query: who wrote the house that built me lyrics

pos: The House That Built Me The House That Built Me "The House That Built Me" is a song written by Tom Douglas and Allen Shamblin, and recorded by American country music artist Miranda Lambert. Blake Shelton was originally set to record the song but when Lambert heard it, she immediately wanted to record it for herself. It was released in March 2010 as the third single from her third studio album, "Revolution". It is the fastest-rising single of her career, reaching the Top 20 in its eighth week. For the chart week of June 12, 2010, the song became Lambert's first Number One hit on

neg: To Pimp a Butterfly banging make me kill a nigga blacker than me?" Some critics claim that his attitude facilitates the rhetoric that silences the Black Lives Matter movement. Stereo Williams of "The Daily Beast" wrote in response to his lyrics that "it's dangerous to use that violence as a silencing tactic when the public is angry about the systematic subjugation of black people." "To Pimp a Butterfly" was recorded at a variety of studios; including Chalice Recording Studios, Downtown Studios, House Studios, Notifi Studios and No Excuses Studios. Lamar wrote the lyrics to the song "Mortal Man", while on Kanye West's Yeezus Tour.

neg: Laserlight (song) from one album. The song was written by Jessie J, The Invisible Men, David Guetta, Giorgio Tuinfort and Frédéric Riesterer and produced by Guetta, Tuinfort and Riesterer. After Jessie provided guest vocals on Guetta's track "Repeat", he offered to return the favour, and as such, the pair wrote "Laserlight" for the platinum edition of Jessie's debut studio album, ""Who You Are"". Jessie describes "Laserlight" as an upbeat, shimmering Eurodance and house song, that features the lyrics, "You make me feel good, you make me feel safe, you make me feel like I could live another day." The release of "Laserlight"

neg: Hyacinth House Hyacinth House "Hyacinth House" is a 1971 song by The Doors which appears on their final album with frontman Jim Morrison, "L.A. Woman". The music for "Hyacinth House" was written by Ray Manzarek, while Morrison wrote the lyrics at guitarist Robby Krieger's beach house. The song's writing is additionally credited to guitarist Robby Krieger and drummer John Densmore. The lyrics "I see the bathroom is clear / I think that somebody's near / I'm sure that someone is following me" is a reference to the vocals of the album being recorded in the bathroom of The Doors Workshop. The use

neg: Ugly (Fantasia song) love". She advocates for female empowerment and explores expectations regarding beauty with lyrics like: "With dirt on my hands and scrapes on my knees/Feeling like nothing can wash it off clean/Tell your girls it's a beautiful thing/Just trust me/It's far from ugly." The lyrics also feature the importance of love, with Fantasia singing: "Thank you for that good good man who loves me." Alex Mcpherson interpreted Fantasia's delivery of the lyric "Give me good food that sticks to my bones" as incorporating gospel elements into the song. According to music critics, the lyrics encompass various meanings. Mike Wass wrote that

neg: Cry Me a River (Justin Timberlake song) to "Cry Me a River"; she denied the rumors, explaining, "You know, it's funny. I read that I wrote this song and I wrote these lyrics and that's not my style. I would never do that." Annet Artani, who co-wrote Spears' 2003 song "Everytime", stated that the song was written as a response to "Cry Me a River". When asked during an interview with Diane Sawyer on "PrimeTime" in 2003, if "Everytime" was about Timberlake, Spears responded, "I'll let the song speak for itself." "Cry Me a River" is an R&B song with an instrumentation that features clavinet, guitars, beatboxing,

neg: You and Me (Babe) bandmates and Voormann, the participants included Mal Evans, originally a roadie for the group and, by the late 1960s, an occasional lyricist, Apple Records A&R scout, and music producer. Evans also managed Splinter, a South Shields duo who began working with George Harrison in early 1973, initially on the soundtrack for Apple Films' "Little Malcolm". In March that year, when sessions for "Ringo" were under way in Hollywood, Harrison and Evans shared a house in Los Angeles and co-wrote a song for Starr's album, titled "You and Me (Babe)". Evans had some lyrics for what he termed "a meditation song",

neg: 7/27 Atlantic", the lyrics of "Gonna Get Better" find Fifth Harmony singing about sticking with a guy even when he can’t pay for nice things". Matt Collar from AllMusic wrote that songs like "Squeeze", "I Lied" and "Write On Me" have a pleasant, mid-tempo, adult contemporary vibe. "Scare of Happy" has an uptempo beat that draws from soca and house genres; Lewis Corner described it as "vibrant house-pop fizz". The track's lyrics express vulnerability; the group sings about being scared of a response to a real love. The tenth track "Not That Kinda Girl" featuring rapper Missy Elliot is a funk-inspired

neg: Aye Mere Watan Ke Logo to rehearse it. "It was Pradeepji, ( Kavi Pradeep) the poet, who wrote the immortal lyrics, who came to me and asked me to sing the song. I declined, because there was no time to rehearse. You see, at that time I was working round-the-clock. To give special attention to one song seemed impossible. But Pradeepji insisted," Lata said, admitting that she was very nervous before the performance. Kavi Pradeep, the man who penned lyrics of the song, couldn't witness the event. "My regret is that Pradeepji had not been called for the Republic Day function where I sang the

neg: Touch My Body mimics Carey's bridge: "If some honies up in here that want me to touch her body / Touch it / Let me hear you say, 'I-i-i-i do.'" According to Kelly, the remix is unofficial, and his lyrics are freestyle rap. During a concert in Washington, D.C., soul singer Aretha Franklin performed a live rendition of the song. Following a piano introduction for her song, "The House That Jack Built", Franklin segued into "Touch My Body", and jokingly referred to the lyrics, telling the audience "As far as I'm concerned, what starts on the floor stays on the floor." A writer

neg: Nikola Čuturilo In March 2017, Čuturilo released another single with political lyrics, "Welcome to the Show". In 1986, Čuturilo wrote lyrics for the songs "Blagi bože podigni me" ("Dear God Lift Me Up") and "Još samo ovu noć mi daj" ("Give Me just This more Night") released on Kerber's album "Seobe" ("Migrations"). During the same year he wrote lyrics for the song "Obeć'o sam drugu" ("I Promised to mMy Friend") released on Peđa D' Boy's album "Laku noć ti mala" ("Good Night, Baby"). Čuturilo wrote lyrics for six songs released on the YU grupa 1987 album "Od zlata jabuka" ("Golden Apple") and

neg: Look What You Made Me Do Look What You Made Me Do "Look What You Made Me Do" is a song recorded by American singer-songwriter Taylor Swift, released on August 24, 2017 by Big Machine Records as the lead single from her sixth studio album "Reputation" (2017). Swift wrote the song with her producer Jack Antonoff. "Look What You Made Me Do" is an electroclash and pop song, with lyrics about various issues that built Swift's reputation. Right Said Fred band members Fred Fairbrass, Richard Fairbrass, and Rob Manzoli are also credited as songwriters, as it interpolates the melody of their song "I'm Too Sexy" (1991).

neg: Irreplaceable co-write. I wrote the lyrics, I wrote all the lyrics. Beyoncé helped me with the melodies and the harmonies and the vocal arrangement and that makes it a co-write. Meaning my contribution and her contribution made that song what it is." In 2011, Ne-Yo said that he wrote the song for himself, but thought that it would be better suited for Beyoncé. Some of Beyoncé's fans read Ne-Yo's remark as disrespectful towards her. However, he clarified his comment later through Twitter, writing, "I said I originally wrote the song for me. ... Once I realized how the song comes across

neg: The Ringmaster (album) whether a soul is worthy to enter heaven or doomed to eternal hell. The Card issues a warning against the neglect of our basic morals. "My Fun House" samples the bass line of the song "Bullet in the Head" by Rage Against the Machine. "Who Asked You" contains a small part of the song "Nobody's Fault" by Aerosmith. "Get Off Me Dog" samples Spice 1 "Trigga Happy" from 187 He Wrote. When writing lyrics for the album, the group realized that they were defining the direction for future Joker's Cards and what their group could become. Joseph Bruce explains that

neg: You're Getting to Be a Habit with Me You're Getting to Be a Habit with Me "You're Getting to Be a Habit with Me" is a 1932 popular song with music by Harry Warren and the lyrics by Al Dubin, which became a standard. The lyrics of the song were noted for its references to addiction. It appears in the Warner Brothers musical film "42nd Street" for which Warren and Dubin wrote three songs together. The song was inspired by one of the women working at the Warner Brothers studio, who when asked why she was still dating a certain man, said that he was getting to be

neg: Minor Threat Thrash metal band Slayer later covered the song, with the last iteration of the lyric "Guilty of being white" changed to "Guilty of being right." In an interview, MacKaye stated that he was offended that some perceived racist overtones in the lyrics, saying, "To me, at the time and now, it seemed clear it's an anti-racist song. Of course, it didn't occur to me at the time I wrote it that anybody outside of my twenty or thirty friends who I was singing to would ever have to actually ponder the lyrics or even consider them." In the time between

neg: It's Too Late (Carole King song) and the song is included in Rolling Stone's 500 Greatest Songs of All Time. The song has been covered by "It's Too Late" has been featured in Hollywood films, including "Fandango" (1985), "The Lake House" (2006), and "Invincible" (2006). "It's Too Late" was the third promotional (US), and fourth overall single released by Gloria Estefan on her fourth studio album "Hold Me, Thrill Me, Kiss Me". It's Too Late (Carole King song) "It's Too Late" is a rock ballad from Carole King's 1971 album "Tapestry". Toni Stern wrote the lyrics and King wrote the music. It was released as a

neg: Walter Gerts House fire that destroyed much of the Walter Gerts House, but thanks to a neighbor who threw a flatiron through a window and awakened the Gerts family, no one was injured. Gerts then hired Frank Lloyd Wright, who had just returned from Europe, to remodel the house. Wright had built houses for Both Walter and his father, George Gerts, in Michigan in 1902. Wright wrote to Darwin Martin "A house burned down here day before yesterday and the [owner] has employed me to rebuild it." In remodeling the house Wright totally re-configured the orientation of the central stairway and made major

neg: The House That Built Me Me." "The House That Built Me" is a country ballad in the key of F major driven primarily by acoustic guitar with steel guitar fills. The song's female narrator describes returning, as an adult, to the house that she grew up in, and asking the person who now lives in the house if she could step inside and take a look around. She refers to it as "the house that built [her]," because of all the memories that she had of growing up within its walls. Allen Shamblin based the song on his experiences going back to the house in

neg: GiraGira Romantic Lead, the latter had also written the lyrics, while Seiji performed the piece. "Follow Me" was written and composed by DJ TAKU; however, Lead's main rapper, Shinya, wrote the lyrical portion. The tracks "Stay with me" and "You're the only one" were written and composed by Seiji Motoyama. The youngest member of Lead, Akira, wrote the lyrics to "Stay with me"; the group's second lead vocalist, Keita, along with Shinya, wrote the lyrics to "You're the only one" The song "Kimi ~Sakura~" was written and composed by Lead's main vocalist Hiroki, while Seiji Motoyama performed the instrumental. "Gira gira" is

neg: Tarzan (musical) John, who composed the music for the songs in the movie version of The Lion King (with lyrics by stage veteran Tim Rice), left others to expand the score for Broadway, while Phil Collins, who wrote music and lyrics for the five songs in the 1999 Tarzan movie, wrote an additional nine for the Broadway show". Phil Collins sings a bonus track "Everything That I Am" at the end of the album. The album includes "all four of the 'old' Tarzan songs (Two Worlds, You'll Be In My Heart, Son Of Man and Strangers Like Me)". The album entered the

neg: God Gave Me You God Gave Me You "God Gave Me You" is a song written and originally recorded by American contemporary Christian music singer Dave Barnes. It was released in January 2010 as the lead single from the album, "What We Want, What We Get". Barnes wrote the song after the title came to him while he was walking through London, England. He told "Country Weekly" that "the lyrics just flowed together with the melody" when he wrote it. Barnes also said that he was inspired by his wife, Annie, who supported him "through all the ups and downs of an artist's career."

neg: Too Far to Care 22nd birthday, and I was not with her. But I was where I was meant to be." Miller has observed the irony of the lyrics: "the nightclub did steal my youth. And the nightclub does follow me around, unchanging and eternal. And while I'm busy loving my job, I'm also lamenting the life it precludes. You know, the normal life? The 9 to 5?" Miller wrote "House That Used to Be" around 3am while feeling lonely in his "two bedroom house a block off of White Rock Lake." He wrote it with the assistance of a Rhyming Dictionary. "I gave

neg: The Order of Things (album) was released on November 14, 2014 entitled "You Found Me". It later on was posted by All That Remains official YouTube Channel. Phil Labonte and producer Josh Wilbur wrote the lyrics for the album together, which is the first time in All That Remains catalogue. Phil Labonte stated about working with Josh: "Honestly, the test for me is, like, when me and Josh [got] done, 'cause we wrote the melodies and the lyrics together; none of the vocals were done before I actually sat down with Josh. This is the first time that anyone has ever had any kind of

neg: Don't Sit Under the Apple Tree (with Anyone Else but Me) Don't Sit Under the Apple Tree (with Anyone Else but Me) "Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics

neg: Let Me Love You (Until You Learn to Love Yourself) wrote and recorded the "top line vocals". Sia built the song's chorus around the line "Let me love you, and I will love you/ Until you learn to love yourself", which would also become the song's title. The record was then heard by Ne-Yo who decided to record the song, and proceeded to re-write some of the lyrics in the verses. Speaking about the song Ne-Yo said he was inspired by the powerful chorus, and in a press release he elaborated on the song's lyrical content: "It goes beyond the realm of just a relationship between man and woman, "this

neg: Carolyn Leigh Always writing stories and poems, in 1951, when urged to write songs by a musical publisher who gave her a contract, she wrote "I'm Waiting Just for You" with Henry Glover, and two years later, "Young at Heart." Her lyrics for Broadway shows include "Peter Pan", "Wildcat", "Little Me", and "How Now, Dow Jones". The last was derived from an original idea of Leigh's, though Max Shulman wrote the script. She provided lyrics for the scores to the films "The Cardinal" in 1963 and "Father Goose" in 1964. In 1969 she wrote the lyrics for the musical "Gatsby" with the

neg: The Peace and the Panic Sebastian, who had co-wrote the majority of the tracks on "Life's Not out to Get You", was "really involved this time" contributing a lot of ideas. Barlow mentioned that he wrote two songs on guitar, which was "quite new for me". The majority of the lyrics on the album were written by Barlow. In addition, Barlow and Thorpe-Evans co-wrote lyrics to "Wish You Were Here". "Motion Sickness" and "Parachute" were credited to Neck Deep, Green and Sebastian Barlow. "Happy Judgement Day", "The Grand Delusion", "19 Seventy Sumthin'" and "Beautiful Madness" were credited to Neck Deep and Green. "In Bloom", "Heavy

neg: Don't Let Me Get Me you." Jim Alexander wrote a negative review, saying that the rest of "Missundaztood" is full of bad songs and that "'Don't Let Me Get Me' and 'Dear Diary' see all pop joy expunged for acoustic seriousness, dreary unobtrusive beats and lyrics about relationship woes and record company badness." The music video for "Don't Let Me Get Me," shot by director Dave Meyers, depicts Pink as a high school student, in various scenes in which her nonconformity causes conflict with other students and school officials. A similarly-themed scene depicts her meeting with music executive L.A. Reid, who tells her that in

neg: Thomas Brigham Bishop Ye"), but other attributions to Bishop have also been made. According to Bishop, he wrote the melody for the song in 1850, as "Johnny, Fill Up the Bowl," Gilmore wrote new lyrics for it in 1863, and both brought the song to their publisher, who reportedly suggested that the Lambert pseudonym be used on the sheet music. According to Bishop's account, he wrote "Shoo Fly, Don't Bother Me" during the Civil War while assigned to command a company of black soldiers. One of the soldiers, dismissing some remarks of his fellow soldiers, exclaimed "Shoo fly, don't bother me," which inspired

neg: Hold It Against Me is super, super hard, but the chorus is super-pop." After rumored lyrics for the song surfaced on the web, Luke commented in his Twitter account on December 9, 2010, "I / we never wrote a song called 'don't hold it against me'... BewaRe of InaccuraTe info kids ;-) We did write 'hold it against me' but those lyrics are NOT the lyrics ..." It was reported by news outlets that "Hold It Against Me" would premiere on January 7, 2011. However, this was denied by Spears' manager Adam Leber. An early demo of the track performed by McKee was leaked

neg: Whitney Joins The JAMs built around samples of Whitney Houston, Isaac Hayes, Lalo Schifrin's "" theme tune, and (according to later sleevenotes) Westworld. The lyrical theme of the piece is the satirical false premise that Whitney Houston had been begged and persuaded to collaborate with The JAMs; Drummond's jubilant lyrics suggest that extensive sampling of Houston's 1987 # 1 single "I Wanna Dance with Somebody (Who Loves Me)" is evidence of Whitney's dedication to the project. According to Drummond, The JAMs had originally planned to produce a house record around Isaac Hayes' "Theme from "Shaft"". However: "Whitney Joins The JAMs" was given a low-key

neg: Life On Da Beat 2003. "Manatsu no Magic" was written and composed by musical composer Yasushi Sasamoto. For "No doubt", lyricist KATSU wrote the most of the lyrics, while Yasushi wrote the lyrics for the rap. As with "Manatsu no Magic", Yasushi composed and arranged the piece. "Show Me the Way" was written and composed by musical composer Yasushi Sasamoto, who is part of the rap unit known as BANANA ICE. "Step by Step" was also composed by Yasushi, with the lyrics written by Kentaro Akutsu, while KATSU wrote the rap portion of the song. "Fly Away" was written and composed by musical composer

neg: Sois moi – Be Me "Gimme More"". To journalist Benoît Cachin, the music of the song is " swinging" and the lyrics are "poor". Although he considers that there is nothing special in this song, he believes that it is "first designed for dance floors, where lyrics do not matter". On his blog, French author and journalist Hugues Royer, who wrote a book on Farmer in 2008, stated: "I think this is the first time I do not really adhere to a song of Mylène (...). I did not detect either the usual fluidity of Boutonnat's melodies or that singular thing in the lyrics that

neg: One in a Million (Aaliyah album) wrote Never Givin’ Up with a girl named Monica Payne who now manages V Bozeman. We started to work on the track, writing lyrics. She sat on the floor and the first line, Sitting here in this empty room,’ because the room was fairly empty because I had just moved into that house". The song was King's way of showing love to the Isley Brothers and it was also an ode to the Gospel Group the Clark Sisters with the lines “Angels watching over me”. The song was made into a duet once Aaliyah heard an earlier demo with just

neg: Take Me Home, Country Roads left thumb was broken in an automobile accident. He was taken to the hospital, where a splint was applied. By the time they got back to the house, he was, in his own words, "wired, you know." Danoff and Nivert then told him about the song that they had been working on for about a month. Originally, Danoff and Nivert had planned to sell the song to popular country singer Johnny Cash, but when Denver heard the song and decided he had to have it, the duo who wrote the original lyrics decided not to make the sale. They sang

neg: Post (Björk album) It is an aggressive technopop song with elements of trip hop. Dedicated to Björk's younger brother, the song's lyrics are, according to Björk herself, "about telling someone who is full of self-pity and doesn't have anything together to get a life and stand up"; as she sings: "And if you complain once more/You'll meet an army of me!" "Hyperballad", which incorporates a spectrum of electronic and orchestral styles, has been described as "a love song penned by Aphex Twin". "NME" wrote that its music "altered from gentle folktronica to drum and bass-tinted acid house"; an attempt to reflect the song's

neg: You Won't Forget About Me that has now ended. The two lovers reassure each other that "you won't forget about me / as long as you live". After the success of her previous album, "Neon Nights", Minogue was asked by All Around the World Records, a major dance label whose main signings were Cascada, Ultrabeat, N-Trance and Flip & Fill, if she would write the lyrics to a popular dance instrumental track called "Flower Power", which was a huge hit in clubs in Ibiza. Minogue agreed and wrote the lyrics to the song that became "You Won't Forget About Me". About writing lyrics for the

neg: Like a Stone and generous, and then you go to hell anyway." The melancholy tone and certain parts of the lyrics of "Like a Stone" have prompted some to wonder if Cornell wrote the song about the late Alice in Chains singer Layne Staley, who died in April 2002. Cornell has denied this, saying "No. I'm not one of those guys where, like, something happens and then I go run around, 'Ooh, 9/11, and now it's 9/12, let me write about that. I wrote the lyrics before he died. [...] You can misinterpret that stuff pretty easy, but I don't tend to sit

neg: Bleed Like Me (song) ten of the Hot Dance Music/Club Play chart. In 2007, "Bleed Like Me" was remastered and included on Garbage's greatest hits album "Absolute Garbage". "Bleed Like Me" was written in 2004 at Smart Studios in Madison, Wisconsin. It was one of the first songs the band wrote after reforming from a temporary three-month split in October 2003, with singer Shirley Manson overcoming writer's block to write the lyrics to the track. The song begun with Butch Vig creating both the acoustic riff that opens the track and title. Some time after he showed it to his bandmates, Manson wrote lyrics,

neg: Reflection (Fifth Harmony album) me higher/You set my heart on fire/When you touch my body/Got me singing like" with Carey's hook harmonizing around. Jason Lipshutz of "Billboard" commented that in the song, "Fifth Harmony admirably pulls off the sunny R&B vibe and falsetto runs of the pop icon they're honoring on the track". "Them Girls Be Like" lyrics also feature cultural references, as noted by Lipshutz who wrote, "like 'Boss', the song oozes self-assuredness, this time swatting down female rivals instead of tongue-wagging males. The millennial-friendly lyrics are an absolute blast to swim through". During the song, the group sings: "We ain't like them

neg: Hey! Ba-Ba-Re-Bop was recorded by Helen Humes with the Bill Doggett Octet in August 1945, in Los Angeles, and rose to number 3 on the "Billboard" R&B chart at the end of the year. The writing of the song was credited to Humes, who wrote the lyrics, such as: "He thrills me in the morning, thrills me in the night, the way he loves me makes me scream with delight, oooh oooh oooh baba-leba...". The vocal choruses are interspersed with saxophone breaks by Wild Bill Moore, who was brought in by Doggett for the session. Pianist Jelly Roll Morton said that "Be-Baba-Leba"'s

neg: Primavera in anticipo dedicated to her grandmother the lead single from the album "Invece no" / "En cambio no", a song focused on the pain of those who weren't able to confess everything to a loved person who died: Among all the song I wrote and sang during my career, this is the one which scares me the most, but it also makes me calm more than every other one. It was composed at the piano, and I wrote the music with Paolo Carta. The lyrics, written by me and Niccolò Agliardi, were inspired by my grandmother's dead. She was a fundamental figure

neg: When a Man Loves a Woman (song) said:When I wrote the song at first, it was called "Why Did You Leave Me Baby". And I changed it from that to "When a Man Loves a Woman". I just reversed it. Quin told me that if I was to write some lyrics around that melody and the expression I'd put into "Why Did You Leave Me Baby", he believed it would've been a hit record. He was one of the top disc jockeys at that time. Sure enough, he asked me if I had any lyrics for that. He said, "That's it! Write a story around that title!

neg: Bleed Like Me enjoyable if outdated in its musical approach "as if the band doesn't quite know how to do anything else but sound like it's the heyday of post-grunge alt-rock." This opinion was shared by Yahoo! Music's Sharon O’Connell, who wrote that despite the intelligent songs with expertise in "muscly, alt. rock lick or the bubblegum pop hook", "Bleed Like Me" "strikes a depressingly dated note". Writing for "The A.V. Club", Nathan Rabin said the album's lyrics lacked an emotional punch. He wrote stating that it "approaches a kind of shimmering technical perfection, but remains strangely, stubbornly uninvolving". Betty Clarke of "The

neg: U + Me (Love Lesson) lyrics: "Gotta keep on pushin' / Love myself through the hard times." "U + Me (Love Lesson)" was praised by critics, primarily for its approach to a break-up. Kyle Eustice wrote that Blige "has turned that pain into art" with the single. It was described as a "therapeutic anthem to anyone going through a bad break up or tough times with a loved one" by Michael Saponara. A writer for "Jet" responded positively to the song for its relatable lyrics, and wrote that Blige "g[ave] listeners another vocal peak". Praising the song's composition as "refreshing", Ammar Kalia praised how the

neg: Roxanne Seeman composed by Polad Bülbüloğlu, based on a poem by Fikret Goja,Polad Bulbuloglu. Asked by Muzikotek to suggest an author to write an English adaptation of the lyrics, Buckmaster recommended Seeman, who wrote the English lyrics "Come Back To Me", appearing in the artwork of the CD release. In collaboration with Sarah Brightman and Frank Peterson, Seeman wrote "Harem", new original English lyrics for "Cancao do Mar", a Portuguese fado made famous by Amalia Rodrigues. Sarah Brightman's "Harem" album stayed in the Billboard Top 10 Crossover Classical chart for over 80 weeks. In December 2008, Daniel Lindstrom released the single "Caught

neg: Speechless (Michael Jackson song) release. "Speechless" was issued as a promotional single. Music critics focused on the track's a cappellas, lyrics and music. A clip of Jackson singing "Speechless" was included in the 2009 documentary-concert film "Michael Jackson's This Is It". Michael Jackson wrote "Speechless" after a water balloon fight with children in Germany. It took him 45 minutes. In an interview with "Vibe" magazine, the musician commented, "I was so happy after the fight that I ran upstairs in their house and wrote 'Speechless'. Fun inspires me. I hate to say that, because it's such a romantic song." He added, "But it was

neg: Valley of the Dolls (film) Gaille Heidemann for Patty Duke. Heidemann and Wilson are uncredited on the soundtrack label. The original version of "I'll Plant My Own Tree" (recorded by Judy Garland before she was fired from the film) was finally released in 1976 on a compilation LP, "Cut! Out-takes from Hollywood's Greatest Musicals". "Lovely Me: The Life of Jacqueline Susann" (1987) by Barbara Seaman states that Ruth Batchelor, who wrote lyrics for Elvis Presley, wrote the lyrics for a title song for the movie. Batchelor's song was rejected by the studio as the Previns had already written the soundtrack. It was recorded by The

neg: Purple Haze present when Hendrix wrote it, later denied suggestions that Hendrix did so while under the influence of psychedelics. Commenting on the lyrics, Shadwick concludes "the music [was allowed] to tell the larger story. Poised effectively between the twin intoxicants of drugs and desire, they could be interpreted to the listener's taste". In concert, Hendrix sometimes substituted lyrics for comic effect; "'scuse me while I kiss the sky" was rendered "'scuse me while I kiss this guy" (while gesturing towards Mitchell), "'scuse me while I kiss that policeman" (at a near riot in Los Angeles), or "'scuse me while I fuck

neg: Sunflower (The Beach Boys album) Carl sings lead vocals while Brian sings in the background; their voices were double-tracked, as was common practice for many of their recordings. Brian also recounted the writing of "Add Some Music to Your Day", saying: "I think we wrote it my house in Bel Air. It was written by me and Mike and Joe Knott, who was a friend of mine who wasn't a songwriter but he contributed a couple of lines. But I can’t remember which ones! The lyrics are wonderful." "Got to Know the Woman" is another Dennis composition, which White noted was "one of the few

neg: Just Like Heaven (song) Just Like Heaven (song) "Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show "Les Enfants du Rock". "Just Like Heaven" was the third single released from their 1987 album "Kiss Me, Kiss Me, Kiss Me",

neg: Guppy (album) a "Hyperallergic" writer to categorize the album as "Grimes singing for Roomrunner." Eva Hendricks wrote the lyrics in her bedroom, "the only place where I’m comfortable enough to try new ideas that I’d normally feel self-conscious about." "Guppy" deals with emotional vulnerability. Despite the LP's joyous tone, Hendricks explained that the lyrics involve "taking all those things people have said about me and spitting them back out and saying, ‘Fuck you.’" In "trying to make fun of this teeny-bopper way I have of talking," she wrote the songs as "extensions" of herself, "me, with the saturation turned up all the

neg: Call Me When You're Sober lyrics and overly generic backing make for a shockingly horrid song" which according to him was due to Moody's absence of involvement in it. He finished off showing incredulity that the "angelic-vocalled woman" who wrote "My Immortal" could "churn out such dross as 'Call Me When You're Sober'". In another review, he said that "Call Me When You're Sober" hinted at the fact that Evanescence became "a mere shadow of the band they used to be". Jenni Cole of the same publication concluded that there was nothing to recommend about the song and added that it was a "disappointing return"

neg: Carmel-by-the-Sea, California from the rocky shore of Carmel Bay, Jeffers built Tor House as a home and refuge for himself and his family. It was in Tor House that Jeffers wrote all of his major poetical works: the long narratives of ""this coast crying out for tragedy,"" the shorter meditative lyrics and dramas on classical themes, culminating in 1947 with the critically acclaimed adaptation of "Medea" for the Broadway stage, which featured Dame Judith Anderson in the title role. He called his home Tor House, naming it for the craggy knoll, the "tor" on which it was built. Carmel Point, then, was

neg: Josie Carey door-to-door, raising money for the station selling $2 educational program guides. Carey was partnered with Fred Rogers who would act as puppeteer of various puppets who would dance along to 68 songs which he wrote and for which Carey wrote the lyrics. Carey joined ASCAP in 1955 and she and Rogers produced such songs as "Goodnight God," "It's Morning," and "Why Hi, Don't I Know You?" — the theme song for her program. Carey once remarked on their collaboration, "He would make me very angry because I'd labor over my lyrics and he would sit at the piano and what

neg: In the Air Tonight to start writing some of this music that was inside me." He improvised the lyrics during a songwriting session in the studio: "I was just fooling around. I got these chords that I liked, so I turned the mic on and started singing. The lyrics you hear are what I wrote spontaneously. That frightens me a bit, but I'm quite proud of the fact that I sang 99.9 percent of those lyrics spontaneously." The song is known for its use of the gated reverb drum sound. Fellow musicians and journalists have commented on its use in the record. Black Sabbath

neg: Follow You Follow Me "Wind & Wuthering" (1976), "Follow You Follow Me" was the first worldwide pop success by the group. The band felt that their music was attracting mainly male audiences, so this song was written specifically to redress the balance. The song started from a chord sequence by guitarist Mike Rutherford, who also claimed he wrote the lyrics in about ten minutes. At the time, the band usually wrote songs individually. Keyboardist Tony Banks was quoted: It was our only truly group-written number. Mike played the riff, then I started playing a chord sequence and melody line on it, which Phil then

neg: The House That Built Me of the video was clear: "This was one of those videos that needed to be really obvious ... [The director] found a house that looked a lot like the house I grew up in. There's no drama in the video. It just is what it is. It represents the song in such a great way." "The House That Built Me" received three nominations at the 53rd Grammy Awards. It won the Grammy Award for Best Female Country Vocal Performance, giving Lambert her first Grammy win. The House That Built Me "The House That Built Me" is a song written by

neg: House of Flowers (musical) House of Flowers (musical) House of Flowers is a musical by Harold Arlen (music and lyrics) and Truman Capote (lyrics and book), based on his own short story, first published in "Breakfast at Tiffany's" (1958). This was Capote's first musical, and was the first theatrical production outside of Trinidad and Tobago to feature the new Caribbean instrument—the steel pan. It was produced by Saint Subber who was also responsible for "Kiss Me, Kate" and seven plays by Neil Simon. The story concerns two neighboring bordellos that battle for business in an idealized Haitian setting. One of the prostitutes, Ottilie, turns

neg: The-Dream in young Nash. Of his grandfather, Nash recalls "He came out of a bad time for blacks in the South, but even though we lived in the hood, we had a boat, some cars and a house that was paid for. So I've always had a different outlook on life. There's nothing I can't do." Nash met R&B producer Laney Stewart in 2001 and Stewart helped him get a publishing deal after Nash wrote "Everything" for B2K's album "Pandemonium!". Under the pen name "The-Dream", Nash began writing lyrics for popular artists. He co-wrote Britney Spears' hit "Me Against the Music"

neg: Exotic (song) all my tracks I want to have some aspect of my Indian identity. “In My City” has some Indian instrumentation to give it flavor. For me, being Indian is very exotic. After Pitbull sent me his lyrics I suggested to “Exotic” producer RedOne that we could consider having some Hindi lyrics. He said, "Yeah, let's try that"—and I quickly wrote the lyrics and sang it and he loved it. As I said, this is a summer song and we have so much fun in our Hindi movies and songs. We Indians really know how to party, man! And the world

neg: Part of Me (Katy Perry song) on February 13, 2012, through Capitol Records with artwork by art director Gavin Taylor and photography by Mary Ellen Matthews. A dance-pop and power pop song with a distinctive house beat, it has been compared to Perry's 2010 singles "Firework" and "California Gurls". Its lyrics describe a female protagonist who declares herself as unbreakable and strong following a break-up. Many critics theorized that the lyrics addressed Perry's divorce from Russell Brand, although Perry stated it was not about him since it was written in early 2010. "Part of Me" was a commercial success. It was the twentieth song to debut

neg: You Must Love Me singles, in honor of her 60th birthday, "The Guardian"s Jude Rogers placed "You Must Love Me" at number 50, calling it the singer's best performance from the film and pointing out the "emotional quaking desperation" in her voice. Negative criticism came from the "San Francisco Chronicle"s Barbara Shulgasser, who wrote "['You Must Love Me'] didn't help a bit. Rice writes lazy, dumb lyrics that make no effort to correspond to the rhythms of the music". In the United States, "You Must Love Me" was serviced to radio on October 9, 1996. It was met with a positive response, garnering 118

neg: There's More to Me Than You There's More to Me Than You "There's More to Me Than You" is a song co-written and recorded by American country music artist Jessica Andrews. It was released in December 2002 as the first single from the album "Now". The song reached number 17 on the "Billboard" Hot Country Singles & Tracks chart. Andrews wrote the song with James T. Slater and Marcel, who would later become her husband. "Now" also features a ballad version of the song. The song is about a woman experiencing a breakup and telling her partner that "there's more to me than you." The lyrics

neg: Carry Me Back to Old Virginny Carry Me Back to Old Virginny "Carry Me Back to Old Virginny" is a song which was written by James A. Bland (1854–1911), an African American who wrote over 700 songs. It is "not" an adaption by Bland of the "Carry Me Back to Old Virginia" by the Christy Minstrels, also known by the title; "Floating Scow of Old Virginny", a song copyrighted by Edwin Pearce Christy in 1847. Bland simply appropriated the song title. Bland's song bears no resemblance to it melodically, harmonically, or in the lyrics (except that both songs are minstrel songs). The latter song was very

neg: U Don't Know Me (Basement Jaxx song) U Don't Know Me (Basement Jaxx song) "U Don't Know Me" is a song written and produced by English electronic music duo Basement Jaxx. The Bellrays' lead singer Lisa Kekaula, who has previously appeared on Basement Jaxx's 2004 single "Good Luck", also co-wrote and contributed the song's main vocal. "U Don't Know Me" was described as a rock song with "kiss-off" lyrics that were similar to "Good Luck". On June 13, 2005, XL released the track as the second single from their greatest hits album "The Singles". The song received mixed reviews from critics. Its accompanying music video, directed by

neg: U Don't Know Me (Basement Jaxx song) maxi single UK and Germany 12-inch single UK CD single No. 1 UK CD single No. 2 Credits adapted from the liner notes of the CD single and "The Singles". Recording and management Personnel U Don't Know Me (Basement Jaxx song) "U Don't Know Me" is a song written and produced by English electronic music duo Basement Jaxx. The Bellrays' lead singer Lisa Kekaula, who has previously appeared on Basement Jaxx's 2004 single "Good Luck", also co-wrote and contributed the song's main vocal. "U Don't Know Me" was described as a rock song with "kiss-off" lyrics that were similar to

neg: Ennu Ninte Moideen by Gopi Sunder who also composed a song. Other songs were composed by M. Jayachandran and Ramesh Narayan. Rafeeq Ahamed penned the lyrics. A poem by renowned poet Changampuzha Krishna Pillai was used in the film. The song "Mukkathe Penne" was composed within five minutes. Gopi Sunder says, "We were doing the background music when director requested us to create a background song for the movie. Mohammed Maqbool Mansoor, a singer who helps me with the Sufi notes, was there during that time. I hummed this tune to him for which he wrote lyrics. He crooned it and thus the

neg: Megadeth solo album, released in April 1996. In September 1996, Megadeth went to London to work on songs for the next album. The songwriting was closely supervised by new manager Bud Prager, who contributed musical ideas and lyrics; many lyrics and song titles were changed at his request. Regarding Prager's influence, Mustaine later wrote: "I figured maybe this guy [Prager] could help me get that intangible number one record I so badly wanted." The album, recorded in Nashville, was Megadeth's first collaboration with country pop producer Dann Huff, who had met Mustaine in 1990. "Cryptic Writings" was released in June 1997.

neg: Black (Pearl Jam song) tape, the band invited Vedder to come to Seattle. On his way to Seattle, Vedder wrote lyrics for "E Ballad", which he called "Black". Guitarist Mike McCready on the song's lead guitar work: That's more of a Stevie [Ray Vaughan] rip-off, with me playing little flowing things. I was way into that trip—I still am, actually, but it was probably more obvious back then. I really thought the song was beautiful. Stone wrote it and he just let me do what I wanted. Vocalist Eddie Vedder on the song's lyrics: Pearl Jam's Eddie Vedder had been a fan of American

neg: Scott Wittman Welch, Dame Edna Everage, and Lypsinka, among others. In 2002, Shaiman and Wittman wrote the music and lyrics for the musical "Hairspray", which won the Drama Desk Award for Outstanding Lyrics, the Tony Award for Best Original Score, and a Grammy Award. In addition to "Hairspray", Wittman conceived, wrote lyrics for, and directed "Martin Short: Fame Becomes Me" and conceived and directed "Matters of the Heart", a solo concert by Patti LuPone in 2000. Shaiman and Wittman worked on "Catch Me If You Can", a musical adaptation of the 2002 Steven Spielberg film, together with Terrence McNally. The musical opened

neg: Sempiternal (album) Jona Weinhofen, who played rhythm guitar in Bring Me the Horizon, left the band January 2013 "for things in the band have been very tense with a lot of disagreements between myself and certain members who I wont name "(sic)"." After making his departure, it became apparent that Weinhofen made claims that he wrote and recorded a majority of the finalized riffs for "Sempiternal", as well as stating that he wrote lyrics for the record. During February 2013, Oliver Sykes used Twitter to contradict Weinhofen's statements. His tweets collectively read: "I would like to advise our fans NOT to believe

neg: Ten Love Songs as "musicOMH", "Release Magazine", the Norwegian and Swedish editions of "Gaffa" magazine, and "The Guardian". Some critics called "Ten Love Songs" perfect in every way. These included a reviewer from "God is in the TV", who said that it "has so many special moments" and "not a single second feels wasted," and Fredrik Schlatta Wik, who wrote that "there is something about her voice, melodies, chord progression and lyrics that move me," which he wrote it was rare for an album to move him. Murphy called "Ten Love Songs" "enormously creative," "endlessly surprising," and "what Lana Del Rey could be

neg: They'll Never Take Her Love from Me Place in My Heart," and for the two songs Williams recorded: "Lost Highway" and "They'll Never Take Her Love from Me." Paul Gilley was a young ghost writer from Kentucky who penned a dozen popular songs without receiving credit. Music journalist Chet Flippo published a book in 1981 saying that Williams bought at least two songs from Gilley: "Cold, Cold Heart" and "I'm So Lonesome I Could Cry". Kentucky historian W. Lynn Nickell wrote in 2012 that Gilley was also responsible for the lyrics to "They'll Never Take Her Love from Me". Before the song ever appeared in public, Gilley

neg: When She Loved Me joked that the song was not "the first time [Pixar] knew better than I did", explaining, "I wrote something that must have worked or the kids would have been running up the aisle." Lasseter admitted that he is most proud of the way in which "When She Loved Me" was used in the film. Alongside "Woody's Roundup", "When She Loved Me" was one of two new songs Newman wrote for the film. Originally entitled "Jessie's Song", Newman's demo is shorter in length and features lyrics that differ slightly from the final film version. Newman considers "When She Loved Me" to

neg: It's My Life (The Animals song) Rowberry: Songwriter Roger Atkins has said that the lyrics he wrote contained the line "Sure I'll do wrong, hurt you some time...", but that Burdon recorded the wrong words: "Show me I'm wrong, hurt me sometime...". Atkins said that Burdon's words "never made any sense to me. Everyone who's recorded it sings the wrong chorus, and sometimes even the wrong lyrics in the verses, too." There are two different versions of The Animals' recording due to a slight variation of playback speed. The track found on "The Best Of The Animals" 1987 CD compilation, clocking in at 3:13, is pitched

neg: Apple of Sodom (song) The song includes lyrics such as "I’m dying, I hope you’re dying too" and "take this from me/hate me, hate me". According to Katie Rife of "The A.V. Club", "Apple of Sodom" uses imagery of moral decay, physical decay, and original sin. Reighley wrote that the song's lyrics make it similar to the songs on the band's album "Antichrist Superstar", while AllMusic perceived themes of sex, seduction and reflection in the track. Manson discussed the song's meaning in a 1998 "Spin" article, saying "that song's about obsession and things you can never have". He added that "in a distant way"

neg: ...But the Little Girls Understand wrote "All of Fieger's lyrics finally boil down to one sentiment: f*ck- me, honey. (When he's feeling ambitious, he writes something like 'Can't Put a Price on Love,' which translates: f*ck me for free, babe.)" "Trouser Press" remarked that the band "replicated the sound" of their debut album, and described "Baby Talks Dirty" as "anemic" and an "inferior replicant of 'My Sharona' (minus the thunderous hook)." "Trouser Press" also remarked on the bad taste of some of the album's lyrics, giving "Mr. Handleman's" wife-pimping lyrics as an example. In a generally negative review, Robert Christgau stated that "little girls prefer

neg: Call Me Irresponsible particular satisfaction in the number of five-syllable words in the lyrics of "Call Me Irresponsible". 1960s radio advertisements for the Sands Hotel used the song, with revised lyrics touting the hotel's reservation agent ("Call her / She's responsible" etc.) Call Me Irresponsible "Call Me Irresponsible" is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963. According to the Mel Tormé book "The Other Side of the Rainbow with Judy Garland on the Dawn Patrol", Van Heusen originally wrote the song for Garland to sing

neg: Me ga Aku Aiiro before the album's release. Yamaguchi found singing the lower notes of the song difficult, so in his place drummer Keiichi Eshima sings these low notes. Yamaguchi wrote new lyrics to the song, and felt like the song mixed his past self with his present self. He inserted many lyrical gimmicks into the song's lyrics, such as hiding the album's title "Kikuuiki" in the lyric . This gimmick was the reason that Yamaguchi decided to capitalize the two central letters of the album title ("kikUUiki"). Yamaguchi felt that the lyrics he wrote were like a first-person novel, using lyrical techniques that

neg: Slow Motion (Juvenile song) not planned as a tribute, it came out as one of the more popular posthumous songs because of Soulja Slim's sudden death in November 2003, before the recording process was released (though the beat and lyrics had already been recorded by Soulja). The "slow motion" of the title is the movement of a woman's body, with the lyrics proclaiming: ""Uh, I like it like that / She working that back; I don't know how to act / Slow motion for me, slow motion for me / Slow motion for me; move it slow motion for me"". Washington D.C.-based international house

neg: Xavier Atencio for Adventure Thru Inner Space and Pirates of the Caribbean. For the latter, he also penned the lyrics of "Yo Ho (A Pirate's Life for Me)" and provided the voices of various characters, including the talking skull that appears before the waterfall that carries riders into the main body of the attraction. He also wrote the script for the Haunted Mansion, and the lyrics of its theme song, "Grim Grinning Ghosts (The Screaming Song)." His voice can also be heard emanating from the coffin in the Mansion's conservatory scene. In the Disneyland Mansion, it is Atencio who reads the emergency

neg: Adiós muchachos (song) Ercoli wrote that Vedani was sitting at a table in the cafe "Orchids" in the Flores neighborhood developing the verses of the tango and Julio Cesar Sanders played the melody on a piano in a place that formerly used pianos. The original lyrics have the protagonist, who is close to death from an illness, say goodbye to his friends, while reminiscing on aspects of his life. The original lyrics have been published as follows: In other publications the first block of verse is repeated again at the end. Adiós, muchachos, compañeros de mi vida, barra querida de aquellos tiempos. Me

neg: Two Hearts (Jackie Evancho album) a London studio orchestra that accompanies track 10. Evancho's vocals were mostly recorded at Audible Images in Pittsburgh, Pennsylvania. Disc 2 is Evancho's first release that includes her own songwriting (other than contributions that she made in 2010 to the lyrics of the title song of "Dream With Me"). Dina Fanai and Heather Holley, who produced Evancho's last album, "Someday at Christmas", returned as producers for Disc 2, provided accompaniment, background vocals and co-wrote the first four songs on the disc with Evancho. Robert Kinkel, formerly of the Trans-Siberian Orchestra, who worked with Evancho on "Someday at Christmas", also co-wrote

neg: Supreme Clientele his debut album "Ironman", and Raekwon's "Only Built 4 Cuban Linx...", Ghostface Killah rarely makes references to crime and materialism on "Supreme Clientele". He explained "Fuck all this Tommy Hilfiger, Polo, all that shit. They don't give a fuck about none of that in Africa. Everything is the same. But over here, everybody wanna be better than the next one. Nah, it's not like that over there. They might be fucked-up money wise, but trust me, them muthafuckas is happy. They got each other". One of the earliest lyrics Ghostface wrote while in Africa was "Nutmeg", a song with a

neg: U Make Me Wanna (Jadakiss song) insipid Mariah Carey vehicle "U Make Me Wanna." The Situation's Samantha Watson wrote: "Fans of Mariah Carey will like the track ‘U Make Me Wanna’, the distinctive Mariah vocals with Jadakiss laying down lyrics, the track plays on an Egyptian like sound with added synthesised beats, not one of the best singles but it is one you can listen to." USA Today's Steve Jones called this song "thug love anthem." Aqua Boogie of Vibe wrote that love themed "U Make Me Wanna" shows that Jada has more to offer than body counts and gun talk." Rapreviews was favorable: "He even

neg: Louisiana State University Tiger Marching Band during the march down Victory Hill, and at the beginning of the fourth quarter of each football game. "Hey, Fightin’ Tigers" was adopted as a school song in the 1960s by then director of bands Thomas Tyra. Originally titled "Hey, Look Me Over" and written by Cy Coleman for the musical "Wildcat", starring Lucille Ball, a version of the song with its new lyrics by Carolyn Leigh, who wrote the original lyrics of "Hey Look Me Over", after the athletic department purchased the rights to use the song. The band plays this song often in the stands and on occasion

neg: Louisiana State University traditions beginning of the fourth quarter of each football game. "Hey, Fightin’ Tigers" was adopted as a school song in the 1960s by then director of bands Thomas Tyra. Originally titled "Hey, Look Me Over" and written by Cy Coleman for the musical "Wildcat", starring Lucille Ball, a version of the song with its new lyrics by Carolyn Leigh, who wrote the original lyrics of "Hey Look Me Over", after the athletic department purchased the rights to use the song. The band plays this song often in the stands and on occasion will play it to conclude a halftime performance while

neg: C'est une belle journée word "journée"), the other inside. The photography was directed by Ellen von Unwerth, and the cover design was made by Henry Neu. As for her other singles, Mylène Farmer wrote the lyrics and Laurent Boutonnat composed the music. About the lyrics, Farmer, interviewed by TF1, confessed to have changed the words of the chorus afterthought. Initially, "C'est une belle journée, je vais me tuer", which could be taken as an incitement to suicide by vulnerable people, was replaced in the end with "C'est une belle journée, je vais me coucher". Jean-Claude Déquéant, who composed "Libertine" for Farmer in 1986, said

neg: You're All the World to Me was used again in 1953 for the title credits and dance routine that opened MGM's "Torch Song", which starred Joan Crawford. You're All the World to Me "You're All The World to Me" is an American song written in 1950 by composer Burton Lane and lyricist Alan Jay Lerner for the 1951 MGM musical, "Royal Wedding". The lyrics by Lerner, who also wrote the story and screenplay, give song-and-dance man Tom Bowen, played by Fred Astaire, the opportunity to proclaim his love for Anne Ashmond (Sarah Churchill) while dancing on the walls and ceiling of a custom-made set which, along

neg: You Can't Stop Me (album) You Can't Stop Me (album) You Can't Stop Me is the fourth studio album by American deathcore band Suicide Silence. It was released on July 14, 2014, by Nuclear Blast. It is the first album with the vocalist Hernan "Eddie" Hermida, and the first album without original lead vocalist Mitch Lucker, who died in 2012. The album title and title track come from a set of lyrics that Mitch Lucker wrote before he died. The song's music video was released on July 1, 2014. On May 6, 2014, the song "Cease to Exist" was released as the first single from

neg: Beggin & Pleadin on the liberating nature of the song's lyrics: "As I grew through the subject matter of this song, I realized that I needed "me" to forgive me for not believing what I felt," she wrote. "Beggin & Pleadin" received universal praise from music critics. "Vulture" writer Dee Lockett felt that "Beggin & Pleadin" sounded like "if Hit-Boy remixed "Hit the Road Jack". The song "is grounded in the blues, but, Brandy being Brandy, she's chopped and screwed it with a bit of modern trap that surprisingly doesn't sound tacky [...] Brandy's the kind of underrated vocalist who shape-shifts to fit

neg: Post (Björk album) song was originally intended to be its focal point, as Björk initially strived for an "ambient country" sound inspired by Chris Isaak's "Wicked Game". The lyrics of "Possibly Maybe" document the various stages of Björk's ill-fated relationship with Stéphane Sednaoui. "I Miss You" was described in 1997 as an "amalgam of styles, with electronic drums melding into African bongos mixed with jazzy horn playing". A house music number, its "horn-infused Afro-Cuban strains [...] reflect the romantic whimsy of [its] lyrics". Björk wrote "Cover Me", one of the quieter moments on the album, to her co-producer Nellee Hooper after he agreed

neg: Human Nature (Madonna song) the line "What was I thinking?" Madonna explained that the lyrics were about "basically saying don't put me in a box, don't pin me down, don't tell me what I can and can't say. It's about breaking out of the restraints." With the "Los Angeles Times" she further clarified that there was defensiveness in the lyrics for "Human Nature", as well as sarcasm and unapologetic. "Human Nature" received nine official remixes, with most of them converting the R&B music into house. The radio edit omitted the line ""I'm not your bitch/Don't hang your shit on me", which AllMusic's Jose F.

neg: Lana Lo wrote lyrics in English for the song titled "A Song For Me" 歌唱自己 produced by 张千一 Chinese lyrics written by Dr. Jasper Jiao. This was 张千一 first ever English song. In November 2010, she was invited by 张千一 to be a special guest in renowned China vocalist Tan Jing () concert in Tengchong, Yunnan province. "A Song For Me" drew much attention in China. Following a two-year absence in the Hong Kong showbiz, it was revealed that she had been writing lyrics, recording, and producing for the collaboration project in Beijing. Further releases of her album with her current management

neg: Chelcee Grimes Kesha, Mic Lowry (Decca UK), Stanaj (Republic) and Chris Lane (Big Loud Mountain Nashville US). Her first success came with "Million Miles", a song she co-wrote for Kylie Minogue with Danish producers Cutfather (Superstar) in just under an hour, inspired by being away from her family. She recalls: ‘I just sang ‘I feel like I’m a million, million, million, feel like I’m a million miles away ...’ And that was the hook. I could have chosen any subject, they just played me the track they’d built for her sound and asked for lyrics and a top line, but that was

neg: You and Me, Ghost one of the best Minnesota albums of 2011. The newspaper's Loren Green wrote that on the album, "...there's a strong '60s influence at play in the crisp melodies and doo-wop refrains" and that "The stronger pop element gives extra bounce that contrasts with the deeper lyrics to form a complete package of joy and exploration." KCMP wrote of the album that "With a flair for '50s pop melodies, Sleeping in The Aviary keep their tunes short, sweet, filled with the catchiest hooks and even a shoo-be-do or two." You and Me, Ghost You and Me, Ghost is the fourth and

neg: Make Me Like You that really works". Carolyn Menyes of "Music Times" said that of the two songs which "capture ... the earliest stage[s] of a relationship" (the other was "Send Me a Picture"), "Make Me Like You" was "more exciting". Ryan Middleton, also from "Music Times", wrote that its "solid production" gave him a "temporary earworm". "Exclaim!"s Gregory Adams praised Stefani's "signature pipes" in the chorus, and Amanda Dykan of AltWire wrote that the singer had never really been away. Although Adam R. Holz of "Plugged In" appreciated the song's "honest lyrics", Lindsay Zoladz of Vulture found them "irrepressibly" and "convincingly teenage". In

neg: Caress Me Down not Bradley, nor do I feel comfortable changing it cause that’s a song he wrote." Caress Me Down "Caress Me Down" is a song by Sublime from their album "Sublime". It was never released as a single, but still receives substantial airplay on KROQ and other stations. The bass line of "Caress Me Down" features the famous Sleng Teng riddim from Wayne Smith's 1985 song "Under Me Sleng Teng" and lyrics and melody are primarily from the 1980s 12" single "Caress Me Down" by Clement Irie. The lyrics to the song are in Spanglish (a mixture of Spanish and English)

neg: Jar of Hearts the ballad revolves around an ex of Perri's, who sings personal lyrics. In a blog by the artist, Perri described that the song came from true experiences, stating "I wrote the song after I went home to Philadelphia for the holiday last December. I sat in my childhood bedroom and hid from the boy (with the jar of hearts) who wanted to see me. My heart wanted to see him, my head knew better. I couldn't take one more break so I wrote the song instead." According to the sheet music published at Musicnotes.com by Hal Leonard Corporation, "Jar of