query: when did david bowie 's first album come out

pos: David Bowie invited confusion with Davy Jones of The Monkees, Bowie renamed himself after the 19th-century American pioneer James Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", using speeded-up thus high-pitched vocals, failed to chart. Released six weeks later, his album debut, "David Bowie", an amalgam of pop, psychedelia, and music hall, met the same fate. It was his last release for two years. Bowie met dancer Lindsay Kemp in 1967 and enrolled in his dance class at the London Dance Centre. He commented in 1972 that meeting Kemp was when his interest in image

neg: Blackout (David Bowie song) released in 2018. Bowie's introduction of the song to the audience gave the 2018 album its title. Blackout (David Bowie song) "Blackout" is a song written and recorded by David Bowie in 1977 for the album ""Heroes"". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the ""Heroes"" album”, while biographer David Buckley remarked on "a backing verging on industrial". Regarding its lyrics and subject matter, Bowie himself has claimed that "Blackout did indeed refer to power cuts". However "NME"'s Roy Carr and Charles Shaar Murray considered it to have "overtones of Bowie's personal

neg: David Bowie (1967 album) the UK album charts - and its associated singles were all commercial failures at the time, and Bowie did not release another record until 1969's "David Bowie", two years later. The album's failure cost Bowie his record contract with Deram Records, who dropped him in April 1968. Bowie then made a video called "Love You till Tuesday" in 1969 to sell himself to a new label. The video recycled many songs from the debut album as well as the then newly written "Space Oddity". Many recycled songs in the video saw new orchestral arrangements and added vocals from friend John

neg: Blackout (David Bowie song) Blackout (David Bowie song) "Blackout" is a song written and recorded by David Bowie in 1977 for the album ""Heroes"". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the ""Heroes"" album”, while biographer David Buckley remarked on "a backing verging on industrial". Regarding its lyrics and subject matter, Bowie himself has claimed that "Blackout did indeed refer to power cuts". However "NME"'s Roy Carr and Charles Shaar Murray considered it to have "overtones of Bowie's personal blackout in Berlin (where he collapsed and was rushed to hospital)", noting the line "Get me to

neg: Tonight (David Bowie album) Bowie's career in 2016: ""Let’s Dance"... had its moments ... "Tonight", however, did not". Bowie would later distance himself from the album, acknowledging that it was not one of his stronger efforts. In 1989 when working with Tin Machine, he mused "There's stuff on [the album] that I could really kick myself about. When I listen to those demos it's, 'How did it turn out like that?' You should hear "Loving the Alien" on demo. It's wonderful on demo. I promise you! (laughs). But on the album, it's ... not as wonderful." Despite the general consensus on the album, "Stylus

neg: Rare (David Bowie album) songs were being issued for the first time on an LP and cassette. The compilation contained rarities ranging from 1969 to 1980. There is no CD reissue of this compilation, and such a release seems unlikely as much of the content is available on other CDs. On the UK Album Chart, where it remained for eleven weeks, the album peaked at number 34. RCA did not issue the album in the USA. All songs are written by David Bowie except where noted. Rare (David Bowie album) Rare (often known as Bowie Rare) was a compilation released by RCA Records to

neg: Let's Dance (David Bowie album) However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on "Let's Dance". Visconti called [Bowie's personal assistant] Coco and she said: "Well, you might as well know – he's been in the studio for the past two weeks with someone else. It's working out well and we won't be needing you. He's very sorry." The move damaged the two men's relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002's "Heathen"). Rodgers later recalled that Bowie approached him to produce

neg: Black Tie White Noise band Tin Machine. Bowie had worked with Rodgers previously on 1983's "Let's Dance". Bowie pointed out that he and Rodgers were not looking to do a rehash of their previous success. "If Nile and I wanted to do "Let's Dance II", we would have done it years ago, when, perhaps, it would have made more sense. Working together again, we avoided falling into that trap at all costs." Rodgers agreed, stating "Half the fun of working with David is that you never know "what" the fuck he's going to come up with." Of wanting to work together again, Bowie continued,

neg: A New Day Has Come A New Day Has Come A New Day Has Come is the seventh English-language studio album by Canadian singer Celine Dion, released by Sony Music Entertainment on 22 March 2002. It was her first new studio album since 1997's "Let's Talk About Love". Dion returned to the music scene after a two-year hiatus when she gave birth to her first child in 2001. She collaborated on "A New Day Has Come" with various producers, including Anders Bagge and Peer Åström for the first time. Dion's long-time producer and friend, David Foster, did not appear on this album. "A New Day

neg: Francis Whately many of the same things, they often discuss the books and arts that they admired. In the 1990s, Bowie was often make phone call with Whately. At that time, Bowie was writing for an art magazine, Whately did lots of art films and was very interested in contemporary arts, they always had common interest to talk about. 3) Although the two documentaries, "David Bowie: Five Years" and "David Bowie: The Last Five Years" both have recorded the interviews from others, the themes and shooting methods are quite different. The first one was basic on David Bowie’ s request, instead of

neg: Rubber Band (song) for the single, was re-recorded in stereo the following February for Bowie's debut album. The B-side, "The London Boys", was belatedly issued as a UK single in 1975. All songs written by David Bowie. The US release had "There is a Happy Land" as the B-side. Rubber Band (song) "Rubber Band" is a single by David Bowie. The single was released in December 1966, and marked the start of Bowie's recording contract with Deram which would include his first album, 1967’s "David Bowie". It was part of the three-track audition tape Bowie's new manager Kenneth Pitt used to persuade the

neg: Ashes to Ashes (David Bowie song) single as part of the programme's visual design. In the first series's finale, a car bomb goes off at the line "One flash of light". Ashes to Ashes (David Bowie song) "Ashes to Ashes" is a song written and recorded by David Bowie. It was the lead single from the 1980 album "Scary Monsters (And Super Creeps)" and became Bowie's second UK No. 1 single. It is also known for its innovative video, directed by Bowie and David Mallet, which at the time was the most expensive music video ever made. The lyrics revisit Bowie's Major Tom character from 1969's

neg: Perfect Stranger (musician) album title was based on David Bowie`s song, as Fershtat claimed he " felt like that Wild Eyed Boy from Free Cloud, that David Bowie used to sing about 35 years ago". Free Cloud was characterized by monotone, "technoidic feel", and cross over between genres as Fershtat used the best parts in from the genres that inspired him, mostly techno. Perfect Stranger’s fourth album, Leap of Faith came out in 2012, also on Iboga Records. The album consists of 3 CDs. The 1st containing new compositions including collaborations with Eat Static, Liquid Soul & Loud; the 2nd consists of new

neg: Legacy (The Very Best of David Bowie) 2 Side 3 Side 4 Legacy (The Very Best of David Bowie) Legacy (The Very Best of David Bowie) (also known as Bowie Legacy) is a greatest hits album by British musician David Bowie, released on 11 November 2016 through Sony Music Entertainment in the U. S. and Warner Music Group in the UK and several territories. The album's contents are mostly identical to the two-disc edition of Bowie's previous greatest hits album "Nothing Has Changed" (2014). "Love Is Lost" and "Sue (Or in a Season of Crime)", which were present on "Nothing Has Changed", are replaced by three new

neg: Legacy (The Very Best of David Bowie) Legacy (The Very Best of David Bowie) Legacy (The Very Best of David Bowie) (also known as Bowie Legacy) is a greatest hits album by British musician David Bowie, released on 11 November 2016 through Sony Music Entertainment in the U. S. and Warner Music Group in the UK and several territories. The album's contents are mostly identical to the two-disc edition of Bowie's previous greatest hits album "Nothing Has Changed" (2014). "Love Is Lost" and "Sue (Or in a Season of Crime)", which were present on "Nothing Has Changed", are replaced by three new selections: "Lazarus" and "I Can't

neg: Flashbacks of a Fool Attack, Oasis and INXS. The cinematography for the film was done by John Mathieson, who has shot for films such as "Gladiator", "Matchstick Men" and "Kingdom of Heaven". The song when Joe, dressed as Bryan Ferry, dances with Ruth is "If There Is Something", performed by Roxy Music, from their eponymous first album. The film misses out the first minute and forty seconds of the song. The original song is over six minutes long. Fils de... - Scott Walker What goes up Must Come Down - War Zone Theme from Coronation Street The Jean Genie - David Bowie If There

neg: Lazarus (soundtrack) produced by David Bowie and Henry Hey and recorded and mixed by Kevin Killen. Lazarus (soundtrack) Lazarus (Original Cast Recording) is a soundtrack album by the New York cast of the musical "Lazarus", which was written and composed by David Bowie and Enda Walsh. The soundtrack was released on 21 October 2016. The album includes three previously unreleased songs by Bowie, "No Plan", "Killing a Little Time" and "When I Met You". The album was scheduled and recorded on 11 January 2016, which turned out to be the day after Bowie's death. The musicians and cast were notified upon arriving

neg: Lodger (album) first job (as a golf caddy) was so that he could afford to buy "Lodger", which had just come out. Built to Spill would reference the album in their song "Distopian Dream Girl" taken from their 1994 album "There's Nothing Wrong with Love". Shearwater covered the album in its entirety at live shows and on The A.V. Club following Bowie's death. All songs written by David Bowie and Brian Eno, except where noted "Lodger" has been rereleased several times on compact disc. It was first released on CD by RCA Records in the mid-1980s. Rykodisc (in the USA) and EMI

neg: Tonight (David Bowie album) disc by the British Phonographic Industry (BPI). It has received mostly poor reviews from music critics and Bowie expressed dissatisfaction with it in later years. The album was re-mastered in 2018 and included in the Bowie box set "Loving the Alien (1983-1988)" (2018). David Bowie worked on "Tonight" after completing his Serious Moonlight Tour in support of his previous album "Let's Dance". He did not have much luck writing while on tour, so he described the process of recording the album "Tonight" this way: Bowie purposefully sought to keep the sound of the band he had used on the previous

neg: Hours (David Bowie album) Hours (David Bowie album) Hours (stylised as 'hours...' ) is the 21st studio album by English singer David Bowie. It was released on 4 October 1999 on Virgin Records. This was Bowie's final album for the EMI sub-label. It was the first complete album by a major artist available to download over the Internet, preceding the physical release by two weeks. "Hours" was the first Bowie studio album to miss the US top 40 since his 1972 album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" and peaked at number 47. Bowie and Reeves Gabrels wrote

neg: Thursday's Child (David Bowie song) Thursday's Child (David Bowie song) "Thursday's Child" is a song written by David Bowie and Reeves Gabrels for the album "Hours" in 1999. As with most of the other songs from "Hours" it was originally written for the computer game "" from 1999. This was the first single lifted from "Hours" and preceded the album by two weeks. In a performance for VH1 Storytellers, Bowie revealed that the title of the song was prompted by the memory of the autobiography of actress Eartha Kitt. The book, also called Thursday's Child, used to be a favourite of his when he was

neg: The Platinum Collection (David Bowie album) was part of EMI's two-disc Sight & Sound series of releases and features a DVD of 1980s videos on the second disc. All songs written by David Bowie, except where noted. The Platinum Collection (David Bowie album) The Platinum Collection is a compilation album by David Bowie, released in 2005. The period from 1969 to 1987 is summarised over three discs. The first disc is the same as the compilation "The Best of David Bowie 1969/1974", which was released in 1997, and the second disc is the same as the 1998 compilation "The Best of David Bowie 1974/1979". The third

neg: The Platinum Collection (David Bowie album) The Platinum Collection (David Bowie album) The Platinum Collection is a compilation album by David Bowie, released in 2005. The period from 1969 to 1987 is summarised over three discs. The first disc is the same as the compilation "The Best of David Bowie 1969/1974", which was released in 1997, and the second disc is the same as the 1998 compilation "The Best of David Bowie 1974/1979". The third disc, original to this collection upon its release in 2005, was later re-released separately as an independent compilation "The Best of David Bowie 1980/1987" by EMI on . This 2007 release

neg: Blah-Blah-Blah (Iggy Pop album) with David Richards but, unlike his previous work with Pop, "The Idiot" and "Lust for Life" (both 1977), did not sing or play any instruments. Bowie biographer David Buckley has reported that Pop "virtually disowned" the record, calling it "a Bowie album in all but name". It has never been specified what tracks on the album, if any, originated during the sessions of Bowie's 1984 album "Tonight" (that album's co-producer, Hugh Padgham, has recalled that Bowie and Pop collaborated on some songs that Bowie ultimately rejected for inclusion on "Tonight"). Described by AllMusic as "the most calculatedly commercial album of

neg: Labyrinth (David Bowie album) Labyrinth (David Bowie album) Labyrinth is a soundtrack album by David Bowie and Trevor Jones, released on vinyl, cassette and Compact Disc in 1986 for the film "Labyrinth". It was the second of three soundtrack releases in which Bowie had a major role, following "Christiane F." and preceding "The Buddha of Suburbia". The soundtrack album features Trevor Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last". Bowie was approached to take part in the film in 1983 during his Serious Moonlight Tour when he

neg: Jobriath (album) Jobriath (album) Jobriath is the first album by the American glam rock artist Jobriath and was released in 1973. The musical style of the album suggests a cross between "Hunky Dory"-era Bowie, Elton John's early 1970s albums and some decidedly Jaggeresque vocals. Lyrically the album combines science fiction imagery, sexual themes and tributes to female movie icons. The daring (for 1973) opening track, "Take Me I'm Yours" is an overtly S&M fantasy "... Take it out on me, baby, I'm ready. For your troubles, I'm expedient. You're the master, come on faster, to your nature, I'm obedient..." Other highlights include

neg: Now We Are Six (album) songs were misplaced on the album, and should instead have come at the end. The track that did end the album is the other one which created some consternation among critics - a version of Phil Spector's "To Know Him Is To Love Him" which features, as a guest, David Bowie on alto saxophone. The inclusion of a rock 'n' roll standard baffled many listeners who had come to expect Steeleye Span's interpretations of traditional fare; what is generally not known, however, is that the track "does" represent an aspect of Steeleye Span's live show at that time (1974). They

neg: Valentine's Day (David Bowie song) Valentine's Day (David Bowie song) "Valentine's Day" is a song by English rock musician David Bowie, the fourth single from his 24th studio album "The Next Day". The single was released on 19 August 2013. This was to be David Bowie's last 7 inch single issued from a new album in his lifetime. The lyrics are based on the psychology of a shooter. The single was released on 19 August 2013 in the UK and on the 20th in the US and other countries. In early August 2013, the single was added to the BBC Radio 2's A-list. The single

neg: Let's Dance (David Bowie album) and said to Nile, "Nile darling, I think I have a song which feels like it's a hit." Nile then took the chords (which he said "felt folksy") and helped craft them into the version used in the final production of the song. Long-time collaborator Carlos Alomar, who had worked with Bowie since the mid-1970s and would continue to work with Bowie into the mid-1990s, has claimed he was offered an "embarrassing" fee to play on the album and refused to do so. He also said (when working on Bowie's follow-up album, "Tonight") that he did not play on "Let's

neg: Shel Talmy Talmy's favor. "My Generation" was remixed by Talmy and issued on compact disc with bonus tracks. In his book "Before I Get Old", Dave Marsh commented that the records that Talmy made with The Who "are technically among the best that the band ever did, and they have a distinct, original sound." Talmy continued to work with other distinguished British performers throughout the 1960s, including singer-songwriter Davy Jones (later known as David Bowie). He produced the Roy Harper album "Come Out Fighting Ghengis Smith" in 1967. He also produced "Friday on My Mind" for the Easybeats, an Australian band that

neg: Kingdom Come (Sir Lord Baltimore album) Led Zeppelin, David Bowie and Curtis Mayfield. This album is notable for the fact that its 1971 review in "Creem" contains an early documented use of the term "heavy metal" to refer to a style of music. It features distorted guitar, enhanced by extensive use of multi-tracking, and has been compared to Deep Purple, Blue Cheer, Van Halen, Kiss and the Stooges. "Kingdom Come" was released in December 1970. It was reissued on PolyGram in 1994, on Red Fox in 2003, and on Anthology Recordings in 2007. The 1994 and 2003 re-releases also contained 1971's "Sir Lord Baltimore". The re-release

neg: Outside (David Bowie album) to work on "Outside"'s follow-up album, but was going to work on a studio album using his touring band in July first. Despite this, no direct follow-up to "Outside" was ever produced, and Bowie's next album was his jungle and drum and bass-influenced work "Earthling" (1997). Bowie also mentioned the possibility of releasing an album called "Inside" which would be a making-of about "Outside": "Our working method [will be] detailed on it, a couple of jams and more of those voices. The first monologue of Baby Grace was 15 minutes long and was very Twin Peaks." However, no such album

neg: Queen (band) performances of "The Game"'s final track, "Save Me", took place in Montreal, and the concert is recorded in the live album, "Queen Rock Montreal". Queen worked with David Bowie on the single "Under Pressure". The first-time collaboration with another artist was spontaneous, as Bowie happened to drop by the studio while Queen were recording. Upon its release, the song was extremely successful, reaching number one in the UK and featuring at number 31 on VH1's 100 Greatest Songs of the '80s. In October that year, Queen released their first compilation album, titled "Greatest Hits", which showcased the group's highlights from

neg: Outside (David Bowie album) was released. On having over-recorded for the album, Bowie said "The one thing I can truly, seriously think about in the future that I would like to get my teeth into—it's just so daunting—is the rest of the work that [Brian] Eno and I did when we started to do the Outside album [in 1994]. We did improv for eight days, and we had something in the area of 20 hours' worth of stuff that I just cannot begin to get close to listening to. But there are some absolute gems in there..." In 2016, one day after Bowie's death,

neg: Best of Bowie at The Wag Club, Soho, London DVD 2 "Day-In Day-Out" (extended dance mix) "Miracle Goodnight" (remix) "Seven Years in Tibet" (Mandarin version) "Survive" (live version) Best of Bowie Best of Bowie is a career-spanning greatest hits album by English recording artist David Bowie. It was released on 22 October 2002. The songs range from his second self-titled album (1969) to "Heathen" (2002). It was released 35 years after his debut album, "David Bowie". In each of the 21 territories that the album was released, it was given its own track listing, based upon which songs were most popular locally. In

neg: Let's Dance (David Bowie album) the new mass audience he acquired with the album, which led to him releasing two further solo albums in 1984 and 1987 which, despite their relative commercial success, did not sell as well as "Let's Dance", were poorly received by critics at the time and subsequently dismissed by Bowie himself as his "Phil Collins years". Bowie would help form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie's previous four studio albums.

neg: A Reality Tour (film) and Bowie finishing his performance with the Irish phrase "Tiocfaidh ár lá", which means "Our day will come". Use of audience vocals appear in a number of tunes, including "All the Young Dudes" (from "All the Young Dudes" (1972) by Mott the Hoople; recorded for the "Aladdin Sane" album in 1972 and released in mono sound on "The Best of David Bowie 1969/1974" (1997); won't see a stereo release until the 2014 album "Nothing Has Changed", in which Bowie's voice was somewhat out of range to sing the chorus, and "Life on Mars?", which the audience faithfully sang along to.

neg: Word on a Wing Word on a Wing "Word on a Wing" is a song written and recorded by David Bowie in 1975 for the "Station to Station" album, where it appears as the closing track of the LP's first side. Bowie admits that the song was written out of a coke-addled spiritual despair that he experienced while filming the movie "The Man Who Fell To Earth". In 1980 Bowie spoke of the song to NME, claiming "There were days of such psychological terror when making the Roeg film that I nearly started to approach my reborn, born again thing. It was the first

neg: Liza Jane (David Bowie song) "Liza Jane" that were stored in her garage. They agreed to throw them away. Bowie recorded the song again, in 2000, for the album "Toy", which was never officially released but eventually leaked on the Internet in 2011. Liza Jane (David Bowie song) "Liza Jane" was the first recording to be released as a single by David Bowie, and credited to Davie Jones with the King-Bees. It was released in 1964 when Bowie was 17 years old. The B-side of the single was the Paul Revere and the Raiders song "Louie, Louie Go Home". Both songs on the single were

neg: Speed of Life (David Bowie song) Bowie album. Lyrics were originally planned for this song, but Bowie abandoned the idea after several attempts, deciding that the piece stood better on its own. Speed of Life (David Bowie song) "Speed of Life" is the first instrumental by David Bowie. It is the opening track for his album "Low" from 1977. "Speed of Life" introduces the "Low" album, and, coupled with the similarly upbeat instrumental "A New Career in a New Town", provides a front bookend for the A-side of the album. The track makes several immediate implications about the content of the album, with its heavy use

neg: Strangers When We Meet (David Bowie song) Strangers When We Meet (David Bowie song) "Strangers When We Meet" is a song by David Bowie, originally recorded for his 1993 album "The Buddha of Suburbia". In 1995, Bowie re-recorded the song for his "Outside" album, and this version was edited and released as a single, paired with a reworked version of Bowie’s 1970 “The Man Who Sold the World”. While the new version of “The Man Who Sold the World” was billed as a "live version", it was actually a studio-recorded track, based on a reworked version of the song performed on the Outside Tour, and mixed by

neg: Let's Dance (David Bowie album) After his follow-up albums "Tonight" (1984) and "Never Let Me Down" (1987) were critically dismissed, Bowie formed the grunge-precursor band Tin Machine in an effort to regain his artistic vision. All songs written by David Bowie, except where noted. In 1995, Virgin Records re-released the album on CD with "Under Pressure" as a bonus track. EMI did the second re-release in 1999 (featuring 24-bit digitally remastered sound and no bonus tracks). In 1998, there was a reissue in the UK which was similar to the 1995 re-release but did not include the bonus track. The Canadian version of the 1999

neg: Never Let Me Down (David Bowie song) Never Let Me Down (David Bowie song) "Never Let Me Down" is a song recorded by English singer David Bowie, serving as the title track for his 1987 studio album of the same name. It was released as the third and final single from the record in 1987, and served as his last single until 1992's "Real Cool World" (although a remix of "Fame" was released in 1990). "Never Let Me Down" was written by the singer himself and Carlos Alomar, while production was handled by Bowie along with David Richards. Music critics viewed the track as one of the

neg: Ashes to Ashes (David Bowie song) Ashes to Ashes (David Bowie song) "Ashes to Ashes" is a song written and recorded by David Bowie. It was the lead single from the 1980 album "Scary Monsters (And Super Creeps)" and became Bowie's second UK No. 1 single. It is also known for its innovative video, directed by Bowie and David Mallet, which at the time was the most expensive music video ever made. The lyrics revisit Bowie's Major Tom character from 1969's "Space Oddity" in a darker theme, which he referenced once again in 1995 with "Hallo Spaceboy". The song's original title was "People Are Turning to

neg: Outside (David Bowie album) Outside (David Bowie album) 1. Outside (subtitled The Nathan Adler Diaries: A Hyper-cycle) is the nineteenth studio album by English recording artist David Bowie, released on 25 September 1995 by Arista Records. It marked Bowie's reunion with Brian Eno, whom he had worked with among others on his Berlin Trilogy in the 1970s. "Outside" centres on the characters of a dystopian world on the eve of the 21st century. The album put Bowie back into the mainstream scene of rock music with its singles "The Hearts Filthy Lesson", "Strangers When We Meet", and "Hallo Spaceboy" (remixed by the Pet Shop

neg: Images 1966–1967 was signed to Deram Records, who quickly dropped him due to poor sales in 1968, after which he created what fans deem his first hit, "Space Oddity." At the time of the music's recording, Bowie was influenced by the London cabaret scene and the song styles created therein, particularly the work of singers such as Anthony Newley. In the UK, "The World of David Bowie" had never gone out of print, when Bowie finally had his breakthrough in 1972 with the album "Ziggy Stardust and the Spiders from Mars", and could still be obtained in British record shops at that

neg: Bowi Bowi Bowi was the first EP released on Stiff Records. Recorded by Nick Lowe, who had also released the first Stiff single, the title and cover were intended as a humorous response to the David Bowie album "Low", which had been released earlier in the year. Lowe decided that as Bowie had made an album with his name, but without the final "e", he would reciprocate by making a record with Bowie's name, also lacking the final "e". Of the four tracks on the EP, only "Marie Provost" was initially re-released on an album, 1978's "Jesus of Cool" (issued as

neg: Strangers When We Meet (David Bowie song) Brian Eno. Samuel Bayer’s video for the song shared some visual similarities with that for “The Hearts Filthy Lesson”, but was a more simple and placid affair set in a decaying artist's studio. Despite a live performance on "Top of the Pops", the double A-side entered the UK charts at No. 39 before dropping away. Pegg, Nicholas, "The Complete David Bowie", Reynolds & Hearn Ltd, 2000, Strangers When We Meet (David Bowie song) "Strangers When We Meet" is a song by David Bowie, originally recorded for his 1993 album "The Buddha of Suburbia". In 1995, Bowie re-recorded the song for

neg: Phil Curtis Beckenham and occasionally crossed paths with a young David Bowie. Phil recorded bass, vocals and percussion on two Kingdom Come albums: Kingdom Come (1972) and Journey (1973). Phil helped cement the title "Journey", as Arthur Brown explained in the liner notes for the 2010 re-release of "Journey": "I had this song which had the line ‘I’m going on a journey/I’m not coming back’, and it was Phil [Curtis] who suggested we call the album Journey – and we never really did come back.” The band were renowned for their theatrical stage shows and exuberant costumes. Phil played the role of

neg: Ehron VonAllen months, even reaching #1 in its first two weeks of release beating out many major label artists including Christina Auguleira and David Bowie. His third album, "God’s Grandchild", was set for a winter 2006 release date, but was delayed due to manufacturing conflicts. On July 7, 2007, the album was finally released. The album included two cover songs, "Prayers For Rain" by The Cure and "Sunday" by David Bowie. The album received mixed reviews due to its departure from his previous material. The original CD was discontinued in 2009 and was replaced in 2012 by a 2-disc Special Edition version

neg: Stone Temple Pilots (2010 album) ever recorded sober, after Velvet Revolver's "Libertad" and Stone Temple Pilot's first album, "Core". Weiland was also influenced by his ex-wife, Mary Forsberg, about whom he specifically wrote on "Cinnamon". Weiland's inspiration for "First Kiss on Mars" came from the music itself. He explained his lyrics succinctly: "When I first heard [the song], it sounded intergalactic." Critics and interviewers of the band noticed that Weiland's vocalizations were drawn from David Bowie. Several titles were considered before the band settled on the eponymous name. Kretz explained, "We've always tried to come up with very witty and interesting names for our records

neg: Death of David Bowie culture and wrote of his status as one of the most influential musical artists of all time. Numerous musicians and public figures also expressed their grief. Bowie was diagnosed with liver cancer in mid-2014. Bowie told only his family and people he was working with about his condition; Ivo van Hove, with whom Bowie was collaborating on the off-Broadway musical "Lazarus", was told shortly after Bowie himself found out. Tony Visconti, Bowie's friend and producer of many Bowie albums, including his final album, "Blackstar", was told in January 2015. Visconti recalled that Bowie was completely bald from his chemotherapy when

neg: Lhuna dream — that he’d sing with Kylie Minogue and David Bowie on the song, but when he sent Bowie the recording through Brian Eno, Bowie responded with a simple text: “Not one of your best.”. Lhuna "Lhuna" is a charity single performed by the British band Coldplay and Australian singer Kylie Minogue. It was recorded during the sessions of "Viva la Vida or Death and All His Friends", but never made the final cut. When asked why the song did not appear on the album, Chris Martin said that it was too "sexy". Afterwards, the song was expected to appear

neg: Let's Dance (David Bowie album) a songwriting slump". Ed Power of the "Irish Examiner" wrote that Bowie "pleaded shamelessly for the love of the mass market" with the album. He continued "... the title track was a decent chunk of funk-rock and Bowie did not embarrass himself on the single 'China Girl'. Otherwise, the record had a great deal in common with Wham! and Phil Collins." The BBC's David Quantick praised the "perfect" combination of Bowie and Rodgers on the title track, the "sweet, romantic" rendition of "China Girl" and highlighted "Criminal World" as "one of the best songs". He stated ""Let's Dance" may have

neg: Hours (David Bowie album) 2004. In January 2005, Bowie's new label ISO Records reissued "Hours" as a double CD set with the second CD comprising remixes, alternate versions, and single B-sides. David took the album on the road for the 3-month "Hours Tour" in late 1999. In August, he appeared on VH1's "Storytellers", and in October, he appeared on the 25th season of "Saturday Night Live" to perform "Thursday's Child" and "Rebel Rebel". His appearance on "VH1 Storytellers" was released in 2009 as "VH1 Storytellers". Adapted from AllMusic. Hours (David Bowie album) Hours (stylised as 'hours...' ) is the 21st studio album by English

neg: All Saints (David Bowie album) by Bowie. For this release all tracks originating from the "Black Tie White Noise" album as well as "South Horizon" from "The Buddha of Suburbia" were dropped, with "Brilliant Adventure" from "Hours" and "Crystal Japan" appearing in their place. All Saints (David Bowie album) All Saints is the name of two different compilation albums by David Bowie, the first released privately in 1993, and the second in 2001 by Virgin/EMI, both featuring his instrumental work. However, neither version of "All Saints" is a complete collection of such instrumentals The first All Saints compilation was a two-disc set made as a

neg: Reality (David Bowie album) as the production for his previous album "Heathen" was wrapping up. Some songs he wrote quickly: "Fall Dog Bombs the Moon" was written in 30 minutes. Other songs, such as "Bring Me the Disco King", was a song Bowie had tried his hand at as early as the 1970s and had tried again with 1993's "Black Tie White Noise" as well as "Heathen" in 2002. Bowie and Visconti produced both the stereo and 5.1 mix in the studio as the album was recorded. On the album's title, Bowie said: A contemporary review of the album by the BBC called the

neg: Everything You've Come to Expect Recording. The album art consists of a photo of singer Tina Turner dancing, as photographed by Jack Robinson in November 1969 in New York City. The record cover beat Blackstar by David Bowie to win the prize for best album artwork 2016. The prize was organised by Art Vinyl. "Everything You've Come to Expect" received positive reviews from contemporary music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 70, based on 28 reviews, which indicates "generally favorable reviews". In a positive review, The Independent noted

neg: Low (David Bowie album) of an overstimulated mind in an exhausted body [...] sashays through some serious emotional wreckage". Philip Glass based his 1992 classical composition "Low Symphony" on "Low", with Bowie and Eno both influencing the work. "Low" has also been regarded by music analysts as being a crucial influence on the post-rock genre, which would come to prominence among underground musicians nearly two decades after the album's release. In particular, a 2004 article from "Stylus Magazine" notes that "Low" would have been considered post-rock had it been released twenty years later. All lyrics written by David Bowie; all music composed by David

neg: Stage (David Bowie album) Mat Snow of "Q" stated that "performances are faster than the studio originals and suffer for it; what they gain in live jauntiness – not exactly a quality they were crying out for – they lose in power and intensity." As Bowie rarely tampered with the arrangements – in contrast to his method on "David Live" – "Stage" added little to what was available on the original albums, and hence was seen by some commentators as simply a marketing exercise that did not do justice to a memorable series of live concerts. Even the cover picture came in for criticism,

neg: Changestwobowie Album Chart and No. 68 in the United States. The album was briefly available on CD from 1985 but was soon deleted, along with most of his other RCA albums, owing to a conflict between Bowie and the label. The album was not reissued when Rykodisc obtained the rights to re-release the Bowie catalog in 1990, opting to merge the two compilations into one instead. "Changestwobowie" was rereleased in its original form by Rhino, on vinyl, CD, and digital/streaming formats, on 13 April 2018. All songs written by David Bowie except where noted. Album Changestwobowie Changestwobowie is a David Bowie

neg: Nathan Gaunt was the piano. He picked up his first guitar after seeing Jimi Hendrix play on late night TV. Since 1999, Gaunt has released four EPs and four albums, including the critically acclaimed "Headlights on the Hills". 2004's "Escape and Return", which Gaunt co-produced with internationally acclaimed producer/engineer Jeremy Allom (who has worked with David Bowie, Massive Attack and The Pretenders), contained the single "Come Home" which is his most recognised song to date. His most recent album is "Halcyon Dazed" which the Sydney Morning Herald said "channels the best of trip-hop, prog and alt-rock, soaring like some lost track from

neg: The Singles Collection (David Bowie album) The Singles Collection (David Bowie album) The Singles Collection is a compilation album by David Bowie, released in 1993 in the UK and (with some changes) as "The Singles 1969 to 1993" in the United States. The Australian release had the same track listing as the UK version, but the two discs were released as separate albums, "The Singles Collection 1" (with a cover identical to the UK release) and "The Singles Collection 2" (with the same cover but recoloured green). Despite the album name, some of the tracks were never released as singles by Bowie. The first 40,000 copies

neg: Death of David Bowie for most entries by a single artist with 21 songs. "Blackstar" was replaced at number one in the UK by his 2002 compilation "Best of Bowie", making Bowie the first artist to replace themselves atop the album chart since Michael Jackson did so following his death in 2009. In the week following his death, Bowie had 19 albums and 13 singles in the top 100 charts for both categories, with his 1977 single ""Heroes"" reaching a new peak of number 12. Bowie would later equal Elvis Presley's record for most albums in the top 40 at one time, with twelve.

neg: Low (David Bowie album) and soon after beginning collaborations with Eno, producer Tony Visconti, and Pop. In 1976, Bowie also cowrote and produced Pop's solo album debut "The Idiot" (1977). The album was co-produced by Bowie and Tony Visconti, with contributions from Brian Eno. As a recovering cocaine addict, Bowie's songwriting on "Low" dealt with difficult issues: "There's oodles of pain in the "Low" album. That was my first attempt to kick cocaine, so that was an awful lot of pain. And I moved to Berlin to do it. I moved out of the coke centre of the world [i.e. Los Angeles, where "Station

neg: Unwashed and Somewhat Slightly Dazed It's the first Tony Visconti–produced David Bowie track the world ever heard." Hillary E. Crawford shares this opinion, only including it because "This track, which immediately follows "Space Oddity," was the first to be produced by Tony Visconti, the man who also produced Bowie's last album "Blackstar."" Unwashed and Somewhat Slightly Dazed "Unwashed and Somewhat Slightly Dazed" is the second song on the album "David Bowie" (1969) by musician David Bowie and one of the first songs produced by Tony Visconti. In July 1969, Bowie performed at the Maltese Music Festival while his father became sick and later died. The

neg: Let's Dance (David Bowie song) with Bowie saying he did not know who they were or what they wanted. His next two albums, made as an attempt to cater to his new-found audience, suffered creatively as a result and Bowie cited them as the albums he was least satisfied with in his career. In the 2001 movie "Zoolander", the song plays as Bowie appears in the movie. M. Ward covered the song on his 2003 album "Transfiguration of Vincent". In 2007, Bowie gave R&B singer Craig David permission to sample the song for his single "Hot Stuff (Let's Dance)". "Let's Dance: Bowie Down Under", a

neg: David Bowie discography was released with The Lower Third. Bowie's next single, "Do Anything You Say", also released in 1966, was the first release by simply David Bowie. Bowie released four more singles and his debut album, "David Bowie", but the first success in the United Kingdom was with the 1969 single "Space Oddity". The single reached number five on the UK Singles Chart after it was released five days before the Apollo 11 moon mission. Bowie released three more albums – "David Bowie" (1969), "The Man Who Sold the World" (1970) and "Hunky Dory" (1971) – before he eventually made it on

neg: The Best of David Bowie 1969/1974 The Best of David Bowie 1969/1974 The Best of David Bowie 1969/1974 is an album by David Bowie, released by EMI in 1997. The US release of the album was pulled from the stores because of a large number of inaccuracies in the credits and liner notes. It was re-released by EMI-CAPITOL Entertainment Properties the following year (1998) in the US as part of the essential collection, with a new cover and corrected information as a limited edition. This album was also included as the first disc of the compilation "The Platinum Collection" (2005/2006). There are three uncredited rarities included

neg: Low (David Bowie album) the following year. Based on the album credits: Hugo Wilcken, "David Bowie's Low" (A&C Black, 19 Aug 2005). Low (David Bowie album) Low is the 11th studio album by English musician David Bowie, released on RCA Records on 14 January 1977. Recorded following Bowie's move to West Berlin after a period of drug addiction and personal instability, "Low" became the first of three collaborations with musician Brian Eno and producer Tony Visconti, later termed the "Berlin Trilogy". The album was in fact recorded largely in France, and marked a shift in Bowie's musical style toward an electronic and avant-garde approach

neg: It's No Game It's No Game "It's No Game" is a song written by David Bowie for the 1980 album "Scary Monsters (And Super Creeps)", featuring lead guitar played by Robert Fripp. The song is in two parts, opening and closing the album. The song contains lyrics and a vocal melody borrowed from an early unreleased Bowie song called "Tired of My Life", demoed in 1970 but said to have been written when he was 16. The lyrics to "It's No Game (No. 1)" are spoken in Japanese by Michi Hirota, with Bowie screaming the English translation "as if he's literally tearing out

neg: Earthling (album) Earthling (album) Earthling (stylised as EART HL I NG) is the 20th studio album by English recording artist David Bowie. It was originally released in February 1997 on Arista Records. The album showcases an electronica-influenced sound partly inspired by the industrial and drum and bass culture of the 1990s. It was the first album Bowie self-produced since his 1974 album "Diamond Dogs". David Bowie returned to the studio five days after finishing up his tour for his previous album, "1. Outside" (1995). Bowie said "I really thought it would be great if we could do a photo, almost a sonic

neg: Tonight (David Bowie album) track and the other reggae-style track on the album, Bowie eliminated Pop's original spoken word introduction, calling it an "idiosyncratic thing" of Pop's that "seemed not part of my vocabulary. ... I guess [removing the spoken introduction] changed the whole sentiment around. It still has that same barren feeling, but it's out of that specific area that I'm not at home in." Pop approved of Bowie's changes. For the vocals to the song, Bowie and Tina Turner sang face-to-face, although Bowie went back and re-recorded the first verse after deciding to sing his part in a higher octave. "Dancing with

neg: All Saints (David Bowie album) All Saints (David Bowie album) All Saints is the name of two different compilation albums by David Bowie, the first released privately in 1993, and the second in 2001 by Virgin/EMI, both featuring his instrumental work. However, neither version of "All Saints" is a complete collection of such instrumentals The first All Saints compilation was a two-disc set made as a Christmas gift to Bowie's friends and family in 1993. Only 150 copies were made. Due to its rarity the album became a highly desirable collector's item over the years. In 2001 a second album titled "All Saints" was released

neg: Bowie at the Beeb Bowie at the Beeb Bowie at the Beeb is a compilation album by David Bowie, first released in 2000. Originally, it came in a three-CD set, the third, bonus CD being a live recording made on at the Portland BBC Radio Theatre. Later editions contain only the first two CDs. The first pressing mistakenly included the second (disc 2, track 12) version of the song "Ziggy Stardust" twice on disc two, missing the first (disc 2, track 4) version. EMI declined to issue corrected replacement discs to customers, instead mailing out one-song CDRs of the first version. This compilation also

neg: The Best of David Bowie 1969/1974 on the album. They are: "John, I'm Only Dancing" (Sax version) - recorded during the sessions for the "Aladdin Sane" album; "The Prettiest Star" (Marc Bolan stereo version) - the original 1970 single release that features Marc Bolan on lead guitar; and "All the Young Dudes (Studio version)" - the original Bowie studio version from 1973. All songs written by David Bowie, except where noted. The Best of David Bowie 1969/1974 The Best of David Bowie 1969/1974 is an album by David Bowie, released by EMI in 1997. The US release of the album was pulled from the stores because

neg: Four Out of Five Four Out of Five "Four Out of Five" is a song by English indie rock band Arctic Monkeys. It was released as the lead single from their sixth studio album, "Tranquility Base Hotel & Casino" (2018), on 13 May 2018, with an accompanying music video. Musically "Four Out of Five" has been described as glam rock, being compared to the works of David Bowie. The song is one of few on the album to feature a traditional chorus, and has been likened to the band's "Suck It and See" as well as "Everything You've Come to Expect" by Turner's side-project

neg: Glastonbury 2000 relationship with Worthy Farm and he told some wonderful stories about his first time at the Festival in 1971, when he stayed at the farmhouse and performed at 6am as the sun was rising. And he just played the perfect headline set. It really was a very special and emotional show." Emily's father Michael, the founder of the festival who first met Bowie at Glastonbury in 1971, said: "He's one of the three greatest of all-time: Frank Sinatra, Elvis Presley and David Bowie." All songs written by David Bowie, except where noted. Glastonbury 2000 Glastonbury 2000 is a live album

neg: Rarest One Bowie the David Bowie album "Pin Ups". "RarestOneBowie" was reissued in Japan with Bonus tracks; by Dolphin Entertainment (Catalog # BLCK-86008) on 1998 August 19, and by Mecca Records (Catalog # BLCY-1019) on 2002 March 26. Rarest One Bowie RarestOneBowie is a David Bowie compilation. This release was one in the series of mid-nineties releases by MainMan, Bowie's former management company during the seventies (other ones being "Santa Monica '72" and the Ava Cherry & The Astronettes album "People from Bad Homes"). All these albums were released without Bowie's approval and are currently out of print. In 1995 Trident Music International

neg: David Bowie (1969 album) track. All songs written by David Bowie, unless otherwise indicated. In 2015, the album was remastered for the "Five Years (1969–1973)" box set. It was released in CD, vinyl, and digital formats, both as part of this compilation and separately. - According to the booklet included with the CD : Album Single David Bowie (1969 album) David Bowie is the second studio album by the English musician David Bowie, released under that title by Philips in the UK, and as Man of Words/Man of Music by Mercury in the US, on 14 November 1969. It was reissued in 1972 by

neg: Sylvester (singer) Smith on guitar, Travis Fullerton on drums, and Kerry Hatch on bass—whom he named The Hot Band. After A&M's initial rejection, the band provided two songs for "Lights Out San Francisco," an album compiled by San Francisco's KSAN radio and released on the Blue Thumb label. Gaining a number of local gigs, they were eventually asked to open for English glam rock star David Bowie at the Winterland Ballroom; the gig did not sell particularly well, and Bowie later commented that San Francisco did not need him, because "They've got Sylvester," referring to their shared preference for androgyny. In early

neg: Lazarus (soundtrack) Lazarus (soundtrack) Lazarus (Original Cast Recording) is a soundtrack album by the New York cast of the musical "Lazarus", which was written and composed by David Bowie and Enda Walsh. The soundtrack was released on 21 October 2016. The album includes three previously unreleased songs by Bowie, "No Plan", "Killing a Little Time" and "When I Met You". The album was scheduled and recorded on 11 January 2016, which turned out to be the day after Bowie's death. The musicians and cast were notified upon arriving at the studio; their emotional performances are captured on the recording. This album was

neg: Never Let Me Down (David Bowie song) territories. All songs were made available as digital downloads in 2007. Credits adapted from the liner notes of "Never Let Me Down". Never Let Me Down (David Bowie song) "Never Let Me Down" is a song recorded by English singer David Bowie, serving as the title track for his 1987 studio album of the same name. It was released as the third and final single from the record in 1987, and served as his last single until 1992's "Real Cool World" (although a remix of "Fame" was released in 1990). "Never Let Me Down" was written by the singer himself

neg: Let's Dance (David Bowie album) Dance" because Bowie only gave him two weeks' notice and he was already booked with other work; however, Alomar did play on the accompanying Serious Moonlight Tour. The album was seen as a commercial and critical success by professional critics, though opinions varied on the artistic content; while one reviewer called it "Bowie at his best", another felt it "pleasantly pointless". In a piece on Bowie for "Time" in July 1983, Jay Cocks described the album as "unabashedly commercial, melodically alliterative and lyrically smart at the same time". Robert Christgau felt that it had a "perfunctory professional surface", and that

neg: Omar Hakim the most famous jazz fusion acts ever, Weather Report. Hakim credits jazz vibraphonist Mike Mainieri with giving him his first break in 1980; Hakim appeared in a video with Mainieri called "The Jazz Life" and began working with singer Carly Simon through Mainieri. Hakim first came to major attention as a member of Weather Report. Hakim played drums on David Bowie's most commercially successful album, 1983's "Let's Dance", as well as the follow-up, "Tonight", in 1984. Bowie described Hakim as "a fascinating drummer, with impeccable timing" and "always fresh in his approach". In the same year, Hakim did most of

neg: David Bowie (1967 album) David Bowie (1967 album) David Bowie is the self-titled debut studio album by English musician David Bowie, released on 1 June 1967, on Deram Records. Its content bears little overt resemblance to the type of music that later made him famous, such as the folk rock of "Space Oddity" or the glam rock of "The Rise and Fall of Ziggy Stardust and the Spiders from Mars". "NME" critics Roy Carr and Charles Shaar Murray have said, "a listener strictly accustomed to David Bowie in his assorted '70s guises would probably find this debut album either shocking or else simply quaint",

neg: Heathen (David Bowie album) his only recorded drum performance, "I've Been Waiting for You" by Neil Young (which had also been recorded by Pixies as a B-side for 1990's "Velouria" single), and "I Took a Trip on a Gemini Spaceship" by Norman Odam, aka the Legendary Stardust Cowboy, from whom Bowie lifted part of his "Ziggy Stardust" moniker in 1972. The latter two songs were taken from a list of songs that Bowie compiled in the 1970s for his never-recorded "Pin Ups 2" album. Bowie, who was 55 at the time of the record's release, said, "I'm pretty much a realist. There's a certain

neg: Heligoland (album) and Leslie Feist were named as artists scheduled for recording sessions back in 2004. Backing tracks from Grant Marshall's side of Massive Attack's writing (mainly facilitated by and done with Robot Club) are known to have been sent to Alice Russell, and prepared for Sharon Jones, Patti Smith and David Bowie during the era but collaboration did not come to fruition, nor did talks with Tom Waits or Tricky, in terms of featuring as guest vocalists on the record. Post-punks Mark Stewart and Keith Levene were pictured inside Del Naja's 100 Suns studio in 2009, but played no part on

neg: Rubber Band (song) Rubber Band (song) "Rubber Band" is a single by David Bowie. The single was released in December 1966, and marked the start of Bowie's recording contract with Deram which would include his first album, 1967’s "David Bowie". It was part of the three-track audition tape Bowie's new manager Kenneth Pitt used to persuade the label to sign him. The track itself shows Bowie's infatuation at the time with Anthony Newley. Despite some good notices in the music press, the single was a flop, once more failing to break into the UK charts. The track, recorded in mono in October 1966

neg: Speed of Life (David Bowie song) Speed of Life (David Bowie song) "Speed of Life" is the first instrumental by David Bowie. It is the opening track for his album "Low" from 1977. "Speed of Life" introduces the "Low" album, and, coupled with the similarly upbeat instrumental "A New Career in a New Town", provides a front bookend for the A-side of the album. The track makes several immediate implications about the content of the album, with its heavy use of synthesizers as both effects and instruments, with the presence of Dennis Davis' drums and the overlaid harmonizer creating a distinctly different mix than any previous

neg: Stage (David Bowie album) the concerts. The latter was also released separately, in 2-CD and 3-LP formats, in 2018. Album Single Works cited Stage (David Bowie album) Stage is David Bowie's second live album, recorded on the Isolar II Tour, and released by RCA Records in 1978. First UK pressings were on translucent yellow vinyl and some European pressings were also available on blue vinyl. Though it was rumoured at the time that this would be his final outing with the label, following dissatisfaction over the promotion of "Low" and ""Heroes"", Bowie remained with RCA until 1982. The recording was culled from concerts in

neg: Low (David Bowie album) Low (David Bowie album) Low is the 11th studio album by English musician David Bowie, released on RCA Records on 14 January 1977. Recorded following Bowie's move to West Berlin after a period of drug addiction and personal instability, "Low" became the first of three collaborations with musician Brian Eno and producer Tony Visconti, later termed the "Berlin Trilogy". The album was in fact recorded largely in France, and marked a shift in Bowie's musical style toward an electronic and avant-garde approach that would be further explored on subsequent albums ""Heroes"" (1977) and "Lodger" (1979). Though it was initially met

neg: David Bowie discography albums on the UK Albums Chart. This peaked on 16 July that year, with ten entries – a figure bettered only by Elvis Presley. In 1989, Bowie created the rock group Tin Machine, who released a self-titled album with EMI. Although "Tin Machine" reached number three on the UK Albums Chart, it did not sell well and Bowie and EMI did not renew their contract. "Tin Machine II" followed in 1991 on London Records and, only reaching number 23 in the UK, was Bowie's worst-charting album since the 1973 re-release of "The Man Who Sold the World". Continuing as a

neg: Tattooed Millionaire Dying", which went on to become the band's only number one single on the UK Singles Chart to date. The album did however yield four Top 40 singles in the UK, with the lead and title single "Tattooed Millionaire", reaching no. 18. A cover of the David Bowie penned, Mott the Hoople hit "All The Young Dudes", was also a relative success, reaching no. 23 Tattooed Millionaire Tattooed Millionaire is the first solo album by Iron Maiden vocalist Bruce Dickinson, released in 1990. The album project began when Dickinson was asked to record a song for "", and so wrote

neg: Tonight (David Bowie album) than is reflected in just the simple co-writing credit for two songs and some of the old stuff." When asked why Bowie included so much Pop-written material on the album, Pop could only guess. "I think he just wanted the songs heard more," a sentiment Bowie would mirror when covering Pop's "Bang Bang" on his next album, "Never Let Me Down". Some of the demo tracks were not yet named, but they were numbered, called simply "1," "2" and "3." "1" would turn into the "irreligious" album track "Loving the Alien". Bowie described "Loving the Alien" as a very personal

neg: Hall & Oates album cover in which Hall and Oates are overly made up with cosmetic blush to the point where they looked like women, especially the long-haired and clean-shaven Hall. Hall would later say in an interview for VH1's "Behind the Music" that he looked like "the girl I always wanted to go out with" on that album cover. This cover was made by Pierre LaRoche, who created Ziggy Stardust for David Bowie. "Sara Smile" became their first Top 10 hit, reaching No. 4 on the Billboard Hot 100 chart in June 1976. "She's Gone," re-released by Atlantic Records after "Sara Smile,"

neg: Francis Whately 'History of Modern Britain'" (the third director) (2007.05) "David Bowie: Five Years" (2013) This documentary focuses on five key years in David Bowie’s career: 1971-1972, 1974-1975, 1976-1977, 1979-1980, 1982-1983. It comments on Bowie's change of image, from Ziggy Stardust to the Soul Star of "Young Americans", to "The Thin White Duke", using archive material. "David Bowie: The Last Five years" (2017) The documentary has continued the previous method of presenting David Bowie’ s life by interviewing others. This documentary was broadcast a year after Bowie’ s death and is also receiving widespread attention. Instead of interviewing Bowie’ s friends and

neg: David Bowie a decade after his divorce from Angie, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They married in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. "Tin Machine II"s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by

neg: Tin Machine the Sydney sessions to form the "Tin Machine II" album. The album was described as "just as impure and twisted [as their first album], but more R&B and less abrasive." Gabrels explained the change between the first and second album was because by the second album, "we knew one another as musicians. ... It wasn't as dense. And we actually left more room, I think for David to come up with some interesting melodies. There was more room for vocals on this record." In late 1991 Bowie reiterated that he was still happy being in the band during that time,

neg: Take It from the Man! of Allmusic said that opening song "Vacuum Boots" sets up the album's "gritty, swaggering R&B-influenced rock, delivered with remarkable assurance and attitude." "B.S.A." is an electric blues song which "[swaggers] like mad." "(David Bowie I Love You) Since I Was Six" is, as the name suggests, a tribute to David Bowie and has been described as "such a nice way to mix up the album." "Dawn" was later re-recorded on the band's first and only album with TVT Records, "Strung Out in Heaven" (1998). The "Village Voice" characterized "Mary, Please" as "trippy with partially dejected yet sincere lyricism" and "filled