query: who sings i came back to let you know

pos: What You Won't Do for Love (song) What You Won't Do for Love (song) "What You Won't Do for Love" is a blue-eyed soul-styled single recorded by Bobby Caldwell for his eponymous debut album (1978). It was written by Caldwell and Alfons Kettner and released in by Clouds Records domestically and by TK Records internationally. After gaining a reputation in Miami clubs as a talented musician, Caldwell was signed to an exclusive contract with TK Records in 1978 by TK Records president Henry Stone. Heading to the studio, Caldwell recorded his first album, which was given a redo after Stone felt the album was good but "didn't

neg: Drama Queen (Ivy Queen album) Queen sings: "Pure love does not fight, it does not hurt you, love that is pure does not cause you to fall", and described the song as "an honest statement of what love is". "I Do" is a minor-key, mid-tempo pop and R&B power ballad built on a handclapped rhythm and piano. Lyrically, the song is a message to men and women; Queen sings: "My ladies, if you know better, if he loves you, let him come back. My fellas, if you love her, don't let nothing hold you back, run out and look for her". Queen recorded the song

neg: Reese Williams and Bianca Montgomery her fans. Through the web presence she created for herself during her web series "Imaginary Bitches", fans let her know how much they wanted her back on the show. "I definitely wanted to fulfill that desire if I could," she said. Riegel then let the show know she was willing to come back. "[The] next thing I knew I got a call and they said, 'Okay, we've got something for you,'" she said. The story the "All My Children" writers came up with involved a new love interest for Bianca, Reese Williams, who would be portrayed by daytime alumni Tamara

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: Broken-Hearted Girl girl". Despite the desire to have her lover back, she sings, "I know that I love you but let me just say / I don't want to love you in no kind of way". The woman gains confidence, and towards the end of the song, she wants to spend her life with her lover despite the previous letdowns. Babyface's demo was released online on June 15, 2009. "Broken-Hearted Girl" and "Ego" were initially planned for simultaneous release as singles in the United States, but "Broken-Hearted Girl" was replaced with "Sweet Dreams", which became the sixth single from the "I Am..

neg: Dance for You interest, "Tonight I'm gonna dance for you / Tonight I'm gonna dance for you / Tonight I'm gonna put my body on your body / Boy, I like it when you watch me / Tonight it's going down." In the second verse, she sings: "You'll never need two, because I will be your number one / Them other chicks are superficial / But I know you know I'm the one / That's why I'm all into you / Cuz I can recognize that you know that / That's why I’m backin' this thing back / Pop poppin' this thing back".

neg: I Know You (Skylar Grey song) lover to let go of his past and just be chill". In a non-favorable review, Kenneth Partridge for "Billboard" said the song is "fairly lackluster" for a "torch song". Emilee Lindner of MTV stated "Grey sings sweetly and achingly for her lover to fully commit, telling him “I know you, baby.” It’s as if they’ve been through it all before and she just wants to be in love without complications". In its day of release, "I Know You" reached the top spot on the American, Canadian and Mexican iTunes charts. The following day, the song reached the top in 10

neg: Consideration (song) "her worth as artist and business asset." The song opens with "a Peter Pan metaphor about being held back from maturing," where she sings: "I come fluttering in from Neverland [...] Why will you never let me grow?." In the chorus, she bluntly sings: "I got to do things my own way, darling," while also complaining and asking "in a thick patois": "Will you ever let me? Will you ever respect me? No!." During the second verse, she "asserts that she's through with acting as the world's avatar," asking: "Darling, would you mind giving my reflection a break from the

neg: Just a Girl am a female'." Other themes of "Just a Girl" display Stefani's exasperation over stereotypical female portrayals; Stefani sings: "Don't you think I know exactly where I stand? / This world is forcing me to hold your hand". She gathered examples from her sister and female friends of how being "just a girl" is patronizing. Through "sustained sarcasm", she sings: "I'm just a girl in the world / That's all that you'll let me be / I'm just a girl, all pretty and petite / So don't let me have any rights". Critiques of "Just a Girl" during its release era

neg: You Don't Know Me (Eddy Arnold song) disc-jockey conventions. "I went up to the Victor suite to tell Steve Sholes good-bye," she explained, "and just as I was leaving, Eddy came in the door." Walker remembered him saying, "I got a song title for you... 'You Don't Know Me.'" "But I know "you"," teased Walker. "This is serious, replied Eddy, who proceeded to outline his idea. The songwriter promised to let the idea stew in her head for a while. And soon, she remembered, the lyrics tumbled onto the page. "The song just started singing. It sort of wrote itself..." The best-selling version of the song is

neg: Right Here Right Now (Jordin Sparks album) for those people. Sparks sings "Baby, on the low / You stay on my page cause I guess I’m your favorite / But you won’t let it show, no way / If you like what you see then you gotta let me know / Bet you won’t double tap that hoe / Bet you won’t double tap that hoe". The next song, "Boyz In The Hood" keeps the upbeat energy of the album going with its piano-led snapping production. The "infectious" jam sees Sparks take on her ideal version of the perfect bad boy, describing all different types of guys

neg: Annella Zervas house." Mother Louise just seemed to be dumbfounded; she didn’t have anything to say. She said, "Well, wait for me. I have to tend to something and I’ll be right back."…I didn’t think of that then, but very soon after it dawned on me that she wouldn’t let any of the Sisters be taken out of the Convent without the Bishop’s permission. …I don’t know if I mentioned that to mother or if I was just thinking it and in a few minutes Mother [Louise] came back and said, "Yes. You may take her with you." There was never anything

neg: I Won't Let You Down (Ph.D. song) sings to twin ladies seated next to him with Tony Hymas in the foreground on the synthesizers. In 1999 Australian singer Kate Ceberano recorded a version, which was released in July 1999 as the first single for her first compilation album, "True Romantic". She performed the song on "Hey Hey It's Saturday". Other notable artists who have recorded "I Won't Let You Down": Armand Van Helden's 2016 track "Wings" heavily samples "I Won't Let You Down". I Won't Let You Down (Ph.D. song) "I Won't Let You Down" is a 1982 single by British band Ph.D. It entered the UK

neg: Girl Who Got Away twirling in a slow dance through electronic caresses and the subtlest touches of strings. In the chorus, she sings, "I wanna move with the seasons/And go with the flow". Dido finds guests to keep her current, like Kendrick Lamar, whose vociferous rap tears through the conciliatory "Let Us Move On", a spooked trip hop song. The looping intro and muted snares on "Blackbird" are leveled off by her detached vocal and reassuringly familiar lyrics about the darker side of love ("Why do I bring you love, when all you give me back is pain?", she sings). While "End of Night",

neg: Skin (Rihanna song) "restrained" and "controlled". Throughout the song, Rihanna sounds "suspenseful" and "sultry" as she sings the lyrics "I got secrets that I wanna show you". Thomas Conner of "Chicago Sun-Times" wrote that the singer "teases her man" and "lets him at her" as she sings the line "You've waited long enough" before instructing "Don't hold back/you know I like it rough". Of the multiple music critics who commented on the song, the majority praised "Skins musical structure and Rihanna's vocal performance. Apart from writing about the song's composition, Daw called the ballad "smoldering" and compared the last minute of the song

neg: Aliens versus Predator versus The Terminator that they go back the way they came and leave the station, telling them they will not survive if they go on any further and that there is nothing they can do. In the end, Ripley thanks Call: "You did the right thing, bringing me back out into the black, I know that now. Please -- go. Let me do what I can do... Let me finish the job". Voorman agrees with Ripley and drags Call back to the "Carthage", commenting that Call is "a lot closer to human than she is" as they leave. As Ripley returns to follow

neg: If You Love Me (Let Me Know) the country chart. If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to

neg: If You Love Me (Let Me Know) If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to number 83 on

neg: Street Angel (album) kind of like, you know, maybe you just need to let this go and go on. I mean, this is three years now. And this record should have been out a long time ago. It may be new for everybody else, but it's really old for me." Regarding the song "Blue Denim", Nicks stated, "Well, I wrote this... um, it's a song about this guy who came into my life, but left just as quick. And his eyes were that intense, that it just makes you, even if you didn't know him, you would go, like, 'wow.' And you could

neg: Short Movie solitariness and dislocation in Los Angeles. Marling has described Los Angeles as a city that rejects negative attitudes in people, and this is reflected in the sixth track, ″Don't Let Me Bring You Down″, in which she sings "Living here is a game I don't know how to play." Marling's activities in Joshua Tree are referenced when she sings "I've got us lost so I've turned us off in Joshua tree," in the song ″Easy″, her implied exploration with psychedelics apparent in the line, "It was a bit too high for me/ I spent a month thinking I was a

neg: Joe Dawson (Highlander) knew you'd kill him. (…) I've known the man for twenty-five years, he's my sister's husband. I couldn't just let him die. (…) I didn't even know he was here, until you said you saw him... I had to find out why he came back." When MacLeod angrily asks what Dawson would have done if he had known what Horton was really doing, Dawson cannot answer. MacLeod is hurt by this breach of trust and answers, "Next time I see you will be the last." In "" (1994), Dawson tries to regain MacLeod's trust by giving him the address of

neg: Boyfriend (Justin Bieber song) the key of B♭ minor and its tempo is 54 beats per minute. The song opens with Bieber using a lower-register and breathy vocals while rapping, "If I was your boyfriend, I’d never let you go/ I can take you places you ain’t never been before/ Baby, take a chance or you’ll never ever know/ I got money in my hands that I’d really like to blow/ Swag, swag, swag on you/ Chillin' by the fire while we eatin’ fondue." As the chorus follows, he adopts a Michael Jackson similar falsetto, and sings about being "everything you want". The instrumentation,

neg: Radar (song) the rest of "Blackout" and added that it "sounds like Las Vegas goes Eurodisco." In the lyrics, Spears lets the subject know he is on her radar, while she lists the qualities the man has. Kimberly Chou said Spears' delivery "[is] so aggressive it's almost threatening." Spears sings lyrics such as "Confidence is a must / cockiness is a plus / edginess is a rush / edges I like 'em rough / A man with a Midas touch / Intoxicate me I'm a lush." During the bridge she sings "I got my eye on you / And I can't let

neg: Turn the Night Up know my intentions / I know you can go all night / I just wanna touch you / girl just let me touch you / I know it’s been on your mind". Lyrically, the song came from a phrase he always says to his longtime girlfriend Anna Kournikova. Speaking to Ryan Seacrest, Enrique said, "You know how it started? I always walk around my house and I'm always joking around and there’s a phrase in the song that says ‘Gimme some of that.’ And I’m always saying that, saying ‘Gimme some of that’ and … doing a stupid little dance.

neg: Heaven I Need a Hug before you know the truth you're so quick to judge me." Kelly goes on to blame his current troubles on his celebrity, a belief he also put forth in his May interview with MTV News (see "R . Kelly: In His Own Words"). He sings, "Seems like the more money I make/ The more drama y'all try to create/ The more I move into the positive/ The more y'all don't want to let me live/ When will you realize that I don't owe you nothin?" Kelly has only occasionally performed the song at concerts. The song has been getting a

neg: Three Days in a Row Days in a Row" opens directly to the chorus of the song, in which Anouk sings she has loved someone for three days, after which she has never seen him again ("Three days in a row / You were mine alone / And I haven't seen you since that day"). Apparently, this person was not aware of Anouk's love for him ("I've been loving you / Without you even knowing"). Anouk also sings she is sure their love will be continued ("I know it's a matter of time / Before it all falls back into place"). The number is considered

neg: Atomship is hard at work on the follow-up to their debut. They say they've never been happier, and I know their large and loyal fan base is thrilled to have the core unit back together. "We did this huge circle," Pardoe said. "You know, when we came back to write, and doing all these different kinds of things, we ended up right back where we were, because it's what we enjoy." Pardoe also stated that the new album was progressing slowly. The band began working on a demo reel for "Let Us Sleep Awhile". The final track written for this demo

neg: Linda Darnell enjoyed under contract was gone, and she came to resent 20th Century Fox and Zanuck: Suppose you'd been earning $4,000 to $5,000 a week for years. Suddenly you were fired and no one would hire you at any figure remotely comparable to your previous salary. I thought in a little while I'd get offers from other studios, but not many came along. The only thing I knew how to do was be a movie star. No one expects to last forever in this business. You know that sooner or later the studio's going to let you go. But who wants

neg: Say Yes (Michelle Williams song) an "upbeat swing" of West African gospel. Regarding the composition of the song, Williams stated, "It is a song that came from Africa more than a hundred years ago. I don't think anyone knows who wrote it or who started singing that chorus. When the song leaked last week, so many people from Africa and Nigeria were trying to let me know where it came from." Williams sings the lead vocals while Beyoncé and Rowland sing their respective solo verses and serve as background vocalists throughout the song. Eric Corpus from "The Christian Post" interpreted the song's lyrics as a

neg: Did I Let You Know with Smith saying "The Did I Let You Know video. Made by our Brazilian fans is very cool! I love it! Thanks so much!” while Klinghoffer responded by saying “I just wanted to say that the smiles on all of those beautiful faces and the love that is very clear throughout that video made me a very, very happy camper.” MTV Brasil aired the video on Monday March 19, 2012 on the show, Acesso MTV and interview those that helped create it. Did I Let You Know "Did I Let You Know" is a song from the Red Hot Chili

neg: Look into Their Eyes and You See What They Know on the world I began to let go of it. I let go of white picket fences, and cars and driveways, coffee cups and vacuum cleaners. I let go of all those things which seemed so ordinary, but when you put them together they make up a life, a life that really was one-of-a-kind. I’ll tell you something... it’s not hard to die when you know you have lived. And I did, oh, how I lived!" Look into Their Eyes and You See What They Know "Look into Their Eyes and You See What They Know" is the 106th episode

neg: Low (Kelly Clarkson song) second single. I knew it was a great song. I’m happy it saw the light of day." "Low" was written by Jimmy Harry and produced by Cliff Magness, who also arranged and engineered the track. The midtempo country-flavored track finds the singer reflecting on a broken relationship. "It's cool you didn't want me/ Sometimes you can't go back/ But why'd you have to go and make a mess like that?" she sings before asking in the chorus: "Have you ever been low? Have you ever had a friend that let you down so?". Harry has said that "Low" "was a

neg: Save as Draft that "Save as Draft" showcases "a timely rumination on the suckiness of living in a digital world". Lyrics of the track include: "I don't fuck with change, but lately I've been flipping coins a lot" and "I struggle, I juggle, I could just throw a line to you / But I should let sleeping dogs lie / 'Cause I know better, baby / I write it, erase it, repeat it, but what good will it do to reopen the wound?" Perry sings the lines: "So I take a deep breath / And I save as draft" in a near whisper

neg: David Garrison Kate"", Annie Get Your Gun"", Of Thee I Sing/Let ’Em Eat Cake"", Girl Crazy"", You Never Know"", Tell Me More"", Oh! Lady! Lady!!", "George and Ira Standards and Gems", and, as a guest artist, "Dawn Upshaw Sings Rodgers and Hart".”. On tour, Garrison played Nathan Detroit in "Guys and Dolls", and the Wizard in "Wicked", for which he received a Carbonell Award. In regional theatre, he has played the Devil in "Randy Newman's Faust (La Jolla/Goodman)", Henry Carr in "Travesties" (Williamstown), Frosch in "Die Fledermaus" (Santa Fe Opera), Pangloss in "Candide" (Glimmerglass), Gaston in "You Never Know" (Pasadena Playhouse), Fagin

neg: Big Freedia Bey, I know you came to slay! Give them hoes what they came to see. Baby, when I tell you, I’m back by popular demand. I did not come to play with you hoes. I came to slay, bitch! Oh yes, you best believe it, I always slay. You know I don't play!" Artist, like Beyoncé and Drake promoting Big Freedia have been criticized for using Big Freedia's voice but leaving her completely visually absent from their videos. In August 2016, The Fader premiered the "big room banger", "Marie Antoinette feat. Big Freedia", a song by New Orleans-based artist Boyfriend

neg: Someone like You (Adele song) her confronting his marriage. At the beginning of the song, she sings the lines "I heard that you're settled down/That you found a girl and you're married now. I heard that your dreams came true/Guess she gave you things I couldn't give to you" with a softly voice and accompanied just by a simple piano melody. The lyrics of "Someone like You" are talking about what once was and what could have been as stated by a writer of "Daily Herald". Finding the strength to bounce back from hardship and heartache, Adele sings the lines, "Never mind, I'll find someone

neg: You Know My Name aggressive than any other Bond theme has been, maybe since Paul McCartney ['s 'Live and Let Die']". Cornell stated that the biggest two influences on "You Know My Name" were Tom Jones, who performed the theme for "Thunderball", and Paul McCartney, who composed and performed the theme for "Live and Let Die". "I decided that I was going to sing it like Tom Jones, in that crooning style. I wanted people to hear my voice," Cornell said. "And 'Live and Let Die' is a fantastic song. Paul McCartney wouldn't have written it if not for that movie. I [also] wanted

neg: The Duke Is Tops lyrics apropos of the film, "You & I have made a small beginning..." Horne also sings "Don't Let Our Love Song Turn Me Blue", with a lyric that foreshadows one of her future great roles: "True love will guide us through stormy weather"; and she reprises "I Know You Remember". The Cats & the Fiddle sing "Killin' Jive." This is a great performance, four guys harmonizing on a very jumpin' good song. "The Duke Is Tops" has been released on DVD in North America. The film is in the public domain in America, and as such is available in multiple

neg: One in a Million (Aaliyah song) the song as "a twitchy, booming slow jam that sounded both lush and minimal, expansive and intimate, alien and sexy". Lyrically the song is about Aaliyah professing her love for a guy that "she views as one in a million and a love she can't resist"."Baby you don't know, what you do to me/Between me and you, I feel a chemistry/Won't let no one come and take your place/Cause the love you give can't be replaced", she sings. According to Khal from Complex "One in a Million showcased an unstoppable trio, with Aaliyah being a perfect muse for the futuristic

neg: Two Eleven the chorus, Norwood sings "You know how I get when you let me go", and later in the song she makes reference to Twitter and her mother. The song interpolates "Tonight" by Swedish pop singer Lykke Li. Deluxe edition bonus track "Can You Hear Me Now?”, producer Danja's sole contribution on "Two Eleven", works up an extended musical foreplay around a single mind-numbing groove. Built around an instrumental that was originally produced for Diddy – Dirty Money's 2010 album "Last Train to Paris", it was re-constructed by Love for Norwood. Danja used heavy vocoding during production of the song. Initially,

neg: Greg Reeves yelled for me. They asked Rick James who I was and Rick came, got me and brought me out front to the limousine that Graham Nash and David Crosby were in and asked me in front of them, would I mind going with them to jam. I asked Rick James 'Aren’t you coming, too?' He said 'They want you to come alone.' I went back to the house, grabbed my Fender Precision Bass guitar and Gibson acoustic guitar, climbed into the limousine and never came back to Rick’s house again. They would not let me go. From the first time

neg: Eric Schmidt from Steve Jobs of Apple, Schmidt sent an email to Google's HR department saying; "I believe we have a policy of no recruiting from Apple and this is a direct inbound request. Can you get this stopped and let me know why this is happening? I will need to send a response back to Apple quickly so please let me know as soon as you can. Thanks Eric". Schmidt's email led to a recruiter for Google being "terminated within the hour" for not having adhered to the illegal scheme. Under Schmidt, there was a "Do Not Call list" of companies

neg: 1+1 (song) projects a universal "all you need is love" feeling, as noted by Jillian Mapes. In the second verse, Beyoncé sings, "Hey! I don't know much about guns but I ... I've been shot by you", as she pushes the final word "you" up at a full octave. She then continues: "Hey! And I don't know when I'm gonna die, but I hope that I'm gonna die by you / Hey! And I don't know much about fighting, but I, I know I will fight for you / Hey! Just when I ball up my fist, I realize that I'm laying

neg: What You Don't Know (Exposé album) America) What You Don't Know (Exposé album) What You Don't Know is the second album by Exposé, released on June 13, 1989. It appears in vinyl, cassette, and CD formats. The remixes of the tracks "What You Don't Know" and "When I Looked at Him" are available only on the CD. Unlike Exposé's previous album, "Exposure", "What You Don't Know" focuses on the vocals of Gioia Bruno, as she sings lead vocals on half of the tracks, whereas she only sang lead vocals on three of the tracks on "Exposure". Ann Curless sings lead on two tracks ("Stop, Listen, Look

neg: What You Don't Know (Exposé album) What You Don't Know (Exposé album) What You Don't Know is the second album by Exposé, released on June 13, 1989. It appears in vinyl, cassette, and CD formats. The remixes of the tracks "What You Don't Know" and "When I Looked at Him" are available only on the CD. Unlike Exposé's previous album, "Exposure", "What You Don't Know" focuses on the vocals of Gioia Bruno, as she sings lead vocals on half of the tracks, whereas she only sang lead vocals on three of the tracks on "Exposure". Ann Curless sings lead on two tracks ("Stop, Listen, Look &

neg: See Me Now one thing, my momma would be proud/And you see me looking up cause I know she's looking down right now". During the hook Wilson sings the lines "I know you see me now right now, I know you see me now right now" with a "deep" tenor. "See Me Now" received generally positive reviews from music critics. Christian Hoard of the "Rolling Stone" gave the song three and half out of five stars. Writing: "'I'm Socrates, but my skin more chocolaty,' shouts Kanye, who goes on to detail several feats of attention-whore behavior — cruising in Ferraris, rocking fur coats,

neg: Rickon Stark stated, "Whenever I was told that I was coming back for Season 6, before they sent me through the scripts and stuff, they sent me through a ring just to say, "Listen, so that you don't get a shock whenever you read the scripts, just know that you die this season." He continued, "Whenever I came back, I was excited to come back, and the scenes all seemed pretty amazing. I was so happy to re-embrace the character." Parkinson has said that his fellow castmember Natalia Tena, who played Rickon's travelling companion Osha, helped him in his acting. He also

neg: Baby Phat (song) Baby Phat (song) "Baby Phat" is the only official single from De La Soul's sixth studio album, "", released in late 2001. The song was produced by Dave West and featured vocals from Devin the Dude and Yummy Bingham. This single was the introduction for Yummy Bingham. The song is an ode to "plus size" women, as Devin sings ""Don't get stuck on the things they say, now you know it's a nasty world / Tryin' to get with ya anyway cause I know you're a nasty girl / We ain't never gon' discriminate so let me compliment your size""

neg: Do You Love Me fad dances of the 1960s. The song is noted for the spoken recitation heard in the introduction which goes: "You broke my heart / 'Cause I couldn't dance / You didn't even want me around / And now I'm back / To let you know / I can really shake 'em down" The song is noted for its false ending at 2:26. Berry Gordy wrote "Do You Love Me" with the intention that The Temptations, who had no Top 40 hits to their name yet, would record it. However, when Gordy wanted to locate the group and record the song,

neg: Exposure (Exposé album) However, all pressings of the album feature the original 1985 recording of "Exposed to Love", with lead vocals by Alé Lorenzo. Lead vocals of the majority of the album were sung by Jurado. Gioia Bruno and Ann Curless each sing lead on two tracks, with Bruno on "Let Me Be the One" and "December", and Curless on "Extra Extra" and "Love Is Our Destiny". On the track "I Know You Know", Jurado sings lead, then Bruno provides a soulful improvisation at the end. Exposure (Exposé album) Exposure is the debut studio album by American girl group Exposé, released on March

neg: The Beatles' rooftop concert reflect the situation: "You've been playing on the roofs again, and you know your Momma doesn't like it, she's gonna have you arrested!" The concert came to an end with the conclusion of "Get Back", with Lennon saying, "I'd like to say thank you on behalf of the group and ourselves and I hope we've passed the audition." The rooftop concert consisted of nine takes of five Beatles songs: The first performance of "I've Got a Feeling" and the recordings of "One After 909" and "Dig a Pony" were later used for the album "Let It Be". In 1996, a

neg: Tangled (album) people's lyrics anyway. It's difficult to bring the right emotion into it. So, I asked them how they'd feel about me rewriting the lyrics, and they said, 'Go ahead and try, and we'll let you know what we think.' So I did, and they seemed to think the lyrics were OK. I recorded it, and I think the song came out great. You can't tell that it wasn't written at the same time." The song's lyrics, written by Wiedlin, were inspired by Wiedlin learning that her former best friend, who she was no longer in contact with, had become a

neg: Therapy (Infectious Grooves song) sang on it." And they're like, "Oh, give him a call." I'm like, "Dude, I don't know Ozzy." [...] And then two days later, I came in the studio, and he goes, "Guess who just came in the studio next door?" And I'm like, "Who?" And he goes, "Ozzy." I'm like, "You serious?" And he goes, "Yeah, go talk to him." I'm going, "I'm not going to talk to him!" We went to lunch and we came back later and there he was in there. He goes, "You have a song you want me to do?" I'm like, "Uhhhhddduuuhhh." And

neg: Tudo É Rouge says, "I crossed the seven seas to be with you" (since she came from the Netherlands for recording), Aline adds that her faith has transformed her, and Patricia he sings, "I know what I had written already." In the chorus, the girls sing, "Everything is Rouge, my way of life, just look inside that you will see, Everything is Rouge, this is the reality, you asked, the Rouge invaded the city." On Sunday, 4, it was announced that one of the songs the group had recorded would be called "Tudo é Rouge". Only on April 4, 2013, a preview of

neg: Samantha Carter because nothing can ever happen ... He's the one who let her go. He says, 'I'm a safe bet. You know you can't have me so you're just protecting your heart by, you know, hanging your hat on someone you can't have. So, let me go,' is essentially what's said at the end of "Grace"". Tapping said, "The whole episode is her sort of rethinking her life and rethinking her choices, and I don't think that she's lost integrity. I don't think that her feelings for O'Neill are any less. I think she's just placed them in a different box,

neg: Sad Clowns & Hillbillies I have been very friendly. She's always saying, 'Let me send you some of Woody's poetry and see if you can turn it into a song.' I said, 'Didn't someone else do a whole album of that?"... Wilco and Billy Bragg – they made an awfully good record using his poetry. So I thought, 'Well, I don't know, that's already been done.' But she's very persistent and she sent me four or five poems and, I don't know, it took about six minutes to put that together. It just came real quick. We were making the record and I hadn't

neg: Let Me Know (Tamar Braxton song) me / I give you more, just let me know." She also talks about love, saying: "When it's right, you don't let go" and "You don’t give it up to nobody / When you love somebody." "Let Me Know" ends with Braxton singing in belts and whistle notes. Future does not sing a separate verse, but provides the song's hook instead; his vocals are processed through Auto-Tune, which Benjamin described as part of the performer's "signature" style. Future's lyrics include: "Do you love the way I do / When I’m loving your body." Wetpaint's Afiya Augustine described Future as "the

neg: Live Squad / We can never be friends / I know I'm runnin' through your head now / What could you do? / If it was up to you / I'd be dead now / I let the world know nigga you a coward / You could never be Live / Until you die / See the motherfuckin' bitch in your eye."" Nas, who enlisted Live Squad to contribute beats for his sophomore album "It Was Written" in November 1995, later recollected the situation: "I met Stretch by some dangerous cats that I was hanging with. They put me with Stretch who

neg: No Angel (Beyoncé song) Finney described the singer's vocal performance as an "intoxicating-asthmatic rasp". Admitting she is not perfect, Beyoncé sings the lines "Would you rather I be a machine who doesn't notice when you late or when you lyin'?" and "No I'm not an angel, but at least I'm trying". In "No Angel", Beyoncé declares that her partner is "no angel either", remarking that he is not perfect. However, despite his imperfections, the protagonist admits she still loves him. Beyoncé sings the lines "[u]nderneath the pretty face is something complicated / I come with a side of trouble / But I know that's

neg: Control (Traci Lords song) a dominant female who nurses a broken heart of her lover as she sings "Let me kiss it and make it better/After tonight you will forget her". However, Lords later stated she initially wrote it about a drug addiction: "You will forget her" was always about "Forget your heroin." It was never about a person. When I wrote it, it didn't even cross my mind. But then, yeah, sure, later, I thought, "Let me kiss it - and I went, "Oh, ****!" But that's not where I was coming from. It really wasn't. Now I see it, it has all

neg: Bianca Montgomery and Maggie Stone than her lesbian romances, "...I think they're a couple of reasons. I don't think that you can necessarily say, you know, that they were scared of it...because I think they didn't want to turn people off because they wanted people to invest in the story. And they thought, 'Well, if we go too far...' Like, they were afraid that people who had — who didn't know gay people, and this was very new to them... You know. So I think that was admirable. And I think as we went, we got more into it, and they let us kiss more

neg: Did I Let You Know Did I Let You Know "Did I Let You Know" is a song from the Red Hot Chili Peppers' 2011 album "I'm with You" and was released in January 2012 as a radio-only single exclusively in Brazil. On December 13, 2011, the band released a statement on their Brazilian website saying due to the song getting heavy radio airplay in Brazil and the song winning a poll voted on by the fans they decided to make it the next single there. This is the first single chosen by the fans. Although not officially released by the band, in response to

neg: Massiel many ways, Massiel came back to the continent that loved her so throughout the 1960s. During the 1980s Massiel was an invited artist at the "Festival de Viña del Mar" in Chile because of her local popularity. At the time Chile was under the rule of Augusto Pinochet. After singing for an hour, Massiel received the festival's most important prize, "La Gaviota de Plata" (The Silver Seagull). In her speech of gratitude she said: "Thank you Chile, I would like to let you know that Patricio Manns says hello from the Andes Mountains." The public cheered and celebrated her announcement

neg: Shame on You (Indigo Girls song) Shame on You (Indigo Girls song) "Shame on You" is a single from the Indigo Girls album "Shaming of the Sun" released in 1997. The song's lyrics celebrate Chicano culture ("I go down to Chicano city park/cause it makes me feel so fine") and strongly criticize efforts against illegal immigration as being racist ("The white folks like to pretend it's not/but their music's in the air") and hypocritical ("They say we be looking for illegal immigrants/can we check your car/I say you know it's funny I think we were on the same boat/back in 1694"). Steve Earle sings backup and

neg: Better Off Ted it. It wasn’t like we had a lot of people watch it and they didn’t come back to it. If anything, I think we were building slowly, but to me the way TV works is you spend a lot of money advertising and promoting, or you have to let a show stay some place for a long period of time and an audience slowly comes to it. And I don’t think we got either of that". Fresco also added, "I still feel there’s an audience out there for it, because I know that the people who liked it, liked it

neg: Back to Bacharach and David "I Just Have to Breathe," "I Say a Little Prayer for You," "I'll Never Fall in Love Again," "Just Don't Know What to Do With Myself," "Knowing When to Leave," "Let Me Be Lonely," "Let Me Go to Him," "The Look of Love," "Message to Michael", "My Little Red Book," "Nikki," "One Less Bell to Answer," "Promises, Promises," "Raindrops Keep Fallin' on My Head," "Reach Out for Me," "This Empty Place," "This Guy's in Love With You," "Trains and Boats and Planes," "24 Hours from Tulsa," "Walk on By," "What the World Needs Now Is Love," "Whoever You Are I

neg: You Know I Love You (B.B. King song) him to let her sing in his band, the Kings of Rhythm. In 1993, Tina would record a song for the "What's Love Got to Do with It" soundtrack and subsequent film, which is lipped by Angela Bassett, who plays Tina in the film, however the song Turner performs is a very different song than the one Tina sung in front of Ike Turner in 1956. You Know I Love You (B.B. King song) "You Know I Love You" is a 1952 song by B.B. King and his orchestra. The single was B.B. King's second release to reach the U.S.

neg: Deluxe Distribution him Powell gear, and that's, and then he got on Powell, you know, after that—he just felt it wasn't right, you know? And, he went to skate for Natas. You know, he skated for, for, SMA for a while, and then the opportunity came to do something with Real. He approached me, but also Fausto and those guys approached me to be part of it, and at that point in time, at Powell, I was sort of being put on the back burner—'cause all the young guns coming, and I felt it, I knew, you know. And I figured, shit,

neg: She's Out of My Life A poignant moment in the song occurs near the end when Jackson begins to break down in tears as he sings the word "life". Although he had attempted to record the song's last few moments with emotional restraint, after numerous tries he continued to end the rendition the same - by breaking down in tears. Producer Quincy Jones subsequently let Jackson's tearful recording stand: "She's Out of My Life", I'd been carrying around for about three years—you can feel the pain in it, you know. And I held on to it and finally something said 'this is the right moment

neg: Love, Me major, accompanied by Fender Rhodes electric piano and steel-string acoustic guitar. It tells of a couple who promise to love each other. The song's narrator tells of being with his grandfather, and reading a note that was written by his late grandmother back when both grandparents were younger. The grandfather explains that he had intended to meet her at a certain tree: ""If you get there before I do, don't give up on me / I'll meet you when my chores are through, I don't know how long I'll be / But I'm not gonna let you down, darling, wait

neg: Mary Agnes Donoghue thought it would be. In the same year, Donoghue co-wrote and co-produced "Deceived" with Derek Saunders. Donoghue described how the film came to her; "You're sitting there at night and look over at your husband or your wife and think: Who is this person? I was fascinated by the idea of having a middle-class safe existence, predictable; and then certain events take place that let you know that you know nothing about your own life and the people in it." Two years later, Donoghue wrote her first play titled "Me and Mamie O'Rourke". The play was staged at the Strand

neg: Getting to Know You (song) Getting to Know You (song) "Getting to Know You" is a show tune from the 1951 Rodgers and Hammerstein musical "The King and I". It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam. This song is one of the cases during the Rodgers and Hammerstein

neg: A.K.A. (album) done with pleasing you/ I'm so over needing you, all this space just gave me room so I could fly," she sings over mid-tempo electronic beats. "Let It Be Me" is a melancholic string-backed ballad, featuring Spanish guitar and passionate Latin sensibility. "When they ask who do you love, let it be me… let it be me that you think of," she pleads. The ninth track "Worry No More" features Rick Ross and was produced by Detail, being considered "the album's hardest hip-hop anthem." The "reverb-filled" down-tempo track has intelligible background whispers creeping in and out and vocal effects, adding

neg: Neacșu's letter oamini mulți și domniele vostre să vă păziți cum știți mai bine. I B[og]i te ves[e]lit, Aminu." "To the most wise and noble and honoured and by God gifted master Hanăș Bengner [that is, Johannes Benkner] from Brașov, much health from Neacșu from Câmpulung. And so I let you know of the deeds of the Turks, as I have heard that the emperor [that is, Sultan Suleiman the Magnificent] has left Sofia, and that must be true, and went up the Danube. And so you should know that a man from Nicopolis came to me and told me they saw

neg: Kenneth M. Taylor Major Gordon H. Austin, who noticed that they were wearing their tuxedo attire. Unaware of their earlier dogfights, he shouted at the two men, saying "Get back to Haleiwa! You know there's a war on?" The two pilots explained what they had done, and the commander thanked them. In a 2003 interview, Taylor reflected on his actions: "I wasn't in the least bit terrified, and let me tell you why: I was too young and too stupid to realize that I was in a lot of danger." According to the 25th Infantry Division's Tropic Lightning Museum, 14 different American pilots

neg: Becky Hammon "If you play in this country, live in this country, and you grow up in the heartland and you put on a Russian uniform, you are not a patriotic person in my mind," Donovan said. Hammon responded to Donovan's criticism saying, "You don't know me. You don't know what that flag means to me. You don't know how I grew up. The biggest honor in our classroom was who could put up the (American) flag, roll it up right, not let the corners touch the ground. Obviously we definitely define patriotism differently." She has also stated. "I love my country.

neg: Slick Coffman the cotton fields of Alabama would pitch against the incomparable Lefty Grove." On the day of his debut, Cochrane came into the clubhouse and announced that Eldon Auker would start the game. Coffman complained to Cochrane, "But Mickey you told me I would pitch today, and I'm prepared to do just that." Cochrane responded, "I don't care what I told you. Go out there and bring somebody in like Schoolboy Rowe. Grove's pitching today and I want you to get off to a better start...you know we never score many runs off him." Coffman replied, "Well let me tell you

neg: I'll Let You Know When I Get There I'll Let You Know When I Get There "I’ll Let You Know When I Get There" is the tenth episode of the American television drama series "The Killing", which aired on May 29, 2011. The episode is co-written by series producers Dawn Prestwich and Nicole Yorkin and is directed by Ed Bianchi. In the episode, the detectives are forced to restart their investigation into Rosie Larsen's murder, but are pointed to a new suspect. Mitch Larsen receives a strange phone call about the family business. The Richmond campaign staff is given an interesting piece of information about their boss. After

neg: Regulate (song) and we'd been a part of it. We just told the story, and then on the hook we just let everybody's imagination flow. After hearing that you're going: 'Wow, he went through this' and then: [sings] 'I laid all them busters down, I let my gat explode' and you roll right back into it. It's on again!" Warren G is driving alone through Eastside, Long Beach, California at night, looking for women. He finds a group of men playing dice and tries to join them, but they pull out their guns and rob him instead. Thinking he's about to die,

neg: I'll Let You Know When I Get There speed up with its information too fast as the season winds down. The slow methodical pace has dictated the series so far; it would be a shame to have everything come together in a rushed and contrived way." The episode was watched by 1.97 million viewers, higher than the previous episode. I'll Let You Know When I Get There "I’ll Let You Know When I Get There" is the tenth episode of the American television drama series "The Killing", which aired on May 29, 2011. The episode is co-written by series producers Dawn Prestwich and Nicole Yorkin and is directed

neg: It (2017 film) two movies." On May 5, 2016, in an interview with Collider, David Kajganich expressed uncertainty as to whether drafts of his original screenplay would be used by Dauberman and Muschietti, with the writer stating, "We know there's a new director, I don't know myself whether he's going back to any of the previous drafts or writing from scratch. I may not know until the film comes out. I don't know how it works! If you find out let me know." On June 2, 2016, Jaeden Lieberher was confirmed as portraying lead protagonist Bill Denbrough, while "The Hollywood Reporter" reported that

neg: Blá Blá Blá (song) to show her the right way to go. But the singer says, "As an illusion, I will not believe it, I'll let the story happen." After that, a strong beat starts, and Karin sings how life is like a journey, saying that she does not know the time to leave or arrive, and that she will let time show. Soon after, Fantine "attacks" stronger the "people" who talk about what they do not know (probably an indirect one to all that said that the real reason for leaving Luciana, was a fight involving both). In the "pre-chorus," they sing, "na

neg: Long Hair in Three Stages H Little, "then they really go wild, Shippy going at it like a maniac while Rittman lays down big riffs, before the song opens up, Johnson sings, “The state was bad/And if I come back I’m dumb,” and the song closes in a caterwaul." "Aplomado" is a "towering" and "sly" song featuring distorted drums and large riffs. "You Know What… Will Get You You Know Where" opens with Rittman playing a heavy riff while Shippy plays a cool repetitive riff as Samson bashes away, whilst "When a Man Says “Ow”" is a "strange and dissonant" song that is "almost blues"

neg: Lonely Is the Night (Air Supply song) song talks about the difficulty of dealing with a long-distance relationship. In the beginning, Russell Hitchcock sings that he thought he'd live well without his girlfriend, "Really thought that I could live without you, Really thought that I could make it on my own," he sings. However, he realizes that he's lost without the one he loves, "Now I'm so lost without you, now you're not here and now I know." In the chorus, he sings about how difficult it is to spend the night away from his love. "Lonely is the night when I'm not with you, lonely is

neg: Ladies and Gentlemen... Mr. B.B. King LP "In London" on ABC Records ABC-730) 7. Guess Who (1972, ABC 11330, A - also on the 1972 LP "Guess Who" on ABC Records ABC 759) 8. I Like To Live The Love (1973, ABC 11406, A - also on the 1973 LP "To Know You Is To Love You" on ABC Records ABCX-794) 9. Lucille Talks Back 10. Don't Make Me Pay For His Mistakes - tracks 9 and 10 from the 1975 LP "Lucille Talks Back" on ABC Records ABCD 898 11. Let The Good Times Roll (Live) (1976, ABC-Impulse 31006, A - also on the 1976

neg: End of Time (song) be your friend / I will love you so deeply / I will be the one to kiss you at night / I will love you till the end of time." She continues her appeal as she sings to her love interest, "Take you away from here / There's nothing between us but space and time". On the bridge, Knowles belts her vocal lines over a shooting horn sequence; with her multiple-layered vocals, she commands, "Boy come to me", and towards the end, she repeatedly sings, "Say you’ll never let me go". Knowles "finds the strength in two" as she

neg: I Know You Don't Love Me I Know You Don't Love Me "I Know You Don't Love Me" is the third and final single from Tony Yayo's debut album, "Thoughts of a Predicate Felon". The song features G-Unit. 50 Cent sings the chorus while Tony Yayo and Young Buck and Lloyd Banks rap on their own verses. The song tells the story of how the rappers are engaging in a relationship with the same woman, though she does not know they know, and how they know she does not love any of them because her obvious flirtatiousness and love for other rappers. Several other rappers and

neg: On the 6 won't take you cheatin' on me/ Tell me who can I trust if I can't trust in you/ And I refuse to let you play me for a fool". "Let's Get Loud" is a "fiery, soulful" salsa dance song originally written for Gloria Estefan, who gave it to Lopez (who, she felt, would have more fun with it). Lopez asserts her Latin heritage in the song, which opens with the "sassy" declaration ""Ya Jen llego, presente!"" ("Jen has arrived!"). "Feelin' So Good", a mid-tempo hip-hop song featuring Big Pun and Fat Joe, samples Strafe's "Set It Off". Lopez sings about

neg: Sea Drift (Delius) The chorus gives the bird's cry, and the baritone responds with the lyrical passage describing how the boy listened to the song, 'Yes my brother, I know: The rest might not, but I have treasured every note...' The remainder of the setting is from the text of the bird's song (somewhat edited), (beginning 'Soothe! soothe! soothe!') overlapping as the baritone sings 'Following you, my brother...': from this point on the baritone takes important sections of the bird's song ('You must know who I am, my love!'), with the chorus singing other parts of the text at the same time, interweaving,

neg: Gilbert Potter home and our children--- You tried in every way to help me and save me but we know there is only One who can do that perfectly. He will let us meet agan ---- My walking sticks are for you --- one for Charles, Give Freddy something --- Will you write again to [ Illeg ] Boyle for the cups silver forks and spoons Golf clubs, balls tennis racket to you Lily --- I cannot find out when I am to be released. I am informed the decision rests with the Dal Eirann. I don’t know if you can approach

neg: Just Let Me Know featured Bryant with a few lead parts on the choruses (singing the line "straight to you" the first two times on the song – while the group sings it the remaining times). This version was also released on the stereo LP and compact disc editions of "Meet the Temptations". Around the time the song was recorded Bryant had become restless, uncooperative and sometimes volatile. He'd miss concerts and recording sessions, had now preferred his day job as a milkman to performing, and been arguing and fighting with his fellow group members. By the time this single came out Bryant was

neg: Sonny Boy (song) Sonny Boy. Friends may forsake me. Let them all forsake me. I still have you, Sonny Boy. You're sent from heaven And I know your worth. You made a heaven For me here on earth. When I'm old and grey, dear Promise you won't stray, dear For I love you so, Sonny Boy. When there are grey skies, I don't mind grey skies. You make them blue, Sonny Boy. Friends may forsake me. Let them all forsake me. I still have you, Sonny Boy. You're sent from heaven And I know your worth. You've made a heaven For me here

neg: I'm with You (album) also played live). During recording process for the album, and as with every album, some of the songs had alternate working titles that were mentioned by the band in pre-release interviews. "Did I Let You Know" ("Take Me Home" and "Lagos"), "Police Station" ("Stolen Stone"), "Monarchy of Roses" ("Disco Sabbath"), "Goodbye Hooray" ("See You Around"), "Magpies on Fire" ("Magpies") and "Your Eyes Girl" ("Mormon Lover"). "Did I Let You Know" also had the suffix '(This I Know)' during some of the band's interviews. Red Hot Chili Peppers Additional musicians Additional personnel I'm with You (album) I'm with You is the

neg: Columbine High School massacre not kill him, Todd said: "I don't want trouble." Klebold responded back angrily "Trouble? You don't even know what fucking trouble is!" He also remarked "You used to call me a fag. Who's a fag now?!" Todd tried to correct himself: "That's not what I meant! I mean, I don't have a problem with you guys. I never will and I never did." Klebold then spoke to Harris, "I'm gonna let this fat fuck live, you can have at him if you want to." Harris did not pay much attention and said "Let's go to the commons." Klebold turned and

neg: Christon Gray In an interview with Wade-O, Gray said, "You know the inspiration for the song came from me watching the BET Awards, and I saw 'Crae's speech, and I know he caught some flack for that... I talked to Lecrae the other day, and I told him, I come from that world... I grew up listening to them and without them, you (Wade) would not be having an interview with me... so I told him (Lecrae), yo, I didn't expect you to go back and apologize, so I did it for you." The song would become another hit for Gray, and

neg: Taking Back Sunday (album) Reyes. Lazzara said the track was "strikingly similar" to "You Know How I Do", the opening track on "Tell All Your Friends". "Sad Savior" feature Nolan playing a 1950s Buddy Holly-esque guitar riff reminding Lazzara that he had missed John Nolan's guitar playing:"...I missed ... John's guitar playing, especially coupled with Eddie [Reyes]'s." Lazzara said, "Money (Let It Go)" has a James Bond "kind of spy/surf-y vibe" and features a "really cool surf-y solo" by Nolan. O'Connell created the chord progression for "This Is All Now", while Nolan came up with the melody for the song's chorus. The track's lyrics

neg: Nancy Reagan wherein Strauss said to her, "When you first came to town, Nancy, I didn't like you at all. But after I got to know you, I changed my mind and said, 'She's some broad!'" Reagan responded, "Bob, based on the press reports I read then, I wouldn't have liked me either!" After the presidency of Jimmy Carter (who dramatically reduced the formality of presidential functions), Reagan brought a Kennedy-esque glamour back into the White House. She hosted 56 state dinners over eight years. She remarked that hosting the dinners is "the easiest thing in the world. You don't have to

neg: I Can Dream About You that we did on the new album that we sort of did twenty years late. An old friend our ours, Dan Hartman, wrote this song. I remember back in the day he came up to me and said 'You know, I have this great song I wrote for you guys. It's you, you know? – you have to sing this song.' And unfortunately we had just finished an album, we couldn't put it on the album so I said sorry Dan. About six months later I was watching MTV and there it was, and it was a hit for him,

neg: Kathleen Elle City, home of "Seventeen"'s offices. She wrote the song because, "I wanted to let people know not to let in bullies in the first place," "They are looking for that reaction, but if you don't let them know they bother you, they move on." Some of the song's lyrics are, “The harder you try, the harder you fall / it's not gonna help you out at all / don’t let 'em in, don't let 'em in / don't let 'em break your heart." She received a standing ovation when she performed the song at the East Brunswick Performing Arts Center.

neg: Barbara Peeters high school doing back in Iowa? They were marrying the boy who had the biggest farm. Peeters was quoted in 1978 as saying: I don't like to be dictated to once I start shooting. If you tell me I have to shoot eight pages in a day and its 6pm, let me alone. Don't talk to me at midnight until I am done. If I'm going to take the blame, then I want to make the decisions. If I fail, I won't die. I consider real power the point when you're not afraid to fail... I don't know any director

neg: Tender (song) to sing Coxon's lines; ""Oh my baby/Oh my baby/Oh why?/Oh my"". At Blur's headline appearance at Reading Festival in 2003, he introduced the song by saying "I don't want, for one moment, to be a sentimental but... Graham wrote this song as well... you know the bits he sings and I want you to sing them as loudly as you possibly can. Everyone needs to sing this song." Drummer Dave Rowntree would also sing Coxon's lines on occasion. In July 2009 when Blur re-formed, Coxon's lines in "Tender" were repeated and sung powerfully by the audience to call Blur back