query: what is the rolling stones song lady jane about

pos: Lady Jane (song) Jane Ormsby-Gore, daughter of David Ormsby-Gore, former British ambassador in Washington, who later married Michael Rainey, founder of the Hung on You boutique in Chelsea that was frequented by the Stones. Its most impactful development was by Jones, no longer the principal musical force for the band, searching for methods to improve upon The Rolling Stones' musical textures. He expressed an intrigue in incorporating culturally diverse instruments into the band's music, investigating the sitar, koto, marimba, and testing electronics. In the press Jones talked about applying the Appalachian dulcimer into compositions, although he seemed uncertain of the instrument, saying "It's

neg: Lady Jane (song) Lady Jane (song) "Lady Jane" is a song by the English rock group the Rolling Stones, penned by the group's songwriting duo of Mick Jagger and Keith Richards. It was initially included on their album, "Aftermath". which was released on 12 April 1966 in the UK and 20 June 1966 in the US. The song showcases Brian Jones' instrumental incorporation of baroque rock as it was beginning to be introduced, and became influential in originating the musical style later known as world music. In the US, the song was released as a double A-side single with "Mother's Little Helper" single

neg: Lady Jane (song) number 24 on "Billboard"s Hot 100 singles chart, while "Mother's Little Helper" reached number eight, making the release one of the few singles with both songs becoming hits in the US. Lady Jane (song) "Lady Jane" is a song by the English rock group the Rolling Stones, penned by the group's songwriting duo of Mick Jagger and Keith Richards. It was initially included on their album, "Aftermath". which was released on 12 April 1966 in the UK and 20 June 1966 in the US. The song showcases Brian Jones' instrumental incorporation of baroque rock as it was beginning to be

neg: Queen Jane Approximately "Jane" in the title, including Velvet Underground's "Sweet Jane", Dylan's "Queen Jane Approximately", and The Rolling Stones' "Lady Jane". Also, the Steely Dan album "Can't Buy a Thrill" (a title taken from the song "It Takes a Lot to Laugh, It Takes a Train to Cry") includes the song "Brooklyn (Owes the Charmer Under Me)" which is musically based on "Queen Jane Approximately". The Milk Carton Kids' song "Queen Jane" from their album "Retrospect" is an allusion to Dylan's lyric. Queen Jane Approximately "Queen Jane Approximately" is a song from Bob Dylan's 1965 album "Highway 61 Revisited". It was released

neg: I Am Waiting (song) and English folk influences. As he does on "Lady Jane," another song from "Aftermath", Rolling Stones guitarist Brian Jones plays a dulcimer on "I Am Waiting." Jack Nitzsche plays harpsichord. Bill Wyman's slow and "eerie" bassline and the acoustic guitars add to the effect. In the song's unusual structure, the refrains are louder and rock harder than the slow verses. In Janovitz's interpretation, the harder refrains permit Jagger to "vent the frustration" that has been built up through the verses. Author James Hector remarks that this allows the song to "[blow] hot and cold with remarkable subtlety" and Rolling Stones

neg: Aftermath (The Rolling Stones album) romantic connection, while "Under My Thumb", "Out of Time" and "Think" show how "a man's revenge on his mistress (or perhaps wife) becomes a source of real pleasure". In Steven Hyden's opinion, while songs such as "Stupid Girl" and "Under My Thumb" may be misogynistic, they "could also be heard as disturbing portraits of their hatefully macho protagonists." A more compassionate attitude toward women is expressed in "Lady Jane"'s story of romantic courtship and "Mother's Little Helper", which examines a housewife who uses pharmaceutical drugs to cope with her daily life. Similar to the latter song, "What to Do" connects

neg: You Can't Always Get What You Want of the song as a play-out at rallies to be "odd," given that it is a "sort of doomy ballad about drugs in Chelsea." The Rolling Stones Additional personnel You Can't Always Get What You Want "You Can't Always Get What You Want" is a song by the Rolling Stones on their 1969 album "Let It Bleed". Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by "Rolling Stone" magazine in its 2004 list of the "500 Greatest Songs of All Time". Jagger commented on the song's beginnings: "You Can't Always

neg: Green Grass and High Tides song is not about marijuana, but about deceased rock and roll luminaries, and the title, he says, was taken from the 1966 "Best Of" collection by the Rolling Stones called "Big Hits (High Tide and Green Grass)": "From what I gather, there was an album out, the best of The Rolling Stones, called "High Tides and Green Grass". That was the name of the Rolling Stones' greatest hits - this is like 1966 - and I think it was a manifestation of that title turned in reverse, 'Green Grass and High Tides.' I know that much. And I know that

neg: Mother's Little Helper of the song being the idea of Bill Wyman, who also contributed a powerful and distinctive bass riff. Mother's Little Helper "Mother's Little Helper" is a song by the English rock band the Rolling Stones. It first appeared as the opening track to the United Kingdom version of their 1966 album "Aftermath". It was released as a single in the United States and peaked at number eight on the "Billboard" Hot 100 singles chart in 1966. The B-side "Lady Jane" peaked at number 24. The song deals with the sudden popularity of prescribed calming drugs among housewives, and the potential

neg: Stupid Girl (The Rolling Stones song) Stupid Girl (The Rolling Stones song) "Stupid Girl" is a song by the English rock band the Rolling Stones, featured on their 1966 album "Aftermath". It was also issued as the B-side of the U.S. "Paint It, Black" single. Written by Mick Jagger and Keith Richards, "Stupid Girl" is noted for its apparently degrading lyrics towards women, a claim also made about other Stones songs like "Under My Thumb". On the song, Bill Janovitz says in his review, On the song's lyrics, Richards said in a 1971 interview with "Rolling Stone", When asked about the song and its influences, Jagger

neg: Mother's Little Helper Mother's Little Helper "Mother's Little Helper" is a song by the English rock band the Rolling Stones. It first appeared as the opening track to the United Kingdom version of their 1966 album "Aftermath". It was released as a single in the United States and peaked at number eight on the "Billboard" Hot 100 singles chart in 1966. The B-side "Lady Jane" peaked at number 24. The song deals with the sudden popularity of prescribed calming drugs among housewives, and the potential hazards of overdose or addiction. The drug in question is variously assumed to be meprobamate (Miltown) or diazepam

neg: The Rolling Stones 2 in the US. On this album Jones' contributions expanded beyond guitar and harmonica. To the Middle Eastern-influenced "Paint It, Black" he added sitar; to the ballad "Lady Jane" he added dulcimer and to "Under My Thumb" he added marimbas. "Aftermath" also contained "Goin' Home", a nearly 12-minute-long song that included elements of jamming and improvisation. The Stones' success on the British and American singles charts peaked during the 1960s. "19th Nervous Breakdown" was released in February 1966, and reached No. 2 in the UK and US charts; "Paint It, Black" reached No. 1 in the UK and US in

neg: All About You (The Rolling Stones song) All About You (The Rolling Stones song) "All About You" is a song by The Rolling Stones featured as the closing track to their 1980 album "Emotional Rescue". It is sung by guitarist Keith Richards. Credited to the writing team of Mick Jagger and Richards, "All About You" is solely the work of Richards. The song is a slow bittersweet ballad that has been interpreted as a final comment on the Anita Pallenberg romance that began in 1967 and ended in 1979 when Richards met his future wife model Patti Hansen. Richards' lyrics and singing express mixed feelings of attachment

neg: Lady Jane (song) on 2 July 1966, which peaked at number 24 on the "Billboard" Hot 100 chart. The song was written at a milestone in the Rolling Stones' recording career that saw Jagger and Richards emerge as the group's chief songwriters. On the band's previous album, "Out of Our Heads", the duo shared writing credits on just three tracks. On "Aftermath", however, the two were credited together on every track, making it the first album to be composed solely of original band material. It was also during this period Brian Jones, despite losing control of the band's output, was integrating different instruments

neg: Winter (The Rolling Stones song) Winter (The Rolling Stones song) "Winter" is a song by English rock and roll band the Rolling Stones featured on their 1973 album "Goats Head Soup". It bears many similarities to "Moonlight Mile" from their 1971 album "Sticky Fingers". Credited to singer Mick Jagger and guitarist Keith Richards, "Winter" is actually the work of Jagger and the Stones' lead guitarist at the time, Mick Taylor. It was the first song recorded for the album and does not feature Richards. About the song, Bill Janovitz says in his review, "Here they were in sunny Jamaica, and the Stones were writing and

neg: David Garrick (singer) manager, Robert Wace, invited Core to come to London to record a first single. He picked the name "David Garrick" as stage name, after the famous 18th-century actor and playwright. Garrick's first two singles, "Go" (1965) and "One Little Smile" (1965), were unsuccessful. In 1966 he released a cover of the Rolling Stones song "Lady Jane", which had some airplay in the UK, reached number 28 on the UK Singles Chart, but peaked at number 5 in the Netherlands. Later that year he covered "Dear Mrs. Applebee", a relatively unknown American song first recorded by Flip Cartridge, and written by

neg: Wild Horses (The Rolling Stones song) Wild Horses (The Rolling Stones song) "Wild Horses" is a song by the Rolling Stones from their 1971 album "Sticky Fingers", written by Mick Jagger and Keith Richards. "Rolling Stone" ranked it number 334 in its "500 Greatest Songs of All Time" list in 2004. In the liner notes to the 1993 Rolling Stones compilation album "", Jagger states, "I remember we sat around originally doing this with Gram Parsons, and I think his version came out slightly before ours. Everyone always says this was written about Marianne but I don't think it was; that was all well over by

neg: Aftermath (The Rolling Stones album) R&B improvisation" and said that "Lady Jane", "Under My Thumb" and "Mother's Little Helper" had the potential to be "excellent singles". Richard Green of "Record Mirror" began his review by saying: "Whether they realise it or not – and I think Andrew Oldham does – the Rolling Stones have on their hands the smash LP of the year with "Aftermath". I say that without knowing what's coming later, but whatever it is will have to go some to top this album." Green described the record as "distinctly rock and rolly" with Watts' drumming "particularly exceptional". The apparent derision of women

neg: Lies (The Rolling Stones song) the last dates supporting its parent album. Lies (The Rolling Stones song) "Lies" is a song by The Rolling Stones from their 1978 album "Some Girls". The song is a fast paced rocker is about a man being fed up with his girlfriend's lying and cheating. As with most of "Some Girls", it features the five core Stones members, with Jagger, Richards and Ronnie Wood sharing electric guitar duties. The track was featured on "WKRP in Cincinnati" on the episode “Pilot: Part Two”. However, “Lies”, although performed during the 1978 US tour, was the only track on "Some Girls" to

neg: Lies (The Rolling Stones song) Lies (The Rolling Stones song) "Lies" is a song by The Rolling Stones from their 1978 album "Some Girls". The song is a fast paced rocker is about a man being fed up with his girlfriend's lying and cheating. As with most of "Some Girls", it features the five core Stones members, with Jagger, Richards and Ronnie Wood sharing electric guitar duties. The track was featured on "WKRP in Cincinnati" on the episode “Pilot: Part Two”. However, “Lies”, although performed during the 1978 US tour, was the only track on "Some Girls" to be permanently dropped from live setlists after

neg: The Spider and the Fly (song) The Spider and the Fly (song) "The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album "Out of Our Heads". In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". The song was written by Mick Jagger and Keith Richards. The lyrics speak about what the band, especially the leader, will do after their gig is over: Jagger explained in a 1995 interview with "Rolling Stone", "I wasn't really that mad about it, but when

neg: Connection (The Rolling Stones song) Connection (The Rolling Stones song) "Connection" is a song by British rock and roll band The Rolling Stones, featured on their 1967 album "Between the Buttons". It was written by Mick Jagger and Keith Richards (but mostly Richards), features vocals by both of them and is said to be about the long hours the band spent in airports. The lyrics contain much rhyming based on the word "connection". The lyrics also reflect very heavily the pressures the band was under by 1967: The song was written before Jagger, Richards and fellow Rolling Stone Brian Jones were arrested by the police

neg: Brown Sugar (The Rolling Stones song) recorded at Richards's birthday party. The song is also the first single released on Rolling Stones Records (catalogue number RS-19100) and is one of the two Stones songs (along with "Wild Horses") licensed to both the band and former manager Allen Klein (a result of various business disagreements) resulting in its inclusion on the compilation album "Hot Rocks 1964–1971". "Brown Sugar" is also included on the most significant latter-day Rolling Stones compilations, "", "Forty Licks" and "GRRR!". The Rolling Stones Additional personnel Brown Sugar (The Rolling Stones song) "Brown Sugar" is a song by the Rolling Stones. It is the

neg: What If (Creed song) performed by Chris Daughtry on the fifth season of "American Idol" in 2006. Stapp sings the title of the song 53 times in total. Along with "Bullets", it is one of Creed's heaviest songs, and one of their few metal songs. What If (Creed song) "What If" is a song by Creed, released as the second single from their 1999 album "Human Clay". In the song, Scott Stapp sings about hatred and those who oppress others. According to guitarist Mark Tremonti, the intro was inspired by the 1966 song "Paint It, Black" by The Rolling Stones. The song was used

neg: Terry Knight and the Pack produced by P.F. Sloan), covers of the Rolling Stones' songs "(I Can't Get No) Satisfaction" and "Lady Jane", and several Knight originals: "Numbers", "A Change on the Way" and "Love, Love, Love, Love, Love" (later covered by Detroit roots rockers Brownsville Station). The Music Explosion issued an almost identical version of "Love, Love, Love, Love, Love", with the same instrumental backing track but a different vocal track; it's unclear whether The Pack or the Music Explosion recorded the "original". TK&TP were mainstays on Cleveland's TV rock & roll showcase, "Upbeat". In addition, they opened regional gigs for the Rolling Stones,

neg: Aftermath (The Rolling Stones album) 8 on the Hot 100. The album's songs also proved popular among other recording artists, with "Mother's Little Helper", "Take It or Leave It", "Under My Thumb" and "Lady Jane" all being covered within a month of its release. Adding to Jagger and Richards' success as writers, Chris Farlowe topped the UK charts with his Jagger-produced recording of "Out of Time" in August 1966. On 9 August, "Aftermath" received gold certification from the Recording Industry Association of America; it was certified platinum in 1989 for sales of one million copies. The Rolling Stones' new sound on the album helped attract

neg: What If (Creed song) What If (Creed song) "What If" is a song by Creed, released as the second single from their 1999 album "Human Clay". In the song, Scott Stapp sings about hatred and those who oppress others. According to guitarist Mark Tremonti, the intro was inspired by the 1966 song "Paint It, Black" by The Rolling Stones. The song was used in the film "Scream 3" in 2000, for which Creed helped to produce the soundtrack. The music video portrayed Creed band members being "killed" by the Ghostface character from the "Scream" films. The video features actor David Arquette. The song was

neg: Play with Fire (The Rolling Stones song) is based on the Rolling Stones' song. Play with Fire (The Rolling Stones song) "Play with Fire" is a song by English rock band the Rolling Stones, originally released as B-side to the song "The Last Time". It was later included on the American release of their 1965 album "Out of Our Heads". "Play with Fire" is credited to Nanker Phelge, a pseudonym used when tracks were composed by the entire band, even though lead singer Mick Jagger and guitarist Keith Richards are the only Rolling Stones to appear on the track. The song was recorded late one night in

neg: Wild Horses (The Rolling Stones song) Bria Kelly in 2014. Miley Cyrus covered this song during her Bangerz Tour in Europe in 2014. Florence Welch performed this song with the Rolling Stones during the No Filter Tour in London in 2018. Wild Horses (The Rolling Stones song) "Wild Horses" is a song by the Rolling Stones from their 1971 album "Sticky Fingers", written by Mick Jagger and Keith Richards. "Rolling Stone" ranked it number 334 in its "500 Greatest Songs of All Time" list in 2004. In the liner notes to the 1993 Rolling Stones compilation album "", Jagger states, "I remember we sat around originally

neg: Start Me Up Anthem. The Rolling Stones Additional personnel Microsoft paid about US$3 million to use this song in their Windows 95 marketing campaign. This was the first time that the Rolling Stones allowed a company to use their songs in an advertising campaign. In 2012, a remixed version of the song was used as the soundtrack to an Omega advertising campaign for their role as official timekeepers of the 2012 Summer Olympics. Start Me Up "Start Me Up" is a song by the Rolling Stones featured on the 1981 album "Tattoo You". Released as the album's lead single, it reached number one

neg: Drift Away around the world. Versions include those of Allan Clarke, Roy Orbison, Ike & Tina Turner, Humble Pie, Mud, Rod Stewart, Waylon Jennings, Ray Charles, The Doobie Brothers, the Neville Brothers, Jon Bon Jovi, Michael Bolton, Copperhead, Christian Kane, the Rolling Stones, the Nylons, Ringo Starr, Bruce Springsteen, Judson Spence, Billy Joe Royal, Steve Young and John Kay. Folk singer Tom Rush recorded the song on his album What I Know, released in 2009. There is an unreleased 1974 recording of this song by the Rolling Stones. This version features all of the members of the then-current lineup of the Stones.

neg: Have You Seen Your Mother, Baby, Standing in the Shadow? Have You Seen Your Mother, Baby, Standing in the Shadow? "Have You Seen Your Mother, Baby, Standing in the Shadow?" is a song by English Rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was recorded in the late summer of 1966 during early sessions for what would become their "Between the Buttons" album. It was the first Stones' single to be released simultaneously (23 September 1966) in both the UK and the US, and reached number five and number nine on those countries' charts, respectively. It is the first Rolling Stones song to feature a

neg: Play with Fire (The Rolling Stones song) Play with Fire (The Rolling Stones song) "Play with Fire" is a song by English rock band the Rolling Stones, originally released as B-side to the song "The Last Time". It was later included on the American release of their 1965 album "Out of Our Heads". "Play with Fire" is credited to Nanker Phelge, a pseudonym used when tracks were composed by the entire band, even though lead singer Mick Jagger and guitarist Keith Richards are the only Rolling Stones to appear on the track. The song was recorded late one night in January 1965 while the Stones were in

neg: The Rolling Stones ten minutes. I think we thought it was a bit of a laugh, and it turned out to be something of an apprenticeship for us. The writing of "The Last Time", the Rolling Stones' first major single, proved a turning point. Richards called it "a bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it." The song was based on a traditional gospel song popularised by the Staple Singers, but the Rolling Stones' number features a distinctive guitar riff, played by Brian Jones. Prior to the emergence of

neg: Aftermath (The Rolling Stones album) roll with their sneering attitude toward the world in general and the female sex in particular". He expressed reservations about the substance behind songs like "Goin' Home" and "Stupid Girl", finding the latter particularly callow, but applauded the band's use of influences from Dylan and psychedelia on "Paint It Black", and similarly praised "Under My Thumb", "Lady Jane" and "I Am Waiting". In 2002, the album was digitally remastered along with the band's other 1960s titles as part of ABKCO Records' reissue campaign. In its anticipation, MacDonald reflected on their music from that decade in "Uncut" and recognised "Aftermath" as

neg: Maroon 5 non-stop, including visits to seventeen countries. During this time, the band toured with Michelle Branch, Graham Colton, and the Rolling Stones. Other acts the band toured alongside with included Gavin DeGraw, Matchbox Twenty, Sugar Ray, The Counting Crows, Phantom Planet, the Hives, Dashboard Confessional, Simon Dawes, the Thrills, Thirsty Merc, Marc Broussard, the Donnas, the RedWest, Michael Tolcher, and Guster. Sam Farrar says the Aaliyah song "Are You That Somebody?" affected the band and influenced the song "Not Coming Home." "Songs About Jane" eventually reached No. 1 on the Australian albums (ARIA), while "Harder to Breathe" made the Top 20

neg: Don't Stop (The Rolling Stones song) Don't Stop (The Rolling Stones song) "Don't Stop" is a single by rock band the Rolling Stones featured on their 2002 compilation album "Forty Licks". Credited to singer Mick Jagger and guitarist Keith Richards, "Don't Stop" was largely the work of Jagger. Writing began during Jagger's preparations for his 2001 album "Goddess in the Doorway". At the time of release, he commented, "For me, doing a solo album or a Stones album is all the same, with one proviso: that when I'm writing for the Rolling Stones I don't mind if the song sounds like the ones the Stones do,

neg: Magical Mystery Tour album with the Rolling Stones' concurrent release, "Their Satanic Majesties Request", and opined that "I Am the Walrus" and "Blue Jay Way" alone "accomplish what the Stones attempted". The album review in "Rolling Stone" consisted of a single-sentence quote from John Lennon: "There are only about 100 people in the world who understand our music." Robert Christgau of "Esquire" considered three of the five new songs to be "disappointing", including "The Fool on the Hill", which, he wrote, "may be the worst song the Beatles have ever recorded". Christgau still found the album "worth buying", however, "for all the singles,

neg: Slave (The Rolling Stones song) Slave (The Rolling Stones song) "Slave" is a song by The Rolling Stones on their 1981 album "Tattoo You". Written by Mick Jagger and Keith Richards, "Slave" was originally recorded in Rotterdam, Netherlands (as "Black And Blue Jam" or "Vagina"), using the Rolling Stones Mobile Studio in late January or early February 1975. During that time, the Rolling Stones were faced with the unexpected challenge of filling the recently vacated position of second guitarist, after the abrupt departure of Mick Taylor. The track features Billy Preston on electric piano and organ (although the organ could also have been played by

neg: Respectable (The Rolling Stones song) 1997-1998 Bridges to Babylon Tour was released on the album "No Security". The Stones were joined on stage by John Mayer to play a live version during their 50 and Counting Tour on 13 December 2012 at the Prudential Center in Newark, New Jersey. The Canadian band Les Respectables take their band name from this song and they were Rolling Stones fans. Respectable (The Rolling Stones song) "Respectable" is a song by The Rolling Stones from their 1978 album "Some Girls". It was written by Mick Jagger and Keith Richards. In the liner notes to the 1993 compilation album ""

neg: Lavender (2016 film) version of her mother. Susie implores Jane to "come find us". The next morning Jane visits Patrick, who says that Jane is the only one who knows what happened to her family in 1985. Jane later sees Susie in the barn, who says that they need to hide from "the monster". At the same time, Alice is telling Alan that the girl has warned her about the monster in the bedroom, while a nice lady has taught her the "Lavender" song. Jane insists that they leave. They hear Alice scream and she tells them the man was chasing her. She

neg: Miss You (The Rolling Stones song) bonus track on "". In 2010, "Rolling Stone" magazine rated "Miss You" number 498 in its list of The 500 Greatest Songs of All Time. The song featured in the première episode of the TV series "Miami Vice", "Brother's Keeper" and at the beginning of the film "At Close Range". Miss You (The Rolling Stones song) "Miss You" is a song written by Mick Jagger and Keith Richards. It was released as a single by The Rolling Stones on Rolling Stones Records in May 1978, one month in advance of their album "Some Girls", and peaked at number one on

neg: You Can't Always Get What You Want You Can't Always Get What You Want "You Can't Always Get What You Want" is a song by the Rolling Stones on their 1969 album "Let It Bleed". Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by "Rolling Stone" magazine in its 2004 list of the "500 Greatest Songs of All Time". Jagger commented on the song's beginnings: "You Can't Always Get What You Want" was the first song recorded for the album. It exists in two versions, a 5:00 single mix and a 7:28 album mix. "You Can't Always

neg: Sheryl Crow (album) song "Ordinary Morning" was considered a poor choice for a closer. "Rolling Stone" editor David Fricke also criticized the album for being underdeveloped and lacking originality, and unfavorably compared the song "Hard to Make a Stand" to "Tumbling Dice" by the Rolling Stones and "Sweet Jane" by the Velvet Underground. In February 1997, "Sheryl Crow" was ranked at number 26 in "The Village Voice"s 1996 Pazz & Jop critics' poll. At the 39th Annual Grammy Awards, the album was awarded Best Rock Album and Crow received the Best Female Rock Vocal Performance award for the song "If It Makes You

neg: Heart of Stone (The Rolling Stones song) European countries on an EP with a subsequent single. In the Netherlands the EP reached No. 6 in the singles charts. Richie Unterberger says, "'Heart of Stone' [is] a slow and soulful, dramatic ballad with the kind of vaguely discordant, droning guitars heard on many an early Rolling Stones slow number. What was impressive was how the Jagger/Richards song, though similar in some respect to American soul ballads of the period...was not explicitly derivative of any one blues or soul song that they were covering on their mid-60s records. The lilt of the verses owed something to country music and

neg: Shine a Light (The Rolling Stones song) when the band covered the entirety of "Exile on Main Street" as part of its musical costume. Elton John also performed the song live for 'Peace One Day' on 21 September 2012, and is a well-known Stones fan. The song was also featured in the 3rd episode season 6 of "Californication" "Dead Rockstars" performed by Tim Minchin (aka Atticus Fetch in the series). Shine a Light (The Rolling Stones song) "Shine a Light" is a song released by English rock band the Rolling Stones' 1972 album "Exile on Main St." Although credited to usual Stones writers Mick Jagger and Keith

neg: Shine a Light (The Rolling Stones song) Shine a Light (The Rolling Stones song) "Shine a Light" is a song released by English rock band the Rolling Stones' 1972 album "Exile on Main St." Although credited to usual Stones writers Mick Jagger and Keith Richards, "Shine a Light" was largely a Mick Jagger-Leon Russell composition. He began writing the song in early 1968 when the Stones still had guitarist Brian Jones as a member. The song was originally titled "Get a Line on You" and dealt with Jones's ever-worsening addiction to drugs and his detachment from the rest of the band A version of the song, under

neg: Brian Jones Am Waiting" and "Lady Jane", Mellotron on "She's a Rainbow", "We Love You", "Stray Cat Blues", "2000 Light Years from Home", and "Citadel"; and the autoharp on "Ride On, Baby" and (for his final recording as a Rolling Stone) on "You Got the Silver". He also played the oboe/soprano sax solo in "Dandelion". Jones also played harmonica on many of the Rolling Stones' early songs. Examples of Jones' playing are on "Come On", "Stoned" (1963), "Not Fade Away" (1964), "I Just Want to Make Love to You", "Now I've Got A Witness" (1964), "Good Times, Bad Times" (1964), "2120 South

neg: Pebbles, Volume 28 of CDs beginning in 1992. This version of "Suzie Q" was recorded after that of the Rolling Stones, but before Creedence Clearwater Revival released the song in 1968 (when it became their first hit song). Two other cover songs of venerable classics, "Route 66" and "Louie Louie" are also included on the album; the former song was the opening cut on the first album by the Rolling Stones. The last song on Side 1 is a novelty song about Alfred E. Neuman, the Mad Magazine mascot. A series of compilation albums of Swedish garage rock music called Who Will Buy

neg: Aftermath (The Rolling Stones album) deleting and altering the contents of his article, including his concluding statement on "Aftermath": "Let me insist that I do not consider the Rolling Stones' "Aftermath" 'the best album of its kind,' as your editor would have it. I consider it quite simply the best." In a 1973 piece for "Creem", Patti Smith recounted her response to the album in 1966: "The "Aftermath" album was the real move. two faced woman. doncha bother me. the singer displays contempt for his lady. he's on top and that's what I like. then he raises her as queen. his obsession is her. 'goin

neg: Rough Justice (The Rolling Stones song) song has been performed heavily by the Stones on their A Bigger Bang Tour and is featured on their latest concert DVD release, "The Biggest Bang". It was also one of the three songs played by the Stones during the halftime show for Super Bowl XL although the word "cocks" was censored on the ABC broadcast. It was included in their greatest hits album "GRRR!". Rough Justice (The Rolling Stones song) "Rough Justice" is a song by rock band the Rolling Stones that was released as a double A-side single with "Streets of Love" from their 2005 album "A Bigger

neg: Tell Me (The Rolling Stones song) compilations; for example, the 1989 edition of "Singles Collection: The London Years" has the single edit, while the 2002 edition has the longer version. The song was used in Martin Scorsese´s film "Mean Streets" (1973). The "Rules for the Actors" section of Peter Handke's 1966 theater piece "Offending the Audience" contains the line "Listen to “Tell Me” by the Rolling Stones." Additional musicians Tell Me (The Rolling Stones song) "Tell Me (You're Coming Back)" is a song by English rock band The Rolling Stones, featured on their 1964 self-titled album (later referred to as "England's Newest Hit Makers" in the

neg: Out of Time (The Rolling Stones song) also released as a single in 1975, reaching #45 in the UK, and was later included on 1989's "". Like all the songs on the second side of the UK version of "Aftermath", the Rolling Stones have never performed “Out of Time” live. Out of Time (The Rolling Stones song) "Out of Time" is a song by the Rolling Stones, first released on their 1966 album "Aftermath" (UK version). The most commercially successful version of the song was by the singer Chris Farlowe, an English solo artist. Farlowe's single, produced by Jagger, peaked at number one in the UK Singles

neg: Out of Time (The Rolling Stones song) Out of Time (The Rolling Stones song) "Out of Time" is a song by the Rolling Stones, first released on their 1966 album "Aftermath" (UK version). The most commercially successful version of the song was by the singer Chris Farlowe, an English solo artist. Farlowe's single, produced by Jagger, peaked at number one in the UK Singles Chart on 28 July 1966 and stayed at the top for one week. A shorter alternative mix of the Rolling Stones' recording was released in the US in 1967 on the album "Flowers". A third version featuring Mick Jagger's lead vocal and the

neg: Juke Box Jury Rolling Stones recorded an advert for the breakfast cereal Rice Krispies, which used themes from the programme including a jukebox, studio audience scenes and both the 'Hit' button and the 'Hit' signs that the audience jury used. The British comedy duo French and Saunders, who appeared on the programme in 1989, referred to "Juke Box Jury" in their parody of "What Ever Happened to Baby Jane?" in their eponymous 1990 comedy series. The Generation X 1978 song "Ready Steady Go!" referenced the programme in its lyrics: "I'm not in love with Juke Box Jury/I'm not in love with Thank Your

neg: Instruments played by the Rolling Stones in the group's early days, and doubled on piano and slide guitar. He played a variety of other instruments, particularly in the studio, including sitar on "Street Fighting Man" and "Paint It, Black", organ on "2000 Man" and "Let's Spend the Night Together", marimba on "Under My Thumb", "Out Of Time" and "Yesterday's Papers", recorder on "Ruby Tuesday", trumpet on "Child of the Moon", Appalachian dulcimer on "I Am Waiting" and "Lady Jane", and oboe and saxophone on "Dandelion". Jones played the Mellotron on several Stones tracks, including the single "We Love You" and the albums "Their Satanic Majesties Request"

neg: The Rolling Stones European Tour 1973 1st) got a trying out, as did "Bitch" and "Sweet Virginia" in Vienna. All of the pre-"Goats" selections had been played on the 1972 American Tour as well, and pretty much in this order. Completely absent was anything from before 1968 in the Stones' catalog. Indeed, on 18 August, before the tour began, Jagger had been quoted, "The only thing I don't really enjoy about playing live is having to perform the old numbers, even though that's what a lotta people wanna hear us do." The Rolling Stones European Tour 1973 The Rolling Stones 1973 European Tour was a concert

neg: Slave (The Rolling Stones song) to be your slave"". Keith Richards provide the electric guitar part for the song, with Charlie Watts and Bill Wyman supporting on drums and bass, respectively. The Virgin Records reissue of "Slave" contains an additional 90 seconds of the song. It was never performed by the Stones on stage - although rehearsed in 2002 - and appears on no compilation album. Slave (The Rolling Stones song) "Slave" is a song by The Rolling Stones on their 1981 album "Tattoo You". Written by Mick Jagger and Keith Richards, "Slave" was originally recorded in Rotterdam, Netherlands (as "Black And Blue Jam" or

neg: Goin' Home (The Rolling Stones song) Goin' Home (The Rolling Stones song) "Goin' Home" is a song by rock band The Rolling Stones featured on their 1966 album "Aftermath". Written by Mick Jagger and Keith Richards, "Goin' Home" is a long blues-inspired track that is notable as one of the first songs by a rock and roll band to break the ten-minute mark and the longest recorded song on any Stones album. While many bands had experimented with length in live performances, and Bob Dylan had written many songs by this point which reached the five/six-minute mark, "Goin' Home" was the first "jam" recorded expressly for

neg: Highwire (song) Highwire (song) "Highwire" is an anti-war song by The Rolling Stones featured on their 1991 live album "Flashpoint". Written by Mick Jagger and Keith Richards, "Highwire" is one of the rare examples of the Stones taking on political issues - in this case, the fall-out from Persian Gulf War. On the song, Jagger said at the time of its release, "It's not about the war. It's about how it started." Richards continued, saying, "This is not about the war. It's about how you build up some shaky dictator. You can't build them up, 'cause then you've got to slam them

neg: Angie (song) the former German extremist Hans-Joachim Klein remarks that the song inspired him to adopt "Angie" as the moniker he used during his militant activities in the 1970s. In 2005, the German political party CDU used the song in its election campaign for Angela Merkel, although the Rolling Stones had not given them permission to do so. Two music videos were shot to promote the song. Angie (song) "Angie" is a song by the rock band The Rolling Stones, featured on their 1973 album "Goats Head Soup". The song is credited, as most Rolling Stones songs are, to both Mick Jagger

neg: Aftermath (The Rolling Stones album) home.' What a song. so wild so pump pumping. do it down in the basement. don't come til the last second. cockpit. cover you like an airplane. stones music is screwing music." Retrospective appraisals have considered the album the most important and musically formative of the Rolling Stones' early records. In Perone's opinion, "Aftermath" is one of their most significant albums "because it firmly established the band's dark image and prepared the way for the psychological darkness of glam rock and the social darkness of British punk rock." Writing for "MusicHound Rock" (1999), Greg Kot highlighted Jones' musical contributions while

neg: Miss You (The Rolling Stones song) El Mocambo club gigs, recordings from which appeared on side three of double live album "Love You Live" (1977). Keith Richards is credited as co-writer as was the case for all Rolling Stones originals written by either partner or in tandem. Jagger and Ronnie Wood insist that "Miss You" wasn't conceived as a disco song, while Richards said, "...'Miss You' was a damn good disco record; it was calculated to be one." In any case, what was going on in discotheques did make it to the recording. Charlie Watts said, "A lot of those songs like 'Miss You' on 'Some

neg: The Rolling Stones On 4 June, The Rolling Stones performed for the first time in Israel. "Haaretz" described the concert as being "Historic with a capital H." In a 2015 interview with Jagger, when asked if retirement crosses his mind he stated, "Nah, not in the moment. I'm thinking about what the next tour is. I'm not thinking about retirement. I'm planning the next set of tours, so the answer is really, 'No, not really.'" The Stones embarked on their Latin American tour in February 2016. On 25 March, the band played a bonus show, a free open air concert in Havana, Cuba.

neg: Slipping Away (The Rolling Stones song) to do it at gun point. But when I got into it, I really liked singing that song. It's got some depth." The Stones have since performed "Slipping Away" during the 1995 leg of the Voodoo Lounge Tour, the 2002-2003 Licks Tour throughout the 2005-2007 A Bigger Bang Tour, on the 14 On Fire tour with former guitarist Mick Taylor guesting, and on the 2017 No Filter Tour. Slipping Away (The Rolling Stones song) "Slipping Away" is a song by the Rolling Stones featured on their 1989 album "Steel Wheels". It is sung by guitarist Keith Richards. Credited to Richards

neg: Connection (The Rolling Stones song) was performed many times by NRPS, with Jerry Garcia and Marmaduke Dawson singing. In the book Black and Blue (1997) by Ian Rankin, police inspector John Rebus, upon hearing Montrose's recording of Connection in a bar during a murder investigation, calls it, "one of the very best cover versions of a Stones song". Connection (The Rolling Stones song) "Connection" is a song by British rock and roll band The Rolling Stones, featured on their 1967 album "Between the Buttons". It was written by Mick Jagger and Keith Richards (but mostly Richards), features vocals by both of them and is said

neg: I'm Free (The Rolling Stones song) I'm Free (The Rolling Stones song) "I'm Free" is a song by the Rolling Stones written by Mick Jagger and Keith Richards, first released as the final track on the UK "Out of Our Heads" album on 24 September 1965. It was also released at the same time as a single in the US and later included on the American "December's Children (And Everybody's)" album. The Rolling Stones recorded a re-worked acoustic version for their 1995 album "Stripped", and performed a live version in the 2008 film "Shine a Light", which was included on the accompanying live album. In 2007

neg: I'm Free (The Rolling Stones song) I'm Free (The Rolling Stones song) "I'm Free" is a song by the Rolling Stones written by Mick Jagger and Keith Richards, first released as the final track on the UK "Out of Our Heads" album on 24 September 1965. It was also released at the same time as a single in the US and later included on the American "December's Children (And Everybody's)" album. The Rolling Stones recorded a re-worked acoustic version for their 1995 album "Stripped", and performed a live version in the 2008 film "Shine a Light", which was included on the accompanying live album. In 2007

neg: Sway (The Rolling Stones song) was also covered by Alvin Youngblood Hart on the October 1997 River North Records release, "Paint It Blue: Songs Of The Rolling Stones". Albert Castiglia covered the track on his 2014 album, "Solid Ground". Sway (The Rolling Stones song) "Sway" is a song by English rock band the Rolling Stones from their 1971 album "Sticky Fingers". It was also released as the b-side of the "Wild Horses" single in June 1971. This single was released in the US only. Initial pressings of the single contain an alternate take; later pressings include the album version instead. Credited to Mick Jagger and

neg: Bitch (The Rolling Stones song) Bitch (The Rolling Stones song) "Bitch" is a song by the English rock band the Rolling Stones from their 1971 album "Sticky Fingers", first released one week before the album as the B-side to its advance single, "Brown Sugar". Despite not being used as an official single by itself, the tune has garnered major airplay from classic rock radio stations. Written by Mick Jagger and Keith Richards, "Bitch" was recorded in October 1970 at London's Olympic Studios, and at Stargroves using the Rolling Stones Mobile studio. "Bitch" was conceived during the Sticky Fingers sessions in October 1970. Richards was late

neg: Miss You (The Rolling Stones song) Miss You (The Rolling Stones song) "Miss You" is a song written by Mick Jagger and Keith Richards. It was released as a single by The Rolling Stones on Rolling Stones Records in May 1978, one month in advance of their album "Some Girls", and peaked at number one on the "Billboard" Hot 100 and number three on the UK Singles Chart. An extended version, called the "Special Disco Version", was released as the band's first dance remix on a 12-inch single. "Miss You" was written by Mick Jagger jamming with keyboardist Billy Preston during rehearsals for the March 1977

neg: Dance Little Sister (The Rolling Stones song) 1977. Dance Little Sister (The Rolling Stones song) "Dance Little Sister" is a song written by Mick Jagger and Keith Richards that was first released on the Rolling Stones 1974 album "It's Only Rock 'n Roll". It was also released as the B-side of the Rolling Stones single "Ain't Too Proud to Beg" and on several of their compilation albums. The lyrics to "Dance Little Sister" have lead singer Jagger asking women in high heels and tight skirts to dance for him all night. Some of the lyrics refer to Mick and Bianca Jagger spending days in Trinidad watching cricket

neg: Dance Little Sister (The Rolling Stones song) Dance Little Sister (The Rolling Stones song) "Dance Little Sister" is a song written by Mick Jagger and Keith Richards that was first released on the Rolling Stones 1974 album "It's Only Rock 'n Roll". It was also released as the B-side of the Rolling Stones single "Ain't Too Proud to Beg" and on several of their compilation albums. The lyrics to "Dance Little Sister" have lead singer Jagger asking women in high heels and tight skirts to dance for him all night. Some of the lyrics refer to Mick and Bianca Jagger spending days in Trinidad watching cricket and

neg: Brown Sugar (The Rolling Stones song) Brown Sugar (The Rolling Stones song) "Brown Sugar" is a song by the Rolling Stones. It is the opening track and lead single from their album "Sticky Fingers" (1971). "Rolling Stone" magazine ranked it number 495 on its list of the 500 Greatest Songs of All Time and at number five on their list of the 100 Greatest Guitar Songs of All Time. Though credited, like most of their compositions, to the singer/guitarist pair of Mick Jagger and Keith Richards, the song was primarily the work of Jagger, who wrote it sometime during the filming of "Ned Kelly" in 1969.

neg: Roadsongs (Townes van Zandt album) by it. Ends up we played that record over and over for weeks. It made us rethink what we were doing and what a song was all about." Van Zandt had also been performing Peter Lafarge's "Ira Hayes" and the Rolling Stones classic "Dead Flowers" for many years. Van Zandt's affinity for traditional folk music is represented on "Roadsongs" as well, with the singer performing "Texas River Song", "Wabash Cannonball" and "Cocaine Blues". "Roadsongs" was overshadowed by the release of "No Deeper Blue" the same year, which was Van Zandt's first album of original material since 1987's "At My Window",

neg: Worried About You Worried About You "Worried About You" is a song featured on the 1981 Rolling Stones album "Tattoo You". Written by Mick Jagger and Keith Richards, "Worried About You" is slow ballad first produced for 1975's "Black and Blue". This is most evident with the song's guitar solo contributed by Wayne Perkins, an early contender for the lead guitarist spot left open after the departure of Mick Taylor. Like some songs for "Black and Blue", "Worried About You" was recorded in Rotterdam, Netherlands, using the Rolling Stones Mobile Studio. Overdubs were performed in Montreux, Switzerland, as well as later in 1981

neg: C'era un ragazzo che come me amava i Beatles e i Rolling Stones C'era un ragazzo che come me amava i Beatles e i Rolling Stones "C'era un ragazzo che come me amava i Beatles e i Rolling Stones" ('There was a young man who, just like me, loved the Beatles and the Rolling Stones') is a song composed by Mauro Lusini and Franco Migliacci, and performed by Gianni Morandi. The song premiered at the third Festival delle Rose, in which Morandi presented the song in couple with the author Lusini. A protest ballad against Vietnam war, it was censored by RAI television and radio for being polemic towards politics of a friendly

neg: Angie (song) Angie (song) "Angie" is a song by the rock band The Rolling Stones, featured on their 1973 album "Goats Head Soup". The song is credited, as most Rolling Stones songs are, to both Mick Jagger and Keith Richards, but it is acknowledged to be almost completely written by Richards. "Angie" was recorded in November and December 1972 and is an acoustic-guitar-driven ballad characterizing the end of a romance. The song's distinctive piano accompaniment, written by Richards, was played on the album by Nicky Hopkins, a Rolling Stones recording-session regular. The strings on the piece (as well as on another song,

neg: Sway (The Rolling Stones song) Sway (The Rolling Stones song) "Sway" is a song by English rock band the Rolling Stones from their 1971 album "Sticky Fingers". It was also released as the b-side of the "Wild Horses" single in June 1971. This single was released in the US only. Initial pressings of the single contain an alternate take; later pressings include the album version instead. Credited to Mick Jagger and Keith Richards, "Sway" is a slower blues song and was the first song recorded by the band at Stargroves. The song features a bottleneck slide guitar solo during the bridge and a dramatic, virtuoso

neg: Dead Flowers (The Rolling Stones song) Dead Flowers (The Rolling Stones song) "Dead Flowers" is a song written by Mick Jagger and Keith Richards of the rock band the Rolling Stones, appearing on their 1971 album "Sticky Fingers". Recording of "Dead Flowers" took place in April 1970 at the Olympic Studios in London. The lyrics to the song are notably dark, and feature the line, "I'll be in my basement room, with a needle and a spoon", a reference to injecting heroin. "Dead Flowers" was written during the period when the Stones were stepping into country territory, when Richards's friendship with Gram Parsons was influencing his

neg: Slipping Away (The Rolling Stones song) Slipping Away (The Rolling Stones song) "Slipping Away" is a song by the Rolling Stones featured on their 1989 album "Steel Wheels". It is sung by guitarist Keith Richards. Credited to Richards and Mick Jagger, "Slipping Away" is a slow ballad, a form of music Richards would embrace on the Stones' later albums. It was recorded at Montserrat's Air Studios between March and June 1989. With Richards singing, he and Ron Wood perform the song's electric guitars. Bill Wyman provides the prominent bass while Charlie Watts performs drums. The organ and piano are performed by Chuck Leavell and electric piano

neg: Jane Froman the Easter Seals campaign, which helps individuals with developmental disabilities and the Missouri Mental Health Association, Froman was known for her contralto vocals. There are three biographies about Froman, the first two written by Ilene Stone: "One Little Candle: Remembering Jane Froman" and "Jane Froman, Missouri's First Lady of Song". In addition, a newer, in-depth biography, "Say It With Music – The Life and Legacy of Jane Froman", by Barbara Seuling, was published on November 10, 2007, to coincide with the centennial of Froman's birth. In honor of what would have been Froman's 100th birthday, a gala, The Jane Froman

neg: Midnight Rambler Midnight Rambler "Midnight Rambler" is a song by the English rock band the Rolling Stones, released on their 1969 album "Let It Bleed". The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler. Keith Richards has called the number "a blues opera" and the quintessential Jagger-Richards song, stating in the 2012 documentary "Crossfire Hurricane" that "nobody else could have written that song." On the composing of the song, Mick Jagger said in a 1995 interview with "Rolling Stone", When asked about the song in a 1971 interview with "Rolling Stone", Richards said: The song's

neg: Mixed Emotions (The Rolling Stones song) Mixed Emotions (The Rolling Stones song) "Mixed Emotions" is a song by The Rolling Stones from their 1989 album "Steel Wheels". Written by Mick Jagger and Keith Richards while on vacation in Barbados, "Mixed Emotions" was recorded in Montserrat from March through June 1989. The song was a heavy collaborative effort between Jagger and Richards. Richards brought his own music to the sessions along with most of the song's lyrics, the rest being filled in by Jagger in the studio. The song is an upfront rocker, with Richards, Jagger and Ronnie Wood sharing guitar duties. Piano and organ were provided

neg: Winter (The Rolling Stones song) Also of interest: Carla Olson and Mick Taylor recorded two versions of "Winter". One is on Olson's "The Ring of Truth" album and the other appears on "Too Hot For Snakes Plus" which is a 2CD release. (One disc is a re-release of the live Olson/Taylor "Too Hot for Snakes" live album and the second is thirteen studio tracks featuring the two from Olson's various solo albums plus one song from the Barry Goldberg album "Stoned Again" which she produced). Winter (The Rolling Stones song) "Winter" is a song by English rock and roll band the Rolling Stones featured on

neg: Wild Horses (The Rolling Stones song) single in early 1996. The song appears on a handful of the Rolling Stones' concert DVDs: "Bridges to Babylon Tour '97–98" (1998), "Rolling Stones - Four Flicks" (2003), and "The Biggest Bang" (2007). Jagger's ex-wife, Jerry Hall, has named "Wild Horses" as her favourite Rolling Stones song. "Wild Horses" figures prominently in the films "Adaptation" (2002) and "Camp" (2003). On television, the song was played during "Parks and Recreation" in the episode "Li'l Sebastian" (S3: E16) as background music to Li'l Sebastian's memorial service, and was used during the Season 1 finale of "Bojack Horseman" in the episode "Later". In

neg: Back Street Girl (1969). Back Street Girl "Back Street Girl" is a song by British rock and roll band The Rolling Stones written by Mick Jagger and Keith Richards. It first appeared on the UK version of their 1967 album "Between the Buttons" but was not included on the US version. It was first released in the US on the 1967 album "Flowers". Rolling Stone magazine, in their 100 Greatest Rolling Stones Songs article named "Back Street Girl" at number 85. Mick Jagger in an interview with Rolling Stone magazine in 1968 was asked how he felt about the song's album "Between the

neg: Back Street Girl Back Street Girl "Back Street Girl" is a song by British rock and roll band The Rolling Stones written by Mick Jagger and Keith Richards. It first appeared on the UK version of their 1967 album "Between the Buttons" but was not included on the US version. It was first released in the US on the 1967 album "Flowers". Rolling Stone magazine, in their 100 Greatest Rolling Stones Songs article named "Back Street Girl" at number 85. Mick Jagger in an interview with Rolling Stone magazine in 1968 was asked how he felt about the song's album "Between the Buttons".

neg: Heart of Stone (The Rolling Stones song) Hurts", twisting the song's impact with female vocals provided by Sally Timms. The Allman Brothers Band covered the song on their 2003 album "Hittin' the Note", their first release with slide guitar player Derek Trucks. The Texas, USA band The Outcasts covered the song in 1965. Sonic's Rendezvous Band has also played the song. Heart of Stone (The Rolling Stones song) "Heart of Stone" is a song by the English rock band The Rolling Stones, released as a single in 1964 in the United States, and on an extended-play single in Europe (pictured). It was not released in the United

neg: Goin' Home (The Rolling Stones song) girl and determining to go home and get him some. It's the bumpety-bump, ascending chorus of announcing his intentions to go home that's the most 'pop' element of the song." "Goin' Home" can be heard in the happening sequence of 1967 film "Col cuore in gola". Goin' Home (The Rolling Stones song) "Goin' Home" is a song by rock band The Rolling Stones featured on their 1966 album "Aftermath". Written by Mick Jagger and Keith Richards, "Goin' Home" is a long blues-inspired track that is notable as one of the first songs by a rock and roll band to break

neg: Dear Doctor (song) between 13 and 21 May 1968. Despite its appearance on one of the Rolling Stones' more well-known albums, "Dear Doctor" has never been performed live by the band. It appears on the compilation album "Slow Rollers". Dear Doctor (song) "Dear Doctor" is a song by English rock and roll band the Rolling Stones featured on their 1968 album "Beggars Banquet". Written by Mick Jagger and Keith Richards, "Dear Doctor" is a country song with blues inflections. It is a good example of the acoustic guitar-based compositions that has earned "Beggars Banquet" its reputation as the Rolling Stones' "return to form".

neg: Don't Stop (The Rolling Stones song) just chugging along. We don't see a lot of each other. I live in America, he lives in England. So when we get together, we see what ideas each has got: 'I'm stuck on the bridge.' 'Well, I have this bit that might work.' A lot of what Mick and I do is fixing and touching up, writing the song in bits, assembling it on the spot. In 'Don't Stop', my job was the fairy dust." With Jagger on lead vocals, both Richards and Ronnie Wood accompany on guitars. "Don't Stop" is one of the many later Stones songs to

neg: Bitch (The Rolling Stones song) that day, but when he arrived he transformed a loose jam into the trademark riff found on the released take. Andy Johns claims: The song is also notable for its heavy brass section that punctuates the guitar riff after the choruses. Mick Jagger said: Bitch (The Rolling Stones song) "Bitch" is a song by the English rock band the Rolling Stones from their 1971 album "Sticky Fingers", first released one week before the album as the B-side to its advance single, "Brown Sugar". Despite not being used as an official single by itself, the tune has garnered major airplay from

neg: Factory Girl (The Rolling Stones song) then a version of the song with different lyrics called "Glastonbury Girl" was performed at the Glastonbury festival on 29 June 2013. Factory Girl (The Rolling Stones song) "Factory Girl" is a song by the Rolling Stones which appears on their 1968 album "Beggars Banquet". It is very similar to an Appalachian folk tune, especially due to its minimal arrangement, featuring Mick Jagger on vocals, Keith Richards on acoustic guitar, Rocky Dijon on conga drums, Ric Grech of Family on fiddle/violin, Dave Mason, Nicky Hopkins plays Mellotron using the mandolin sound (as indicated by bootleg recordings) and Charlie Watts on

neg: It's All Over Now WINS show, the band recorded their version nine days later at Chess Studios in Chicago. Years later, Bobby Womack said in an interview that he had told Sam Cooke he did not want the Rolling Stones to record their version of the song, and that he had told Mick Jagger to get his own song. Cooke convinced him to let the Rolling Stones record the song. Six months later on, after receiving the royalty check for the song, Womack told Cooke that Mick Jagger could have any song he wanted. The Rolling Stones' version of "It's All Over Now" is

neg: Undercover of the Night Undercover of the Night "Undercover of the Night" is the lead track and first single from English rock and roll band The Rolling Stones' 1983 album "Undercover". The song was largely a Mick Jagger composition, with guitarist Keith Richards going as far as saying, "Mick had this one all mapped out, I just played on it". Jagger later said that the song "was heavily influenced by William Burroughs’ ‘Cities of the Red Night,’ a free-wheeling novel about political and sexual repression. It combines a number of different references to what was going down in Argentina and Chile." The song was

neg: Hampton Coliseum (album) personnel Hampton Coliseum (album) Hampton Coliseum (Live 1981) is a live album by The Rolling Stones, released in 2012. It was recorded at the Hampton Coliseum in Hampton, Virginia on 18 December 1981, for what was the penultimate show of the band's U.S. tour that year. The album was released exclusively as a digital download through Google Music on 30 January 2012. The song list on this collection is nearly identical to that of Live At Leeds, another Rolling Stones live album released later in 2012 which documents the final show on the 1982 European leg of the same tour.

neg: Hampton Coliseum (album) Hampton Coliseum (album) Hampton Coliseum (Live 1981) is a live album by The Rolling Stones, released in 2012. It was recorded at the Hampton Coliseum in Hampton, Virginia on 18 December 1981, for what was the penultimate show of the band's U.S. tour that year. The album was released exclusively as a digital download through Google Music on 30 January 2012. The song list on this collection is nearly identical to that of Live At Leeds, another Rolling Stones live album released later in 2012 which documents the final show on the 1982 European leg of the same tour. This

neg: Hung Up song of the set list. It was re-invented as a heavy-metal version. As the performance of "4 Minutes" ended, Madonna picked up an electric guitar and played the first few chords of The Rolling Stones single "(I Can't Get No) Satisfaction". She then asked the crowd whether they thought they had come to a Rolling Stones concert. When the crowd responded negatively, she started "Hung Up", while dedicating it to all the people who had waited outside in the queue to watch the show. She declared that the noisy, metallic guitar breakdown of the song symbolised what waiting sounded like