query: who designed the labyrinth that houses the minotaur

pos: Labyrinth Labyrinth In Greek mythology, the Labyrinth ( "labúrinthos") was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as

neg: Theseus and the Minotaur Theseus and the Minotaur Theseus and the Minotaur is a type of logic maze designed by Robert Abbott. In this maze, the player acts as Theseus, the king of Athens who is attempting to escape the Labyrinth. The main difference between this and the standard type of labrinth, beyond the fact that it is set on a grid, is the fact that the maze is not empty, but also contains a Minotaur who hunts the player down, taking two steps for every one the player takes. While the Minotaur is faster than the player, his moves are predictable and often

neg: Minotaur (comics) King Minos didn't sacrifice at Poseidon's orders. As a result of this union, the Minotaur was born. Upon learning of the Minotaur's origin, King Minos enlisted Daedalus to construct a labyrinth to have the Minotaur placed in so that it can never escape. For several years, King Minos used his labyrinth to imprison his prisoners so that the Minotaur can kill them. One day, Theseus offered himself off as a prisoner to King Minos. With the help of Ariadne, Theseus made his way through the labyrinth and killed the Minotaur with his sword. During his visit to Minoan Crete, Ikaris

neg: The Minotaur in House of Leaves fears and perception. In keeping with that, Navidson's Minotaur is Delial. The dying Sudanese girl is his daunting memory and consumes Navidson when he is in the dark and fearful hallways. The Minotaur is, without question, a very personal outset because there is no physical existence of a monster in the house. The labyrinth is also a recurring theme in the story pertaining to the labyrinth in the house and the Minotaur's labyrinth. Click here to watch a short video on the myth of the Minotaur. The Minotaur in House of Leaves The Minotaur or Minotauros was the son born

neg: The Minotaur (opera) labyrinth and they engage in brutal fighting, cheered on by the chorus. Theseus hesitates momentarily when the Minotaur acquires the power of human speech, but then delivers the fatal blow. Theseus begins his journey out of the labyrinth. Once he has escaped, he intends to set sail for Athens with Ariadne. "Scene 13: Death of the Minotaur" As the Minotaur lies dying, he laments his empty existence, neither fully man or fully beast. He pulls out the bloodied sword from his side and declares that he is the son of Poseidon. The chorus leave the labyrinth as the Minotaur dies.

neg: Minotaur Minotaur In Greek mythology, the Minotaur (, ; , , Etruscan: "Θevrumineś") is a mythical creature portrayed in Classical times with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". It dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus. The term Minotaur derives from the Ancient Greek , a compound

neg: Minotaur (comics) fought the Minotaur in the labyrinth. Myklos Vryolak's father allegedly used chemicals from Greece that were associated with the Minotaur in order to turn his son into a Minotaur. Ares later resurrected the Minotaur to serve him. The Minotaur's corpse was later transported back to the labyrinth in Greece. Matsu'o Tsurayaba and the Hand were later led to the Minotaur's corpse by Eurystheus and Achelous where they managed to resurrect the Minotaur. When Hercules and Wolverine arrived at Matsu'o Tsurayaba's apartment, they are greeted by a video of Matsu'o, Eurystheus, and Achelous telling them about how they resurrected some Greek

neg: The Minotaur (opera) Asleep, he reflects on his imprisonment in the labyrinth and violent existence. An image of Ariadne appears and tells the story of his birth. She is interrupted by a mysterious and disturbing figure; unknown to the Minotaur, it is Theseus. "Scene 7: The Labyrinth" The chorus urges the Minotaur to wake. They taunt him as he brutally massacres the Innocents. When they have all been killed or mortally injured, the Keres descend again to feast upon the bodies. "Scene 8: A Proposition" Ariadne tries to dissuade Theseus from confronting the Minotaur. He remains determined, revealing that – like the Minotaur

neg: Minotaur Flegetonte ("river of blood"), to continue through the seventh Circle. Minotaur In Greek mythology, the Minotaur (, ; , , Etruscan: "Θevrumineś") is a mythical creature portrayed in Classical times with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". It dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus. The

neg: Minotaur (film) leprous prophetess tells him that Fion is still alive in the labyrinth. Against his father's wishes, he replaces one of the sacrifices and is taken to the Minos Empire capitol. Other captives are Danu (Theo's best friend), Morna (Danu's love interest), Tyro (who initially resents Theo because of his standing) Didi (Tyro's love interest) Vena, Ziko and Nan. After the group are dropped into the labyrinth, the Minotaur immediately begins hunting them and kills Nan. The survivors are approached by Queen Raphaella, Deucalion's sister and unwilling lover, who offers them a way out. Vena does not believe her, and when

neg: Knossos "labyrinthine". Evans agreed with Stillman. The myth of the Minotaur tells that Theseus, a prince from Athens, whose father is an ancient Greek king named Aegeus, reason for the name of the Greek sea (the Aegean Sea), sailed to Crete, where he was forced to fight a terrible creature called the Minotaur. The Minotaur was a half man, half bull, and was kept in the Labyrinth – a building like a maze – by the king Minos, the ruler of Crete. The king's daughter Ariadne fell in love with Theseus. Before he entered the Labyrinth to fight the Minotaur, Ariadne

neg: The Minotaur (opera) recounts the circumstances surrounding the birth of her half-brother, the Minotaur: her mother's union with a white bull from the sea, which was either sent by Poseidon, or was the sea god himself in disguise. "Scene 5: The Labyrinth" The Innocents reach the heart of the labyrinth. The Minotaur is taunted by the chorus for his monstrous form and inability to speak. His first victim, a young woman, appears and the Minotaur gores and rapes her. Keres feed upon the body and sing of destruction. "Scene 6: The Minotaur Dreams" The Minotaur acquires the power of speech in his dreams.

neg: Minotaur, the Wild Beast of Crete been murdered, has led a war against Crete and lost. As a tribute, the people of Athens must now surrender a group of young people in regular intervals as sacrifices to the Minotaur. As the first group, which is joined by Theseus, is about to be herded into the labyrinth, Theseus manages to procure a sword and voluntarily enters the labyrinth and slays the Minotaur. Upon Theseus' brave decision, a riot breaks out and Chirone is killed by the mob. Ariadne, who has followed Theseus, helps him out with a thread from her own gown whose other end she had

neg: The Minotaur (opera) Theseus tells Ariadne about his departure from Athens with the Innocents. Ariadne believes that Theseus offers her a means of escape from Crete. She plays a game of chance with him using a stone: if he chooses the hand in which she holds the stone he will enter the labyrinth to confront the Minotaur, but if he chooses her empty hand he must remain a bystander to the bloodshed. Ariadne cheats so that Theseus chooses the empty hand. "Scene 3: The Labyrinth" The Innocents enter the labyrinth, praying to the gods to bring them out safely. "Scene 4: Ariadne" Ariadne

neg: Minotaur by a semicircle of small balls, probably intended for stars; one of the monster's names was Asterion ("star"). While the ruins of Minos' palace at Knossos were discovered, the labyrinth never was. The enormous number of rooms, staircases and corridors in the palace has led some archaeologists to suggest that the palace itself was the source of the labyrinth myth, an idea generally discredited today. Homer, describing the shield of Achilles, remarked that Daedalus had constructed a ceremonial dancing ground for Ariadne, but does not associate this with the term "labyrinth". Some modern mythologists regard the Minotaur as a solar

neg: Devourer for his step-son. With the Minotaur imprisoned in the labyrinth, Minos demanded that Athens send seven maidens and seven youths to be sacrificed to his monstrous son every nine years. After several years of this the son of the king of Athens, Theseus, was eventually chosen to be sacrificed to the Minotaur, who he swore to slay. When he succeeded in slaying the Minotaur he returned home with one of the princess of Crete, Phaedra, he was crowned king after his father had killed himself in grief believing his son to be dead. In this story the Minotaur was a

neg: The Minotaur (opera) return for her assistance, she hopes she can persuade Theseus to take her to Athens. The Snake Priestess, speaking through the Hiereus, advises Ariadne to give Theseus a ball of twine. If he unwinds it as he descends into the labyrinth, he will be able to retrace his journey to the outside world. The Snake Priestess also confirms that Ariadne will set sail for Athens with Theseus. "Scene 11: A Blind Bargain" Ariadne relays the Snake Priestess's prophecy to Theseus. Theseus sets off to confront the Minotaur. "Scene 12: The Labyrinth" Theseus meets the Minotaur at the centre of the

neg: Minotaur (film) she attempts to leave the group, the Minotaur impales her with its horn. The rest of the group evade the Minotaur and, led by Raphaella, they get to a chamber at the center of the labyrinth. There, the monster lies asleep on its victims's remains, and a heavy wooden door leads out of the labyrinth. Raphaella had arranged for her servant Ramaya to open the door from the other side, but Deucalion catches the servant and has her executed. Desperate, the group attempt to break down the door. The noise wakes the Minotaur, which kills Ziko and splits up the

neg: Minotaur (film) the Minotaur, and thus the leper lied to Theo about Fion's survival to make him face the beast. Theo discovers the underground natural gas vent in the labyrinth. When the Minotaur prepares to kill Theo, Tyro sacrifices himself to distract it. Theo tempts the Minotaur into attacking him, and lures it towards the gas vent. He then creates a spark with Fion's amulet. The gas ignites, engulfing part of the labyrinth, while Theo and Raphaella survive by diving into a pond of water. They emerge from the water as the flames die out, and find the beast still alive and

neg: The Minotaur (opera) – he may be the son of Poseidon. Ariadne tries to seduce Theseus and persuade him to take her to Greece when he returns. He is unmoved. "Scene 9: The Minotaur Dreams" Asleep again, the Minotaur voices his despair at his compromised existence. An image of Ariadne appears and he wonders whether she might help him to escape the labyrinth. Ariadne meanwhile asks the Minotaur "are you my key to the world outside?" Theseus appears again as a shadowy figure. "Scene 10: The Oracle at Psychro" Ariadne asks the Snake Priestess how she might help Theseus escape the labyrinth. In

neg: The Minotaur (opera) of the labyrinth should he survive his encounter with the Minotaur. She believes she can persuade Theseus to take her back with him to Athens. Both see the Minotaur as scapegoat and deliverance. The last scene of "The Minotaur" echoes the death scene of Mussorgsky's "Boris Godunov". "Scene 1: Arrival" Ariadne watches as a Greek ship arrives on the island of Crete, carrying the Innocents who will be sacrificed to the Minotaur: a monstrous creature, half-man, half-bull. Ariadne greets the Innocents and notices Theseus in the crowd. He has come to Crete to defeat the Minotaur. "Scene 2: The Choice"

neg: Minotaur act secured the throne for Theseus. This essentially Athenian view of the Minotaur as the antagonist of Theseus reflects the literary sources, which are biased in favour of Athenian perspectives. The Etruscans, who paired Ariadne with Dionysus, never with Theseus, offered an alternative Etruscan view of the Minotaur, never seen in Greek arts: on an Etruscan red-figure wine-cup of the early-to-mid fourth century Pasiphaë tenderly cradles an infant Minotaur on her knee. The contest between Theseus and the Minotaur was frequently represented in Greek art. A Knossian didrachm exhibits on one side the labyrinth, on the other the Minotaur surrounded

neg: Minotaur shut up in a prison called the labyrinth, and that he had sent to him there all those whom he wanted to die a cruel death". Dante Gabriel Rossetti, in his own commentary, compares the Minotaur with all three sins of violence within the seventh circle: "The Minotaur, who is situated at the rim of the tripartite circle, fed, according to the poem was biting himself (violence against oneself) and was conceived in the 'false cow' (violence against nature, daughter of God)." Virgil and Dante then pass quickly by to the centaurs (Nessus, Chiron, Pholus, and Nessus) who guard the

neg: Minotaur, the Wild Beast of Crete Minotaur, the Wild Beast of Crete Minotaur, the Wild Beast of Crete () is a 1960 film based on the Greek legend of Theseus, the Athenian hero who is said to have slain a minotaur on Minoan Crete around 1500 or 1450 BC. The film was directed by Silvio Amadio and starred Bob Mathias. The island of Crete lives in fear of the Minotaur, a dreadful beast trapped inside a labyrinth under the royal palace. The monster is venerated as a god, and to appease it, the Cretians regularly sacrifice a maiden to it. One day, Minos' wife Pasiphaë is

neg: USS Minotaur (ARL-15) USS Minotaur (ARL-15) USS "Minotaur" (ARL-15) was one of 39 "Achelous"-class landing craft repair ships built for the United States Navy during World War II. Named for the Minotaur (the mythological monster of Crete, half man half bull, who was confined in the Labyrinth), she was the only U.S. Naval vessel to bear the name. Originally laid down as "LST-645" by the Chicago Bridge & Iron Company of Seneca, Illinois 20 June 1944; redesignated "ARL-15" on 14 August 1944; launched 20 September 1944; placed in ferry commission 30 September for conversion at Mobile, Alabama; and commissioned as USS "Minotaur" (ARL

neg: Sacred bull of Marathon (the ""Marathonian bull"") before he faced the Minotaur (Greek for ""Bull of Minos""), who the Greeks imagined as a man with the head of a bull at the center of the labyrinth. Minotaur was fabled to be born of the Queen and a bull, bringing the king to build the labyrinth to hide his family's shame. Living in solitude made the boy wild and ferocious, unable to be tamed or beaten. Yet Walter Burkert's constant warning is, "It is hazardous to project Greek tradition directly into the Bronze Age." Only one Minoan image of a bull-headed man has

neg: Daedalus the Labyrinth as an edifice rather than a single dancing path to the center and out again, and gave it numberless winding passages and turns that opened into one another, seeming to have neither beginning nor end. Ovid, in his "Metamorphoses", suggests that Daedalus constructed the Labyrinth so cunningly that he himself could barely escape it after he built it. Daedalus built the labyrinth for King Minos, who needed it to imprison his wife's son the Minotaur. The story is told that Poseidon had given a white bull to Minos so that he might use it as a sacrifice. Instead,

neg: The General in His Labyrinth of his former self. The labyrinth also recalls the labyrinth built to imprison the minotaur in Greek mythology, and the endless travelling and searching of ancient Greek heroes. In Danow's view, "The Labyrinth mirrors the wanderings and travails of the hero in search for meaning and resolution to the vicissitudes of life". García Márquez depicts the General's body itself as a labyrinth. His doctor observes that "everything that enters the body, adds weight, and everything that leaves it is debased." The General's body is described as a "labyrinth coming to a literal dead end". The labyrinth is also expressed in

neg: Sinbad and The Minotaur Sinbad and The Minotaur Sinbad and the Minotaur is a 2011 Australian fantasy B movie directed by Karl Zwicky serving as an unofficial sequel to the 1947 Douglas Fairbanks Jr. film and Harryhausen's Sinbad trilogy. It combines "Arabian Nights" hero Sinbad the Sailor with the Greek legend of the Minotaur. Sinbad, his first mate Karim and slave girl Tara embark on a voyage to Crete in search of King Minos's treasure believed to be hidden within the fabled Labyrinth. They are pursued by the evil Sorcerer Al Jibbar who bears a striking resemblance to Sokurah, the antagonist of the Seventh

neg: USS Minotaur (ARL-15) battle star for World War II service. USS Minotaur (ARL-15) USS "Minotaur" (ARL-15) was one of 39 "Achelous"-class landing craft repair ships built for the United States Navy during World War II. Named for the Minotaur (the mythological monster of Crete, half man half bull, who was confined in the Labyrinth), she was the only U.S. Naval vessel to bear the name. Originally laid down as "LST-645" by the Chicago Bridge & Iron Company of Seneca, Illinois 20 June 1944; redesignated "ARL-15" on 14 August 1944; launched 20 September 1944; placed in ferry commission 30 September for conversion at Mobile,

neg: Into the Labyrinth (Dead Can Dance album) adds some conceptual cohesion to the album. This theme is reflected in several song titles: "Ariadne" (the legendary Ariadne giving her clew to Theseus); "Towards the Within" (of the Labyrinth, the Minotaur being at the centre); "The Spider's Stratagem" (waiting at the centre of her web like the Minotaur waiting at the centre of the Labyrinth—but also a Bertolucci film adapting a Borges short story from "Labyrinths"): and "Emmeleia" (the Greek dance of tragedy) Tracks written by Dead Can Dance (Lisa Gerrard and Brendan Perry), except track 3 (words and music by Dr Robert Dwyer Joyce, traditional, arranged by Dead

neg: Theseus and the Minotaur (video game) If the mental challenge of finding the secret doors and mapping out the labyrinth despite the halls of mirrors appeals to you, then I recommend this game." Theseus and the Minotaur (video game) Theseus and the Minotaur is a 1982 video game published by TSR. "Theseus and the Minotaur" is a hi-res 3D maze game in which the object is to find the princess Ariadne and lead her to the maze entrance. Chris Smith reviewed "Theseus and the Minotaur" in "The Space Gamer" No. 57. Smith commented that "Overall, this is a good game. The maze is different every time,

neg: Minotaur love with Theseus and helped him navigate the labyrinth. In most accounts she gave him a ball of thread, allowing him to retrace his path. Theseus killed the Minotaur with the sword of Aegeus and led the other Athenians back out of the labyrinth. On the way home, Theseus abandoned Ariadne on the island of Naxos and continued. He neglected, however, to put up the white sail. King Aegeus, from his lookout on Cape Sounion, saw the black-sailed ship approach and, presuming his son dead, committed suicide by throwing himself into the sea that is since named after him. This

neg: Daedalus Daedalus, and he to Hephaestus, son of Zeus." This suggests that Daedalus was related to Hephaestus, the god of blacksmiths, and therefore to Zeus himself. Daedalus is first mentioned by Homer as the creator of a wide dancing-ground for Ariadne. He also created the Labyrinth on Crete, in which the Minotaur (part man, part bull) was kept. In the story of the labyrinth as told by the Hellenes, the Athenian hero Theseus is challenged to kill the Minotaur, finding his way with the help of Ariadne's thread. Daedalus' appearance in Homer is in an extended metaphor, "plainly not Homer's invention",

neg: A Midsummer Night's Dream between the dark and benevolent sides of love, which are reconciled in the end. In 1979, M. E. Lamb suggested that the play may have borrowed an aspect of the ancient myth of Theseus: the Athenian's entry into the Labyrinth of the Minotaur. The woods of the play serve as a metaphorical labyrinth, and for Elizabethans the woods were often an allegory of sexual sin. The lovers in the woods conquer irrational passion and find their way back. Bottom with his animal head becomes a comical version of the Minotaur. Bottom also becomes Ariadne's thread which guides the lovers. In

neg: Labyrinth visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal. Branching mazes were reintroduced only when hedge mazes became popular during the Renaissance. In English, the term "labyrinth" is generally synonymous with "maze". As a result of the long history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars and enthusiasts observe a distinction between the two. In this

neg: Labyrinth old. In antiquity, the less complicated labyrinth pattern familiar from medieval examples was already developed. In Roman floor mosaics, the simple classical labyrinth is framed in the meander border pattern, squared off as the medium requires, but still recognisable. Often an image of the Minotaur appears in the center of these mosaic labyrinths. Roman meander patterns gradually developed in complexity towards the fourfold shape that is now familiarly known as the medieval form. The labyrinth retains its connection with death and a triumphant return: at Hadrumentum in North Africa (now Sousse), a Roman family tomb has a fourfold labyrinth mosaic

neg: Ariadne sacrifice seven young men and seven maidens to the Minotaur every seven or nine years. One year, the sacrificial party included Theseus, the son of King Aegeus, who volunteered to come and kill the Minotaur. Ariadne fell in love at first sight, and helped him by giving him a sword and a ball of thread (μίτο της Αριάδνης 'Ariadne's thread'), so that he could find his way out of the Minotaur's labyrinth. She eloped with Theseus after he achieved his goal, but according to Homer "he had no joy of her, for ere that, Artemis slew her in seagirt Dia

neg: The Minotaur in House of Leaves The Minotaur in House of Leaves The Minotaur or Minotauros was the son born of lust to Queen Pasiphae of Crete and a bull. He had the body of a man and the head of a bull and was more beast than human. The creature was banished by King Minos to reside in the centre of a labyrinth in Knossos built by the ingenious architect Daedalus and his son Icarus. The Minotaur was nursed by Queen Pasiphae as a child but grew to devour humans, so he was safely put away in the maze contrived so carefully and trickily that

neg: Asterion (king of Crete) (III.1.4) asserts:Pasiphaë gave birth to Asterius, who was called the Minotaur. He had the face of a bull, but the rest of him was human; and Minos, in compliance with certain oracles, shut him up and guarded him in the Labyrinth."Minotaur" is simply a name of Hellene coining to describe his Cretan iconic bull-man image: see Minotaur. Coins minted at Cnossus from the fifth century showed the kneeling bull or the head of a goddess crowned with a wreath of grain and on the reverse—the "underside"—a scheme of four meander patterns joined at the centre windmill fashion, sometimes with sickle

neg: The Mind Robber house, where the Doctor brings Jamie back to normal. They discover that the house is the entrance to a labyrinth. Here, while leaving Jamie behind, the Doctor and Zoe encounter the Minotaur and Medusa, whom they deal with in the same way as the unicorn. Jamie, pursued by a soldier, climbs up a rock face with the help of Rapunzel’s hair and enters a citadel through a window, triggering an alarm. He hides and finds Gulliver, who cannot see the White Robots who are chasing Jamie. The Doctor and Zoe exit the labyrinth and encounter the Karkus, a cartoon character

neg: Mockingjay critics. The novel was adapted into two films. The was released on November 21, 2014, while the was released on November 20, 2015. Collins has said that the main inspiration for "The Hunger Games" trilogy came from the classical account of Theseus and the Minotaur. In Greek mythology, as a punishment for the killing of King Minos's son Androgeos, Athens was forced to sacrifice seven youths and seven maidens to Crete, who were then put in the Labyrinth and killed by the Minotaur. After a while, Theseus, the son of the Athenian king, decided to put an end to the

neg: Room 237 the Overlook's hedge maze-labyrinth with the mythic story of the Minotaur, believing that a skier in a poster is actually a minotaur. She bolsters her theory by pointing out that there is no maze in the original book and that an earlier Kubrick film, "Killer's Kiss", was made for Minotaur Productions. Kubrick's unrealized project about the Holocaust, "Aryan Papers", suggested to another analyst that "The Shining" is really about that genocide. He connects Jack's sinister recitation of the Big Bad Wolf's refrain to a Disney production where the wolf is an anti-Semitic caricature. The analyst also feels that Kubrick embeds

neg: Minotaur (film) group. Theo, Danu, and Morna encounter Turag, a villager from a previous offering. Turag has managed to elude the Minotaur thus far, but has become slightly insane over the years. Looking at the map of the labyrinth Turag has drawn, Theo learns of Fion's supposed location and goes off alone to find her. However, he eventually discovers her corpse, and realizes that she was poisoned by an underground gas deposit. Meanwhile, Tyro and Didi find one of the holes that they were dropped through. Tyro climbs up and reaches down to pull up Didi. As the Minotaur arrives, Didi panics,

neg: Sacrificial victims of Minotaur and Menestheus. Sacrificial victims of Minotaur In Greek mythology, the people of Athens were at one point compelled by King Minos of Crete to choose 14 young noble citizens (seven young men and seven maidens) to be offered as sacrificial victims to the half-human, half-taurine monster Minotaur to be killed in retribution for the death of Minos' son Androgeos. The victims were drawn by lots, were required to go unarmed, and would end up either being consumed by the Minotaur or getting lost and perishing in the Labyrinth, the maze-like structure where the Minotaur was kept. The offerings were to

neg: Sacrificial victims of Minotaur Sacrificial victims of Minotaur In Greek mythology, the people of Athens were at one point compelled by King Minos of Crete to choose 14 young noble citizens (seven young men and seven maidens) to be offered as sacrificial victims to the half-human, half-taurine monster Minotaur to be killed in retribution for the death of Minos' son Androgeos. The victims were drawn by lots, were required to go unarmed, and would end up either being consumed by the Minotaur or getting lost and perishing in the Labyrinth, the maze-like structure where the Minotaur was kept. The offerings were to take place

neg: Theseus soon as Theseus entered the Labyrinth, he tied one end of the ball of string to the door post and brandished his sword which he had kept hidden from the guards inside his tunic. Theseus followed Daedalus' instructions given to Ariadne; go forwards, always down and never left or right. Theseus came to the heart of the Labyrinth and also upon the sleeping Minotaur. The beast awoke and a tremendous fight then occurred. Theseus overpowered the Minotaur with his strength and stabbed the beast in the throat with his sword (according to one "scholium" on Pindar's Fifth Nemean Ode, Theseus

neg: She Ventures and He Wins almost as much intrigue as the play itself. The name "Ariadne" is pseudonym modeled after the Greek goddess. Ariadne, the Greek goddess, is the daughter of King Minos of Crete and the wife of Dionysus. While already married to Dionysus, Ariadne fell in love with Theseus who help her by promising to take her to Athens as his wife. She gave him two special gifts, a sword and a clue of thread, to find a way back from the Cnossian Labyrinth after killing the Minotaur. She give Theseus the information that he needs to defeat the Minotaur. Ariadne is seen

neg: Dave Made a Maze the families of those who died and asks Dave what they should call the documentary. Dave sarcastically suggests "Dave Made a Maze", despite Gordon's belief that it was a labyrinth. As Dave and Annie toss the last of the cardboard by the dumpster, they fail to notice the Minotaur climbing out along with an origami bird. The Minotaur walks away while throwing up an ILY sign. On review aggregation website Rotten Tomatoes, the film has an approval rating of 82% based on 43 reviews, with an average rating of 7.5/10. The website's critical consensus reads, ""Dave Made a Maze" offers

neg: Madness and the Minotaur treasure. There are various magic spells that can be learned throughout the game that have various effects. Madness and the Minotaur Madness and the Minotaur is a text adventure game for the TRS-80 Color Computer. Developed by Thomas Rosenbaum of Spectral Associates in 1981, the game lulls players into a false sense of security by providing a comparatively easy and static early game. Once the player walks down the stairs, however, the game rapidly degenerates into what may have been the most difficult text adventure labyrinth ever created. The goal of the game is to retrieve a number of treasures.

neg: The Battle of the Labyrinth camp for the school year. On his fifteenth birthday at the summer's end, Percy receives a visit from his father Poseidon, who gives him a sand dollar, admonishing him to “spend it wisely”. Nico later appears to tell Percy his plan to defeat Luke once and for all. "The Battle of the Labyrinth" was initially referred to as "Percy 4" until the title was officially revealed. The novel was teased by Rick Riordan behind the pages of its predecessor, "The Titan's Curse". It was based on the Greek myth of the labyrinth, where the Minotaur was supposedly kept. In his

neg: Minotaur (film) enraged. As the Minotaur charges at him, Theo takes the monster's horn which was broken earlier, and impales it in the mouth. It keeps charging forward, and collides with a rock which drives the horn through its head, finally killing it. Theo and Raphaella reunite with Morna and Turag and leave the collapsing labyrinth. On the surface, they find out that the explosion also collapsed the palace and fatally wounded Deucalion. Raphaella smothers him to death, ending the cycle of fanaticism. The Minos' empire ends with the deaths of the Minotaur and Deucalion; Theo becomes a legend for killing the

neg: Devourer this instance, Ammit is not an agent of evil, but punishment for the guilty dead. In Greek mythology, there are a plethora of hungry monsters and vengeful gods, an example of which being the Minotaur. The Minotaur (which roughly translates to Bull of Minos) was the son of the Cretan queen Pasiphae and a bull. When the Minotaur was no longer satisfied with the nursing of his mother, it was found that he was very fond of eating human flesh. So Minos, the king of Crete and the Minotaur's step-father, ordered the great architect Daedalus to build a great labyrinth

neg: Hawara a result of the waters from the Bahr Yusuf (Joseph's Canal) canal, which flows around two sides of the site and passes within 30m of the pyramid. The huge mortuary temple that originally stood adjacent to this pyramid is believed to have formed the basis of the complex of buildings with galleries and courtyards called a "labyrinth" by Herodotus (see quote at Labyrinth), and mentioned by Strabo and Diodorus Siculus. (There is no historicity to the assertion of Diodorus Siculus that this was the model for the labyrinth of Crete that Greeks imagined housed the Minotaur,) The demolition of the

neg: Ariadne be immediately recognized in Crete", once archaeology had begun. Kerenyi observes that her name is merely an epithet and claims that she was originally the "Mistress of the Labyrinth", both a winding dance-ground and in the Greek view a prison with the dreaded Minotaur at its centre. Kerenyi notes a Linear B inscription from Knossos, "to all the gods, honey... to the mistress of the labyrinth honey" in equal amounts, suggesting to him that the Mistress of the Labyrinth was a Great Goddess in her own right. Professor Barry Powell has suggested she was Minoan Crete's Snake Goddess. Plutarch, in

neg: Labyrinth the Minotaur. In the 2000s, archaeologists explored other potential sites of the labyrinth. Oxford University geographer Nicholas Howarth believes that 'Evans's hypothesis that the palace of Knossos is also the Labyrinth must be treated sceptically.' Howarth and his team conducted a search of an underground complex known as the Skotino cave but concluded that it was formed naturally. Another contender is a series of underground tunnels at Gortyn, accessed by a narrow crack but expanding into interlinking caverns. Unlike the Skotino cave, these caverns have smooth walls and columns, and appear to have been at least partially man-made. This site

neg: Minotaur (film) an overly sexual nature which are shoehorned in "in the most porn parody way imaginable." Minotaur (film) Minotaur is a 2006 horror film, directed by Jonathan English. It stars Tom Hardy, Tony Todd, Ingrid Pitt and Rutger Hauer. It was filmed in Luxembourg. In the Minoan Bronze Age, a shadow loomed over the village of Thena. Every three years, under King Deucalion's order, eight youths are taken from the village to the capital of the Minos' Empire. There, they are placed in an underground labyrinth to be sacrifices to the Minotaur, the Minoan god. Theo, son of Cyrnan, the village

neg: Minotaur (film) Minotaur (film) Minotaur is a 2006 horror film, directed by Jonathan English. It stars Tom Hardy, Tony Todd, Ingrid Pitt and Rutger Hauer. It was filmed in Luxembourg. In the Minoan Bronze Age, a shadow loomed over the village of Thena. Every three years, under King Deucalion's order, eight youths are taken from the village to the capital of the Minos' Empire. There, they are placed in an underground labyrinth to be sacrifices to the Minotaur, the Minoan god. Theo, son of Cyrnan, the village chieftain, is haunted by the loss of his love, Fion, in an earlier sacrifice. A

neg: Madness and the Minotaur Madness and the Minotaur Madness and the Minotaur is a text adventure game for the TRS-80 Color Computer. Developed by Thomas Rosenbaum of Spectral Associates in 1981, the game lulls players into a false sense of security by providing a comparatively easy and static early game. Once the player walks down the stairs, however, the game rapidly degenerates into what may have been the most difficult text adventure labyrinth ever created. The goal of the game is to retrieve a number of treasures. In the course of doing this, the player will encounter other objects that may or may not

neg: Wrath of the Titans explains that Hephaestus created three weapons which Zeus, Hades, and Poseidon wield: Zeus's thunderbolt, Hades's pitchfork, and Poseidon's trident, and that these weapons can jointly form the Spear of Trium, the only weapon that can defeat Kronos. After an encounter with Cyclopes, the travelers eventually meet the now mortal Hephaestus (Bill Nighy) and reach the entrance of a labyrinth leading to Tartarus. Hephaestus sacrifices himself during an attack by Ares to enable Perseus, Andromeda, and Agenor to enter the labyrinth. Once inside the labyrinth they encounter a Minotaur that attacks the group, but Perseus manages to kill it. The group

neg: The Storyteller (TV series) aired in 1990, focused, as the title suggests, on Greek mythology, and took place in the Minotaur's labyrinth which the new storyteller and his dog wander through looking for a way out. Anthony Minghella was credited as the series' creator. An Athenian storyteller and his dog take shelter in the labyrinth of Knossos. There he recounts the story of the Minotaur confined to the maze by King Minos ten centuries earlier. King Aegeus had left his sword under a huge rock and told Aithra that when their son Theseus would grow up, he should move the rock to learn who

neg: Maze of the Riddling Minotaur Maze of the Riddling Minotaur Maze of the Riddling Minotaur is an adventure module published by TSR in 1983 for the Expert Set of the "Dungeons & Dragons" fantasy role-playing game. It is a solo adventure for one player character of level 1-10. "Maze of the Riddling Minotaur" is a solo scenario meant to be played by a single player character of level 1-10, although the adventure can be adapted to group play after it has been used as a solo adventure. The character is asked by the king to search a monster-infested labyrinth to find a kidnapped princess. The

neg: Amnesiac (album) was inspired by "taking the train to London, getting lost and taking notes". Likening London to the mythological labyrinth, he saw the city as "an imaginary prison, a place where you can walk around and you are the Minotaur of London, we are all the monsters, we are all half-human, half-beast". Donwood also designed a special edition package with a hardback CD case in the style of a mislaid library book. He imagined that "someone made these pages in a book and it went into drawer in a desk and was forgotten about in the attic ... And visually and

neg: Knossos Greek mythology, King Minos dwelt in a palace at Knossos. He had Daedalus construct a labyrinth, a very large maze (by some connected with the double-bladed axe, or "labrys") in which to retain his son, the Minotaur. Daedalus also built a dancing floor for Queen Ariadne. The name "Knossos" was subsequently adopted by Arthur Evans. As far as is currently known, it was William Stillman, the American consul who published Kalokairinos' discoveries, who, seeing the sign of the double axe on the massive walls partly uncovered by Kalokairinos, first associated the complex with the labyrinth of legend, calling the ruins

neg: Jason Todd an underground labyrinth. Cheetah regrets her past deeds and resurrects Jasón using a Lazarus Pit. Though the group is happy for a time, Jasón begins to become belligerent and regret being resurrected. Upon meeting another man who had previously been brought back by the Lazarus Pit and had turned into a Minotaur, he realizes a similar fate will befall him the longer he stays alive. After bidding everyone farewell, he, the Minotaur, and the similarly resurrected Isis commit suicide by walking back into the Lazarus Pit. As revealed in the prequel comic to the "Injustice 2" video game, this version

neg: Sacrificial victims of Minotaur every one, seven or nine years and lasted until Theseus volunteered to join the third group of the would-be victims, killed the monster and led his companions safely out of the Labyrinth. Plutarch in his "Life of Theseus" cites a rationalized version of this myth, referring to Philochorus who in his turn claimed to be following a local Cretan tradition. According to it, the young people were not actually killed but given as prizes to winners of the funeral games of Androgeos. The Labyrinth was an ordinary dungeon where they were temporarily kept. The winner who received them as a

neg: The Labyrinth of Time and take, among other items, the talisman to destroy its keystone. After dispelling an illusory Minotaur guarding the Maze Center, the player breaks the maze's keystone. This causes the labyrinth to unfurl at the seams. Daedalus appears in person to offer thanks for his freedom, then leaves to ensure King Minos can do no more harm. He leaves the player floating in an area that does not exist in time or space. The game ends with a teaser for a sequel, "The Labyrinth II: Lost in the Land of Dreams". The sequel was never produced. On December 7, 2004, "The

neg: The Storyteller (TV series) feelings towards Talos and pushing Daedalus to murder the boy. Daedalus and Icarus fled to the island of Crete, where he found himself in the court of King Minos. There he constructed the Labyrinth to contain the monstrous Minotaur. Minos cast Daedalus and Icarus into the Labyrinth. Daedalus managed to get out of the Labyrinth for after all, he had built it. The vulture reappears calling Daedalus a murderer for killing Talos. Full of rage and guilt, Daedalus kills the vulture. Daedalus decided that he and his son had to flee Crete and get away from Minos. However, Minos controlled

neg: Beowulf (DC Comics) Zumak fruit in the labyrinth of King Minos where Beowulf fights a Minotaur which is being controlled by Satan. Because Satan has made Dracula his heir over Grendel, Grendel kills Satan by plunging a stalactite into his back. The Minotaur dies, and Beowulf eats some Zumak fruit; the fruit grants him supernatural strength on par with Grendel. Beowulf and Nan-Zee then make their way back to Daneland in order to slay Grendel who has taken Satan's place as king of the underworld. Beowulf's first appearance in over thirty years occurs in "Wonder Woman" #20 (July 2008), where Wonder Woman and

neg: Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the

neg: Minotaur (comics) free from his petrified state and attacked Deadpool. The Minotaur successfully destroyed the sarcophagus with Deadpool's help and Shiklah was awakened. Since the first Minotaur, there had been more Minotaurs appearing in Olympus. When Ares allied with Enchantress and stole the Ebony Blade from Black Knight, they rallied the Minotaurs, Centaurs, and Satyrs into attacking Mount Olympus. Ares' army was defeated by Hercules and the Avengers. Miklos Vryolak had suffered from an unknown disease which was beyond the cure of any medicine. His father Dr. Vryolak desperately used a chemical he discovered in the ruins of the labyrinth which he

neg: Minotaur unnatural offspring of a woman and a beast; he had no natural source of nourishment and thus devoured humans for sustenance. Minos, after getting advice from the oracle at Delphi, had Daedalus construct a gigantic labyrinth to hold the Minotaur. Its location was near Minos' palace in Knossos. The Minotaur is commonly represented in Classical art with the body of a man and the head and tail of a bull. One of the figurations assumed by the river spirit Achelous in seducing Deianira is as a man with the head of a bull, according to Sophocles' "Trachiniai". From Classical times

neg: The Assignment (novella) the murder victim thought to be Tina von Lambert. Mistaken Identity The red fur coat that passes from Tina von Lambert to Jytte Sørensen to F. is representative of mistaken identity. Terrorism The underground desert compound is symbolic of the labyrinth in Greek mythology, built by Daedalus for King Minos of Crete to house the Minotaur. The criminally insane Achilles represents the Minotaur. The red fur coat that appears throughout is inspired by the red fur coat purchased by Dürrenmatt for Charlotte Kerr. Kerr's 1992 book portraying her marriage is titled "Die Frau im roten Mantel" (The Woman in the

neg: Mockingjay Minotaur and Minos's terror, so he volunteered to join the third group of victims, ultimately killing the Minotaur and leading his companions out of the monster's Labyrinth. Collins has said that there are also many parallels between the Roman Empire and the fictional nation of Panem. She describes the Hunger Games as "an updated version of the Roman gladiator games, which entails a ruthless government forcing people to fight to the death as popular entertainment." Collins also explains that the name "Panem" came from the Latin phrase "Panem et Circenses", which means "Bread and Circuses" and refers to the strategy

neg: Sacrifice Minotaur (set in the labyrinth at Knossos) suggests human sacrifice. In the myth, we are told that Athens sent seven young men and seven young women to Crete as human sacrifices to the Minotaur. This ties up with the archaeological evidence that most sacrifices were of young adults or children. The Phoenicians of Carthage were reputed to practise child sacrifice, and though the scale of sacrifices may have been exaggerated by ancient authors for political or religious reasons, there is archaeological evidence of large numbers of children's skeletons buried in association with sacrificial animals. Plutarch (ca. 46–120 AD) mentions the

neg: The Minotaur in House of Leaves how Minos develops a paternal love for the tender beast. This is perhaps a very subtle clue about Zampano's personal life with him filling the shoes of King Minos. The Minotaur could also be a representation Johnny himself because like the Minotaur Johnny was a deformed child raised by an insane mother and lives in his own labyrinth of sex, drugs and pointless fights. The point is the struck passages are not to elude the readers of its purpose but rather draw more attention. Most people would interpret the house's changing dimensions as a manifestation of the explorers' thoughts, memories,

neg: Seduction of the Minotaur the doctor allows himself to be shot because he is loved only as a doctor and never as a man, perhaps patterned after her understanding of Otto Rank's death. The title refers to the Freudian concept of a "monster" in the subconscious confined by a "labyrinth". Since one should not kill one's own mind, the repressed feelings must be "seduced" by developing conscious insight. An earlier version was published in 1958 with the title "Solar Barque", after a ship found in an Egyptian pyramid. Seduction of the Minotaur Seduction of the Minotaur is an autobiographical novel by the mixed nationality

neg: A Midsummer Night's Dream having the new Minotaur rescue rather than threaten the lovers, the classical myth is comically inverted. Theseus himself is the bridegroom of the play who has left the labyrinth and promiscuity behind, having conquered his passion. The artisans may stand in for the master craftsman of the myth, and builder of the Labyrinth, Daedalus. Even Theseus' best known speech in the play, which connects the poet with the lunatic and the lover may be another metaphor of the lover. It is a challenge for the poet to confront the irrationality he shares with lovers and lunatics, accepting the risks of

neg: Arianna in Creta ally of Athens', King Archeus of Thebes, in the belief that she was his own child. Athens had to pay tribute to Crete as a term of ending the war - once every seven years seven Athenian youths and seven Athenian maidens had to be sent to Crete to be devoured by the Minotaur, a half-man, half-bull monster that lurked in a labyrinth from which escape was all but impossible. The human sacrifice of Athenians can only be ended by a hero slaying the Minotaur and defeating the Cretan warrior Tauride. The Athenian hero Teseo is on the way to

neg: Minos the bull to Poseidon, but then decided to substitute a different bull. In rage, Poseidon cursed Pasiphaë, Minos' wife, with a mad passion for the bull. Daedalus built her a wooden cow, which she hid inside. The bull mated with the wooden cow and Pasiphaë was impregnated by the bull, giving birth to a horrible monster, again named Asterius, the Minotaur, half man half bull. Daedalus then built a complicated "chamber that with its tangled windings perplexed the outward way" called the Labyrinth, and Minos put the Minotaur in it. To make sure no one would ever know the secret

neg: Minotaur (New-Gen) continuing waves of MetalMite aggression. Eventually, he received help from Horus, a combat robot sent to his aid by Gabriel, and the ancient hero Perseus. After teaming up with them, Mini was finally able to defeat Deadalus, asking if he could kill him and end his vicious attacks on people. However, Gabriel denied him, saying that Deadalus could learn from his ways, then banished Deadalus to the underworld. After Mini departed, his story went down in history, and eventually became the ancient myth of the Minotaur of the Labyrinth. Being the eldest member of the A.P.N.G, Mini received the added

neg: The Hunger Games is the Greek myth of Theseus and the Minotaur, in which, as a punishment for past crimes, Minos forces Athens to sacrifice seven youths and seven maidens to the Minotaur, which kills them in a vast labyrinth. Collins says that even as a child, she was stunned by the idea since "it was just so cruel" to force Athens to sacrifice its own children. Collins also cites as a classical inspiration the Roman gladiator games. She feels three key elements create a good game: an all powerful and ruthless government, people forced to fight to the death, and the game's

neg: Your Highness angered by his brother's selfishness, decides to find the Blade of Unicorn alone as Thadeous and Courtney go to a tavern, where they find Isabel and retrieve the compass. But finding that his brother has been captured by Leezar's men, Thadeous wins Isabel over as they join forces, entering the labyrinth where they encounter a Minotaur. After becoming separated from the others, Thadeous retrieves the Blade of Unicorn and slays the Minotaur. Thadeous and his group make their way to Leezar's castle and free Fabious, giving him the Sword of Unicorn. As the others kill off Julie, Boremont and his

neg: Arianna in Creta into the labyrinth to meet the Minotaur in her place, which Minos accepts, but makes Arianna jealous, believing Teseo must be doing this out of love for Carilda. In a wood, Teseo ponders whether he should continue with his plan to try to kill the Minotaur, or refrain out of consideration to his beloved Arianna. He falls asleep, and has a vision of his destiny as the liberator of his people from cruel suffering. When he awakes, all indecision has been removed from his mind - he is determined to kill the monster. Alceste, like Arianna, is concerned that Teseo

neg: Middlesex (novel) compared Cal's condition to mythical creatures described by the ancient Greeks. The author alluded his protagonist's nature and heritage to the Minotaur, the half-man and half-bull creature. Cal's father is conceived after his grandparents' attendance of a theatric play entitled "The Minotaur". The puzzle of Cal's genetic identity is akin to the creature's labyrinth, and the thread that leads out of the maze is held here by his paternal grandmother, a former silk farmer. Frances Bartkowski, a scholar of English, named Callie in her puberty as a chimera. The mythical monster is an analogy for a complex personality, a mixture

neg: The Storyteller (TV series) knocked the poisoned drink out of his hand. Before the guards can arrest Medea, she teleports away while cursing Aegeus. Reclaiming his rightful place as the son of King Aegeus, Theseus insisted on traveling to Crete to kill the dreaded Minotaur. He promised to his father Aegeus that he would put up a white sail on his journey back home if he was successful. Ariadne, Minos' daughter, fell in love with Theseus and helped him get out of the Labyrinth by giving him a ball of thread allowing him to retrace his path. Theseus killed the Minotaur. Theseus took Ariadne

neg: Labyrinth the palace had been the Labyrinth of Daedalus. Evans found various bull motifs, including an image of a man leaping over the horns of a bull, as well as depictions of a labrys carved into the walls. On the strength of a passage in the "Iliad", it has been suggested that the palace was the site of a dancing-ground made for Ariadne by the craftsman Daedalus, where young men and women, of the age of those sent to Crete as prey for the Minotaur, would dance together. By extension, in popular legend the palace is associated with the myth of

neg: Icarus the wax in his wings melted he tumbled out of the sky and fell into the sea where he drowned, sparking the idiom ""don't fly too close to the sun"". This tragic theme of failure at the hands of hubris contains similarities to that of Phaëthon. Icarus' father Daedalus, a very talented and remarkable Athenian craftsman, built the Labyrinth for King Minos of Crete near his palace at Knossos to imprison the Minotaur, a half-man, half-bull monster born of his wife and the Cretan bull. Minos imprisoned Daedalus himself in the labyrinth because he gave Minos's daughter, Ariadne, a clew

neg: Knossos gave him a ball of thread which he unwound as he went into the Labyrinth so that he could find his way back by following it. Theseus killed the Minotaur, and then he and Ariadne fled from Crete, escaping her angry father. As it turns out, there probably was an association of the word "labyrinth", whatever its etymology, with ancient Crete. The sign of the double axe was used throughout the Mycenaean world as an apotropaic mark: its presence on an object would prevent it from being "killed". Axes were scratched on many of the stones of the palace. It

neg: Melody of Oblivion viewed.) It should also be noted that all the monsters mirror creatures of Greek Mythology, such as Horu, the first monster featured, who is referred to by Kurofune as a "disgusting cow" and is said to have been sealed in a labyrinth. This, along with the fact that a pair of bull horns and legs manifest when he is around, implies he is the legendary Minotaur. Several other featured monsters are Medusa, Hecate, Talos, and Pan. All monsters seem to have some control over reality itself and can only be killed by Melos Arrows. The Monster Union, which is part

neg: Hero's journey Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his minotaur. All he can do is create new problems for himself and await the gradual approach of his disintegration." Once the hero has committed to the quest, consciously or unconsciously, his guide and magical helper appears or becomes known. More often than not, this supernatural mentor will present the hero with one or more talismans or artifacts that will aid him later in his quest. Meeting the person that can help them in their journey. Campbell: "For those who

neg: Crete of his labors, took the Cretan bull to the Peloponnese. Europa and Zeus made love at Gortys and conceived the kings of Crete, Rhadamanthys, Sarpedon, and Minos. The labyrinth of the Palace of Knossos was the setting for the myth of Theseus and the Minotaur in which the Minotaur was slain by Theseus. Icarus and Daedalus were captives of King Minos and crafted wings to escape. After his death King Minos became a judge of the dead in Hades, while Rhadamanthys became the ruler of the Elysian fields. Crete has its own distinctive Mantinades poetry. The island is known for

neg: Ariadne Ariadne Ariadne (; ; ), in Greek mythology, was a Cretan princess. She is mostly associated with mazes and labyrinths because of her involvement in the myths of the Minotaur and Theseus. Ariadne was the daughter of Minos—the King of Crete and a son of Zeus—and Pasiphaë—Minos' queen and a daughter of Helios. Others called her mother Crete, daughter of Asterius, husband-king of Europa. Ariadne was the sister of Acacallis, Androgeus, Deucalion, Phaedra, Glaucus, Xenodice and Catreus. Through her mother, Pasiphaë, she was also the half-sister of the Minotaur. Minos put Ariadne in charge of the labyrinth where sacrifices were

neg: Dunjonquest as Brian Hammerhand. Morloc himself is the first boss enemy in the series, who has to be defeated within 45 minutes after starting the game. "Hellfire Warrior" is the direct sequel to "Temple of Apshai", leading players into the ruins that are unearthed below the temple. The levels are "The Lower Reaches of Apshai", "The Labyrinth" of the minotaur, "The Vault of the Dead" and "The Plains of Hell". "Upper Reaches of Apshai" is the first expansion to "Temple of Apshai" It contains four new dungeon levels for beginning characters, and conveys a more humorous tone with suburban environments like

neg: Corona Borealis Crete, after she had been abandoned by the Athenian prince Theseus. When she wore the crown at her marriage to Dionysus, he placed it in the heavens to commemorate their wedding. An alternate version has the besotted Dionysus give the crown to Ariadne, who in turn gives it to Theseus after he arrives in Crete to kill the minotaur that the Cretans have demanded tribute from Athens to feed. The hero uses the crown's light to escape the labyrinth after disposing of the creature, and Dionysus later sets it in the heavens. The Latin author Hyginus linked it to a

neg: Naxos (Mediterranean Climate). According to Greek mythology, the young Zeus was raised in a cave on Mt. Zas (""Zas"" meaning ""Zeus""). Homer mentions "Dia"; literally the sacred island "of the Goddess". Karl Kerenyi explains (speaking as if he were an ancient Greek): One legend has it that in the Heroic Age before the Trojan War, Theseus abandoned Ariadne on this island after she helped him kill the Minotaur and escape from the Labyrinth. Dionysus (god of wine, festivities, and the primal energy of life) who was the protector of the island, met Ariadne and fell in love with her. But eventually

neg: Fear Itself (comics) the core miniseries. He felt the riots, however, marred the story, as he did not think them a believable reaction to "fear". He also said that Norton's art was a "recipe for success". Alex Evans, who reviewed Invincible Iron Man #504 - 506 for Weekly Comic Book Review, gave the first two issues a "B+", and the third one a "B", lauding writer Matt Fraction for using Iron Man's haunting discovery of Mokk's victims to set a chilling tone and atmosphere of the crossover, reminding Evans of the Minotaur in the Cretan Labyrinth, while still maintaining the unique dynamic and

neg: Ariadne also died there. In a kylix by the painter Aison (c. 425 – c. 410 BCE) Theseus drags the Minotaur from a temple-like labyrinth, but the goddess who attends him, in this Attic representation, is Athena. An ancient cult of Aphrodite-Ariadne was observed at Amathus, Cyprus, according to the obscure Hellenistic mythographer Paeon of Amathus; Paeon's works are lost, but his narrative is among the sources cited by Plutarch in his "vita" of Theseus (20.3-.5). According to the myth that was current at Amathus, the second most important Cypriote cult centre of Aphrodite, Theseus's ship was swept off course and

neg: Ariadne (poem) Daedalus, who hints sadly that he has guessed the secret of the Minotaur. Ariadne doesn't want to know. She accepts his plan and bluffs her way into Theseus' cell, where she files his chain and hands over file, spool and dagger. "I half hate this land of weasel priests," she tells Theseus in the course of a passionate exchange. An escape plan is agreed, should Theseus survive. Next day, while the captives toil their way up Mount Juktas (Lucas places the Labyrinth in a cave-complex on Juktas), Ariadne uses Phaedra to pass a message to Euaemon, to delay his departure

neg: Cretan Bull Minos, to fall in love with the bull. She subsequently gave birth to the half-man, half-bull, Minotaur. Poseidon passed on his rage to the bull, causing it lay waste the land. After consulting the oracle at Delphi, Minos had Daedalus construct the Labyrinth to hold the Minotaur. Heracles was sent to capture the bull by Eurystheus as his seventh task. He sailed to Crete, whereupon Minos gave Heracles permission to take the bull away as it had been wreaking havoc on Crete by uprooting crops and leveling orchard walls. Heracles captured the bull, and then shipped it to Eurystheus in