query: who wrote the music for beauty and the beast 1991

pos: Beauty and the Beast (1991 soundtrack) Beauty and the Beast (1991 soundtrack) Beauty and the Beast: Original Motion Picture Soundtrack is the official soundtrack album to the 1991 Disney animated feature film, "Beauty and the Beast". Originally released on October 29, 1991, by Walt Disney Records, the album's first half – tracks 2 to 9 – generally contains the film's musical numbers, all of which were written by composer Alan Menken and lyricist Howard Ashman, while its latter half – tracks 10 to 14 – features its musical score, composed solely by Menken. While the majority of the album's content remains within the musical theatre genre,

pos: Beauty and the Beast (musical) Beauty and the Beast (musical) Beauty and the Beast is a musical with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and book by Linda Woolverton. Adapted from Walt Disney Pictures' Academy Award-winning 1991 animated musical film of the same name – which in turn had been based on the classic French fairy tale by Jeanne-Marie Leprince de Beaumont – "Beauty and the Beast" tells the story of a cold-blooded prince who has been magically transformed into an unsightly creature as punishment for his selfish ways. To revert into his true human form, the Beast must first

pos: Human Again (song) Human Again (song) "Human Again" is a song originally written for, deleted from, and later restored to the 1991 Disney animated musical "Beauty and the Beast". With music by Alan Menken and lyrics by Howard Ashman, "Human Again" was replaced during production of the original 1991 version of the film by "Something There", but retained and revised by Menken and new lyricist Tim Rice for the 1994 stage musical adaptation of "Beauty and the Beast". A newly produced sequence featuring "Human Again" was added to the "Beauty and the Beast" animated film for its 2002 IMAX Special Edition and subsequent

pos: Beauty and the Beast (musical) Alan Menken, who had both scored and written the film's songs alongside lyricist Howard Ashman, returned to the project to write six new songs for the musical. Lyricist Tim Rice joined Menken to co-write the new numbers, replacing Ashman who had died in 1991, before the film was released. Both Menken and Rice initially approached the project with some resistance; Menken's emotional attachment to the music he had written with Ashman made him fear Disney's vision of a Broadway musical would transform "Beauty and the Beast" into an attraction too similar to what one would find at Walt Disney World.

pos: Beauty and the Beast (Disney song) adaptation; sung by Emma Thompson as Mrs. Potts during the film and also as a duet cover version by Ariana Grande and John Legend during the end credits. Grande and Legend's version of the song is an homage to the cover performed by Dion and Bryson for the 1991 film. "Beauty and the Beast" was written by lyricist Howard Ashman and composer Alan Menken in 1990. Intending for the song to be "the height of simplicity", the songwriters drew much of its influence from Broadway music. Due to Ashman's failing health, some of "Beauty and the Beast"'s pre-production was relocated

pos: Golden Globe Award for Best Original Song Lamont Dozier – Buster" ‡ 1989: "Under the Sea" Lyrics by Howard Ashman, Music by Alan Menken, performed by Samuel E. Wright – The Little Mermaid † 1990: "Blaze of Glory" Music & Lyrics by Jon Bon Jovi, performed by Jon Bon Jovi – Young Guns II ‡ 1991: "Beauty and the Beast" Lyrics by Howard Ashman, Music by Alan Menken, performed by Peabo Bryson and Céline Dion – Beauty and the Beast † 1992: "A Whole New World" Lyrics by Tim Rice, Music by Alan Menken, performed by Peabo Bryson and Regina Belle – Aladdin † 1993: "Streets of

pos: Belle (Disney song) Belle (Disney song) "Belle" is a song written by composer Alan Menken and lyricist Howard Ashman for Walt Disney Pictures' 30th animated feature film "Beauty and the Beast" (1991). Originally recorded by American actress and singer Paige O'Hara and American actor Richard White, "Belle", a mid-tempo French and classical music-inspired song, incorporates both Broadway and musical theatre elements. The film's first song and opening number, "Belle" appears during "Beauty and the Beast "as a large scale operetta-style production number that introduces the film's heroine Belle, considered a book-loving nonconformist by the townspeople of the village, who has grown weary of

pos: Beauty and the Beast (1991 film) attempted unsuccessfully to adapt "Beauty and the Beast" into an animated film during the 1930s and 1950s. Following the success of "The Little Mermaid" (1989), Walt Disney Pictures decided to adapt the fairy tale, which Richard Purdum originally conceived as a non-musical. Disney chairman Jeffrey Katzenberg eventually dismissed Purdum's idea and ordered that the film be a musical similar to "The Little Mermaid" instead. The film was directed by Gary Trousdale and Kirk Wise, with a screenplay by Linda Woolverton story first credited to Roger Allers. Lyricist Howard Ashman and composer Alan Menken wrote the film's songs. Ashman, who additionally

pos: Beauty and the Beast (1991 soundtrack) version of the title track "Beauty and the Beast" also received Grammy nominations for Record of the Year and Song of the Year. In total, the soundtrack won 3 Grammys for Best Pop Duo/Group Performance (Celine Dion & Peabo Bryson, Best Pop Instrumental Performance (Richard Kauffman), and Best Song Written for a Motion Picture (Alan Menken). In the movie track eight comes after track nine. Total time of unreleased score material excluding song instrumentals: Approx. 33 minutes Total time of unreleased score material including song instrumentals: Approx. 1 hour Beauty and the Beast (1991 soundtrack) Beauty and the Beast: Original

pos: Evermore (Beauty and the Beast song) Evermore (Beauty and the Beast song) "Evermore" is a song written by composer Alan Menken and lyricist Tim Rice for the musical fantasy film "Beauty and the Beast" (2017), a live-action remake of Disney's 1991 animated film of the same name. Originally recorded for the film by English actor Dan Stevens, who performs the song in his starring role as the titular Beast, "Evermore" was first released as a single by American singer Josh Groban on March 3, 2017. Stevens' version became available on March 10, 2017 when the film's soundtrack was released online, while Groban's cover is played during

pos: Waking Sleeping Beauty "The Little Mermaid". The soundtrack was composed and written by Howard Ashman and Alan Menken, who also composed "Beauty and the Beast"; Menken later composed "Aladdin". Ashman's involvement in "The Little Mermaid" and "Beauty and the Beast" aided in both being box office successes and winning Academy Awards for Best Original Song and Best Original Score. However, Ashman died from AIDS in March 1991 before "Beauty and the Beast" was released; the film was dedicated to his memory. "The Rescuers Down Under" utilized the new CAPS system, which blended traditional and computer animation together, but the film was a box

pos: Evermore (Beauty and the Beast song) Rice to write entirely new songs for the film instead. Original "Beauty and the Beast" composer Menken reunited with Rice, with whom he had previously collaborated on Disney's animated film "Aladdin" (1992), to write three new songs for the remake. Rice once again replaced original "Beauty and the Beast" lyricist Howard Ashman, who had passed away shortly before the animated film's release in 1991, similar to the way in which he replaced the lyricist to aid Menken in writing new material for the 1994 stage adaptation. Menken believes that the songs he and Rice had written for the stage musical

pos: Pocahontas (1995 film) Connolly, and Linda Hunt. The score was written by Alan Menken, who also wrote the film's songs with Stephen Schwartz. After making his directorial debut with "The Rescuers Down Under" (1990), Gabriel conceived the film during a Thanksgiving weekend. The project went into development concurrently with "The Lion King" (1994) and attracted most of Disney's top animators. Meanwhile, Disney studio chairman Jeffrey Katzenberg decided the film should be a serious romantic epic in the vein of "Beauty and the Beast" (1991), in hope that, like "Beauty", it would also be nominated for the Academy Award for Best Picture. Screenwriters Carl

pos: Beauty and the Beast (Disney song) Beauty and the Beast (Disney song) "Beauty and the Beast" is a song written by lyricist Howard Ashman and composer Alan Menken for the Disney animated feature film "Beauty and the Beast" (1991). The film's theme song, the Broadway-inspired ballad was first recorded by British-American actress Angela Lansbury in her role as the voice of the character Mrs. Potts, and essentially describes the relationship between its two main characters Belle and the Beast, specifically how the couple has learned to accept their differences and in turn change each other for the better. Additionally, the song's lyrics imply that the feeling

pos: Beauty and the Beast (1991 film) members of the film's production team visited him after the film's well-received first screening, with Don Hahn commenting that "the film would be a great success. Who'd have thought it?", to which Ashman replied with "I would." A tribute to the lyricist was included at the end of the credits crawl: ""To our friend, Howard, who gave a mermaid her voice, and a beast his soul. We will be forever grateful. Howard Ashman: 1950–1991"." A pop version of the "Beauty and the Beast" theme, performed by Céline Dion and Peabo Bryson over the end credits, was released as a commercial

pos: Beauty and the Beast (1991 film) Tucci, and Gugu Mbatha-Raw joined the cast, as Cogsworth, Lumière, Cadenza, and Plumette, respectively. Composer Alan Menken returned to score the film's music, with new material written by Menken and Tim Rice. In June 2015, Menken said the film would not include the songs that were written for the Broadway musical. Filming began on May 18, 2015 in London, and production officially wrapped in August 2015. The film was released on March 17, 2017. "Beauty and the Beast" merchandise cover a wide variety of products, among them storybook versions of the film's story, a comic book based on the film

pos: Evermore (Beauty and the Beast song) ounces of shame." 34th Street Magazine contributor Haley Weiss preferred Groban's version to Stevens' original, calling it "breathtaking and downright lovely to listen to" while dismissing the film version as "downright mediocre in comparison." Weiss questioned why Disney hadn't cast Groban as the Beast instead of Stevens due to the former's acting and musical theatre background. Evermore (Beauty and the Beast song) "Evermore" is a song written by composer Alan Menken and lyricist Tim Rice for the musical fantasy film "Beauty and the Beast" (2017), a live-action remake of Disney's 1991 animated film of the same name. Originally recorded for

pos: Beauty and the Beast (2017 soundtrack) Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Nathan Mack, Ian McKellen, and Emma Thompson. The album debuted at No. 3 on the Billboard 200 chart with 57,000 units, 48,000 of which are traditional album sales. It has sold 337,000 copies in the United States as of July 2017. Beauty and the Beast (2017 soundtrack) Beauty and the Beast: Original Motion Picture Soundtrack is the soundtrack album to the 2017 film "Beauty and the Beast". The album, largely based on material from Disney's 1991 animated version, features songs and instrumental score composed by Alan Menken with lyrics by Howard Ashman and three

pos: Beauty and the Beast (2017 soundtrack) Beauty and the Beast (2017 soundtrack) Beauty and the Beast: Original Motion Picture Soundtrack is the soundtrack album to the 2017 film "Beauty and the Beast". The album, largely based on material from Disney's 1991 animated version, features songs and instrumental score composed by Alan Menken with lyrics by Howard Ashman and three new songs composed by Alan Menken with lyrics by Tim Rice. The soundtrack album was released by Walt Disney Records on March 10, 2017. The songs feature vocal performances by the film's ensemble cast including Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor,

pos: Beauty and the Beast (musical) While these musicals flourished on Broadway, it seems as though more serious, adult-oriented fare struggled to perform as well. New York theatre critic Howard Kissel famously despised "the Kiddy Komponent of New York theatergoing" spearheaded by the successful 13-year Broadway run of "Beauty and the Beast". The success of "Beauty and the Beast" inspired Eisner invest in his own theatre to house future stage adaptations of the studio's animated classics. Cedar Rapids, IA at Beauty and the Beast (musical) Beauty and the Beast is a musical with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and book

pos: Human Again (song) his mother's deathbed; then by Lumiére, Plumette, Mrs. Potts, & Madame Garderobe; then by Belle, before being sung by everyone. The song is all about reliving everyone's "days in the sun" (representing their former lives: the enchanted curse for the Beast (as well as her mother being alive) and the castle staff, and freedom for Belle), and hoping for a "new day". Human Again (song) "Human Again" is a song originally written for, deleted from, and later restored to the 1991 Disney animated musical "Beauty and the Beast". With music by Alan Menken and lyrics by Howard Ashman, "Human Again"

pos: Beauty and the Beast (Disney song) 1991, to which Disney had been invited to premiere an incomplete version of "Beauty and the Beast" that largely consisted of uncolored pencil tests and storyboards"." "The New York Times"' Janet Maslin appreciated being previewed to the unfinished ballroom scene, writing, "when the radiant sight of Beauty and the Beast waltzing together, to the sound of the lilting theme song by Alan Menken and Howard Ashman stirs emotion even in this sketchy form, then both the power and the artifice of animation make themselves felt." Lisa Schwarzbaum of "Entertainment Weekly" crowned the sequence the film's "centerpiece." Writing for "The Seattle

neg: Beauty and the Beast (1991 soundtrack) title song. Ashman, who was initially hesitant to join the project, died of AIDS before the film's completion and the album's release. Much like "Beauty and the Beast", the soundtrack was a massive critical success, receiving universal praise and recognition from both film and music critics. The music featured on the album won several awards, including the Golden Globe Award for Best Original Score, the Academy Award for Best Original Score and the Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television. Its title track and only single, "Beauty and the Beast", achieved similar success,

neg: Beauty and the Beast (Disney song) success," while "People" wrote that the release of "Beauty and the Beast" is when the singer truly went "global." In the wake of "Beauty and the Beast"'s success, young fans who had not yet learned Dion's name would simply refer to her as "Beauty and the Beast". The commercial success of "Beauty and the Beast" ultimately earned Dion a $10 million recording contract with Sony Music International; the song was then included on Dion's successful self-titled studio album, serving as the record's "cornerstone". American musician Prince was so moved by Dion's performance on "Beauty and the Beast" after hearing it

neg: Beauty and the Beast (Disney song) Bryson to record the song alongside her as a duet. Disney contacted Dion's manager René Angélil about having his client record "Beauty and the Beast" while the singer was on tour in England. A fan of Dion's music, Menken personally wrote the singer a letter of approval. Hailing from the French-Canadian province of Quebec, Dion had just begun to learn English. At first Dion was hesitant to commit to the project due to having just recently been fired from recording "Dreams to Dream", the theme song of the animated film "" (1991), in favor of American singer Linda Ronstadt, who

neg: The Beautician and the Beast "The Sound of Music" (1959). It was also likened to Ernst Lubitsch's movies, specifically "Ninotchka" (1939) and "The Shop Around the Corner" (1940). Lisa Schwarzbaum described the plot as containing "a huge chunk [of] "The Nanny"", while other commentators compared the main characters' romance to the 1991 film "Beauty and the Beast". Jeff Vice of the "Deseret News" wrote that the film's opening animation was a parody of the 1959 film "Sleeping Beauty". Critics described the romantic subplot between Katrina and Alek as inspired by the play "Romeo and Juliet". The Beautician and the Beast The Beautician and the Beast

neg: Beauty and the Beast (1991 soundtrack) soundtrack with much the film's success. When "Beauty and the Beast" was released in November 1991, several film and entertainment critics awarded specific praise to its music, both songs and score. "Entertainment Weekly"'s Lisa Schwarzbaum wrote, "The songs unleash a chemical reaction of happiness." Just as the film made history by becoming the first animated film to receive a Best Picture Oscar nomination, so too the soundtrack made history by becoming the first animated film soundtrack to receive an Album of the Year Grammy nomination (to date, no other animated film soundtrack has been nominated in this category). The pop

neg: Beauty and the Beast (1991 film) in "Kingdom Hearts II", the world's primary antagonist being Xaldin, an original character created for the series, but who shares several traits with Forte, the main antagonist of "Beauty and the Beast: The Enchanted Christmas". Beauty and the Beast (1991 film) Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the French fairy tale of the same name by Jeanne-Marie Leprince de Beaumont who was

neg: Belle (Beauty and the Beast) help them achieve their respective goals." Michelle Munro, writing for Durham College of Applied Arts and Technology, felt that even though Belle shares several traits with her more passive predecessors, the character introduced "new possibilities for princesses." Girls in Capes wrote that Belle pioneered a generation of princesses who taught "about ambition, self-discovery and the pursuit of what we want." Additionally, Belle remains Disney's first and only princess to have hazel eyes. Belle debuted in "Beauty and the Beast "(1991) as a beautiful bibliophile who, although praised by her fellow villagers for her unrivaled beauty, is at the same time

neg: Gaston (Beauty and the Beast) Gaston (Beauty and the Beast) Gaston is a fictional character who appears in Walt Disney Pictures' 30th animated feature film "Beauty and the Beast" (1991). Voiced by American actor and singer Richard White, Gaston is an arrogant hunter whose unrequited feelings for the intellectual Belle drive him to murder his adversary, the Beast, once he realizes she cares for him instead. Gaston serves as a foil personality to the Beast, who was once as vain as Gaston prior to his transformation. An original character who is not present in the "Beauty and the Beast" fairy tale by Jeanne-Marie Leprince de

neg: Stephen Oliver (composer) he was still at Oxford. Later works include incidental music for the Royal Shakespeare Company (including "The Life and Adventures of Nicholas Nickleby"), a musical, "Blondel" (1983; with Tim Rice), and over forty operas, including "Tom Jones" (1975), "Beauty and the Beast" (1984), "Lady Jane" (1986) and "Timon of Athens" (1991). Oliver also wrote music for television, including several of the BBC's Shakespeare productions ("Timon" among those), and some chamber and instrumental music. He was a good friend of Simon Callow who commissioned the piece "Ricercare No. 4" for vocal quartet Cantabile. He also composed the score for the thirteen-hour

neg: Belle (Beauty and the Beast) Belle (Beauty and the Beast) Belle is a fictional character who appears in Walt Disney Pictures' animated feature film "Beauty and the Beast" (1991). Originally voiced by American actress and singer Paige O'Hara, Belle is the non-conforming daughter of an inventor who yearns to abandon her predictable village life in return for adventure. When her father Maurice is imprisoned by a cold-hearted beast, Belle offers him her own freedom in exchange for her father's, and eventually learns to love the Beast despite his unsightly outward appearance. Walt Disney Studios chairman Jeffrey Katzenberg commissioned "Beauty and the Beast" as an animated

neg: Beauty and the Beast (1991 soundtrack) obscurity in the United States, so they hired American singer Peabo Bryson, who was a more well-known recording artist at the time, to perform alongside her. The newly arranged song was released as the album's lead single on November 25, 1991. Similar to the overwhelmingly positive critical response that the film received, "Beauty and the Beast: Original Motion Picture Soundtrack "was met with universal acclaim from both music and film critics, garnering nearly unanimous praise for both its songs and score. Tavia Hobart of AllMusic awarded the soundtrack a nearly perfect overall score of 4.5/5 stars, describing Ashman and Menken's

neg: Beauty and the Beast (1991 soundtrack) its songs have also been influenced by French, classical, pop and Broadway music. Credited to Various Artists, "Beauty and the Beast: Original Motion Picture Soundtrack" features performances by the film's main cast – Paige O'Hara, Richard White, Jesse Corti, Jerry Orbach, Angela Lansbury and Robby Benson – in order of appearance. Additionally, the album features recording artists Celine Dion and Peabo Bryson, who perform a pop rendition of the film's title and theme song, "Beauty and the Beast", which simultaneously serves as the soundtrack's only single. Following a difficult period during where Walt Disney Feature Animation struggled to release successful

neg: Beauty and the Beast (1991 film) Beauty and the Beast (1991 film) Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the French fairy tale of the same name by Jeanne-Marie Leprince de Beaumont who was uncredited in the English version but credited in the French version, and ideas from the 1946 French film of the same name directed by Jean Cocteau. "Beauty and the Beast" focuses on the relationship between

neg: The Music of Disney: A Legacy in Song 15. Perfect Isn't Easy: "Oliver & Company" (1988) - Bette Midler 16. Part Of Your World: "The Little Mermaid" (1989) - Jodi Benson 17. Under The Sea: "The Little Mermaid" (1989) - Samuel E. Wright 18. Kiss The Girl: "The Little Mermaid" (1989) - Samuel E. Wright 19. Be Our Guest: "Beauty and the Beast" (1991) - Jerry Orbach/Angela Lansbury 20. Beauty and the Beast: "Beauty And The Beast" (1991) - Angela Lansbury 1. A Whale Of A Tale: "20,000 Leagues Under The Sea" (1954) - Kirk Douglas 2. Old Yeller: "Old Yeller" (1957) - Jerome Courtland 3. Pretty Irish

neg: Beauty and the Beast (1991 soundtrack) and tuneful" that "let[s] the lyric shine." Originally, Ashman and Menken had written a rather lengthy, large-scale musical number for the film called "Human Again". However, when it was deemed "too ambitious", they swiftly wrote and replaced it with a smaller-scale musical number entitled "Something There". According to Menken, the film's theme and title song, "Beauty and the Beast", was "a very hard song to come by" despite its relative simplicity. He revealed that the writing process for "Beauty and the Beast" was the longest period of time that he had ever devoted to one particular song. Written to resemble

neg: Beauty and the Beast (1991 film) "Beauty and the Beast" set in 19th-century France. At the behest of Disney CEO Michael Eisner, "Beauty and the Beast" became the first Disney animated film to use a screenwriter. This was an unusual production move for an animated film, which is traditionally developed on storyboards rather than in scripted form. Linda Woolverton wrote the original draft of the story before storyboarding began, and worked with the story team to retool and develop the film. Upon seeing the initial storyboard reels in 1989, Walt Disney Studios chairman Jeffrey Katzenberg ordered that the film be scrapped and started over from scratch.

neg: Beauty and the Beast (Disney song) melody as "flowing", while BuzzFeed's Aylin Zafar wrote that the song is "Tender and warm." Writing for the "Chicago Tribune", Gene Siskel described Lansbury's voice, which spans two octaves from B♭ to E♭, as "richly textured". Meanwhile, Michael Cheang of "The Star" and Bill Gibron of PopMatters wrote that Lansbury performed using a "fragile" "calm, motherly" tone. Instrumentally, "Beauty and the Beast" features several chord changes, woodwinds, and violins. GamesRadar observed that "Beauty and the Beast" includes a key change during which "the music swells, and then the orchestra subsides to leave just trembling violins." Describing the ballad as "soaring",

neg: Beast (Beauty and the Beast) the villagers. Beast (Beauty and the Beast) The Beast is a fictional character who appears in Walt Disney Animation Studios' 30th animated feature film "Beauty and the Beast" (1991). He also appears in the film's two direct-to-video followups "" and "Belle's Magical World". Based on the hero of the French fairy tale by Jeanne-Marie Leprince de Beaumont, the Beast was created by screenwriter Linda Woolverton and animated by Glen Keane. A pampered prince transformed into a hideous beast as punishment for his cold-hearted and selfish ways, the Beast must, in order to return to his former self, earn the love

neg: Beast (Beauty and the Beast) Beast (Beauty and the Beast) The Beast is a fictional character who appears in Walt Disney Animation Studios' 30th animated feature film "Beauty and the Beast" (1991). He also appears in the film's two direct-to-video followups "" and "Belle's Magical World". Based on the hero of the French fairy tale by Jeanne-Marie Leprince de Beaumont, the Beast was created by screenwriter Linda Woolverton and animated by Glen Keane. A pampered prince transformed into a hideous beast as punishment for his cold-hearted and selfish ways, the Beast must, in order to return to his former self, earn the love of a

neg: Lisa Angelle Lisa Angelle Lisa Angelle (New Orleans, Louisiana) is an American country music singer-songwriter. During the 1980s and 1990s, Angelle wrote songs for several country artists including Wynonna Judd, who reached number one on the "Billboard" Hot Country Singles & Tracks chart in 1991 with "I Saw the Light", co-written by pop singer Andrew Gold. As a recording artist, Angelle released two singles with EMI America Records in 1985, but did not release an album until 2000 via DreamWorks Nashville. She also recorded the theme song for the CBS TV series "Beauty and the Beast", which aired 1987 to 1990. All

neg: Beauty and the Beast (Disney song) "" (1991). First heard during the film's end credits, the single was produced by Walter Afanasieff who also arranged it with Robbie Buchanan, and included on Dion's self-titled album. The single was accompanied by a music video. Directed by Dominic Orlando, it combined footage of the singers recording the song at The Power Station with excerpts from the film. Both versions of "Beauty and the Beast" were very successful, garnering both a Golden Globe and Academy Award for Best Original Song, as well as Grammy Awards for Best Song Written for Visual Media and Best Pop Performance by a Duo

neg: Beauty and the Beast (1991 film) to "Snow White and the Seven Dwarfs" and "Pinocchio", writing, ""Beauty and the Beast" reaches back to an older and healthier Hollywood tradition in which the best writers, musicians and filmmakers are gathered for a project on the assumption that a family audience deserves great entertainment, too." In 2001 Ebert again gave the IMAX re-release a full 4 out of 4 stars. James Berardinelli of "ReelViews "rated the film similarly while hailing it as "the finest animated movie ever made", writing, ""Beauty and the Beast" attains a nearly-perfect mix of romance, music, invention, and animation." The use of computer animation,

neg: Beauty and the Beast (1991 film) "Beauty and the Beast" premiered in a joint production of Theatre Under The Stars and Disney Theatricals at the Music Hall, Houston, Texas, from November 28, 1993 through December 26, 1993. On April 18, 1994, "Beauty and the Beast" premiered on Broadway at the Palace Theatre in New York City to mixed reviews. The show transferred to the Lunt-Fontanne Theatre on November 11, 1999. The commercial (though not critical) success of the show led to productions in the West End, Toronto, and all over the world. The Broadway version, which ran for over a decade, received a Tony Award, and

neg: Beauty and the Beast: The Enchanted Christmas Beauty and the Beast: The Enchanted Christmas Beauty and the Beast: The Enchanted Christmas is a 1997 American direct-to-video animated Christmas musical fantasy film produced by Walt Disney Television Animation. It takes place within the timeline of the 1991 film "Beauty and the Beast". The film sold 7.6million VHS tapes in 1997. The film starts out with everybody getting prepared for Christmas. Lumiere and Cogsworth argue about who saved Christmas last year. Chip begs Mrs. Potts to be the narrator of the story. After hesitating she agrees. Soon everyone is gathered around Mrs. Potts as she tells the events of

neg: Beauty and the Beast (1983 film) Beauty and the Beast (1983 film) Beauty and the Beast () is a 1983 Danish drama film written and directed by Nils Malmros. The film stars Line Arlien-Søborg as a sexually active 16-year-old and Jesper Klein as the father who struggles to accept his daughter's relationships with boys as well as his own jealousy. Malmros, who had worked with the young Arlien-Søborg on his coming-of-age drama, "Tree of Knowledge", wrote the role of the daughter specifically for her. Both Arlien-Søborg and Klein won the 1984 Bodil and Robert awards for acting. "Beauty and the Beast" received the 1984 Bodil Award

neg: Beauty and the Beast (1991 film) animation. Ashman and Menken wrote the "Beauty" song score during the pre-production process in Fishkill, the opening operetta-styled "Belle" being their first composition for the film. Other songs included "Be Our Guest," sung (in its original version) to Maurice by the objects when he becomes the first visitor to eat at the castle in a decade, "Gaston," a solo for the swaggering villain, "Human Again," a song describing Belle and Beast's growing love from the objects' perspective, the love ballad "Beauty and the Beast (Tale as Old as Time)" and the climactic "The Mob Song." As story and song development

neg: Beauty in the Beast were directly digitally generated. This eliminates all the limitations of microphones, the weak link necessary in nearly all other digital recordings, including those that use 'sampling' technologies." Dave Benson wrote: Beauty in the Beast Beauty in the Beast is a studio album from the American keyboardist and composer Wendy Carlos, released in 1986 on Audion Records, her first for a different label other than Columbia Records since 1968. The album uses alternate musical tunings and scales, influenced by jazz and world music. On the back she includes a quote by Van Gogh: "I am always doing what I cannot do

neg: Beauty and the Beast (1991 film) single from the film's soundtrack, supported with a music video. The Dion/Bryson version of "Beauty and the Beast" became an international pop hit and performed considerably well on charts around the world. The song became Dion's second single to land within the top-10 of the "Billboard" Hot 100, peaking at number nine. The song peaked at number three on the "Billboard" Hot Adult Contemporary chart. In Canada, "Beauty and the Beast" peaked at number two. Outside of North America, the song peaked within the top ten in New Zealand and the United Kingdom, while peaking within the top twenty in

neg: Beauty and the Beast (2017 film) original 1991 "Beauty and the Beast" duet song, with singer Peabo Bryson—that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles. She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I

neg: Disney's Beauty and the Beast (SNES video game) him and his castle will be broken, she will marry him and become a princess. The final boss of the game is Gaston, a hunter who will try to steal Belle from the "Beast". Disney's Beauty and the Beast (SNES video game) Disney's Beauty and the Beast is an action platformer for the Super Nintendo Entertainment System. Based on the 1991 Disney film of the same name, it was developed by Probe Entertainment and published by Hudson Soft in North America on July 1, 1994 and Europe on February 23, 1995, respectively. The game was published by Virgin Interactive in

neg: Beauty and the Beast (1991 soundtrack) assisted Buchanan in the arranging of the song. Menken was ultimately pleased with Afanasieff's production, explaining, "Walter Afanasieff ... took it and really molded it into something very different than I ever intended and I grew to love it. In a way, Walter made it his own, and I love that." Because Disney could not afford to hire a "big singer", they drafted Canadian singer Celine Dion, who was relatively new to the music industry at the time, to record "Beauty and the Beast". However, the studio feared that she would not draw much media attention because of her relative

neg: Love This Giant music around horns. The musicians composed lyrics in person and via e-mail, which resulted in an entire album's worth of material. Byrne and Clark each wrote and sing their own lyrics, with the exception of "The Forest Awakes"—which Byrne wrote, but Clark sings. The instrumentation and funk grooves discouraged Byrne from writing his typical personal lyrics to writing about larger themes and Clark emphasized the art music nature of the recordings while composing. The album cover was inspired by "Beauty and the Beast", with Byrne as a "Buzz Lightyear-like" beauty and Clark as a grotesque beast. The duo originally intended

neg: Beauty and the Beast (Disney song) "successful marriage of character and set". "The Studios After the Studios" explains: "This chronological fusion was itself classicised by Mrs Potts' song: she turns a moment of industrial novelty into balance". "Beauty and the Beast" has won several awards. The song garnered the Golden Globe Award for Best Original Song at the 49th Golden Globe Awards in January 1992. The following March, "Beauty and the Beast" won the Academy Award for Best Original Song at the 64th Academy Awards. The award was for Ashman, who had died of AIDS on March 14, 1991, eight months before the film's release. Menken

neg: Beauty and the Beast (1983 film) for Best Danish Film and Robert Award for Film of the Year. The film was entered into the 34th Berlin International Film Festival. Beauty and the Beast (1983 film) Beauty and the Beast () is a 1983 Danish drama film written and directed by Nils Malmros. The film stars Line Arlien-Søborg as a sexually active 16-year-old and Jesper Klein as the father who struggles to accept his daughter's relationships with boys as well as his own jealousy. Malmros, who had worked with the young Arlien-Søborg on his coming-of-age drama, "Tree of Knowledge", wrote the role of the daughter specifically for

neg: Stephen Chbosky Choice Award for Best Dramatic Movie. Chbosky re-wrote Evan Spiliotopoulos's original script for the 2017 live action reboot of Disney's "Beauty and the Beast", directed by Bill Condon and starring Emma Watson as Belle. Chbosky and Watson developed a close relationship during the production of "The Perks of Being a Wallflower." The adaptation was faithful to the original 1991 animated film "Beauty and the Beast", with all the original musical numbers included. The film was released on March 17, 2017. Chbosky directed the 2017 film "Wonder", co-written by Chbosky, Jack Thorne, and Steve Conrad and based on the 2012 novel

neg: Gaston (Beauty and the Beast) less receptive towards the character, ranking him 25th out of 30 on their list of the "Top Disney Villains of All Time". Oh My Disney ranked Gaston's line "The most beautiful girl in town, that makes her the best! And don’t I deserve the best?” the ninth most sinister quote uttered by a Disney villain. Gaston (Beauty and the Beast) Gaston is a fictional character who appears in Walt Disney Pictures' 30th animated feature film "Beauty and the Beast" (1991). Voiced by American actor and singer Richard White, Gaston is an arrogant hunter whose unrequited feelings for the intellectual Belle

neg: Beauty and the Beast (franchise) the castle with Beast). A 1995 article by the LA Times regarding the then-new Broadway musical adaption of the 1991 movie (the first Disney film to be adapted for the stage), asked if the property was "Disney's Newest Franchise". The original Beauty and the Beast film, as well as the stage musical and live-action remake, have received overwhelmingly positive feedback. The various other aspects of the franchise, such as the direct-to-video sequels, have received mixed to negative reviews. Beauty and the Beast (franchise) Beauty and the Beast is a Disney media franchise comprising a film series and additional merchandise. The

neg: Beauty and the Beast Live on Stage that the love of "Beauty and the Beast" will thrive forever. Instantly, Belle and the prince reappear in their traditional costumes. ("Beauty and the Beast") During the curtain call, Belle and the Prince give a lucky person in the audience a rose similar to the one in the movie. The original version opened for the film's 1991 premiere. Its first performance was at 1:30 pm on November 22, 1991, the same day the film was released. When the Theater of the Stars was moved in September 1993 (to make room for the construction of Sunset Boulevard), the show was temporarily

neg: Adrian Paul and modelling career. Paul has spent time in the theatre with numerous plays, the most notable of which was a guest appearance in "Beauty and the Beast" (1987), which he has stated helped shape his acting ability. Paul's first role was on the ABC television series "The Colbys" in 1986, as ballet dancer Nikolai "Kolya" Rostov. This was followed by guest appearances on the television shows "Beauty and the Beast" (1987), two episodes of "Tarzán" (1991), "Murder, She Wrote" (1992), "Relic Hunter" (1999), and as himself in "WWE SmackDown" (1999). He also appeared in a January 2003 episode of "Charmed"

neg: Beauty and the Beast (1991 film) record for the most nominations for an animated film with "WALL-E" (2008), although, with three nominations in the Best Original Song category, "Beauty and the Beast"s nominations span only four categories, while "WALL-E"s nominations cover six individual categories. While "The Little Mermaid" was the first to be nominated, "Beauty and the Beast" became the first animated film to win the Golden Globe Award for Best Motion Picture – Musical or Comedy. This feat was later repeated by "The Lion King" and "Toy Story 2". In 2002, "Beauty and the Beast" was added to the United States National Film Registry as

neg: Beauty and the Beast (1991 film) served as the film's executive producer, died of AIDS-related complications six months before the film's release, and the film is thus dedicated to his memory. "Beauty and the Beast" premiered as an unfinished film at the New York Film Festival on September 29, 1991, followed by its theatrical release as a completed film at the El Capitan Theatre on November 13. The film grossed $425 million at the box office worldwide on a $25 million budget. "Beauty and the Beast" won the Golden Globe Award for Best Motion Picture – Musical or Comedy, the first animated film to ever win

neg: Beauty and the Beast (1991 film) in the material for granted. It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly." Phillips also wrote of the 2017 film that "too often we're watching highly qualified performers, plus a few less conspicuously talented ones (Watson, primarily), stuck doing karaoke, or motion-capture work of middling quality". Dana Schwartz of the "Observer" criticized some of the 2017 film changes to the characters like Gaston and the Beast as regressive by watering down their distinguishing personalities from the 1991 film, also arguing that the added backstory to the characters in the

neg: Beauty and the Beast (1991 soundtrack) the film's title song and decided to release a pop rendition of "Beauty and the Beast" as a commercial single in an attempt to persuade voters to vote for it. When "Beauty and the Beast" was written, it was composed with the potential of having "half a life outside the movie." Menken revealed that this was the first time one of his compositions had been rearranged and "turned into ear candy". Menken recruited musician Robbie Buchanan to arrange "Beauty and the Beast" into the form of a pop duet while Walter Afanasieff was responsible for producing the track. Afanasieff also

neg: Beauty and the Beast (Stevie Nicks song) The song receives its titles and initial inspiration from French filmmaker Jean Cocteau's 1946 film "Beauty and the Beast", one of Stevie Nicks' favorite classic films. Nicks explains the importance of the song to her, both during live performances and in various interviews, as one that encompasses her whole life and represents how everyone is either a beauty or a beast, usually both On its re-release in "Timespace – The Best of Stevie Nicks" (1991), she dedicates the song to Vincent and Catherine, of the late 80's television show, "Beauty and the Beast." "Beauty and the Beast" was recorded during

neg: Beast (Beauty and the Beast) beautiful young woman named Belle who he imprisons in his castle. All this must be done before the last petal falls from the enchanted rose on his twenty-first birthday. In all animated film appearances, the Beast is voiced by American actor Robby Benson. The 1991 animated film was adapted into a Broadway musical in 1994, with the role being originated by American actor Terrence Mann. Dan Stevens portrays the character in a 2017 live-action adaptation of the original 1991 film. Determining a suitable appearance for the Beast proved challenging. Although entirely fictional, supervising animator Glen Keane felt it essential for

neg: Beauty and the Beast (1991 film) castle from invading villagers and forest animals and rescue Belle from Gaston. The third and fourth video games based on the film are action platformers developed by Probe Software and published by Hudson Soft. One, titled "Beauty and the Beast", was released in Europe in 1994 for the NES, while the other, "Disney's Beauty and the Beast", was released in North America in July 1994 and in Europe on February 23 1995 for the SNES. The entire games are played through the perspective of the Beast. As the Beast, the player must get Belle to fall in love so that

neg: Howard Ashman productive and continued to write songs. After the first screening for "Beauty and the Beast" on March 10, 1991, the animators visited Ashman in the hospital. He weighed 80 pounds, had lost his sight, and could barely speak. The animators and producer Don Hahn told him that the film was incredibly well received by the press. On the early morning of March 14, Ashman, age 40, died from complications from AIDS, in New York City"." "Beauty and the Beast" is dedicated ""To our friend Howard, who gave a mermaid her voice and a beast his soul, we will be forever

neg: Beauty and the Beast (franchise) Beauty and the Beast (franchise) Beauty and the Beast is a Disney media franchise comprising a film series and additional merchandise. The success of the original 1991 American animated feature, "Beauty and the Beast", directed by Gary Trousdale and Kirk Wise, led to three direct-to-video follow-up films, a live-action spin-off television series, a Disney World stage show, a Disney World restaurant, several video games, merchandise, and the 9th longest-running musical in Broadway history, which was nominated for nine Tony Awards, winning for Best Costume Design. In March 2017, Disney released a live-action remake of the film. Belle was also added

neg: Beauty and the Beast (Disney song) the song as "superb." Lansbury's vocal performance has also been singled out for praise: "Slant Magazine"s Jaime N. Christley wrote that Lansbury "delivers the film's title tune, gooey treacle that it is, like nobody's business." Describing the song as "beautiful", the "Chicago Tribune"s Gene Siskel wrote that "Beauty and the Beast" is "performed poignantly by the richly textured voice of Angela Lansbury." Similarly, PopMatters' Bill Gibron penned, "the moment Angela Lansbury’s trite teapot steps up to sing the title song, all dry eye bets are off." The "New York Post"s Lou Lumenick wrote that "Beauty and the Beast" was "unforgettably

neg: Henry (Hank) Sylvern Lewis told The Ugly Duckling, The Pied Piper of Hamelin, The Sleeping Beauty, The Steadfast Tin Soldier, Jack and the Beanstalk, Rapunzel, Beauty and the Beast, Rumpelstiltskin, Pinocchio, Thumbelina, The Little Mermaid, and The Wizard of Oz. Henry (Hank) Sylvern Henry "Hank" Sylvern (26 March 1908 – 4 July 1964) was born in Brooklyn, NY. Hank was a U.S. organist and composer, who worked on radio and TV shows some of which are listed below: He was also an organist who played music for innumerable radio shows and also wrote the following radio show theme songs: Hank Sylvern recorded a

neg: Microtonal music through 24 notes to the octave, including 15-ET and 19-ET . "The project," he wrote, "was to explore the tonal and modal behavior of all [of these] equal tunings…, devise a notation for each tuning, and write a composition in each tuning to illustrate good chord progressions and the practical application of the notation" . In 1986, Wendy Carlos experimented with many microtonal systems including just intonation, using alternate tuning scales she invented for the album "Beauty In the Beast". "This whole formal discovery came a few weeks after I had completed the album, "Beauty in the Beast", which is

neg: Disney's Beauty and the Beast (SNES video game) Disney's Beauty and the Beast (SNES video game) Disney's Beauty and the Beast is an action platformer for the Super Nintendo Entertainment System. Based on the 1991 Disney film of the same name, it was developed by Probe Entertainment and published by Hudson Soft in North America on July 1, 1994 and Europe on February 23, 1995, respectively. The game was published by Virgin Interactive in Japan on July 8, 1994. The entire game is played through the perspective of the Beast. As the Beast, the player must get Belle to fall in love so that the curse cast upon

neg: Beauty and the Beast (1991 film) 2017 version failed to "advance the plot or theme in any meaningful way". David Sims of "The Atlantic" wrote that the 2017 film "feels particularly egregious, in part, because it's so slavishly devoted to the original; every time it falls short of its predecessor (which is quite often), it's hard not to notice". During its initial release in 1991, the film grossed $145.9 million in revenues in North America and $351.9 million worldwide. It ranked as the third-most successful film of 1991 in North America, surpassed only by the summer blockbusters "" and "". At the time "Beauty and the

neg: Belle's Magical World Belle's Magical World Belle's Magical World (also known as Beauty and the Beast: Belle's Magical World) is a 1998 direct-to-video animated musical film produced by Walt Disney Television Animation. It was released on February 17, 1998, and is a followup to the 1991 Walt Disney Pictures animated feature film "Beauty and the Beast", featuring the voices of David Ogden Stiers as Cogsworth, Robby Benson as The Beast, Gregory Grudt, who replaced Bradley Pierce as Chip Potts, Paige O'Hara as Belle, Anne Rogers, who replaced Angela Lansbury as Mrs. Potts, and Jerry Orbach as Lumiere. The film features two songs performed

neg: Beauty and the Beast (Disney song) the song on his children's music album "More Songs from Pooh Corner". In 2002, music group Jump5 covered "Beauty and the Beast" for the Walt Disney Records compilation album "Disneymania"; a music video was released later that year and included as a bonus feature on the film's Platinum Edition DVD re-release, "Beauty and the Beast: Special Edition". Belonging to a segment known as "Chip’s Fun and Games - For the Young at Heart", the music video features the group performing their "bouncy" teen pop rendition of the song interpolated with scenes from the film. Lauren Duca of "The Huffington Post"

neg: Beauty and the Beast (1991 soundtrack) song "Human Again", the original instrumental intended for the "Transformation" scene, (titled "Death of the Beast (Early Version)" here) and demos for "Be Our Guest" and the title track. In October 2010, the soundtrack was re-released again as a Diamond Edition soundtrack, to coincide with the successful Blu-ray and DVD Diamond Edition release of the film, the 1991 version of the soundtrack was released and included Jordin Sparks' cover of "Beauty and the Beast" as a bonus track. The soundtrack was reissued as the fourteenth entry in "The Legacy Collection" on February 9, 2018 and includes previously unreleased score. During

neg: Beauty and the Beast (1991 film) film and the making of her new "Beauty and the Beast" music video. There was also commentary from producer Don Hahn, interviews with the cast and an inside look at how the animation was created. A Disney Digital 3D version of the film, the second of a traditionally animated film, was originally scheduled to be released in US theatres on February 12, 2010, but the project was postponed. On August 25, 2011, Disney announced that the 3D version of the film would make its American debut at Hollywood's El Capitan Theatre from September 2–15, 2011. Disney spent less than $10

neg: Cupid sculpture, and various media. Better known as "The Beauty and the Beast", it was originally written by Gabrielle-Suzanne Barbot de Villeneuve and abridged and later published by French author Jeanne Marie Leprince de Beaumont in 1740. The story over the years has gained international acclaim and in 1991 inspired the Disney movie "Beauty and the Beast". It has been said that Gabrielle was inspired by the tale "Cupid and Psyche". The tale is about a beautiful yet lonely woman with a heart of gold that is held captive by a hideous beast who has invisible servants to aid her in

neg: Beauty and the Beast (franchise) to Disney Consumer Products' Disney Princess franchise. "Beauty and the Beast" is the original film of the franchise. It was directed by Gary Trousdale and Kirk Wise. It was produced by Walt Disney Feature Animation, and released in 1991. "Beauty and the Beast" is the 30th Disney animated feature film and belongs to an era known as the Disney Renaissance. The plot of the film is based on the fairy tale "Beauty and the Beast" by Jeanne-Marie Le Prince de Beaumont. "" is the first direct-to-video installment of the film series and served as a holiday special. It was directed

neg: Beauty and the Beast (1991 film) of the "Chicago Tribune" gave the film three out of four stars, saying ""Beauty and the Beast" is certainly adequate holiday entertainment for children and their more indulgent parents … But the film has little of the technical facility, vivid characterization and emotional impact of Disney past." Jay Boyar of the "Orlando Sentinel" gave the film four out of five stars, saying "It's not an especially scary movie, but right from the start, you can tell that this "Beauty and the Beast" has a beauty of a bite." John Hartl of "The Seattle Times" gave the film three-and-a-half stars out

neg: Beast (Beauty and the Beast) behavior. Although the Beast does not seem to have become increasing feral the longer the enchantment runs, in contrast to his animated counterpart from 1991 (reflecting Don Hahn's original intent for the Beast eventually grow wild if he never met Belle), it is his transformed servants who are gradually losing their remaining humanity while the castle deteriorates. The last rose petal falls before the curse is broken; however, upon seeing Belle profess her love for the Beast, the enchantress reveals herself and lifts the spell on the castle and its inhabitants. Afterward, Prince and Belle host a ball for all

neg: Beauty and the Beast (1991 film) Beast" was the most successful animated Disney film release, and the first animated film to reach $100 million in the United States and Canada in its initial run.<ref name="http://www.thetech.org/about-us/media-room/disneys-animated-beauty-and-beast-celebrates-10th-anniversary-worldwide-large"></ref> In its IMAX re-release, it earned $25.5 million in North America and $5.5 million in other territories, for a worldwide total of $31 million. It also earned $9.8 million from its 3D re-release overseas. During the opening weekend of its North American 3D re-release in 2012, "Beauty and the Beast" grossed $17.8 million, coming in at the No. 2 spot, behind "Contraband", and achieved the highest opening weekend for an animated

neg: Beauty and the Beast (1991 film) already done his 1946 version. Decades later, during the production of "Who Framed Roger Rabbit" in 1987, the Disney studio resurrected "Beauty and the Beast" as a project for the satellite animation studio it had set up in London, England to work on "Roger Rabbit". Richard Williams, who had directed the animated portions of "Roger Rabbit", was approached to direct but declined in favor of continuing work on his long-gestating project "The Thief and the Cobbler". In his place, Williams recommended his colleague, English animation director Richard Purdum, and work began under producer Don Hahn on a non-musical version of

neg: Beauty and the Beast (1991 film) that category. It also became the first animated film to be nominated for the Academy Award for Best Picture at the 64th Academy Awards, where it won the Academy Award for Best Original Score and Best Original Song for its title song and received additional nominations for Best Original Song and Best Sound. In April 1994, "Beauty and the Beast" became Disney's first animated film to be adapted into a Broadway musical. The success of the film spawned two direct-to-video follow-ups: "" (1997) and "Beauty and the Beast: Belle's Magical World" (1998), both of which take place in the timeline

neg: Beauty and the Beast (1991 film) and the Beast" into a Broadway-style musical film in the same vein as "Mermaid". Ashman, who at the time had learned he was dying of complications from AIDS, had been working with Disney on a pet project of his, "Aladdin", and only reluctantly agreed to join the struggling production team. To accommodate Ashman's failing health, pre-production of "Beauty and the Beast" was moved from London to the Residence Inn in Fishkill, New York, close to Ashman's New York City home. Here, Ashman and Menken joined Wise, Trousdale, Hahn, and Woolverton in retooling the film's script. Since the original story had

neg: Beauty and the Beast (1991 film) of four, saying "It's exceptionally difficult to make an audience care for animated characters unless they're mermaids or anthropomorphized animals or insects, yet the Disney animators, with a big assist from the vocal talents of a superb cast, have pulled it off." Gene Siskel, also of the "Chicago Tribune", gave the film four out of four stars, saying ""Beauty and the Beast" is one of the year's most entertaining films for both adults and children." On their "Beauty and the Beast" edition of "Siskel & Ebert", both Siskel and Roger Ebert proclaimed that the film is "a legitimate contender for

neg: Beauty and the Beast (1991 film) Film Institute recognition: According to an article in the "Houston Chronicle", "The catalyst for Disney's braving the stage was an article by "The New York Times" theater critic Frank Rich that praised "Beauty and the Beast" as 1991's best musical Theatre Under The Stars executive director Frank Young had been trying to get Disney interested in a stage version of "Beauty" about the same time Eisner and Katzenberg were mulling over Rich's column. But Young couldn't seem to get in touch with the right person in the Disney empire. Nothing happened till the Disney execs started to pursue the project

neg: Belle (Beauty and the Beast) feminist Disney characters, describing her as an "incredibly intelligent" woman who "doesn't stand for a man who considers her as just a piece of meat ... she wants someone who loves her for her mind too." Acknowledging the character's "feminist longings," Daniel Eagen, author of "America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry", cited Belle as Disney's "modern-day corrective to Snow White." "Beyond Adaptation: Essays on Radical Transformations of Original Works" author Phyllis Frus wrote that, initially, "Beauty and the Beast "does not seem "remotely feminist." However, the author did acknowledge Belle as

neg: Tony Jay as "Night Court" (1991), "The Golden Girls" (1987), "Twins" (1988), and "Eerie, Indiana" (1991). Bigger roles included Paracelsus on the 1987 CBS TV series adaptation of "Beauty and the Beast"; Minister Campio on "" (1992); and Lex Luthor's villainous aide-de-camp Nigel St. John in "" (1992–95). Jay's voice-over work included Monsieur D'Arque, the amoral asylum superintendent, in Disney's 1991 hit animated film version of "Beauty and the Beast". From 1994–2001 he supplied the voice for the virus Megabyte in the computer animated television show "ReBoot". According to one source, Jay was preferred to Patrick Stewart, Derek Jacobi, Ian McKellen for

neg: Beauty and the Beast (1991 soundtrack) a lullaby, Ashman and Menken conceived "Beauty and the Beast" as "a song that could have a life outside the movie." The film's final musical number, "The Mob Song", was written as what Menken described as "a macho adventure underscore". When the film was released, it garnered three separate Academy Award nominations for Best Original Song for "Belle", "Be Our Guest" and "Beauty and the Beast". Producer Don Hahn expressed concern that this would cause confusion among audiences and voters, and potentially result in an unfavorable tie. In order to prevent this from happening, the studio fought in favor of

neg: Beauty and the Beast (1991 film) servants' human forms. The Prince and Belle host a ball for the kingdom, where they dance happily. After the success of "Snow White and the Seven Dwarfs" in 1937, Walt Disney sought out other stories to adapt into feature films, with "Beauty and the Beast" being among the stories he considered. Attempts to develop the "Beauty and the Beast" story into a film were made in the 1930s and 1950s, but were ultimately given up because it "proved to be a challenge" for the story team. Peter M. Nichols states Disney may later have been discouraged by Jean Cocteau having

neg: Beauty and the Beast (Disney song) the song "set the template for the quivering love theme in ’90s Disney movies". "Beauty and the Beast" was the first Disney song to undergo a complete pop rearrangement for commercial purposes. After the success of Disney's "The Little Mermaid" revived the Disney musical in 1989, Gary Trust of "Billboard" determined that "Once "Beauty and the Beast" followed in 1991 ... Disney was dominating charts like never before". The single ended a thirty year-long absence of Disney-released chart hits between the 1960s and 1990s, and inspired several similar hits; popular recording artists such as Elton John, Vanessa Williams, Michael Bolton,

neg: Beauty and the Beast (Disney song) was present in the recording studio at the time to tears. Meanwhile, the actress credits recording the song with ultimately helping her gain further perspective on Mrs. Potts' role in the film. Some of Ashman's cut lyrics from the 1991 film were reinstated for the version in the 2017 film. The scene in "Beauty and the Beast" during which the song is heard is the moment when Belle and the Beast's true feelings for each other are finally established. Set in the ballroom of the Beast's castle, "Beauty and the Beast" is performed by the character Mrs. Potts, an enchanted

neg: Beauty and the Beast (1991 film) Gaston tries to force Belle to marry him in exchange for her father's release, but she refuses. Belle then proves Maurice's sanity by revealing the Beast to the townsfolk using the magic mirror. Belle angrily confronts Gaston that he is a monster and the Beast is not, enraging Gaston. Realizing that Belle loves the Beast, Gaston has her thrown into the basement with her father and rallies the villagers to follow him to the castle to kill the Beast. Assisted by Chip, who had stowed away in Belle's bag, Maurice and Belle escape and rush back to the castle. The

neg: Beauty and the Beast (1991 film) inventor rather than a merchant. In 2010, IGN named "Beauty and the Beast" as the greatest animated film of all time, directly ahead of "WALL-E", "The Incredibles", "Toy Story 2", and "The Iron Giant". Several critics regard the 1991 animated film as superior to the 2017 live-action remake. Michael Phillips of the "Chicago Tribune" said that the 1991 film "worked wonderfully because it was pure Broadway, written for the screen, blending comedy and romance and magic and just enough snark in the margins", while the 2017 remake got lost in translation since "The movie takes our knowledge and our interest

neg: Beauty and the Beast (1992 film) maid who is capable of doing magic. The beast tells Beauty that he has decided to spare her life but she cannot leave the castle. Beauty is given a comfortable room and grand clothes to wear. When she sleeps, Beauty is visited by a sinister fairy who tells her to beware of the apparent kindness of the beast. Time passes and the friendship between Beauty and the beast grows deeper. One night after dinner, the beast asks Beauty if she should like to be his wife. Beauty gently turns him down, but the beast insists that he will grant her

neg: Beauty and the Beast (1991 soundtrack) Beast" because he had just recently been diagnosed with AIDS. Additionally, he had already begun writing songs for "Aladdin "(1992). Ashman's health began deteriorating soon after he completed "The Little Mermaid". However, he wanted his illness to remain secret and decided to tell few about it. Too weak to travel, Ashman requested that he be allowed to work on the film's songs from his home, causing Menken and the filmmakers to frequently travel from the film's studio in Burbank, California to his home in New York in order to collaborate with him. Ashman wrote the majority of the song's lyrics

neg: Beauty and the Beast (franchise) song "A Change in Me" was kept in the production after being written for Toni Braxton during her stint as Belle. The Beauty and the Beast universe encompasses two main locations: a French village and a castle, which are linked by woods. As the three spin-off films all take place within the time period of the original film, the plot of the "Beauty and the Beast" franchise is encompassed in the original 1991 film, which the other films serving to give added insight to certain parts of the story that were skimmed over (such as when Belle is living in