query: who sings they do n 't write like that anymore

pos: The Breakup Song (They Don't Write 'Em) The Breakup Song (They Don't Write 'Em) "The Breakup Song (They Don't Write 'Em)" is a song written by Greg Kihn and Steve Wright and recorded by American rock band The Greg Kihn Band. It is the first single from the band's fourth studio album, "RocKihnRoll" (1981). The song's musical style encompasses pop rock and power pop. It celebrates the quality of break-up songs in rock's earlier times, as the narrator laments both his recent breakup and the fact that they don't write good breakup songs anymore. The song reached #15 on the "Billboard" Hot 100 singles chart and #5

neg: Get Back (Demi Lovato song) "The Boston Globe" called "Get Back" a "welcome girl-rock hit". Ed Masley of "The Arizona Republic" included the song at number eight on his "Top 10 from the Disney girls" list, and said, "She wrote this with the Jonas Brothers, but it sounds more like a Tommy Tutone B-side from the early '80s or the sort of thing Greg Kihn was pining for when he sang, 'They don't write 'em like that anymore'". Masley noted that the song sounds better live, as does "nearly everything Lovato touches". Masley concluded, writing, "When she sings 'I want to get back to the

neg: Vito Bratta my first influences, the thing about him, that people just completely overlooked, is that he used to write guitar solos, he like wrote songs within songs! So, the solo was almost like a classical movement, within the track, and there are a lot of guitar players out there, I think, who could do that as well, but I think, Vito Bratta is the absolute best. It’s absolutely tragic that the guy doesn’t play anymore, and if you chat to the guys from Tyketto, they were very close to Vito. Mike, the drummer in Tyketto, was in a cover band when

neg: Computational complexity theory 7"n" + 15"n" + 40, in big O notation one would write "T"("n") = O("n"). A complexity class is a set of problems of related complexity. Simpler complexity classes are defined by the following factors: Some complexity classes have complicated definitions that do not fit into this framework. Thus, a typical complexity class has a definition like the following: But bounding the computation time above by some concrete function "f"("n") often yields complexity classes that depend on the chosen machine model. For instance, the language {"xx" | "x" is any binary string} can be solved in linear time on a

neg: Johnny Montgomery son. That was a fatal mistake, proven when she collapses that same night. She is rushed to the hospital, where it becomes clear that her disease had infected her heart and cannot be cured anymore. Jennifer realizes she will die and asks Dusty to marry her now instead of later like they had planned. At her deathbed they say "I do" and she sings a lullaby to Johnny. After an imaginary dance, Jennifer dies in Dusty's arms. Dusty suddenly has to take care of Johnny all by himself. Before Jennifer died, he adopted the boy because he had asked Jennifer

neg: On Again... Off Again wonder what the pair have in common anymore. The second verse takes much the same form, with Julie pledging her love for Ludwig, who describes her as "the air, you're the love that I breathe" and "the magic that flows from within". The duo sings the chorus in unison, describing their love as being "Like the rhythm of rain" and needing to "find an end to this game" of their mutual attraction. They describe the "wonderful times/Many natural highs" which they have experienced. At the climax of the song, Ludwig sings (in operatic style) a bridge begging Julie to "come

neg: Lambda calculus as "T"("x","N") removes all occurrences of "x" from "N", while still allowing argument values to be substituted into the positions where "N" contains an "x". The conversion function "T" can be defined by: In either case, a term of the form "T"("x","N") "P" can reduce by having the initial combinator I, K, or S grab the argument "P", just like β-reduction of (λ"x"."N") "P" would do. I returns that argument. K throws the argument away, just like (λ"x"."N") would do if "x" has no free occurrence in "N". S passes the argument on to both subterms of the application, and

neg: How Do You Say I Don't Love You Anymore with the discipline of the old pro. She sings big beat and ballad with taste an understanding." Billboard concluded saying "On 'Let It Be Me,' the bluesy treatment takes over. 'Yesterday' is delivered in approved pop standard style. Miss Payne is a versatile and polished performer who understands a lyric." The album was reissued on CD on March 31, 2009 by Poker Records. The reissue contains a biographical essay of Payne's life and career by Mick Patrick (written in December 2008). How Do You Say I Don't Love You Anymore How Do You Say I Don't Love You Anymore was

neg: Puddle of Mudd 2004 with Canada's "Chart" magazine. He stated, "He doesn't write our songs, he doesn't produce our songs, he doesn't do anything for us. He doesn't do our videos anymore. He doesn't do anything for this band. I don't know what he's doing, I don't know what the guy's like. All I know is that he's like Mr. Hollywood guy, Mr. Celebrity. Like, 'I don't hang out with anybody except Hollywood celebrities'. Every single fucking interview I've ever fucking done, I get asked about that fucking guy..." He added, "And for me to do interviews all the time and be asked

neg: Swamp pop "Lonely Days, Lonely Nights" (1958), Buck Rogers' "Crazy Baby" (1959), Randy and the Rockets' "Let's Do the Cajun Twist" (1962), T. K. Hulin's "I'm Not a Fool Anymore" (1963), and Clint West's "Big Blue Diamond" (1965), among numerous others. The musicians who went on to birth Swamp pop listened to (and often performed) traditional Cajun music and black Creole (zydeco) music as children, as well as popular country and western (hillbilly) songs by musicians like Bob Wills, Moon Mullican, and Hank Williams. However, like other American youth in the mid-1950s, they discovered the alluring new sounds of rock and roll

neg: Shared register disjoint sets of size (n-f) among the n processes. So 2*(n-f)≤ n leading to n≤2f, which contradicts the fact that n>2f. So the "READ" must read at least one value written by that "WRITE". A SWMR register can be written by only one process but can be read by multiple processes. Let n be the number of processes which can read the SWMR register. Let R, 0i when 0j. The implementations of "Read" and "Write" are shown below. The t-value of an operation is the value of t it writes and the operations are linearized by t-values. If "Write" and

neg: Hattie Jacques policy. After complaints about the NHS in 2008, the "Western Morning News" suggested the government should "clone a Hattie Jacques-type matron to run a tight ship everywhere". NHS nurses have complained about the stereotype: in August 2013 the "Nursing Times" quoted one matron, who protested that they were "not like Hattie Jacques anymore". Alan Simpson, the co-writer of "Hancock", enjoyed writing for Jacques, and thought that she was "almost like a fella in terms of playing comedy; you didn't write for her thinking she's a woman so we've got to write the feminine point of view. That made it easier

neg: Shared snapshot objects memory location anymore. Therefore it is not possible anymore to couple the handshake bits or the embedded scan with the data fields. Hence, the handshake bits, the data memory and the embedded scan cannot be stored in the same register and the write to the memory is not an atomic operation anymore. Therefore, the codice_7 process has to update three different registers independently. It first has to save the handshake bits it reads, then do the embedded scan and finally saves its value to the designated memory position. Each write independently appears to be done atomically, but together they are

neg: George Jones singer is, I say, 'You mean besides George Jones?'"; Randy Travis: "It sounds like he's lived every minute of every word that he sings and there's very few people who can do that"; Tom T. Hall: "It was always Jones who got the message across just right"; and Roy Acuff: "I'd give anything if I could sing like George Jones". In the same film, producer Billy Sherrill states, "All I did was change the instrumentation around him. I don't think he's changed "at all"." Unlike some of his contemporaries, Jones painstakingly adhered to country music. Jones never reached the top

neg: Sri Rama Rajyam return home disappointed and refuse to recite the Ramayan anymore. The twins then stop the Aswamedha horse is not realizing that they will soon be thrust into confrontation with none other than Lakshman, Srirama and the entire army of Ayodhya. After that, they know about their father none other than Sri Rama. Sita reunites her two sons Kusha and Lava with their father Rama and returns to her mother (Bhudevi). Veteran director Bapu announced that he would remake 1963 film "Lava Kusa" with Balakrishna who reprises the role of Lord Rama which was enacted by his father N. T. Rama

neg: I Am a God they could tell me where I could and couldn’t go is just ludicrous. It’s blasphemous—to rock ’n’ roll, and to music.” During a 2013 interview with Zane Lowe, West added another interpretation of the song saying: "We got this new thing called classism, It's racism's cousin. This is what we do to hold people back. ... And we got this other thing that's also been working for a long time where you don't have to be racist anymore, it's called self-hate. It works on itself. It's like the real estate of racism. Where, just like that, when someone comes up

neg: Civil enforcement officer write reports that are sent to a magistrate who decides if according to the findings of the guards report a fine will be issued. In Belgium Stadswachten can be recognized by the purple jackets they wear. In the Netherlands municipalities used Stadswachten (City Guards) until 2004, these officers were public civil servants who patrolled the city but had no power to fine civilians. These days Stadswachten do not exist anymore and the Guard departments were changed into Handhaving (Enforcement) units. Unlike the British City Wardens, Handhavers (Enforcers) do not have civil status but are fully public officials and have limited

neg: Afrodisiac (Brandy album) so I wanted to just watch her, and write from that. She was kind of shocked by what I would write. [Then] I was amazed, because she would take what I wrote and make this rainbow of sounds. She's so brilliant." Soundwise, her collaborator Timbaland spoke of their work on the album in his 2015 memoir "The Emperor of Sound". In the book, he says, "I always wanted to work with Brandy. She sings like a hummingbird." He goes on to say, "She really trusted me and wanted to do whatever I wanted to do. I make something and then

neg: Slapstick (band) broke up because we couldn't write songs together anymore. Dan or I would bring a song in and Matt, Danny and Rob wouldn't like it. Conversely, those three would bring in songs and Dan and I wouldn't like them. The creative process stagnated. it has a lot to do with the fact that none of us really ever liked ska a lot. It was a phase for all of us and once we got through the phase, writing ska became hard to do (not to mention silly). We had different ideas about what direction Slapstick should go, and there was

neg: Anymore (Goldfrapp song) me a freak". Goldfrapp sings with robotic, or "android"-like, vocals and moans, "Ooh, connect me / Ooh, to the other side". The aforementioned lyrics were also considered similar to the ones in their 2005 song "Ooh La La". Upon release, "Anymore" received a mixed to positive response from music critics. Several critics noted that the track serves as a strong opener for "Silver Eye". David Chiu from "Consequence of Sound" described the song as an "outstanding opening track" for "fans who have been waiting for Goldfrapp to somehow get back to their dance club roots". Agreeing, Daryl Easlea, writing for

neg:
Bathhouse: The Musical! helped by angel-Teddy and devil-David. As they exit, Billy sings a romantic torch song about his despair ("Lonely Love Song").
 A depressed Billy ignores David, who tries to seduce him. David does not feel so much self-confident anymore and tells about the time he used to be fat, and how the gym at the bathhouse helped him become a well-built guy ("The Workout").
 The characters then tell about their various experiences as gay men: Teddy reveals how he was drawn to understand that "penises are like snowflakes"; David tells about a former boyfriend who had an unusual foreskin; Maurice remembers

neg: Vehicle registration plates of Sweden plates have black text on a yellow background. Taxis get yellow plates after they are approved. The plates have the same registration as the car had before it was a taxi. Thus if it isn't used as a taxi anymore, or if the car or the Taximeter fails inspection, the normal plates are put back on and the yellow ones are confiscated. Just like normal plates, taxi plates do not have an approval sticker. Until 1 April 2017, a smaller T indicating "taxi" was printed in the right hand corner (unless it had personal plates, in which case the T

neg: Be Like That I don't do it so much anymore, but I used to think that when I write lyrics, I tried to do every line to where it could be taken more than one way. And my thought process behind that was, Well, if I can get two meanings out of it, then there are countless meanings out there for somebody else to apply it to their own life." He also offers this bit of philosophy: "The difference in a good song and a great song, to me, is the difference in a good book and a good movie: They're both telling

neg: Sakuntalai Sakuntalai Sakuntalai () is a 1940 Tamil film directed by Ellis R. Dungan and starring M. S. Subbulakshmi and G. N. Balasubramaniam. Subbulakshmi and her husband T. Sadasivam formed Royal Talkies to produce their own films. They decided to make a movie based Shakuntala's life and asked director K. Subramanyam, to direct the film. Subramaniam was not able to do so because of prior commitments and recommended Ellis Dungan to be hired instead. Sadasivam wrote the screenplay and Papanasam Sivan was hired to write the lyrics. Carnatic singer G. N. Balasubramaniam was cast as King Dushyanta. The comedic duo of

neg: Shared register "Read" have the same t-value, order "Write" before "Read". If several "Read"s have the same t-values, order them by the start time. We can use the a SW Snapshot object of size n to construct a MWMR register. The linearization order is as follows. Order "WRITE" operations by t-values. If several "WRITE"s have the same t-value, order the operation with small process ID in front. Insert "READ"s right after "WRITE" whose value they return, breaking ties by process ID and if still tied, break tie by start time. Shared register In distributed computing, shared-memory systems and message-passing systems are two

neg: MusiCAD and in English. Like a few other scrorewriters, it uses plain ASCII files for storage. MusiCAD will read and write ABC-notation as well as MIDI, and is capable of writing PDF-files for easy distribution of scores. There is an unlimited-time evaluation mode which allows storing and printing. MusiCAD MusiCAD is a scorewriter program originally designed for folk music featuring irregular meter (like 22/16 or 'worse'). It can automatically generate accompaniment voices from chord symbols. One of its design goals was to be as predictable as possible: 'what-you-write-is-what-you'll-hear'. Later versions do not focus on folk music anymore and will allow up

neg: Sings Like Hell but was pleased with Vanguard. “Vanguard takes on artists they believe in and lets them do what they need to do,” says Case. “That’s what they did in the ’60s — that’s what they’re famous for — and they’re living up to that legacy. That’s so alien to the big-time record industry, in my experience.” Music critic Denise Sullivan of Allmusic called the album "The perfect introduction to traditional American music for rock fans; folk and blues fans will also appreciate the richness in Case's delivery. His reading of "Lakes of Pontchartrain" is one for the books." Production Sings Like

neg: It Won/t Be Like This All the Time and some hope on there. The first song that we're going to come back with epitomises the record. It's got really noisy guitars but it's pretty melodic. I think it's the next stage of who we're meant to be. ...I won't say exactly what it's dealing with [lyrically] because a lot of it might be quite obvious, but I'm not hiding behind a lot of metaphors anymore. I've done that, what's the point in trying to do it again? I'm really proud of our lyrics in the past but this is just what came out. I don't need to hide

neg: Dougal Butler much for Butler, who phoned up Who manager Bill Curbishley, stating flatly that Moon needed to leave LA immediately. He recalls telling Curbishley "I can't do this anymore and one of us is going to pop our socks and it fucking ain't going to be me." They moved back to London and Butler promptly left Moon's services. Moon died in September 1978. Butler left the music industry after Moon's death and began to write "Full Moon", his account of life with Moon, in 1980 with some friends to help him copyedit. The book was published in 1981 and was a

neg: On Fire (Loïc Nottet song) explores themes of worthlessness as he sings, "he said that falling down, it wouldn’t make a sound". Lyrics from the track's refrain include: "I'm burnin' I'm on fire/Here I am, inside the flames/I don't care anymore, don't need your oxygen/I'm burning in a new way/Here I am, taming the flames/Not afraid anymore/Strong like a warrior". Alongside rebirth, Nottet also discusses perseverance, eventually asserting that he will "get back up" and "light up like a flare". "On Fire" is directed at the criticism the singer had received throughout his career. Nouma Foé, an editor of Chérie FM, interpreted the lyrics of

neg: Banach fixed-point theorem such that "m" > "n": Let ε > 0 be arbitrary, since "q" ∈ [0, 1), we can find a large "N" ∈ N so that Therefore, by choosing "m" and "n" greater than "N" we may write: This proves that the sequence {"x"} is Cauchy. By completeness of ("X","d"), the sequence has a limit "x*" ∈ "X". Furthermore, "x*" must be a fixed point of "T": As a contraction mapping, "T" is continuous, so bringing the limit inside "T" was justified. Lastly, "T" cannot have more than one fixed point in ("X","d"), since any pair of distinct fixed points

neg: Body Count (album) just look at it as music. [...] I do what I like and I happen to like rock 'n' roll, and I feel sorry for anybody who only listens to one form of music." Recording sessions for the group's self-titled debut took place from September to December 1991. The album was released on March 31, 1992, on compact disc, vinyl, and audio cassette. Ice-T states that "Body Count" was intentionally different from his solo hip hop albums in that "An Ice T album has intelligence, and at times it has ignorance. Sometimes it has anger, sometimes it has questions. But

neg: The Life and Times of Jonny Valiant different that to stand out as an artist, being different isn't different anymore. It's almost too far and too many rappers looking like Lenny Kravitz. I'll be at clubs, and I can't tell who raps, who sings in Rock bands. It's all just a big mess. So you ask people about mess and it's like, “Shit, that’s my swag.” Well you know what? Fuck your swag." The first video for the album was released on March 28, 2013, for the song "For Real". The first single, "Switch Lanes" featuring Mike Posner, was released on April 12, 2013. On April 10,

neg: Baby (musical) same way, and says that they're not going to do the ritual anymore since it's not making either of them happy. At dinner, Arlene and Alan discuss how Arlene feels that they aren't a couple, but parents. She feels they're only together for the kids and goes up to bed. Alan sings about how much easier it is to take care of and love kids than it is to care for and love a wife. Time passes and Danny returns home to Lizzie, where she has decorated the apartment to look very "homey". Lizzie then tells Danny that she really

neg: Just like You (Keyshia Cole album) her debut album, "The Way It Is". About the album, Cole says, "This album is more about you, inside, and how you need to get yourself together, rather than pointing at somebody else and saying, 'You don't treat me right, you don't do this.' I'm truly lovin it, I listen to it myself. The last album, I didn't really listen to until I went on tour. [Because] when you listen to your own experience, it's like, I don't wanna hear it anymore. I do write from my personal experiences, but I think it's very important to young women." Guests include

neg: Move Back Home punk forefathers [the Ramones]. They, of course, still haven't grown up — Joe still sings about not having a girlfriend and acting like a jerk, but no one else can do it better, save for the Mr. T Experience's Dr. Frank. The best demonstration of how good they've gotten at crafting great pop songs is the fact that it's hard to tell which song is a Brian Wilson cover and which one is an original." In 2006 the Queers followed several other former Lookout! artists in rescinding their master tapes and licensing rights from the label, invoking a clause in

neg: T-Ray (comics) hard feelings. Mercedes says there are, and kicks him in the junk. T-Ray gets up, and with Mercedes by his side, goes off to parts unknown saying that Deadpool can keep the name Wade now; he's done with it and doesn't want anything to do with Deadpool anymore. Months later, T-Ray, now an agent of Thanos resurrects Deadpool, who has been killed in a fight with Weapon X, using an artifact Thanos gave him to create many copies of Deadpool. Thanos is jealous of Deadpool's relationship with Death and T-Ray is to "curse him with immortality" so that he may

neg: Girls (and Boys) On Film tricks Emma's parents into revealing that she's at her sister's house, and convinces Will to fight to get her back. Will and New Directions serenade Emma with "In Your Eyes", and Emma admits she ran away because she feels that she doesn't know Will anymore. They agree to take their relationship slowly. Meanwhile, Jake Puckerman (Jacob Artist) admits that his Valentine's Day presents to Marley were Ryder's idea, and invites her to do pottery with him, during which he sings to her "Unchained Melody". Marley, however, is divided between him and Ryder, and confesses about Ryder kissing her, causing Jake

neg: Valley of the T. rex help it frighten away other meateaters, like dromaeosaurs, from carcasses. His description of T. rex is "Big, nasty, and stinky." Since "Valley of the T. rex" was shown on television, it has been met by criticism. Many of the arguments Horner use to support his case have been examined by other paleontologists, who do not agree that they conclusively show "Tyrannosaurus" was an obligate scavenger. As for "Tyrannosaurus" short forelimbs, it has been pointed out that predators like wolves and hyenas do not use their frontlegs to take down prey. Moreover, hyenas, like "Tyrannosaurus", have jaws and teeth to crush

neg: Gravity (Our Lady Peace album) They chose Detroit native, Steve Mazur, who Coutts and Taggart knew through mutual friends in Los Angeles. After his inception into the band was announced in April, Raine Maida noted: "[It] felt like a cohesive unit...It just felt incredible. It felt like a new band, totally fresh." During the band's holiday break from recording, Raine received a phone call from Rock on Christmas Eve, asking him if he had anymore song ideas to consider before they returned to the Maui studio in January. The call prompted him to write seven songs over the next ten days. Upon returning to the

neg: Elvis: Greatest Hits Volume 1 mixed reviews, with Roy Carr and Mick Farren, in "Elvis: The Illustrated Record", a book released the following year, calling the album title misleading: "Predictable Las Vegas standards hardly fall under the category of 'Greatest Hits,'" they write. "One seriously wonders exactly who records like this are aimed at," they continue, wondering if RCA did indeed have anymore notable material from Elvis that had yet to be released (as subsequent releases proved, the label did possess many more previously unreleased recordings). Besides the aforementioned unreleased live recordings, this album also includes the true stereo debut of the songs "Suspicious Minds"

neg: Try (Colbie Caillat song) song resulted from a 'venting experience' for Caillat, who translated her disappointment about her scrapped album into a message of self-love aimed at women." "Put your makeup on/ Get your nails done/ Curl your hair/ Run the extra mile/ Keep it slim so they like you, do they like you?" she sings in the beginning. "You don’t have to try so hard/ You don’t have to give it all away/ You just have to get up, get up, get up, get up/ You don’t have to change a single thing," she sings in the chorus. In an interview for Elle,

neg: Bionic (Christina Aguilera song) recorded at The Red Lips Room in Beverly Hills, California. The track was written by Aguilera, Kalenna Harper, John Hill and Switch. Hill and Switch also produced and provided musical instruments to "Bionic". "Bionic" is an electronic song and lasts for a duration of (three minutes and twenty-one seconds). It features "twitchy space-ace" rhythms, rapping verses and talks about an "echo-laden" invitation to "jet off to the new millennium". In the middle of the song, Aguilera spells out her name, "X-x-x-t-t-t-i-i-i-n-n-n-n-n-a". During the chorus, she sings, "Bionic, so damn Bionic, gonna get you with my electronic supersonic rocket, ay". Becky

neg: Ol' Waylon Sings Ol' Hank in the manner in which both vanguards forged rebellious paths. On Waylon Sings Hank Williams, Jennings pays tender tribute to many of the master's classics such as "Jambalaya" and "I'm So Lonesome I Could Cry," along with lesser known tracks like "Why Should We Try Anymore." "All songs written by Hank Williams except as noted." Ol' Waylon Sings Ol' Hank Ol' Waylon Sings Ol' Hank is an album by Waylon Jennings, released independently on WJ Records, the singer's own label, in 1992. As the title suggests, it features Jennings' performances of songs written or made famous by Hank Williams. The

neg: This Is What Rock n' Roll Looks Like to be proud of who they are. Vocally, Porcelain Black sings as if straining through "a maze of razorblades," according to Steven J. Horowitz of "YRB Magazine". The RedOne-produced track employs a beat that is reminiscent of his work with Lady Gaga. Porcelain Black screams in the chorus "Hey hey hey if you're ready to rage / Raise your hands up, this what rock and roll looks like / Yeah yeah yeah, wearing leather and lace / Raise your hands up, this what rock and roll looks like." While being interviewed by the "Los Angeles Times", Porcelain Black discussed in

neg: Dunnett's test by, for example: formula_26 when formula_10 is the mean of group formula_28 and formula_29 is the number of observations in group formula_28, and formula_31 degrees of freedom. As mentioned before, we would like to obtain separate confidence limits for each of the differences formula_32 such that the probability that all formula_16 confidence intervals will contain the corresponding formula_34 is equal to formula_20. We will consider the general case where there are formula_16 treatment groups and one control group. We will write: formula_37 formula_38 we will also write: formula_39, which follows the Student's t-statistic distribution with n degrees of freedom. The

neg: Mai Bhago would be "done to death". A group of 40 Sikhs ("Chali Mukte"), led by Mahan Singh Brar, told Guru Gobind Singh that they were not his Sikhs anymore. The Guru told them that they would have to write a document that said "We are not your Sikhs anymore" and sign it. All forty Sikhs (except one: 'Bedava') wrote their names on this document, and left Guru Gobind Singh. Mai Bhago was distressed to hear that some of the Sikhs of her neighbourhood, who had gone to Anandpur to fight for Guru Gobind Singh, had deserted him under adverse conditions. She

neg: Iddaru Pellalu Iddaru Pellalu Iddaru Pellalu (English: Two Wives) is a 1954 Telugu drama film, produced and directed by F. Nagur under the Nagur Cine Productions banner. It stars N. T. Rama Rao, Jamuna in the lead roles and music composed by T. R. Papa, T. K. Kumara Swamy & T. A. Kalyan Raman A Zamindar (C.S.R) lives a happy life with his wife Radha (M. V. Rajamma), but the only thing that bothers them is that they do not have children. Pushpa (Lakshmikantham) is a dancer who earns money through performances at Madras. Once, the Zamindar comes to Madras, where he

neg: They Don't Make 'Em Like That Anymore They Don't Make 'Em Like That Anymore "They Don't Make 'Em Like That Anymore" is a song written by Chris Farren and Jeffrey Steele, and recorded by American country music group Boy Howdy. It was released in March 1994 as the second single from their EP "She'd Give Anything". The song reached No. 2 on the "Billboard" Hot Country Singles & Tracks chart in July of that year, behind "Wink" by Neal McCoy. "They Don't Make 'Em Like That Anymore" debuted at number 60 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of April 2, 1994

neg: La question (album) asleep in the sea—magical, original, in its essential rhythm. I would love the sea to take me back to be reborn—elsewhere than inside my head, somewhere other than the earth, where without my love I can do nothing." The song's string arrangements imitate the tide of the sea, "both menacing and welcoming", like the possibility of killing oneself. Similarly to "Viens", the lyrics on "Oui, je dis adieu" ("Yes, I Say Goodbye") describe the rupture of a couple, as Hardy sings: "Your show and your emptiness/Your weaknesses and your tiredness/Don't mean anything to me anymore/With you I am not anything",

neg: Till the Next Goodbye the way Jagger sings it, it sounds like he's asking, 'You can't do this anymore, can you?' He's conveying a different meaning altogether, almost as if he is playing both parts in one line." Recording continued at Jagger's home in Newbury with the use of the Rolling Stones Mobile Studio and finished at Island Recording Studios in London. Jagger, Richards and Mick Taylor each perform acoustic guitar for the piece. Taylor also contributes electric slide guitar to the recording. Nicky Hopkins performs the song's piano. Bill Wyman performs bass while Charlie Watts performs drums. An overlooked song from the Stones

neg: Rey Valera song. "Mr. DJ". The two have been friends ever since, and in 1992, Sharon paid tribute to her favorite composer when she recorded Sharon Sings Valera. When Sharon Cuneta and her then husband Gabby Concepcion separated, Rey composed the song, "Kahit Wala Ka Na" (Even When You're Gone). When Sharon and Rey met at Cinema Audio, she asked why he was not writing songs for her anymore. Rey replied that he did write one for her and submitted the song to VIVA for it to be an inspiration or a battleground for Sharon. Both of them found out that the

neg: Tanenbaum–Torvalds debate feels he has been eclipsed by Linus. MINIX was only a kind of fun hobby for me. I am a professor. I teach and do research and write books and go to conferences and do things professors do. I like my job and my students and my university. ... I wrote MINIX because I wanted my students to have hands-on experience playing with an operating system. After AT&T forbade teaching from John Lions' book, I decided to write a UNIX-like system for my students to play with. ... I was not trying to replace GNU/HURD or Berkeley UNIX. Heaven knows,

neg: Malcolm Gladwell was a basket case at the beginning, and I felt like an expert at the end. It took 10 years—exactly that long." When Gladwell started at "The New Yorker" in 1996 he wanted to "mine current academic research for insights, theories, direction, or inspiration". His first assignment was to write a piece about fashion. Instead of writing about high-class fashion, Gladwell opted to write a piece about a man who manufactured T-shirts, saying: "it was much more interesting to write a piece about someone who made a T-shirt for $8 than it was to write about a dress that costs

neg: Qapqal News News Agency and other wire services, with the remaining 20% written by the paper's own staff. Even the paper's own staff do not always write their articles in Xibe; sometimes they write in Chinese, Uyghur, or Kazakh, and then translate it into Xibe later. The paper does not accept advertisements. The "Qapqal News" plays an important role in Xibe language planning and standardisation. The editors are highly conscious of their role as the modern caretakers not just of their own language but of the Manchu language which few besides Xibe people can read and write anymore; Manchu proper is nearly

neg: Tilt (The Lightning Seeds album) final and all time lowest entry on the chart. Broudie grew distasteful of promoting "Tilt", saying "[I]t was that boyband manufactured pop period [...] It felt like the world had changed and I didn't fit. There was a lot of turmoil in my personal life and I think my heart went out of it. I went through a period of thinking I might not make music anymore." Jason Damas of AllMusic was favourable, saying: "[T]he album is a minor disappointment because it seems that just as the group began to sound like a live act... they reverted to being a

neg: Final Straw very receptive to his advice. According to Chancellor, "Some bands tend to be more defensive about what goes on in the studio. Snow Patrol weren't. They were very much like, 'Yeah, we really want to be successful this time.'" The lyrics, all written by Lightbody are about failing relationships and break-ups. They were inspired by his personal experiences. Quinn, his longtime friend, says that he knows who Lightbody sings about in those songs. The lyrics deal with the themes of relationships and politics. Lightbody has said that his "finally learn[ing] to write a chorus" was the key to the album's

neg: I Know Why the Caged Bird Sings two years to write it. She shared the manuscript with her friend, writer Jessica Mitford, before submitting it for publication. Angelou subsequently wrote six additional autobiographies, covering a variety of her young adult experiences. They are distinct in style and narration, but unified in their themes and stretch from Arkansas to Africa, and back to the US, from the beginnings of World War II to King's assassination. Like "Caged Bird", the events in these books are episodic and crafted as a series of short stories, yet do not follow a strict chronology. Later books in the series include "Gather Together

neg: Dig Out Your Soul Tour Paris just minutes before it was about to begin, the cancellation of the European tour and that the group "does not exist anymore", referring a coming statement from Noel Gallagher. Two hours later, a little before midnight, on the band website, a statement of Noel Gallagher read: "It's with some sadness and great relief to tell you that I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer. Apologies to all the people who bought tickets for the shows in Paris, Konstanz and Milan." Before

neg: Continuous-repayment mortgage "r" and a borrower with an annual payment capability "M" (divided into N equal payments made at time intervals Δ"t" where Δ"t" = 1/"N" years), we may write: If "N" is increased indefinitely so that Δ"t" → 0, we obtain the continuous time differential equation: Note that for there to be a continually diminishing mortgage balance, the following inequality must hold: "P" is the same as "P"(0) – the original loan amount or loan balance at time "t" = 0. We begin by re-writing the difference equation in recursive form: Using the notation "P" to indicate the mortgage balance after

neg: K.V. Kortrijk name Koninklijke Kortrijk Sport. They had the matricule n°19 like the oldest club SC Courtraisien. Stade Kortrijk was founded in 1923 with matricule n°161. Because Stade Kortrijk and Koninklijke Kortrijk Sport didn't play well anymore, they merged in 1971. They could play with matricule n°19 and the new name was KV Kortrijk. Due to a bankruptcy, KV Kortrijk had to relegate in 2001 to the third division. From 2004 to 2008 KV Kortrijk played in the second division, however in the 2007–08 season they managed to get promoted to the first division. KV Kortrijk was bought for €5 million by

neg: Killer Diller (1948 film) sings the racy jazz tune "I Don't Want to Get Married." Her second song "Ain't Nobody's Business What I Do" is likewise racy, about the joy of carousing and cheating: "If I feel like going out and having some fun/ With some young cat who looks like he might be my son/ That ain't nobody's business what I do." The act of Warren Patterson & Al Jackson sing Jule Styne & Sammy Kahn's "I Believe," Warren leading off and Al doing his part as a Louis Armstrong impersonation. Then Al sings the Fats Waller classic "Ain't Misbehavin" as Warren tapdances.

neg: All I Wanna Do Is Make Love to You not perform it live anymore despite the requests). The original song as recorded by Dobie Gray was a love song without a storyline, unlike the later version by Heart. In the Heart version of the song, singer Ann Wilson sings of a one-night stand with a handsome young male hitchhiker. After an implicit agreement to remain anonymous, they make their way to a hotel room in which to have sex. The lyrics make the suggestion that this may not be the first time the female protagonist has engaged in such behaviors, noting her familiarity with this particular hotel. The song

neg: You Can't Do That on Stage Anymore, Vol. 6 You Can't Do That on Stage Anymore, Vol. 6 You Can't Do That on Stage Anymore, Vol. 6 is the last of six double disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on Disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?", to ridicule Peter Frampton's album "I'm in You" with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The

neg: Gladiator (Dami Im song) Sia to write for Katy Perry". Im's vocals incorporate harmonies, ad-libs, and double tracking "with a bit of vibrato". Le compared her double-tracked vocals to Pink's songs. Kevin of the website Direct Lyrics wrote that "Gladiator" sounds like a song "Ryan Tedder would do circa the Jordin Sparks 'Battlefield' days". Lyrically, "Gladiator" explores the theme of female empowerment. Im sings about the need to make a man fall in love with her by fighting for his love "like a gladiator", as shown in the lyrics: "Not in it for the glory, I just hope you're waiting for me. Never gonna

neg: Get Like Me (Nelly song) She [Nicki] killed it!". Williams commented, “When we get together, we like to do a song that evokes as much energy as possible.” "Get Like Me" is a drum-driven song with sparse and percussive beat. Lyrically, it is a self-pride song, further described as "an ode to Nelly's dope-ness". Nelly sings about how everyone tries to steal his shine, "See the whole rap game/ They sounding like me". Minaj echoes his sentiments singing: "Get their own speakers and some pros like me/ When I'm at the game, all the pros like me." Minaj sings the lines "You should follow my

neg: Normal (geometry) tangent plane M t, by the following logic: Write n′ as W n. We must find W. W n perpendicular to M t Clearly choosing W such that formula_31, or formula_32 will satisfy the above equation, giving a formula_33 perpendicular to formula_34, or an n′ perpendicular to t′, as required. Therefore, one should use the inverse transpose of the linear transformation when transforming surface normals. The inverse transpose is equal to the original matrix if the matrix is orthonormal, i.e. purely rotational with no scaling or shearing. The definition of a normal to a surface in three-dimensional space can be

neg: Time-slot interchange from a higher-level system design of the switching fabric. Hence the technology yielding T determines n for a given t. T also limits t for a given n. Real switching fabrics have real requirements for n and t, and therefore since T must be an actual number set by a possible technology, real switches cannot be arbitrarily large n or small t. In higher-speed switches, the limit from T can be halved by using a more expensive, less reliable two-port RAM. In these designs, the read and write usually occur at the same time. The switch must still arbitrate when

neg: Weil pairing on the "n"-torsion. The Weil pairing does not extend to a pairing on all the torsion points (the direct limit of "n"-torsion points) because the pairings for different "n" are not the same. However they do fit together to give a pairing "T"("E") × "T"("E") → "T"(μ) on the Tate module "T"("E") of the elliptic curve "E" (the inverse limit of the ℓ-torsion points) to the Tate module "T"(μ) of the multiplicative group (the inverse limit of ℓ roots of unity). For abelian varieties over an algebraically closed field "K", the Weil pairing is a nondegenerate pairing for all "n"

neg: Phil Driscoll also infuses into gospel, inspirational, and patriotic songs. Driscoll's raspy, blues-like voice has been compared to Ray Charles, Joe Cocker and Michael Bolton. His sound ranges from classic rock to country, gospel, patriotic, R&B, pop, and classical styles. He is widely known as being a rare white singer who sings in a convincing black gospel style. As one independent 2006 analysis puts it, "Driscoll has a bluesy-gospel ('soul') style and sings in a course, guttural voice that sounds very much like Ray Charles." He is noted for incorporating the sound of soul, R&B, rock 'n' roll, jazz, and blues into

neg: Charles Beaumont friend and colleague William F. Nolan would later recall. "He was almost always thin, and with a headache. He used Bromo-Seltzer like most people use water. He had a big Bromo bottle with him all the time". The disease also affected his work. "He could barely sell stories, much less write. He would go unshaven to meetings with producers, which would end in disaster. [A script writer has] got to be able to think on your feet, which Chuck couldn't do anymore; and so the producers would just go, 'We're sorry, Mr. Beaumont, but we don't like the script'". The

neg: The Andy T Band Society's regular Sunday night jam, where Andy was leading the house band. The two performers were immediately impressed and struck by their stagemate's talent, with Andy saying of the vocalist, "The first time Nick sang next to me on stage I got goose bumps. Nick sings like I'd like to able to sing". Nixon has appreciation of Andy to match, saying of the team's first record, "Drink Drank Drunk", released in 2013, "I just had a feeling it was going to do real good". Andy T and the Nick Nixon Band then stuck to "getting to the bottom of what

neg: 5-MeO-pyr-T 5-MeO-pyr-T 5-MeO-pyr-T (5-methoxy-"N","N"-tetramethylenetryptamine) is a lesser-known psychedelic drug. It is the 5-methoxy analog of pyr-T. 5-MeO-pyr-T was first synthesized by Hunt & Brimblecombe, who credited S. Mitzal for characterization of chemical properties. Later human tests were reported by Alexander Shulgin, in his book "TiHKAL". An oral dosage of 0.5 to 2 mg, and an inhaled dosage of 2–3 mg are reported. 5-MeO-pyr-T causes varying reactions, such as amnesia, tinnitus, vomiting, and a 5-MeO-DMT-like rushing sensation. At the highest dosage reported in TiHKAL, the subject describes awakening from an apparent fugue state during which they were wandering the streets, with complete

neg: Blur (band) show of T in the Park. Their T in the Park headline slot was put in jeopardy after Graham Coxon was admitted to hospital with food poisoning. Ultimately, the band did play, albeit an hour and a half after they were scheduled to appear. After the completion of the reunion dates, James said the group had not discussed further plans, and Albarn told "Q" soon after that Blur had no intention of recording or touring again. He said, "I just can't do it anymore", and explained that the main motivation for participating in the reunion was to repair his relationship

neg: Revenge (Kiss album) Bob Dylan. The music was written at Simmons's guesthouse, and while Simmons was to write the lyrics to the song, he thought they were not completed and asked Dylan to write them. Dylan insisted that Simmons write the lyrics. Simmons explained the meeting with Dylan: "I wanted to write a song with Dylan. So, like most things I do, I bullheadedly picked up the phone, tracked down his manager, and said, 'Hi, I'm that guy who sticks his tongue out, and I wanna write a song with Dylan,' or words to that effect. The results could only be 'yes' and

neg: Like a Champion do much for establishing her own musical identity". "Love Is Pop" said that the song is "the album’s magnificent self-empowerment anthem" they also said that "[it] has an air of reggae to it, both in terms of the percussion and the way Selena sings it [...] the song actually begins with a guy who sounds like a genuine reggae artist singing the chorus, so I’m not imagining that". "Idolator" said that the song is "absurdly charming" and the described the song has a "faux island swagger" Kia Makarechi of "The Huffington Post" was critical of "Like a Champion" by saying

neg: Colonel Homer prevailing connotations of banjo music, viewers who do not recognize the banjo tune as the theme from "Deliverance" will not laugh, but the mere "sound" of banjo tells the audience that Homer has entered a backward, redneck area." The Beer 'N' Brawl redneck bar is based on the bar in the film "Urban Cowboy". The Beer 'N' Brawl sells Laramie High Tar cigarettes, a reference to the American cigarette brand Laramie. After arriving home from the Beer 'N' Brawl, Lurleen's song is stuck in Homer's head, and he even sings it to his bowling ball for good luck. Homer's co-worker

neg: Lumpability for any states "n,n’" in subset "t", where "q"("i,j") is the transition rate from state "i" to state "j". Similarly, for a stochastic matrix "P", "P" is a lumpable matrix on a partition "T" if and only if, for any subsets "t" and "t" in the partition, and for any states "n,n’" in subset "t", where "p"("i,j") is the probability of moving from state "i" to state "j". Consider the matrix and notice it is lumpable on the partition "t" = {(1,2),(3,4)} so we write and call "P" the lumped matrix of "P" on "t". In 2012, Katehakis and Smit

neg: Madness (All That Remains album) record that are exactly what you would expect from "All That Remains". There's some songs where we kind of were, like, 'All right, let's push this and maybe change what we can do, or what "All That Remains" is allowed to do.' But it ain't like we're not heavy anymore. And if you're just, like, 'Oh, they're not heavy anymore,' then you're just not listening." The album received mixed reviews. Aaron J. Marko of "Exclaim!" described the album as mediocre, generic and archaic. Christopher Di Carlo of Overdrive magazine, on the other hand, described the album as beautiful yet heavy.

neg: Continuous-repayment mortgage shown: Note that "N"·"x"("N") is simply the amount paid per year – in effect an annual repayment rate "M". It is well established that: Applying the same principle to the formula for annual repayment, we can determine a limiting value: At this point in the orthodox formula for present value, the latter is more properly represented as a function of annual compounding frequency "N" and time "t": Applying the limiting expression developed above we may write present value as a purely time dependent function: Noting that the balance due "P"("t") on a loan "t" years after its inception is simply

neg: Honorary male like a man" was a compliment. Ursula K. Le Guin once said in an interview, "I read the "Norton Anthology of Literature by Women" from cover to cover. It was a bible for me. It taught me that I didn't have to write like an honorary man anymore, that I could write like a woman and feel liberated in doing so." This phenomenon can be seen in academia. Barbara Bagihole, the Director of Studies for MA in Women's Studies at the University of Loughborough, England, conducted a study that revealed that the women she interviewed felt the need to disassociate

neg: Double counting (proof technique) of "n" distinct vertices? Cayley's formula gives the answer . list four proofs of this fact; they write of the fourth, a double counting proof due to Jim Pitman, that it is “the most beautiful of them all.” Pitman's proof counts in two different ways the number of different sequences of directed edges that can be added to an empty graph on "n" vertices to form from it a rooted tree. One way to form such a sequence is to start with one of the "T" possible unrooted trees, choose one of its "n" vertices as root, and choose one

neg: Sings Country and Western Hits that made Hank Williams a legend. George not only sings c&w tunes the way they should be sung, but he also is a songwriter of note. Among his compositions are such stellar tunes as ""Life to Go"," ""Just One More"," "(both were rerecordings during an April 1960 session)" Also included in his latest national best selling hit, ""Window Up Above"." George Jones has proven to be a composer who can write about people, love, and tragedy, and he can also write songs of faith. "(Window Up Above was recorded in Early April, 1960)" The country and western field of music

neg: Classical Wiener space applications, one takes "E" = [0, "T"] or [0, +∞) and "M" = R for some "n" in N. For brevity, write "C" for "C"([0, "T"]; R); this is a vector space. Write "C" for the linear subspace consisting only of those functions that take the value zero at the infimum of the set "E". Many authors refer to "C" as "classical Wiener space". The vector space "C" can be equipped with the uniform norm turning it into a normed vector space (in fact a Banach space). This norm induces a metric on "C" in the usual way: formula_4. The

neg: S-algol constant, this is a cfloat (constant float) ! if and case can have values and be used in expressions let no.of.lives := if animal = "cat" then 9 else 1 ! Sieve of Eratosthenes write "Find primes up to n = ?" let n = readi ! constant values can be set during the program run let p = vector 2::n of true ! vector of bool with bounds 2 to n for i = 2 to truncate(sqrt(n)) do ! for indexes are constants so they use = rather than := for i = 2 to n do ! structure

neg: I Can't Do That Anymore the better times that await the couple. "I Can't Do That Anymore" debuted at number 66 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of October 19, 1996. I Can't Do That Anymore "I Can't Do That Anymore" is a song written by Alan Jackson, and recorded by American country music artist Faith Hill. It was released in October 1996 as the fifth and final single from Hill's "It Matters to Me" album. The song peaked at number 8 on the "Billboard" Country charts in 1997. The song focuses on the female narrator, who sacrifices her

neg: Tim Curry on to write Curry's next full-time role, that of Dr. Frank-N-Furter in "The Rocky Horror Show" (1975). Curry recalled his first encounter with the project: Originally, Curry rehearsed the character with a German accent and peroxide blond hair, and later, with an American accent. In March 2005, in an interview with Terry Gross of NPR's "Fresh Air", he explains that he decided to play Dr. Frank-N-Furter with an English accent after listening to an English woman say, "Do you have a house in town or a house in the country", and decided, "Yes, [Dr. Frank-N-Furter] should sound like the Queen".

neg: Illyria (play) the last thing remaining of the old regime – however, they cannot do it after all. Madame wakes up again and notices that they wanted to kill her. She tells them that it would be okay to kill her and finally breaks down, after claiming that she does not love the Generalissimo anymore. Marie-Therese states that Madame is heartbroken, just like any other normal woman. Madame and the others start to read books by famous authors about happy endings, new beginnings and peace. The soldiers return and tell them, that the Generalissimo is dead. Madame slaps the soldiers who raped

neg: T. N. Sivakumar films like ""His Highness Abdullah"" (Malayalam) and ""Nizhalgal"" (Tamil). T. N. Sivakumar Thalainayar Narayanaswamy Sivakumar (T. N. Sivakumar) (),() is a visually challenged carnatic flutist guru from Chennai. He is a disciple of Sri T. R. Mahalingam. He has performed in various cultural concerts across the globe.He was told by Kanchi Paramacharyar H.H.Chandrashekara saraswathy that he would be leading the rest of his life with a bamboo stick; (South Indian bamboo flute venu). Sri. Sivakumar lost his father at an early age and was brought up by his mother. His mother was very well versed in carnatic music who was

neg: Fear Her Her" was an overcommissioned episode, which replaced a planned but unproduced script by Stephen Fry. Writer Matthew Graham was told by showrunner Russell T Davies that it was going to be an inexpensive episode and had to take place on a housing estate, but Graham was nevertheless thrilled to be asked to write an episode. Graham stated in 2011 that they "set out to do right from the start" making the episode more aimed at children, rather than adults and older "Doctor Who" fans, as the much darker finale would be broadcast following it. Davies specifically asked Graham to write

neg: Loss network sufficient capacity remaining on all the required links the call is accepted and occupies the network for an exponentially distributed length of time with parameter 1. If there is insufficient capacity on any individual link to accept the call it is rejected (lost) from the network. Write "n"("t") for the number of calls on route "r" in progress at time "t", "n"("t") for the vector ("n"("t") : "r" in "R") and "C" = ("C", "C", ... , "C"). Then the continuous-time Markov process "n"("t") has unique stationary distribution where and From this result loss probabilities for calls arriving on different

neg: Many Moons (album) the album expressing that, "The Brooklyn-based singer is an expert arranger and song craftsman, if only an adequate lyricist: He trades in plenty of pop/rock cliches, which can work well – but when Courtney sings lines like, "We're not the same as who we were/Doesn't matter anymore," it's unclear if he's toying around with recycled images of young-adult malaise or simply passing them off as original profundity of his own. At its best, though, Courtney's solo debut is a big-hearted reflection on time, memory and innocence that makes growing up sound every bit as scary as it is." Collin Brennan

neg: The Writing on the Wall (Agents of S.H.I.E.L.D.) was like, “Oh, am I better now?” And they went, “Well, let’s just say you aren’t crazily carving anymore.”" On whether he will have the same drive to find the newly revealed city, Gregg said "One of the really cool sci-fi elements of this show is that whatever this is, it seems to have been around for a while, and once it gets into your system, it starts to influence your behavior. I’ve seen a couple of really creepy, scary nature specials lately about insects who do this, that infect another species of insect and get them to do their

neg: Jane's Addiction to their hotel. "They have," said "Spin", "simply learned that they cannot use drugs of any kind anymore without becoming slaves to them, and that slavery is death." In late 1991, Avery told Navarro that he planned to leave. Navarro quickly agreed to do the same. The two told their management, who in turn tried to convince them to play in Japan, but Avery and Navarro only wanted to play as much as was contractually obligated. Jane's played its last shows in Australia and Hawaii before disbanding. "It's weird to be at the end of a cycle like that," remarked

neg: The Black Market (Rise Against album) had to sift through to write the lyrics. The first song on "The Black Market", "The Great-Die Off", begins with instrumentation on a violin before transitioning into a fast guitar section with heavy bass. According to McIlrath, the song is about "a generation's type of thinking dying off, as the people who think it die off [...] it's about bigotry, which persists as long as these people do". The next two songs, "I Don't Want to Be Here Anymore" and "Tragedy + Time" feature more personal messages; "I Don't Want to Be Here Anymore" is about resolving to escape from

neg: Love Don't Live Here Anymore the guy was in a lot of pain." Nevertheless, Whitfield and Buckmaster encouraged Gregory to write the song and the result was "Love Don't Live Here Anymore", inspired by Gregory's own situation and his deteriorating physical health. "Love Don't Live Here Anymore" incorporated the use of the Electronic LinnDrum machine, and was one of the first songs to effectively use the sound reverbs of the instrument. LinnDrum had been used sparingly in their previous single "Do Your Dance", but in "Love Don't Live Here Anymore" its use was more spontaneous, which Dave Thompson, author of "Funk" noted as if "it

neg: Row and column vectors is also a row vector and may present to another "n" × "n" matrix "Q", Conveniently, one can write "t" = "p Q" = "v MQ" telling us that the matrix product transformation "MQ" can take "v" directly to "t". Continuing with row vectors, matrix transformations further reconfiguring "n"-space can be applied to the right of previous outputs. In contrast, when a column vector is transformed to become another column under an "n" × "n" matrix action, the operation occurs to the left, leading to the algebraic expression "QM v" for the composed output from "v" input. The matrix transformations

neg: Dunnes Stores it is publicity. No one is allowed to write about Ben Dunne. The people I do not like are the people who talk about what they have done and the people who talk about what they are going to do." In that same interview, Dunne reaffirmed his commitment to maintaining family control of his business, saying: "Public companies are like the government. The government has the privilege of spending money foolishly and public companies are no better." Dunnes Stores concentrated instead on expanding its growing retail empire. By the end of the 1970s, the company had built up a network

neg: Against All Odds (N-Dubz album) the trio needed to do was write a quick follow-up to cash in on their popularity, and they’ve done exactly that. There's little creativity involved in these grimy tunes, smothered in layers of synthesized vocals and rapid-fire raps". The Guardian gave it a mainly positive review, although they felt the album was "hardly exploding with originality, and the various references to Facebook, their beef with Swag Blanket and how many records they've sold do date". It finished by saying that "N-Dubz are bound to be inescapable in 2010 – most probably because they will be being blasted out of a

neg: Stop, I Don't Love You Anymore because my daughter inspired me to write that title! She loves music, and we were upstairs singing away when she suddenly started going 'Stop, baby - I don't love you!'! And I was like 'That's IT! Stop, I don't love you anymore!'! You know, as a five-year-old she said in such a simple way exactly what I'd been trying to get across, but hadn't quite managed to come up with. And for the track's actual production, I was inspired by how - with a band like The Supremes - they'd have that big, vast orchestration and then put those beautiful,