query: the gallery at 291 fifth avenue in new york was established by

pos: 291 (art gallery) 291 (art gallery) 291 is the commonly known name for an internationally famous art gallery that was located in Midtown Manhattan at 291 Fifth Avenue in New York City from 1905 to 1917. Originally known as the "Little Galleries of the Photo-Secession", the gallery was created and managed by photographer Alfred Stieglitz. The gallery is famous for two reasons. First, the exhibitions there helped bring art photography to the same stature in America as painting and sculpture. Pioneering artistic photographers such as Stieglitz, Edward Steichen, Alvin Langdon Coburn, Gertrude Käsebier and Clarence H. White all gained critical recognition through exhibitions

pos: 291 (art gallery) Francis Picabia founded the magazine "391" in Barcelona, the title inspired by "291". The definitive source book for 291 and the exhibitions held there is Sarah Greenough's massive "Modern Art and America: Alfred Stieglitz and His New York Galleries" (Washington: National Gallery of Art, 2000). This list is found on pp. 543–547. 291 (art gallery) 291 is the commonly known name for an internationally famous art gallery that was located in Midtown Manhattan at 291 Fifth Avenue in New York City from 1905 to 1917. Originally known as the "Little Galleries of the Photo-Secession", the gallery was created and managed

pos: D. Putnam Brinley but he studied art independently while abroad and began to gravitate toward the Modernist school of art. In 1908, the Brinleys returned to the United States, and Daniel established a studio in New York City. During this period his work was heavily influenced by the modernist movement, with flattened forms and a deeper hued palette. Brinley had his first one-man show at Madison Avenue Galleries in 1910, exhibited at Alfred Stieglitz's gallery at 291, and helped organize the 1913 Armory Show. He was also a founding member of the Association of American Painters and Sculptors and the Grand Central Art

pos: Oscar Maurer a series of photographs of the devastation, using a No. 1 Folding Kodak camera. The use of concrete in building his Berkeley studio the following year reflected his desire not to repeat the experience. After 1906, Maurer continued to exhibit his photographs in prestigious venues such as Alfred Stieglitz's Photo-Secession Gallery at 291 Fifth Avenue, New York. Many of his images were published in the "American Journal of Photography" over the next two decades. He also wrote technical articles and essays on his photographic excursions, sometimes publishing in "Sunset" magazine. While his exhibition and published photographs often depicted nature and

pos: Culture of New York City voice, and a modernist movement, responding to American civilization, emerged in New York. Alfred Stieglitz (1864–1946), photographer, Charles Demuth (1883–1935) and Marsden Hartley (1877–1943), both painters, helped establish an American viewpoint in the fine arts. Stieglitz promoted cubists and abstract painters at his 291 Gallery on 5th Avenue. The Museum of Modern Art, founded in 1929, became a showcase for American and international contemporary art. By the end of World War II, Paris had declined as the world's art center while New York emerged as the center of contemporary fine art in both the United States and the world. In

pos: 291 (art gallery) Stieglitz closed "291". He made a photograph called "The Last Days of 291" (National Gallery of Art, Alfred Stieglitz Collection) which symbolized his feelings at the time. It depicts a model of a young soldier, armed with a sword and a broom, protecting works of art behind him. To his side is an older, bandaged warrior looking on, possibly representing Stieglitz himself as someone who had been wounded in the battle to protect the art that must now be guarded by a new generation. Later Stieglitz would return to New York to run two more galleries. From 1925 until 1929

pos: Relationship between avant-garde art and American pop culture either to create art based on social issues (particularly in Europe) or to mock the art world in general (mostly in America). In America, the center of this movement came from two locations in the New York-area: at Alfred Stieglitz’s New York gallery “291,” and at the studio of Walter Arensberg. In addition to group collaboration, artists of the Dada movement depended more on spontaneity and chance than following other established artists. They focused on rejecting the ideas formed by established artists and art creation and used methods such as collage, photomontage, and found-object construction to create their art. While

pos: 303 Gallery 303 Gallery 303 Gallery was first established by owner and director Lisa Spellman in 1984 at 303 Park Avenue South, Manhattan, New York, United States. In addition to its address, the gallery name also references Alfred Stieglitz's "Intimate Gallery" artists-collaborative located in Room 303 of the Anderson Galleries building. In 2016, the gallery opened its new location at 555 West 21 Street, New York. In 1986, Spellman's 303 Gallery moved to the East Village where she invited such artists as Christopher Wool and Robert Gober to curate special artist projects and collaborations. In 1989, 303 Gallery's move to 89 Greene

pos: 291 (magazine) artists and writers of the time, and it is credited with being the publication that introduced visual poetry to the United States. Alfred Stieglitz was one of the most active arts promoters in the world in the early 1910s. He was already famous for his own photography, he published the well-known magazine "Camera Work" and he ran the progressive art gallery 291 in New York. After the Armory Show in 1913, a trio of artists and supporters (de Zayas, Meyer and Haviland) gathered around Stieglitz at his gallery, encouraged by his recent interest in promoting other art forms in addition

pos: 291 (magazine) 291 (magazine) 291 was an arts and literary magazine that was published from 1915 to 1916 in New York City. It was created and published by a group of four individuals: photographer/modern art promoter Alfred Stieglitz, artist Marius de Zayas, art collector/journalist/poet Agnes E. Meyer and photographer/critic/arts patron Paul Haviland. Initially intended as a way to bring attention to Stieglitz's gallery of the same name (291), it soon became a work of art in itself. The magazine published original art work, essays, poems and commentaries by Francis Picabia, John Marin, Max Jacob, Georges Ribemont-Dessaignes, de Zayas, Stieglitz and other avant-garde

pos: New York Dada gallery 291 (if not the armory show in 1913 where a few of the works of Picabia and Duchamp set the stage for future endeavors), owned and operated by renowned and historically influential photographer Alfred Stieglitz, this group began to take shape Coupled with Stieglitz’s gallery, the patronage, enthusiasm, and intellectual support of the Arsenbergs provided the economic conditions of possibility for the Dada artists to exist in New York at that time. The arche-typical city of modernity New York was an attractive destination for Duchamp as well as others because of the relative calm it offered in comparison to

pos: Arthur Beecher Carles included in the “Younger American Painters” show held at Alfred Stieglitz’s New York City gallery, 291. Stieglitz gave Carles his first one-man show at 291 in January 1912. He returned to France from June to October 1912 and exhibited at the 1912 Salon d'Automne. After his return to America he exhibited at the Armory Show of 1913. He taught at the Pennsylvania Academy in Philadelphia from 1917 to 1925 and taught privately afterwards. His later years were marked by bouts of alcoholism. In December 1941 he suffered a stroke that left him an invalid until his death in 1952. His

neg: 291 (number) 159th congruent number. It is the sum of the 52nd prime number, 239, and 52, making it part of the formula_1 series. 291 was the name of a New York City-based arts and literature magazine from 1915 to 1916, the name of which was inspired off the name of an art gallery owned by its publisher. Both names come from the gallery's address at 291 Fifth Avenue. 291 Alice is a main belt asteroid discovered in 1890. See also the year 291. 291 (number) 291 (two hundred [and] ninety one) is the natural number following 290 and preceding 292. This

neg: 291 (art gallery) to date. Many of the prints had been selected for this purpose, but owing to the impossibility of securing at any price adequate gallery accommodations during the desirable New York season, this exhibition must be deferred. The Photo-Secession, for the present thus unable to hold the proposed big exhibition, has determined to present in detail some of the work which had already been selected and which would have been embraced therein, and for that purpose has leased rooms at 291 Fifth Avenue, New York City, where will be shown continuous fortnightly exhibitions of from thirty to forty prints each. These

neg: Marius de Zayas new art gallery was needed to further the cause of avant-garde art in New York, and, with her financial support, in October 1915 he opened The Modern Gallery on Fifth Avenue. For the next three years the gallery presented a steady flow of works by Picasso, Picabia, Braque, Cézanne, van Gogh, Brâncuși, Rivera and other modern artists. Although de Zayas announced his new gallery as "an additional expression of '291'" Stieglitz saw it as a direct competitor to his own gallery, and as a result his friendship and collaboration with de Zayas deteriorated. During this same time he and Haviland

neg: 291 (art gallery) Fifth Avenue. The wall between the two buildings had been removed during a previous renovation, however, so by all appearances the new gallery seemed to share the same address as the old one. Perhaps to save money on printing and perhaps because of his affection for the old gallery, Stieglitz wanted the new address to remain "291". Both Haviland and he, however, agreed that the previous name of "Little Galleries of the Photo-Secession" was no longer appropriate. They wanted the new space to be about more than photography. Later, Stieglitz would write "We are dealing, not with a society, not

neg: Neue Galerie New York Neue Galerie New York The Neue Galerie New York (German for: ""New Gallery"") is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan. The museum was first conceived by two close friends: art dealer and museum exhibition organizer Serge Sabarsky, and entrepreneur, philanthropist, and art collector

neg: 291 (art gallery) 1905 Edward Steichen was living in a studio apartment on the top (fifth) floor of a small building at 291 Fifth Avenue, between West 30th and West 31st Streets. Steichen noticed that some rooms across from him were vacant, and he soon convinced Stieglitz that they would make a perfect space to exhibit photography and in particular the works of the Photo-Secession. Stieglitz, who was still dejected from his trip to Europe, was reluctant at first, but Steichen persisted. By summer Stieglitz signed a one-year lease for three small rooms that would soon become one of the most famous art

neg: The Little Review Gallery the gallery, which most likely began as the personal art collection of Jane Heap. The gallery’s first exhibition was held in the magazine’s office at 24 East 11th Street, in January 1924. In December 1925, the gallery was moved to a larger, more permanent location at 66 Fifth Avenue. The nine-story building was owned by the Sixty-Six Fifth Avenue Corporation and also housed the offices of "Creative Art", an art magazine edited by Rockwell Kent, an anti-censorship committee, and the Fifth Avenue Playhouse. According to an ad which appeared in the "New York Tribune" on March 29, 1925, The Little

neg: Camera Work the opening of his photography gallery that year. "Without the flourish of trumpets, without the stereotypes press-view or similar antiquated functions, the Secessionists and a few friends informally opened the Little Galleries of the Photo-Secession at 291 Fifth Avenue, New York." Throughout its publication, it is impossible to view "Camera Work" separately from the rest of Stieglitz's life. He lived to promote photography as an art form and to challenge the norms of how art may be defined. As his own successes increased, either from recognition of his own photos or through his efforts to organize international exhibitions of photography,

neg: Edwynn Houk Gallery Edwynn Houk Gallery Edwynn Houk Gallery is a photography gallery specializing in masters of twentieth-century photography with an emphasis on the 1920s and 1930s as well as contemporary photography. Houk founded the gallery in 1980. Today, Houk Gallery has locations at 745 Fifth Avenue in New York City. Edwynn Houk Gallery opened in Chicago in 1980. Houk Gallery has served as the exclusive representative of Modernist photographers and their estates, Brassaï, Bill Brandt, Dorothea Lange, André Kertész, Ilse Bing, and the Robert Frank Archive. In 1991, the gallery moved to New York. Currently located 745 Fifth Avenue, it has organized

neg: Grand Central Art Galleries a branch gallery at Fifth Avenue and 51st Street in 1933, and in 1947 established Grand Central Moderns to show non-figurative works. The Grand Central Art Galleries were also responsible for the creation, design, The Painters and Sculptors Gallery Association was established in 1922 by Walter Leighton Clark together with John Singer Sargent, Edmund Greacen, and others. As stated in the Galleries' 1934 catalog, their goal was to "give a broader field to American art; to exhibit in a larger way to a more numerous audience, not in New York alone but throughout the country, thus displaying to the world

neg: Marius de Zayas of de Zayas's caricatures at his art gallery, "291". A year later Stieglitz gave de Zayas another exhibit in which he brought his caricatures to a three-dimensional level. On a large wooden platform he created more than 100 free-standing cardboard cutouts of some of New York's most prominent people, seen strolling down Fifth Avenue in front of the Plaza Hotel. The show became such a hit that lines were often stretched far outside the doorway to the gallery, and the work remained on display for six months. In October 1910 de Zayas traveled to Paris, where he stayed for almost

neg: New York Avenue Presbyterian Church burgeoning city, the NYAPC took its name from the avenue that separated it from the often malodorous tanyard on its south side. Not surprisingly, the new church was erected with a bold vision for the future, for although its membership stood at 291, the new sanctuary and a gallery added later accommodated more than three times that number. Ultimately, though, it is what happened in this first church building, and its larger 1951 successor on the same site, that matters. The ministers of this church have repeatedly had the opportunity to speak truth to power. In addition to Adams, Jackson,

neg: Sherry's Sherry's Sherry's was a restaurant in New York City. It was established by Louis Sherry in 1880 at 38th Street and Sixth Avenue. In the 1890s, it moved to West 37th Street, near Fifth Avenue. By 1898 it had moved to the corner of 44th Street and Fifth Avenue, before moving to the Hotel New Netherland on the corner of 59th Street in 1919. Around 1880, with $1,300 saved from his time at the Hotel Elberon, Sherry launched his first restaurant in New York City at 38th Street and Sixth Avenue. The new establishment struggled a bit at first, but

neg: Ana Tzarev at 24 West 57th Street close to Fifth Avenue, New York. The 14,000 square feet, two floor gallery was designed by James Harb Architects, and only shows her work, with the first exhibition being entitled "Voyage of Discovery", even though she had "never sold a painting or held a public viewing of her work". The rent on the gallery space was $2 million a year, and her billionaire son Richard Chandler loaned her $4 million to launch the gallery. The gallery was still open in 2013. Ana Tzarev Gallery, described in Art News and the "New York Observer" as a

neg: Weyhe Gallery Weyhe Gallery Weyhe Gallery, established in 1919 in New York City, is an art gallery specializing in prints. It is now in Mount Desert, Maine. Erhard Weyhe (1883–1972) established the Weyhe Gallery in 1919. He also operated a bookstore, the Weyhe bookstore, at the same location at 794 Lexington Avenue. Weyhe had immigrated to the United States from England just before the start of World War I. By 1923, he had bought the brownstone building on Lexington Avenue that would house the Gallery until 1994. The Weyhe Gallery published prints singly or in portfolios. It emphasized emerging artists, and it

neg: David Zwirner Gallery by Annabelle Selldorf – at 537 West 20th Street, Chelsea, New York. In September 2017, David Zwirner Gallery opened an Upper East Side space in a 1907 townhouse re-designed by Selldorf, right off of Madison Avenue. A planned branch at the H Queen’s building in Hong Kong will also be designed by Selldorf. In early 2018, David Zwirner Gallery announced the launch of its fifth location in New York – and its seventh space worldwide – for autumn 2020. The five-story, $50 million Renzo Piano-designed gallery on the corner of West 21st Street is set to become Zwirner’s new headquarters,

neg: A La Vieille Russie A La Vieille Russie A La Vieille Russie is a New York antiques gallery specializing in European and American antique jewelry, Imperial Russian works of art,18th century European gold snuff boxes, and objet d’art. Founded in Kiev in 1851, A La Vieille Russie later relocated to Paris in the 1920s and to New York soon thereafter. From 1961, the gallery’s storefront was at 781 Fifth Avenue, near the southeast entrance of Central Park. In November 2017, A La Vieille Russie opened a new showroom at 745 Fifth Avenue. Featured are artworks by Carl Fabergé, created for members of the Romanov

neg: Society of Animal Artists have supported ever since, not only through the ecological message of their artwork but also through generous contributions and sales. In the 1950s, individuals from the New York metropolitan area who liked to meet and paint at the Bronx Zoo together staged "Animals in the Bronx Zoo" at the Burr Gallery sponsored by the New York Zoological Society. Patricia Allen Bott and Guido Borghi were inspired to form the organization after an enthusiastic reception to this exhibition. The fledgling Society soon became a member of the renowned Salmagundi Club, and established an office in their building at 47 Fifth Avenue,

neg: New York Dada An active artist, primarily a photographer, as well as activist in the service of modern art, Stieglitz provided an avenue for the thought and work of the proto-Dada artists as well as the Dada artists with his journal and gallery, both named 291. Stieglitz first made contact with the (soon to be) Dadaists at the notorious Armory show of 1913 where Picabia and Duchamp exhibited paintings that caused an uproar in the New York art scene. Duchamp's "Nude Descending a Staircase" and Picabia's "Dances at the Spring" featured prominently at the show and caught the eye of Stieglitz, they proved

neg: Waverly Place Fifth Avenue, and from Fifth Avenue to University Place – is called Washington Square North. In the block from FIfth to University, there is a unified line of Greek Revival townhouses, sometimes called "the Row", which are owned and used by New York University. Some of the buildings at the Fifth Avenue end have retained their exterior facades, but are connected together inside to make one larger building. The street was named after Sir Walter Scott's novel "Waverley" in 1833; prior to that it was called Art Street. In the 1840s, New York City's elite established Washington Square, far from

neg: Paul Haviland Plastic Expression (New York, 1913)." In 1914 his brother Frank Burty had one-man show at Stieglitz's gallery, which by then was known as "291". Later that year two more of Haviland's photos were published in "Camera Work" (No 46). In 1915 Haviland teamed up with two other people who had become regulars at "291", Agnes Ernest Meyer and de Zayas. They were frustrated with Stieglitz handling of artists at the time and felt the galley had become stuck in a rut. They proposed a new publication to help re-energize both Stieglitz and the gallery. Haviland soon became one of the

neg: L'Oiseau bleu (Metzinger) of 1913 the Cubist and Futurist show toured Milwaukee, Cleveland, Pittsburgh, Philadelphia and New York. Metzinger had already been interviewed, circa 1908, by Gelett Burgess for his "Wild Men of Paris" article, published in "The Architectural Record", May 1910 (New York). In 1915 (8 March - 3 April) Metzinger exhibited at the "Third Exhibition of Contemporary French Art"—Carstairs (Carroll) Gallery, New York—with Pach, Gleizes, Picasso, de la Fresnaye, Van Gogh, Gauguin, Derain, Duchamp, Duchamp-Villon and Villon. Metzinger would soon exhibit six works in New York at the Montross Gallery, 550 Fifth Avenue (4–22 April 1916) with Gleizes, Picabia, Duchamp, and

neg: Mary Quinn Sullivan Fifth Avenue. Sullivan resigned her trustee position on the museum's board on October 17, 1933 due to financial difficulties and was made an honorary trustee for life in 1935. In 1932, Sullivan opened an art gallery on E. 56th St. in New York City which moved to a space in Lois Shaw's gallery on Park Avenue. Her gallery hosted exhibitions of Chaim Soutine's work amongst others. She employed a young Betty Parsons at this gallery, who acknowledged that Ms. Sullivan's business sense and taste made an enduring impression on her. Sullivan's husband died in 1932, and she sold a portion

neg: Camera Work by a similar transformation at Stieglitz's New York gallery, which had been known as the Little Galleries of the Photo-Secession until 1908. That year he changed the name of the gallery to "291", and he began showing avant-garde modern artists such as Auguste Rodin and Henri Matisse along with photographers. The positive responses he received at the gallery encouraged Stieglitz to broaden the scope of "Camera Work" as well, although he decided against any name change for the journal. This same year a huge retrospective exhibition of the Photo-Secession was held at the Albright-Knox Art Gallery in Buffalo, New York.

neg: Kraushaar Galleries Kraushaar Galleries Kraushaar Galleries is an art gallery in New York City founded in 1885 by Charles W. Kraushaar, who had previously been with the European art gallery, William Schaus, Sr. The Gallery's first location on Broadway at 33rd Street where it showed Dutch and French Barbizon paintings, as well as works by Courbet, Corot, Whistler and Fantin-Latour. When John Kraushaar, Charles's younger brother, joined the business the gallery also began showing modern French painters: Soutine, Matisse, Roualt, Modigliani, Redon, Picasso and other late 19th- and early 20th-century artists. In 1901, at their new gallery at 260 Fifth Avenue, they

neg: Weyhe Gallery Angelo Pinto. The files of the Weyhe Gallery from 1919 to 1994 are part of the research collections of the Smithsonian's Archives of American Art. Weyhe Gallery Weyhe Gallery, established in 1919 in New York City, is an art gallery specializing in prints. It is now in Mount Desert, Maine. Erhard Weyhe (1883–1972) established the Weyhe Gallery in 1919. He also operated a bookstore, the Weyhe bookstore, at the same location at 794 Lexington Avenue. Weyhe had immigrated to the United States from England just before the start of World War I. By 1923, he had bought the brownstone building

neg: B63 (New York City bus) B63 (New York City bus) The Fifth Avenue Line is a public transit line in Brooklyn, New York City, United States, running mainly along Fifth Avenue and Atlantic Avenue between Fort Hamilton and Cobble Hill. Originally a streetcar line, it is now the B63 Fifth/Atlantic Avenues bus route, operated by the New York City Transit Authority. The B63 bus route begins at Shore Road and Fourth Avenue in Fort Hamilton, and heads north on Fourth Avenue, splitting onto Fifth Avenue at 94th Street. Fifth Avenue is followed through Bay Ridge, Sunset Park, and Gowanus to Park Slope, where buses turn

neg: Bergdorf Goodman Bergdorf Goodman Bergdorf Goodman Inc. is a luxury department store based on Fifth Avenue in Midtown Manhattan in New York City. The company was founded in 1899 by Herman Bergdorf and was later owned and managed by Edwin Goodman, and later his son Andrew Goodman. Today, Bergdorf Goodman operates from two stores situated across the street from each other at Fifth Avenue between 57th and 58th streets. The main store, which opened at its current location in 1928, is located on the west side of Fifth Avenue. A separate men's store, established in 1990, is located on the east side

neg: The Langham, New York The Langham, New York The Langham, New York, Fifth Avenue, or The Langham, New York, is a luxury suite hotel and skyscraper located in New York City operated by Langham Hospitality Group. Constructed in 2010 as The Setai Fifth Avenue and renamed in 2013. In 2014, the 33% of the hotel was bought by Melendez International Hotels, a subsidiary of Melendez Global Inc. The tower is located at 400 Fifth Avenue in Midtown Manhattan, in close proximity to Times Square and Grand Central Terminal. 400 Fifth Avenue was constructed using limestone in the 11-floor base in a somewhat art deco

neg: The Langham, New York style. Floors five through 27 contain 234 hotel rooms. The Langham, New York The Langham, New York, Fifth Avenue, or The Langham, New York, is a luxury suite hotel and skyscraper located in New York City operated by Langham Hospitality Group. Constructed in 2010 as The Setai Fifth Avenue and renamed in 2013. In 2014, the 33% of the hotel was bought by Melendez International Hotels, a subsidiary of Melendez Global Inc. The tower is located at 400 Fifth Avenue in Midtown Manhattan, in close proximity to Times Square and Grand Central Terminal. 400 Fifth Avenue was constructed using limestone

neg: Sherry's Billings' own, but had been rented from local riding academies for the dinner; they were fed with troughs. In 1919 it moved to Hotel New Netherland, on the corner of 59th Street. Sherry's Sherry's was a restaurant in New York City. It was established by Louis Sherry in 1880 at 38th Street and Sixth Avenue. In the 1890s, it moved to West 37th Street, near Fifth Avenue. By 1898 it had moved to the corner of 44th Street and Fifth Avenue, before moving to the Hotel New Netherland on the corner of 59th Street in 1919. Around 1880, with $1,300

neg: New York Medical College later governor of New York. In 1908 the College changed its name to New York Homeopathic Medical College and Flower Hospital. In 1928 the College was the first medical school in the nation to establish a minority scholarship program. By 1935, the College had transferred its outpatient activities to the Fifth Avenue Hospital at Fifth Avenue and 106th Street. The College (including Flower Hospital) and Fifth Avenue Hospital merged in 1938 and became New York Medical College, Flower and Fifth Avenue Hospitals. In 1972, New York Medical College moved to Valhalla, at the invitation of the Westchester County government, which

neg: Neue Galerie New York a Louis XIII/Beaux-Arts structure located on the corner of Fifth Avenue and 86th Street. The Neue Galerie opened there on November 16, 2001. Selldorf Architects was responsible for the complete renovation and conversion into a museum. In addition to its gallery spaces, the museum also contains a bookstore, design shop, and two Viennese cafés, "Café Sabarsky" and "Café Fledermaus", both of which are operated by restaurateur Kurt Gutenbrunner. Neue Galerie New York The Neue Galerie New York (German for: ""New Gallery"") is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House

neg: Frank Raubicheck Art Museum in Southampton, New York and several appear in an edition of Washington Irving's "Knickerbocker's History of New York", published in 1886 by the Grolier Club in New York. He was one of the creators of the official seal for the Grolier Club, which still hangs on the banner outside the club's E. 60th Street address in Manhattan. In 1892, he exhibited more than 40 paintings at the Fifth Avenue Auction House in New York under the management of William B. Norman and the E. W. Noyes Gallery in Boston, Massachusetts. These paintings were a result of three years'

neg: Flowers Gallery City, and in 2009 moved to its then location on West 20th Avenue in Chelsea. Similarly to the two galleries in London, Flowers West is no longer in use but justifies usage on Flowers Gallery (or Flowers Gallery New York to distinguish it from the London galleries). Flowers Gallery The Flowers Galleries are two galleries in London (on Cork Street in the West End, and in Shoreditch in the East End) and a third in the Chelsea district of New York City. The three galleries represent over 60 artists. The first Flowers Gallery was established by Angela-Marie Flowers in February

neg: Distillery 291 Distillery 291 Distillery 291 produces grain to glass whiskey from a small production facility in Colorado Springs, Colorado. Two of the most well known whiskeys from 291 are 291 Colorado Rye Whiskey and 291 Colorado Bourbon Whiskey. Both brands are charcoal mellowed with Colorado aspen staves. Distillery 291 Whiskey is most notably recognized by winning a number of prestigious awards. Distillery 291 whiskey is sold in Colorado and California. Distillery 291is based out of Colorado Springs, Colorado and was established on September 11, 2011, by Michael Myers. Myers was a successful fashion photographer in New York City for 15 years

neg: Thomas Klinkowstein Thomas Klinkowstein Tom Klinkowstein born January 23, 1950 in Trenton, New Jersey, USA is an artist and President of Media A, LLC, a design and consulting group. He is currently a Professor at Hofstra University on Long Island, NY and an Adjunct Professor in the Graduate Communication Design Department at Pratt Institute in New York City. His 10-meter long digital artwork, A Networked Designer’s Critical Path: 1990-2090, was shown at the Fifth Avenue (New York City) Gallery of the American Institute of Graphic Design. The Museum of Modern Art in New York acquired a poster designed by Tom Klinkowstein for

neg: Women's Art Resources of Minnesota known as the WARM Gallery) in a former millinery store in Minneapolis' Warehouse District in the Wyman Building at 414 First Avenue North. In 1972 New York City's A.I.R. Gallery had become the first women's cooperative gallery in the United States. WARM Gallery was one of number of cooperative artist galleries established by women using A.I.R. as a model. The WARM Gallery hosted solo and group exhibitions by invited women artists and from its membership. Visiting artists at the gallery included the painters Grace Hartigan, Alice Neel, Joan Semmel and Joan Snyder. WARM began offering the Feminist Perspectives monthly lecture

neg: Group f/64 Brockhurst in Oakland. He called the gallery "683" "as our way of thumbing our nose at the New York people who didn't know us", a direct reference to Stieglitz and his earlier New York gallery called "291". Van Dyke's home/gallery became a gathering place for a close circle of photographers that eventually became the core of Group f/64. In 1931, Weston was given an exhibition at the M.H. de Young Memorial Museum in San Francisco, and because of the public's interest in that show the photographers who gathered at Van Dyke's home decided to put together a group exhibition of

neg: Henry Clay Frick House Gilded Age art collection. After Frick's business partnership with Andrew Carnegie started breaking apart, he began spending less time in Pittsburgh, and soon established additional residences in New York and Massachusetts. In 1905, Frick leased the Vanderbilt house at 640 Fifth Avenue. He and his family stayed there for the next nine years. At that time almost every building on Fifth Avenue above 59th Street was a private mansion, with a few private clubs and a hotel. The Andrew Carnegie Mansion was also located on Fifth Avenue at 91st Street. Whether Frick decided to establish himself on the same avenue

neg: B. Altman and Company Center on the Fifth Avenue side, by the New York Public Library as the Science, Industry and Business Library on the Madison Avenue side, and by Oxford University Press. In addition, Altman's Sixth Avenue building is part of the Ladies' Mile Historic District created in 1989. B. Altman and Company B. Altman and Company was a luxury department store and chain, founded in 1865 in New York City, New York, by Benjamin Altman. It had its flagship store at Fifth Avenue and 34th Street in Midtown Manhattan from 1906 until the company closed its flagship store on Fifth Avenue at

neg: 42nd Street–Bryant Park/Fifth Avenue (New York City Subway) 42nd Street–Bryant Park/Fifth Avenue (New York City Subway) 42nd Street–Bryant Park/Fifth Avenue is an underground New York City Subway station complex, consisting of stations on the IRT Flushing Line and IND Sixth Avenue Line, formerly without direct connection, now connected by a pedestrian tunnel. Located at 42nd Street between Fifth Avenue and Sixth Avenue (Avenue of the Americas) in Manhattan, it is served by the: The Sixth Avenue Line platforms are located one block west of, and above, the Flushing Line platforms; the platforms are connected by a passageway. Free transfers between the two stations were available on Mondays to

neg: Manhattan Athletic Club Manhattan Athletic Club The Manhattan Athletic Club was an athletic club in Manhattan, New York. The Manhattan Athletic Club was organized on November 7, 1877, and legally incorporated on April 1, 1878. Its emblem was a "cherry diamond". It established an athletic cinder ash track at Eighth Avenue, between West 56th and West 57th Streets, in Manhattan, which opened in 1878. In 1883, it secured grounds at the block between Eighth Avenue and Ninth Avenue, between West 86th Street and West 87th Street. In November 1886, it secured a clubhouse at 594 Fifth Avenue. The club established a new clubhouse

neg: Edwynn Houk Gallery AIPAD and on the Selection Committee for Art Basel and Paris Photo. The gallery has mounted over 250 exhibitions and published almost 30 monographs. Edwynn Houk Gallery Edwynn Houk Gallery is a photography gallery specializing in masters of twentieth-century photography with an emphasis on the 1920s and 1930s as well as contemporary photography. Houk founded the gallery in 1980. Today, Houk Gallery has locations at 745 Fifth Avenue in New York City. Edwynn Houk Gallery opened in Chicago in 1980. Houk Gallery has served as the exclusive representative of Modernist photographers and their estates, Brassaï, Bill Brandt, Dorothea Lange, André

neg: Whitney Museum of American Art (original building) Whitney Museum of American Art (original building) The Whitney Museum of American Art original building is a collection of three 1838 rowhouses located at 8-12 West 8th Street between Fifth Avenue and MacDougal Street in the Greenwich Village neighborhood of Manhattan, New York City. In 1907, Gertrude Vanderbilt Whitney established the "Whitney Studio Gallery" at 8 West 8th Street adjacent to her own MacDougal Alley studio. This, and the later "Whitney Studio Club" at 147 West 4th Street, were intended to provide young artists with places to meet and exhibit their works. In 1918, American artist and friend Robert Winthrop

neg: Gagosian Gallery new storefront space on Davies Street opened simultaneously with an exhibition of Pablo Picasso prints. To complement the West 24th Street gallery, a Richard Gluckman designed space on West 21st Street opened in October 2006. A joint exhibition with the 24th Street gallery, "Cast a Cold Eye: The Late Works of Andy Warhol", launched Gagosian Gallery’s second location in Chelsea and third location in New York. In 2009, the 21st Street gallery held an exhibition of Pablo Picasso’s late works entitled "Mosqueteros", curated by Picasso historian John Richardson. The Madison Avenue location introduced a fifth-floor gallery space, set up to

neg: 303 Gallery from the ceiling, falling into a giant crater dug out of the gallery floor, underwater microphones amplifying the sound of the droplets. The show had a second installment, where performers staged a demolition of the space, using saws and drills like percussive instruments to cut apart the walls and pile up debris, altering the architecture even further. Other important exhibitions throughout 303 Gallery's history include: Artists represented by 303 Gallery include: 303 Gallery 303 Gallery was first established by owner and director Lisa Spellman in 1984 at 303 Park Avenue South, Manhattan, New York, United States. In addition to its

neg: Wallachs (clothiers) New York stores were located at Fifth Avenue (Manhattan) at Forty-Fifth Street, Fifth Avenue and 253 Broadway (Manhattan), New York City Hall and 53 Broadway near Wall Street (Manhattan), and Fordham Road near the corner of Marion Avenue. A store measuring was leased by Wallachs and became the largest of its stores in October 1954. It was in a nineteen-story office building which was constructed at 555 Fifth Avenue. In 1966 Wallachs was a fifteen unit chain of stores. In February 1956 a $3,000,000 antitrust lawsuit was filed against Wallachs and R.H. Macy & Company by Alexander's. The lawsuit alleged

neg: Pennsylvania Route 291 Spring Garden Street. By 1960, PA 291 was realigned at the Airport Circle between Essington Avenue and Penrose Avenue in Philadelphia to follow Penrose Avenue, Moyamensing Avenue, and Broad Street toward Center City Philadelphia. This section replaced the PA 191 designation along Penrose Avenue and Broad Street between Essington Avenue and Passyunk Avenue. In the 1960s, the northern terminus was cut back to US 30 and US 611 at Vine Street, with US 611 replacing PA 291 along Broad Street between Vine and Spring Garden streets. After US 611 was decommissioned in 1971, the northern terminus of PA 291 was

neg: Jake Berthot Whitney museums in New York. He was given solo shows at the Feiner Gallery, 42 Fifth Avenue, in 1963, and the O.K. Harris Gallery, 465 West Broadway, in 1970, and was included in group exhibitions at the Jewish Museum, in 1970, the Whitney Museum, in 1971. Before showing at O.K. Harris Berthot had been supporting himself as an art instructor. He later said the gallery's owner, Ivan Karp had enabled him to work full-time in his studio by giving him a living allowance equal to his teaching salary. During the 1970s he exhibited frequently in commercial galleries and museums. He

neg: Gregory Edwards Gregory Edwards Gregory Edwards (born January 19, 1981) is a contemporary artist who lives in New York City. After graduating from the School of Visual Arts in New York City (2003) he moved his studio to Brooklyn New York until April 2007 when he relocated to Frankfurt Germany. He attended Städelschule in Frankfurt, Germany. Gregory Edwards has an upcoming solo show at the end of February 2016 at 47 Canal gallery in New York City at 291 Grand Street, New York, NY 10002. Gregory Edwards was included in the 2015 installment of Greater New York, at MoMA PS1. Gregory Edwards

neg: Acquavella Galleries Acquavella Galleries Acquavella Galleries is an art gallery located at 18 East 79th Street between Madison and Fifth Avenues in the Upper East Side neighborhood of Manhattan, New York City. Acquavella Galleries was founded at 598 Madison Avenue in 1921 by Nicholas Acquavella, a native of Naples who had come to the United States in 1919 and begun a private trade in Italian paintings. The gallery has since been operated by the Acquavella family. It originally specialized in works of the Italian Renaissance. Under Acquavella's leadership, the Acquavella Galleries introduced many leading American museums and collectors to Italian Renaissance and

neg: Fifth Avenue Coach Company routes that were operated by the Fifth Avenue Coach Company are listed below. Fifth Avenue Coach Company The Fifth Avenue Coach Company was a bus operator in Manhattan, The Bronx, Queens, and Westchester County, New York, providing public transit between 1896 and 1954 after which services were taken over by the New York City Omnibus Corporation. It succeeded the Fifth Avenue Transportation Company. The company was founded in 1896 when it succeeded the bankrupt Fifth Avenue Transportation Company. It initially operated existing horse-and-omnibus transit along Fifth Avenue, with a route running from 89th Street to Bleecker Street. Fifth Avenue is

neg: 291 (art gallery) Paris, and he convinced Rodin to lend him some of his drawings for a show at the gallery in New York. The 1908 gallery season started with the show "Drawings by Auguste Rodin", the first exhibit in the United States of his works on paper. The show caused a significant amount of controversy in the press, with one critic saying "they are not the sort of thing to offer to public view even in a gallery." Soon after that show ended Stieglitz was notified that the landlord wanted to double the rent and would require a four-year lease. At that

neg: Immaculate Conception Church (Manhattan) Higgins of 542 Fifth Avenue for $700,000, and completed in 1945. There is another church of the same name on Staten Island established in 1887, and a third one in Ditmars, Astoria, Queens. Immaculate Conception Church (Manhattan) The Church of the Immaculate Conception is a Roman Catholic parish church in the Roman Catholic Archdiocese of New York, located at 414 East 14th Street, near First Avenue, Manhattan, New York City. The parish was established in 1855. In 1943 the parish took over the Church of the Immaculate Conception and Clergy Houses, completed in 1896 to designs by Barney and Chapman

neg: Construction of Rockefeller Center was established as a "common land" of the city of New York. The land remained in city ownership until 1801, when the physician David Hosack, a member of the New York elite, purchased a parcel of land in what is now Midtown for $5,000, equivalent to $ in dollars. In terms of the present-day street grid, Hosack's land was bounded by 47th Street on the south, 51st Street on the north, and Fifth Avenue on the east, while the western boundary was slightly east of Sixth Avenue (also known as Avenue of the Americas). At the time, the land was

neg: Church Club of New York Church Club of New York The Church Club of New York is an Episcopal private member's club in New York City with 271 members (2016 Annual Report). The club is located in Manhattan. The club first met at 146 Fifth Avenue. Other locations included the Bible House, the Chatham Hotel, the Ambassador Hotel on Park Avenue and the Plaza Hotel. The Church Club of New York was established in 1887. It was incorporated six years later, in 1893. Founding members included banking magnate J.P. Morgan as well as Nicholas Murray Butler, Cornelius Vanderbilt, John Jacob Astor, Stuyvesant Fish, E.H. Harriman,

neg: Architecture (magazine, 1900–1936) issue, it was announced that Charles Scribner's Sons had purchased Forbes & Company, Ltd., and that "Architecture" would thereafter be published by them. The last issue appears to have been published in May 1936. Architecture (magazine, 1900–1936) Architecture was a monthly magazine on architecture, established by A. Holland Forbes in 1900 with its first issue dated January 15. Each issue was lavishly illustrated with photographs and architectural drawings. The magazine was published by Forbes & Company, Ltd., initially located at 160 Fifth Avenue, New York, and beginning with the issue of May 15, 1907, at 225 Fifth Avenue. A. Holland

neg: William K. Vanderbilt House high wainscoting, topped with Caen stone walls. One end of the room contained a massive double fireplace with marble caryatids supporting an oak over-mantel by Karl Bitter. A second floor gallery topped the fireplace ensemble. The opposite end of the room featured a musicians gallery. The banquet hall was illuminated by a large stained glass window by Eugène Oudinot. William K. Vanderbilt House The William K. Vanderbilt House, also known as the Petit Chateau, was a Châteauesque mansion at 660 Fifth Avenue in Midtown in New York City. It was next door to the Triple Palace of William Henry Vanderbilt,

neg: Church of the Ascension, Episcopal (Manhattan) in 1966. Notes Church of the Ascension, Episcopal (Manhattan) The Church of the Ascension is an Episcopal church in the Diocese of New York, located at 36–38 Fifth Avenue and West 10th Street in the Greenwich Village neighborhood of Manhattan New York City. It was built in 1840–41, the first church to be built on Fifth Avenue and was designed by Richard Upjohn in the Gothic Revival style. The interior was remodeled by Stanford White in 1885–88. The church's parish house, at 12 West 11th Street between Fifth Avenue and the Avenue of the Americas (Sixth Avenue), was originally built

neg: Church of the Ascension, Episcopal (Manhattan) Church of the Ascension, Episcopal (Manhattan) The Church of the Ascension is an Episcopal church in the Diocese of New York, located at 36–38 Fifth Avenue and West 10th Street in the Greenwich Village neighborhood of Manhattan New York City. It was built in 1840–41, the first church to be built on Fifth Avenue and was designed by Richard Upjohn in the Gothic Revival style. The interior was remodeled by Stanford White in 1885–88. The church's parish house, at 12 West 11th Street between Fifth Avenue and the Avenue of the Americas (Sixth Avenue), was originally built in 1844 as

neg: Gregory Edwards show called "Post-Mass Audience Age"(2007). Gregory Edwards Gregory Edwards (born January 19, 1981) is a contemporary artist who lives in New York City. After graduating from the School of Visual Arts in New York City (2003) he moved his studio to Brooklyn New York until April 2007 when he relocated to Frankfurt Germany. He attended Städelschule in Frankfurt, Germany. Gregory Edwards has an upcoming solo show at the end of February 2016 at 47 Canal gallery in New York City at 291 Grand Street, New York, NY 10002. Gregory Edwards was included in the 2015 installment of Greater New York,

neg: Manhattan Athletic Club the following year. Manhattan Athletic Club The Manhattan Athletic Club was an athletic club in Manhattan, New York. The Manhattan Athletic Club was organized on November 7, 1877, and legally incorporated on April 1, 1878. Its emblem was a "cherry diamond". It established an athletic cinder ash track at Eighth Avenue, between West 56th and West 57th Streets, in Manhattan, which opened in 1878. In 1883, it secured grounds at the block between Eighth Avenue and Ninth Avenue, between West 86th Street and West 87th Street. In November 1886, it secured a clubhouse at 594 Fifth Avenue. The club established

neg: Thomas J. Duffy part of a Christie’s benefit auction for the New York City Opera in 1990. That same year, Duffy created a featured piece for the Empire State Crafts Alliance fund-raiser. The piece, called “Chair Within a Chair,” was on display at the Heller Gallery in SOHO, New York City. During that weekend, Duffy also exhibited a folding screen at Saks Fifth Avenue. In both the chair and the screen Duffy applied the pentimento technique. He exhibited in “American Concern for Artistry and Craftsmanship,” a temporary show at the Lincoln Center for the Performing Arts in New York City in 1980. He

neg: Fifth Avenue Coach Company Fifth Avenue Coach Company The Fifth Avenue Coach Company was a bus operator in Manhattan, The Bronx, Queens, and Westchester County, New York, providing public transit between 1896 and 1954 after which services were taken over by the New York City Omnibus Corporation. It succeeded the Fifth Avenue Transportation Company. The company was founded in 1896 when it succeeded the bankrupt Fifth Avenue Transportation Company. It initially operated existing horse-and-omnibus transit along Fifth Avenue, with a route running from 89th Street to Bleecker Street. Fifth Avenue is the only avenue in Manhattan never to see streetcar service due to the

neg: 834 Fifth Avenue 834 Fifth Avenue 834 Fifth Avenue is a luxury residential housing cooperative in the Upper East Side of Manhattan, New York City. It is located on Fifth Avenue at the corner of East 64th Street opposite the Central Park Zoo in Central Park. The limestone-clad building was designed by Rosario Candela, a prolific designer of luxury apartment buildings in Manhattan during the period between World War I and World War II. 834 Fifth Avenue is widely regarded as one of the most prestigious apartment houses in New York City. It has been called "the most pedigreed building on the snobbiest

neg: Der Scutt Scutt began his own private practice in 1981. Scutt established his own firm, Der Scutt Architect, in 1981 and was awarded an impressive group of commissions, including the 55-story 100 United Nations Plaza Tower luxury condominium, the 57-story Corinthian luxury condominium in New York City, HSBC Bank USA headquarters in New York City, and the Roure Bertrand Dupont United States headquarters in New Jersey. Scutt's major high rise office building renovations include those at 505 Park Avenue, 625 Madison Avenue, 575 Lexington Avenue, 1633 Broadway, 57 West 57th Street, 823 United Nations Plaza, 555 Fifth Avenue, the World corporate headquarters

neg: Harriet Tubman Underground Railroad National Historical Park became known as the National Historical Park in accordance with PL 113-291. PL 113-291 also established the Harriet Tubman National Historical Park in Auburn, New York. Prior to establishment of the National Historical Parks in Maryland and New York, the Harriet Tubman Underground Railroad National Monument was created in Dorchester County, Maryland by President Barack Obama under the Antiquities Act on March 25, 2013. Public Law 113-291 (Section 3035) was subsequently passed and signed into law on December 19, 2014,and required the Secretary of the Interior to "administer the historical park and the portion of the Harriet Tubman Underground Railroad

neg: 880 Fifth Avenue profit to an upscale clientele and to fit in among the classical buildings, including the adjacent Frick Museum. In 1981, "The New York Times" remarked of the residential buildings constructed by the Uris brothers, "930 Fifth Avenue, 2 Sutton Place, and 880 Fifth Avenue, are among the city's best residential addresses today." Notable residents have included Broadway songwriter Mitch Leigh, and entrepreneur and philanthropist John D. Hertz. 880 Fifth Avenue 880 Fifth Avenue is a luxury apartment building on Fifth Avenue at the northeast corner of 69th Street in New York City. The Art-Deco-styled building has 21 floors and features

neg: New York Public Library Main Branch command of the 16th-century Italian Mannerist classical idiom that was required by Hasting's design. The bronzes were cast at Tiffany Studios in Long Island City. They were rededicated to New York's former Reform mayor, John Purroy Mitchell. The north end of the building sits above entrances to the Fifth Avenue station of the New York City Subway, serving the . The Main Branch faces Fifth Avenue on its east side. A balcony wraps along the Fifth Avenue elevation. The Fifth Avenue entrance is reached by a grand marble stairway extending west from the avenue's intersection with 41st Street. It ascends

neg: Architecture (magazine, 1900–1936) Architecture (magazine, 1900–1936) Architecture was a monthly magazine on architecture, established by A. Holland Forbes in 1900 with its first issue dated January 15. Each issue was lavishly illustrated with photographs and architectural drawings. The magazine was published by Forbes & Company, Ltd., initially located at 160 Fifth Avenue, New York, and beginning with the issue of May 15, 1907, at 225 Fifth Avenue. A. Holland Forbes was listed on the masthead as the editor until June 15, 1903, when these duties were taken over by a Board of Architects "in the interests of the profession." In the July 1917

neg: Manuel Carbonell 1967 Maxwell Galleries, One Man Show, San Francisco. 1968 Schoneman Galleries, 823 Madison Avenue, New York, Third One Man Show at Schoneman Galleries. 1971 Schoneman Galleries, 823 Madison Avenue, New York, Fourth One Man Show. 1971 Bacardi Gallery One Man Show, Miami, Florida. 1972 Galerie Moss, One Man Show, Montreal, Canada. 1972 Ann Jacob Gallery, One Man Show, Marietta, Georgia. 1973 Galeria Internacional, Group Show of Cuban Artists, Caracas,Venezuela. 1974 Jockey Club Gallery, One Man Show, Miami, Florida. 1974 Randall Galleries, 823 Madison Avenue, New York. One Man Show, "Hommage to Ballet" to benefit City Center, New York. 1976 The

neg: 291 (art gallery) of the Photo-Secession formally opened its doors, with almost no public notice. The opening was attended mainly by those members of the Photo-Secession who were in New York at the time. The first exhibit consisted of one hundred prints by Photo-Secession members, selected entirely by Stieglitz. Over the next few weeks hundreds of New Yorkers came to the gallery, and Stieglitz was once again elevated to the position of standard bearer of artistic photographer in America. The opening show was followed in January, 1906, by one of French photographers, including Robert Demachy, Constant Puyo and René Le Bégue, all of

neg: Hamilton Easter Field as a successful art dealer afterwards. In 1905 Field was given a solo exhibition at the William Glausen Gallery in Fifth Avenue in New York. All the paintings he showed were in a traditional style, revealing little or no influence of Cubism or other progressive movements. They varied widely in locales depicted, if not in the style in which they were made. An article in the "New York Times" describes the fifty works on show as "landscapes, townscapes, marines, figure pieces, and sketches from the coast of Maine and Long Island Sound, from Paris and New York, from France and

neg: Annie Shepley Omori and "The Wonderful Story". Other paintings that were representative of her work were "Portrait of Artist's Niece (Rosamund Sargeant)" and "Portrait of a Young Woman." "Portrait" and "Study of a Head" were exhibited at the annual Pennsylvania Academy of the Fine Arts exhibition held from December 1896 through February 1897. At that time, she lived at 96 Fifth Avenue in New York City. She exhibited a painting entitled "Echo" in 1897 at the Art Club of Philadelphia. About a dozen of her works were shown in a New York gallery owned by William Clausen in 1905. In October 1907, she

neg: Gregory Amenoff the Nielsen Gallery on Newbury Street. He relocated to New York in 1979. In 1980 he began showing with Robert Miller Galley on Fifth Avenue. Amenoff was included in the 1981, 1985 biennials at the Whitney Museum of American Art. He was also included in "An International Survey of Recent Paintings and Sculpture" at Museum of Modern Art in 1984 and the "40th Biennial Exhibition of American Contemporary Painting" at the Corcoran Gallery of Art, Washington, D.C., in 1987. In the 1990s Amenoff had three traveling solo exhibitions. A retrospective of works on paper originating at the DeCordova Museum and

neg: Denis Gage Deane-Tanner traveled to New York City to join his elder brother William Cunningham, arriving in 1903. Denis followed his brother Williams example and went into the antique business, working at The Antique Shop on Fifth Avenue and A.J. Crawfords also on Fifth. Denis met his future wife Ada in New York City. Ada was from a long established family, the Ketchums of Buffalo New York who helped establish the Buffalo and Erie area of New York before the Revolutionary War. Denis and Ada Charlton Brennan wed September 14, 1907 in New York City; the couple would have three children, daughter Muriel

neg: Gardner School for Girls School were the following: Gardner School for Girls The Gardner School for Girls was an American private school for girls that operated in New York City, New York, in the 19th and 20th centuries. The school was established in 1860 by a Baptist minister. The school was headed for many years by Mrs. Charles H. Gardner. For several decades it was located at 607 Fifth Avenue, between 48th and 49th Streets. Later, from 1916 to 1933 the school was located at 11 East 51st Street in the former home of John Peirce, between Madison and Fifth Avenues. Among the women

neg: Gardner School for Girls Gardner School for Girls The Gardner School for Girls was an American private school for girls that operated in New York City, New York, in the 19th and 20th centuries. The school was established in 1860 by a Baptist minister. The school was headed for many years by Mrs. Charles H. Gardner. For several decades it was located at 607 Fifth Avenue, between 48th and 49th Streets. Later, from 1916 to 1933 the school was located at 11 East 51st Street in the former home of John Peirce, between Madison and Fifth Avenues. Among the women who attended the Gardner

neg: Fifth Avenue Mile Fifth Avenue Mile The Fifth Avenue Mile is an annual road race in New York City. The race begins at East 80th Street and heads straight down Fifth Avenue to East 60th Street. First held on September 26, 1981, the race is currently organized by New York Road Runners and has attracted big-name sponsors including United Airlines and New Balance. The competition regularly attracts world-class runners, who compete in special heats after the regular age division heats. The Fifth Avenue Mile has also inspired similar events in the same mould, including the Anlene Orchard Mile in Singapore. The record performances

neg: Jan Cicero Gallery of her home. In March 1977, Jan Cicero Gallery relocated to a rented space at 433 N. Clark Street, in a downtown Chicago red-light district being pioneered by a restaurateur, Gordon Sinclair. At the time, the city’s art scene was beginning to expand beyond being what Franz Schulze deemed “a one-corner art town,” with alternative galleries, such as N.A.M.E., Artemisia and A.R.C. having opened around the corner on Hubbard Street to avoid the high rents of the established Michigan Avenue/Ontario Street gallery district. N.A.M.E. co-founder and future "New York" magazine critic Jerry Saltz was one of the gallery’s first employees.

neg: Francis Picabia studies by Francis Picabia", at his gallery 291 (formerly "Little Galleries of the Photo-Secession"), March 17 - April 5, 1913. From 1913 to 1915 Picabia traveled to New York City several times and took active part in the avant-garde movements, introducing Modern art to America. When he landed in NewYork in June 1915, though it was ostensibly meant to be a simple port of call en route to Cuba to buy molasses for a friend of his—the director of a sugar refinery—the city snapped him up and the stay became prolonged. The magazine "291" devoted an entire issue to him,

neg: Di Donna Galleries Di Donna Galleries Di Donna Galleries is an American art gallery in New York City. It specializes in Modern and Surrealist art. The gallery was initially located on the second floor of The Carlyle Hotel at 981 Madison Avenue, New York City, the former home of Ursus Books. In May 2016, the gallery moved a few blocks south to a new 6,000 square foot space at 744 Madison Avenue at East 64th Street. The gallery was founded in November 2010 and was formerly known as Blain Di Donna. A number of monographic, museum-quality exhibitions were staged there such as René

neg: Frederick John Kiesler biomorphic furniture in his Abstract Gallery room of Peggy Guggenheim’s "The Art of This Century Gallery" art salon (1942), for example. For it, he sought to dissolve the visual, real, image, and environment into a free-flowing space. He likewise pursued this approach with his “Endless House,” exhibited in maquette form in 1958–59 at The Museum of Modern Art. The project stemmed from his shop-window displays of the 1920s and his Film Guild Cinema in New York City, mentioned above. Pursuing display and art-gallery work, he was a window designer for Saks Fifth Avenue from 1928 to 1930. Earlier in his

neg: Mary Boone on Fifth Avenue, the other in Chelsea. Boone was raised in Erie, Pennsylvania, studied Art History at Rhode Island School of Design and received her BFA in 1973. Deciding she did not have the skill to make it as a painter, Boone moved to New York City to study art history at Hunter College. After working as a secretary at the influential Bykert Gallery, she opened her own gallery in SoHo in 1977 to a positive reception. Her first two artists, Julian Schnabel and David Salle rapidly became popular in the Neo-expressionism movement. While Schnabel became a celebrity artist, Boone

neg: Raymond Han abstraction into his compositions. Han's work has been placed in the public collections of the Honolulu Museum of Art, the Munson-Williams-Proctor Arts Institute (Utica, New York), the Yager Museum of Art & Culture (Hartwick College, Oneonta, New York) and the Picker Art Gallery (Colgate University, Hamilton, New York), amongst others. Han was represented at various times throughout his career by the Robert Schoelkopf Gallery, Forum Gallery, and lastly and until his death by Jason McCoy Gallery, Madison Avenue, New York. Han's oeuvre spans over four decades. He is best known for his carefully composed floral and object still life paintings,