query: who sings the song i 've been waiting for a girl like you

pos: Waiting for a Girl Like You Waiting for a Girl Like You "Waiting for a Girl Like You" is a 1981 power ballad by the British-American rock band Foreigner. The distinctive synthesizer theme was performed by the then-little-known Thomas Dolby, and this song also marked a major departure from their earlier singles because their previous singles were mid to upper tempo rock songs while this song was a softer love song with the energy of a power ballad. It was the second single released from the album "4" (1981) and was co-written by Lou Gramm and Mick Jones. It has become one of the band's most

pos: I Don't Want to Live Without You of May 14, 1988. The band had previously reached the Top 5 on the AC chart twice, with the songs "Waiting for a Girl Like You" (#5 in 1981) and "I Want to Know What Love Is" (#3 in 1985). I Don't Want to Live Without You "I Don't Want to Live Without You" is a song from the pop rock band Foreigner. It was included on their 1987 platinum album, "Inside Information". Released as the follow-up single to the song "Say You Will", "I Don't Want to Live Without You" peaked at #5 on the "Billboard" Hot 100 chart

pos: I Don't Wanna Know number 2 by a song which did not go to number 1, behind Foreigner's "Waiting for a Girl Like You", Missy Elliott's "Work It", Donna Lewis's "I Love You Always Forever" and Shania Twain's "You're Still the One". The song is based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 album "Enya." Winans said: "I first heard 'Boadicea' at the end of the movie Sleepwalkers about five or six years ago. It's something I always wanted to produce.

pos: Urgent (song) the "Urgent" single. The album has since been certified multi-platinum by the RIAA, for selling over six million copies in the U.S. alone. The song was Foreigner's second-best-selling single (after "I Want to Know What Love Is") in both Canada and Sweden, reaching #1 in Canada in September 1981 and #20 in Sweden in March 1982. In Australia, "Urgent" peaked at #24 in August 1981. In the UK, the song reached only #54 upon its first release in 1981. In 1982, after "Waiting for a Girl Like You" went Top Ten there, "Urgent" was re-released, this time reaching only slightly

pos: Foreigner discography top 3 ("Hot Blooded", "Double Vision", "Waiting for a Girl Like You" and "I Want to Know What Love Is"). Despite its British roots, the band achieved only moderate success in the UK Singles Chart, with only two of their songs, "Waiting for a Girl Like You" and "I Want to Know What Love Is", peaking within the top 20. In 2014, Rhino released a boxed set of the band's seven albums recorded for Atlantic entitled "Foreigner: The Complete Atlantic Studios Albums 1977-1991". The first four albums that were expanded to include bonus tracks in 2002 were included in the

pos: Physical (Olivia Newton-John song) song on the Hot 100 during the 1980s in terms of the number of weeks spent at number one. The guitar solo was performed by Steve Lukather. "Physical" was both preceded and followed in the #1 chart position by recordings of the duo Hall & Oates. "Private Eyes" was dethroned by "Physical" in November 1981, and "Physical" was dethroned by "I Can't Go for That (No Can Do)" the following January. "Physical" held "Waiting for a Girl Like You" by Foreigner at #2 off the top of the Hot 100 for nine weeks, and "I Can't Go For That" held

neg: California King Bed Langone, contestants of the tenth season of "American Idol", covered the song during one of the nights. American rapper Snoop Dogg, released an unofficial remix of the song along with a music video. In his version of the song he sings the lines "California dreamin', schemin', you got me gleamin'/ I need you on my team 'n you get my meanin'/ It sound crazy but it's amazing/ Lay down with me so we can make some babies." The accompanying music video a girl which looks like Kim Kardashian waiting him at the hotel, while the official video of the song

neg: Waiting for a Girl Like You held off the number 1 spot by Olivia Newton-John's single "Physical" for nine consecutive weeks, and then by Hall & Oates' "I Can't Go for That (No Can Do)" for a tenth week on January 30, 1982. Because of its chart longevity, it ended up being the number 19 song on the Top 100 singles of 1982. The song was the band's biggest hit until "I Want to Know What Love Is" hit number 1 in 1985. The song lists at number 100 on ""Billboard"'s Greatest Songs of All Time". Waiting for a Girl Like You "Waiting for a Girl

neg: Someone like You (Adele song) her confronting his marriage. At the beginning of the song, she sings the lines "I heard that you're settled down/That you found a girl and you're married now. I heard that your dreams came true/Guess she gave you things I couldn't give to you" with a softly voice and accompanied just by a simple piano melody. The lyrics of "Someone like You" are talking about what once was and what could have been as stated by a writer of "Daily Herald". Finding the strength to bounce back from hardship and heartache, Adele sings the lines, "Never mind, I'll find someone

neg: Give a Little More woman who so clearly has you wrapped around her finger, "You were wrong for turning me on and on and on," Levine sings. "I'm waiting for something, always waiting / Feeling nothing, wondering if it'll ever change." Ultimately, he resigns himself to the fact that, "I have no defense / I know you're gonna get me in the end." The song received positive reviews from contemporary music critics. Ron Harris from the Associated Press wrote that the song "almost strays into disco territory with body-moving beat." He commented that the song "would not have been terribly out of place in

neg: One Word (Elliott Yamin song) on the sidewalk returns, and he finds his lover and they kiss once again, and separate and smile at each other. Yamin is chasing the girl he loves in this video, opposed to waiting for her, like he did in the "Wait for You" video. One Word (Elliott Yamin song) "One Word" is the second official single from Elliott Yamin's self-titled album "Elliott Yamin" (following his first single "Wait for You" and the radio-only promotional hit "Movin' On") "One Word" is a midrange tempo ballad in which Yamin sings about how grateful he is for his love. He sings about

neg: You Make Me Feel... the concept of people trying to find the right person is something that's universal." The song is written in common time maintaining a tempo of 126 beats per minute. The song is set in the key of B-flat major. Backed up by a simple beat and minimal synth arrangement, Saporta sings about finding the girl he’s been missing: "Girl, I’ve been all over the world looking for you / I’m known for taking what I think I deserve, and you’re overdue." Sabi, provides the chorus and the "la-la-la-la-la" melody that carries the song as Saporta sings "You make me feel

neg: Put It Down (Brandy song) prospective beau on his swag. "You’re talking so tough, damn, I love it all, even the way you flex, that’s what turns me on," she sings. Later, according to "Idolator" blog, Brown adopts a Nicki Minaj-like vocal delivery and raps, "Sippin’ on that Brandy, that liquor comes in handy, girl, I know you fancy, but this party I’m financing." In the chorus, Norwood sings: "I’mma put it down / you gon' fall in love." The song received generally positive reviews from music critics upon its release. Priya Elan from "The Guardian" called the song "Brandy's best single for ages". He

neg: Jealous (Beyoncé song) shoes, do the type of things I never ever do. I take one look in the mirror, and I say to myself, 'Baby girl, you can't survive like this.'" The protagonist can not tolerate the fact she has been underappreciated and goes on to put on a "freakum dress out my closet" (a reference to her own song "Freakum Dress" (2006)) and stay the night outside further singing about her own attractiveness. As she continues to describe her love–hate relationship detailing her emotions, Beyoncé sings the song's bridge: And I hate you for your lies and your covers<br> And I

neg: Love U Right shown on Division1's official website. They said... Singer Cherlise promises she can love you better than your current girl on her first single, ‘Love U Right,’ which features a cameo from Lil Wayne. The Miami newcomer sings “I ain’t hatin,’ but I know she don’t love you right,” on the song, which blends hip-hop and R&B influences. The track is produced by Rico Love, who signed Cherlise to his Division1 label. Rico has been responsible for a number of huge hits, like Kelly Rowland‘s ‘Motivation’ and Beyoncé‘s ‘Sweet Dreams.’‘Love U Right’ sounds every bit as radio-ready as those two songs.

neg: Habbaytak Bissayf "Guilty"). Habbaytak Bissayf "Habbaytak Bissayf" is a Lebanese Arabic language song (, "I loved you in the summer") performed by Lebanese singer Fairuz. The lyrics and music were written by the Rahbani Brothers. Fairuz first performed this song in 1970-1971 in the play "Ya'ish Ya'ish" and her 1971 US tour. The title of the song means "I loved you in the summer".This song tells the story of a girl waiting for her love, fleeting like the summer, but who never comes. She waits until winter comes, and she dies. Jean François Michael adapted the music in his French song "Coupable"

neg: Habbaytak Bissayf Habbaytak Bissayf "Habbaytak Bissayf" is a Lebanese Arabic language song (, "I loved you in the summer") performed by Lebanese singer Fairuz. The lyrics and music were written by the Rahbani Brothers. Fairuz first performed this song in 1970-1971 in the play "Ya'ish Ya'ish" and her 1971 US tour. The title of the song means "I loved you in the summer".This song tells the story of a girl waiting for her love, fleeting like the summer, but who never comes. She waits until winter comes, and she dies. Jean François Michael adapted the music in his French song "Coupable" (French:

neg: Favorite Song head like I knew you would." In the sing-a-long chorus, she sings: “I want to be your favorite song/ You can turn it up/ Turn me on all night long/ I want to be your favorite song/ La-la-la-la, la-la-la / I want to be your melody/ Going through your head when you think of me/ I want to be your favorite song/ La-la-la-la.” Meanwhile, Common’s lyrics are softhearted as he tries his hand at crooning. “Girl the songs you sing / They my favorite things / You stay in my dreams / Something so supreme,” he warbles. Later, he raps:

neg: Love Yourself tone while "hating on a girl for loving herself too much." In the pre-chorus, he sings with a husky tone in the lower registers: "My mama don't like you, and she likes everyone," "in a style that molds well to Sheeran's," according to "Rolling Stone" Brittany Spanos. "And I [never] like to admit that I was wrong. And I've been so caught up in my job, didn't see what's going on, and now I know, I'm better sleeping on my own," he continues. In the chorus, Bieber sings, "Cause if you like the way you look that much, oh baby

neg: Week Without You more like, I am this person who embraces all my past selves. This album is the most me for right now that I can be." Tatiana Cirisano of "Billboard" described the song as "a twangy, country-tinged break-up waiting to happen". Ross McNeilage of MTV News called the song a "a country kiss-off to an unsatisfying lover", and felt it is "full-out country in its production, compared to the airy fun vibes of 'Malibu' and 'Younger Now', as Miley sings of leaving over a familiar-sounding guitar melody". Deepa Lakshmin of the same publication opined that the song "takes the opposite approach"

neg: Girl Who Got Away twirling in a slow dance through electronic caresses and the subtlest touches of strings. In the chorus, she sings, "I wanna move with the seasons/And go with the flow". Dido finds guests to keep her current, like Kendrick Lamar, whose vociferous rap tears through the conciliatory "Let Us Move On", a spooked trip hop song. The looping intro and muted snares on "Blackbird" are leveled off by her detached vocal and reassuringly familiar lyrics about the darker side of love ("Why do I bring you love, when all you give me back is pain?", she sings). While "End of Night",

neg: Brewer v. Williams get a snow on top of it you yourself may be unable to find it. And, since we will be going right past the area on the way into Des Moines, I feel that we could stop and locate the body, that the parents of this little girl should be entitled to a Christian burial for the little girl who was snatched away from them on Christmas [E]ve and murdered. And I feel we should stop and locate it on the way in rather than waiting until morning and trying to come back out after a snow storm and possibly

neg: Fold Your Hands Child, You Walk Like a Peasant of the band; Sarah Martin sings on "Waiting for the Moon to Rise", Isobel Campbell sings on "Family Tree", and performs duets with Stevie Jackson (who sings in an unusually low voice) on "Beyond the Sunrise" and Stuart Murdoch on "Women's Realm". Jackson also sings lead vocal on "The Wrong Girl". It is the last Belle & Sebastian album to feature bass player Stuart David, who departed the band after the album's completion. The twin sisters pictured on the cover are Gyða and Kristín Anna Valtýsdóttir both former members of the Icelandic experimental group múm. The album's title comes from

neg: I Don't Want to Walk Without You song he ever heard. He played and sang it over, bar by bar, explaining why it's the best song he ever heard. I was flattered like crazy." A review in the trade publication "Billboard" called the composition "one of those natural songs with a down-to-earth story that boy sings to girl and vice versa, with a matching melody that makes it contagious on the first listen". The song was published in 1941. "I Don't Want to Walk Without You" was first performed in the 1942 Paramount Pictures film, "Sweater Girl", by actress Betty Jane Rhodes. In 2012, Tom Vallance of

neg: A Girl Like You (Edwyn Collins song) A Girl Like You (Edwyn Collins song) "A Girl Like You" is a song by Scottish singer-songwriter Edwyn Collins from his third solo studio album, "Gorgeous George" (1994). The song samples the drums track of Len Barry's single "1-2-3" (1965). There are two different music videos for this song. The video in the United States was an avant-garde tribute to its lyrics (e.g. when Collins sings the lyrics "you made me acknowledge the devil in me", a child's painting of the devil overlays his face). The international video shows Collins singing over videos and silhouettes of dancers. The Sex Pistols

neg: A Girl Like You (Edwyn Collins song) the 1995 movie "Empire Records". It was also featured in season 1, episode 5 of "Lucifer" ("Sweet Kicks"). A Girl Like You (Edwyn Collins song) "A Girl Like You" is a song by Scottish singer-songwriter Edwyn Collins from his third solo studio album, "Gorgeous George" (1994). The song samples the drums track of Len Barry's single "1-2-3" (1965). There are two different music videos for this song. The video in the United States was an avant-garde tribute to its lyrics (e.g. when Collins sings the lyrics "you made me acknowledge the devil in me", a child's painting of the devil

neg: Blackout (Britney Spears album) of Soft Cell's "Tainted Love" (1981). In the lyrics, Spears lets the subject know he is on her radar, while she lists the qualities the man has. The fourth song and third single "Break the Ice" opens with Spears singing the lines "It's been a while / I know I shouldn't have kept you waiting / But I'm here now". The song features a choir and Keri Hilson singing background vocals sounding almost like a duet. Hilson explained the song is about "two people, a girl and a guy, [...] and the girl is saying, 'You're a little cold. Let

neg: Deuces (song) make the relationship work". In the first verse, Brown sings: "All that bullshit is for the birds, you ain't nothing but a vulture / Always hoping for the worst, waiting for me to fuck up / You'll regret the day when I find another girl, that knows just what I need / She knows just what I mean." The accompanying music videos for "Deuces" and "No Bullshit" premiered simultaneously online on May 24, 2010, and both were directed by Colin Tilley. The video was shot in black-and-white, and is set at the Los Angeles River. It begins with a woman

neg: Right There (Nicole Scherzinger song) "[talking] about all the things she likes her man to do," In lyrics such as "Me like the way that you hold my body / Me like the way that you touch my body." In the pre-chorus she becomes territorial with her man, and warns other girls away: "No I ain’t never gonna let no girl take him from me / Never gonna let no girl steal him from me." Throughout the song Scherzinger sings in a Caribbean-influenced vocal style. Then, 50 Cent comes in with his verse, rounding out the song with his male perspective. According to Nadine Cheung

neg: Ready or Not (Bridgit Mendler song) "It’s a fun song about a girl who is feeling like she has been the wallflower her whole life and she wants to go out there and take charge. It has the romantic element of her going for the guy rather than waiting for the world to come to her. I wrote it with some great writers and producers. We wrote most of the album together." Mendler also said of the song: "I'm thrilled to finally share my songs with the world. I wanted to write something that was empowering for girls. I consider myself to have been that girl

neg: Tonight's the Night (Gonna Be Alright) The song has been remade by such artists as: Linda Clifford, Nicky Moore, and sung by Anthony Kavanagh, Terry Steele, who reached number forty-four on the R&B singles chart, and Alison Crawford on "Grease is the Word". In Janet Jackson's cover, the lyrics imply that she and her partner are about to share a threesome with another woman. Jackson begins the song by saying, "This is just between me and you...and you." Additionally, each chorus addresses a different person, as she sings, "'Cause I love you, boy" in one and "'Cause I love you, girl" in another. "She even makes

neg: Just in Love Joe Jonas and James Fauntleroy, with production by Rob Knox. "Just in Love" is a Latin-tinged dance track with a thumping beat behind a synthy sound. In the song, Joe professes his love for a girl who may not be clear about his intentions. On the chorus, he sings, "Just running from the truth/ That I'm scared of losing you/ You are worth too much to lose/ Baby, even if you're still confused/ Girl I'm just in love with you." Jonas explained the song’s origin, telling Ryan Seacrest: "This is a song I wrote when I was going through a

neg: Till the World Ends blow your mind tonight." In the chorus, the song slows down while Spears sings "I can't take it take it take no more / Never felt like felt like this before / Come on get me get me on the floor / DJ what you what you waiting for?". The melody's 4:3 cross-rhythm continues into a chant-like segment, in which "whoa-oh-oh-oh" is repeated. The bit was compared by Scott Shettler of AOL to the "rapid word repetition" of Kesha. Keith Caulfield of "Billboard" said the chorus "comes on hard like it's the sexy spawn" of American recording artist Usher's "OMG"

neg: Love Song (Sara Bareilles song) something for me. And 'Love Song' basically wrote itself. It's totally honest, and I'm very lucky the label liked it as well." Later in 2011, she explained: "It was actually written for my record label. I had been turning in new music. I was getting the red light. I couldn't go into the studio yet because they were waiting for something. But I wouldn't ... nobody said what they were waiting for. So I kept turning in new songs, thinking like, 'Is this what you want? Is this what you want?' And it was always a big thumbs down, and

neg: Naughty Girl (Beyoncé song) for a one-night stand. This "lustful sexual confidence" is further demonstrated in the lyrics of the first verse: "I'm feeling sexy / Wa[nt to] hear you say my name, boy/ If you can reach me, you can feel my burning flame / Feeling kind of N A S T Y / I might just take you home with me" and the chorus lines: " Tonight I'll be your naughty girl / I'm callin' all my girls / We're gonna turn this party out / I know you want my body." Throughout the song, Beyoncé sings the lines "I'd love to

neg: The Big Shot Chronicles wrote that "the super-catchy melody and Mitch Easter's crisp production" made it "ear candy for eggheads." The song has been variously described as "sunny", "soaring," or "restrained"; but according to Mason, "The moment in the final verse where Miller sweetly sings 'Girl, I hope it comes through for you in the clutch' and adds a teasing extra bar before spitting out a snotty 'But I won't bet much!' and swinging into the final chorus is one of those perfect little moments power pop fans savor like truffles." Assessing the song's popularity, Mason wrote:If Game Theory was ever going to have

neg: Skyscraper (song) piano as she sings, "Skies are crying, I am watching catching teardrops in my hands/ Only silence, as it's ending, like we never had a chance". As the song progresses, the piano is accompanied by heavy percussion and breathy backing vocals. In the chorus, Lovato sings, "You can take everything I have/ You can break everything I am/ Like I'm made of glass, like I'm made of paper/ Go on and try and tear me down/ I will be rising from the ground like a skyscraper". In the second verse, Lovato "begins to find more strength". The song has a

neg: Waiting for a Girl Like You successful songs worldwide, peaking at number 2 on the "Billboard" Hot 100 and number 1 on "Billboard"'s Rock Tracks chart. On the "Billboard" Adult Contemporary chart, the song reached number 5. The song peaked at number 8 on the UK Singles Chart. "Waiting for a Girl Like You" achieved a chart distinction by spending its record-setting 10 weeks in the number 2 position of the "Billboard" Hot 100 chart, without ever reaching the top. It debuted on the Hot 100 chart dated October 10, 1981. It reached the number 2 position in the week of November 28, where it was

neg: What Are You Waiting For? (The Saturdays song) time of your life." In an otherwise factual dissection of the video, "Daily Mail"'s Jason Chester praised the "catchy track’s upbeat mood." In addition, Tina Campbell of "Metro" said it was "enough to make you want a girlie [sic] holiday, like, right now." CD single Digital download Digital EP The Remixes EP What Are You Waiting For? (The Saturdays song) What Are You Waiting For? is a song by English-Irish girl group The Saturdays. It was co-written by MNEK (credited as Uzoechi Emenike), Carla Marie Williams, Annie Rose Yuill (credited as Annie Yuill), Tim Deal, Brian Higgins, Miranda Cooper, Tove

neg: Work from Home line. The second verse is sung by Hernandez who sings: "Let's put it into motion / Imma give you a promotion / I'll make it feel like a vacay / Turn the bed into an ocean". Hansen sings the second pre-chorus. Ty Dolla Sign sings after the second chorus, and on the third and final chorus Cabello closes the song with an ad-libbed outro. Matt Collar from AllMusic described "Work from Home" as one of the "most playful tracks" from "7/27" writing that said song along with "Not That Kinda Girl" "build upon Fifth Harmony's knack for mixing juicy R&B

neg: I Have Been in You between a boy and girl, "I have been in you, baby/And you have been in me". Recorded live at the Hammersmith Odeon in London, Zappa later re-recorded the vocals at his personal studio, the Utility Muffin Research Kitchen facility, using a close micing technique. Musically, the bass singer and the bass guitar are giving a counter melody. When Zappa begins singing the song develops into a slow reggae beat. At various points Zappa sings slightly off beat, letting the speech lengths of the syllables prevail, which emphasises the lyrics. In concert, "I Have Been in You" was usually performed as

neg: Break the Ice (song) song is composed in the key of F minor and is set in time signature of common time with a tempo of 120 beats per minute. According to Leah Greenblatt of "Entertainment Weekly", "Break the Ice" sounds similar to Nelly Furtado's "Say It Right" (2006). It opens with Spears singing the lines "It's been a while / I know I shouldn't keep you waiting / But I'm here now", which serve as an apology for being gone so long from the music industry as well as away from her love interest in the song. After the first line, Spears sings

neg: Il pastor fido (Handel) goddess Diana. Yet another shepherdess, Dorinda, is smitten with Silvio but he rejects her love, to her sorrow. In a rocky grove, Mirtillo sings himself to sleep with a song in praise of his beloved Amarilli. As he slumbers, Eurilla enters with a garland of flowers with a note "From someone who adores you and is waiting for you there" and places it on his body. When he awakes, he thinks it must be from Amarilli. Eurilla tells Amarilli that Mirtillo has received a love token and an invitation to an amorous tryst from another girl, which makes her very

neg: Congratulations (Silvía Night song) nation, your dream's coming true/You've been waiting and waiting for me to save you", thus contending that the other entries of that year are things to be saved from. Silvía's song, on the other hand, is described as being "hot, okay, really not too gay". The Icelandic original continued this theme further, with one line running "Congratulations Iceland, that I was born here". Silvía also sings "Let's meet next year in Iceland", a reference to the Contest tradition of hosting rights going to the previous year's winner. The controversy came, however, with the line "The vote is in, I'll fucking

neg: Skin (Rihanna song) "restrained" and "controlled". Throughout the song, Rihanna sounds "suspenseful" and "sultry" as she sings the lyrics "I got secrets that I wanna show you". Thomas Conner of "Chicago Sun-Times" wrote that the singer "teases her man" and "lets him at her" as she sings the line "You've waited long enough" before instructing "Don't hold back/you know I like it rough". Of the multiple music critics who commented on the song, the majority praised "Skins musical structure and Rihanna's vocal performance. Apart from writing about the song's composition, Daw called the ballad "smoldering" and compared the last minute of the song

neg: Why I Love You So Much video start with other people walking in different places. Monica sings in front of her man saying that he is her whole world and she's been his girl forever: the video was directed by Kevin Bray. These are the formats and track listings of major single-releases of "Why I Love You So Much" Why I Love You So Much "Why I Love You So Much" is a song by American R&B singer Monica, composed by Daryl Simmons for Monica's debut studio album, "Miss Thang" (1995). The ballad was released as the album's fourth and final single on a double A-side

neg: Sweetest Girl (Dollar Bill) Sweetest Girl (Dollar Bill) "Sweetest Girl (Dollar Bill)" is the lead single from Haitian rapper Wyclef Jean's sixth studio album, "". The song features vocals from Niia and Akon, as well as rapper Lil Wayne. Verizon Wireless released the song on their V CAST service on August 7, 2007. During the chorus, Akon sings, "See I'ma tell you, like Wu told me, Cash rules everything, around me." This is actually a two layered reference, the first to the Wu-Tang Clan, who produced a song called "C.R.E.A.M." for the 1993 album "Enter the Wu-Tang (36 Chambers)". Akon also samples the "dolla',

neg: Turn It Up (Pixie Lott song) a suitably synthy pop-R&B backdrop—complete with singalong chorus—Lott gets down to the nitty-gritty of splitting up. 'I know you can't stay, so I won't be waiting, anticipating for the fall,' she sings, before trotting out that old chestnut about time being a healer. It's a terribly mature approach from one so young, but what else would you expect from a 19-year-old who already has a platinum album, a fashion line and a US film role to her name?" Fraser McAlpine of the BBC Chart Blog called the song "a perfectly good album track, notable only because at no point in

neg: The Girl You Lost to Cocaine alone." Amber Henson of The Red Alert, as a part of the album review said, " “The Girl You Lost to Cocaine” is intensely addictive and heartfelt. “No, I don’t need drama” she effusively and loudly sings over the chorus is a refreshing sentiment in the current music industry." The Girl You Lost to Cocaine "The Girl You Lost to Cocaine" (sometimes titled "The Girl You Lost") is a song by Sia Furler. Sia said the album "Some People Have Real Problems" was an easy album to write, except for, "The Girl You Lost" which took longer to pen than

neg: FML (song) on the second round of Weeknd's hook. "FML" is titled to stand for both 'For my lady' and 'Fuck my life up', since West raps in the first verse: "I been waiting for a minute/For my, lady" and Weeknd sings on the chorus: "I wish I would go ahead and fuck my life up/Can't let them get to me/And even though I always fuck my life up/Only I can mention me". West mentions the antidepressant drug Lexapro in reference to his issues with mental health, a subject West mostly touched on in the song "I Feel Like That" from the

neg: Reflection (Fifth Harmony album) at by the girl power think piece wave, with a sharp, nuanced perspective that can only come from lived experience". Several critics noted the influence of singer Beyoncé on the album comparing it to her work. During the song "Them Girls Be Like", member Lauren Jauregui sings: "Do you ever post your pics with no filter, 'Hashtag,' I woke up like this, too" in a clear reference to Beyoncé's song "Flawless". Editor Dawn Richard of "The New York Times", wrote that "Them Girls Be Like" and "Boss" are both a "dutiful Beyoncé homage". The song "Brave, Honest, Beautiful" contains portions

neg:
Mirrors (Justin Timberlake song) Cause your shine is somethin' like a mirror
 And I can't help but notice
 You reflect in this heart of mine. "Mirrors" is a "new-age wedding reception song". Lyrically, in the song, Timberlake sings to a lover about "coming to the realization" that she is his "other half". The singer references "taking a break from the relationship": "It was easy coming back to you/ Once I figured it out, you were right here all along," he sings on the chorus. "It's like you're my mirror, my mirror staring back at me/ I couldn't get any bigger/ With anyone else beside

neg: Astral Weeks only song on the album to not have string overdubs and according to John Payne, Morrison had not played it live before. Like in the song "T.B. Sheets", the singer tells of watching a young girl die, but in "Slim Slow Slider" the girl seems bent on her own self-destruction: "I know you're dying, baby/I know you know it too." The song ends abruptly with the words, "Every time I see you, I just don't know what to do." It has been said to be about a drug addict, but Morrison has only said that it's about someone "who is

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: Who Says (Selena Gomez & the Scene song) low-note of G# to the high-note of E. The song contains string accents described as "sympathetic, but not overpowering". Described as a "jangly pop tune", having an "overarching feel-good vibe", lyrically, the song speaks of "embracing who you are and not letting your critics get you down". Gomez sings of insecurities, and people telling her she is not good enough, before asserting "I'm sure you got some things/ You'd like to change about yourself/ But when it comes to me/ I wouldn't want to be anybody else." According to Brian Voerding of AOL Radio Blog, "Gomez sings about staying true

neg: The War Is Over (Kelly Clarkson song) all that crap out of your system. I haven’t been in a bad relationship in years. It’s just that I’ve been in a bad relationship, and I think when you’re singing any song like that, you pull from the one thing in your life that you know you’ve experienced." "The War Is Over" has received mixed to positive reviews from music critics. Sam Lansky of PopCrush compared the song to Clarkson's 2009 single, "Already Gone", he added, "When Clarkson sings, “All I can say is / You don’t deserve me / You don’t deserve me,” it’s hard not to get

neg: Broken-Hearted Girl girl". Despite the desire to have her lover back, she sings, "I know that I love you but let me just say / I don't want to love you in no kind of way". The woman gains confidence, and towards the end of the song, she wants to spend her life with her lover despite the previous letdowns. Babyface's demo was released online on June 15, 2009. "Broken-Hearted Girl" and "Ego" were initially planned for simultaneous release as singles in the United States, but "Broken-Hearted Girl" was replaced with "Sweet Dreams", which became the sixth single from the "I Am..

neg: Sitting on Top of the World (Delta Goodrem song) solo single, "I Can't Break It to My Heart" (2008). "Sitting on Top of the World" is about Goodrem "feeling like herself" again and feeling connected to the world through music/friendship. "Sitting on Top of the World" was written by Goodrem and co-written and produced by John Shanks. Lyrically, it talks about stars aligning and being together as one. "So get up, stand up / What you waiting for?" she happily commands. "We gotta live life, give in to begin / We've got a love like no one knows!" she sings on the power pop track. Brad Stern wrote for

neg: Yummy (Gwen Stefani song) roles of a homemaker in the lyrics, singing: "I know you've been waiting but I've been out making babies" and "Man, there's so much heat beneath these clothes / It's time to make you sweat". Food imagery is continually mentioned in its lyrics, which Quentin B. Huff, writing for "PopMatters", saw as an imitation of "Milkshake". The chorus consists of a "serious" and repetitive coo, where she sings "I'm feeling yummy head to toe". Upon release, the song received generally mixed reviews. Pytlik of "Pitchfork" applauded "Yummy" by calling it the "Best Song" on the parent album. "Slant"'s Cinquemani complimented

neg: Secret Love Song is a slow, pop ballad. It comprises pounding bass and melancholic strings. Derulo's vocal uses vibrato and auto-tune, as he sings the song's second verse. Nelson sings the high note during its bridge. Lyrically, "Secret Love Song" details unrequited and forbidden love. Edwards said the lyrics are about "being with someone and you want to scream it from the rooftops but you have to hold it in". According to Derulo, his verse serves as a "twist" in the song, discussing his personal experience of having an affair: "I told a true story about this girl that I am really into

neg: Person of Interest (song) that. It's very much a dance type song. It will make you get up and dance and sing along in your car." The song opens with Black singing "When I talk, you listen, I like that/When you listen, you smile and I like that/Why you lookin' lookin' at me just like that?" Near the end of the song, Black sings "Can't deny, you're implicated/In the mayhem in my mind/What has got me so frustrated/You should be mine, you should be mine" "Person of Interest" received mixed to negative reviews from music critics. "Entertainment Weekly" admitted that the song "could totally

neg: I Am the Walrus accompanying soundtrack album, however, underneath "I Am the Walrus" are printed the words " 'No you're not!' said Little Nicola" (in the film, Nicola Hale is a little girl who keeps contradicting everything the other characters say). Lennon returned to the subject in the lyrics of three of his subsequent songs: in the 1968 Beatles song "Glass Onion" he sings, "I told you 'bout the walrus and me, man / You know that we're as close as can be, man / Well here's another clue for you all / The walrus was Paul"; in the third verse of "Come Together"

neg: Back Door Man got to go / I am a back door man," Wolf sings. The promiscuous "back-door man" is a theme of many blues songs, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man," Martin wrote in "Strange Loving Blues" (1925). Led Zeppelin referred to the Dixon song in "Whole Lotta Love" (1969) ("Shake for me girl, I want to be your back-door man") and in "Since I've Been Loving You" (1970) ("You must have one of them new fangled back door men!"). The song was recorded in Chicago in June

neg: Company (musical) committed ("You Could Drive a Person Crazy"). David tries to tell Robert privately that Jenny didn't like the marijuana, after she asks for another joint. "I married a square," he reminds his wife, demanding she bring him food. All of Robert's male friends are deeply envious about his commitment-free status, and each has found someone they find perfect for Robert ("Have I Got a Girl For You"), but Robert is waiting for someone who merges the best features of all his married female friends ("Someone is Waiting"). Robert meets his three girlfriends in a small park on three separate occasions

neg: I Have Loved You Girl (But Not Like This Before) the brightest songs on the album. He went on to say that Conley combines "an excellent melody, expressive vocals and sensitive lyrics for a fresh way of presenting a love song." He states that the "lean guitar/piano rhythms leave proper space for Conley's singing." I Have Loved You Girl (But Not Like This Before) "I Have Loved You Girl (But Not Like This Before)" is a song written and recorded by American country music artist Earl Thomas Conley. He first released the song in 1975 on the GRT label as Earl Conley, reaching number 87 on the Hot Country Songs

neg: Bad Girl (Avril Lavigne song) rock. "Bad Girl" begins with Manson saying "Just lay your head head in daddy's lap, you're a bad girl." Nick Catucci of "Entertainment Weekly" compared Manson's "croaking" vocals on the song to Cookie Monster's speaking voice. The song has "crunching guitars" and is about BDSM, with Lavigne asking Manson to choke her. Lavigne sings "I've been a bad girl, don't you know?/Come get it now or never/I'll let you do whatever" and "Miss me. Miss me. Now you wanna kiss me." At different points in the song, Lavigne purrs and screams. Laurence Green of "musicOMH" wrote that "Bad Girl" "sounds

neg: Low (Kelly Clarkson song) second single. I knew it was a great song. I’m happy it saw the light of day." "Low" was written by Jimmy Harry and produced by Cliff Magness, who also arranged and engineered the track. The midtempo country-flavored track finds the singer reflecting on a broken relationship. "It's cool you didn't want me/ Sometimes you can't go back/ But why'd you have to go and make a mess like that?" she sings before asking in the chorus: "Have you ever been low? Have you ever had a friend that let you down so?". Harry has said that "Low" "was a

neg: The Way You Love Me (Keri Hilson song) AOL Radio and Matthew Horton of BBC, the song features an aggressive tone, and dizzying percussion and electro elements create a "frenzied pace that Hilson matches with an intense vocal delivery." During the bridge and the chorus, she utters gasps and groans, like 'oohs and aahs' while singing the lyrics. As the first verse begins, Hilson sings: "Ooh ahh, baby don't stop / You know how I like it Daddy when you hit the spot / Ooh ahh, baby don't stop / Imma take control when I climb up on top". As the song progresses, Hilson sings that she is

neg: Young Girls by HitFix's Melinda Newman. She added, the lyrics are "sweet" and tortuous as he sings "Oh, I still dream of a simple life/ Boy meets girl/ makes her his wife/ But love don’t exist when you live like this... All these roads steer me wrong/ But I still drive them all night long/ all night long". There is a sentiment of "lament" in the song, "Oh you young wild girls/ You’ll be the death of me". "Young Girls" debuted to mixed and positive reviews among critics. After its premiere during Mars' performance on "Saturday Night Live", it became available as

neg: Someone like You (Adele song) for you, too/Don't forget me, I beg/I'll remember you said/Sometimes it lasts in love, but sometimes it hurts instead." According to Sean Fennessey of "The Village Voice", the singer's "nuanced" voice goes up a full octave and "into a near-shrieked whisper" as she sings parts of the chorus. However, she "rebounds and gathers herself", and her voice descends into its fuller and more melancholy state. Critics praised its introspective lyrics and maturity. "Someone like You" has been compared to the song "Hometown Glory" (2008) from the album "19". John Murphy of MusicOMH said that the song "casts Adele as the

neg: Clay Mills Of You" Jo Dee Messina "I Did It For The Girl" Lonestar "My Life's Been A Country Song" Chris Cagle "Now I Know What Moma Meant" Chris Cagle "Will You Be Waiting" Dakota Bradley "Only The Lonely talking" Steve Holy "Homesick" Kristy Lee Cook "Throwaway Day" Adam Gregory "Rush" Jake Matthews "Only The Lonely talking" Danielle Peck "Lay Back Down" Danielle Peck "Kiss You On The Mouth" Danielle Peck "The Good Life" Donny & Marie "I Don't" Judy Torres "Not Even Monday" Cleve Francis "Photo Booth" Carter Twins "I Get That A Lot These Days" Shane Yellowbird "The One And

neg: Grass Ain't Greener production of the song is based on a roland TR-808. After the first two sung verses, Brown visits his rapping skills in the final verse of the song. Lyrically, the song tells a story of how his side girl became his main girl and their relationship changed for the worse, combining passion and romance, even though Brown is wary of the intentions of his female liaisons. The crooner calls out an ex for fronting and admits he's fed up with blowing up her phone, as he sings "I know what you want, but you're not gon' get it / You

neg: It Girl (Jason Derulo song) make myself feel like if I found that one true love. I've basically described what it would be like if I found her." Derulo further elaborated about the concept of the song in another interview with Matt Elias of MTV News: An 'It Girl' to me is someone who is selfless, someone who's always thinking about others before she thinks about herself. You know, my mom is a very charitable woman, so I'd want someone who is in line with that kind of thought process. I also like a girl who's polite. I feel like that's a lost art, and

neg: Happy (Leona Lewis song) chase or be influenced by any of her previous hits—or any songs [I]'ve ever done with anyone else—including 'Bleeding Love'. True artists do not look back to previous successes; they look forward to creating new moments and songs the world can connect with in a different way. And that is what Leona has done with 'Happy'. I hope [you] like it as much as we do, and I hope the lyrics hit [you] as hard as they hit me". Lewis discussed the inspiration for the song in an interview with "Entertainment Weekly": "[W]e felt like happiness is something everyone strives

neg: I Luh Ya Papi a "latin hip-hop" song, and the latter naming it a "latin-tinged" bouncy track. In "I Luh Ya Papi", Lopez raps and sings in three different accents. Lyrically, the song is an unashamed ode to sex, containing a range of innuendoes and "overt references" to Lopez's body, which can be heard in the lyrics "Got that hourglass for you, baby look at these legs", referencing her famed hourglass figure. For Menyes, the song "finds her in lyrically familiar territory: she's still that same ol' girl from the Bronx, she loves her man and, well, together her and her 'Papi' have been

neg: A Guy with a Girl (2008). In the track's lyrics, the singer describes his girlfriend receiving a ton of attention. Shelton sings: "When I walk into a party with you, girl / I'm just a guy with a girl everybody wants to know", and questions: "Wondering how I ever got your little hand in mine / Looking over at you like 'ain't she beautiful'?". "A Guy with a Girl" was well received by music critics. Raphael Chestang from "Entertainment Tonight" declared it "one of the most touching tracks from [...] "If I'm Honest"". Lauren Cowling from One Country praised its sound for being soulful, sexy,

neg: Do You Feel Like We Do commercial with an improv riff from the song. Frampton plays the opening notes of the song for a 2012 TV commercial for the 2012 Buick Verano. The title of the song is "Do You Feel Like We Do," although the lyrics read, "Do you feel like I do?" Only after Bob Mayo's keyboard solo in the "Frampton Comes Alive!" version does Frampton sing, "Do you feel like we do?" He then sings "Do you feel like we do?" through the talk box in the midst of his extended guitar solo. This song was covered by Tesla, whose version can be

neg: No Boys Allowed Don't You Love Me". "Pretty Girl Rock" is a mid-tempo R&B song, which incorporates an interpolation of "Just the Two of Us" by Grover Washington, Jr. When asked about the concept of the song, Hilson stated "I want everybody to feel like they can do the pretty girl rock [dance] ... It's like the hair brush in the mirror, don't hate me cause I'm beautiful, cause you are. Everybody is beautiful." "The Way You Love Me" is an upbeat song which generates influences of electro, R&B, and dance-pop. The song has been criticized for its explicit lyrics, that features the

neg: Today (Gary Allan song) Foxworthy's "Foxworthy Countdown": "It’s one of those songs that you missed it with that girl, that’s the girl you always thought you should have (been) with and you let her slip through your fingers and now she is happy as hell and doesn’t think about you ever[…]And we’ve all got one of those girls in our past!" Leeann Ward of Country Universe gave the song a C+ rating, and said in her review of the song: "With a moody piano to serve as the foundation for the swelling strings and over all dramatic angst, Allan sings of the pain of

neg: Boyfriend (Justin Bieber song) the key of B♭ minor and its tempo is 54 beats per minute. The song opens with Bieber using a lower-register and breathy vocals while rapping, "If I was your boyfriend, I’d never let you go/ I can take you places you ain’t never been before/ Baby, take a chance or you’ll never ever know/ I got money in my hands that I’d really like to blow/ Swag, swag, swag on you/ Chillin' by the fire while we eatin’ fondue." As the chorus follows, he adopts a Michael Jackson similar falsetto, and sings about being "everything you want". The instrumentation,

neg: Agnetha Fältskog ABBA song to have been written by her, lyrics by Björn), "I Am Just a Girl", "Hasta Mañana", "Dance (While the Music Still Goes On)", "SOS", "I've Been Waiting for You", "When I Kissed the Teacher", "My Love, My Life", "Take a Chance on Me", "The Name of the Game", "Move On", "Thank You for the Music", "Get On the Carousel", "Chiquitita", "Lovelight", "As Good as New", "Kisses of Fire", "Dream World", "Gimme! Gimme! Gimme! (A Man After Midnight)", "The Way Old Friends Do", "The Winner Takes It All", "Happy New Year", "Lay All Your Love on Me", "Head Over

neg: Pot o' Gold (Glee) Protective Services, under the assumption that they will ultimately restore Beth to her after they investigate and find the evidence. Puck later returns to secretly gather up the items. He also sings "Waiting for a Girl Like You" to calm a crying Beth and to comfort Shelby, who confesses she is extremely lonely. In the episode's closing moments, Puck and Shelby kiss. Congressional candidate and cheerleading coach Sue Sylvester (Jane Lynch)—whose campaign platform includes the elimination of funding for school arts programs—editorializes on television to rescind the budget of the school's production of "West Side Story". She succeeds after an

neg: Perfume (Britney Spears song) really unique and she sings the shit out of it." On November 1, 2013, Spears tweeted that she would reveal previews of "Perfume" through her Snapchat account. Along with the lyrics "I want to believe / It's just you and me / Sometimes it feels like there's three of us in here, baby / So I wait for you to call and I try to act natural / Have you been thinking 'bout her or 'bout me / And while I wait, I put on my perfume / Yeah I want it all over you", the singer also shared the

neg: Your Love (Nicole Scherzinger song) Bradley Stern from the website MuuMuse noted that Scherzinger opts to moan and do "sultry, filtered near-whispers" throughout the song. Lyrically, Scherzinger sings how her man's love makes her feel. The song begins with a rave piano-driven beat with Scherzinger repeating "yeah" and "woo". On the first verse she sings “Something ’bout you so enticing, even when I try to fight it / Knock me out like Michael Tyson / I’ll do whatever you want” over the galloping beat. The pre-chorus follows, with her pleading the lines, "I’m never letting you go baby, I love you so baby!" The song's

neg: I Have Loved You Girl (But Not Like This Before) I Have Loved You Girl (But Not Like This Before) "I Have Loved You Girl (But Not Like This Before)" is a song written and recorded by American country music artist Earl Thomas Conley. He first released the song in 1975 on the GRT label as Earl Conley, reaching number 87 on the Hot Country Songs chart. In January 1983, Conley re-released the song as the third from his album "Somewhere Between Right and Wrong". The re-recording went to number two on the same chart that year. Kip Kirby of "Billboard" magazine reviewed the song favorably, calling it one of

neg: Age Ain't Nothing but a Number when it comes down to it, I like how you satisfy me.” The song features a guest rap appearance from Tia Hawkins who brings a "comic relief" with her raps telling us Kells is "spitting tracks as if it were tobacco." The eighth track "I'm So into You" also features another guest rap from Tia Hawkins. The ninth track "Street Thing" has been described as a "pretty standard slow jam" and it's about having devotion for another person. During the bridge of the song Aaliyah sings about climbing the "highest mountain," and swimming the "deepest sea" to prove her devotion.

neg: Chain Letter (album) as guest appearances from Lil Jon and Big Boi. Lyrically the discusses female fisticuffs. “Taste of Dis” is a "hyperactive club banger". “Blah Blah Blah” is an organ-fueled reggae-funk song that lyrically turns Valentine "into a naughty girl" who sings about still loving her "thug boyfriend, strangely demure and believable." "Cover Girl," is a "somber" song led by an "acoustic guitar and churchy organ swells" and contains a "guitar-based folk song", that lyrically discusses what Valentine has to do "to attract a man". "I Want You Dead" is, a demented revenge fantasy in which she does "funny and gruesome" things

neg: The Fear (Lily Allen song) about the inspiration for the song, which has to do with materialism and the pressures of being rich and famous: [I'll] tell you where the inspiration for it came from. I was walking down this street, in this village in the middle of the countryside in the U.K., and there was this little girl who must have been eight or nine, walking down the street with her mum in, like, high-waisted hot pants and a little crop top. And I just thought, 'That's not really right.' And I could tell she was the kind of girl that would be trying

neg: Scott: Scott Walker Sings Songs from his T.V. Series released in recent years on the budget "The Collection" compilation and "Classics & Collectibles" (2005). "I Have Dreamed," "Country Girl," "When the World Was Young," "Someone to Light Up My Life," "The Impossible Dream," "If She Walked Into My Life," "Who (Will Take My Place)" and "Lost in the Stars" are included on "Classics & Collectibles", while "The Look of Love" is included on "The Collection". "Will You Still Be Mine," "The Song Is You" and "Only the Young" remain unavailable. "Scott: Scott Walker Sings Songs from his T.V. Series" received mixed reviews by the majority of critics. Richie Unterberger,

neg: Johnny Mathis Sings ended rather abruptly when he arrived there. "'I needed someone to listen and suggest alternatives as far as my note selections were concerned…a producer who listens to you and says, "I like what you’re doing, but I hate that last note you made. Don't do that…do this." It just didn't work as well as it did at Columbia.'" The time at Mercury may have been frustrating, but it did begin a new path in terms of song selection. "'I'd listen to the stuff [recorded at Mercury] and wish I had a chance to do it again. But it was beneficial

neg: About You Now (EP) about you now." She sings about how girls "dig rejection" and how she'd rather "rock, that's how I roll" in "FYI." Finally, in the third original track on this EP, she spouts on and on about how "you can take the rock out of the roll but you can't take the party out of the girl" in "Party Girl." Finally, in "Stay My Baby," she speculates about being in a long distance relationship when "she's back at school," which I infer as being college? So, Cosgrove is tackling adult problems while singing to a tween audience." The song "About You

neg: Heaven I Need a Hug before you know the truth you're so quick to judge me." Kelly goes on to blame his current troubles on his celebrity, a belief he also put forth in his May interview with MTV News (see "R . Kelly: In His Own Words"). He sings, "Seems like the more money I make/ The more drama y'all try to create/ The more I move into the positive/ The more y'all don't want to let me live/ When will you realize that I don't owe you nothin?" Kelly has only occasionally performed the song at concerts. The song has been getting a

neg: You Make It Feel Like Christmas "Jingle Bells", features Stefani performing with a "merry demeanor". The third song – "My Gift Is You" – is the first original song on "You Make It Feel Like Christmas" penned by Stefani, Tranter, and Busbee. Lyrically, it "sends a powerful Christmas message" by rejecting the idea of materialism during the holiday season. Shelton serves as a source of inspiration for the track; Stefani sings: "Don't need no money, don't need a thing, I don't even need a wedding ring / All I need is love and the truth and I got it, my gift is you". Unlike most traditional

neg: The Open Door … you were never mine". "Weight of the World" is a mixture of pop and metal, according to "Stornoway Gazette". Inspired by the pressures of fame, it contains "Eastern motifs" and "distorted vocals" in the opening lines "Feels like the weight of the world / Like God in heaven gave me a turn / Don't cling to me, I swear I can't fix you" and in the chorus, "If you love me, then let go of me / I won't be held down by who I used to be". "Lithium" is a slow-tempo rock song; the protagonist sings about the

neg: Used to Love You a record out where I’m actually going through things in real time. [But t]his is like, I wrote that song like a couple weeks ago." According to Daniel Kreps of "Rolling Stone" that could be seen in the lines of the chorus, "I don't know why I cry / But I think it's cause I remember for the first time / Since I hated you / That I used to love you." In other poignant lyrics, she sings, "I guess nobody taught you, nobody taught you how to love." Kreps further compared the lyrical content of "Used to Love You"

neg: Sorry (Halsey song) I can be/ Cause I can sometimes treat the people/ That I love like jewelry" sung by Halsey. During the chorus, she sings "So I'm sorry to my unknown lover/ Sorry that I can't believe/ That anybody ever really/ Starts to fall in love with me". Toward the ending, she sings "Someone will love you/ But someone isn't me". An accompanying music video for "Sorry" was directed by Sing J Lee and Halsey, who had also helmed the videos for the previous singles, "Now or Never" and "Bad at Love". It was uploaded on February 2, 2018, on Halsey's Vevo

neg: Try (Colbie Caillat song) song resulted from a 'venting experience' for Caillat, who translated her disappointment about her scrapped album into a message of self-love aimed at women." "Put your makeup on/ Get your nails done/ Curl your hair/ Run the extra mile/ Keep it slim so they like you, do they like you?" she sings in the beginning. "You don’t have to try so hard/ You don’t have to give it all away/ You just have to get up, get up, get up, get up/ You don’t have to change a single thing," she sings in the chorus. In an interview for Elle,

neg: Back to Basics (Christina Aguilera album) artists including Etta James, Marvin Gaye, Coltrane and Aretha Franklin. "F.U.S.S." (which stands for "Fuck You Scott Storch"), is directed toward producer Scott Storch, who didn't accept Aguilera's offer to produce "Back to Basics", containing lyrics such as: "Looks like I didn't need you / Still got the album out". In the lyrics of "Slow Down Baby", Aguilera tells a "lusty" man to leave her alone as she sings: "If you knew anything you'd realize I'm wearing a ring". "Still Dirrty" was described as a sequel to Aguilera's song "Dirrty" (2002), in which Aguilera sings about her "sexual independence": "Why

neg: Girl I've Been Hurt "Girl I’ve Been Hurt" appeared and featured the "Snow girls" audition. While performing at Sunsplash '93, Ninjaman asked Snow to sing "Girl I've Been Hurt," saying: "Come up and sing 'Girl I've Been Hurt' because I like that song. If you sing that and the audience doesn't go crazy, I'll shoot everyone in the crowd!" As "Reggae Report" observed, "fortunately, the crowd went wild for his performance and Ninja never had to make good on his threats!" Girl I've Been Hurt "Girl I've Been Hurt" is a song by Canadian reggae musician Snow, released as the second single from his

neg: All I Ever Wanted (album) Dr. Luke, the producers behind Clarkson's signature song "Since U Been Gone" and "Behind These Hazel Eyes" on "Breakaway" (2004). Dr. Luke was interviewed by "Entertainment Weekly" and said: "After "Since U Been Gone", we wrote all these songs for Kelly. This one, ["My Life Would Suck Without You"], which I think is the first single — we had the chorus a while ago and added the verse more recently." He further added: "She sings a song in two hours and kills it. You're just like, 'Holy sh–.' She has powerful lungs. She's like the Lance Armstrong of vocal cords."