query: who wrote the song blowin in the wind

pos: Blowin' in the Wind Blowin' in the Wind "Blowin' in the Wind" is a song written by Bob Dylan in 1962 and released as a single and on his album "The Freewheelin' Bob Dylan" in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". In 1994, the song was inducted into the Grammy

pos: Blowin' in the Wind "Sing Out!", accompanied by Dylan's comments: Dylan recorded "Blowin' in the Wind" on July 9, 1962, for inclusion on his second album, "The Freewheelin' Bob Dylan", released in May 1963. In his sleeve notes for "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991", John Bauldie wrote that Pete Seeger first identified the melody of "Blowin' in the Wind" as an adaptation of the old African-American spiritual "No More Auction Block/We Shall Overcome". According to Alan Lomax's "The Folk Songs of North America", the song originated in Canada and was sung by former slaves who fled there after Britain abolished

pos: Blowin' in the Wind Blowin' in the Wind "Blowin' in the Wind" is a song written by Bob Dylan in 1962 and released as a single and on his album "The Freewheelin' Bob Dylan" in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". In 1994, the song was inducted into the Grammy

pos: Gil Turner Bob Cohen. His most notable musical credit, however, was his association with Bob Dylan's "Blowin' in the Wind". He was both the first person to perform the song - at Gerde's on April 16, 1962, the night Dylan completed it - and with The New World Singers, the first to record it. Turner wrote more than 100 songs. His best known include "Benny 'Kid' Paret", a protest song about a boxer who died in the ring, and "Carry It On", a Civil Rights anthem recorded by folk artists such as Judy Collins and Joan Baez. The song's title was used

pos: Opposition to United States involvement in the Vietnam War Another Side of Bob Dylan: Midwestern Isolationist", quotes Todd Gitlin, a leader of a student movement at the time, in saying "Whether he liked it or not, Dylan sang for us. ... We followed his career as if he were singing our songs." The anthem "Blowin' in the Wind" embodied Dylan's anti-war, pro-civil rights sentiment. To complement "Blowin' in the Wind" Dylan's song "The Times they are A-Changin'" alludes to a new method of governing that is necessary and warns those who currently participate in government that the change is imminent. Dylan tells the "senators and congressmen [to] please heed

pos: Blowin' in the Wind influenced by "the Co-Op's high ethical guidelines regarding fair trade and the environment." The Co-Op, which is owned by about 3 million consumers, also includes Britain's largest funeral parlour and farming business. He was described by David Barrett in 2017 as a 'living legend' and 'a true inspiration' to customer service representatives around the globe. "Blowin' in the Wind" has been recorded by hundreds of artists. The most commercially successful version is by folk music trio Peter, Paul and Mary, who released the song in June 1963, three weeks after "The Freewheelin' Bob Dylan" was issued. Albert Grossman, then managing

pos: Blowin' in the Wind album "From Every Stage". In 1975, the song was included as poetry in a high-school English textbook in Sri Lanka. The textbook caused controversy because it replaced Shakespeare's work with Dylan's. During the protests against the Iraq War, commentators noted that protesters were resurrecting songs such as "Blowin' in the Wind" rather than creating new ones. The song has been embraced by many liberal churches, and in the 1960s and 1970s it was sung both in Catholic church "folk masses" and as a hymn in Protestant ones. In 1997, Bob Dylan performed three other songs at a Catholic church congress.

pos: Mina per Wind in 1962 and released on his album "The Freewheelin' Bob Dylan" in 1963. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". "Ride Like the Wind" is a cover of a song by American singer-songwriter Christopher Cross. It was released in February 1980 as the lead single from his Grammy-winning self-titled debut album. " Gone with the Wind" is the cover of a popular song written by Allie Wrubel and Herb

pos: Mina per Wind Mina per Wind Mina per Wind is an EP by Italian singer Mina. The album contains four songs, all with the word "wind" in the title. The album was recorded in 2000 as part of a special offer of Italian-based "Wind Telecommunications" which consisted of a package including a phone card and this album. "The Wind Cries Mary" is a cover of the rock ballad written by Jimi Hendrix and released by the Jimi Hendrix Experience as the band's third single on May 5, 1967. " Blowin 'in the Wind" is a cover of the song written by Bob Dylan

pos: Chimes of Freedom (song) of a new day in "The Times They Are a- Changin'." Rogovy suggests an answer to one of the main questions asked in Dylan's lyrics by stating: "...The answer was blowin' in the wind out in the night in question; the answer is in poetry; the answer, my friend, is in a transcendent vision of universal freedom and justice for all". In his 2012 book "The Lives of Bob Dylan", Ian Bell speculates that the genesis of "Chimes of Freedom" might lie in the verses Dylan wrote at the time of the Kennedy assassination, which contain the line "as cathedral

pos: Bendin' in the Wind Bendin' in the Wind "Bendin' in the Wind" is the thirteenth episode in season three of the animated television series "Futurama". It originally aired on the Fox network in the United States on April 22, 2001. It guest-stars Beck as himself. Bender becomes a folksinger after being broken, and starts touring with Beck. The title comes from the Bob Dylan song "Blowin' in the Wind". Fry gets a free Volkswagen microbus, excavated from the ruins of Old New York. He pushes it back to the Planet Express office, and has to fuel it with whale oil, which replaced gasoline. While

pos: Masked and Anonymous song from "Time Out Of Mind" ). The following songs were used for the film, but were never issued on CD: "Drifter's Escape" (a song from "John Wesley Harding"), "I'll Remember You" (a song from "Empire Burlesque"), "Blowin' in the Wind" (from "The Freewheelin' Bob Dylan"), "Watching the River Flow" (a song dating from 1971, when it was released as a single), "Dirt Road Blues" (from "Time Out Of Mind" ) and "Amazing Grace" (traditional). Of these songs, only "I'll Remember You" was featured unedited and uninterrupted in the film. As mentioned, "Standing In The Doorway" (another song from "Time

pos: Singer-songwriter Woody Guthrie and Pete Seeger had grown to a major movement in the early 1960s, popularized by Joan Baez and her protégée, Bob Dylan, who had started reaching a mainstream audience with his hit, Blowin' in the Wind" (1963) bringing "protest songs" to a wider audience. There were hints of cross-pollination, but rock and folk music had remained largely separate genres, often with different audiences. An early attempt at fusing elements of folk and rock was highlighted in the Animals "House of the Rising Sun" (1964), a folk song, recorded with rock and roll instrumentation. By the mid-1960s Bob Dylan

pos: Peter Yarrow in the Top 10 for ten months, in the Top 20 for two years and sold more than two million copies. The group toured extensively and recorded numerous albums, both live and in the studio. In June 1963 they released a 7" single of "Blowin' in the Wind" by the then relatively unknown, Bob Dylan, also managed by Grossman. "Blowin' in the Wind" sold 300,000 copies in the first week of release and by August 17 was number two on the Billboard pop chart, with sales exceeding one million copies. Yarrow recalled that when he told Dylan he would make

pos: Marie Laforêt popularize the Bob Dylan song "Blowin' in the Wind" in France with her 1963 interpretation. On the B-side of the same EP she sings the classic American folk ballad "House of the Rising Sun". Other folk recordings include: "Viens sur la montagne", a 1964 French adaptation of the African-American spiritual "Go Tell It on the Mountain", recorded by American folk trio Peter, Paul and Mary the previous year, "Coule doux" (Hush-a-Bye), another Peter, Paul and Mary song, 1966's "Sur les chemins des Andes", a French version of the traditional Peruvian song "El Cóndor Pasa", and "La voix du silence", a

pos: Phil Ochs: There but for Fortune also includes a cover of his song "Love Me, I'm a Liberal" by Jello Biafra and Mojo Nixon. Songs by other artists include Dave Van Ronk's recording of the traditional "He Was a Friend of Mine", Bob Dylan's recording of his song "Blowin' in the Wind", and Chilean activist and singer-songwriter Víctor Jara's recording of his song "El Cigarrito". Phil Ochs: There but for Fortune Phil Ochs: There but for Fortune is a documentary film on the life and times of folk singer-songwriter Phil Ochs. The film, released theatrically in January 2011, was written and directed by Kenneth Bowser. Its

pos: One Song to the Tune of Another unsteadiness of a guest's voice. Guest panellists sometimes exhibit little or no musical talent, most notably Jeremy Hardy, whose dreadful attempts at singing are greatly anticipated by audiences, and this itself often makes for effective comedy. The panellists also sometimes impersonate a singer associated with one of the songs (usually the tune). In several episodes, Graeme Garden was given a song with a tune by Bob Dylan and not only impersonated him, but broke off into a harmonica solo. Notably "How much is that Doggy in the Window", to "Blowin' in the Wind". The game has been played in several

pos: Theodore Bikel few answers to the chaos that we have," one of the only recourses to avoid social strife, and a means of giving youth hope for a better world. Bikel viewed then 21-year-old Bob Dylan as one of those young performers expressing emotional and social messages through song. In 1963, Bikel joined Dylan, Seeger, Peter, Paul and Mary and Joan Baez for the festival grand finale as they sang "Blowin' in the Wind" and "We Shall Overcome." Following the festival, Bikel, Seeger and Dylan traveled to a planned rally in Greenwood, Mississippi to perform Dylan's newly-written song, "Only a Pawn in

pos: The Chad Mitchell Trio World", "I Feel So Good About It (Sin Bound Train)", and "One Day When I Was Lost (Easter Morn)". They were the first folk group to record many of the songs of Tom Paxton, such as "The Marvelous Toy", "What Did You Learn In School Today?", and "We Didn't Know". They also sang the work of Woody Guthrie ("The Great Historical Bum (Bragging Song)"), Shel Silverstein ("The Hip Song (It Does Not Pay To Be Hip)", "Three Legged Man"), and Bob Dylan ("Blowin' in the Wind" (they were in fact the first to release it, but Peter, Paul and Mary's

pos: Circles (The New Seekers album) UK singles chart, becoming one of their biggest-selling releases and remaining on the chart for 16 weeks. It is also popularly seen as their finest song according to the group's fans. The album was released soon after and featured a number of notable cover versions, such as "Morning Has Broken" by Cat Stevens, "Blowin' in the Wind" by Bob Dylan and "Song Sung Blue" by Neil Diamond. Original songs were written by group members Marty Kristian, Peter Doyle and Paul Layton but no further singles were issued from the album. The album itself peaked at #23 in the UK album

pos: Ain't Too Proud to Beg Wonder's cover of Bob Dylan's "Blowin' in the Wind". The Temptations had been on tour during all of the office politics involving the release of "Ain't Too Proud to Beg", and only learned about the record being a hit when they were contacted by Motown an hour before an August 20, 1966, performance on "American Bandstand" and ordered to perform it. Temptation Paul Williams quickly devised a dance routine for the song, and the group lip-synched the song for the "American Bandstand" viewing audience. Much of the song's success, according to the Temptations themselves, is due to Whitfield's production, which

pos: Loona of Pale", Peter Sarstedt's "Where Do You Go to My Lovely", Ralph McTell's "Streets Of London", Sting's "Fragile" or Bob Dylan's "Blowin' In The Wind". She emotionally performed "Tears In Heaven" at "The Dome" crying and pregnant with her first child, her daughter named Saphira Maria, welcomed in 2005. In 2005, Loona released the David Bisbal classic "Oye el Boom" and went on hiatus for her baby. In 2007, Loona's third compilation album "Everybody on the Floor" and the same titled single, a reggaeton song titled "Everybody on the Floor (Uh la la la)" have been released. In May 2008,

pos: Albert Grossman woman in the cover photo with Dylan, in the red trouser suit, was Grossman's wife, Sally. Having returned to Woodstock at the end of his 1966 World Tour, Dylan was on his way home from Grossman's house in West Saugerties when he suffered the motorcycle accident that precipitated his eight-year withdrawal from touring. When managing both Bob Dylan and Peter, Paul and Mary, Grossman brought the trio Dylan's song "Blowin' in the Wind" which they promptly recorded (on a single take) and successfully released. In his autobiography, "", Dylan describes first encountering Grossman at the Gaslight cafe: "He looked like

pos: Beach Boys' Party! pervades every track." It was Wilson's first exploration in "party tracks", a form of music which includes the sounds of people shouting and making noises as if at a party. He would later continue this approach with "Smiley Smile" in 1967. Several other songs were also recorded, but not put on the album. This included renditions of the Drifters' "Ruby Baby", the Beatles' song "Ticket to Ride", the Rolling Stones' "(I Can't Get No) Satisfaction", Bob Dylan's "Blowin' in the Wind", the Robins' "Riot In Cell Block #9", and several other songs, all of which were released in its 2015

pos: Kabir Suman as Bob Dylan, Pete Seeger, Wolf Biermann etc. He transcribed (with credits) Dylan's "Blowin' in the Wind" as "Uttoro to Jana" in his album "Ichchhe Holo" in 1993 and "Farewell, Angelina" (initially recorded by Joan Baez in 1965) as "Biday Porichita" in his 1997 album "Jatismar". He transcribed (with credits) Paul Simon's "Sounds of Silence" as "Stobdhotar Gaan". Pete Seeger also had an influence on his music. Suman had transcribed Pete Seeger's Where Have All The Flowers Gone to his song called "Kothay Gelo Tara", which he sang on various occasions but never recorded. He had sung this in his

pos: Erlend Øye solo album "Legao", recorded in Reykjavík with Hjálmar, a reggae group from Iceland, which was anticipated by the single "Garota" with a videoclip shot in Seoul. Despite currently living in Sicily, he is still involved in the Bergen music scene, promoting local bands and assisting the organization of the annual Traena Music Festival. Erlend Øye often performs reworked versions of other bands' songs during his concerts. Among the most played covers, "Thirteen" by "Big Star", "Blowin' in the Wind" and "Don't Think Twice, It's All Right" by Bob Dylan, "Redemption Song" by Bob Marley, "E la chiamano estate" by Bruno

pos: Visual impairment became knowledgeable) and literally, as a reference to those healed in the Bible. In the later years of his life, Newton himself would go blind. H. G. Wells' story "The Country of the Blind" explores what would happen if a sighted man found himself trapped in a country of blind people to emphasise society's attitude to blind people by turning the situation on its head. Bob Dylan's anti-war song "Blowin' in the Wind" twice alludes to metaphorical blindness: "How many times can a man turn his head // and pretend that he just doesn't see... How many times must a

pos: David Grierson the "Georgia Straight", and his feature writing on music appeared in publications including "Down Beat", "Swing Journal", "Canadian Musician" and "Western Living". In 1993 and 1994, he won two successive songwriting competitions staged by the "Vancouver Sun", the first time with a rewrite of Julia Ward Howe's "The Battle Hymn of the Republic" as a tribute to the Vancouver Folk Music Festival, and the second with a rewrite of Bob Dylan's "Blowin' in the Wind" as a song about the 1994 Vancouver Stanley Cup riot. Both songs were submitted under pseudonyms, and on both occasions he donated his prize, a

pos: Parody music kind of musical parody that still continues. For instance, Bob Dylan took the tune of the old slave song "No more auction block for me" as the basis for "Blowin' in the Wind". In the 1940s Spike Jones and his City Slickers parodied popular music in their own way, not by changing lyrics, but adding wild sound effects and comedic stylings to formerly staid old songs. The 1957 Broadway musical "Jamaica" parodied the then very fashionable commercial variety of Calypso music. A musical using heavy parody was the 1959 show "Little Mary Sunshine", which poked fun at old-fashioned operetta. Parodists

pos: Rhetorical question Catholic?" Sometimes the implied answer to a rhetorical question is "Yes, but I wish it were not so" or vice versa: Similarly in the Bob Dylan song "Blowin' in the Wind", the rhetorical question is asked, "And how many deaths will it take till we know, that too many people have died?" Another common form is the expression of doubt by questioning a statement just made; for example by appending the following to a sentence: "or did he?", "or is it?", for as in, "The butler did it... or did he?" It is also common to use a rhetorical question

pos: Lounis Ait Menguellet realises that actually what he wants to say is there, he just has to do it. He returns to the blank page and writes the poem which he leaves as an inspiration to everyone else. Whenever we start a new task that we find daunting, the poem will be there as inspiration and guidance. "Tawriqt tacebhant" was to contain a Kabyle version of Bob Dylan's Blowin' in the Wind. However, versions of the CD circulating in the UK at least, contained the lyrics to the Kabyle version but not the song itself. Despite the fact that Lounis continues to sing

pos: The Settlers (band) Records, 1967) included Bob Dylan's "Blowin' in the Wind" and "Mr Tambourine Man" and such folk standards as "The Wreck of the Old 97". "Call Again" for (Marble Arch Records, 1968) collected the group's singles output for Pye Records, and was released after they had left that record label. "Settlers Alive" for (Columbia Records, 1970) was recorded live at Queen Elizabeth Hall the previous year, whilst "Sing a New Song" (Myrrh, 1972), had a strongly religious component. "Lightning Tree" (York, 1972), which, in addition to the title hit, included extracts, spoken by Cindy Kent, from Martin Luther King’s famous "I

pos: Marc Bolan first acetates cut. Two tracks were later released, the Bob Dylan song "Blowin' in the Wind" and Dion Di Mucci's "The Road I'm On (Gloria)". A version of Betty Everett's "You're No Good" (still unreleased) was later submitted to EMI for a test screening but was turned down. Warren later sold Bolan's contract and recordings for £200 to his landlord, property mogul David Kirch, in lieu of three months' back rent, but Kirch was too busy with his property empire to do anything for him. A year or so later, Bolan's mother pushed into Kirch's office and shouted at him

pos: Live at Basin Street East Live at Basin Street East Live at Basin Street East is a live album by pianist Ray Bryant recorded at Basin Street East and released on Sue Records in 1964. The Allmusic review stated "This LP concentrates primarily on standards, although one pop song of the period (Bob Dylan's "Blowin' in the Wind") is thrown in, along with a pair of Bryant's originals. The piano is in decent shape, though Bryant is fairly conservative in his approach to most of the tunes, resulting in a somewhat uninspired treatment of "C Jam Blues" and a funky but lackluster "Love for Sale."

pos: The Essential Bob Dylan The Essential Bob Dylan The Essential Bob Dylan is a compilation by Bob Dylan, released as a double-CD set in 2000, part of Columbia Records' "The Essential" series. "The Essential Bob Dylan" spans from 1963's "Blowin' in the Wind" (taken from "The Freewheelin' Bob Dylan") to 1999's "Things Have Changed" (Dylan's Oscar-winning song from the motion picture, "Wonder Boys"). "The Essential Bob Dylan" has proven to be a solid seller in Dylan's catalog, reaching #67 in the US, and peaking at #9 in the UK. The British and Australian releases include all of the tracks from the US edition plus

pos: Live at Basin Street East ... The audience, for the most part, seems more interested in talking among themselves than realizing they are witnessing the making of a live recording". All compositions by Ray Bryant except where noted Live at Basin Street East Live at Basin Street East is a live album by pianist Ray Bryant recorded at Basin Street East and released on Sue Records in 1964. The Allmusic review stated "This LP concentrates primarily on standards, although one pop song of the period (Bob Dylan's "Blowin' in the Wind") is thrown in, along with a pair of Bryant's originals. The piano is in

pos: Parody in popular music of them. This is another very old (and usually non-humorous) kind of musical parody that still continues. For instance, Bob Dylan took the tune of the old slave song "No more auction block for me" as the basis for "Blowin' in the Wind". The emerging form of Jazz music frequently recycled themes from the staider "white" popular music of the time, as well as producing occasional parodies (usually called "travesties") of well known classical themes. In the 1940s, Spike Jones and his "City Slickers" parodied popular music in their own unique way, not by changing lyrics, but adding wild sound

pos: The Essential Bob Dylan several more. It has been reissued a couple of times over the years such as in 2009 and again as recently as 2016 with varying track listings . All songs written by Bob Dylan except where noted. The Essential Bob Dylan The Essential Bob Dylan is a compilation by Bob Dylan, released as a double-CD set in 2000, part of Columbia Records' "The Essential" series. "The Essential Bob Dylan" spans from 1963's "Blowin' in the Wind" (taken from "The Freewheelin' Bob Dylan") to 1999's "Things Have Changed" (Dylan's Oscar-winning song from the motion picture, "Wonder Boys"). "The Essential Bob Dylan"

pos: American folk music revival the UK, protesting the British testing of the H-bomb in 1958, as well as by the ever-proliferating arms race and the increasingly unpopular Vietnam War. Young singer-songwriter Bob Dylan, playing acoustic guitar and harmonica, had been signed and recorded for Columbia by producer John Hammond in 1961. Dylan's record enjoyed some popularity among Greenwich Village folk-music enthusiasts, but he was "discovered" by an immensely larger audience when a pop-folk-music group, Peter, Paul & Mary had a hit with a cover of his song "Blowin' in the Wind". Peter, Paul & Mary also brought Pete Seeger and the Weavers' "If I

pos: Peter, Paul and Mary Reverend Martin Luther King, Jr.'s "I Have a Dream" speech. The Bob Dylan song "Blowin' in the Wind" was one of their biggest hit singles. They also sang other Dylan songs, such as "The Times They Are a-Changin'"; "Don't Think Twice, It's All Right," and "When the Ship Comes In." Their success with Dylan's "Don't Think Twice, It's All Right" helped Dylan's "The Freewheelin' Bob Dylan" album rise into the top 30; it had been released four months earlier. In December 1969 "Leaving on a Jet Plane", written by the group's friend John Denver, became their only No. 1 single

pos: Zé Ramalho Canta Bob Dylan – Tá Tudo Mudando Zé Ramalho Canta Bob Dylan – Tá Tudo Mudando Zé Ramalho Canta Bob Dylan – Tá Tudo Mudando is the second tribute album by Brazilian singer-songwriter Zé Ramalho, released in 2008. This time, he pays an homage to Bob Dylan, whose "Knockin' on Heaven's Door" had already been covered by him. Most of the songs' lyrics were almost literally rewritten to Portuguese. The album cover is a reference to Dylan's known promotional film clip for the 1965 song "Subterranean Homesick Blues". "O Vento Vai Responder", a cover of "Blowin' in the Wind", was used in the soundtrack of the Rede

pos: Music and politics lyrics exemplify Guthrie's socialistic patriotism. Pete Seeger's "Where Have All the Flowers Gone?", was a popular anti-war protest song. Many of these types of songs became popular during the Vietnam War era. "Blowin' in the Wind", by Bob Dylan, was a hit for Peter, Paul and Mary, and suggested that a younger generation was becoming more aware of global problems than many of the older generation. In 1964, Joan Baez had a top-ten hit in the UK with "There but for Fortune" (by Phil Ochs); it was a plea for the innocent victim of prejudice or inhumane policies. Many topical

neg: The Freewheelin' Bob Dylan song called 'No More Auction Block'—that's a spiritual and 'Blowin' in the Wind' follows the same feeling." Dylan's performance of "No More Auction Block" was recorded at the Gaslight Cafe in October 1962, and appeared on "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991". Critic Andy Gill wrote: Blowin' in the Wind' marked a huge jump in Dylan's songwriting: for the first time, Dylan discovered the effectiveness of moving from the particular to the general. Whereas 'The Ballad of Donald White' would become completely redundant as soon as the eponymous criminal was executed, a song as vague as 'Blowin'

neg: Blowin' in the Wind Pope John Paul II, who was in attendance, told the crowd of some 300,000 young Italian Catholics that the answer was indeed "in the wind" – not in the wind that blew things away, but rather "in the wind of the spirit" that would lead them to Christ. In 2007, Pope Benedict XVI (who had also been in attendance) wrote that he was uncomfortable with music stars such as Dylan performing in a church environment. In 2009, Dylan licensed the song to be used in an advertisement for the British consumer-owned Co-Operative Group. The Co-Op claimed that Dylan's decision was

neg: Blowin' in the Wind slavery in 1833. In 1978, Dylan acknowledged the source when he told journalist Marc Rowland: "'Blowin' in the Wind' has always been a spiritual. I took it off a song called 'No More Auction Block' – that's a spiritual and 'Blowin' in the Wind' follows the same feeling." Dylan's performance of "No More Auction Block" was recorded at the Gaslight Cafe in October 1962, and appeared on "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991". The critic Michael Gray suggested that the lyric is an example of Dylan's incorporation of Biblical rhetoric into his own style. A particular rhetorical

neg: The Freewheelin' Bob Dylan In his sleeve notes for "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991", John Bauldie writes that it was Pete Seeger who first identified the melody of "Blowin' in the Wind" as Dylan's adaptation of the old Negro spiritual "No More Auction Block". According to Alan Lomax's "The Folk Songs of North America", the song originated in Canada and was sung by former slaves who fled there after Britain abolished slavery in 1833. In 1978, Dylan acknowledged the source when he told journalist Marc Rowland: "'Blowin' in the Wind' has always been a spiritual. I took it off a

neg: Gil Turner April 16, 1962, Dylan showed up at Gerde's at a hootennany Turner was hosting. He had just written a new song called "Blowin' in the Wind" and wanted Turner to hear it. After listening to Dylan play the song in the club's basement, Turner had Dylan show him the chords. When he went up upstairs for his next set, Turner sang the song from Dylan's rough manuscript. It was the first performance of what went on to become the greatest folk song of the 1960s. "Blowin' in the Wind" appeared on the cover of "Broadside" two issues later, the song's

neg: Ill Wind character with similarities to Adelaide Hall in real life. Ill Wind "Ill Wind" ("You're Blowin' Me No Good") is a song composed by Harold Arlen with lyrics by Ted Koehler. It was written for their last show at the Cotton Club in 1934 and was sung by Adelaide Hall In an interview, Adelaide Hall explained how she performed the song to great effect during the show: The melody came to Arlen while he was visiting Anya Taranda, then a model who later became his wife. The song is also featured in the 1984 Francis Ford Coppola movie "The Cotton Club"

neg: Ill Wind Ill Wind "Ill Wind" ("You're Blowin' Me No Good") is a song composed by Harold Arlen with lyrics by Ted Koehler. It was written for their last show at the Cotton Club in 1934 and was sung by Adelaide Hall In an interview, Adelaide Hall explained how she performed the song to great effect during the show: The melody came to Arlen while he was visiting Anya Taranda, then a model who later became his wife. The song is also featured in the 1984 Francis Ford Coppola movie "The Cotton Club" sung by the actress Lonette McKee. McKee plays a

neg: Blowin' in the Wind the civil rights movement. In Martin Scorsese's documentary on Dylan, "No Direction Home", Mavis Staples expressed her astonishment on first hearing the song and said she could not understand how a young white man could write something that captured the frustration and aspirations of black people so powerfully. Sam Cooke was similarly deeply impressed by the song, incorporating it into his repertoire soon after its release (a version would be included on "Sam Cooke at the Copa"), and being inspired by it to write "A Change Is Gonna Come". "Blowin' in the Wind" was first covered by The Chad Mitchell

neg: The Windows of the World (song) "Where Have All the Flowers Gone?" and "Blowin' in the Wind", Hal David wrote lyrics for "The Windows of the World" which overtly but gently lament U.S. involvement in the Vietnam War (an especial concern to David, who had two young sons, one of them almost of eligible age for the draft). The arrangement for "The Windows of the World" has a subtle Asian flavor featuring strings plucked in the style of a koto and also finger cymbals the latter evoking the sound of raindrops on a window. "The Windows of the World" represented a thematic departure for Warwick who

neg: Blowin' in the Wind version of the song also spent five weeks atop the easy listening chart. The critic Andy Gill wrote, Dylan performed the song for the first time on television in the UK in January 1963, when he appeared in the BBC television play "Madhouse on Castle Street". He also performed the song during his first national US television appearance, filmed in March 1963, a performance made available in 2005 on the DVD release of Martin Scorsese's PBS television documentary on Dylan, "No Direction Home". An allegation that the song was written by a high-school student named Lorre Wyatt and subsequently purchased

neg: Bob Dylan Randall". With veiled references to an impending apocalypse, the song gained more resonance when the Cuban Missile Crisis developed a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked a new direction in songwriting, blending a stream-of-consciousness, imagist lyrical attack with traditional folk form. Dylan's topical songs improved his reputation, and he came to be seen as more than just a songwriter. Janet Maslin wrote of "Freewheelin": "These were the songs that established [Dylan] as the voice of his generation—someone who implicitly understood how concerned young Americans felt about nuclear disarmament

neg: Visions of Johanna Christopher Ricks, in his study of Dylan's work, pinpoints the emotional effect of these same lines: Ricks writes that the phrase "and all" turns a mood of helplessness into a sense of "aggression and baffled anger". Trying to unravel the mystery of the song, Greil Marcus writes that the song is concerned with internal questions, rather than external ones: "Line by line, 'Blowin' in the Wind' is pious, or falsely innocent—isn't it obvious that whoever wrote "Yes, 'n' how many seas must a white dove sail / Before she sleeps in the sand?" already knows the answer, assuming he, or

neg: Madhouse on Castle Street January 1963, when the play was completed, and it was transmitted on 13 January 1963. "Blowin' in the Wind" was used in the opening and closing credits, replacing a song written by Evan Jones, "Cut Me Down, My Love". Dylan also performed "Hang Me, O Hang Me", "Cuckoo Bird", and "Ballad of the Gliding Swan". Philip Saville had heard Dylan singing "Blowin' in the Wind" to two Spanish au pairs, early one morning whilst the singer was staying in his house. "Hang Me, O Hang Me" and "Cuckoo Bird" were traditional folk songs but Dylan altered the words. Jones provided

neg: Blowin' in the Wind Hall of Fame. In 2004, it was ranked number 14 on "Rolling Stone" magazine's list of the "500 Greatest Songs of All Time". Dylan originally wrote and performed a two-verse version of the song; its first public performance, at Gerde's Folk City on April 16, 1962, was recorded and circulated among Dylan collectors. Shortly after this performance, he added the middle verse to the song. Some published versions of the lyrics reverse the order of the second and third verses, apparently because Dylan simply appended the middle verse to his original manuscript, rather than writing out a new copy with

neg: Blowin' Smoke Blowin' Smoke "Blowin' Smoke" is a song recorded by country music singer-songwriter Kacey Musgraves. The song is featured on her major label debut album, "Same Trailer Different Park". It was released April 1, 2013 as the album's second single. It was written by Musgraves, Luke Laird, and Shane McAnally. As of July 10, 2013, the single has sold 135,000 copies in the United States. The song is about a waitress who is "down on her luck" and aspires to do better, but is "just blowin' smoke". The title is a double meaning, referencing the fact that the waitress is smoking

neg: Blowin' in the Wind form deployed time and again in the New Testament and based on a text from the Old Testament book of Ezekiel (12:1–2) is: "The word of the Lord came to me: 'Oh mortal, you dwell among the rebellious breed. They have eyes to see but see not; ears to hear, but hear not." In "Blowin' in the Wind", Dylan transforms this into "Yes'n' how many ears must one man have ...?" and "Yes' n' how many times must a man turn his head / Pretending he just doesn't see?" "Blowin' in the Wind" has been described as an anthem of

neg: Every Grain of Sand Sand" as, "a prayer that inhabits the same intuitive zone as "Blowin' in the Wind" - you'd swear it was a hymn passed down through the ages." Rock critic Milo Miles wrote, "This is the one Dylan song in ten years...in which he examines a pop-culture paradox (that legendary stars in particular have to believe in ideals greater than themselves) more eloquently than any other performer has." When Bruce Springsteen inducted Dylan into the Rock 'n' Roll Hall of Fame on January 20, 1988, he also cited "Every Grain Of Sand" as an example of his best work. "Every Grain

neg: Joan Baez an album of entirely self-composed songs and "From Every Stage" (1976), a live album that had Baez performing songs "from every stage" of her career, Baez again parted ways with a record label when she moved to CBS Records for "Blowin' Away" (1977) and "Honest Lullaby" (1979). In 1980, Baez was given honorary Doctor of Humane Letters degrees by Antioch University and Rutgers University for her political activism and the "universality of her music". In 1983, she appeared on the Grammy Awards, performing Dylan's anthemic "Blowin' in the Wind", a song she first performed twenty years earlier. Baez also played

neg: Blowin' in the Wind both Dylan and Peter, Paul and Mary, brought the trio the song which they promptly recorded (on a single take) and released. The trio's version, which was the title track of their third album, peaked at number 2 on the "Billboard" charts. The group's version also went to number one on the Middle-Road charts for five weeks. "How many words can be written on a page, before they begin to bleed? How many books can one man own, before he has learned to read? How many meanings can he give to a phrase, before, from his lexicon he's freed?" Blowin'

neg: In the Wind The second single from the album, "Don't Think Twice, It's All Right", another song by Dylan, peaked at number 2 on the Adult Contemporary chart and number 9 on the Pop Singles chart. At the Grammy Awards of 1964, their recording of "Blowin' in the Wind" won the Best Folk Recording and Best Performance by a Vocal Group. In the Wind In the Wind is the third album by the American folk music trio Peter, Paul and Mary, released in October 1963, a few months before the arrival of the Beatles heralded the British Invasion (see 1963 in music). It

neg: The Freewheelin' Bob Dylan Grossman, Dylan stated in a deposition: "Although I didn't know it at the time, the second album was destined to become a great success because it was to include 'Blowin' in the Wind'." Besides "Blowin' in the Wind", "Masters of War", "Girl from the North Country", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right" have all been acclaimed as masterpieces, and they have been mainstays of Dylan's performing repertory to the present day. The album's balance between serious subject matter and levity, earnest finger-pointing songs and surreal jokes captured a wide audience, including The Beatles, who

neg: Clarence Paul Dylan's "Blowin' in the Wind". Paul also produced early Temptations records and wrote/co-wrote such hits as "Until You Come Back to Me (That's What I'm Gonna Do)" originally for Wonder, and later given to Aretha Franklin who made it a #1 hit, and "Hitch Hike" for Marvin Gaye. Paul relocated from Detroit to Los Angeles in the early 1970s. Paul retired to Las Vegas, Nevada. He died of complications of heart disease and diabetes, at Cedars-Sinai Medical Center in Los Angeles, California on May 6, 1995, at age 67. Clarence Paul Clarence Otto Pauling (March 19, 1928 – May 6,

neg: Billie Sol Estes referenced in the song medley "Shticks of One and a Half a Dozen of the Other" by Allan Sherman from the album "My Son, the Celebrity" in a parody of the traditional song "Billy Boy." The Chad Mitchell Trio recorded "The Ides of Texas (And Don't Fence Me In)" about Estes on the album "In Action" (Kapp, 1962; re-issued as "Blowin' in the Wind") #87. Phil Ochs recorded "The Ballad of Billie Sol", which is included on his 1986 album "A Toast to Those Who Are Gone". Estes was mentioned in the 1980 movie "9 to 5" by Lily Tomlin's

neg: Blowin' in the Wind Trio, but their record company delayed release of the album containing it because the song included the word "death", so the trio lost out to Peter, Paul and Mary, who were represented by Dylan's manager, Albert Grossman. The single sold a phenomenal 300,000 copies in the first week of release and made the song world-famous. On August 17, 1963, it reached number two on the "Billboard" pop chart, with sales exceeding one million copies. Peter Yarrow recalled that, when he told Dylan he would make more than $5,000 () from the publishing rights, Dylan was speechless. Peter, Paul and Mary's

neg: The Freewheelin' Bob Dylan in the Wind' could be applied to just about any freedom issue. It remains the song with which Dylan's name is most inextricably linked, and safeguarded his reputation as a civil libertarian through any number of changes in style and attitude." "Blowin' in the Wind" became world-famous when Peter, Paul and Mary issued the song as a single three weeks after the release of "Freewheelin". They and Dylan both shared the same manager: Albert Grossman. The single sold a phenomenal three hundred thousand copies in the first week of release. On July 13, 1963, it reached number two on the

neg: Odetta Sings Dylan the UK by RCA/BMG in 2000. "Blowin' in the Wind" (which first appeared on "Odetta Sings Folk Songs", 1963) and "Paths of Victory" ("Odetta Sings of Many Things", 1964) were added as bonus tracks. In his review for Allmusic, critic Richie Unterberger wrote of the album, "other than an obscure 1964 album by Linda Mason, it was the very first album of Dylan covers. And in part it was because, unlike most of the artists who would take a swing at the concept, Odetta was actually a major folk musician, one who had done much to inspire Dylan himself. But

neg: Bob Dylan Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was an account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. The first song on the "Freewheelin" album, "Blowin' in the Wind", partly derived its melody from the traditional slave song, "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded by other artists and became a hit for Peter, Paul and Mary. Another "Freewheelin song, "A Hard Rain's a-Gonna Fall" was based on the folk ballad "Lord

neg: San Francisco (Tor Endresen song) San Francisco (Tor Endresen song) "San Francisco" was the Norwegian entry in the Eurovision Song Contest 1997, performed in Norwegian, the Bergen dialect specifically - with some lyrics in English - by Tor Endresen. The song is a moderately up-tempo number, with a sound similar to rock music from the late 1960s. Endresen delivers a paean to San Francisco as an idealised paradise from that decade, with lyrics containing many references to slogans ("Make love not war"), people (Jimi Hendrix and John Lennon) and song titles ("California Dreamin'", "Blowin' in the Wind") from that era, as well as key events

neg: Flatbush Zombies who had been making his own solo music, decided to bring the group together musically around 2010. Their first club performance took place in 2012, at 307 in Waterloo. The group's popularity grew after releasing the "Thug Waffle" video on YouTube. Later in the year, Flatbush Zombies released their debut mixtape, titled "D.R.U.G.S.", which stands for "Death and Reincarnation Under God's Supervision. In 2012, Flatbush Zombies were featured on the song "Just Blowin' in the Wind" with Wu Tang Clan's RZA for the soundtrack to RZA's film "The Man with the Iron Fists". " In 2013, the group collaborated with

neg: The Times They Are a-Changin' (album) Dylan was portrayed as someone who had lied about his middle-class origins. Furthermore, it was implied that Dylan had plagiarised the lyrics of his best-known composition, "Blowin' in the Wind". Stung by these untrue allegations, Dylan composed a song about the pain of having "the dust of rumor" flung in his eyes. He swiftly recorded the work a few days after the "Newsweek" profile appeared on October 31, 1963. The album ends with Dylan's vow "I'll make my stand/ And remain as I am/ And bid farewell and not give a damn". The sessions for "The Times They Are a-Changin"

neg: Blowin' Smoke premiered on CMT and GAC in May 2013. "Blowin' Smoke" debuted at number 56 on "Billboard's" Country Airplay chart for the week of April 13, 2013. It also debuted at number 48 on "Billboard's" Hot Country Songs chart for the week of April 27, 2013. It also debuted at number 10 on the U.S. "Billboard" Bubbling Under Hot 100 Singles chart for the week of June 22, 2013. Blowin' Smoke "Blowin' Smoke" is a song recorded by country music singer-songwriter Kacey Musgraves. The song is featured on her major label debut album, "Same Trailer Different Park". It was released April

neg: Lili Marleen peaked #93 in the Oricon charts and spend three weeks there, and sold a total of 8,000 copies, this version has "Falling in Love Again" as a B-side. The EMI release (EMR-10761) peaked #42 in the charts and spend 11 weeks in it, selling a total of 56,000 in the country, this version has "Die Antwort Weiss Ganz Allein Der Wind" (Blowin' In The Wind) as a B-side. Original issuing of the song by Decca Records in the US and Brunswick Records in the UK was on 10". Decca re-issued the single on 7" during the 1950s and early 1970s.

neg: The Best of Peter, Paul and Mary: Ten Years Together taken from the trio's 1962 debut album, "Peter, Paul and Mary" (Lemon Tree, 500 Miles, If I Had a Hammer), and their follow-up albums: "In the Wind" (1963) (Blowin' in the Wind, Stewball, Don't Think Twice), "Album 1700" (1967) (I Dig Rock and Roll Music, Leaving on a Jet Plane), "(Moving)" (1963) (Puff), "A Song Will Rise" (1965) (For Lovin' Me), "See What Tomorrow Brings" (1965) (Early Mornin' Rain), "Late Again" (1968) (Too Much of Nothing), and "Peter, Paul and Mommy" (1969) (Day Is Done). "Ten Years Together" was released on Warner Brothers Label 2552 in 1970, with cover art

neg: Blowin' in the Wind or plagiarised by Dylan before he gained fame was reported in an article in "Newsweek" magazine in November 1963. The plagiarism claim was eventually shown to be untrue. The first line of the song ("How many roads must a man walk down?") is proposed as the "Ultimate Question" in the science fiction novel "The Hitchhiker's Guide to the Galaxy", by Douglas Adams. In the 1994 film "Forrest Gump", Jenny sings this song for a show in a strip club and is introduced as "Bobbi Dylan". The film's soundtrack album features Joan Baez's 1976 live recording of the song, from her

neg: Quinn the Eskimo (Mighty Quinn) remained so to the end of their career. In 1969, The Hollies put their own spin on "The Mighty Quinn," adding a prominent banjo accompaniment, a horn section, and a flute part in reference to Manfred Mann's version. The song was featured as the last song on Side 2 of Hollies Sing Dylan and was performed in concert in 1969 alongside "Blowin' in the Wind". Dylan makes reference to the song in his 2004 autobiography "Chronicles Volume One": "On the way back to the house I passed the local movie theater on Prytania Street, where "The Mighty Quinn" was showing.

neg: Soul Kitchen (song) was a staircase–not, as with "Gloria" in imagery, but in the cadence the two songs shared, slowed down so strongly in "Soul Kitchen" that a sense of deliberation, so physical that it was more body than thought, became the guiding spirit of the song. In a 1967 article in Crawdaddy! magazine, Paul Williams compared it to "Blowin' in the Wind" since both songs had a message, with the message of "Soul Kitchen" being "Learn to forget." He praised the song: "The End” is great to listen to when you’re high (or any other time), but “Soul Kitchen” will get you

neg: Chimes of Freedom (song) Mystic, Poet", Seth Rogovy called the song Dylan's "supreme poetic achievement." Rogovy described the song's "simple" scene: […] a couple takes refuge in a doorway of a church during a thurderstorm. Period. But never has a storm been so dynamically, so "electrically", described. In six eight-line stanzas, Dylan paints a hallucinatory vision, a sensual display of lightning piercing darkness, revealing an unjust world and a world of redemption. Wrapped up in the song is all that has come before: the civil right symbolism of "Blowin' in the Wind", the apolcalyptic surrealism of "A Hard Rain's a- Gonna Fall", the tolling

neg: Farewell (Bob Dylan song) to Chicago to appear at The Bear, a folk music club owned by his manager Albert Grossman. The next day, April 26, he was interviewed during a taping of author Studs Terkel's radio show on WFMT. He played seven songs on the show, opening with "Farewell" (the seventh was "Blowin' in the Wind"). Four months later during the first of six "Times They Are a-Changin"' sessions, Dylan recorded four takes of the song, none of them complete. Only one live recording of the song is known to exist, released on The 50th Anniversary Collection 1963. Dylan played relatively few concerts

neg: B.M.F. (Blowin' Money Fast) B.M.F. (Blowin' Money Fast) "B.M.F. (Blowin' Money Fast)" is the second single from Rick Ross' fourth studio album "Teflon Don". It features Styles P. It was produced by Lex Luger. The song was originally released as an unmastered version on Ross' promotional mixtape, the Albert Anastasia EP. The song was named as MTV News' #4 Song Of 2010. Spose, Papoose, Yo Gotti, Haystak, Jelly Roll, Brabo Gator, French Montana, Hot Dollar, Skepta, Lil' Flip, Yelawolf, Jermaine Dupri, Tyga, and Bun B have recorded their own remixes to the song. Lupe Fiasco remixed the song under the name Building Minds Faster.

neg: The Freewheelin' Bob Dylan the second Newport Folk Festival. That weekend, Peter, Paul and Mary's rendition of "Blowin' in the Wind" reached number two on "Billboard"s pop chart. Baez was also at Newport, appearing twice on stage with Dylan. The combination of the chart success of "Blowin' in the Wind", and the glamor of Baez and Dylan singing together generated excitement about Dylan and his new album. Tom Paxton recalled: "That was a big breakout festival for Bob. The buzz kept growing exponentially and it was like a coronation of Bob and Joan. They were King and Queen of the festival". His friend Bob

neg: Mind Blowin' kind of song, Ice goes back to goofy lyrics [...] and his dry Max Headroom style." AllMusic reviewer Stephen Thomas Erlewine wrote that "There isn't a single moment that establishes a distinct musical identity, and the whole thing is rather embarrassing." Vanilla Ice's cannabis-oriented lyrics were questioned by some, including Primus bassist Les Claypool, who stated in an interview for "High Times", "He's got dreadlocks and he's got this song about smoking pot and basically he uses every little catch phrase he can think of that has to do with pot in his rap. That's all fine and dandy and

neg: Ally McBeal (season 5) wrote 21 out of 22 episodes. (This season's "Blowin' in the Wind" is the only episode of the entire series which Kelley is not credited either with writing himself or with jointly writing.) Staff writers this season included Constance M. Burge, Roberto Benabib, Peter Blake and Cindy Lichtman. Cast member Peter MacNicol co-wrote the penultimate episodes with Kelley, while Greg Germann made his directing debut in the episode "Fear of Flirting." Alice West served as the co-executive producer of this season. The fifth season had twelve major roles receive star billing, the most out of all of the seasons. Calista

neg: B.M.F. (Blowin' Money Fast) at No. 98 on the "Billboard" Hot 100 and peaked at No. 60 in its sixth week on the chart. B.M.F. (Blowin' Money Fast) "B.M.F. (Blowin' Money Fast)" is the second single from Rick Ross' fourth studio album "Teflon Don". It features Styles P. It was produced by Lex Luger. The song was originally released as an unmastered version on Ross' promotional mixtape, the Albert Anastasia EP. The song was named as MTV News' #4 Song Of 2010. Spose, Papoose, Yo Gotti, Haystak, Jelly Roll, Brabo Gator, French Montana, Hot Dollar, Skepta, Lil' Flip, Yelawolf, Jermaine Dupri, Tyga, and Bun

neg: Blowin' in the Wind the verses in proper order. The song was published for the first time in May 1962, in the sixth issue of "Broadside", the magazine founded by Pete Seeger and devoted to topical songs. The theme may have been taken from a passage in Woody Guthrie's autobiography, "Bound for Glory", in which Guthrie compared his political sensibility to newspapers blowing in the winds of New York City streets and alleys. Dylan was certainly familiar with Guthrie's work; his reading of it had been a major turning point in his intellectual and political development. In June 1962, the song was published in

neg: The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964 12 and immediately recorded a demo of what would become his breakthrough song, "Blowin' in the Wind". Four months passed before Dylan returned to record another song, "Ye Playboys and Playgirls", but the next month, in December, he showed up with seven new compositions, including three that would become classics: "A Hard Rain's a-Gonna Fall", "Ballad of Hollis Brown", and "Tomorrow Is a Long Time". In all, Dylan visited Witmark about a dozen times, registering his last demos in mid-1964. He recorded a total of 39 songs for Witmark, all of which are included on "The Bootleg Series Vol. 9:

neg: Blowin' Away they all stand in the nineteen-seventies." Baez wrote "Altar Boy and the Thief" as a tribute to her gay fanbase. In her autobiography, "And a Voice to Sing With", Baez described "Blowin' Away" as "a good album with a terrible cover". All tracks composed by Joan Baez; except where indicated Blowin' Away Blowin' Away was a 1977 album by Joan Baez, her first after switching from A&M Records to Portrait Records (a then newly created division of CBS Records). The album veered more toward mainstream pop than any album Baez had recorded up to that point, though many critics at

neg: Blowin' Me Up (With Her Love) Blowin' Me Up (With Her Love) "Blowin' Me Up (With Her Love)" is the debut single by American recording artist JC Chasez. The song was released as a single from the soundtrack to the 2002 film "Drumline" and was included on Chasez's debut studio album "Schizophrenic". In the United Kingdom, the single was released as a double A-side with Chasez' following single, "Some Girls (Dance with Women)" in February 2004. The music video for "Blowin' Me Up (with Her Love)" was directed by Bryan Barber and shot in 2002. JC approached Barber after seeing his video for OutKast's "The Whole

neg: Blowin' Me Up (With Her Love) video, driving a monster truck and smashing cars. Blowin' Me Up (With Her Love) "Blowin' Me Up (With Her Love)" is the debut single by American recording artist JC Chasez. The song was released as a single from the soundtrack to the 2002 film "Drumline" and was included on Chasez's debut studio album "Schizophrenic". In the United Kingdom, the single was released as a double A-side with Chasez' following single, "Some Girls (Dance with Women)" in February 2004. The music video for "Blowin' Me Up (with Her Love)" was directed by Bryan Barber and shot in 2002. JC approached Barber

neg: Bob Dylan Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind". In September Dylan released the new Lanois-produced album, "Time Out of Mind". With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award. In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center

neg: Shot of Love idiosyncratic harmonica playing has metamorphosed into an archetype that pierces the heart and moistens the eye. And, for once, the lyrics don't let you down. The artist's Christianity is both palpable and comprehensible ... For a moment or two, he touches you, and the gates of heaven dissolve into a universality that has nothing to do with most of the LP." Tim Riley described "Every Grain of Sand" as "a prayer that inhabits the same intuitive zone as "Blowin' in the Wind" - you'd swear it was a hymn passed down through the ages." Rock critic Milo Miles wrote, "This

neg: Mina per Wind Magidson in 1937 and sung by Horace Heidt. Mina per Wind Mina per Wind is an EP by Italian singer Mina. The album contains four songs, all with the word "wind" in the title. The album was recorded in 2000 as part of a special offer of Italian-based "Wind Telecommunications" which consisted of a package including a phone card and this album. "The Wind Cries Mary" is a cover of the rock ballad written by Jimi Hendrix and released by the Jimi Hendrix Experience as the band's third single on May 5, 1967. " Blowin 'in the Wind" is a

neg: You're Only Human (Second Wind) You're Only Human (Second Wind) "You're Only Human (Second Wind)" is a song written in 1985 and performed by Billy Joel. The song deals with teenage depression and suicide. It originally appeared on "Billy Joel's Greatest Hits" in 1985 and became a top ten hit, peaking at on the "Billboard" Hot 100. Joel, who had once attempted suicide himself, stated in a 1985 interview that he wrote the song as a way to help young people struggling with depression and thoughts of suicide. In his original draft, he was concerned that the song sounded too depressing so he re-wrote it

neg: Beatles for Sale the listener as a "friend", Dylan does the same on "Blowin' in the Wind". He also said its intention was to "openly subvert the simple true love themes of their earlier work". In Riley's view, "I'm a Loser" inaugurates a theme in Lennon's writing, in which his songs serve as "personal responses to fame". As the third track on the album, "Baby's in Black" conveys the same sad and resentful outlook of the two preceding songs. Music critic Richie Unterberger views it as "a love lament for a grieving girl that was perhaps more morose than any previous Beatles song".

neg: La balsa he tells you the Fifth Symphony. It's not like that, but the diffusion that that work has is incredible. Well, humbly, "La balsa" is the song that, as each year passes, is better known all over the world as something that happened here and that happens. According to writer Carlos Polimeni, the song's organ introduction is as well known in the Southern Cone as the guitar riff that starts the Rolling Stones' "(I Can't Get No) Satisfaction". Polimeni also argued that, "to a large extent, "La balsa" was for rock in Spanish what "Blowin' in the Wind" was for American

neg: Cy Grant Love Africa, Save The Children International Music Festival" in Zimbabwe. Grant recorded five LPs. His album "Cool Folk" (World Record Club, 1964) – featuring "Where Have All the Flowers Gone?", "Yellow Bird", "O Pato", "Blowin' in the Wind", "Work Song", and "Every Night When the Sun Goes Down" – is a collector's item. Other LPs include "Cy Grant" (Transatlantic Records), "Cy & I" (World Record Club), "Ballads, Birds & Blues", (Reality Records) and "Cy Grant Sings" (Donegall Records). Two of Grant's singles, "King Cricket" and "The Constantine Calypso", recorded in 1966 for Pye Records, celebrate the lives of West Indian

neg: The Concert for Bangladesh "[pumps his arms and shoulders]" ... It was only at that moment that I knew for sure he was going to do it." Among the audience, Schaffner wrote, there was "total astonishment" at this new arrival. As Harrison had envisaged, Dylan's mini-set was the crowning glory of the Concert for Bangladesh for many observers. Backed by just Harrison, Russell (now playing Voormann's Fender Precision bass) and Starr on tambourine, Dylan played five of his decade-defining songs from the 1960s: "A Hard Rain's A-Gonna Fall", "Blowin' in the Wind", "It Takes a Lot to Laugh, It Takes a Train to Cry",

neg: Live at Carnegie Hall 1963 the Ship Comes In" were released on "". The remaining nine songs performed at the concert were issued in 2013 on the European limited vinyl release "The 50th Anniversary Collection 1963", released by Columbia Records in order to prevent a number of Dylan recordings legally entering the public domain in Europe. These nine songs are: "Blowin' in the Wind", "Percy's Song", "Seven Curses", "Walls of Red Wing", "Talkin' World War III Blues", "Don't Think Twice, It's All Right", "Only a Pawn in Their Game", "Masters of War" and "The Lonesome Death of Hattie Carroll". Live at Carnegie Hall 1963 Live

neg: Madhouse on Castle Street commenting on the action in the manner of a Greek chorus as the new character Bobby, essentially playing himself. At the conclusion of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The play was planned to be recorded in one session on 30 December 1962, but it overran and the Technical Operating Manager told cast and crew to go home, even though they were willing to complete the filming. London was in the grip of a major blizzard and it was not possible to arrange a further session until 4

neg: Peter, Paul and Mary It remained a main catalog-seller for decades to come, eventually selling over two million copies, earning double platinum certification from the RIAA in the United States alone. In 1963 the group released "Puff, the Magic Dragon", with music by Yarrow and words based on a poem that had been written by a fellow student at Cornell, Leonard Lipton. Despite rumors that the song refers to drugs, it is actually about the lost innocence of childhood. That year the group performed "If I Had a Hammer" and "Blowin' in the Wind" at the 1963 March on Washington, best remembered for the