query: who sang do n 't let me down by the beatles

pos: Don't Let Me Down (Beatles song) Don't Let Me Down (Beatles song) "Don't Let Me Down" is a song by the Beatles (with Billy Preston), recorded in 1969 during the "Let It Be" sessions. It was written by John Lennon and credited to Lennon–McCartney. Written by Lennon as an anguished love song to Yoko Ono, it was interpreted by Paul McCartney as a "genuine plea", with Lennon saying to Ono, "I'm really stepping out of line on this one. I'm really just letting my vulnerability be seen, so you must not let me down." The song is in the key of E major and is in

pos: Don't Let Me Down (Beatles song) Don't Let Me Down (Beatles song) "Don't Let Me Down" is a song by the Beatles (with Billy Preston), recorded in 1969 during the "Let It Be" sessions. It was written by John Lennon and credited to Lennon–McCartney. Written by Lennon as an anguished love song to Yoko Ono, it was interpreted by Paul McCartney as a "genuine plea", with Lennon saying to Ono, "I'm really stepping out of line on this one. I'm really just letting my vulnerability be seen, so you must not let me down." The song is in the key of E major and is in

pos: Dark Horse (Twista album) force it, I don’t like to sit down and think, ‘OK, let me make a song like this person.’ What I do is just keep my ear open and stay current and listen to things with what’s coming out so I can naturally." He explained the album title, saying: "If you listen to it, and look at some of the old cats who’ve used the title before, one of The Beatles [George Harrison] was actually called “the dark horse” before, because you didn’t know how much of his musical involvement had a hand in what Beatles material came out. The

pos: Please Please Me (song) took 18 takes to record what George Martin immediately predicted would be their first major hit. Paul McCartney in "Anthology" stated: "We sang it and George Martin said, 'Can we change the tempo?' We said, 'What's that?' He said, 'Make it a bit faster. Let me try it.' And he did. We thought, 'Oh, that's all right, yes.' Actually, we were a bit embarrassed that he had found a better tempo than we had." If the session notes and date attribution in the 1995 compilation "The Beatles Anthology 1" are correct, a faster-tempo version sans harmonica was recorded at Abbey

pos: I Me Mine I Me Mine "I Me Mine" is a song by the English rock band the Beatles from their 1970 album "Let It Be". Written by George Harrison, it was the last new track recorded by the band before their split in April 1970. The song originated from the "Get Back"/"Let It Be" sessions in January 1969, and its lyrics serve as a comment from Harrison on the fractious situation within the group at that time. The song's musical mood alternates between waltz-time verses, during which Harrison laments the ego problems afflicting the Beatles, and choruses played in the hard rock

pos: Backbeat (film) detail of her relationship with Sutcliffe and the Beatles, the film was not well received by others depicted in the movie. Paul McCartney said: One of my annoyances about the film "Backbeat" is that they've actually taken my rock 'n' rollness off me. They give John the song "Long Tall Sally" to sing and he never sang it in his life. But now it's set in cement. It's like the Buddy Holly and Glenn Miller stories. "The Buddy Holly Story" does not even mention Norman Petty, and "The Glenn Miller Story" is a sugarcoated version of his life. Now "Backbeat"

pos: Don't Let Me Wait Too Long the album, Tony Tyler of the "NME" identified "Don't Let Me Wait Too Long" as the best track, describing it as "bright and hopeful" with a "memorable melody to commend it". "NME" critic Bob Woffinden later remarked on the "exceptionally fine" music on "Material World", saying that "Don't Let Me Wait Too Long" "could rank with his best compositions". In his 1977 book "The Beatles Forever", Nicholas Schaffner wrote that Harrison and his former bandmates John Lennon and Paul McCartney had "evolved into surprisingly tasteful and meticulous producers" after their long association with Beatles producer George Martin, and added of

pos: Let It Down who performed on "Let It Down" are believed to be as follows: Let It Down "Let It Down" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". The recording was co-produced by Phil Spector and employs the latter's Wall of Sound production technique to lavish effect. Its brash opening and choruses contrast with the ethereal quality of the verses – a loud/soft approach that has been credited with influencing indie bands during the 1980s and 1990s. Harrison wrote the song in 1968 and offered it to the Beatles in January 1969

pos: Bad Boy (Larry Williams song) among others. "She Said Yeah" was written by rockabilly singer Roddy Jackson and Sonny Bono (under the name Don Christy). The Beatles loved the song and almost certainly performed it on stage and fully intended to record it. Paul McCartney in the liner notes to his album "Run Devil Run" said "Me and John [Lennon] particularly loved Larry Williams...Bony Moronie...John did "Slow Down"...I was always going to do "She Said Yeah"." Roy Young (who was invited to join the Beatles) recorded a version in 1959. Paul McCartney finally recorded it in 1999. The song, recorded between 1957 and 1958, also

pos: Mind of Mine within a couple of days, she gave me a song back that she wanted me to do, and we just got it done straight away." Malik originally wrote "Wrong" as a rap, which he then used to create lyrics for the song. "Fool for You" is a pop ballad inspired by The Beatles, particularly John Lennon, citing the songs "In My Life" and the Indian-influenced "Lucy in the Sky with Diamonds". Malik sang "Lucozade" in a freestyle manner and recorded the song in one take. Primarily R&B and alternative R&B, the album blends elements from a number of genres, including

pos: The Killing of Georgie (Part I and II) similar to "Walk on the Wild Side" by Lou Reed and also uses sampling of melody and backing vocals. Part II provides a coda to the song and employs a melody identical to The Beatles' "Don't Let Me Down". In a 1980 interview, John Lennon said, "the lawyers never noticed". The Killing of Georgie (Part I and II) "The Killing of Georgie (Part I and II)" is a song written and recorded by Rod Stewart and released as a track on his 1976 album "A Night on the Town." The song tells the story of a gay man who was

neg: Don't Let Me Down (Beatles song) in the Beatles catalogue." Multiple versions of "Don't Let Me Down" were recorded by the Beatles during the tumultuous "Get Back (Let It Be)" recording sessions. The version recorded on 28 January 1969 was released as a B-side to the single "Get Back", recorded the same day. "Get Back" reached number one and "Don't Let Me Down" reached number 35 on the US "Billboard" Hot 100. When the "Get Back" project was revisited, Phil Spector dropped "Don't Let Me Down" from the "Let It Be" (1970) album. The Beatles performed "Don't Let Me Down" twice during their rooftop concert of

neg: Don't Let Me Down (Beatles song) Roy Carr and Tony Tyler called it "a superb sobber from misery-expert J. W. O. Lennon, MBE. And still one of the most highly underrated Beatle underbellies." Author Ian MacDonald praised "Don't Let Me Down" and declared that "this track vies with Come Together for consideration as the best of Lennon's late-style Beatles records". No official producer's credit was included for the single release owing to "the confused roles of George Martin and Glyn Johns". However the "1967-1970" compilation liner notes credited Martin as the song's producer. Don't Let Me Down (Beatles song) "Don't Let Me Down" is a song

neg: Love Me Do sang the majority of the song in the same vocal style he used for “Lady Madonna”. On 4 September 1962, Brian Epstein paid for the Beatles—along with their new drummer, Ringo Starr—to fly down from Liverpool to London. After first checking into their Chelsea hotel, they arrived at EMI Studios early in the afternoon where they set up their equipment in Studio 3 and began rehearsing six songs including: "Please Please Me", "Love Me Do" and a song originally composed for Adam Faith by Mitch Murray called "How Do You Do It?" which George Martin "was insisting, in the apparent

neg: Do You Want to Know a Secret Harrison sang two songs on "Please Please Me"—this song by Lennon–McCartney and "Chains" by Goffin/King. "Don't Bother Me" would be Harrison's debut composition and appeared on the Beatles' next UK album "With The Beatles". "Do You Want to Know a Secret?" was released a year later as a single by Vee-Jay in the United States on 23 March 1964, reaching the number two spot behind another Beatles song, "Can't Buy Me Love" in "Billboard", reaching number three on the "Cash Box" chart, but reaching number one for two weeks in the chart published by the Teletheatre Research Institute. In the

neg: Dig It (Beatles song) Dig It (Beatles song) "Dig It" is a song by the Beatles featured on their album "Let It Be". The song is credited to Lennon/McCartney/Harrison/Starkey. It is one of the few songs to be credited to all of the Beatles. This song and the 39-second "Maggie Mae" appear on the "Let It Be" album, but are not included on the "Let It Be... Naked" album, instead being replaced with "Don't Let Me Down". Glyn Johns' May 1969 version of the album, then titled "Get Back", had a 3:59 excerpt of "Dig It", which was later reduced to the much shorter

neg: John O'Neill (musician) ho ho, he he he, ha ha ha", "oompah, oompah, stick it up your jumper" and "everybody's got one". They also sang on the Beatles' "Good Night", as well as on their last album, "Let It Be", at the behest of Phil Spector. Sammes also provided the distinctive basso backing vocals on Olivia Newton-John's early country crossover hits, including "Banks of the Ohio", "Let Me Be There" and "If You Love Me (Let Me Know)". Despite this productivity, his group, the Mike Sammes Singers, have only one entry in "The Guinness Book of British Hit Singles", for "Somewhere My Love"

neg: Don't Let Me Down (Beatles song) 30 January 1969, and the first performance was included in the "Let It Be" (1970) film, directed by Michael Lindsay-Hogg. In November 2003, a composite edit of the two rooftop versions was released on "Let It Be... Naked". The B-side version of the song was included on the Beatles' compilations "Hey Jude", "1967-1970" and "Past Masters Volume 2" and "Mono Masters". The same recording also appears on the soundtrack to the 1988 documentary, "". Richie Unterberger of AllMusic called it "one of the Beatles' most powerful love songs", Stephen Thomas Erlewine of AllMusic described the song as "heart-wrenching soul" and

neg: Get Back album version sound different from the single. The stereo single version, and that of the b-side, "Don't Let Me Down", were the first Beatles' recordings to feature Starr's drum kit in true stereo, mixed across the left and right channels. This utilised the then-fairly new 8-track recording technology and was a result of the growing popularity of stereo over mono. The only other Beatles' track to employ this recording method was "The End" on "Abbey Road". On 11 April 1969, Apple Records released "Get Back" as a single in the UK, paired with "Don't Let Me Down" on the B-side.

neg: The Beatles' rooftop concert "rooftop" version of "Get Back", which was the last song of the Beatles' final live performance, was included in "Anthology 3". An edit of the two takes of "Don't Let Me Down" was included on "Let It Be... Naked." There was also a brief jam of "I Want You (She's So Heavy)" while the cameramen changed film. The Beatles' rooftop concert marked the end of an era for many fans. The group did record one more album, "Abbey Road", but by September 1969 the Beatles had unofficially disbanded. Several of the rooftop performances, particularly that of "Dig a Pony", showed

neg: Jonas Ekfeldt Jonas Ekfeldt Jonas Ekfeldt is a Swedish music producer and singer. In 1996, using the name Robin Cook, he released the single "I Won't Let the Sun Go Down" (a cover of Nik Kershaw's debut "I Won't Let the Sun Go Down on Me") followed by "Comanchero" and the album "Land of Sunshine" in 1997. Ekfeldt sang and produced "I Won't Let the Sun Go Down" and all subsequent releases under the name Robin Cook, but appointed Manuel Manci to front and perform, thinking he himself lacked time. The truth of who really was the singer was kept secret until

neg: All Things Must Pass "All Things Must Pass". Harrison wrote "Let It Down" in late 1968 also. He introduced the Band-inspired "All Things Must Pass", along with "Hear Me Lord" and "Let It Down", at the Beatles' "Get Back" rehearsals, only to have them rejected by Lennon and McCartney. The tense atmosphere at Twickenham fuelled another "All Things Must Pass" song, "Wah-Wah", which Harrison wrote in the wake of his temporary departure from the band on 10 January 1969. "Run of the Mill" followed soon afterwards, its lyrics focusing on the failure of friendships within the Beatles amid the business problems surrounding their Apple

neg: Let It Down since an upset Boyd had recently left Kinfauns to stay with friends in London. Following Harrison's return to the Beatles, and the film project's relocation to their familiar Apple Studio, the band rehearsed "Let It Down" briefly on 25 and 29 January. Author Bruce Spizer writes of the song being embellished with "gospel-style organ runs", played by future Apple Records artist Billy Preston, during these late January sessions. Although the Beatles dedicated more time to it than to Harrison songs such as "Isn't It a Pity" and "Hear Me Lord", the track was dropped without being recorded, due to a

neg: Kermit Quinn Kermit Quinn Kermit Quinn, who also performs as Quinn, is an American R&B singer. He has been a member of the vocal groups Intro and Blackstreet. He is a native of Atlanta, Georgia. His song "Let Me Do Me" was featured in the 2005 film "Beauty Shop". Quinn sang on saxophonist Boney James's cover of James Taylor's "Don't Let Me Be Lonely Tonight", on the 2009 album "Send One Your Love". He is currently the lead singer of the cover band JukeBox. Quinn and Boney James were nominated for the Grammy Award for Best Traditional R&B Performance for "Don't Let

neg: Pieces of the Sky the relatively low-charting #73 "Too Far Gone" (originally a 1967 hit for Tammy Wynette). The overall song selection was varied and showed early on how eclectic Harris' musical tastes were. In addition to her own "Boulder to Birmingham" (written for former singing partner Parsons, who had died the previous year), she included the Merle Haggard classic "The Bottle Let Me Down", the Beatles' "For No One", and Dolly Parton's "Coat of Many Colors". (Parton, in turn, covered "Boulder to Birmingham" on her 1976 album "All I Can Do".) On Shel Silverstein's "Queen Of The Silver Dollar", her friend and occasional

neg: Kermit Quinn Me Be Lonely Tonight"; they lost to Beyoncé's cover of "At Last". In 2011, Quinn dated "The Real Housewives of Atlanta" cast member Sheree Whitfield. Kermit Quinn Kermit Quinn, who also performs as Quinn, is an American R&B singer. He has been a member of the vocal groups Intro and Blackstreet. He is a native of Atlanta, Georgia. His song "Let Me Do Me" was featured in the 2005 film "Beauty Shop". Quinn sang on saxophonist Boney James's cover of James Taylor's "Don't Let Me Be Lonely Tonight", on the 2009 album "Send One Your Love". He is currently the

neg: The Beatles bootleg recordings seen in the "Let It Be" film and the "Anthology" documentary, and three tracks were used for the "Let It Be" album, while the complete recording has been bootlegged. The performance consisted of "Get Back" (first and second versions), "Don't Let Me Down", "I've Got a Feeling", "One After 909", "Dig a Pony", "God Save the Queen" (a brief version played while the audio tape reel was changed), "I've Got a Feeling" (second version), "Don't Let Me Down" (second version), and "Get Back" (third version). On 30 January 1969, Glyn Johns compiled some performances he had been mixing, and made

neg: Johnny Hutchinson magazine editor, Bill Harry, claimed that the vacant drummer position in The Beatles when Pete Best was dismissed was initially offered by Epstein to Johnny, who Epstein later managed. Knowing The Beatles had secured a record contract, Hutchinson turned down the job, saying, "Brian asked me to join the Beatles and I said, I wouldn't join the Beatles for a gold clock. There's only one group as far as I'm concerned and that's the Big Three. The Beatles can't make a better sound than that, and Pete Best is a very good friend of mine. I couldn't do the dirty

neg: Come Together Beatles' 100 Greatest Songs. In 1973, "Come Together" was the subject of a lawsuit brought against Lennon by Big Seven Music Corp. (owned by Morris Levy) who was the publisher of Chuck Berry's "You Can't Catch Me". Levy contended that it sounded similar musically to Berry's original and shared some lyrics (Lennon sang "Here come ol' flattop, he come groovin' up slowly" and Berry's had sung "Here come a flattop, he was movin' up with me"). Before recording, Lennon and McCartney deliberately slowed the song down and added a heavy bass riff in order to make the song more original.

neg: Jordan–Chevalley decomposition In general the terms in the Iwasawa decomposition "g" = "kan" do not commute. If the ground field is not perfect, then a Jordan–Chevalley decomposition may not exist. Example: Let "p" be a prime number, let "k" be imperfect of characteristic "p", and choose "a" in "k" that is not a "p"th power. Let "V = k[x]/(x-a)", and let "T" be the "k"-linear operator given by multiplication by "x" on "V". This has as its stable "k"-linear subspaces precisely the ideals of "V" viewed as a ring. Suppose "T=S+N" for commuting "k"-linear operators "S" and "N" that are respectively semisimple

neg: Fifth Beatle Fender Rhodes electric piano on "Don't Let Me Down" and "Get Back". Preston had been introduced to the Beatles in 1962, and worked with them in 1969, when Harrison invited him to join them for recording sessions in order to defuse tensions in the band. Lennon once suggested that Preston join the Beatles, even using the term "Fifth Beatle", but the idea was dismissed by the others. To distinguish him from the controversy over who is the Fifth Beatle, he is sometimes given the unique title of the "Black Beatle". Originally "While My Guitar Gently Weeps" had only the first

neg: George Michael and US, and was Michael's first solo effort as a single. In 1985 Michael received the first of his three Ivor Novello Awards for Songwriter of the Year from the British Academy of Songwriters, Composers and Authors. Michael sang on the original Band Aid recording of "Do They Know It's Christmas?" (which became the UK Christmas number one) and donated the profits from "Last Christmas" and "Everything She Wants" to charity. Michael sang "Don't Let the Sun Go Down on Me" with Elton John at Live Aid at Wembley Stadium in London on 13 July 1985. He also contributed background

neg: Darkside (Tim Minchin album) show as "a mix of satirical song, bleak humour and demon piano-playing" when assessing the show's performance at the Edinburgh Festival Fringe in 2005. "Chortle" said of the show that Minchin is "such a brilliant virtuoso pianist" and also "a bright, quirky and hugely entertaining comedian". A reviewer for the "Metro" newspaper said that Minchin's strengths lie in the "inventive detail and witty wordplay" of his songs. "Inflatable You" features a section which takes direct inspiration from The Beatles' "Don't Let Me Down". "Rock N Roll Nerd" finishes on a tune similar to Queen's "Seven Seas of Rhye", and then

neg: Sosumi first quipped it should be named "Let It Beep", a pun on The Beatles' "Let It Be". When someone remarked that that would not pass Legal's approval, he remarked, "so sue me". After a brief reflection, he resubmitted the sound's name as "sosumi" (a homophone of "so sue me"), telling the Legal Department that the name was Japanese and had nothing to do with music. The term was used in the poem "A Short Address to the Academy of Silence" by Jay Parini. Jon Lech Johansen's blog "So Sue Me" is believed to be pun reference to the Apple sound.

neg: Mike Sammes by Ken Dodd. The singers departed from their usual commercial style when they provided backing vocals for the Beatles' song "I Am the Walrus", which required them to do "all sorts of swoops and phonetic noises" and chant the phrases "ho ho ho, he he he, ha ha ha", "oompah, oompah, stick it up your jumper" and "everybody's got one". They also sang on the Beatles' "Good Night", as well as on their last album, "Let It Be", at the behest of Phil Spector. Sammes also provided the distinctive basso backing vocals on Olivia Newton-John's early country crossover hits, including

neg: All Things Must Pass (song) the Beatles after his temporary walkout on 10 January. Although the band gave a fair amount of time to "All Things Must Pass", it was ultimately put aside, just as other Harrison compositions including "Old Brown Shoe", "Isn't It a Pity", "Let It Down" and "I Me Mine" received a lukewarm reception, particularly from Lennon. David Fricke of "Rolling Stone" has referred to this period as a "struggle" for Harrison "against the patronizing restrictions of writing within and for the Beatles". Doug Sulpy and Ray Schweighardt, authors of "Get Back: The Unauthorized Chronicle of The Beatles' Let It Be Disaster",

neg: Get Back UK and US, the single was released by Apple, although EMI retained the rights to the song as part of their contract. It was the only Beatles' single to include an accompanying artist's name, crediting "Get Back/Don't Let Me Down" to "The Beatles with Billy Preston". Neither Apple nor Capitol Records created a picture sleeve for the single — it was simply packaged in a sleeve stating "The Beatles on Apple". Apple launched a print ad campaign for the song concurrent with its release showing a photo of the band with the slogan "The Beatles as Nature Intended", indicating that

neg: Maria Taipaleenmäki a private garden plot when I was little which I took care of all by myself. I remember I used to take the bike when my parents gave me my weekly allowance down to the store where I bought the seeds to grow carrots, radishes and various flowers." She also adds, "When I was little I was a silent and shy girl, the girl who always let everyone go ahead of her, the girl who always let people do better than me, the girl who never dared to do anything. With these things , I have learned that you will

neg: Let It Be (1970 film) by McCartney, when he was 14. Trying to come up with a conclusion for the film, it was suggested that the band play an unannounced lunchtime concert on the roof of the Apple building. On 30 January, the Beatles and Preston played on the rooftop in the cold wind for 42 minutes, about half of which ended up in the film. The Beatles started with a rehearsal of "Get Back," then played the five songs which are shown in the film. After repeating "I've Got a Feeling" and "Don't Let Me Down," takes which were left out of the film,

neg: From Me to You The Pacemakers, who also hailed from Liverpool, were very much rivals of the Beatles in their early days—Gerry and the Pacemakers attained the first number one ("How Do You Do It") before the Beatles, and also claimed their second and third number ones before the Beatles did, slowly losing steam afterwards as Beatlemania launched and the Beatles dominated music worldwide in 1964. A true indication of how successful the Beatles became thanks to "From Me to You" (though it would soon be overshadowed by "She Loves You" and "I Want to Hold Your Hand") was expressed by McCartney: "The first

neg: She Loves You sang D. The song was recorded on 1 July 1963 using a two-track recording machine, less than a week after it was written. Documentation regarding the number of takes required and other recording details does not exist. Mixing was carried out on 4 July. Standard procedure at EMI Studios at the time was to erase the original two-track session tape for singles once they had been mixed down to the (usually monaural) master tape used to press records. This was the fate of four Beatles songs that were released as two singles: "Love Me Do", "P.S. I Love You", "She

neg: I Don't Want to Grow Up they're really more Descendents songs", and I said "Let me hear them." It was just an instrumental track and he sang over it and sang "Silly Girl" to me and I was like "Wow!" He said "I can't do these in Black Flag." I said "Well, maybe we should do them!" By April 1985 Stevenson had left Black Flag and he, Aukerman, Lombardo, and Cooper reconvened as the Descendents to record the band's second album. In addition to the songs Stevenson had written, the other band members made songwriting contributions to the album. Although Frank Navetta had left the band,

neg: Guruvayur Dorai and let me play for him. Apart from that, I gave a lot of kutcheries in Andhra Pradesh. For all those places, Vinjamuri Varadaraja Iyengar took me with him; like Kakinada, Guntur, Tenali, Vijayawada and to many other places he took me with him and introduced me. Because of his taking me with him, those Sabhas/ people got acquainted with me and got to know me". Read More About the Interview Moreover, he is one of the few mridangists who has performed with nagaswaram wizards, namely T. N. Rajarathnam Pillai (in 1956, Rama Seva Mandali, Bangalore; P. Bhuvaneswariah played violin,

neg: Paradise City their first of three singles to do so. Guns N' Roses' lead guitarist, Slash, states that the song was written in the back of a rental van as they were on their way back from playing a gig in San Francisco with the band Rock N Riders. He says that the band was in the back of the van, drinking and playing acoustic guitars, when he came up with the intro. Duff McKagan and Izzy Stradlin started playing along. Slash started humming a melody when Axl Rose sang, "Take me down to the Paradise City." Slash chimed in with "Where

neg: Birthday (Beatles song) single with those songs and two more tracks, "P.S. Love Me Do" and "Let 'Em In". "P.S. Love Me Do" is a combination of "P.S. I Love You" and "Love Me Do". Underground Sunshine recorded the song as a single in 1969. Their version was a minor hit in the US, reaching #19 on the "Cash Box" chart and #26 on the "Billboard" Hot 100. Paul Weller covered the song for McCartney's 70th birthday. This version was available for download on 18 June 2012 for one day only. Even with this limited mode of distribution, the track reached #64 on

neg: A.K.A. (album) done with pleasing you/ I'm so over needing you, all this space just gave me room so I could fly," she sings over mid-tempo electronic beats. "Let It Be Me" is a melancholic string-backed ballad, featuring Spanish guitar and passionate Latin sensibility. "When they ask who do you love, let it be me… let it be me that you think of," she pleads. The ninth track "Worry No More" features Rick Ross and was produced by Detail, being considered "the album's hardest hip-hop anthem." The "reverb-filled" down-tempo track has intelligible background whispers creeping in and out and vocal effects, adding

neg: Please Please Me (song) Starr asserts himself, exorcising any lingering doubts from the "Love Me Do" sessions regarding his ability. Where "Love Me Do" had been arguably parochial, relying to a large extent on their existing home fans for support "Please Please Me" would be groundbreaking, especially as The Beatles were now back in the UK and able to appear on influential national television shows such as "Thank Your Lucky Stars". According to Ray Coleman's biography, "Brian Epstein: The Man Who Made the Beatles", Epstein had been dissatisfied with EMI's promotional efforts for "Love Me Do" (published by EMI's subsidiary Ardmore & Beechwood) and

neg: Sitting on Top of the World Fitzgerald sang, "If you don't like my peaches, why do you shake my tree? / Stay out of my orchard, and let my peach tree be". In 1929 Blind Lemon Jefferson recorded "Peach Orchard Mama" ("... you swore nobody'd pick your fruit but me / I found three kid men shaking down your peaches free"). In later years lines using similar imagery were used in "Matchbox" by Carl Perkins and Jerry Lee Lewis; "The Joker" by the Steve Miller Band; an early version of "Pipeliner Blues" by Moon Mullican; and, most directly, "If You Don't Want My Peaches, Don't Shake

neg: Let Me Down and I put our heads together and played with the idea of her role being a strong female lead, in an entirely fictional world. Creating this setting and developing Jorja's character in giving her depth, soul and richness was a strong step in the direction of filmmaking I want to take, and the collaborative process with Jorja and everyone around us was definitely something we're eager to do again ASAP." Credits adapted from Tidal and YouTube. Let Me Down "Let Me Down" is a song recorded by British singer Jorja Smith, featuring English artist Stormzy. It was written by Smith,

neg: O'Nan–Scott theorem of "M" is primitive and if we take "α" = 1 we have "M" = {("t","t")|"t" ∈ "T"}, which includes Inn("T") on Ω. In fact any automorphism of "T" will act on Ω. A primitive group of type HS is then any group "G" such that "M" ≅ "T".Inn("T") ≤ "G" ≤ "T".Aut("T"). All such groups have "N" and "N" as minimal normal subgroups. HC (holomorph of a compound group): Let "T" be a nonabelian simple group and let "N" ≅ "N" ≅ "T" for some integer "k" ≥ 2. Let Ω = "T". Then "M" = "N" × "N"

neg: How Do You Say I Don't Love You Anymore How Do You Say I Don't Love You Anymore How Do You Say I Don't Love You Anymore was Freda Payne's second American album (following a release in Sweden with Don Gardner) released May 28, 1966. although regarded primarily as a jazz album, there are also several covers of pop songs featured, including the Beatles' hit "Yesterday," "Let It Be Me," the Righteous Brothers' "You've Lost That Lovin' Feelin'," "Feeling Good," and "If You Love Me (Really Love Me)." When released, Billboard magazine gave the LP an all-star review, stating, "Freda Payne incorporates the zest of the contemporary pop singer

neg: Rolf Harris Kangaroo Down, Sport" which became a huge hit in the US, and "Sun Arise", an Aborigine-type song Harris had written with Perth naturalist Harry Butler. The song went to number two in the UK charts, ceding the number one spot to Elvis Presley. Harris met and worked with the Beatles after they started recording with Martin, and he compèred their 16-night season of Christmas shows at London's Finsbury Park Astoria Theatre (now the Rainbow Theatre) in 1963. Harris sang "Tie Me Kangaroo Down, Sport", with the Beatles singing backing vocals, for the first edition of the "From Us to You"

neg: Geometric separator subset ("inside "R"" and "outside "R""), with a relatively small "loss" (the squares intersected by R are considered "lost" because they do not belong to any of the two subsets). Define a "2-fat rectangle" as an axis-parallel rectangle with an aspect ratio of at most 2. Let "R" be a minimal-area 2-fat rectangle that contains the centers of at least "n"/3 squares. Thus every 2-fat rectangle smaller than "R" contains fewer than "n"/3 squares. For every "t" in [0,1), let "R" be a 2-fat rectangle with the same center as "R", inflated by 1 + "t". Now it remains to

neg: Let Me Be (The Turtles song) musicians railed against "oppressive conformity itself" rather than political issues. He adds that, in a cultural climate influenced by mass media, hallucinogenic drugs, and the introduction of the contraceptive pill, this and contemporary songs by artists such as Aretha Franklin, Sam Cooke, the Animals, the Beatles, the Rolling Stones, and the Who "chronicled and propelled a social reformation as the old world forged its uneasy synthesis with the new". Let Me Be (The Turtles song) "Let Me Be" is a song by the American rock band the Turtles. It was released in 1965 as the band's second single, following their

neg: Call It Rhythm and Blues/Baby, Let Me In was mastered by John Cochrane. In keeping with the original cover art for "Get Back", which alludes to the Beatles' debut album, the artwork for "Call It Rhythm and Blues"/"Baby, Let Me In" is an homage to the cover of the Beatles' second album, "With the Beatles". The black and white photograph, showing the band members in darkness with faces half lit by harsh light, was taken by Melbourne photographer James Bryans. The single was never officially released - rather, independently produced pressings of it were sold as merchandise at live shows. "Call It Rhythm and Blues" has proven an

neg: The Beatles bootleg recordings and a test acetate from this period eventually surfaced on a poor quality bootleg. Johns later made two "official" attempts at compiling the "Get Back" album, with both versions widely bootlegged. The 28 May 1969 compilation by Johns contained the following line-up: "One After 909", "Rocker", "Save the Last Dance for Me", "Don't Let Me Down", "Dig A Pony", "I've Got a Feeling", "Get Back", "For You Blue", "Teddy Boy", "Two of Us", "Maggie Mae", "Dig It", "Let It Be", "The Long and Winding Road", and "Get Back (Reprise)". The main changes made for the 5 January 1970 compilation were

neg: Time Won't Let Me (album) which were written by Tom King and Chet Kelley. Their best-known song, "Time Won't Let Me" was a Top 5 single in early 1966, and used elements of both Merseybeat and Motown that were dominating the charts in that time period: a brass section, a la the Motown sound, with the big beat formula of the Beatles. It remained one of the most played songs on Classic rock radio stations for several decades after its release. Their next single, "Girl in Love", was already charting when the final tracks were laid down for this album. It was written about bassist

neg: Let Me Down Easy (Roger Daltrey song) 11 on Billboard's Top Rock Tracks chart. When Jim Vallance was asked about the track, he recalled that they wrote the song during January 1984 and that: "Adams and I originally wrote "Let Me Down Easy" for Stevie Nicks, but I don't know if she ever heard the song. Regardless, I thought Roger did a superb job." Let Me Down Easy (Roger Daltrey song) "'Let Me Down Easy'" is a song by Roger Daltrey, who at the time was the former lead singer of The Who. The song was written by Bryan Adams and Jim Vallance and included on Daltrey's

neg: Yung L.A. Jason and let him know I want my release papers dog, I want my walking papers whatever I gotta pay you'll whatever it gone to take, im ready to walk, because my name big enough right now I gotta big enough buzz and a big enough fanbase to say f*** it I'm a do this s*** independent, let me get all my money you feel me. So you know that's really what it was, it wasn't no bad blood it just like a n**** gotta family, a n**** got kids to feed, so a n**** gotta make the best decision

neg: The Space Between Us (novel) Umrigar felt "uneasy being a card-carrying member of the middle class" and possessed much admiration for Bhima, a domestic servant who worked for her family and whom she later modeled the protagonist of the same name after. One day, after a year of the teenage Umrigar's efforts to learn about her life, Bhima sat on the couch—which she cleaned, but was forbidden to sit on—and asked her to play "an old Marathi folk song" instead of the foreign "Let It Be" by The Beatles that she had been listening to. Umrigar recalled: "[T]he authority in her voice thrilled me, made

neg: N. L. Ganasaraswathi Pappa, Aswathama, Ghantasala, Br Lakshmanan, P. S. Divakar, K. G. Moorthy and T. A. Kalyanam. She sang songs penned by Suratha, M. P. Sivam, Kothamangalam Subbu, Kanakasurabhi, Thandapani, A. Maruthakasi, Kuyilan, T. K. Sundara Vathiyar, Ka. Mu. Sheriff, Kavimani Kavimani Desigavinayagam Pillai, Bharathidasan, Surabhi, Kavi Lakshmanadas, Shuddhananda Bharati, Vempati Sadasivabrahmam and V. Seetharaman. She has sung with most of the prominent singers of the time. The following list is compiled from "Thiraikalanjiyam Part 1" and "Thiraikalanjiyam Part 2" N. L. Ganasaraswathi N. L. Ganasaraswathi is an Indian playback singer who sang mainly in Tamil films and some Telugu and Malayalam

neg: N. L. Ganasaraswathi N. L. Ganasaraswathi N. L. Ganasaraswathi is an Indian playback singer who sang mainly in Tamil films and some Telugu and Malayalam films. She was active in the field during the 1950s and early 60s. She sang many songs based on Carnatic music ragas. Most of her songs were used for dance sequences in the films. The music directors she sang for include G. Ramanathan, S. V. Venkatraman, S. M. Subbaiah Naidu, M. D. Parthasarathy, P. S. Anantharaman, K. V. Mahadevan, V. Nagaiah, Viswanathan-Ramamoorthy, A. Rama Rao, M. S. Gnanamani, G. Govindarajulu Naidu, T. R. Ramnath, Arun, Raghavan, T. R.

neg: David Peaston event "A Celebration of Love in St. Louis," he struggled with whether he had let his disease prevent him from ever performing on stage again. "I didn't want to be back in the public," he told the Post-Dispatch that year. "I wasn't embarrassed or ashamed, but I felt I let myself down and, therefore, I let everyone else down. It was my fault for being sick, and I didn't want anybody to see me like that." But by 2004, he lost 200 pounds, and sang with the St. Louis group the Distinguished Gents for five years. The group performed a

neg: Katie Waissel showdown with F.Y.D., the other bottom three act from week 1. She sang "Don't Let Me Down" in the final showdown and was saved from elimination by the judges by a majority vote, with only Cowell (F.Y.D.'s mentor) voting against her. In the second week of the live shows, Katie sang "I'd Rather Go Blind". She managed to avoid the bottom three this week and secured a place to the third week, where she sang "I Wan'na Be Like You". In the fourth week she sang "Bewitched" and was in the final showdown with Belle Amie. Judges votes were deadlocked

neg: P.Y.T. (band) was renamed P.Y.T. derived from a Michael Jackson song entitled "P.Y.T. (Pretty Young Thing)," though on some occasions the girls used the acronym "P.Y.T." to stand for the slogan "Prove Yourself True." Among the members of the group, Tracy Williams was the alto and sang lower harmonies, Lauren Mayhew and Ashley Niven were mezzo-sopranos and sang the melody line, and Lydia Bell was the soprano who sang higher harmonies. Ashley Niven was the lead vocalist on the tracks on the album "PYT (Down With Me)". PYT toured with 'N Sync, Britney Spears and Destiny's Child and 98 Degrees and performed

neg: The Beatles bootleg recordings later incorporated into "I've Got a Feeling"). There are also Lennon demos available of songs that would develop into "She Said She Said", "Strawberry Fields Forever", "Good Morning Good Morning", "Across the Universe", "You Know My Name (Look Up The Number)", "Don't Let Me Down", and two songs he would later record after the Beatles, "Oh My Love" and "Cold Turkey". Lennon's home recordings of "Bad To Me" and "I'm in Love" were briefly released on iTunes in December 2013 in order to extend the copyright terms of the tracks. McCartney's demos include "One and One Is Two" (1964, eventually

neg: The Beatles in India company filmed the Maharishi and many students, including the Beatles and other musicians, going down to the river while the musicians sang standards such as "When the Saints Go Marching In" and "You Are My Sunshine". One evening when the moon was full, the Maharishi arranged for everyone to cruise on the Ganges in two barges. The trip started with the chanting of Vedas by two pandits, but soon the musicians brought out their instruments. The Beatles sang Donovan's songs, while Love and Donovan sang Beatles songs, and Horn played flute. McCartney and Starr told Lapham that they had each

neg: Tamara Todevska Si Ti" ("Tell Me Who You Are"). In February 2008, Tamara won the Skopje Fest 2008 with the composition "Vo ime na ljubovta" featuring Rade Vrchakovski and Adrian Gaxha. The song was a hit in the Balkans, and was predicted to do well in the ESC 2008. The song was sung in six languages (Macedonian, English, Serbian, Turkish, Russian and Albanian) and the quality video was made by Dejan Milicevic. In the Eurovision Song Contest 2008 they set in the second semifinal on the number 18. They sang the English version of "Vo ime na ljubovta" called "Let me love

neg: Rigid body dynamics known as the "principle of virtual work." This is equivalent to the requirement that the generalized forces for any virtual displacement are zero, that is "Q"=0. Let a mechanical system be constructed from n rigid bodies, B, i=1...,n, and let the resultant of the applied forces on each body be the force-torque pairs, F and T, i=1...,n. Notice that these applied forces do not include the reaction forces where the bodies are connected. Finally, assume that the velocity V and angular velocities ω, i=,1...,n, for each rigid body, are defined by a single generalized coordinate q. Such a system of

neg: Let Me Down Easy (Bettye LaVette song) Let Me Down Easy (Bettye LaVette song) "'Let Me Down Easy'" is a 1965 song recorded by American soul singer Bettye LaVette. Written by Dee Dee Ford (using her birth name, Wrecia Holloway) and released by Calla Records, the song peaked at number 20 on the "Billboard" Hot Rhythm and Blues Singles chart. Dee Dee Ford, a singer who teamed up with Don Gardner on the top-20 single "I Need Your Lovin'" in 1962, wrote "Let Me Down Easy" three years later using her real name Wrecia Holloway. The song, a torch ballad, was performed by Bettye LaVette, arranged by

neg: Fifth Beatle the original drummer of the Beatles. He played with the band during their time as a club act, in both Liverpool and Hamburg, Germany. The band during this time period consisted of Best, bassist Stuart Sutcliffe, and guitarists McCartney, Harrison, and Lennon. Best continued to perform with the band until mid-August 1962, when he was let go and replaced by Ringo Starr. Andy White played drums on The Beatles' U.S. pressing of "Love Me Do", which was their first single in the United States. Ron Richards, assistant producer to George Martin, was in charge of recording on 11 September 1962.

neg: Let Me Go, Rock 'n' Roll for a club performance on September 8, 1993, the song was not played live from 1980 to 1995. It was returned to the setlist for the Reunion Tour. It was left out on the Rock the Nation Tour, but returned on the Alive 35 Tour and has been played ever since. "Let Me Go, Rock 'n' Roll" has appeared on following albums: Let Me Go, Rock 'n' Roll "Let Me Go, Rock 'n' Roll" is a song by the American hard rock band Kiss, released in 1974. It was released as the only single from their second album "Hotter Than

neg: Billy J. Kramer own. Once in place, the deal was set and both acts signed to Parlophone under George Martin. Collectively, they were named Billy J. Kramer with the Dakotas to keep their own identities within the act. Once the Beatles broke through, the way was paved for a tide of Merseybeat and Kramer was offered the chance to cover "Do You Want to Know a Secret?", first released by the Beatles on their own debut album, "Please Please Me". The track had been turned down by Shane Fenton (later known as Alvin Stardust) who was looking for a career-reviving hit. With record

neg: Ron Richards (producer) unsuitable for recording work, and he wasn't very impressed by Best's replacement, Ringo Starr. Richards hired session drummer Andy White, and Richards and Martin produced the Beatles' first single "Love Me Do". Richards had suggested the Beatles' first record should be "How Do You Do It?" by Mitch Murray and, after Martin took control of the Beatles' sessions, Richards worked with Gerry and the Pacemakers, who were the first act to go to No. 1 with each of their first three singles, "How Do You Do It?", "I Like It", and using Martin's string arrangement, "You'll Never Walk Alone". In

neg: Mono Masters electronically produced mono mixdown, or "fold-down", of the stereo mix), while the true mono mixes remained unreleased. "Get Back" (with B-side "Don't Let Me Down") was the final Beatles single mixed for mono format. It was released in the UK in mono, though the US release was in stereo. Thus, the songs that were originally released on stereo singles in the UK are omitted on this release. This compilation was released individually as a triple vinyl LP set on 9 September 2014 in Europe and the following day in North America on the same day that "The Beatles in Mono"

neg: Jax (singer) Lennon Scholarship in songwriting via the BMI Foundation. Jax auditioned for the fourteenth season of "American Idol", with the song "I Want To Hold Your Hand" by The Beatles. She sang "Toxic" by Britney Spears for her first solo audition during Hollywood Week. Jax sang The Beatles' "Let It Be" for her final solo performance. She was the only contestant out of 80 to be declared safe immediately after the performance. In April 2015, Jax became the New Jersey's most successful "American Idol" contestant. In March 2015, she performed at the Filmore in Detroit, Michigan wearing #thedress. She performed Janis

neg: Ringo Starr appeared in interview segments with fellow drummer Keith Moon. Since the breakup of the Beatles, Starr has released 19 solo studio albums: Ringo Starr Sir Richard Starkey (born 7 July 1940), known professionally as Ringo Starr, is an English musician, singer, songwriter and actor who gained worldwide fame as the drummer for the Beatles. He occasionally sang lead vocals, usually for one song on an album, including "With a Little Help from My Friends", "Yellow Submarine", "Good Night", and their cover of "Act Naturally". He also wrote the Beatles' songs "Don't Pass Me By" and "Octopus's Garden", and is credited

neg: C'era un ragazzo che come me amava i Beatles e i Rolling Stones state. The B-side of the single is "Se perdo anche te", a cover of Neil Diamond's "Solitary Man". Both songs are arranged by Ennio Morricone. The single peaked at first place for three consecutive weeks in February 1967 on the Italian hit parade. The song was later covered by several artists, including Joan Baez, Lucio Dalla, Fiorello, Engenheiros do Hawaii and Poyushchiye Gitary. C'era un ragazzo che come me amava i Beatles e i Rolling Stones "C'era un ragazzo che come me amava i Beatles e i Rolling Stones" ('There was a young man who, just like me, loved the

neg: Get Back original line-up of the proposed "Get Back" album that was scheduled to be released during the fall of 1969. In the UK and Europe "Get Back/Don't Let Me Down" was the Beatles' last single to be released in mono, but in the US the single was released in stereo. It was the Beatles' first single to be released in true stereo instead of mono as part of the "stereo only" movement gaining force in 1969. In both versions the lead guitar played by Lennon is in the left channel and the rhythm guitar played by Harrison is in the right

neg: For You Blue 7 January, during a day marked by acrimony within the group. In their study of the tapes from the "Get Back" project, authors Doug Sulpy and Ray Schweighardt write that the Beatles rehearsed "For You Blue" half-heartedly, amid heated discussions about their future and with Harrison in disagreement with McCartney over the proposed concert. Adding to Harrison's dissatisfaction since the start of the Twickenham rehearsals, his compositions "All Things Must Pass", "Let It Down" and "Hear Me Lord" had received little enthusiasm from Lennon and McCartney. The Beatles returned to "For You Blue" on 9 January, by which time Harrison

neg: Emmylou Harris in 1975 on Reprise Records. The album was surprisingly eclectic, especially by Nashville standards, including cover versions of the Beatles' "For No One", Merle Haggard's "Tonight the Bottle Let Me Down" and the Louvin Brothers' "If I Could Only Win Your Love". It also featured "Bluebird Wine", a composition by a young Texas songwriter, Rodney Crowell, who was the first in a long line of songwriters whose talents Harris has championed. The record was one of the most expensive country records produced at the time, featuring the talents of James Burton, Glen Hardin, Ron Tutt, Ray Pohlman, and Bill Payne,

neg: Convergent matrix T is semi-convergent. We call an "n" × "n" matrix T a convergent matrix if for each "i" = 1, 2, ..., "n" and "j" = 1, 2, ..., "n". Let Computing successive powers of T, we obtain and, in general, Since and T is a convergent matrix. Note that "ρ"(T) = , where "ρ"(T) represents the spectral radius of T, since is the only eigenvalue of T. Let T be an "n" × "n" matrix. The following properties are equivalent to T being a convergent matrix: A general iterative method involves a process that converts the system of linear

neg: Freddie Jackson Jackson's success slowed with the 1988 release of "Don't Let Love Slip Away", which nonetheless featured another two R&B chart-toppers in "Hey Lover" and "Nice 'N' Slow." The title track of 1990's "Do Me Again" and "Love Me Down" duplicated that feat, and "Main Course" just missed, topping out at #2. Even so, Jackson's earlier placings in the lower reaches of the "Billboard" Hot 100 had long since disappeared, and some critics charged that his albums were growing too similar to one another. Jackson appeared as a lounge singer on the 1989 "The Golden Girls" episode "Two Rode Together" and

neg: The Beatles (The Original Studio Recordings) animated 3D scenarios made up of original photos thrown in), about the album in QuickTime format. "The Beatles" and "Past Masters" are two-disc sets. No stereo mixes exist for the 1963 single "She Loves You" and its flipside "I'll Get You" or the 1962 single "Love Me Do" and its flipside "P.S. I Love You". It was the practice at Abbey Road Studios prior to early 1963 to wipe and re-use master tapes once they had been mixed down to mono for single release. For this reason there will never be true stereo mixes of "Love Me Do" or "P.S.

neg: Coupon collector's problem grows as formula_1. For example, when "n" = 50 it takes about 225 trials on average to collect all 50 coupons. Let "T" be the time to collect all "n" coupons, and let "t" be the time to collect the "i"-th coupon after "i" − 1 coupons have been collected. Think of "T" and "t" as random variables. Observe that the probability of collecting a coupon is "p" = ("n" − ("i" − 1))/"n". Therefore, "t" has geometric distribution with expectation 1/"p". By the linearity of expectations we have: Here "H" is the "n"-th harmonic number. Using the asymptotics of

neg: Banach fixed-point theorem easily follows that the fixed point is the limit of any sequence of iterations of "T". "Remark 3." When using the theorem in practice, the most difficult part is typically to define "X" properly so that "T"("X") ⊆ "X". Let "x" ∈ "X" be arbitrary and define a sequence {"x"} by setting "x" = "T"("x"). We first note that for all "n" ∈ N, we have the inequality This follows by induction on "n", using the fact that "T" is a contraction mapping. Then we can show that {"x"} is a Cauchy sequence. In particular, let "m", "n" ∈ N

neg: Shared register disjoint sets of size (n-f) among the n processes. So 2*(n-f)≤ n leading to n≤2f, which contradicts the fact that n>2f. So the "READ" must read at least one value written by that "WRITE". A SWMR register can be written by only one process but can be read by multiple processes. Let n be the number of processes which can read the SWMR register. Let R, 0i when 0j. The implementations of "Read" and "Write" are shown below. The t-value of an operation is the value of t it writes and the operations are linearized by t-values. If "Write" and

neg: O'Nan–Scott theorem is, "G" is an almost simple group and so the name. We are not told anything about what the action is, other than that it is primitive. Analysis of this type requires knowing about the possible primitive actions of almost simple groups, which is equivalent to knowing the maximal subgroups of almost simple groups. SD (simple diagonal): Let "N" = "T" for some nonabelian simple group "T" and integer "k" ≥ 2 and let "H" = {("t...,t")| "t" ∈ "T"} ≤ "N". Then "N" acts on the set Ω of right cosets of "H" in "N" by right multiplication. We

neg: Mother Nature's Son (album) Orchestra with Lewis on piano. Offering a potential clue as to why Lewis had recorded an album of Beatles songs, producer and arranger Charles Stepney expressed his admiration for the sounds achieved by Beatles producer George Martin in a 1970 interview with "Down Beat". Lewis in "Mojo" magazine said ""I wasn't a Beatles fan. I'd recorded A Hard Day's Night, Day Tripper and And I Love Her before, but I didn't really get them. But my producer Charles Stepney told me to think about doing a Beatles covers album. I didn't think that they had enough songs to do an

neg: Love Me Do version released on the British single, "Rarities" and "Past Masters": On the version released on American single, "Please Please Me", "The Beatles' Hits", and compilation albums including "1962–1966" ("The Red Album") and "1": On the "Anthology 1" version: Engineered by Norman Smith. "Love Me Do" has been covered by (among others): Love Me Do "Love Me Do" is the debut single by the English rock band the Beatles, backed by "P.S. I Love You". When the single was originally released in the United Kingdom on 5 October 1962, it peaked at No. 17; in 1982 it was re-promoted (not re-issued,

neg: Never Let Me Down the album was re-issued in SHM-CD format. The reissue had the same track listing as the 2007 reissue. Adapted from the "Never Let Me Down" liner notes. Production According to Reeves Gabrels, Bowie wanted to remake some of the songs almost immediately after the two met in late 1987, and considered putting some of them on his next album, but Gabrels talked him out of it, suggesting it was too soon to do so. Bowie discussed recording some of the tracks from "Never Let Me Down" with Gabrels again in 1996, prior to going into the studio to make his

neg: 'Ot 'n' Sweaty the Mar Y Sol Pop Festival, and the rest (the second side of the LP) were recorded in studio (so on the album's front cover is pointed after the band's name: On Stage In Puerto Rico And In The Studio). The pinnacle tracks for this album are "Bad Stuff", "Bringing Me Down", "Bedroom Mazurka", "Telling You" and a live recording of "Let Me Swim", which was a song by the original Cactus on their 1970 debut album[]. 'Ot 'n' Sweaty 'Ot 'n' Sweaty is the fourth album by the American rock band Cactus. It was released in 1972. Original members

neg: Peter Criss (album) in 1971 for Criss's pre-Kiss band Lips. These include "I'm Gonna Love You", "Don't You Let Me Down", "That's the Kind of Sugar Papa Likes", and "Hooked on Rock 'n' Roll". The album also includes a cover of the song "Tossin' and Turnin" by Bobby Lewis. Reviews for "Peter Criss" were mostly negative. The album was the lowest charting of all the Kiss solo albums of 1978, reaching #43 on the US "Billboard" album chart. Of the four solo albums, "Peter Criss" was the only album to have two singles released from it: "Don't You Let Me Down" and "You

neg: Eddie "Guitar" Burns knocked at the door, and they let him in. He introduced himself and he sat down and played some with us. And then, he liked the way I was blowing harmonica. ... he had a session coming up on Tuesday, this was on a Saturday. And so then, he wanted to know if I wanted to do this session with him on Tuesday. And I told him, yes, naturally. So that's how John T. and me went down to cut for Hooker. When we got through the man wanted to know what I had. I had one song, 'Notoriety Woman.'

neg: The Beatles' Decca audition he would let the group know of his decisions in a few weeks. Eventually, Decca Records rejected the Beatles, saying "guitar groups are on the way out" and "The Beatles have no future in show business," although it has since been suggested that their work that day did not yet reflect their true potential, and the "guitar" comment may have been intended as a polite let down. Decca instead chose Brian Poole and the Tremeloes, who auditioned the same day as the Beatles, as they were local and would require lower travel expenses. While Epstein was negotiating with Decca, he

neg: The Beatles bootleg recordings disc with "Let It Be... Naked". Among the more complete rehearsed songs that have been featured on bootlegs are "Watching Rainbows", "Commonwealth", Suzy's Parlor (published under the name Suzy Parker),and "The Palace of the King of the Birds" (later recorded but not released by McCartney as "Castle of the King of the Birds"); "All Things Must Pass", "Let It Down", "Isn't It A Pity", and "Hear Me Lord'", later released by Harrison; "Gimme Some Truth" and "Oh My Love", later released by Lennon; and "Teddy Boy" and "Hot as Sun", later released by McCartney. Portions of the rooftop concert were

neg: I Me Mine Spector, was included on "Let It Be". A similar edit, without Spector's orchestral overdubs but retaining the repeated section, was made available on the "Let It Be... Naked" album in 2003. Although the sessions for "I Want You (She's So Heavy)" and "The End" in August 1969 were the last where all four Beatles were present in the recording studio, "I Me Mine" was the last new song recorded by the Beatles (albeit without Lennon) until sessions for the band's "Anthology" project in 1994. It was not their final recording session, however, since McCartney, Harrison and Starr continued to carry

neg: Love Me Do as "How Do You Do It?" then the Tin Pan Alley practice of having the group record songs by professional songwriters (which was standard procedure then, and is still common today) would be followed. MacDonald points out, however: "It's almost certainly true that there was no other producer on either side of the Atlantic then capable of handling the Beatles without damaging them—let alone of cultivating and catering to them with the gracious, open-minded adeptness for which George Martin is universally respected in the British pop industry." Martin rejects however the view that he was the "genius" behind the group:

neg: Martin Luther McCoy Martin Luther McCoy Martin Luther McCoy (born July 1970) is an American musician and actor. McCoy is a San Francisco native from the Bayview-Hunters Point neighborhood. Martin collaborated extensively with musicians like The Roots and Cody ChesnuTT and appears as one of the six lead characters in the 2007 Beatles musical "Across the Universe" in the role of "Jo-Jo", who reflects Jimi Hendrix. In the film, McCoy performs the song "While My Guitar Gently Weeps", and "Don't Let Me Down" and also provides guitar and vocals on others. McCoy goes by the stage name of "Martin Luther" in his music

neg: Let Me Down Easy (Roger Daltrey song) Let Me Down Easy (Roger Daltrey song) "'Let Me Down Easy'" is a song by Roger Daltrey, who at the time was the former lead singer of The Who. The song was written by Bryan Adams and Jim Vallance and included on Daltrey's sixth solo album "Under a Raging Moon" as the first track on the second side of the LP. The album was a tribute to The Who's former drummer Keith Moon. The song was released as a single in November 1985 on Atlantic Records. The single reached number 86 on the US Hot 100 singles chart and number

neg: She Hate Me February 2005. German actor David Bennent re-appeared after a long film career absence, and portrays the German scientist who 'jumps' to his end. Raul Midon sang the theme song for the movie, "Adam 'N' Eve 'N' Eve". In the film, Armstrong's brother disapproves of his impregnating lesbians and also uses the phrase "Adam 'N' Eve 'N' Eve. Some real human births are seen up-close in the film. A live human birth is also portrayed in another Spike Lee film, "Mo' Better Blues". She Hate Me She Hate Me is a 2004 independent comedy-drama film directed by Spike Lee and starring