed me till I want no more.
 Fill my cup, fill

neg:
Richard E. Blanchard Sr. it up and make me whole!

 So, my brother, if the things this world gave you
 Leave hungers that won't pass away,
 My blessed Lord will come and save you,
 If you kneel to Him and humbly pray:

 Fill my cup Lord, I lift it up, Lord!
 Come and quench this thirsting of my soul.
 Bread of heaven, feed me till I want no more.
 Fill my cup, fill it up and make me whole! Note: Most of the content for this Wikipedia entry comes from the obituary entry for Blanchard that appeared on tryondailybulletin.com . Permission to

neg: Saint Patrick's Breastplate the mouth of every man who speaks of me, Christ in every eye that sees me, Christ in every ear that hears me. Salvation is of the Lord. Salvation is of the Lord. Salvation is of the Christ. May your salvation, O Lord, be ever with us. </poem> C. F. Alexander (1818–1895) wrote a hymn based on St. Patrick's Breastplate in 1889 at the request of H. H. Dickinson, Dean of the Chapel Royal at Dublin Castle. Dean Dickinson wrote about this: I wrote to her suggesting that she should fill a gap in our Irish Church Hymnal by giving

neg:
Richard E. Blanchard Sr. biography of Bishop John Branscomb. Blanchard completed “We Remember John” in time for the dedication of the Branscomb Memorial Auditorium in Lakeland, Florida. Certainly Blanchard's most famous song was "Fill My Cup, Lord" (which became a classic). During the 1970s the song was popularized throughout much of the United States by Blanchard's close friend, musician and evangelist Rev. Ray Vaughn. Here are the lyrics to "Fill My Cup, Lord": Like the woman at the well I was seeking
 For things that could not satisfy;
 And then I heard my Savior speaking:
 "Draw from my well that never shall run dry".

neg: Herr Jesu Christ, du höchstes Gut Herr Jesu Christ, du höchstes Gut "" (Lord Jesus Christ, you highest good) is the beginning of two Lutheran hymns. One is a penitential hymn, written in 1588 by Bartholomäus Ringwaldt, who possibly also created the melody. The other is an anonymous communion hymn, probably based on the former, which appeared first in 1713. Johann Sebastian Bach's used the penitential hymn several times, including the chorale cantata , based on the hymn. Bartholomäus Ringwaldt wrote the lyrics of the penitential hymn in 1588, and possibly also created the melody. He wrote eight stanzas, beginning "" (Lord Jesus Christ, you highest

neg: Zephania Kameeta out I will not be afraid, Lord, For you are with me. Your shepherd's power and love protect me. You prepare me for my freedom, Where all my enemies can see it; You welcome me as an honoured guest And fill my cup with righteousness and peace. I know that your goodness and love Will be with me all my life; and your liberating love will be my home As long as I live.</poem> This poem was later published in his "Why, O Lord?: Psalms and Sermons from Namibia" (Augsburg Fortress, 1986) and included in "Pocket Prayers for Peace and

neg:
My Song Is Love Unknown my Friend,
 in Whose sweet praise
 I all my days
 could gladly spend. My Song Is Love Unknown My Song Is Love Unknown is a hymn by Samuel Crossman, written in 1664. The hymn tune to which it is usually sung is called "Love Unknown" by John Ireland (1879-1962). Ireland composed the melody over lunch one day at the suggestion of organist and fellow-composer Geoffrey Shaw. My song is love unknown,
 My Saviour’s love to me;
 Love to the loveless shown,
 That they might lovely be.
 O who am I,
 That for my sake
 My Lord should take

neg:
My Song Is Love Unknown My Song Is Love Unknown My Song Is Love Unknown is a hymn by Samuel Crossman, written in 1664. The hymn tune to which it is usually sung is called "Love Unknown" by John Ireland (1879-1962). Ireland composed the melody over lunch one day at the suggestion of organist and fellow-composer Geoffrey Shaw. My song is love unknown,
 My Saviour’s love to me;
 Love to the loveless shown,
 That they might lovely be.
 O who am I,
 That for my sake
 My Lord should take
 Frail flesh and die? He came from His blest throne
 Salvation to bestow;
 But

neg: Frances Ridley Havergal in Foreign Missions. Frances Ridley Havergal Frances Ridley Havergal (14 December 1836 – 3 June 1879) was an English religious poet and hymnwriter. "Take My Life and Let it Be" and "Thy Life for Me" (also known as "I Gave My Life for Thee") are two of her best known hymns. She also wrote hymn melodies, religious tracts, and works for children. She did not occupy, and did not claim for herself, a prominent place as a poet, but by her distinct individuality, she carved out a niche which she alone could fill. Frances Ridley Havergal was born into an

neg: Frances Ridley Havergal Frances Ridley Havergal Frances Ridley Havergal (14 December 1836 – 3 June 1879) was an English religious poet and hymnwriter. "Take My Life and Let it Be" and "Thy Life for Me" (also known as "I Gave My Life for Thee") are two of her best known hymns. She also wrote hymn melodies, religious tracts, and works for children. She did not occupy, and did not claim for herself, a prominent place as a poet, but by her distinct individuality, she carved out a niche which she alone could fill. Frances Ridley Havergal was born into an Anglican family, at

neg: Take My Hand, Precious Lord Take My Hand, Precious Lord "Take My Hand, Precious Lord" (a.k.a. "Precious Lord, Take My Hand") is a gospel song. The lyrics were written by the Rev. Thomas A. Dorsey, who also adapted the melody. The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". "Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without attribution for many years.

neg: Lord of the Dance (hymn) world is begun...'. It's worth a try. Lord of the Dance (hymn) "Lord of the Dance" is a hymn with words written by English songwriter Sydney Carter in 1963. He borrowed the tune from the American Shaker song "Simple Gifts". The hymn is widely performed in English-speaking congregations and assemblies. It follows the idea of a traditional English carol, "Tomorrow Shall Be My Dancing Day" which tells the gospel story in the first person voice of Jesus of Nazareth with the device of portraying Jesus' life and mission as a dance. In writing the lyrics to "Lord of the Dance"

neg: Lord of the Dance (hymn) Lord of the Dance (hymn) "Lord of the Dance" is a hymn with words written by English songwriter Sydney Carter in 1963. He borrowed the tune from the American Shaker song "Simple Gifts". The hymn is widely performed in English-speaking congregations and assemblies. It follows the idea of a traditional English carol, "Tomorrow Shall Be My Dancing Day" which tells the gospel story in the first person voice of Jesus of Nazareth with the device of portraying Jesus' life and mission as a dance. In writing the lyrics to "Lord of the Dance" in 1963, Sydney Carter was inspired partly

neg: My Hope Is Built on Nothing Less States as the "Navy Hymn"). My Hope Is Built on Nothing Less "My Hope Is Built on Nothing Less" is a Christian hymn written by Edward Mote, a pastor at Rehoboth Baptist Church in Horsham, West Sussex. Mote wrote around 100 hymns, this one, which he wrote in 1834, being the best known of his. The hymn "My Hope Is Built on Nothing Less" was published anonymously in several hymn collections before first being attributed to Edward Mote in a collection of approximately 100 of his hymns published in 1837 under the title "Hymns of Praise, A New Selection of

neg: Christ the Lord Is Risen Today Christ the Lord Is Risen Today "Christ the Lord Is Risen Today" is a Christian hymn associated with Easter. Most of the stanzas were written by Charles Wesley, and the hymn appeared under the title "Hymn for Easter Day" in "Hymns and Sacred Poems" by Charles and John Wesley in 1739. The hymn eventually became well known for its repetitive "Alleluias" sung after each line, which were added by an unknown author to fit the commonly used hymn tune of "Easter Day". It remains a traditional processional hymn on Easter Sunday. Charles Wesley, the co-founder of the Methodist Church, wrote

neg: Thomas Egerton, 2nd Earl of Wilton "America" won the event and its silver trophy was subsequently renamed the America's Cup. Lord Wilton was inducted into the America's Cup Hall of Fame in 2001 in a ceremony at the Royal Yacht Squadron during the America's Cup Jubilee. Lord Wilton was also a composer. He composed the anthem "O Praise the Lord, all ye heathen", a hymn titled "Hymn to Eros", as well as several other vocal compositions. Lord Wilton married firstly Lady Mary Stanley, daughter of the Edward Smith-Stanley, 12th Earl of Derby, in 1821. They had eleven children, of whom only five reached adulthood: After his

neg: Finlandia hymn sing a version called "I sought the Lord, and afterward I knew", by an anonymous lyricist: During Biafra's attempted secession from Nigeria, the tune of "Finlandia" was also adopted by Biafra for its National Anthem: In 1934, Lloyd Stone wrote "This is My Song", a text that appears in many hymnals. An older version from Unitarian Universalists: Cedar Grace, set to the tune of Finlandia: A verse by Josh Mitteldorf, for difficult times: From The Salvation Army: A hymn recorded by The Mormon Tabernacle Choir: The combined Brigham Young University Men's Choirs sang the following at the end of April

neg: Adam Reusner at the time. As a scholar, he wrote historical and theological works, including an "anti-papal history." He later became known as a hymn writer from about 1530. He paraphrased psalms for the "Psalter" of Sigmund Hemmel. His hymn "In dich hab ich gehoffet, Herr" (In you, Lord, have I put my trust) is still included in the German hymnal. Its fifth stanza, "Mir hat die Welt trüglich gericht't" (The world has judged me deceitfully), appears in Bach's "St Matthew Passion". A hymnal at Wolfenbüttel. "Tegliches Gesangbuch ... durch Adam Reusner" (Daily Songbook ... by Adam Reusner) contains more than forty

neg:
Dionysios Solomos the subject matter and form are epic. In the works of "The Hymn to Liberty" and "Ode to the death of Lord Byron" there are several direct and indirect references to Byron's works. A good example is a reference (in Solomos' own footnotes) to Byron's "Don Juan", where in Canto the Third (The Greek Isles 15) a Greek poet says: "Fill high the bowl with Samian wine!
" "Our virgins dance beneath the shade --
" "I see their glorious black eyes shine;
" "But gazing on each glowing maid,
" "My own the burning tear-drop laves,
" "To think such breasts must suckle slaves.

neg:
Pyramid of Unas from your side!
Do my command, you who hate sleep but were made slack. Stand up, you in Nedit. Your good bread has been made in Pe; receive your control of Heliopolis.
It is Horus (who speaks), having been commanded to act for his father.
The storm-lord, the one with spittle in his vicinity, Seth—he will bear you: he is the one who will bear Atum. The east wall held a second set of protective spells, starting with the "Cannibal Hymn". In the hymn, Unas consumes the gods to absorb their power for his resurrection. The Egyptologist Toby Wilkinson identifies the hymn as

neg: Lord of All Hopefulness "Lord of all Hopefulness". The tune has its origin as a traditional Irish tune, principally 'With my Love on the Road,' also known as 'The Banks of the Bann,' and still a commonly-performed trad tune. "Lord of all Hopefulness" has also been given its own tune, "Miniver" (originally in The BBC Hymn Book 1951), written by Cyril Vincent Taylor which acknowledges Jan Struther by reference to her famous text character "Mrs Miniver". "Lord of all Hopefulness" was the opening hymn at the wedding of Prince Harry and Meghan Markle on 19 May 2018. The hymn is included in a number

neg: My Hope Is Built on Nothing Less My Hope Is Built on Nothing Less "My Hope Is Built on Nothing Less" is a Christian hymn written by Edward Mote, a pastor at Rehoboth Baptist Church in Horsham, West Sussex. Mote wrote around 100 hymns, this one, which he wrote in 1834, being the best known of his. The hymn "My Hope Is Built on Nothing Less" was published anonymously in several hymn collections before first being attributed to Edward Mote in a collection of approximately 100 of his hymns published in 1837 under the title "Hymns of Praise, A New Selection of Gospel Hymns, Combining All the

neg: Take My Hand, Precious Lord "Maitland" is also sometimes attributed to "The Oberlin Social and Sabbath School Hymn Book", which Allen edited, but this collection does not contain music. This tune originally appeared in hymnals and tune books as "Cross and Crown"; the name "Maitland" appears as early as 1868. Dorsey said that he had heard Blind Connie Williams sing his version of this song with "Precious Lord" and used it as inspiration. Dorsey wrote "Precious Lord" in response to his inconsolable bereavement at the death of his wife, Nettie Harper, in childbirth, and his infant son in August 1932. (Mr. Dorsey can be seen

neg: Phoebe Knapp of Palmer's. She wrote over 500 hymn tunes, the most familiar being the tune now called "Assurance" for Fanny Crosby's lyrics "Blessed Assurance". Another hymn by Fanny Crosby for which Knapp wrote the music is "Nearer the Cross". Other hymn tunes by Knapp include "Albertson", the tune for "Jesus Christ is Passing By" by J. Denham Smith, and for "When My Love to Christ Grows Weak" by John R. Wreford. Her tune "Consecration" has been matched to "My Spirit Soul and Body" by Mary Dagworthy James. Phoebe Palmer Knapp also wrote sacred choral and solo works, perhaps the best known

neg: Thomas Park Anglo-Poetica" were dispersed by sale. He edited many works, and assisted leading antiquaries in their researches. He was elected a member of the American Antiquarian Society in 1821. Park died at Church Row, Hampstead, where he had resided for thirty years, on 26 November 1834, aged 75. Park wrote: He also wrote some cards of 'Christian Remembrance: a Plain Clue to the Gospel of Peace.’ Park's name is included in John Julian's "Hymnology" for his hymn "My soul, praise the Lord; speak good of His name". Several poetical articles were supplied by him for John Nichols's 'Progresses of Queen Elizabeth;'

neg: Hymn 43 Hymn 43 "Hymn 43" is a song by British progressive rock group Jethro Tull. It is off their "Aqualung" album and was released as a single by Reprise Records. The song reached 91 on the Billboard Hot 100. Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the U.S.A. and in quick order sets

neg: Hymn to Enlil a farmer and praise for his wife, Ninlil: Andrew R. George suggested that the hymn to Enlil "can be incorporated into longer compositions" as with the Kesh temple hymn and "the hymn to temples in Ur that introduces a Shulgi hymn." The poetic form and laudatory content of the hymn have shown similarities to the Book of Psalms in the Bible, particularly Psalm 23 () "The Lord is my shepherd, I shall not want, he maketh me to lie down in green pastures." Line eighty four mentions: and in line ninety one, Enlil is referred to as a shepherd: The

neg: Tomorrow Shall Be My Dancing Day settings of it or arranged the traditional tune, including Gustav Holst, Igor Stravinsky, David Willcocks, John Rutter, Ronald Corp, Philip Stopford, Andrew Carter, Jamie W. Hall and Jack Gibbons. The verses of the hymn progress through the story of Jesus told in his own voice. An innovative feature of the telling is that Jesus' life is repeatedly characterized as a dance. This device was later used in the modern hymn "Lord of the Dance". Tomorrow shall be my dancing day; I would my true love did so chance To see the legend of my play, To call my true love

neg: Phoebe Hinsdale Brown her home where she wrote "An Apology for my Twilight Rambles", which she sent to her critic. This "apology", slightly amended, became the hymn, "I love to steal awhile away", first published by Rev. Asahel Nettleton. along with three other hymns by Brown in Nettleton's "Village Hymns", 1824, with the signature "B". In 1819, Brown wrote two hymns which were overlooked by Nettleton, and did not appear till 1831 in Thomas Hastings's "Spiritual Songs". These were, "How sweet the melting lay. Morning." and "0 Lord, Thy work revive. For a Revival." Both are found in "Lyra Sacra Americana", pp. 28–30.

neg: Herzlich lieb hab ich dich, o Herr Herzlich lieb hab ich dich, o Herr "" (From my heart I hold you dear, o Lord) is a Lutheran hymn in German by the Protestant theologian and reformer Martin Schalling, written in Amberg in 1569 and first printed in 1571. It is sung to an anonymous melody, which appeared in a tablature book for organ in 1577. The hymn is often used for funerals, especially the third and last stanza, "" (Ah Lord, let thine own angels dear). It appears in the current German Protestant hymnal (EG). The first theme of the hymn is the love to God and

neg:
All the Way My Savior Leads Me led me all the way;
 This my song through endless ages—
 Jesus led me all the way Jesus led me all the way. All the Way My Savior Leads Me "All the Way My Savior Leads Me" is a Christian hymn with lyrics written in 1875 by Fanny J. Crosby (1820-1915) to a tune written by the Baptist minister Dr. Robert Lowry. In her autobiography, Crosby wrote that this was her first hymn to be set to music by Lowry. The hymn was first published in "Brightest and best : a choice collection of new songs, duets, choruses, invocation and

neg: Nun lob, mein Seel, den Herren in 1845. Nun lob, mein Seel, den Herren "" (Now praise, my soul, the Lord) is a Lutheran hymn written in German by the theologian and reformer Johann Gramann in 1525. It was published in 1540 and appears in 47 hymnals. A translation by Catherine Winkworth, "My Soul, now Praise thy Maker!", was published in 1863. The hymn is a general song of praise, paraphrasing Psalm 103 in four stanzas of 12 lines each. It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". The hymn was

neg: Nun lob, mein Seel, den Herren Nun lob, mein Seel, den Herren "" (Now praise, my soul, the Lord) is a Lutheran hymn written in German by the theologian and reformer Johann Gramann in 1525. It was published in 1540 and appears in 47 hymnals. A translation by Catherine Winkworth, "My Soul, now Praise thy Maker!", was published in 1863. The hymn is a general song of praise, paraphrasing Psalm 103 in four stanzas of 12 lines each. It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". The hymn was published in

neg: Aberystwyth (hymn tune) Aberystwyth (hymn tune) "Aberystwyth" is a hymn tune composed by Joseph Parry, written in 1876 and first published in 1879 in Edward Stephen's "Ail Lyfr Tonau ac Emynau" (Welsh for "Second Book of Tunes and Hymns"). Parry was at the time the first professor and head of the new department of music at the recently founded University College Wales, Aberystwyth, now called Aberystwyth University. The tune "Aberystwyth" has been the most popular setting for Charles Wesley's hymn "Jesus, Lover of My Soul". In 1897 Enoch Sontonga composed the hymn "Nkosi Sikelel' iAfrika" ("Lord Bless Africa" in Xhosa), setting it to

neg: My Sweet Lord Guru Stotram, a fourteen-verse hymn in praise of Hindu spiritual teachers. Some Christian fundamentalist anti-rock activists objected that chanting "Hare Krishna" in "My Sweet Lord" was anti-Christian or satanic, while some born-again Christians adopted the song as an anthem. Several commentators cite the mantra and the simplicity of Harrison's lyrics as central to the song's universality. The "lyrics are not directed at a specific manifestation of a single faith's deity," Inglis writes, "but rather to the concept of one god whose essential nature is unaffected by particular interpretations and who pervades everything, is present everywhere, is all-knowing and all-powerful, and

neg: South East England 1919. Isaac Watts, a hymn writer from Southampton, wrote "When I Survey the Wondrous Cross" and "O God, Our Help in Ages Past". John Goss, who wrote the hymn tune for "Praise, My Soul, the King of Heaven", came from Fareham. At Chalfont St Giles, Milton finished "Paradise Lost". Olney in Buckinghamshire is known for the "Olney Hymns" - "Amazing Grace", and the composer of the tune of "Once in Royal David's City". Buckinghamshire's E. L. James has the UK record for the fastest-selling paperback of all time. Pimm's was invented by James Pimm of Kent in the 1820s. Banoffee

neg: Finlandia hymn Finlandia hymn The "Finlandia" hymn () refers to a serene hymn-like section of the patriotic symphonic poem "Finlandia", written in 1899 and 1900 by the Finnish composer Jean Sibelius. It was later re-worked by the composer into a stand-alone piece. With words written in 1941 by Veikko Antero Koskenniemi, the "Finlandia" hymn is one of the most important national songs of Finland (though "Maamme" is the de facto national anthem). Other words commonly sung to the same melody include at least six Christian hymns including "Be still, my soul"; "I sought the Lord"; "We rest on Thee"; "A Christian Home";

neg:
Jerusalem On High No place like that on high; Lord thither guide my way;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? Jerusalem On High Jerusalem On High is a hymn written by minister Samuel Crossman and music composed by Charles Steggall. Jerusalem on high, my song that city is,
 My home whene’er I die, the center of my bliss;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? There dwells my Lord, my King, judged here unfit to live;
 There angels to Him sing and lowly homage give;
 O

neg: Julie Hausmann Julie Hausmann Julie Katharina Hausmann (born in Riga; died in Võsu, Estonia) was a Baltic German poet, known for the hymn "Lord, Take My Hand and Lead Me" (German: "So nimm denn meine Hände") with a melody by Friedrich Silcher. Earlier translations had been made by Herman Brueckner as "O take my hand, dear Father" and Elmer Leon Jorgenson as "Take Thou My Hand, and Lead Me." The hymn has also been translated by Martha D. Lange, whose version appears in the "Great Songs of the Church Revised" (1986). Julie Hausmann was the daughter of a teacher. She worked for

neg: Julie Hausmann was published by others, including Gustav Knak without mentioning her name, at her request. Julie Hausmann Julie Katharina Hausmann (born in Riga; died in Võsu, Estonia) was a Baltic German poet, known for the hymn "Lord, Take My Hand and Lead Me" (German: "So nimm denn meine Hände") with a melody by Friedrich Silcher. Earlier translations had been made by Herman Brueckner as "O take my hand, dear Father" and Elmer Leon Jorgenson as "Take Thou My Hand, and Lead Me." The hymn has also been translated by Martha D. Lange, whose version appears in the "Great Songs of the

neg: Annie Hawks the hymn by which Hawks is most widely known, "I Need Thee Every Hour", was written. It is said to have been translated into more foreign languages than any other modern hymn at the time of her death. Hawks stated:— "For myself, the hymn was prophetic rather than expressive of my own experiences, for it was wafted out to the world on the wings of love and joy, instead of under the stress of personal sorrow." Lowry, who wrote the music, went on to say: "I Need Thee Every Hour" was written by Mrs. Annie S. Hawks, in 1872, in

neg: Samuel Sebastian Wesley the God and Father", "The Wilderness" and "Ascribe unto the Lord" are of considerable length, as is his Service in E. The popular short anthem "Lead me, Lord" is an extract from "Praise the Lord, O my soul". Several of his pieces for solo organ have enduring value and continue to be played in recitals now and then. Of his hymn tunes the best-known are "Aurelia" and "Hereford." "Aurelia" has been widely adopted in the United States, and is regularly heard there. Usually now sung to the words "The Church's One Foundation", Wesley composed the tune for the hymn "Jerusalem

neg: All the Way My Savior Leads Me All the Way My Savior Leads Me "All the Way My Savior Leads Me" is a Christian hymn with lyrics written in 1875 by Fanny J. Crosby (1820-1915) to a tune written by the Baptist minister Dr. Robert Lowry. In her autobiography, Crosby wrote that this was her first hymn to be set to music by Lowry. The hymn was first published in "Brightest and best : a choice collection of new songs, duets, choruses, invocation and benediction hymns for the Sunday school and meetings of prayer and praise" (edited by Dr. Lowry and W. Howard Doane) in 1875 by

neg: Herr Jesu Christ, du höchstes Gut good, you fountain of all mercy). An anonymous poet, who was probably inspired by Ringwaldt's song, wrote a communion hymn of three stanzas, beginning "" (Lord Jesus Christ, you highest good, who invited us), taking not only the first line, but also the rhyme of the second from Ringwaldt's hymn. Its theology follows writing by Johann Arndt, who had written in "Sechs Bücher vom wahren Christentum" that God is good and the highest good, which can be tasted in his sacrament. The song appeared first in Chemnitz in 1713 in the hymnal "Vollständiges Chemnitzer Gesangbuch". The melody refers to Ringwaldt's

neg: Erhalt uns, Herr, bei deinem Wort the hymn in his oratorio "Sankt-Bach-Passion" telling Bach's life, composed for the tricentenary of Bach's birth in 1985. Erhalt uns, Herr, bei deinem Wort "" ("Keep us, Lord, faithful to your word" or "Lord, keep us in Thy Word and Work") is a Lutheran hymn by Martin Luther with additional stanzas by Justus Jonas, first published in 1542. It was used in several musical settings, including the chorale cantata by Johann Sebastian Bach, "Erhalt uns, Herr, bei deinem Wort", BWV 126. Luther wrote the hymn probably in 1541 when a prayer service was held in Wittenberg against the perceived danger

neg: Finlandia hymn used that it would be difficult to dislodge it. Other words commonly sung to the same melody include at least seven Christian hymns, including "Be still, my soul"; "We rest on Thee"; "I sought the Lord"; "A Christian Home"; "This is my song"; and "I then shall live"; and "Gloria al Señor, ha llegado la Pascua" The Christian hymn "Be still, my soul", written in German "("Stille meine Wille, dein Jesus hilft siegen")" in 1752 by Katharina Amalia Dorothea von Schlegel (1697–1768) and translated into English in 1855 by Jane Laurie Borthwick (1813–1897), is usually sung to this tune. It

neg: Herr Gott, dich loben wir Herr Gott, dich loben wir "" (Lord God, we praise you) is a Lutheran hymn, which Martin Luther wrote in 1529 as a translation and partial paraphrase of the Latin . It is sometimes called the German Te Deum. The hymn was first published in 1529. It has appeared in 24 hymnals. Luther translated and slightly expanded the Latin text of the Te Deum, which is also known as the Ambrosian Hymn, but is currently credited to Nicetas of Remesiana, a bishop of the 4th century. Luther wrote 27 verses, intending it for two responsorial groups. The song of praise,

neg: My Sweet Lord publicised copyright infringement suit due to its similarity to the Ronnie Mack song "He's So Fine", a 1963 hit for the New York girl group the Chiffons. In 1976, Harrison was found to have subconsciously plagiarised the song, a verdict that had repercussions throughout the music industry. He claimed to have used the out-of-copyright "Oh Happy Day", a Christian hymn, as his inspiration for the melody. Harrison performed "My Sweet Lord" at the Concert for Bangladesh in August 1971, and it remains the most popular composition from his post-Beatles career. He reworked it as "My Sweet Lord (2000)" for inclusion

neg: I am Thine, O Lord Let my soul look up with a steadfast hope, And my will be lost in Thine. Refrain O the pure delight of a single hour That before Thy throne I spend, When I kneel in prayer, and with Thee, my God I commune as friend with friend! Refrain There are depths of love that I cannot know Till I cross the narrow sea; There are heights of joy that I may not reach Till I rest in peace with Thee. Refrain Translations of the hymn exist in various languages: - I am Thine, O Lord "I am Thine, O Lord"

neg: Abbots Leigh the village. In 1942, during World War II, Rev. Cyril Vincent Taylor (1907–1991), then a producer of Religious Broadcasting at the BBC and stationed here, wrote a hymn tune which he named after the village. The tune was originally written for the hymn "Glorious Things of Thee Are Spoken". This hymn had usually been sung to the tune "Austrian Hymn", or "Gott erhalte Franz den Kaiser", but since the German national anthem was also sung to that tune, new music was needed in wartime Britain. Other hymn texts now commonly sung to the same tune include "Father Lord of All

neg: Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 Bach had possibly stanza 3 in mind, which speaks of love, and used the instrument which is named after love. The oboe d'amore plays the richly ornamented melody of the Pentecost hymn "" ("Come, Holy Spirit, Lord God, fill with the goodness of Your grace the hearts, wills, and minds of Your faithful. Ignite Your burning love in them".) Bach set this hymn, which seems close to his heart, twice in his Great Eighteen Chorale Preludes, as BWV 651 and BWV 652. Bach used duets again when he composed in 1733 his (Kyrie and Gloria) in B minor for the

neg: St George's School, Harpenden was opened. The school recently gained International School Status contributing to competitive admission to the boarding houses. Keswick School's motto "Levavi Oculos – Schola Georgiana" appears on the uniform badges. It derives from their School Hymn, "Assurgit", which is sung in Latin. "Levavi Oculos" means "I have lifted up mine eyes" and alludes to Psalm 121, beginning "I will lift up mine eyes unto the hills, from whence cometh my help; my help cometh even from the Lord, who hath made Heaven and Earth." In the sense of "I have raised my sights" this is equivalent to the English motto

neg: Abide with Me Through cloud and sunshine, Lord, abide with me. I fear no foe, with Thee at hand to bless; Ills have no weight, and tears no bitterness. Where is death's sting? Where, grave, thy victory? I triumph still, if Thou abide with me. Hold Thou Thy cross before my closing eyes; Shine through the gloom and point me to the skies. Heaven's morning breaks, and earth's vain shadows flee; In life, in death, O Lord, abide with me. </poem> The hymn tune most often used with this hymn is "Eventide" composed by William Henry Monk in 1861. Alternative tunes include: The

neg: Prevenient grace Spirit, asks you why; "he, who all your lives hath strove, wooed you to embrace his love"" (emphasis added). His hymn "Depth of Mercy" offers a prayer to God, ""Now incline me to repent", let me now my sins lament, now my foul revolt deplore, weep, believe, and sin no more" (emphasis added). "No one can say 'Jesus is Lord' except by the Holy Spirit. Every time we begin to pray to Jesus it is the Holy Spirit who draws us on the way of prayer by his prevenient grace." The Second Council of Orange of 529 stated that faith,

neg: Vespers For all things, Lord, glory to you.”; “And again in peace...”; “Blessing and glory...Now and always...Amen.”; “Peace to all.” Psalm 140 “Rescue me...(Aprets`o zis...)”; Psalm 141 “Lord I called unto you...(Tēr kardats`i ar k`ez...)”; Psalm 142 “With my voice I called out unto the Lord...(Dzayniw imov ar Tēr kardats`i...)”; “Glory to the Father...Now and always...Amen.” "At Sunday Vespers (Saturday Evening):" “Alleluia, Alleluia. Gladsome light...(Loys zouart`...)”; Exhortation for the blessing of candles: “Blessed Lord who dwells in the heights...(Awrhneal Tēr...)”; Proclamation: “Having assembled...(Hasealk`s...)”; Exhortation: “Having assembled...(Hasealk`s...)” Vespers Hymn (varies) "At Sunday Vespers (Saturday Night):" Proclamation: “Let us all say...(Asasts`owk`...)”; Exhortation: “We

neg: Matins "Blessed is our Lord Jesus Christ. Amen. Our father...Amen." Fixed Preface “Lord, if you open my lips, my mouth shall declare your praise.” (twice) Acclamation: “Blessed is the consubstantial and unitary Holy Trinity...Amen. Psalms: 3, 88, 102, 142 “Glory to the Father...now and always...Amen” Hymn of the Night Liturgy by Nerses Shnorhali: “Let us remember your name in the night, Lord...” Proclamation by John Mandakuni “Having all been awakened in the night from the repose of sleep...” “Lord, have mercy” (variable number of times: thrice for Sundays and feasts of Christ, 50 times for the feasts of saints, 100 times

neg: Wo Gott der Herr nicht bei uns hält Wo Gott der Herr nicht bei uns hält "" (, original: ) is a Lutheran hymn by Justus Jonas, a paraphrase of Psalm 124 in eight stanzas. It was first published in 1524 in the Erfurt "Enchiridion". The theme of the psalm is the need of help against raging enemies. It has been translated also as "Where the Lord God does not stand (stay) with us", "If God the Lord is not with us", "If God the Lord is not on our side", among others. Jonas wrote the hymn on a request by Martin Luther in 1524. He combined the

neg: Wo Gott der Herr nicht bei uns hält Altenburg, Christoph Graupner, Johann Hermann Schein and Heinrich Schütz, among others. Wo Gott der Herr nicht bei uns hält "" (, original: ) is a Lutheran hymn by Justus Jonas, a paraphrase of Psalm 124 in eight stanzas. It was first published in 1524 in the Erfurt "Enchiridion". The theme of the psalm is the need of help against raging enemies. It has been translated also as "Where the Lord God does not stand (stay) with us", "If God the Lord is not with us", "If God the Lord is not on our side", among others. Jonas wrote the hymn

neg: Follow On (hymn) Follow On (hymn) "Follow On", also known in certain cases as "Down In The Valley With My Saviour I Would Go" and "I Will Follow Jesus", is a Christian hymn written in 1878 by William Orcutt Cushing. The music for it was composed in 1880 by both Robert Lowry and W. Howard Doane. The hymn was originally written as a Baptist hymn and it is also used by the Salvation Army. The lyrics are based on the Biblical verse in Hosea 6:3. Cushing wrote this hymn in New York after he became a Christian minister in 1854; he started writing

neg: The Last Temptations hymn number 382 in the current Finnish hymnal of the Evangelical Lutheran Church of Finland, "My Lord, my God in all distress" (382) which is a reoccurring theme throughout the opera. A chorus containing the whole hymn concludes the opera. After the premiere, the opera has already had almost three hundred performances. Finnish National Opera toured with the work in seven cities abroad – including at New York's Metropolitan Opera. At the Finnish National Opera there have been three productions: 1975–1983 (directed by Sakari Puurunen) and 1994 (directed by Paavo Liski) and 2001 (directed by Jussi Tapola). The Savonlinna Opera

neg: K. Newell Dayley of the Music Department and Associate Dean of General Education and Honors. Dayley is currently serving as the dean for the School of the Arts at Utah Valley University. Among his works are "Bring Forth My Zion", "First You Have A Dream", the music to LDS hymn # 220 "Lord, I Would Follow Thee", words and music to "Faith in Every Footstep", and the music to "I Feel My Savior's Love", "Every Star is Different", "Hum Your Favorite Hymn", "Home" and "The World Is So Big" in the LDS Church Primary's "Children's Songbook". Dayley has also written musical sections for

neg: 10,000 Reasons (Bless the Lord) of Faith, Hope, and Thankfulness Inspired by the Worship Anthem". The song is a contemporary version of a classic worship song making the case for "10,000 reasons for my heart to find" to praise Jesus. The inspiration for the song came through the opening verse of Psalm 103: "Praise the Lord, my soul; all my inmost being, praise his holy name". It is also based on the 19th century English hymn "Praise, My Soul, the King of Heaven" written by Henry Francis Lyte. Redman recalled the writing of the song was through an initial idea or suggestion from co-writer Jonas

neg: Adoniram Judson Gordon work in the Congo. Gordon edited two hymn books and wrote the hymn tunes for at least fifteen hymns, including "My Jesus, I Love Thee," a hymn that has been included in nearly every evangelical hymnal published from 1876 to the present time. In his book "The Ministry of the Holy Spirit", Gordon wrote, "It seems clear from the Scriptures that it is still the duty and privilege of believers to receive the Holy Spirit by a conscious, definite act of appropriating faith, just as they received Jesus Christ" (see Baptism with the Holy Spirit). His most remembered work is

neg: Stand Up, Stand Up for Jesus gave a sermon at a YMCA meeting of over 5,000 men on Exodus 10:11, "Go now ye that are men, and serve the Lord", converting over 1,000 men listening in the crowd. The following month, Tyng was maimed in a farming accident. Before he died a few days after the accident he told his father "Tell my brethren of the ministry, wherever you meet them, to stand up for Jesus." Duffield then wrote the hymn based on those words, and also incorporated the phrase "Ye that are men now serve Him" from Tyng's memorable sermon the month before he died.

neg: I Surrender All thine; Let me feel the Holy Spirit, Truly know that thou art mine. "(Refrain)" All to Jesus I surrender, Lord, I give myself to thee, Fill me with thy love and power, Let thy blessing fall on me. "(Refrain)" All to Jesus I surrender; Now I feel the sacred flame. Oh, the joy of full salvation! Glory, glory, to his name! "(Refrain)" </poem> I Surrender All "I Surrender All" is a Christian hymn, with words written by American art teacher and musician Judson W. Van DeVenter (1855–1939), who subsequently became a music minister and evangelist. It was put to music

neg: George Nelson Allen children. In 1844 Oberlin published Allen's "Social and Sabbath Hymn Book", a collection of hymns. One of the hymn melodies in this book, entitled "Maitland", was used as the setting for "Must Jesus Bear the Cross Alone," whose words were originally written by Thomas Shepherd in 1693. Many years later Thomas A. Dorsey would use the melody as the setting to his own hymn, Precious Lord, Take My Hand, which became popular through its association with Martin Luther King Jr. and the Civil Rights Movement. In 1847 George Allen was appointed Professor of Geology and Natural History, in addition to

neg: Marriage in the Catholic Church preferred to it. No one compares evil with good. Let married women glory too, since they come second to virgins. "Increase", He says, "and multiply, and fill the earth". Let him who is to fill the earth increase and multiply. Your company is in heaven." Mocking a monk who accused him of condemning marriage, Jerome wrote: "He must hear at least the echo of my cry, 'I do not condemn marriage', 'I do not condemn wedlock'. Indeed — and this I say to make my meaning quite clear to him — I should like every one to take a wife

neg: Hymn of Veria (My Queen) tou Vorra (Panache of the North)", "Pame gia goal (Go for goal)", "Tou Megalexandrou paidi (Alexander's The Great child)". Hymn of Veria (My Queen) The Hymn of Veria or Vasilissa mou ("My Queen") is the anthem of the Greek football club Veria F.C., based in Veria. The lyrics were written in 2014 by the Greek songwriter Nektarios Mpirtos, who was also the composer. Charis Akritidis was the first to perform the anthem. Historically, the first hymn of Olympiacos was composed in 1960 by Giorgos Kalogirou. The new hymn of Veria is in use since 23 August 2015 and its style

neg: Hymn of Veria (My Queen) Hymn of Veria (My Queen) The Hymn of Veria or Vasilissa mou ("My Queen") is the anthem of the Greek football club Veria F.C., based in Veria. The lyrics were written in 2014 by the Greek songwriter Nektarios Mpirtos, who was also the composer. Charis Akritidis was the first to perform the anthem. Historically, the first hymn of Olympiacos was composed in 1960 by Giorgos Kalogirou. The new hymn of Veria is in use since 23 August 2015 and its style is pop/dance based. It was released on 23 August 2015 and its release also included three Veria-dedicated songs, "Kamari

neg: Nearer, My God, to Thee the United Kingdom, the hymn is usually associated with the 1861 hymn tune "Horbury" by John Bacchus Dykes, named for a village near Wakefield, England, where Dykes had found "peace and comfort". In the rest of the world, the hymn is usually sung to the 1856 tune "Bethany" by Lowell Mason. British Methodists prefer the tune "Propior Deo" (Nearer to God), written by Arthur Sullivan (of Gilbert and Sullivan) in 1872. Sullivan wrote a second setting of the hymn to a tune referred to as "St. Edmund". Mason's tune has also penetrated the British repertoire. The "Methodist Hymn Book" of

neg: How Great Thou Art as recently as the sixties it soon surpassed the older ones. No doubt about it, today it is the number one hymn in most languages; and might be called the Anthem of the Protestant/Evangelical Christian church. Eminent British hymnologist Erik Routley (born 31 October 1917; died 1982) so disliked both the hymn and its melody, he wrote a new text, “O Mighty God” and re-harmonised the Swedish tune in 1982. This was one of his last works before his death. His translation was included as hymn 466 in "Rejoice in the Lord: A Hymn Companion to the Scriptures" (1985). "O

neg: My Sweet Lord story. Using as his inspiration the Edwin Hawkins Singers' rendition of an eighteenth-century Christian hymn, "Oh Happy Day", Harrison continued working on the theme. He completed the song, with some help from Preston, once they had returned to London. The song's lyrics reflect Harrison's often-stated desire for a direct relationship with God, expressed in simple words that all believers could affirm, regardless of their religion. Author Ian Inglis observes a degree of "understandable" impatience in the first verse's line, ""Really want to see you, Lord, but it takes so long, my Lord"". By the end of the song's second verse,

neg: Liturgy of the Hours life: An Invitatory precedes the canonical hours of the day beginning with the versicle "Lord, open my lips. And my mouth will proclaim your praise" (Ps 50/51 v.17), and continuing with an antiphon and the Invitatory Psalm, usually Psalm 94/95. All psalms and canticles are accompanied by antiphons. Unless the Invitatory is used, each Hour begins with the versicle "God, come to my assistance. Lord, make haste to help me" (Ps 69/70 v.2), followed by a hymn. Each Hour concludes with a prayer followed by a short versicle and response. Matins or the Office of Readings is the longest hour.

neg: Orgelbüchlein Georg Neumark with the English translation of Catherine Winkworth. The melody was also composed by Neumark: it and the text were first published in his hymn book of 1657. The hymn tune was later set to other words, notably "" ("Who knows how near is my end?"). Neumark originally wrote the melody in time. Bach, however, like Walther, Böhm and Krebs, generally preferred a version in time for his fourteen settings in chorale preludes and cantatas: it appears in cantatas BWV 21, BWV 27, BWV 84, BWV 88, BWV 93, BWV 166, BWV 179 and BWV 197, with words taken

neg: Wem signify the Eckford name, called Eckford Park (within Wem). Each year, the Eckford Sweet Pea Society of Wem hold a sweet pea festival. In Victorian times, the town was known as "Wem, where the sweet peas grow". Brewing, initially a 'cottage industry', was carried out in Wem as early as 1700, when Richard Gough wrote of a contemporary in his "History of Myddle" a Latin aphorism he translated: "Let slaves admire base things, but my friend still/My cup and can with Wem's stoute ale shall fill." By 1900 a Shrewsbury and Wem Brewery Company traded on a widespread scale after

neg: Colin Campsie on Imbruglia's debut album "Left of the Middle". Campsie also co-wrote the Top 10 hit "I Quit" by Hepburn. He has also co-written the tracks "Ouch That Hurt!" and "Under My Skin" with Phil Thornalley, the latter appearing on Thornalley's only solo album "Swamp". Campsie also co-wrote "Mads Hauge" for US singer-songwriter Warren Avis' debut "Lucky Seven", the UK Top 10 hit "Cry Me Out" for Pixie Lott and rewrote the lyrics of the hymn "I Vow to Thee My Country" for The Chelsea Pensioners album, the song now titled "For King and Country". Other artists who have covered his

neg:
Liturgy of St. John Chrysostom (Leontovych) істинний
 Нехай повні будуть
 Єктенія подяки
 Нехай буде благословенне
 Слава Отцю і Сину "The Great Litany"
 "Bless the Lord, oh my soul; Short Litany"
"Only begotten Son; Short Litany"
"In Thy kingdom"
"Come let us worship"
"Oh holy God"
"Epistle, Alleluia"
"Reading of the Gospel"
"Trisagion: Lord, We Pray That You May Be Merciful"
"Cherubic Hymn"
"The Litany of Supplication"
"Father, Son and Holy Spirit"
"Creed"
"The Eucharistic Prayer: A Mercy Of Peace; We sing for Thee"
"Hymn to the Mother of God: It is worthy"
"The Lord's Prayer: Our Father"
"One is holy"
"Communion

neg: My Jesus I Love Thee My Jesus I Love Thee My Jesus I Love Thee is a poem written by William Ralph Featherston around 1864. He is said to have been either 12 or 16 years old when he wrote the poem. The first two lines of this poem are nearly the same as a hymn written by Caleb J. Taylor, published in 1804; this hymn is used as the basis for the song Imandra by Ananias Davisson in the "Supplement to the Kentucky Harmony" in 1820, reprinted in "Southern Harmony" in 1835. There are other similarities between Featherston's poem and camp-meeting songs published in

neg: My Jesus I Love Thee the 1820s onward. In 1876 Adoniram Gordon added music to Featherston's poem. Featherston died at the age of 27, well before his poem had become a well-known inspirational hymn. The poem is believed to have been his only publicly published work. According to Tim Challies, My Jesus I Love Thee My Jesus I Love Thee is a poem written by William Ralph Featherston around 1864. He is said to have been either 12 or 16 years old when he wrote the poem. The first two lines of this poem are nearly the same as a hymn written by Caleb J.

neg: Tell Fekheriye bilingual inscription resides in the city Sikani, lord of the Habur River, he has erected his statue." "Whoever removes my name from the objects in the temple of Adad, my lord, may my lord Adad not accept his food and drink offerings, may my lady Shala not accept his food and drink offerings. May he sow but not reap. May he sow a thousand (measures), but reap only one. May one hundred ewes not satisfy one spring lamb; may one hundred cows not satisfy one calf, may one hundred women not satisfy one child, may one hundred bakers not fill up one

neg: Cathedral of St Michael and St George, Aldershot in the south wall of the Royal Army Service Corps Memorial Chapel is dedicated to the memory of Julia Horatia Ewing, the wife of Colonel Alexander Ewing who wrote the hymn "Jerusalem the Golden". Mrs Ewing was an author who chronicled and illustrated the everyday life of the ordinary soldier in Aldershot. The reason some of the stained glass windows do not fill their niches is because these were moved to the cathedral following the closure of the Church of St Michael and St Sebastian in 1973. The ornate east end, with a rich 1930s mosaic on the reredos portraying

neg: O Sacred Head, Now Wounded now was Thine! Yet, though despised and gory, I joy to call Thee mine. Be Thou my consolation, my shield when I must die; Remind me of Thy passion when my last hour draws nigh. Mine eyes shall then behold Thee, upon Thy cross shall dwell, My heart by faith enfolds Thee. Who dieth thus dies well.</poem> O Sacred Head, Now Wounded "O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. Paul Gerhardt wrote a German version which is known by its incipit, "O Haupt voll Blut und Wunden".

neg: Erhalt uns, Herr, bei deinem Wort Erhalt uns, Herr, bei deinem Wort "" ("Keep us, Lord, faithful to your word" or "Lord, keep us in Thy Word and Work") is a Lutheran hymn by Martin Luther with additional stanzas by Justus Jonas, first published in 1542. It was used in several musical settings, including the chorale cantata by Johann Sebastian Bach, "Erhalt uns, Herr, bei deinem Wort", BWV 126. Luther wrote the hymn probably in 1541 when a prayer service was held in Wittenberg against the perceived danger of the Turks when Ferdinand of Austria lost most of Hungary to the Ottoman Empire at Siege of

neg: Boston Hymn for their labor: <poem> Pay ransom to the owner, And fill the bag to the brim. Who is the owner? The slave is the owner, And ever was. Pay him. </poem> This amounts also to a repudiation of the proposal that slaveowners be compensated for "property" lost in emancipation, a proposal Emerson himself once endorsed. In composing the poem, Emerson drew on ideas he had developed in his previous works, including essays, speeches, and other poems. He was influenced in particular by the Burns case. Boston Hymn "Boston Hymn" (full title: "Boston Hymn, Read in Music Hall, January 1, 1863")

neg: Scout prayer us in life and comfort us in death. O Lord our God, accept this prayer We pray to the lord, Amen. </poem> <poem>Dear Heavenly Father, Help to keep my honor bright And teach me that integrity of character Is my most priceless possession. Grant that I may do my best today, And strive to do even better tomorrow. Teach me that duty is a friend and not an enemy, And help me face even the most disagreeable task cheerfully. Give me the faith to understand my purpose and life, Open my mind to the truth and fill my heart with

neg: SS Ville du Havre cabin to tell him that they were passing over the spot where his four daughters had drowned. Spafford later wrote to Rachel, his wife's half-sister, "On Thursday last we passed over the spot where she went down, in mid-ocean, the waters three miles deep. But I do not think of our dear ones there. They are safe, folded, the dear lambs". During that same voyage, Spafford composed the beloved Protestant hymn "It Is Well with My Soul". Philip Bliss, who composed the music for the hymn, called his tune "Ville du Havre", after the sunken vessel. SS Ville du Havre

neg: Martin Luther 51, Luther's expanded hymn was also adopted for use with the fifth part of Luther's catechism, concerning confession. Luther wrote "Ach Gott, vom Himmel sieh darein" ("Oh God, look down from heaven"). "Nun komm, der Heiden Heiland" (Now come, Savior of the gentiles), based on "Veni redemptor gentium", became the main hymn (Hauptlied) for Advent. He transformed "A solus ortus cardine" to "" ("We should now praise Christ") and "Veni Creator Spiritus" to "" ("Come, Holy Spirit, Lord God"). He wrote two hymns on the , "" and "Mensch, willst du leben seliglich". His "Gelobet seist du, Jesu Christ" ("Praise

neg: Martin Luther be to You, Jesus Christ") became the main hymn for Christmas. He wrote for Pentecost "Nun bitten wir den Heiligen Geist", and adopted for Easter "" (Christ is risen), based on Victimae paschali laudes. "", a paraphrase of Nunc dimittis, was intended for Purification, but became also a funeral hymn. He paraphrased the Te Deum as "Herr Gott, dich loben wir" with a simplified form of the melody. It became known as the German Te Deum. Luther's 1541 hymn "" ("To Jordan came the Christ our Lord") reflects the structure and substance of his questions and answers concerning baptism in

neg: Alec Garden Fraser when they required hammering; they scrubbed floors and washed windows." Classes commenced at Achimota School on 27 February 1926, then known as the "Prince of Wales College and School" and it was formally opened by the Governor, Sir Guggisberg, on 28 January 1927. When Dr. Aggrey died in the USA on 30 July 1927, Rev. Fraser wrote: 'Williams could fill my place. No one can fill Aggrey's. It was he who persuaded me to go to Achimota in the first place, and I made it a condition of my going that he should come with me and help me to

neg: Sutton-on-Trent the Lord will go with me ; accordingly she tied a small bundle of cloths to her side, took her two sticks, and arrived by eight o'clock. "No sooner had she taken some refreshment, than she began to sing a hymn. I said, " well my friend you appear to have got here better than one could expect at your time of life. "O yes," she replied, " and my heart is full of joy ; and I believe the Lord will carry me through the duties before me this day." She gave in her experience before the church with

neg: Pamban Swamigal his deep love for Palani Murugan. His Sanskrit teacher named him as Kumara Guru and also as Pāmban Swāmigal because Swami lived and left his family at Pāmban Island. Pamban Swami's full name is Adhyaasrama Suddha Vaidheega Saiva Siddhantha Gnanabānu, which means Pamban Swami is full of sayasi. He was a sanyasi who followed the suddha advaita in the Vaideha way of Saiva Siddhanta in the Dāsa Marga. In his lifetime Pamban Swami wrote 6,666 poems, 32 viyasams and 1000 names of Lord Murugan. By reading his Gnānamūrtham hymn one will benefit in both worlds. He composed poems on Lord

neg:
Jerusalem On High Jerusalem On High Jerusalem On High is a hymn written by minister Samuel Crossman and music composed by Charles Steggall. Jerusalem on high, my song that city is,
 My home whene’er I die, the center of my bliss;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? There dwells my Lord, my King, judged here unfit to live;
 There angels to Him sing and lowly homage give;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? The patriarchs of old there from their travels cease;
 The prophets there

neg: John A. Widtsoe "Dry-Farming: A System of Agriculture for Countries Under a Low Rainfall" (New York: MacMillan, 1920) and "Dodge's Geography of Utah". Widtsoe wrote two autobiographies. The first, "In the Gospel Net", largely focused on his mother's conversion to the LDS Church. The second, "In a Sunlit Land", told the story of his later life, and also included explanations of his educational philosophy. Widtsoe wrote the hymn "How Long, O Lord Most Holy and True", which appears as hymn number 126 in the current LDS hymnal. Widtsoe died in Salt Lake City, Utah, of uremia; he also had prostate cancer for a

neg: William Williams Pantycelyn collection of hymns in Welsh. It was followed by further collections: He also published two collections of English hymns: Possibly his best known hymn is "Arglwydd, arwain trwy'r anialwch" (in English, "Lord, lead thou through the wilderness"). This has been adapted as the English-language hymn: "Guide Me, O Thou Great Jehovah" or "Guide Me, O Thou Great Redeemer". It is usually sung to the tune "Cwm Rhondda" by John Hughes. His hymns were not his only major contribution to the success of Calvinistic Methodism. He wrote two long poems on theological and religious themes: He also wrote a series of

neg: Abide with Me hymn, the tune we sing it most to is Eventide by William Henry Monk. Lyte wrote many hymns during his lifetime, much of which was spent in Brixham, England including "Praise my soul, the King of Heaven" and "Jesus, I My Cross Have Taken". He had always loved the musical side of worship. The hymn is a prayer for God to remain present with the speaker throughout life, through trials, and through death. The opening line alludes to , ""Abide with us: for it is toward evening, and the day is far spent"", and the penultimate verse draws on text

neg: Den Herren will ich loben Den Herren will ich loben "" (I want to praise the Lord) is a Christian hymn by Maria Luise Thurmair, based on the Magnificat and set to a 1613 melody by Melchior Teschner, which was used for "Valet will ich dir geben". The hymn in three stanzas of eight lines was first written in 1954, and revised in 1971. It appeared in the Catholic hymnal "Gotteslob" in 1975, and in the current "Gotteslob", but also in a German Protestant hymnal. A general song of praise, it has been set to music several times. Maria Luise Thurmair wrote the hymn first

neg: Christ ist erstanden his own paraphrase of "Victimae paschali laudes", "Christ lag in Todesbanden", published in 1524. Since then, it has been printed in German-language Protestant hymnals up to "Evangelisches Gesangbuch" (EG 99). It is also part of the current German-language Catholic hymnal "Gotteslob" (GL 318, 213 in the 1975 version), without Luther's alteration. The hymn has appeared in 45 hymnals. Michael Weisse, a minister of the Bohemian Brethren, wrote a hymn "Christ ist erstanden" in seven stanzas, using the same melody. Catherine Winkworth translated that hymn to "Christ the Lord Is Risen Again!", published in 1858, which has appeared in 231 hymnals.

neg: St Clement (hymn tune) St Clement (hymn tune) St Clement, in 98. 98. meter, is a popular British tune to John Ellerton's hymn "The Day Thou Gavest, Lord, is Ended". The tune is generally credited to the Rev. Clement Cotteril Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan's "Church Hymns with Tunes" (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. However, in 2000 the Rev. Ian Bradley, reader in Church History and Practical Theology at St Andrews University and author of "The Daily Telegraph Book of Hymns", wrote of a connection between Sullivan,