query: who sang beast song in beauty and the beast

pos: Evermore (Beauty and the Beast song) Evermore (Beauty and the Beast song) "Evermore" is a song written by composer Alan Menken and lyricist Tim Rice for the musical fantasy film "Beauty and the Beast" (2017), a live-action remake of Disney's 1991 animated film of the same name. Originally recorded for the film by English actor Dan Stevens, who performs the song in his starring role as the titular Beast, "Evermore" was first released as a single by American singer Josh Groban on March 3, 2017. Stevens' version became available on March 10, 2017 when the film's soundtrack was released online, while Groban's cover is played during

pos: Beast (Beauty and the Beast) of "the Beast" is actually another fairy tale character, Rumplestiltskin (played by Robert Carlyle), who gains possession of Belle as part of a deal to save Belle's kingdom from losing a war. Indian actor Vikram portrayed Beast for sequences in a dreamy song "Ennodu Nee Irundhal" in the 2015 Tamil language film ""I"" opposite Amy Jackson who portrayed Belle. The original prosthetic make-up for the characters were provided by Sean Foot (Shaun) and Davina Lamont and additional works were done by National Film Award winners—Christien Tinsley and Dominie Till. In March 2015, English actor Dan Stevens was cast as the

neg: Belle (Disney song) "Beauty and the Beast" at the ceremony, comforted her by telling her, "Paige, if I sang like you I wouldn’t be nervous." In August 2011, O'Hara performed an abridged version of "Belle" live during the Disney Legends awards ceremony, at which O'Hara was also a recipient. The performance was a "Beauty and the Beast" medley, during which O'Hara musically combined "Belle" with "Beauty and the Beast" and "Be Our Guest". In the 2017 live-action adaptation, the song is performed by Emma Watson, Luke Evans, and ensemble. Belle (Disney song) "Belle" is a song written by composer Alan Menken and lyricist

neg: Beauty and the Beast (Disney song) panned the single while complimenting Lansbury's version, advising audience members to "Clear out of the theater before Celine Dion and Peabo Bryson butcher the title song over the end credits," while Consequence of Sound's Dan Caffrey felt that "It’s a shame that the most globally known version of 'Beauty and the Beast' is the one sang by Celine Dion and Peabo Bryson as opposed to the one sung by" Lansbury. At the 35th Grammy Awards, "Beauty and the Beast" won the award for Best Pop Performance by a Duo or Group With Vocals. Additionally, the song was nominated for Record

neg: Beauty and the Beast (Disney song) as Belle and the Beast. Celine and Peabo also duetted at the Grammys, World Music Awards, AMA's, "Wogan", "The Tonight Show", and "Top of the Pops" later that year. The duo reunited in 1996 to perform the song for the television special "Oprah in Disneyland", while Lansbury provided an encore performance at the 25th Anniversary screening of the film. Each of the 3 respective artists have performed the song in concerts later in their careers, outside the context of Disney's "Beauty and the Beast". For example, Lansbury sang it at the 2002 Christmas concert with Mormon Tabernacle Choir. Similarly, Dion

neg: Beauty and the Beast (Disney song) success," while "People" wrote that the release of "Beauty and the Beast" is when the singer truly went "global." In the wake of "Beauty and the Beast"'s success, young fans who had not yet learned Dion's name would simply refer to her as "Beauty and the Beast". The commercial success of "Beauty and the Beast" ultimately earned Dion a $10 million recording contract with Sony Music International; the song was then included on Dion's successful self-titled studio album, serving as the record's "cornerstone". American musician Prince was so moved by Dion's performance on "Beauty and the Beast" after hearing it

neg: Beauty and the Beast (Disney song) recorded a demo of the song for them to use in the event that no other actress was available to sing it on her behalf, or no character other than Mrs. Potts was deemed suitable. Ultimately, Lansbury recorded her version in one take, which wound up being used in the final film. Producer Don Hahn recalled that the actress simply "sang 'Beauty and the Beast' from beginning to end and just nailed it. We picked up a couple of lines here and there, but essentially that one take is what we used for the movie." Lansbury's performance moved everyone who

neg: Beauty and the Beast (Disney song) ballad Disney's fifth greatest love song. Similarly, "Beauty and the Beast" is the fourth greatest Disney song according to "M". "Beauty and the Beast" finished 14th on GamesRadar's "30 best Disney songs in history" ranking. On the website's list of the "Top 25 Disney Songs", IGN ranked "Beauty and the Beast" 22nd. While Broadway.com ranked the song the second greatest Academy Award-winning Disney song, "Spin" placed "Beauty and the Beast" at number 30 on the magazine's ranking of "Every Oscar Winner for Best Original Song". On her list of the "11 Highest-Charting Songs From Disney Movies", author Nicole James of

neg: Beauty and the Beast (Stevie Nicks song) The song receives its titles and initial inspiration from French filmmaker Jean Cocteau's 1946 film "Beauty and the Beast", one of Stevie Nicks' favorite classic films. Nicks explains the importance of the song to her, both during live performances and in various interviews, as one that encompasses her whole life and represents how everyone is either a beauty or a beast, usually both On its re-release in "Timespace – The Best of Stevie Nicks" (1991), she dedicates the song to Vincent and Catherine, of the late 80's television show, "Beauty and the Beast." "Beauty and the Beast" was recorded during

neg: Evermore (Beauty and the Beast song) song "If I Can't Love Her" in the Broadway musical, identified by Fred Hawson of "ABS-CBN News" as "a grand moving solo" during which the Beast sincerely expresses his undying feelings for Belle. In "Beauty and the Beast", "Evermore" appears as a solo performed by the Beast shortly before "The Mob Song" as the film approaches its dramatic climax. After the Beast and Belle (Emma Watson) share a dance in the castle's ballroom to Mrs. Potts (Emma Thompson) singing "Beauty and the Beast", the couple has a conversation during which the Beast learns how much Belle actually misses her father,

neg: Beauty and the Beast (Disney song) rising in the East. Tale as old as time, song as old as rhyme, Beauty and the Beast" as the film's best lyric. "Entertainment Weekly"'s Darren Franich, however, admitted to preferring "Be Our Guest" and "Belle" over "Beauty and the Beast". The ballroom sequence during which Belle and the Beast dance to "Beauty and the Beast" continues to be praised, especially for its use of computer animation. The first time the "Beauty and the Beast" musical sequence was made available to the public, it was in the form of an unfinished scene at the New York Film Festival in September

neg: Beauty and the Beast (Disney song) Beauty and the Beast (Disney song) "Beauty and the Beast" is a song written by lyricist Howard Ashman and composer Alan Menken for the Disney animated feature film "Beauty and the Beast" (1991). The film's theme song, the Broadway-inspired ballad was first recorded by British-American actress Angela Lansbury in her role as the voice of the character Mrs. Potts, and essentially describes the relationship between its two main characters Belle and the Beast, specifically how the couple has learned to accept their differences and in turn change each other for the better. Additionally, the song's lyrics imply that the feeling

neg: Beauty and the Beast (Disney song) Beast" also launched Dion's career and established her as a bankable recording artist. After "Beauty and the Beast" became the first Disney song to undergo a complete pop transformation, several contemporary artists were inspired to release their own radio-friendly renditions of Disney songs throughout the decade. Considered to be among Disney's best and most popular songs, "Beauty and the Beast" has since been covered by numerous artists. In 2004, the American Film Institute officially recognized "Beauty and the Beast" as one of the greatest songs in film history, ranking it 62nd. The song is also featured in the 2017 live-action

neg: Beauty and the Beast (Disney song) a Disney song. AXS included "Beauty and the Beast" among Dion's "Top five song lyrics or verses". "Beauty and the Beast" performed considerably well on charts around the world. The song peaked at number nine on the "Billboard" Hot 100, becoming Dion's second top-ten hit on the chart after "Where Does My Heart Beat Now". The song peaked at number three on the "Billboard" Hot Adult Contemporary chart. In Canada, "Beauty and the Beast" peaked at number two. Outside of North America, the song peaked within the top ten in New Zealand and the United Kingdom, while peaking within the

neg: Beauty and the Beast (Disney song) "successful marriage of character and set". "The Studios After the Studios" explains: "This chronological fusion was itself classicised by Mrs Potts' song: she turns a moment of industrial novelty into balance". "Beauty and the Beast" has won several awards. The song garnered the Golden Globe Award for Best Original Song at the 49th Golden Globe Awards in January 1992. The following March, "Beauty and the Beast" won the Academy Award for Best Original Song at the 64th Academy Awards. The award was for Ashman, who had died of AIDS on March 14, 1991, eight months before the film's release. Menken

neg: Beauty and the Beast (Disney song) singing for Disney in the musical film "Bedknobs and Broomsticks" (1971), Lansbury, who was more accustomed to performing uptempo songs, was hesitant to record the ballad because of its unfamiliar rock style. Although she liked the song, Lansbury also worried that her aging singing voice was no longer strong enough to record "Beauty and the Beast", and was especially concerned about having to sustain its longer notes. Lansbury suggested that the songwriters ask someone else to sing "Beauty and the Beast", but they insisted that she simply "sing the song the way [she] envisioned it." On October 6, 1990, "Beauty

neg: Beauty and the Beast (Disney song) Disney's surprise, "Beauty and the Beast" received three separate Academy Award nominations for Best Original Song. To avoid dividing Academy voters and prevent a draw, Disney decided to promote the film's title song ahead of its fellow nominees "Belle" and "Be Our Guest" by releasing "Beauty and the Beast" as a single, similar to the way in which Universal Pictures released "Somewhere Out There" from the animated film "An American Tail" as a single in 1986. Coincidentally, Ashman and Menken had written the song so that it could potentially experience success outside of the "Beauty and the Beast" film itself.

neg: Beauty and the Beast (1991 soundtrack) version of the title track "Beauty and the Beast" also received Grammy nominations for Record of the Year and Song of the Year. In total, the soundtrack won 3 Grammys for Best Pop Duo/Group Performance (Celine Dion & Peabo Bryson, Best Pop Instrumental Performance (Richard Kauffman), and Best Song Written for a Motion Picture (Alan Menken). In the movie track eight comes after track nine. Total time of unreleased score material excluding song instrumentals: Approx. 33 minutes Total time of unreleased score material including song instrumentals: Approx. 1 hour Beauty and the Beast (1991 soundtrack) Beauty and the Beast: Original

neg: Beauty and the Beast (Disney song) to a hotel in Fishkill, New York near Ashman's residence to accommodate the ailing lyricist. Out of all the songs he has written for "Beauty and the Beast", Menken devoted the most time to the title song. The track was first recorded by British-American actress Angela Lansbury, who voices the character Mrs. Potts, an enchanted teapot. The songwriters first introduced "Beauty and the Beast" to Lansbury as a demo recording, which was accompanied by a note asking her if she might possibly be interested in singing it. Although a seasoned film and stage performer who had previously done her own

neg: Beauty and the Beast (Disney song) "TV Guide" compared "Beauty and the Beast" to "Shall We Dance?" from the musical "The King and I". R.L. Shaffer of IGN identified "Beauty and the Beast" as a "tear-jerking poetic ballad." "Film Genre 2000: New Critical Essays" author Wheeler W. Dixon believes that the song's lyrics are about the couple's "implicit promise of regeneration through love." 29 lines in length, all of which are exactly five syllables, "Beauty and the Beast" is a love song about a couple's transformation from friends into "something more". The film's theme song, its lyrics "capture the essence of the film" by describing the

neg: Evermore (Beauty and the Beast song) the film's closing credits. In the animated film, the Beast barely sings because Menken and original "Beauty and the Beast" lyricist Howard Ashman had not been able to determine a moment in the film during which it would have been appropriate for the character to perform his own song. Initially, Menken had especially wanted the Beast to perform "If I Can't Love Her", a song he and Rice had written for the character to sing in stage adaptation of the animated film, in the remake, but ultimately decided that an entirely new song that establishes that the Beast has finally

neg: Beauty and the Beast (Disney song) for the truth ... we don't know we're in love until we spend time with someone and unforced adjustments make the pieces fall into place." "The Emperor's Old Groove: Decolonizing Disney's Magic Kingdom" author Brenda Ayres cited the song as an "[indicator] that a reciprocal power relationship has developed between Belle and the Beast ... confirm[ing] 'his transformation, her legitimacy, and their powerful unity." According to the lyricist's website, "Beauty and the Beast" summarizes the way in which "Belle tames the beast and finds the happy ending she has dreamed about." "The Meanings of "Beauty and the Beast": A Handbook"

neg: Jerry Orbach that he sang in "Beauty and the Beast". He later reprised his voice role of Lumière for the film's direct-to-video sequels, multiple episodes of "Disney's House of Mouse", and the previously-deleted song ("Human Again") that was added to the "Beauty and the Beast" 2002 IMAX re-release. In 1992, Orbach joined the main ensemble cast of "Law & Order" as the world-weary, wisecracking, streetwise NYPD homicide detective Lennie Briscoe. He had previously guest-starred as a defense attorney on the series, and was subsequently cast as the new "senior detective" following Paul Sorvino's departure. Orbach's portrayal of Detective Briscoe was based on

neg: Beauty and the Beast (Disney song) singing toilet, yet had mostly "pretty great" lyrics. In Disney's fantasy film "Enchanted" (2007), the Jon McLaughlin ballad "So Close" serves as a "deliberate" reference to both the song and scene. Because director Kevin Lima had always wanted to recreate the cinematography exhibited in "Beauty and the Beast"'s ballroom sequence in live-action, an entire dance sequence was filmed to accommodate his vision. In addition to being composed by Alan Menken, one-half of "Beauty and the Beast"'s songwriters, "So Close" was arranged by Robbie Buchanan, who arranged the Dion-Bryson single. In a duet with Jimmy Fallon, American singer Ariana Grande impersonated

neg: Evermore (Beauty and the Beast song) ounces of shame." 34th Street Magazine contributor Haley Weiss preferred Groban's version to Stevens' original, calling it "breathtaking and downright lovely to listen to" while dismissing the film version as "downright mediocre in comparison." Weiss questioned why Disney hadn't cast Groban as the Beast instead of Stevens due to the former's acting and musical theatre background. Evermore (Beauty and the Beast song) "Evermore" is a song written by composer Alan Menken and lyricist Tim Rice for the musical fantasy film "Beauty and the Beast" (2017), a live-action remake of Disney's 1991 animated film of the same name. Originally recorded for

neg: Beauty and the Beast (2017 film) original 1991 "Beauty and the Beast" duet song, with singer Peabo Bryson—that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles. She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I

neg: The Mob Song and the Beast", Alan Menken adjusted the lyrics to reflect LeFou starting to turn against Gaston. The Mob Song "The Mob Song" is a song from the 1991 Disney animated film "Beauty and the Beast". "The Mob Song" sees Gaston instill fear into the villagers about the scary monster who will supposedly kill them. He then proceeds to lead the angry mob up to the Beast's castle so that he can kill the Beast while the rest of the villagers rob the castle of its treasures. CommonSenseMedia explains that "misguided townspeople say scary and violent things about the Beast, proposing

neg: Waking Sleeping Beauty "The Little Mermaid". The soundtrack was composed and written by Howard Ashman and Alan Menken, who also composed "Beauty and the Beast"; Menken later composed "Aladdin". Ashman's involvement in "The Little Mermaid" and "Beauty and the Beast" aided in both being box office successes and winning Academy Awards for Best Original Song and Best Original Score. However, Ashman died from AIDS in March 1991 before "Beauty and the Beast" was released; the film was dedicated to his memory. "The Rescuers Down Under" utilized the new CAPS system, which blended traditional and computer animation together, but the film was a box

neg: Beauty and the Beast (1992 film) maid who is capable of doing magic. The beast tells Beauty that he has decided to spare her life but she cannot leave the castle. Beauty is given a comfortable room and grand clothes to wear. When she sleeps, Beauty is visited by a sinister fairy who tells her to beware of the apparent kindness of the beast. Time passes and the friendship between Beauty and the beast grows deeper. One night after dinner, the beast asks Beauty if she should like to be his wife. Beauty gently turns him down, but the beast insists that he will grant her

neg: Beauty and the Beast (Disney song) Dion while performing "Beauty and the Beast" live on the comedian's late-night talk show in 2015. M Magazine deemed it "amazing", while 2DayFM said "the singing is so good it gave me goosebumps". SugarScape deemed it "pretty hilarious and surprisingly pretty much spot on". Billboard said the duo "put their own spin" on the song, and that she "nailed her Celine impression". NineMSN called it a "pitch-perfect rendition", while Access Hollywood said she belted out the song like a diva. The ballroom sequence was parodied in an episode of "Family Guy". Beauty and the Beast (Disney song) "Beauty and the

neg: Beauty and the Beast (Disney song) of love is as timeless and ageless as a "tale as old as time". Lansbury's rendition is heard during the famous ballroom sequence between Belle and the Beast, while a shortened chorale version plays in the closing scenes of the film, and the song's motif features frequently in other pieces of Menken's film score. Lansbury was initially hesitant to record "Beauty and the Beast" because she felt that it was not suitable for her aging singing voice, but ultimately completed the song in one take. "Beauty and the Beast" was subsequently recorded as a pop duet by Canadian singer Celine

neg: Something There Something There "Something There" is a song written by lyricist Howard Ashman and composer Alan Menken for Walt Disney Pictures 30th animated feature film "Beauty and the Beast" (1991). Sung by the majority of the film's main cast, the song was recorded by American actors Paige O'Hara as Belle and Robby Benson as the Beast via voice over, featuring actors Jerry Orbach, Angela Lansbury and David Ogden Stiers as Lumiere, Mrs. Potts and Cogsworth, respectively. The only song performed by the Beast, "Something There" is heard midway through "Beauty and the Beast "during a scene in which Belle and the

neg: Gaston (Beauty and the Beast) Gaston (Beauty and the Beast) Gaston is a fictional character who appears in Walt Disney Pictures' 30th animated feature film "Beauty and the Beast" (1991). Voiced by American actor and singer Richard White, Gaston is an arrogant hunter whose unrequited feelings for the intellectual Belle drive him to murder his adversary, the Beast, once he realizes she cares for him instead. Gaston serves as a foil personality to the Beast, who was once as vain as Gaston prior to his transformation. An original character who is not present in the "Beauty and the Beast" fairy tale by Jeanne-Marie Leprince de

neg: Belle (Disney song) to all of the Alan Menken and Howard Ashman songs, like the opening number of 'Belle' (that reveals how different Belle is from the other Disney heroines)." Alongside "Be Our Guest" and "Beauty and the Beast", "Belle" was one of the three "Beauty and the Beast" songs that received an Academy Award nomination for Best Original Song at the 64th Academy Awards in 1992. "Belle" ultimately lost to the film's title and theme song. According to producer Don Hahn, Disney was actually hoping that the award would go to "Beauty and the Beast" and promoted the song heavily, spending significantly

neg: Human Again (song) co-director of Beauty and the Beast Gary Trousdale. Wise explained, "we had many of the same animators, same background painters, same artists that worked on the sequence". "Show Biz Training" describes the song as a "beautiful waltz". Human Again is considered by the Disney executives as somewhat of a controversial song within Beauty & the Beast. DigitalMediaFX said "there's a reason that the "Human Again" song was not included in the original Beauty and the Beast until 2002—it didn't quite fit", and cites Disney's own statement, "...the song posed story problems which was difficult to solve in a timely manner.

neg: Beauty and the Beast (Disney song) the Dion-Bryson single, which established itself as an instant classic. The success of song is believed to have established Dion as a bankable recording artist. Before agreeing to record "Beauty and the Beast", Dion had been fired from recording the theme song of "An American Tail: Fievel Goes West" in favor of the more well-known Linda Ronstadt. Although both singles were released around the same time, the success of Dion's song ultimately eclipsed Ronstadt's "Dreams to Dream". Biography.com referred to "Beauty and the Beast" as Dion's "real breakthrough into pop music stardom." According to Lifetime, the song "cemented her international

neg: Beauty and the Beast (Disney song) of the Year and Song of the Year, but lost both to Eric Clapton's "Tears in Heaven". In Canada, "Beauty and the Beast" won a Juno Award for Single of the Year, beating Dion's own "If You Asked Me To". In 1993, "Beauty and the Beast" also won an ASCAP Film and Television Music Award and ASCAP Pop Award for most performed song in the United States. Awarding the Dion-Bryson version an 'A' grade, Grantland ranked the song second in its article "Counting Down the Top 10 in … KIDS MUSIC!", while Refinery29 ranked it the fifth greatest cover of

neg: Beauty and the Beast (Stevie Nicks song) she performed. Due to issues obtain copyrights for the 1946 film, a performance of the song was cut from the final edit of her 2009 "Live in Chicago" DVD. Instead, a new studio version recorded in Nashville in January 2008 appears on the accompanying album, "The Soundstage Sessions". Beauty and the Beast (Stevie Nicks song) "Beauty and the Beast" is a song by the American singer-songwriter Stevie Nicks. It is the final track on her second album "The Wild Heart", released in 1983. It was later released in a live version from Nicks 1986 "Rock a Little" tour as a

neg: Beauty and the Beast (Disney song) Jennifer Thomas arranged an orchestral cover of the song featuring cellist Armen Ksajikian to coincide with the release of the 2017 film. In 1993, jazz singer Chris Connor covered "Beauty and the Beast" for her album "My Funny Valentine". In 1998, O'Hara recorded a version of "Beauty and the Beast" for her album "Dream with Me". This marked the first time O'Hara had ever recorded the song, although she has covered it live several times. "Billboard" reviewed O'Hara's performance positively, writing that the actress provides each song with "the right youthful and gentle touch." In 2000, singer Kenny Loggins covered

neg: Beauty and the Beast (Disney song) on the radio that he personally wrote a song for her to include on the album. According to Filmtracks.com, "Beauty and the Beast" offered "a glimpse at a forthcoming mega-movie song presence for Celine Dion." Evidently, the singer has since recorded the theme songs of several blockbuster films, including "When I Fall in Love" from "Sleepless in Seattle" (1993), "Because You Loved Me" from "Up Close & Personal" (1996) and finally her signature song "My Heart Will Go On" from "Titanic" (1997). "Beauty and the Beast" has since appeared on several of Dion's greatest hits albums, while the singer has

neg: Beauty and the Beast (David Bowie song) Beauty and the Beast (David Bowie song) "Beauty and the Beast" is a song by David Bowie, the first track on his 1977 album ""Heroes"". It was issued as the second single from the album in January 1978, becoming a minor UK hit, peaking at No. 39 on the UK Singles Chart. The opening music, a disjointed combination of piano, guitar, electronics and voice rising steadily to a crescendo, has been described as sounding like "Bowie is about to turn into The Incredible Hulk before your very ears". The song proper features Robert Fripp on lead guitar, with treatments and

neg: Beauty and the Beast (Disney song) recluse into [Belle's] true love." The original film version of "Beauty and the Beast" performed by Lansbury was written in the key of G-flat major at a "moderately slow" tempo of 84 beats per minute (Andante), at a duration of two minutes and forty-six seconds. An "eloquent" rock-influenced pop song with a "calm" and "lilting" melody, Stephen Whitty of NJ.com described "Beauty and the Beast" as a "Broadway ballad." Film critic Roger Ebert described the song's melody as "haunting", while "Entertainment Weekly"'s Lisa Schwarzbaum dubbed the song as a "lullaby". "The Disney Song Encyclopedia" author Thomas S. Hischak described Menken's

neg: Belle (Beauty and the Beast) Belle (Beauty and the Beast) Belle is a fictional character who appears in Walt Disney Pictures' animated feature film "Beauty and the Beast" (1991). Originally voiced by American actress and singer Paige O'Hara, Belle is the non-conforming daughter of an inventor who yearns to abandon her predictable village life in return for adventure. When her father Maurice is imprisoned by a cold-hearted beast, Belle offers him her own freedom in exchange for her father's, and eventually learns to love the Beast despite his unsightly outward appearance. Walt Disney Studios chairman Jeffrey Katzenberg commissioned "Beauty and the Beast" as an animated

neg: Beast (Beauty and the Beast) the villagers. Beast (Beauty and the Beast) The Beast is a fictional character who appears in Walt Disney Animation Studios' 30th animated feature film "Beauty and the Beast" (1991). He also appears in the film's two direct-to-video followups "" and "Belle's Magical World". Based on the hero of the French fairy tale by Jeanne-Marie Leprince de Beaumont, the Beast was created by screenwriter Linda Woolverton and animated by Glen Keane. A pampered prince transformed into a hideous beast as punishment for his cold-hearted and selfish ways, the Beast must, in order to return to his former self, earn the love

neg: Beast (Beauty and the Beast) Beast (Beauty and the Beast) The Beast is a fictional character who appears in Walt Disney Animation Studios' 30th animated feature film "Beauty and the Beast" (1991). He also appears in the film's two direct-to-video followups "" and "Belle's Magical World". Based on the hero of the French fairy tale by Jeanne-Marie Leprince de Beaumont, the Beast was created by screenwriter Linda Woolverton and animated by Glen Keane. A pampered prince transformed into a hideous beast as punishment for his cold-hearted and selfish ways, the Beast must, in order to return to his former self, earn the love of a

neg: Beauty and the Beast (Disney song) sappy as Ashman ever got as a lyricist." Seibert believes that the song "acknowledges its own banality ... without minimizing or mocking its inherently sweet description of true love." Reflecting upon Ashman's death, Roger Moore of the "Chicago Tribune" believes that the song "was [Ashman's] farewell to love and life and imagination." "Beauty and the Beast" continues to be constantly lauded by both film and music critics alike. Film critic Janet Maslin of "The New York Times" praised "Beauty and the Beast", describing it as "a glorious ballad" while dubbing it Ashman and Menken's "biggest triumph". Beliefnet called the song

neg: Beauty and the Beast (David Bowie song) and Charles Shaar Murray remarked that its "jarring, threatening edge (and it was one of the most menacing singles of a menacing year) obviously put off a great many of the floating singles buyers attracted by the intoxicating romanticism of its immediate predecessor". The US release failed to chart, despite being augmented by a promo 12" single featuring Bowie's earlier US No. 1 hit "Fame" on the B-side. Bowie only performed the song live on his Isolar II Tour, with a version appearing on "Stage". Beauty and the Beast (David Bowie song) "Beauty and the Beast" is a song by

neg: Beauty and the Beast (Disney song) the song as "superb." Lansbury's vocal performance has also been singled out for praise: "Slant Magazine"s Jaime N. Christley wrote that Lansbury "delivers the film's title tune, gooey treacle that it is, like nobody's business." Describing the song as "beautiful", the "Chicago Tribune"s Gene Siskel wrote that "Beauty and the Beast" is "performed poignantly by the richly textured voice of Angela Lansbury." Similarly, PopMatters' Bill Gibron penned, "the moment Angela Lansbury’s trite teapot steps up to sing the title song, all dry eye bets are off." The "New York Post"s Lou Lumenick wrote that "Beauty and the Beast" was "unforgettably

neg: Human Again (song) Human Again (song) "Human Again" is a song originally written for, deleted from, and later restored to the 1991 Disney animated musical "Beauty and the Beast". With music by Alan Menken and lyrics by Howard Ashman, "Human Again" was replaced during production of the original 1991 version of the film by "Something There", but retained and revised by Menken and new lyricist Tim Rice for the 1994 stage musical adaptation of "Beauty and the Beast". A newly produced sequence featuring "Human Again" was added to the "Beauty and the Beast" animated film for its 2002 IMAX Special Edition and subsequent

neg: Evermore (Beauty and the Beast song) Rice to write entirely new songs for the film instead. Original "Beauty and the Beast" composer Menken reunited with Rice, with whom he had previously collaborated on Disney's animated film "Aladdin" (1992), to write three new songs for the remake. Rice once again replaced original "Beauty and the Beast" lyricist Howard Ashman, who had passed away shortly before the animated film's release in 1991, similar to the way in which he replaced the lyricist to aid Menken in writing new material for the 1994 stage adaptation. Menken believes that the songs he and Rice had written for the stage musical

neg: Beauty and the Beast (1991 soundtrack) its songs have also been influenced by French, classical, pop and Broadway music. Credited to Various Artists, "Beauty and the Beast: Original Motion Picture Soundtrack" features performances by the film's main cast – Paige O'Hara, Richard White, Jesse Corti, Jerry Orbach, Angela Lansbury and Robby Benson – in order of appearance. Additionally, the album features recording artists Celine Dion and Peabo Bryson, who perform a pop rendition of the film's title and theme song, "Beauty and the Beast", which simultaneously serves as the soundtrack's only single. Following a difficult period during where Walt Disney Feature Animation struggled to release successful

neg: Beauty and the Beast (Disney song) instrumental movie version performed by The Galway Pops Orchestra and featured on the album "Galway at the Movies" was nominated in 1994 for the Best Pop Instrumental Performance Grammy. The American Film Institute ranked "Beauty and the Beast" 62nd on the organization's list of the 100 greatest songs in film history. "Beauty and the Beast" is one of only four songs from Disney animated films to have appeared on the list. When BuzzFeed organized "The Definitive Ranking Of The 102 Best Animated Disney Songs" list, "Beauty and the Beast" was placed at number four, while the same website ranked the

neg: Beauty and the Beast (1991 film) record for the most nominations for an animated film with "WALL-E" (2008), although, with three nominations in the Best Original Song category, "Beauty and the Beast"s nominations span only four categories, while "WALL-E"s nominations cover six individual categories. While "The Little Mermaid" was the first to be nominated, "Beauty and the Beast" became the first animated film to win the Golden Globe Award for Best Motion Picture – Musical or Comedy. This feat was later repeated by "The Lion King" and "Toy Story 2". In 2002, "Beauty and the Beast" was added to the United States National Film Registry as

neg: Beauty and the Beast (1991 soundtrack) the film's title song and decided to release a pop rendition of "Beauty and the Beast" as a commercial single in an attempt to persuade voters to vote for it. When "Beauty and the Beast" was written, it was composed with the potential of having "half a life outside the movie." Menken revealed that this was the first time one of his compositions had been rearranged and "turned into ear candy". Menken recruited musician Robbie Buchanan to arrange "Beauty and the Beast" into the form of a pop duet while Walter Afanasieff was responsible for producing the track. Afanasieff also

neg: Beauty and the Beast (Disney song) returned to Disney as a special guest to host various segments for certain "Beauty and the Beast" re-releases. In addition to establishing Bryson as a mainstream recording artist, the singer has since returned to Disney on two separate occasions to record pop versions of "A Whole New World" and "As Long as There's Christmas", the theme songs of the animated films "Aladdin" (1992) and "" (1997), respectively, both of which are duets. Although "A Whole New World" was very successful, "Beauty and the Beast" remains a larger hit for the singer. Bryson also included "Beauty and the Beast" on some

neg: Beauty and the Beast (1991 soundtrack) title song. Ashman, who was initially hesitant to join the project, died of AIDS before the film's completion and the album's release. Much like "Beauty and the Beast", the soundtrack was a massive critical success, receiving universal praise and recognition from both film and music critics. The music featured on the album won several awards, including the Golden Globe Award for Best Original Score, the Academy Award for Best Original Score and the Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television. Its title track and only single, "Beauty and the Beast", achieved similar success,

neg: Beauty and the Beast (Stevie Nicks song) Beauty and the Beast (Stevie Nicks song) "Beauty and the Beast" is a song by the American singer-songwriter Stevie Nicks. It is the final track on her second album "The Wild Heart", released in 1983. It was later released in a live version from Nicks 1986 "Rock a Little" tour as a B-side to the UK single "Whole Lotta Trouble" in October 1989. It also appears on two compilations: "Timespace – The Best of Stevie Nicks", released in 1991, and the boxset, "Enchanted", released in 1998. A new studio version appears on her album, "The Soundstage Sessions", released in 2009.

neg: Beauty and the Beast (Disney song) was present in the recording studio at the time to tears. Meanwhile, the actress credits recording the song with ultimately helping her gain further perspective on Mrs. Potts' role in the film. Some of Ashman's cut lyrics from the 1991 film were reinstated for the version in the 2017 film. The scene in "Beauty and the Beast" during which the song is heard is the moment when Belle and the Beast's true feelings for each other are finally established. Set in the ballroom of the Beast's castle, "Beauty and the Beast" is performed by the character Mrs. Potts, an enchanted

neg: Beauty and the Beast (1991 soundtrack) a lullaby, Ashman and Menken conceived "Beauty and the Beast" as "a song that could have a life outside the movie." The film's final musical number, "The Mob Song", was written as what Menken described as "a macho adventure underscore". When the film was released, it garnered three separate Academy Award nominations for Best Original Song for "Belle", "Be Our Guest" and "Beauty and the Beast". Producer Don Hahn expressed concern that this would cause confusion among audiences and voters, and potentially result in an unfavorable tie. In order to prevent this from happening, the studio fought in favor of

neg: Beauty and the Beast (1991 film) single from the film's soundtrack, supported with a music video. The Dion/Bryson version of "Beauty and the Beast" became an international pop hit and performed considerably well on charts around the world. The song became Dion's second single to land within the top-10 of the "Billboard" Hot 100, peaking at number nine. The song peaked at number three on the "Billboard" Hot Adult Contemporary chart. In Canada, "Beauty and the Beast" peaked at number two. Outside of North America, the song peaked within the top ten in New Zealand and the United Kingdom, while peaking within the top twenty in

neg: Beauty and the Beast (Disney song) the song "set the template for the quivering love theme in ’90s Disney movies". "Beauty and the Beast" was the first Disney song to undergo a complete pop rearrangement for commercial purposes. After the success of Disney's "The Little Mermaid" revived the Disney musical in 1989, Gary Trust of "Billboard" determined that "Once "Beauty and the Beast" followed in 1991 ... Disney was dominating charts like never before". The single ended a thirty year-long absence of Disney-released chart hits between the 1960s and 1990s, and inspired several similar hits; popular recording artists such as Elton John, Vanessa Williams, Michael Bolton,

neg: Beauty and the Beast (1991 film) that category. It also became the first animated film to be nominated for the Academy Award for Best Picture at the 64th Academy Awards, where it won the Academy Award for Best Original Score and Best Original Song for its title song and received additional nominations for Best Original Song and Best Sound. In April 1994, "Beauty and the Beast" became Disney's first animated film to be adapted into a Broadway musical. The success of the film spawned two direct-to-video follow-ups: "" (1997) and "Beauty and the Beast: Belle's Magical World" (1998), both of which take place in the timeline

neg: Beauty and the Beast (Disney song) relationship between "Beauty and the Beast"'s two main characters, specifically citing ways in which the two have changed each other for the better and finally learned to accept their differences and mistakes. According to Jake Cole of Not Just Movies, the first stanza begins "in earnest, and the subtlety of it has the ironic effect of being overpowering." Beginning with Lansbury singing the lyrics "Tale as old as time, true as it can be," JoBlo.com wrote that the song "offers a sure sign of romance between the Beauty and her Beast." Meanwhile, Songfacts believes that "The message of the song

neg: Beauty and the Beast (Disney song) adaptation; sung by Emma Thompson as Mrs. Potts during the film and also as a duet cover version by Ariana Grande and John Legend during the end credits. Grande and Legend's version of the song is an homage to the cover performed by Dion and Bryson for the 1991 film. "Beauty and the Beast" was written by lyricist Howard Ashman and composer Alan Menken in 1990. Intending for the song to be "the height of simplicity", the songwriters drew much of its influence from Broadway music. Due to Ashman's failing health, some of "Beauty and the Beast"'s pre-production was relocated

neg: Beauty and the Beast (Disney song) the song on his children's music album "More Songs from Pooh Corner". In 2002, music group Jump5 covered "Beauty and the Beast" for the Walt Disney Records compilation album "Disneymania"; a music video was released later that year and included as a bonus feature on the film's Platinum Edition DVD re-release, "Beauty and the Beast: Special Edition". Belonging to a segment known as "Chip’s Fun and Games - For the Young at Heart", the music video features the group performing their "bouncy" teen pop rendition of the song interpolated with scenes from the film. Lauren Duca of "The Huffington Post"

neg: Titanic: Music from the Motion Picture soundtrack having in mind Enya's style; Norwegian singer Sissel Kyrkjebø performed the wordless vocals on the soundtrack. Horner knew Sissel from the album "Innerst i sjelen" and he particularly liked how she sang the song "Eg Veit I Himmerik Ei Borg" ("I Know in Heaven There Is a Castle"). Horner had tried 25 or 30 singers and, in the end, he chose Sissel to sing the wordless tune. Céline Dion, who was no stranger to movie songs in the 1990s, since her contribution to Walt Disney's Beauty and the Beast, sang "My Heart Will Go On", the film's signature song

neg: Tommy Körberg of other musicals, usually in a starring role, including "The Sound of Music" and "Les Misérables". He was a supporting actor in the 1984 Swedish fantasy film "Ronia, the Robber's Daughter", based on the novel by the same name by Swedish author Astrid Lindgren. Körberg voiced the Beast in the Swedish dub of "Beauty and the Beast," and also sang the Swedish version of the title song on the soundtrack. In the 1990s and 2000s, he took time off from other projects in order to recreate the role of Anatoly/"The Russian" in subsequent productions of "Chess", including the 1994 tenth

neg: Beauty and the Beast (1991 soundtrack) and tuneful" that "let[s] the lyric shine." Originally, Ashman and Menken had written a rather lengthy, large-scale musical number for the film called "Human Again". However, when it was deemed "too ambitious", they swiftly wrote and replaced it with a smaller-scale musical number entitled "Something There". According to Menken, the film's theme and title song, "Beauty and the Beast", was "a very hard song to come by" despite its relative simplicity. He revealed that the writing process for "Beauty and the Beast" was the longest period of time that he had ever devoted to one particular song. Written to resemble

neg: Evermore (Beauty and the Beast song) Taylor Weatherby ranked "Evermore" fifth on the magazine's ranking of "6 Songs We're Most Excited to Hear" from the remake. Stevens' version of "Evermore" was released on March 10, 2017 as a track on the "Beauty and the Beast" soundtrack. Menken's demo version of the song is included on deluxe editions of the album. "Evermore" has garnered positive reviews from both film and music critics, becoming "a fan favorite" among the film's new musical additions. Vulture.com's Sarah Caldwell commended the studio's decision to have a new musical number immediately follow "Beauty and the Beast", the song for which the film

neg: Beauty and the Beast (Disney song) "stirring", while Hal Hinson of "The Washington Post" considers it to be among the film's best. Roger Moore of the "Chicago Tribune" referred to "Beauty and the Beast" as a "brilliant" song that "can move you to tears," while James Berardinelli of "ReelViews" cited it among the film's most "memorable" songs. Anthony Quinn of "The Independent" highlighted "Beauty and the Beast" as the film's best song, going on to praise Lansbury's "magnificent" performance, while the "Deseret News" Chris Hicks called it "beautiful." Simon Brew of "Den of Geek" specifically enjoyed the lyrics "bittersweet and strange, finding you can change," describing

neg: The Mob Song The Mob Song "The Mob Song" is a song from the 1991 Disney animated film "Beauty and the Beast". "The Mob Song" sees Gaston instill fear into the villagers about the scary monster who will supposedly kill them. He then proceeds to lead the angry mob up to the Beast's castle so that he can kill the Beast while the rest of the villagers rob the castle of its treasures. CommonSenseMedia explains that "misguided townspeople say scary and violent things about the Beast, proposing they kill him and mount his head on a wall." The book "Sigmund Romberg" says the

neg: Evermore (Beauty and the Beast song) joking, "it would be like writing 'Don't Cry for Me Brazil'," referring to "Don't Cry for Me Argentina", a song he famously wrote for the stage musical "Evita". Originally entitled "For Evermore", "Evermore" was written by composer Menken and lyricist Rice. The last of the three original songs written for the remake, "Evermore" was completed considerably late into production after the filmmakers finally agreed that the Beast should perform his own. Written in Spring 2015 in London, England, Menken quickly composed its melody before Rice contributed lyrics revolving around the Beast releasing Belle. Actor Dan Stevens, who portrays the Beast

neg: Beauty and the Beast (Disney song) teapot, midway through the film as she explains the feeling of love to her young teacup son Chip, referring to the emotion as "a tale as old as time". According to Armen Karaoghlanian of Interiors, "Belle familiarizes the Beast with the waltz and as soon he feels comfortable, he gracefully moves her across the floor". Afterwards, the song continues to play instrumentally as Belle and the Beast retire to the balcony for a romantic candlelit dinner. Believed to be the "centerpiece that brings Beauty and her Beast together," the sequence offers an insight into both characters' psyches. From the Beast's

neg: Beauty and the Beast (1946 film) Beauty and the Beast (1946 film) Beauty and the Beast ( - also the UK title) is a 1946 French romantic fantasy film directed by French poet and filmmaker Jean Cocteau. Starring Josette Day as Belle and Jean Marais as the Beast, it is an adaptation of the 1757 story "Beauty and the Beast", written by Jeanne-Marie Leprince de Beaumont and published as part of a fairy tale anthology. The plot of Cocteau's film revolves around Belle's father who is sentenced to death for picking a rose from Beast's garden. Belle offers to go back to the Beast in her

neg: Beauty and the Beast (musical) recording for the new production was released in May 2008, starring Julia Möller as Belle, David Ordinas as Beast, Pablo Puyol as Gaston, Raúl Peña as LeFou, Armando Pita as Lumière, Esteban Oliver as Cogsworth and Angels Jiménez as Mrs. Potts. A "junior" version of the musical for middle and high school students was published by MTI. This version only included a selected number of the songs, including "Belle", "Belle (Reprise)", "Home", "Home (Tag)", "Gaston", "Gaston (Reprise)", "Be Our Guest", "Something There", "Human Again", "Beauty and the Beast", "The Mob Song", "Home (Reprise)", and "Beauty and the Beast (Reprise)". Also

neg: Beauty and the Beast (1987 film) tells her about the curse. All his former subjects reappear along with her family who can now visit her whenever they want. She is also now a princess. Beauty and the Beast (1987 film) Beauty and the Beast (alternatively: Cannon Movie Tales: Beauty and the Beast in United States, Die Schöne und das Biest in West Germany, La Bella e la Bestia in Italy, La Belle et la Bête in France) is a 1987 American/Israeli musical film, part of the 1980 film series Cannon Movie Tales. It is a contemporary version of the classic tale of Beauty and the Beast.

neg: Beauty and the Beast (Disney song) was included on the re-release as a bonus feature, part of the disc's "Music and More" segment. The video depicts Sparks performing "Beauty and the Beast" in a castle. In 2011, Sparks performed her rendition of the song live at the 30th anniversary of the televised Independence Day concert "A Capitol Fourth". The cover is believed to have initiated the singer's gradual transition from music to film. The compilation album "Eurobeat Disney" (2010) features a Eurobeat cover by singer Domino. In 2014, actors Clare Bowen and Sam Palladio covered "Beauty and the Beast" for the television special "Backstage with Disney

neg: Be Our Guest an interview with "Entertainment Weekly", "Beauty and the Beast "producer Don Hahn revealed that Disney feared that having three songs nominated for Best Original Song would result in a draw or three-way tie. Therefore, while "Beauty and the Beast" received heavy promotion from the studio, significantly less was given to "Be Our Guest" and "Belle." "Be Our Guest" was nominated for the Golden Globe Award for Best Original Song at the 49th Golden Globe Awards in 1992, losing again to "Beauty and the Beast." In 2004, the American Film Institute nominated "Be Our Guest" for its "100 Years…100 Songs" ranking.

neg: Beauty and the Beast (Disney song) described the group's uptempo cover as "ridiculously '90s pop". Meanwhile, musical duo H & Claire covered the song for the film's Platinum Edition re-release in the United Kingdom, which Betty Clarke of "The Guardian" dismissed as a "boring" rendition. On the country-themed compilation album "The Best of Country Sing the Best of Disney" (2006), "Beauty and the Beast" was covered by country band Diamond Rio. To support the film's Diamond Edition re-release in 2010, singer Jordin Sparks recorded an R&B version of "Beauty and the Beast", which was released on iTunes in September. A music video directed by Philip Andelman

neg: Evermore (Beauty and the Beast song) the instrumentation, to "melted-chocolate", gradually becoming more human-sounding as the song progresses. Belting comfortably, Stevens' voice has been compared to that of Terrence Man, the actor who originated the role of the Beast in the Broadway adaptation and recorded "If I Can't Love Her". Mumbling slightly, Stevens begin the song using a more "guttural" part of his voice in an effort to impersonate the sound of a beast before the song truly progresses into "a soaring love ballad". Some traces of Auto-Tune can be heard in Stevens' performance. When Disney released the film's first official trailer in November 2016, "Billboard"'s

neg: Beauty and the Beast (Disney song) 1991, to which Disney had been invited to premiere an incomplete version of "Beauty and the Beast" that largely consisted of uncolored pencil tests and storyboards"." "The New York Times"' Janet Maslin appreciated being previewed to the unfinished ballroom scene, writing, "when the radiant sight of Beauty and the Beast waltzing together, to the sound of the lilting theme song by Alan Menken and Howard Ashman stirs emotion even in this sketchy form, then both the power and the artifice of animation make themselves felt." Lisa Schwarzbaum of "Entertainment Weekly" crowned the sequence the film's "centerpiece." Writing for "The Seattle

neg: Evermore (Beauty and the Beast song) Following the release of Ariana Grande and John Legend's pop rendition of "Beauty and the Beast", Leib asked the studio for permission to release another one of "Beauty and the Beast"'s original songs as a single ahead of the film's March 17, 2017 release date. After eliminating "Days in the Sun" and confirming that Canadian singer Celine Dion would not be available to promote her cover of "How Does a Moment Last Forever", the studio ultimately decided to release "Evermore". Menken and Condon had been discussing which contemporary recording artist would be capable of delivering a song as vocally "demanding"

neg: Beauty and the Beast (2017 film) Menken and Tim Rice, particularly "Evermore" which he described the new song with a potential for an Academy Award for Best Original Song. Peter Travers of "Rolling Stone" rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that ""Beauty and the Beast" does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)". Stephanie Zacharek of "Time" magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about "Beauty and the Beast" is larger than life,

neg: Beauty and the Beast (Disney song) author Jerry Griswold believes that the song's opening line "tale as old as time" alludes to the fact that Belle's story is an ancient, timeless one "deliberately situated within the context of other traditional tales;" hers is simply "the newest incarnation" of it. "The Translation of the Songs in Disney's "Beauty and the Beast": an example of Manipulation" author Lucía Loureiro Porto agrees that although the song "does not tell any story, it is made of phrases that imply that love is as old a feeling as mankind." According to Perry Seibert of AllMovie, "Beauty and the Beast" is "as

neg: Evermore (Beauty and the Beast song) song "adds more depth to the character" by "highlighting the changes he goes through throughout the movie." Similar to "If I Can't Love Her", "Evermore" provides the Beast with "a stronger voice". The song occurs at a pivotal moment in the film during which the Beast bemoans his decision to free Belle, while uncovering both his inner pain and growth as a character as he voices "a sad sense of longing." For the first time, audiences learn exactly how the Beast feels when he allows Belle to rescue Maurice, summarizing his love for her. In the musical sequence, the Beast

neg: Beauty and the Beast (Disney song) melody as "flowing", while BuzzFeed's Aylin Zafar wrote that the song is "Tender and warm." Writing for the "Chicago Tribune", Gene Siskel described Lansbury's voice, which spans two octaves from B♭ to E♭, as "richly textured". Meanwhile, Michael Cheang of "The Star" and Bill Gibron of PopMatters wrote that Lansbury performed using a "fragile" "calm, motherly" tone. Instrumentally, "Beauty and the Beast" features several chord changes, woodwinds, and violins. GamesRadar observed that "Beauty and the Beast" includes a key change during which "the music swells, and then the orchestra subsides to leave just trembling violins." Describing the ballad as "soaring",

neg: Belle (Disney song) Belle (Disney song) "Belle" is a song written by composer Alan Menken and lyricist Howard Ashman for Walt Disney Pictures' 30th animated feature film "Beauty and the Beast" (1991). Originally recorded by American actress and singer Paige O'Hara and American actor Richard White, "Belle", a mid-tempo French and classical music-inspired song, incorporates both Broadway and musical theatre elements. The film's first song and opening number, "Belle" appears during "Beauty and the Beast "as a large scale operetta-style production number that introduces the film's heroine Belle, considered a book-loving nonconformist by the townspeople of the village, who has grown weary of

neg: Beauty and the Beast (David Bowie song) as unavoidable—rules the situation he constructs. The listener must keep in mind that Bowie has created images based on the good-evil dialectic throughout his career: it is not unique to "Beauty and the Beast". However, it is interesting to consider the possible influence of Berlin on Bowie at this point in his career. Certainly, the East Berlin–West Berlin, Communism–Democracy dialectics fit conveniently in the listener's possible understanding of the song. The follow-up single to ""Heroes"", "Beauty and the Beast" was considered an unconventional choice for release, reflected in it just scraping into the UK Top 40. "NME" editors Roy Carr

neg: Beauty and the Beast (1992 film) arrival of Clara, the beast's servant, who is there to remind Beauty of the promise she made. Beauty and Clara return to the castle, which is now in a run-down state. Beauty find the beast, who manages to give her a forgiving last farewell before dying. Beauty weeps, wishing that she could tell the beast that she loves him and that if he returned to her, she would marry him. The beast awakens, his body disappearing to reveal a handsome prince. An evil fairy, the same one as in Beauty's dreams, had cast a spell upon the prince, so that

neg: Beauty and the Beast (2009 film) Beauty and the Beast (2009 film) Beauty and the Beast is a 2009 Australian fantasy film directed by David Lister and starring Estella Warren, Rhett Giles, and Victor Parascos, and loosely based upon the fairy tale of the same name. The film was released in 2009 on video under that title and aired in 2010 on Syfy television as "Beauty and the Beasts: A Dark Tale". A series of horrific murders has the Beast being blamed for the crimes. Belle (Estella Warren) and Beast (Victor Parascos) must work together to investigate the crimes and discover who the true murderer is

neg: Beauty and the Beast (1978 film) Beauty and the Beast (1978 film) Beauty and the Beast () is a Czech horror fairy tale film directed by Slovak film director Juraj Herz in 1978. The film is a re-telling of the classic tale "Beauty and the Beast". Herz made the innovative decision to depict the beast as a bird-like creature. It has a gothic atmosphere and setting, and a pervasive atmosphere of dread. For his direction, Herz received the Medalla Sitges en Oro de Ley at the Sitges Film Festival in 1979. Julie is a bankrupt merchant's daughter who, as the only one of the three daughters,

neg: Beauty and the Beast (musical) Beauty and the Beast (musical) Beauty and the Beast is a musical with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and book by Linda Woolverton. Adapted from Walt Disney Pictures' Academy Award-winning 1991 animated musical film of the same name – which in turn had been based on the classic French fairy tale by Jeanne-Marie Leprince de Beaumont – "Beauty and the Beast" tells the story of a cold-blooded prince who has been magically transformed into an unsightly creature as punishment for his selfish ways. To revert into his true human form, the Beast must first

neg: Beauty and the Beast go to the castle and fight the Beast, but the merchant dissuades them, forbidding his children of ever going near the Beast. Eventually, Beauty decides to go to the Beast's castle. The Beast receives her graciously and informs her that she is now mistress of the castle, and he is her servant. He gives her lavish clothing and food and carries on lengthy conversations with her. Every night, the Beast asks Beauty to marry him, only to be refused each time. After each refusal, Beauty dreams of a handsome prince who pleads with her to answer why she keeps refusing

neg: Beauty and the Beast (Disney song) "" (1991). First heard during the film's end credits, the single was produced by Walter Afanasieff who also arranged it with Robbie Buchanan, and included on Dion's self-titled album. The single was accompanied by a music video. Directed by Dominic Orlando, it combined footage of the singers recording the song at The Power Station with excerpts from the film. Both versions of "Beauty and the Beast" were very successful, garnering both a Golden Globe and Academy Award for Best Original Song, as well as Grammy Awards for Best Song Written for Visual Media and Best Pop Performance by a Duo

neg: Beauty and the Beast (1991 film) in "Kingdom Hearts II", the world's primary antagonist being Xaldin, an original character created for the series, but who shares several traits with Forte, the main antagonist of "Beauty and the Beast: The Enchanted Christmas". Beauty and the Beast (1991 film) Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the French fairy tale of the same name by Jeanne-Marie Leprince de Beaumont who was

neg: Beauty and the Beast (Disney song) Bryson to record the song alongside her as a duet. Disney contacted Dion's manager René Angélil about having his client record "Beauty and the Beast" while the singer was on tour in England. A fan of Dion's music, Menken personally wrote the singer a letter of approval. Hailing from the French-Canadian province of Quebec, Dion had just begun to learn English. At first Dion was hesitant to commit to the project due to having just recently been fired from recording "Dreams to Dream", the theme song of the animated film "" (1991), in favor of American singer Linda Ronstadt, who

neg: Evermore (Beauty and the Beast song) shared on Twitter. Groban's version was released as the second single from "Beauty and the Beast"'s soundtrack on March 3, 2017, several days before the album, on which Stevens' original rendition appears, was released. Groban promoted the song with a performance on "Good Morning America" on March 14, 2017. The occasion marked both the song's first televised performance, as well as the first time an original song from the remake was performed live on television. Musically, Groban's single remains a "Broadway-like" operatic pop ballad that features the same lyrics, beginning "I was the one who had it all". Written in

neg: Evermore (Beauty and the Beast song) learned how to love instead would be more suitable due to the film's three-act structure. "Evermore" is a somber Broadway-influenced power ballad; its lyrics explore themes such as true love, heartbreak, loneliness and sacrifice. In "Beauty and the Beast", "Evermore" is performed by the Beast shortly after he releases Belle from the castle so that she may return to the village and aid her father. Despite knowing that freeing her will further jeopardize his chances of becoming human again, the Beast realizes he loves Belle and ultimately sacrifices his own happiness in return for hers. Critical reception towards "Evermore" has

neg: Beauty and the Beast (1983 film) Beauty and the Beast (1983 film) Beauty and the Beast () is a 1983 Danish drama film written and directed by Nils Malmros. The film stars Line Arlien-Søborg as a sexually active 16-year-old and Jesper Klein as the father who struggles to accept his daughter's relationships with boys as well as his own jealousy. Malmros, who had worked with the young Arlien-Søborg on his coming-of-age drama, "Tree of Knowledge", wrote the role of the daughter specifically for her. Both Arlien-Søborg and Klein won the 1984 Bodil and Robert awards for acting. "Beauty and the Beast" received the 1984 Bodil Award

neg: The Music of Disney: A Legacy in Song 15. Perfect Isn't Easy: "Oliver & Company" (1988) - Bette Midler 16. Part Of Your World: "The Little Mermaid" (1989) - Jodi Benson 17. Under The Sea: "The Little Mermaid" (1989) - Samuel E. Wright 18. Kiss The Girl: "The Little Mermaid" (1989) - Samuel E. Wright 19. Be Our Guest: "Beauty and the Beast" (1991) - Jerry Orbach/Angela Lansbury 20. Beauty and the Beast: "Beauty And The Beast" (1991) - Angela Lansbury 1. A Whale Of A Tale: "20,000 Leagues Under The Sea" (1954) - Kirk Douglas 2. Old Yeller: "Old Yeller" (1957) - Jerome Courtland 3. Pretty Irish