query: who wrote the hymn on christ the solid rock i stand

pos: My Hope Is Built on Nothing Less States as the "Navy Hymn"). My Hope Is Built on Nothing Less "My Hope Is Built on Nothing Less" is a Christian hymn written by Edward Mote, a pastor at Rehoboth Baptist Church in Horsham, West Sussex. Mote wrote around 100 hymns, this one, which he wrote in 1834, being the best known of his. The hymn "My Hope Is Built on Nothing Less" was published anonymously in several hymn collections before first being attributed to Edward Mote in a collection of approximately 100 of his hymns published in 1837 under the title "Hymns of Praise, A New Selection of

pos: Edward Mote solid Rock I stand, All other ground is sinking sand'. A collection of approximately 100 of his hymns was published under the title "Hymns of Praise, A New Selection of Gospel Hymns, Combining All the Excellencies of our Spiritual Poets, with Many Originals". Edward Mote Edward Mote was a pastor and hymn writer. Born in London on 21 January 1797, his parents managed a pub and often left Edward to his own devices playing in the street. Speaking of these childhood years he once said, "So ignorant was I that I did not know that there was a God." He

neg: My Hope Is Built on Nothing Less sung together as a medley. "Solid Rock" has also been sung as a medley with "In Christ Alone" written by Keith Getty and Stuart Townend. Desperation Band released a similarly-titled song "Solid Rock" on their 2009 album "Light Up the World". But the track is a completely different song (both in lyrics and in music) using the expression "On Christ this solid rock I stand / All other ground is sinking sand" in a musical bridge (or breakstrain). Hillsong Music released in 2012 a worship song as the title track to "Cornerstone", which uses the lyrics of "My Hope Is

neg: Herr Jesu Christ, du höchstes Gut Herr Jesu Christ, du höchstes Gut "" (Lord Jesus Christ, you highest good) is the beginning of two Lutheran hymns. One is a penitential hymn, written in 1588 by Bartholomäus Ringwaldt, who possibly also created the melody. The other is an anonymous communion hymn, probably based on the former, which appeared first in 1713. Johann Sebastian Bach's used the penitential hymn several times, including the chorale cantata , based on the hymn. Bartholomäus Ringwaldt wrote the lyrics of the penitential hymn in 1588, and possibly also created the melody. He wrote eight stanzas, beginning "" (Lord Jesus Christ, you highest

neg: Parable of the Wise and the Foolish Builders 1834), which begins: <poem> My hope is built on nothing less Than Jesus' blood and righteousness. I dare not trust the sweetest frame, But wholly trust in Jesus' Name. On Christ the solid Rock I stand, All other ground is sinking sand; All other ground is sinking sand.</poem> Parable of the Wise and the Foolish Builders The Parable of the Wise and the Foolish Builders, (also known as the House on the Rock), is a parable of Jesus appearing in the Gospel of Matthew () and Luke (). The parable illustrates the importance of building one's life on obedience to

neg: Saint Patrick's Breastplate the mouth of every man who speaks of me, Christ in every eye that sees me, Christ in every ear that hears me. Salvation is of the Lord. Salvation is of the Lord. Salvation is of the Christ. May your salvation, O Lord, be ever with us. </poem> C. F. Alexander (1818–1895) wrote a hymn based on St. Patrick's Breastplate in 1889 at the request of H. H. Dickinson, Dean of the Chapel Royal at Dublin Castle. Dean Dickinson wrote about this: I wrote to her suggesting that she should fill a gap in our Irish Church Hymnal by giving

neg: My Hope Is Built on Nothing Less Mote brings his hymn full circle with the ultimate realization of God's grace. The lyrics vary somewhat among various hymnals, but customarily the phraseology adheres to Mote's original. The hymn became very popular and has been subject of many interpretations and covers. "My Hope Is Built on Nothing Less" has served as basis of other hymns such as "Solid Rock" that use the same refrain. The tune SOLID ROCK to which Mote's words are most commonly set was composed by William B. Bradbury in 1863. Many times, both "My Hope Is Built on Nothing Less" and "Solid Rock" hymns are

neg: Christ the Lord Is Risen Today Christ the Lord Is Risen Today "Christ the Lord Is Risen Today" is a Christian hymn associated with Easter. Most of the stanzas were written by Charles Wesley, and the hymn appeared under the title "Hymn for Easter Day" in "Hymns and Sacred Poems" by Charles and John Wesley in 1739. The hymn eventually became well known for its repetitive "Alleluias" sung after each line, which were added by an unknown author to fit the commonly used hymn tune of "Easter Day". It remains a traditional processional hymn on Easter Sunday. Charles Wesley, the co-founder of the Methodist Church, wrote

neg: Adoniram Judson Gordon work in the Congo. Gordon edited two hymn books and wrote the hymn tunes for at least fifteen hymns, including "My Jesus, I Love Thee," a hymn that has been included in nearly every evangelical hymnal published from 1876 to the present time. In his book "The Ministry of the Holy Spirit", Gordon wrote, "It seems clear from the Scriptures that it is still the duty and privilege of believers to receive the Holy Spirit by a conscious, definite act of appropriating faith, just as they received Jesus Christ" (see Baptism with the Holy Spirit). His most remembered work is

neg: Charlotte Elliott churchyard of St Andrew's, Hove. Elliott was a distant relative of Virginia Woolf. Elliott wrote about 150 hymns and many poems, some of which were printed anonymously, with "Just As I Am" probably the best known. Dr Billy Graham wrote that his team used this hymn in almost every one of their crusades, since it presented "the strongest possible Biblical basis for the call of Christ." The historian of hymnody Kenneth Osbeck wrote that "Just As I Am" had "touched more hearts and influenced more people for Christ than any other song ever written." Christian writer Lorella Rouster called it

neg: Solid Rock Radio Solid Rock Radio Solid Rock Radio was founded by William Moore in June 2006. Solid Rock Radio is founded on the solid rock of Jesus Christ, with the principle of bringing the Word of God through music and programming. William's vision for the station is to reach the lost with the message of Jesus Christ through music. Although Solid Rock Radio has not yet filed for Non Profit status the station relies on listeners for operational cost. Programming includes music by such artist as Skillet, RED, Decyfer Down, 7eventh Time Down, Ashes Remain, Lecrae, Set For The Fall, Disciple, We

neg: J. Stuart Russell to the admiration of attendants and medical advisers, with a manly and even cheerful patience, upheld by his Christian faith. Again and again he repeated the words, "On Christ the solid rock I stand!" Moreover, his physical trials were happily relieved, as those of his sainted wife had been, by the tender solicitude and untiring devotion of an only daughter. From her arms and those of her one brother, the father passed peacefully away on 5 October 1895, in the 79th year of his age and the fifty-second year of his ministry. Russell is buried in the Kensal Green Cemetery.

neg: Solid Rock Records I have very few plans for Solid Rock at all. Originally, I started Solid Rock as a way of helping other young artists become established. My plan has always been to provide them with an intense education, support their efforts with concerts and record production, and then graduate them into the mainstream where they can stand on their own feet. I've been able to get Randy Stonehill to the point where Myrrh Records has signed him directly, while others, like Mark Heard, Tom Howard, and Daniel Amos have all signed with different American companies like New Pax. I've helped about

neg: Soldiers of Christ, Arise Soldiers of Christ, Arise "Soldiers of Christ, Arise" is an 18th-century English hymn. The words were written by Charles Wesley (1707–1788), and the first line ("Soldiers of Christ, arise, and put your armour on") refers to the armour of God in Ephesians 6:10–18. Wesley initially wrote the hymn as a poem titled "The Whole Armour of God, Ephesians VI" in 1747 and was used to defend against criticism of Methodism in the United Kingdom. During their evangelical careers, both Charles Wesley and his brother John Wesley received physical abuse because of them. As a result, this hymn was written and

neg: Onward, Christian Soldiers as a good soldier of Jesus Christ." The lyric was written as a processional hymn for children walking from Horbury Bridge, where Baring-Gould was curate, to Horbury St Peter's Church near Wakefield, Yorkshire, at Whitsuntide in 1865. It was originally entitled, "Hymn for Procession with Cross and Banners." According to the Centre for Church Music, Baring-Gould reportedly wrote "Onward, Christian Soldiers" in about 15 minutes, later apologising, "It was written in great haste, and I am afraid that some of the lines are faulty." He later allowed hymn-book compilers to alter the lyrics. For example, "The Fellowship Hymn Book", with

neg: Phoebe Knapp of Palmer's. She wrote over 500 hymn tunes, the most familiar being the tune now called "Assurance" for Fanny Crosby's lyrics "Blessed Assurance". Another hymn by Fanny Crosby for which Knapp wrote the music is "Nearer the Cross". Other hymn tunes by Knapp include "Albertson", the tune for "Jesus Christ is Passing By" by J. Denham Smith, and for "When My Love to Christ Grows Weak" by John R. Wreford. Her tune "Consecration" has been matched to "My Spirit Soul and Body" by Mary Dagworthy James. Phoebe Palmer Knapp also wrote sacred choral and solo works, perhaps the best known

neg: Lionel de Jersey Harvard of civilization [i.e. World War I] to stand for their historic ideals of freedom": His hymn reflected similar themes: Speaking to the Alumni Association immediately after receiving his diploma he said, "I have had four years here full to the brim of happiness and ever-increasing joy... I can never say enough in gratitude. When I say 'Thank you!' that word was never charged with more fervor." He later wrote to Howe: "I have never been able to find out who were the gentlemen who have been so generously looking after me in money matters whilst I have been in Cambridge.

neg: Martin Luther be to You, Jesus Christ") became the main hymn for Christmas. He wrote for Pentecost "Nun bitten wir den Heiligen Geist", and adopted for Easter "" (Christ is risen), based on Victimae paschali laudes. "", a paraphrase of Nunc dimittis, was intended for Purification, but became also a funeral hymn. He paraphrased the Te Deum as "Herr Gott, dich loben wir" with a simplified form of the melody. It became known as the German Te Deum. Luther's 1541 hymn "" ("To Jordan came the Christ our Lord") reflects the structure and substance of his questions and answers concerning baptism in

neg: In Christ Alone by this hymn." Meanwhile, Bob Terry of The Alabama Baptist wrote that he agreed with satisfaction theory, but "if the meaning of 'wrath' is that God is vindictive and took joy in punishing His Son then that is not how I find God described in the Bible. As I understand the Bible, it was because 'God so loved the world' that He was willing 'to crush Him and cause Him to suffer.'" In Christ Alone "In Christ Alone" is a popular modern Christian song written by Keith Getty (Northern Ireland) and Stuart Townend (England), both songwriters of Christian hymns and

neg: Christ lag in Todes Banden, BWV 4 letter to the Corinthians ("Christ is our Easter lamb" – ) and from the Gospel of Mark (the Resurrection of Jesus – ). The reformer Martin Luther wrote several hymns in German to be used in church services. His hymn "" was based on the Latin hymn "", and first published in 1524. It became a main Easter hymn in German Lutheranism. The hymn stresses the struggle between Life and Death. The third stanza refers to the "sting of death", as mentioned in 1 Corinthians 15. The fifth stanza relates to the "", the Paschal Lamb. The sacrificial "blood" ("Its

neg: Herr Jesu Christ, du höchstes Gut good, you fountain of all mercy). An anonymous poet, who was probably inspired by Ringwaldt's song, wrote a communion hymn of three stanzas, beginning "" (Lord Jesus Christ, you highest good, who invited us), taking not only the first line, but also the rhyme of the second from Ringwaldt's hymn. Its theology follows writing by Johann Arndt, who had written in "Sechs Bücher vom wahren Christentum" that God is good and the highest good, which can be tasted in his sacrament. The song appeared first in Chemnitz in 1713 in the hymnal "Vollständiges Chemnitzer Gesangbuch". The melody refers to Ringwaldt's

neg: Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt published in 2013, on a French translation of the hymn. Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt "" (Jesus Christ, our Savior, who turned God's wrath away from us) is a Lutheran hymn in ten stanzas by Martin Luther for communion, first published in 1524 in the "Erfurt Enchiridion". It is one of Luther's hymns which he wrote to strengthen his concepts of reformation. The models for the text and the melody of Luther's hymn existed in early 15th-century Bohemia. The text of the earlier hymn, "Jesus Christus nostra salus", goes back to the late 14th century.

neg: Christ ist erstanden his own paraphrase of "Victimae paschali laudes", "Christ lag in Todesbanden", published in 1524. Since then, it has been printed in German-language Protestant hymnals up to "Evangelisches Gesangbuch" (EG 99). It is also part of the current German-language Catholic hymnal "Gotteslob" (GL 318, 213 in the 1975 version), without Luther's alteration. The hymn has appeared in 45 hymnals. Michael Weisse, a minister of the Bohemian Brethren, wrote a hymn "Christ ist erstanden" in seven stanzas, using the same melody. Catherine Winkworth translated that hymn to "Christ the Lord Is Risen Again!", published in 1858, which has appeared in 231 hymnals.

neg: Ich ruf zu dir, Herr Jesu Christ, BWV 177 Julian Mincham observes a "journey from uncertainty and doubt to warmth and acceptance and finally to rejoicing and jubilation". In the finale chorale Bach used ornamentation for expressiveness. The listing is taken from the selection on the Bach Cantatas Website. Ich ruf zu dir, Herr Jesu Christ, BWV 177 Johann Sebastian Bach composed the church cantata (I call to You, Lord Jesus Christ), 177. He wrote the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732. The cantata text is formed by the unchanged five stanzas of Johann Agricola's hymn. Bach

neg: Christ the Lord Is Risen Today not known why this was done, but it is speculated by hymn analysts that it was to ensure that the hymn fit the tune of "Easter Hymn". The hymn led to a more popular awareness of Alleluia being used for Easter to celebrate the Resurrection of Jesus. The Methodist historian Bernard Lord Manning said about it: But in the evening at the chapel, though I was uncertain about the prayers, there was no gamble about the hymns. I knew we should have Charles Wesley's Easter hymn, "Christ the Lord Is Risen Today," with its 24 "Alleluias": and we did have

neg: Christ unser Herr zum Jordan kam made sense to use a tune for a hymn about God's grace for a specific expression of that grace in baptism. Walter revised the four-part setting from 1524 with the melody in the tenor, adapting it to the different text. It was published in 1550. Luther wrote the hymn focused on baptism as part of his teaching about Lutheran concepts, possibly as the last hymn he wrote. Luther held sermons about baptism in the Easter week of 1540; it seems likely that he wrote the hymn in that context. It is closely connected to Luther's teaching about baptism in his

neg: Good Friday the service, all come forward to kiss the feet of Christ on the cross. After the Canon, a brief, moving hymn, "The Wise Thief" is chanted by singers who stand at the foot of the cross in the center of the nave. The service does not end with the First Hour, as usual, but with a special dismissal by the priest: May Christ our true God, Who for the salvation of the world endured spitting, and scourging, and buffeting, and the Cross, and death, through the intercessions of His most pure Mother, of our holy and God-bearing fathers, and of

neg: William Clayson associated with the LDS Sunday School in Payson, and all his hymn tunes were written as accompaniments to words by Joseph L. Townsend, who was also associated with the Sunday School in Payson. William Clayson William Clayson (1840–1887) was a Latter-day Saint hymnwriter who wrote the music of "The Day Dawn is Breaking"; "Nearer, Dear Savior, to Thee"; "Hope of Israel"; "O Thou Rock of Our Salvation"; "The Iron Rod" and "Oh, What Songs of the Heart". Clayson was born in England. He joined The Church of Jesus Christ of Latter-day Saints (LDS Church) in 1855. In 1859 he served

neg: Augustus Toplady "I was not then, however, sufficiently delivered from the fear of man." In 1762, Edward Willes, the Bishop of Bath and Wells, ordained Toplady as an Anglican deacon, appointing him curate of Blagdon, located in the Mendip Hills of Somerset. Toplady wrote his famous hymn "Rock of Ages" in 1763. A local tradition – discounted by most historians – holds that he wrote the hymn after seeking shelter under a large rock at Burrington Combe, a magnificent ravine close to Blagdon, during a thunderstorm. Upon being ordained priest in 1764, Toplady returned to London briefly, and then served as curate

neg: Frederick Bridge "The Repentance of Nineveh" (oratorio, Joseph Bennett, 1890); "The Inchape Rock" (ballad, Robert Southey, 1891); "The Cradle of Christ: Stabat mater speciosa" (canticle, J.M. Neale, 1894); "The Flag of England" (ballad, Rudyard Kipling, 1899); "The Forging of the Anchor" (dramatic scene, S. Ferguson, 1901); "The Lobster's Garden Party" (cantata, S. Wensley, 1904); "A Song of the English" (ballad, Kipling, 1911); and "Star of the East" (Christmas fantasy, Lady Lindsay, 1922). Bridge also wrote and edited many carols, and was editor of the "Westminster Abbey Hymn-Book" and the "Wesleyan Hymn-Book". Among his shorter works are many songs, both comic and serious.

neg: William, Duke of Saxe-Weimar head of the society on 8 May 1651, a position that he retained to the end of his life. In contrast to his predecessor, however, he was essentially limited to representative tasks. In Weimar on 23 May 1625, Wilhelm married Eleonore Dorothea, daughter of John George I, Prince of Anhalt-Dessau. They had nine children: Wilhelm wrote the words for the hymn "Herr Jesu Christ, dich zu uns wend" in 1648. The hymn was sung on Sundays in Thüringen after the priest had entered the pulpit to give his sermon. With a melody that dates back to 1628, it has entered

neg: Ich ruf zu dir, Herr Jesu Christ, BWV 177 Ich ruf zu dir, Herr Jesu Christ, BWV 177 Johann Sebastian Bach composed the church cantata (I call to You, Lord Jesus Christ), 177. He wrote the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732. The cantata text is formed by the unchanged five stanzas of Johann Agricola's hymn. Bach composed the cantata in Leipzig as late as 1732 in order to complete his second annual cycle of chorale cantatas of 1724/25, which lacked a cantata for the Fourth Sunday after Trinity because that Sunday had been the Feast of

neg: Martin Luther 51, Luther's expanded hymn was also adopted for use with the fifth part of Luther's catechism, concerning confession. Luther wrote "Ach Gott, vom Himmel sieh darein" ("Oh God, look down from heaven"). "Nun komm, der Heiden Heiland" (Now come, Savior of the gentiles), based on "Veni redemptor gentium", became the main hymn (Hauptlied) for Advent. He transformed "A solus ortus cardine" to "" ("We should now praise Christ") and "Veni Creator Spiritus" to "" ("Come, Holy Spirit, Lord God"). He wrote two hymns on the , "" and "Mensch, willst du leben seliglich". His "Gelobet seist du, Jesu Christ" ("Praise

neg: Soldiers of Christ, Arise making reference to John Milton's poem, Paradise Lost where it says "Satan, with vast and haughty strides advanced, Came towering, armed in adamant and gold." This suggests that Wesley intended for the hymn to be for Christians to use Satan's ways against him. Wesley wrote a unique piece of music entitled "Soldiers of Christ" for the hymn to be set to. However the hymn has been set to other tunes as well. One of several tunes for the hymn is by William P. Merrill (1867–1954) however, the main alternative piece of music that is used for the hymn is ""Diademata""

neg: Rock of Ages (Christian hymn) his anti-religious father, which figures in one of his hallucinations. The hymn has appeared in other languages including German (as "Fels der Ewigkeit") and Swedish ("Klippa, du som brast för mig"). There were also Latin translations by William Gladstone as "Jesus, pro me perforatus" and by Canadian linguist Silas Tertius Rand as "Rupes saeculorum, te." On reading this version, Gladstone wrote to Rand, "I at once admit that your version is more exact than mine". This hymn was also translated to Telugu, a south Indian language spoken by nearly eighty million people. The hymn is included in "Andhra Christava Keerthanalu",

neg: Pallava dynasty ornate monuments and temples in southern India, carved out of solid rock, were introduced under his rule. He also wrote the play "Mattavilasa Prahasana". The Pallava kingdom began to gain both in territory and influence and were a regional power by the end of the 6th century, defeating kings of Ceylon and mainland Tamilakkam. Narasimhavarman I and Paramesvaravarman I stand out for their achievements in both military and architectural spheres. Narasimhavarman II built the Shore Temple. The kings that came after Paramesvaravarman II belonged to the collateral line of Pallavas and were descendants of Bhimavarman, the brother of Simhavishnu. They

neg: San Marco Altarpiece Man and God. In "Dialogue", Dominican Saint Catherine of Siena wrote "Christ is a bridge stretching from heaven to earth, joining the earth of man’s humanity with the greatness of the Godhead." The crucifixion pax, which as aforementioned is used to allow the viewer to approach the painting to a certain point, also bridges Christ's Passion and the world of God to the world of Man. It emphasizes the remoteness of the painted realm, but also the possibility of transcendence through Christ and sacrifice. Matin's Hymn is another text Angelico alludes to in the painting. The hymn says, "He who

neg: Soldiers of Christ, Arise one of only a few Methodist hymns that overtly referred to battles or the notion of Christians as soldiers. Soldiers of Christ, Arise "Soldiers of Christ, Arise" is an 18th-century English hymn. The words were written by Charles Wesley (1707–1788), and the first line ("Soldiers of Christ, arise, and put your armour on") refers to the armour of God in Ephesians 6:10–18. Wesley initially wrote the hymn as a poem titled "The Whole Armour of God, Ephesians VI" in 1747 and was used to defend against criticism of Methodism in the United Kingdom. During their evangelical careers, both Charles Wesley

neg: Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt "" (Jesus Christ, our Savior, who turned God's wrath away from us) is a Lutheran hymn in ten stanzas by Martin Luther for communion, first published in 1524 in the "Erfurt Enchiridion". It is one of Luther's hymns which he wrote to strengthen his concepts of reformation. The models for the text and the melody of Luther's hymn existed in early 15th-century Bohemia. The text of the earlier hymn, "Jesus Christus nostra salus", goes back to the late 14th century. That hymn was embedded in a Hussite tradition. The model

neg: Just As I Am (hymn) and heaven. "Probably without difficulty or long pause" she wrote the hymn, getting comfort by thus definitely "recollecting" the eternity of the Rock beneath her feet. There, then, always, not only for some past moment, but " even now " she was accepted in the Beloved "Just as I am". <poem> Just as I am - without one plea, But that Thy blood was shed for me, And that Thou bidst me come to Thee, -O Lamb of God, I come! Just as I am - and waiting not To rid my soul of one dark blot, To Thee, whose

neg: Solid Rock Radio Are Vessel, Zahna, Random Hero, As We Ascend and more. William Moore founded Solid Rock Radio in June 2006. His vision for the station is to obtain non-profit status from the IRS and ultimately raise funds for a full FM station. He believes in the power of ministry and music, combined they can have a powerful effect on your faith. Solid Rock Radio Solid Rock Radio was founded by William Moore in June 2006. Solid Rock Radio is founded on the solid rock of Jesus Christ, with the principle of bringing the Word of God through music and programming. William's

neg: Imparted righteousness imparted righteousness. This comes through in the Wesleyan hymnody such as his famous hymn "And can it be". The last verse reads: No condemnation now I dread; Jesus, and all in Him, is mine ! Alive in Him, my living Head, And clothed in righteousness divine, Bold I approach the eternal throne, And claim the crown, through Christ my own. Clothed in righteousness divine. Ephesians 6:14 [TNIV] says "Stand firm then with the belt of truth buckled around your waist, with the "breastplate of righteousness" in place..." Preachers and theologians from various Protestant traditions (not only Wesleyan) use the term

neg: Chuck Pagano is a Christian. Pagano spoke about his faith during his acute promyelocytic leukemia treatment saying, "While the alias on my ID bracelet may have read 'The Rock,' [Tina and I] both believed that Christ is the solid Rock who would see us through this." He and his wife Tina are the parents of three daughters: Tara, Taylor and Tori. Chuck Pagano Charles David Pagano (born October 2, 1960) is an American football coach and former player. He was the head coach of the Indianapolis Colts of the National Football League (NFL) from 2012 to 2017, and also served as the

neg: Passion Hymns Charge before Pilate Hymn XXI. Herod's Curiosity and the Gorgeous Robe Hymn XXII. The Demand for Crucifixion Hymn XXIII. The Scourging of Christ Hymn XXIV. The Scarlet Robe and Crown of Thorns Hymn XXV. Christ led from the Judgment Hall Hymn XXVI. Christ and Pilate Hymn XXVII. Pilate and the Jews Hymn XXVIII. Pilate's unjust Judgment Hymn XXIX. Release of Barabbas Hymn XXX. Christ bears His Cross Hymn XXXI. Christ's Address to the Women Hymn XXXII. The Green and the Dry Tree Hymn XXXIII. The Crucifixion of Christ Hymn XXXIV. The First Cry from the Cross Hymn XXXV. The Superscription

neg: Solid Rock Records Norman, the purpose of Solid Rock was "to help other artists who didn't want to be consumed by the business of making vinyl pancakes but who wanted to make something 'non-commercial' to the world". Solid Rock "was a community of shared ideas and discussion. Artists would work on each other's projects and even tour together. It seems to have been a place where they were trying to create art that would cross over. Larry Norman in particular had a desire to not simply create Christian music but music that was from a Christian worldview that would stand up in the

neg: Innellan Church and one Episcopal. Two of them still stand; the former West Church is now converted to a house, and the remaining (and still functioning) church was the charge of the Reverend Dr George Matheson, the blind minister who wrote the hymn "Oh Love that wilt not let me go." He wrote this hymn after he had been jilted by his fiancee when he became blind and wrote it in his study at the manse. The only history of Innellan ever printed was written by the Rev John Hill, minister of the West Church, in 1950. It is now out

neg: Hymn 43 Hymn 43 "Hymn 43" is a song by British progressive rock group Jethro Tull. It is off their "Aqualung" album and was released as a single by Reprise Records. The song reached 91 on the Billboard Hot 100. Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the U.S.A. and in quick order sets

neg: Lord of the Dance (hymn) by Jesus, but also partly by a statue of the Hindu God Shiva as Nataraja (Shiva's dancing pose) which sat on his desk, and was partly intending simply to give tribute to Shaker music. He later stated, "I did not think the churches would like it at all. I thought many people would find it pretty far flown, probably heretical and anyway dubiously Christian. But in fact people did sing it and, unknown to me, it touched a chord ... Anyway, it's the sort of Christianity I believe in." Sydney Carter wrote: I see Christ as the incarnation of the

neg: Solid Rock Records days later, Daniel Amos refused to back Norman as previously agreed due to their unfolding legal action against Norman, forcing Norman to recruit another group of musicians. During this performance, Norman sang for the first time, "May Your Feet Stay On The Path", as a beatific benediction to the Solid Rock artists he had released. Norman explained in 2001: "It's a song I wrote for all my artists because I wasn't going to work with them any more. So I stayed up one night praying all night and working on this song asking God to help me bless the artists

neg: Tom Glazer recorded for Kapp Records with the Do-Re-Mi Children's Chorus. The song was later included on an LP record that also included such numbers as one of the first cover versions of "Puff, the Magic Dragon", as well as "Battle Hymn of the Children" and other children's songs. Glazer was to become ambivalent towards his creation. He was to fantasize that "I'm standing in line before the Pearly Gates in the musicians' line, in which I stand last. When I'm asked what have I done in music and I say I wrote 'On Top of Spaghetti', I'm told, "Sorry, buster, you

neg: Charlotte Elliott of her relationship with Christ. So she penned her words of assurance about Jesus loving her "just as she was". William B. Bradbury composed music for her lyrics and published the song in 1849. The hymn was translated into many languages, with tens of thousands of people committing their lives to Christ during the playing of it. She also wrote “My God and Father while I stray”, 1834, in the same collection. Elliott was the author of "Hymns for a week", 1837, "40th thousand", 1871; "Hours of Sorrow", 1836 and many later editions, "Poems by C. E.", 1863. An invalid

neg: Morning Has Broken written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, "Christ Be Beside Me" and "This Day God Gives Me", both of which were adapted from the traditional Irish hymn "St. Patrick's Breastplate". Another Christian hymn, "Baptized In Water", borrows the tune. Writing credit for "Morning Has Broken" has occasionally been erroneously attributed to Cat Stevens, who popularised the song abroad. The familiar piano arrangement on Stevens' recording was composed and performed by Rick Wakeman, a classically trained keyboardist best known for his tenure in the English progressive rock band Yes. When

neg: St John Passion structure (I, I and my transgressions), highlighting the personal responsibility of the speaking sinner for the suffering of Jesus. The fourth chorale, movement 14, ends the second scene and Part I. After Peter's denial, "" (Peter, when he fails to think) summarizes the scene with stanza 10 of Paul Stockmann's 1633 hymn "". The fifth chorale, movement 15, opens Part II and the third scene. "" (Christ, who has made us blessed), stanza 1 of Michael Weiße's 1531 hymn, summarizes what Jesus has to endure, even though he is innocent ("made captive, ... falsely indicted, and mocked and scorned and bespat").

neg: Herr Jesu Christ, du höchstes Gut August 1724, the eleventh Sunday after Trinity that year. Bach composed a chorale prelude, BWV 1114, which became part of the Neumeister Chorales, rediscovered in 1985 by Christoph Wolff. Herr Jesu Christ, du höchstes Gut "" (Lord Jesus Christ, you highest good) is the beginning of two Lutheran hymns. One is a penitential hymn, written in 1588 by Bartholomäus Ringwaldt, who possibly also created the melody. The other is an anonymous communion hymn, probably based on the former, which appeared first in 1713. Johann Sebastian Bach's used the penitential hymn several times, including the chorale cantata , based on the

neg: Da der Herr Christ zu Tische saß Da der Herr Christ zu Tische saß "" (When the Lord Christ sat at the table) is a Christian hymn related to the Passion of Jesus. The 28 stanza text was written by Nikolaus Herman and first published in 1560. Later Johann Sebastian Bach composed the four-part setting, BWV 285. Herman wrote "" as a text in 28 stanzas of six lines each, reflecting the Passion of Jesus. The hymn opens referring to the Last Supper, and continues with the appeal to always remember the death and bitter suffering ("Tod und bitter Leiden"). The hymnologist Philipp Wackernagel notes in his

neg: Stand Your Ground (Mike Tramp album) promo video. The Danish release of the album contains a bonus track - 'Hymn to Ronnie' (also released as a single) - which is a tribute to Ronnie James Dio, who died the previous year on 16 May 2010. Stand Your Ground (Mike Tramp album) Stand Your Ground is the sixth solo album (and second under the banner of 'Mike Tramp & The Rock 'N' Roll Circuz') by former Freak of Nature and current White Lion lead singer, Mike Tramp. Released on 28 March 2011, the album was recorded virtually live in Medley Studios in Copenhagen, and co-produced by Søren

neg: Filmography and awards of Louis C.K. that year – both featured Rock in acting roles. In 2002, he voiced Brendon Small's estranged father, Andrew Small, in "Home Movies". His first leading role was the short-lived HBO sitcom "Lucky Louie", which he also wrote, in 2006. He worked again with Rock as a writer again with the comedy "I Think I Love My Wife" (2007). After performing stand-up on several television shows from the late 1980s, he released his first stand-up special, "Shameless", in 2007. In 2008, he wrote, performed in, directed, executive produced, and edited "Chewed Up", and acted in "Diminished Capacity", "Welcome Home Roscoe Jenkins",

neg: Passion Hymns on the Cross Hymn XXXVI. Christ's Garments divided Hymn XXXVII. The Second Cry from the Cross Hymn XXXVIII. The Mocking suffered on the Cross Hymn XXXIX. The Thief's Repentance Hymn XL. The Third Cry from the Cross Hymn XLI. The Fourth Cry from the Cross Hymn XLII. The Fifth Cry from the Cross Hymn XLIII. The Sixth Cry from the Cross llvmn XLIV. The Seventh Cry from the Cross Hymn XLV. The Death of Christ Hymn XLVI. The Signs that accompanied His Death Hymn XLVII. Christ's Friends, who stood far off Hymn XLVIII. The Saviour's wounded Side Hymn XLIX. The

neg: You Need a Mess of Help to Stand Alone (song) You Need a Mess of Help to Stand Alone (song) "You Need a Mess of Help to Stand Alone" is a song written by Brian Wilson and Jack Rieley for the American rock band the Beach Boys. It was the opening track on their 1972 album "Carl and the Passions – "So Tough"". In its only known chart entry internationally it peaked at #29 on the official Netherlands Top 100. British indie rock band Hefner released a cover of "You Need a Mess of Help to Stand Alone" as a bonus track to their 1999 single "The Hymn for the

neg: You Need a Mess of Help to Stand Alone (song) Cigarettes". You Need a Mess of Help to Stand Alone (song) "You Need a Mess of Help to Stand Alone" is a song written by Brian Wilson and Jack Rieley for the American rock band the Beach Boys. It was the opening track on their 1972 album "Carl and the Passions – "So Tough"". In its only known chart entry internationally it peaked at #29 on the official Netherlands Top 100. British indie rock band Hefner released a cover of "You Need a Mess of Help to Stand Alone" as a bonus track to their 1999 single "The Hymn for

neg: Christ lag in Todesbanden the hymn appeared as No. 8 in the "Babstsche Gesangbuch". In the Protestant hymnal (EG) it appears in modernised language as EG 101. Bruhns, Böhm, Scheidt, Scheidemann, Pachelbel, Kuhnau and Telemann are among the composers who included the hymn in their work.<ref name="B-C/CM"></ref> As one of the principal Lutheran hymns for Easter, it appears in several vocal and organ compositions of Johann Sebastian Bach: Christ lag in Todesbanden "" (also ""; "Christ lay in death's bonds") is an Easter hymn by Martin Luther. Its melody is by Luther and Johann Walter. Both the text and the melody were based on

neg: Rock of Ages (Christian hymn) the ship heard as the boat pushed off from the doomed vessel was the voices of the passengers singing "Rock of Ages". The opening lines of the hymn are used in the chorus of "Birmingham" by the band Shovels & Rope. 1980s British rock band Def Leppard were inspired by the ancient hymn's text when a member of a choir left their hymn book in their recording studio. Joe Elliott later wrote the lyrics to their song "Rock of Ages" after reading it and in their music video the band members dress up as monks. This hymn tune was featured

neg: Solar deity supposed to be described as the rising sun". The New Testament itself contains a hymn fragment: "Awake, O sleeper, and arise from the dead, and Christ will shine on you." Clement of Alexandria wrote of "the Sun of the Resurrection, he who was born before the dawn, whose beams give light". The Philocalian calendar of AD 354 gives a festival of "Natalis Invicti" on 25 December. There is limited evidence that this festival was celebrated before the mid-4th century. The charioteer in the mosaic of Mausoleum M has been interpreted by some as Christ. Clement of Alexandria had spoken of

neg: Christ Church, Bryn-y-Maen furnishings are in "characteristic Douglas" style and include not only the reredos, organ case, stalls, pulpit, lectern, font cover and pews, but also the hymn board, the alms box and an umbrella stand. Christ Church, Bryn-y-Maen Christ Church, Bryn-y-Maen is in the small village of Bryn-y-Maen on the B5113 road some 3 km to the south of Colwyn Bay in Conwy County Borough, Wales. It is an active Anglican church in the deanery of Rhos, the archdeaconry of St Asaph and the diocese of St Asaph. The church is known locally as "The Cathedral of the Hills". It is designated

neg: Passion Hymns this translation, although incomplete, is regarded as more faithful to Hallgrímur's Lutheran theology. The "Passíusálmar" quickly became an important part of Icelandic religious expression, being sung or read during Lent in every Icelandic home; today, they are broadcast on the radio during that time of year. They have been set to music by many composers of Icelandic church music, including Þorkell Sigurbjörnsson and Jón Hlöðver Áskelsson, but use outside Iceland is rare. Hymn I. Christ goes to the Garden Hymn II. Christ's Suffering in the Garden Hymn III. “Sorrowful, even unto Death” Hymn IV. Christ's Appeals to His Disciples Hymn

neg: William Weston Patton John Brown was John the Baptist of the Christ we are to see, Christ who of the bondmen shall the Liberator be, And soon thruout the Sunny South the slaves shall all be free, For his soul is marching on.These themes were further refined two months later by Julia Ward Howe; her version came to be known as "The Battle Hymn of the Republic". Where Patton only wrote ""of the Christ we are to see"", Howe testified that "her eyes" had already ""seen the glory of the coming of the Lord"". Patton graduated at the New York University in 1839

neg: Annie Hawks the hymn by which Hawks is most widely known, "I Need Thee Every Hour", was written. It is said to have been translated into more foreign languages than any other modern hymn at the time of her death. Hawks stated:— "For myself, the hymn was prophetic rather than expressive of my own experiences, for it was wafted out to the world on the wings of love and joy, instead of under the stress of personal sorrow." Lowry, who wrote the music, went on to say: "I Need Thee Every Hour" was written by Mrs. Annie S. Hawks, in 1872, in

neg: Christ the Lord Is Risen Again! Christ the Lord Is Risen Again! "Christ the Lord Is Risen Again!" (German: "Christus ist erstanden") is a German Christian hymn written by Michael Weisse in 1531 based on an earlier Bohemian hymn of the same name. It was translated into English in 1858 by Catherine Winkworth. Weisse based ""Christus ist erstanden"" upon an earlier hymn of the same name which was studied by Martin Luther. The hymn was based on a Latin sequence from 1100 called "Victimae paschali laudes" and was initially a Bohemian language hymn of the Church of Bohemia. The hymn was first published in print in

neg: Rock of Ages (Christian hymn) mine eyes shall close in death, When I soar to worlds unknown, See Thee on Thy judgement throne, Rock of Ages, cleft for me, Let me hide myself in Thee. </poem> The hymn was a favourite of Prince Albert, who asked it to be played to him on his deathbed, as did Confederate General J.E.B. Stuart. It was also played at the funeral of William Gladstone. In his book "Hymns That Have Helped", W. T. Stead reported "when the "SS London" went down in the Bay of Biscay, 11 January 1866, the last thing which the last man who left

neg: Christ myth theory mentions Couchoud's comment on the Christ Hymn, one of the relics of the Christ cults to which Paul converted. Couchoud noted that in this hymn the name Jesus was given to the Christ after his torturous death, implying that there cannot have been a ministry by a teacher called Jesus. George Albert Wells (1926–2017), a professor of German, revived the interest in the Christ myth theory. In his early work, including "Did Jesus Exist?" (1975), Wells argued that because the Gospels were written decades after Jesus's death by Christians who were theologically motivated but had no personal knowledge of him,

neg: Herr Jesu Christ, dich zu uns wend The hymn was translated in the 1722 "Psalmodica Germanica" of Johann Christian Jacobi as "Lord Christ, reveal Thy holy face". Catherine Winkworth translated the hymn in 1863 as a communion song with the title "Lord Jesus Christ, be present now!" Herr Jesu Christ, dich zu uns wend "" ("Lord Jesus Christ, be present now!", literally: Lord Jesus Christ, turn to us) is a Lutheran hymn from the 17th century, which was for a long time a prominent hymn, set by several composers. It was translated into English and is part of modern hymnals. The text of the hymn to an

neg: Valet will ich dir geben is also known as "St. Theodulph" after Theodulf of Orléans who is the author of the Latin hymn which became, in John Mason Neale's English translation, "All Glory, Laud and Honour." "" is part of the current German Protestant hymnal under number EG 523. Valet will ich dir geben "" ("I want to bid you farewell" or I shall say farewell to thee) is a Lutheran hymn, written by Valerius Herberger in 1613 with a melody by Melchior Teschner. A " (hymn for the dying), it is part of the current German hymnal. Herberger wrote the hymn in 1613 in

neg: Watchman (hymn) Watchman (hymn) "Watchman" is an American Christian hymn, published in 1845 in "The Southern and Western pocket harmonist". 1. Shall Wisdom cry aloud, And not her speech be heard? The voice of God's eternal word, De-serves it no regard? 2. "I was his chief delight, His everlasting Son, Before the first of all his works, Creation, was begun. 3. "Before the flying clouds, Before the solid land, Before the fields, before the floods, I dwelt at his right hand. 4. "When he adorn'd the skies, And built them, I was there, To order when the sun should rise, And marshal

neg: Hymn of the Seventh Galaxy that marks "Hymn of the Seventh Galaxy" as an indispensable disc of '70s fusion". Robert Christgau wrote of "Return to Forever": Hymn of the Seventh Galaxy Hymn of the Seventh Galaxy is the third studio album by American jazz fusion band Return to Forever. It was released in October 1973 by Polydor. Flora Purim, Joe Farrell, and Airto Moreira were replaced by drummer Lenny White and guitarist Bill Connors. Drawing on rock and funk, the album emphasized electric instruments more than Return to Forever's previous albums. Clarke contributed one song for the album while Corea wrote the rest of the

neg: How Can I Keep from Singing? which was taken up by Pete Seeger and other folk revivalists: During the 20th century, this hymn was not widely used in congregational worship. Diehl's index to a large number of hymnals from 1900 to 1966 indicates that only one hymnal included it: the 1941 edition of "The Church Hymnal" of the Seventh-day Adventist Church, titled "My Life Flows On" (hymn no. 265). It was also published in the earlier 1908 Seventh-day Adventist hymnal, "Christ In Song", under the title "How Can I Keep From Singing?" (hymn no. 331). The United Methodist Church published it in its 2000 hymnal supplement,

neg: Gelobet seist du, Jesu Christ, BWV 91 Gelobet seist du, Jesu Christ, BWV 91 ' (Praise be to You, Jesus Christ), ', is a church cantata by Johann Sebastian Bach. He wrote the Christmas cantata in Leipzig in 1724 for Christmas Day and first performed it on 25 December 1724. The chorale cantata is based on the hymn "" (1524) by Martin Luther. The chorale cantata from Bach's second annual cycle is based on the main chorale for Christmas Day, "" (1524) by Martin Luther. The beginning summarizes Christmas in two lines: "" (Praise be to You, Jesus Christ, since You were born a man). All stanzas

neg: Jesus Christ Is Risen Today Jesus Christ Is Risen Today "Jesus Christ Is Risen Today" is a Christian hymn. It was initially written in the 14th century as a Bohemian Latin hymn titled "". It is an Easter hymn referring to the Resurrection of Jesus and based on Matthew 28:6, Acts 2:32, 1 Peter 3:18 and Revelation 1:17-18. "Jesus Christ Is Risen Today" was first written in Latin titled "", as a Bohemian hymn in the 14th century by an unknown author on manuscripts written in Munich and Breslau. In Latin, it had eleven verses. It was first translated into English in 1708 by John

neg: O God Save Us All closing, Akins wrote that "All in all this is a solid record that definitely continues Disciple’s long-standing reputation of creating great rock music that edifies the Church and draws listeners to a hope they can only find in Christ." O God Save Us All O God Save Us All is the ninth critically acclaimed album from Christian metal group Disciple released on November 13, 2012 in CD & Digital format. The first single released was the song "Draw The Line", which hit No. 45 in the "Billboard" Christian Songs chart. The album shares a Hard Rock sound, alike the albums

neg: Christ lag in Todesbanden Christ lag in Todesbanden "" (also ""; "Christ lay in death's bonds") is an Easter hymn by Martin Luther. Its melody is by Luther and Johann Walter. Both the text and the melody were based on earlier examples. It was published in 1524 in the Erfurt "Enchiridion" and in Walter's choral hymnal . Various composers, including Pachelbel, Bach and Telemann, have used the hymn in their compositions. In early editions the hymn, in seven stanzas, was indicated as an improved (German: "") version of "Christ ist erstanden". The hymn is in bar form. The , that is the repeated first

neg: Ich freue mich in dir, BWV 133 Ich freue mich in dir, BWV 133 ' (I rejoice in You), ', is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata in Leipzig in 1724 for the Third Day of Christmas and first performed it on 27 December 1724. The chorale cantata is based on the 1697 hymn by Caspar Ziegler. Bach wrote the chorale cantata in his second year as Thomaskantor in Leipzig, as part of his second cantata cycle, for the . The prescribed readings for the feast day were from the Epistle to the Hebrews, Christ is higher than the angels, ()

neg: Follow On (hymn) Follow On (hymn) "Follow On", also known in certain cases as "Down In The Valley With My Saviour I Would Go" and "I Will Follow Jesus", is a Christian hymn written in 1878 by William Orcutt Cushing. The music for it was composed in 1880 by both Robert Lowry and W. Howard Doane. The hymn was originally written as a Baptist hymn and it is also used by the Salvation Army. The lyrics are based on the Biblical verse in Hosea 6:3. Cushing wrote this hymn in New York after he became a Christian minister in 1854; he started writing

neg: Jesus Christ Is Risen Today was composed in the for "Jesus Christ Is Risen Today". There was a later version of "Easter Hymn" composed by William Henry Monk which is also used for "Jesus Christ Is Risen Today". Some denominations of Christianity often just use one while some use both. The hymn is sometimes confused with "Christ the Lord Is Risen Today", which was written by Wesley. This is because the wording is similar except that "Christ the Lord Is Risen Today" uses "Llanfair" instead of "Easter Hymn". Jesus Christ Is Risen Today "Jesus Christ Is Risen Today" is a Christian hymn. It was initially

neg: I Wonder as I Wander I Wonder as I Wander "I Wonder as I Wander" is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933. While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song: The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per

neg: O Sacred Head, Now Wounded hymn books. The "English Hymnal", 1906 has a translation attributed to "Y.H.", referring to Bridges' translations for the Yattendon Hymnal, of which he was the editor. Karen Lynn Davidson (born 1943) wrote another English translation, titled "O Savior, Thou Who Wearest a Crown," which is published in Hymns of The Church of Jesus Christ of Latter-day Saints (1985 book). "The melody as it appears in movement 54 of the St Matthew Passion by Bach": <score vorbis="1"> \new Staff « \clef treble \new Voice = "Soprano" » </score> The music for the German and English versions of the hymn is by

neg: Nu metal by the RIAA. In 2002, the soundtrack album for the film "The Scorpion King" was released and peaked at number 1 on the Top Soundtracks chart; it features multiple nu metal bands such as Drowning Pool, Coal Chamber, Lifer, Sevendust, Flaw and Godsmack. Godsmack's track "I Stand Alone" was the most played active rock song in 2002 for fourteen consecutive weeks. "I Stand Alone" also peaked at number 1 on the Mainstream Rock chart. In 2003, MTV wrote that nu metal's mainstream popularity was declining, citing that Korn's fifth album "Untouchables" and Papa Roach's third album "Lovehatetragedy" both sold less

neg: For the Beauty of the Earth For the Beauty of the Earth "For the Beauty of the Earth" is a Christian hymn by Folliott S. Pierpoint (1835-1917). Pierpoint was 29 at the time he wrote this hymn; he was mesmerized by the beauty of the countryside that surrounded him. It first appeared in 1864 in a book of Eucharistic Hymns and Poems entitled "Lyra Eucharistica, Hymns and Verses on The Holy Communion, Ancient and Modern, with other Poems." It was written as a Eucharistic hymn - hence the title of "The Sacrifice of Praise", the refrain "Christ, our God, to Thee we raise, This, our sacrifice

neg: Bunessan (hymn tune) of the village, on the road towards Craignure. The ruins of the house where she lived are also nearby. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, "Christ Be Beside Me" and "This Day God Gives Me," both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, "Baptized In Water," borrows the tune. Sometime before 1927 Alexander Fraser heard the melody in the Scottish Highlands and wrote it down so that it came to the attention of Percy Dearmer, Ralph Vaughan Williams, and Martin Shaw. In turn, these

neg: Michael Saward (priest) Romans" (1978) and "All Change" (1983). In later years Saward concentrated on writing hymns, contributing to many hymn books and editing "Come Celebrate", a compilation of modern hymn writing, in 2009. Saward's autobiography, "A Faint Streak of Humility", was published in 1999. Saward wrote over a hundred hymns, of which "Christ triumphant, ever reigning" is his best known, usually sung to the hymn tune "Guiting Power" (named after the village of Guiting Power in Gloucestershire) by John Barnard. A long-term member of the Jubilate Group of hymnwriters, Saward was also its chairman from 1999 to 2001. Saward was an active

neg: Fröhlich soll mein Herze springen "All my heart this night rejoices", among other translations. Paul Gerhardt wrote the lyrics in the first person, describing a personal reaction to the Christmas story. The hymn appeared first in the fifth edition of the hymnal "Praxis Pietatis Melica" by Johann Crüger in 1653. It appears in a section titled "Von der Geburt Jesu Christ" (Of the birth of Jesus Christ). The hymn was missing in the 1854 "Deutsches Evangelisches Kirchen-Gesangbuch". From the "" where it appeared in eleven stanzas, it has remained in the repertory of Protestant church singing. In the current Protestant hymnal "Evangelisches Gesangbuch", the song

neg: Michael Weiße hearing, is opened by the first stanza of a hymn for Passiontide, "" (Christ, who hath us blessed made), summarizing what Jesus has to endure although innocent ("made captive, ... falsely indicted, and mocked and scorned and bespat"). The scene of the crucifixion ends with stanza 8 of this hymn, "" (O help, Christ, O Son of God). Seven of the eight stanzas of this hymn are also used in the mid-18th-century pasticcio Passion oratorio "Wer ist der, so von Edom kömmt" (movements 2, 24, 27, 30, 38, 40 and 42). Mauricio Kagel quoted the hymn, paraphrased to "Bach, der

neg: Finlandia hymn Finlandia hymn The "Finlandia" hymn () refers to a serene hymn-like section of the patriotic symphonic poem "Finlandia", written in 1899 and 1900 by the Finnish composer Jean Sibelius. It was later re-worked by the composer into a stand-alone piece. With words written in 1941 by Veikko Antero Koskenniemi, the "Finlandia" hymn is one of the most important national songs of Finland (though "Maamme" is the de facto national anthem). Other words commonly sung to the same melody include at least six Christian hymns including "Be still, my soul"; "I sought the Lord"; "We rest on Thee"; "A Christian Home";

neg: Aggie War Hymn Aggie War Hymn The Aggie War Hymn is the war hymn of Texas A&M University; officially, the school does not have a fight song. J.V. "Pinky" Wilson, one of many Aggies who fought in World War I, is attributed as the primary author of the song. Wilson combined several Aggie yells into a song called "Good-bye to Texas University." He wrote the lyrics in 1918 on the back of a letter from home while holed up in a trench during a battle in France. He later put the words to music after Armistice was signed and before he returned to

neg: Trisagion to God the Son has been a matter of contention, particularly between those who approved of the council of Chalcedon and those who were against it. But, in light of widespread adoption of the hymn with the above addition ('who wast crucified for us'), Calandion, Bishop of Antioch, sought to allay the controversy surrounding it by prefixing the words 'Christ, King'. This had the effect of making the hymn refer directly to the incarnate Word: "Holy God, Holy and Strong, Holy and Immortal, Christ, King, who was crucified for us, have mercy on us." Though perhaps well intended, this effort

neg: Valerius Herberger died in Fraustadt. In 1613 an epidemic broke out at Fraustadt, and under those circumstances Herberger composed his only hymn, "Valet will ich dir geben" ("O world, so vain, I leave thee"). It was published in 1614 with a melody by Melchior Teschner. He was a prolific writer. His most comprehensive work is "Magnalia Dei de Jesu scripturæ nucleo et medulla" (12 parts, 1601–18), meditations on the Pentateuch, Joshua, Judges, and Ruth, emphasising the revelation of Christ in the Old Testament. Herberger also wrote commentaries on Revelation xxi.-xxii. and published them as "Himmelsches Jerusalem" (1609). "Passionszeiger" (1611), "Trauerbinden or funeral

neg: Saint Theresa's College of Quezon City gold of the cross stands for the love for Christ who died on it and rose from the dead. The three stars stand for the three theological virtues: faith, hope, and charity. The inscription around the seal reads "Virtute, Scientia, Artibus Floreat" - which is Latin for "education in and through virtue, science, and the arts." The seal is a badge showing the mountain peak of Carmel, linked with the school's patron saint, St. Teresa of Avila, the first woman doctor of the Church. The lyrics of the STC Hymn was written by Aurea Carballo-Gonzalez (STCM HS '31, COL '34)

neg: Hymn of the Seventh Galaxy Hymn of the Seventh Galaxy Hymn of the Seventh Galaxy is the third studio album by American jazz fusion band Return to Forever. It was released in October 1973 by Polydor. Flora Purim, Joe Farrell, and Airto Moreira were replaced by drummer Lenny White and guitarist Bill Connors. Drawing on rock and funk, the album emphasized electric instruments more than Return to Forever's previous albums. Clarke contributed one song for the album while Corea wrote the rest of the material. Corea relied mostly on electric piano and organ. Daniel Gioffre for Allmusic wrote, "it is the quality of the compositions

neg: Christ the Lord Is Risen Again! did not fit into the English translation. The hymn is often used as a hymn for Easter Sunday which commemorates the Resurrection of Jesus. The hymn was initially performed to the melody of the original Latin "Victimae pashali laudes". However, since then, the hymn has been performed in other musical compositions including "Llanfair" and "Wirtemburg". In 1971, John Rutter also composed his own musical setting for "Christ the Lord Is Risen Again!" Christ the Lord Is Risen Again! "Christ the Lord Is Risen Again!" (German: "Christus ist erstanden") is a German Christian hymn written by Michael Weisse in 1531 based

neg: Pope John XXII the Muslim ruler Uzbeg Khan, who was very tolerant of Christians and treated Christians kindly. John XXII has traditionally been credited with having composed the prayer "Anima Christi", which has become the English "Soul of Christ, sanctify me ..." and the basis for the hymn "Soul of Christ, Sanctify My Breast". On 27 March 1329, John XXII condemned many writings of Meister Eckhart as heretical in his papal bull "In Agro Dominico". Prior to John XXII's election, a contest had begun for the Holy Roman Empire's crown between Louis IV of Bavaria and Frederick I of Austria. John XXII was

neg: I Have Decided to Follow Jesus meaning when we sing it than it did for the person who composed it." The 2006 film "Though None Go with Me" uses a line from the song as its title. I Have Decided to Follow Jesus I Have Decided to Follow Jesus is a Christian hymn that originated in Assam, India. It was written by Simon Marak, from Jorhat, Assam. However, according to Dr P. Job, the lyrics are based on the last words of Nokseng, a Garo man, a tribe from Meghalaya which then was in Assam, who along with his family decided to follow Jesus Christ in

neg: Hymnus an das Leben 1887, E. W. Fritzsch in Leipzig published the work under Nietzsche's name as the first edition, which is "Friendship" simply put to Andreas-Salome's "Lied" and with orchestral alterations, entitled "Hymnus an das Leben". In October of the same year, Nietzsche wrote a letter to the German conductor Felix Mottl, saying about "Life": "I wish that this piece of music may stand as a complement to the word of the philosopher which, in the manner of words, must remain by necessity unclear. The affect of my philosophy finds its expression in this hymn." The following December, he wrote to Georg Brandes

neg: Nun komm, der Heiden Heiland and Brian Easdale. English version include "Savior of the nations, come" by William Morton Reynolds, published in 1851. Martin Luther wrote the text of "", possibly for the Advent of 1523 as a paraphrase of a passage, , from the Latin Christmas hymn "Intende qui reges Israel" by Ambrose. Several Latin versions begin with "Veni redemptor gentium", in simiarity to hymns such as Veni Creator Spiritus. The themes from the 4th century are the humanity and divinity of Christ, as testified by the birth from the Virgin Mary. Luther wrote the hymn end of 1723 in a period when he