query: who sings the song let 's hear it for the boy

pos: Let's Hear It for the Boy Let's Hear It for the Boy "Let's Hear It for the Boy" was the second number-one song for Deniece Williams and appeared on the soundtrack to the feature film "Footloose". It climbed to number one on the U.S. "Billboard" Hot 100 on May 26, 1984, as well as number one on the dance and R&B charts, and peaked at number two on the UK Singles Chart. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US, gold in Canada and silver in the UK by the RIAA, Music Canada and the British

pos: Let's Hear It for the Boy as the young boy who is the first person to appear in the video. Let's Hear It for the Boy "Let's Hear It for the Boy" was the second number-one song for Deniece Williams and appeared on the soundtrack to the feature film "Footloose". It climbed to number one on the U.S. "Billboard" Hot 100 on May 26, 1984, as well as number one on the dance and R&B charts, and peaked at number two on the UK Singles Chart. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US, gold in

pos: Let's Hear It for the Boy Let's Hear It for the Boy "Let's Hear It for the Boy" was the second number-one song for Deniece Williams and appeared on the soundtrack to the feature film "Footloose". It climbed to number one on the U.S. "Billboard" Hot 100 on May 26, 1984, as well as number one on the dance and R&B charts, and peaked at number two on the UK Singles Chart. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US, gold in Canada and silver in the UK by the RIAA, Music Canada and the British

pos: Let's Hear It for the Boy (album) Let's Hear It for the Boy (album) Let's Hear It for the Boy is an album by American recording artist Deniece Williams released in 1984 for Columbia and CBS Records. The album reached number 10 on the "Billboard" pop chart and number 26 on the R&B Albums. It was produced by American multi-instrumentalist George Duke who also actively participated on the record. The album features urban hits "Black Butterfly", "Next Love" and the international hit "Let's Hear It for the Boy" which was featured on the musical-drama "Footloose" and its soundtrack album. Deniece Williams produced six tracks of the album,

pos: Let's Go to the Mall Erin Strecker and Margaret Lyons of "Entertainment Weekly" described the track as "carefree" and "blissful[ly] innocent", and CBC.ca called it "campy". "Spin" and Mark Graham of VH1 both compared "Let's Go to the Mall" to the bubblegum pop tracks of Debbie Gibson and Tiffany. Meanwhile, the song reminded Miss Alli of "Television Without Pity" of Deniece Williams' "Let's Hear It for the Boy", and "Boston Herald"s Mark Perigard felt it was "Canada's answer to Debbie Boone". In "Let's Go to the Mall", Robin invites people to come to the shopping mall and have fun. She giggles girlishly throughout the song,

neg: Dangerous Woman Christopher Weingarten as a Chicago soul-influenced song, it opens with strings that drop off in the first verse, where Grande sings among clips and R&B beats: "I used to let some people tell me how to live and what to be/But if I can't be me, the fuck's the point?" "NME"'s Larry Bartlet noted the song is "genuinely satisfying to hear her put that sentiment on record so resoundingly". In "Bad Decisions", Grande sings, "I've been doing stupid things, wilder than I've ever been," with Mikael Wood of "Los Angeles Times" noting that "a tune whose message initially appears clear:

neg: Naughty Girl (Beyoncé song) for a one-night stand. This "lustful sexual confidence" is further demonstrated in the lyrics of the first verse: "I'm feeling sexy / Wa[nt to] hear you say my name, boy/ If you can reach me, you can feel my burning flame / Feeling kind of N A S T Y / I might just take you home with me" and the chorus lines: " Tonight I'll be your naughty girl / I'm callin' all my girls / We're gonna turn this party out / I know you want my body." Throughout the song, Beyoncé sings the lines "I'd love to

neg: Connie Francis Sings Folk Song Favorites recording "Let the rest of the world go by" (which would remain unreleased until 1996) and "Someone Else's Boy". The latter was released as a single in the U. S. A. and failed to make the charts. But the international impact of the song was enormous. Francis recorded it in seven other languages, and with the exception of the Dutch version - which remained unreleased until 1988 - all foreign-language versions reached at least the Top Twenty in their respective countries, the German version even topping the Munich charts for several weeks, giving Francis her biggest German hit to date.

neg: You Know My Name aggressive than any other Bond theme has been, maybe since Paul McCartney ['s 'Live and Let Die']". Cornell stated that the biggest two influences on "You Know My Name" were Tom Jones, who performed the theme for "Thunderball", and Paul McCartney, who composed and performed the theme for "Live and Let Die". "I decided that I was going to sing it like Tom Jones, in that crooning style. I wanted people to hear my voice," Cornell said. "And 'Live and Let Die' is a fantastic song. Paul McCartney wouldn't have written it if not for that movie. I [also] wanted

neg: Two Eleven the chorus, Norwood sings "You know how I get when you let me go", and later in the song she makes reference to Twitter and her mother. The song interpolates "Tonight" by Swedish pop singer Lykke Li. Deluxe edition bonus track "Can You Hear Me Now?”, producer Danja's sole contribution on "Two Eleven", works up an extended musical foreplay around a single mind-numbing groove. Built around an instrumental that was originally produced for Diddy – Dirty Money's 2010 album "Last Train to Paris", it was re-constructed by Love for Norwood. Danja used heavy vocoding during production of the song. Initially,

neg: Let Your Hair Down (The Temptations song) for her debut (and only) album, 1975's "The Bitch is Black". Let Your Hair Down (The Temptations song) "Let Your Hair Down" is a 1973 single by American vocal group The Temptations. Dennis Edwards sings lead on the song and the group is backed by Rose Royce on the track. The song originally appeared on the Temptations 1973 album, "1990". Released as a single in November of that year, it reached the number one spot on the R&B Singles Chart in February 1974 (their last R&B #1 with collaborator Norman Whitfield) but was less successful on the Pop Singles Chart,

neg: Connie Francis Sings "Never on Sunday" Owen Bradley's team of musicians(resulting in her first use of the Nashville Sound) had taken place in January 1961 when recording "Let the rest of the world go by" (which would remain unreleased until 1996) and "Someone Else's Boy". The latter was released as a single in the U. S. A. and failed to make the charts. But the international impact of the song was enormous. Francis recorded it in seven other languages, and with the exception of the Dutch version - which remained unreleased until 1988 - all foreign-language versions reached at least the Top Twenty in their respective

neg: Grandpa Elliott Grandpa Elliott Grandpa Elliott Small, born Elliot Small in 1944, also known as Uncle Remus, is a veteran street-musician in New Orleans, Louisiana, U.S.A. He plays the harmonica, sings, and is a street icon in New Orleans. Growing up in the Lafitte Housing Projects, Small developed a love of music as a young boy, in part to deal with the pains of an unhappy home life. Small's uncle was a professional musician who worked with Lloyd Washington of the Ink Spots, and often let his nephew come to the Dew Drop Inn to hear them play. One day when his

neg: Little Altar Boy P. Smith who recently changed the title to, "Little Holy Child", due to the situation in the Catholic Church as it pertains to priests and altar boys. Little Altar Boy "Little Altar Boy" is a song by the popular group the Carpenters. Its B-side was "Do You Hear What I Hear", a song released on the "An Old-Fashioned Christmas" album in 1984. This single was a promotional single for the album and did not receive any chart status. There was no music video shot for this song. The song is about a man who has done wrong and goes to

neg: Let's Hear It for the Boy Phonographic Industry respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl. In 2011, country singer Jana Kramer covered the song for the remake of "Footloose". In 2017 the song was covered by UK Hi-Nrg dance artist, Allan Jay in aid of The Retired Greyhound Trust and their Let's Hear It For The Boy campaign. There is an official music video of this song, featuring Williams along with several young men, one of them being the singer Aaron Lohr

neg: Let It Go (Alexandra Burke song) "Heartbreak on Hold"s official second single. "Let It Go" was made available to download via iTunes on 25 May 2012 in Ireland and the United Kingdom, as well as multiple other European countries. It was released as an extended play (EP) and consists of "Let It Go"; "Let It Go" (Bimbo Jones Remix); "Let It Go" (Rui da Silva Remix) and "Let It Go" (Digital Dog Remix); each version can be purchased individually or all together. Burke sings the lyric "We get caught up in the little things/ Lose ourselves along the way" "over feather-light club beats" according to Robert

neg: A.K.A. (album) pleads with a partner for everlasting affection. The album's first single and fourth track "I Luh Ya Papi" features French Montana and was named "an unashamed ode to sex," featuring "squeaky electronica and provocative rhetoric". The fifth track "Acting Like That" is a slow and hip-hop track, bounced in an urban groove, where Jennifer talks about a relationship on the rocks and warning of its demise. "Don't let the tables turn/ don't let the bridges burn/ been down for you don't get it confused/ boy you could lose your turn," she sings. The song features Australian rapper Iggy Azalea, which

neg: Blaine Anderson Friday Night (T.G.I.F.)"; "Perfect" and "Let It Snow! Let It Snow! Let It Snow!" with Kurt; "Control" and "Man in the Mirror" with Artie and others; and his first original song, the duet "Extraordinary Merry Christmas", with Rachel. In special tribute episode to Michael Jackson, "Michael", Blaine sings "Wanna Be Startin' Somethin'". Futterman wrote that Blaine's "slick showmanship" made him a "natural for lead vocals", and "TVLine"s Michael Slezak called it "the best use of Darren Criss' voice on Glee in quite some time" and gave it an "A−". "Entertainment Weekly" Joseph Brannigan Lynch also gave it an "A−", and

neg: Whisper You Love Me Boy of her abrupt exit from Motown in 1965, her version of the single was shelved for release. The song is featured on Wells' final Motown studio album released in 1966, "Mary Wells Sings My Guy" (catalogue # MT 617/S 617). In 1965 The Supremes recorded it for their popular album, "More Hits by The Supremes" (catalogue # MT 627/S 627). The song was also placed on the b-side of their number-one hit, "Back In My Arms Again" (catalogue # M-1075). In 1967, Chris Clark recorded the song for her Motown album "Soul Sounds" (catalogue # M 664/S 664) and in

neg: Right Here Right Now (Jordin Sparks album) for those people. Sparks sings "Baby, on the low / You stay on my page cause I guess I’m your favorite / But you won’t let it show, no way / If you like what you see then you gotta let me know / Bet you won’t double tap that hoe / Bet you won’t double tap that hoe". The next song, "Boyz In The Hood" keeps the upbeat energy of the album going with its piano-led snapping production. The "infectious" jam sees Sparks take on her ideal version of the perfect bad boy, describing all different types of guys

neg: Papa, Can You Hear Me? singing the song while Nelson is staying with the family, as an ode to Nelson's missing father. In an episode of the show "Will & Grace", Jack sings the song on separate occasions, as does Will in an earlier episode while visiting a therapist. In the "Grilled Cheesus" episode of "Glee", Rachel sings this song for Burt Hummel (who is in a coma as the song is being sung) and his son Kurt Hummel. Rachel sings the song outside as Yentl does in the movie, and later beside Burt's hospital bed, with Mercedes, Finn, Quinn and Finn's mother Carol with

neg: Little Altar Boy Little Altar Boy "Little Altar Boy" is a song by the popular group the Carpenters. Its B-side was "Do You Hear What I Hear", a song released on the "An Old-Fashioned Christmas" album in 1984. This single was a promotional single for the album and did not receive any chart status. There was no music video shot for this song. The song is about a man who has done wrong and goes to church for the purpose of asking the altar boy, to pray for him for his past sins and to ask for forgiveness by wanting to become holy

neg: Bell Boy (song) Bell Boy (song) "Bell Boy" is a song recorded by The Who for the 1973 album "Quadrophenia" and 1979 movie of the same name. It was never released as a single. Besides the main lead vocals by lead singer Roger Daltrey, the song features vocals by drummer Keith Moon (most of whose relatively few vocals for the band dated from the '60s). Moon mostly talks (or sings) his lines in a cartoonish voice with an exaggerated Cockney accent; however the bridge and the last line are sung in his natural voice. The shouts of "Bell Boy" are the lines of

neg: I Won't Let You Down (Ph.D. song) sings to twin ladies seated next to him with Tony Hymas in the foreground on the synthesizers. In 1999 Australian singer Kate Ceberano recorded a version, which was released in July 1999 as the first single for her first compilation album, "True Romantic". She performed the song on "Hey Hey It's Saturday". Other notable artists who have recorded "I Won't Let You Down": Armand Van Helden's 2016 track "Wings" heavily samples "I Won't Let You Down". I Won't Let You Down (Ph.D. song) "I Won't Let You Down" is a 1982 single by British band Ph.D. It entered the UK

neg: American Boy (Eddie Rabbitt song) 1997 album "Beatin' the Odds" In the song, Rabbitt expresses his desire to "live in a place where they name their kids Billy", "hear [his] man Willie" on the radio, cheer at Football games on Friday Night, and "go where [he] want[s] to." He states that he is a free man at this place. He then goes on to explain that he is an "American Boy" who drives a Chevy, whose "older brother is a G.I. Joe, whose "little brother watched Saturday morning cartoons" and who goes to the beach to look at "pretty women." During the song, Rabbitt states:

neg: Let Me Hear You Whisper (song) be one of the first a visitor to the islands will hear. A version was recorded by Jo Stafford And David Hughes and backed with the Paul Weston Orchestra. Along with five other Samoan and Polynesian songs, it was included in the film "Mr. Roberts". Let Me Hear You Whisper (song) Let me Hear You Whisper is a popular Samoan song that has been covered by a multitude of artists that include Jo Stafford, Nephi Hannemann, the Samoan Surf Riders, Fatu, and many others. The song is a staple in Samoan music and has great popularity in the Pacific. The

neg: My Man (Tamar Braxton song) most personal work due to its content and described it as a "personal anthem where people can relate if you've been cheated on before", and that she wanted to be a voice for those who have been hurt. The singer discusses the "heartache of deception" through the lyrics: "I am so confused / I stood right by your side / Through everything that you went through / Why is she around, why are you so cruel" and "Boy, you let me down". The chorus includes the lines: "I don't want to hear no bullshit stories about my man, I just

neg: Mami (album) described it as an experimental "progressive, adventure song" musically inspired by "The Lion King". Dominican singer Jenn Morel features on the tropical song "Whine It Up". Stan sings in a higher octave, while Morel provides an "afrobeat rap". The next track, "Thinking About You", opens up with "90's bubblegum pop/club/house beats", which Currinn found reminiscent of Australian singer Kylie Minogue's older material. Closing the album, "Round & Round" features multiple instruments in its backing track. "Boy Oh Boy", featured solely on the Italian and Japanese versions of "Mami", is a 1990s–influenced electropop song with dancehall and reggae elements. It lyrically

neg: Songs of Pain plays organ. The opening track, "Grievances", introduces themes that reoccur throughout Johnston's career. He sings about his unrequited love to "the librarian", which refers to a girl named Laurie Allen who has functioned as a muse in many of Johnston's songs. This has been described as the quintessential Daniel Johnston song, including by Johnston himself. Not only the lyrical but also the musical theme of the song has been alluded to in later works. The word "grievances" has also been reused in other song titles, like on "More Songs of Pain"s "Mabel's Grievances" and "Yip/Jump Music"s "Don't Let the Sun

neg: Big Boy (song) throughout the Gary and South Chicago area before moving to California in 1969. The Jackson family gathered around a radio to hear the song broadcast for the first time. Michael Jackson — who was 9 years old at the time — said of the experience, "[the family] all laughed and hugged one another. We felt we had arrived." The single "Big Boy" did not appear on any of "Billboard"'s music charts but sold in excess of 10,000 copies. The Jackson Five would release a second and final single through Steeltown Records — "We Don't Have To Be Over 21 (to

neg: Let the Music Play (song) it is Tunnell who sings the "Let the music play" hook. "Let the Music Play" is a freestyle dance song with synthesizer and drum machine-produced rim shot percussion sounds and kick-drum/snare-drum interaction. Critic and journalist Peter Shapiro described the song as a "cross between Gary Numan and Tito Puente." The song has a tempo of 116 beats per minute. The music video for the release was directed by British director Nigel Dick and premiered in November 1983. The video shows Shannon in a dressing room applying make-up as if she is getting ready for a performance. She then makes her

neg: Let Me Hear You Whisper (song) Let Me Hear You Whisper (song) Let me Hear You Whisper is a popular Samoan song that has been covered by a multitude of artists that include Jo Stafford, Nephi Hannemann, the Samoan Surf Riders, Fatu, and many others. The song is a staple in Samoan music and has great popularity in the Pacific. The title in Samoan is "Tele i’a o le sami". The song was composed by Napoleon A. Tuiteleleapaga, Ray Evans, and Jay Livingston. In Samoan the song's title is "Tele I`a O le Sami". The song is so well known in Samoa that it would probably

neg: Donna Diana her, if she really believed, that his entreaties were real? Furious at being so easily duped she bids him leave her, and when alone resolves to have revenge. She calls Perrin to fetch her cousins, and charges him to let Cesar know that he can hear her sing in the gardens. Adorned with beautiful garments and surrounded by her attendants, she plays and sings sweetly as soon as she hears Don Cesar's steps. But he wanders in the grounds, admiring the plants, to all appearance deaf to beauty and song. Impatiently Diana signals to Floretta to let Cesar know, that

neg: The Box (King Missile song) The Box (King Missile song) "The Box" is a song by avant-garde band King Missile. It appears on the band's 1988 album "They." In "The Box," frontman John S. Hall sings a story in which a male subject is placed in a box, given various toys to play with, instructed to be creative, and told that he will be let out of the box if he follows his instructions. Although the subject performs his assigned tasks "incredibly well," his captors do not let him out of the box. As the music crescendoes, Hall repeatedly screams, "They lie!" The lyrics may

neg: Let It Rain (David Nail song) in the chart's history. Let It Rain (David Nail song) "Let It Rain" is a song co-written and recorded by American country music singer David Nail. Sarah Buxton sings backing vocals on the song. It was released in February 2011 as the first single from his album "The Sound of a Million Dreams", which was released in November 2011. It is his third Top 20, second Top 10 and first Top 5 hit on Hot Country Songs. On the chart week of January 21, 2012, it became both Nail's and Buxton's first Number One hit. Co-writer Jonathan Singleton, who also

neg: Let It Rain (David Nail song) Let It Rain (David Nail song) "Let It Rain" is a song co-written and recorded by American country music singer David Nail. Sarah Buxton sings backing vocals on the song. It was released in February 2011 as the first single from his album "The Sound of a Million Dreams", which was released in November 2011. It is his third Top 20, second Top 10 and first Top 5 hit on Hot Country Songs. On the chart week of January 21, 2012, it became both Nail's and Buxton's first Number One hit. Co-writer Jonathan Singleton, who also co-wrote Nail's 2009 single

neg: Part II (On the Run) aside his usual brittle tones to hint at the keyboard confections of 1980's Lionel Richie and Don Henley. Lyrically, the song speaks about a rebellious couple that is desperately in love. The song opens with an airy prelude during which Beyoncé sings the lines, "Who wants that perfect love story anyway anyway / Cliché cliché cliché. Who wants that hero love that saves the day anyway, cliché cliché cliché" in dreamy lead vocals along with breathy harmonies. Jay-Z and Beyoncé further trade verses about fugitives finding romance, with Beyoncé singing, "I hear sirens while we make love" and slowly exhaling

neg: Joseph S. Pulver Sr. strange entity that grins and chitters and babbles in alien tongues (which eventually come to sound like your own voice)." "Let us posit that Bukowski is the sun. Or Brautigan, Burroughs and the Beats—a solar Coney Island of the Mind where Timothy Leary's dead and dead Cthulhu waits and sings the live long daydream believer. Then Joe Pulver's Portraits of Ruin would be the burst of planets, Big Bang-Bang, Marquee Moons hanging on for what they got, scream of consciousness—in Outer Space no one can hear it . . . except Coffin Joe, Monster Mash Potato that big ol' Portraits

neg: Let There Be Rock the glory of rock, canonized here in hymn-like worship. The near-epic title track to what is widely regarded as the best Bon Scott-era album, the song is a holy testimony, bringing good news to all those who believe in the healing power of rock & roll - amen! Oh yeah, it also kicks unholy ass!" David Fricke of "Rolling Stone" wrote of the album in a 2008 cover story, "AC/DC's early albums were perfectly frenetic, but inconsistent. Their second U.S. LP was almost all killer. Scott sings 'Bad Boy Boogie' and 'Problem Child' like he's the "enfant terrible"...Angus' solos are

neg: Drunk on Love (Rihanna song) three minutes and 32 seconds. Instrumentation consists of "a storm of drums" and "clattering synths." Katherine St. Asaph for Popdust described the song's percussion as "huge." The song samples the melody of The xx's song "Intro", which was included on their debut album "xx". Robert Copsey for Digital Spy noted that Rihanna describes herself as someone who wants to be loved in the lyric "I just wanna be in love" as she sings about being a "hopeless romantic". He also described the lyric "I wear my heart on my sleeve/ Always let love take the lead" as "Talk That Talk"s

neg: Vicky Moscholiou Kostas Papadopoulos said to me, ""The girl sings out of tune..."" "Let me hear her as well," I said. "She sang two songs—I forget which—and I realised that her voice was different..." Thanks to Bithikotsis Vicky was hired to perform at the "Triana". However this was only a small start. Vicky was given a song to sing occasionally, and acknowledges that she learnt much from Bithikotsis and Doukissa with whom she worked. She rose to fame in 1964 with Stavros Xarhakos' song "Hathike to feggari" (The Moon is Lost), which was composed for the movie "Lola". According to Bithikotsis, the

neg: Christmas Through Your Eyes in Europe. The Spanish-language song called "Arbolito de Navidad" is also included. Estefan, who had found worldwide success singing pop and dance songs, was accompanied by a big band on the song "Let It Snow! Let It Snow! Let It Snow!" and sings a jazz-inspired rendition of "This Christmas". Music videos were filmed and released for the songs "This Christmas" and "Silent Night", which are included on the video collection "Everlasting Gloria!". Technologically, the album production was used as a testing ground for what would be the digital long-distance audio technology used in the production of the Frank Sinatra album

neg: Magical: Disney's New Nighttime Spectacular of Magical Celebrations theme. Eden Espinosa sings a rendition of "The Second Star to the Right," from the Disney film "Peter Pan". As the song "When You Wish Upon a Star" (from Disney's 1940 film "Pinocchio") is played, Geppetto is heard making a wish on a star for Pinocchio to become a real boy. The Blue Fairy is heard saying, "Little puppet made of pine, wake. The gift of life is thine." We now hear the song "Hi-Diddle-Dee-Dee" with an array of multicolored comets shooting up from behind the castle. Excerpts from the songs "Give a Little Whistle" and "I've Got No Strings"

neg: Let It Go (Tim McGraw song) album and saying that it "offer[s] a message of threadbare hope in the face of adversity. In the grain of his voice, you can hear the determination to talk and walk from the place of redemption rather than the terrain of suffering. He's singing to convince himself as much as he is the listener." Before the release of "Let It Go", McGraw had reportedly announced in concert that he was planning to release a new album late in 2008. However, Curb Records decided to delay the album's release, and instead released "Let It Go" as the sixth single from "Let

neg: Poodle Hat permission to shoot it. Yankovic told the "Chicago Sun-Times" in 2003: We were already in pre-production. We believed that it was just a formality, that Eminem just wanted to hear the final mix of the song... And then we got a phone call saying he was not going to give permission for a video. We were devastated [...] I certainly don't have any bad feelings toward Eminem. He was gracious enough to let us use the song on the album—and we use "The Real Slim Shady" in the "Angry White Boy Polka" medley, too. But this is the first album

neg: Blá Blá Blá (song) na na na na", and Fantine "screams", "And everyone wants to talk". In the chorus, the girls sing, "Lenga lenga, Blá! Blá! Blá !, speak, talk, nonstop, lero-lero !, blah! Blah !, I do not want to hear." Karin once again sings in the second part, talking about "nosy people" that appeared, just to get in their way. Fantine, in turn, says, "I'm right, I'm wrong, let time show me, but no one's going to tell me what I should do." After the chorus, Aline does a rap (as she did in the song "Vem Cair na Zueira",) this time

neg: Sweet Nightingale ‘Pray let me alone, I have hands of my own; Along with you I will not go, To hear the fond tale Of the sweet nightingale, As she sings in those valleys below; For I am afraid To walk in the shade, To walk in those valleys below, To walk in those valleys below.’ ‘Pray sit yourself down With me on the ground, On this bank where sweet primroses grow; You shall hear the fond tale Of the sweet nightingale, As she sings in those valleys below; So be not afraid To walk in the shade, Nor yet in those

neg: End of Time (song) be your friend / I will love you so deeply / I will be the one to kiss you at night / I will love you till the end of time." She continues her appeal as she sings to her love interest, "Take you away from here / There's nothing between us but space and time". On the bridge, Knowles belts her vocal lines over a shooting horn sequence; with her multiple-layered vocals, she commands, "Boy come to me", and towards the end, she repeatedly sings, "Say you’ll never let me go". Knowles "finds the strength in two" as she

neg: Ivan Krylov one boy, rather than picking chestnuts from the fire, supports another on his shoulders as he picks the nuts and receives only the rinds in return. Fables of older date are equally laid under contribution by Krylov. The Hawk and the Nightingale is transposed into a satire on censorship in "The Cat and the Nightingale" The nightingale is captured by a cat so that it can hear its famous song, but the bird is too terrified to sing. In one of the mediaeval versions of the original story, the bird sings to save its nestlings but is too anxious to

neg: Judith (oratorio) Ozias sing the duet, "On thy borders, O Jordan." Final scene Judith gives the speech, "Here, O ye sons of Jacob, let us rest!" and the chorus of Israelites sings, "Hear, Angels hear! Celestial Choirs." Revised final scene (1764 edition) Judith's speech is set to music, replacing the final chorus. (Arne and Bickerstaff were not pleased with "Hear, Angels hear! Celestial Choirs," so they dropped it completely) In some performances, the parts of Ozias and Holofernes were sung an octave higher by the castrato, Giusto Fernando Tenducci. The Instrumentation in Judith consists of two flutes, two french horns, two oboes,

neg: The Box (King Missile song) be an allegory for the way some children are cheated by the American educational system. The video for "The Box" was directed for $100 by Wincester Chimes. The Box (King Missile song) "The Box" is a song by avant-garde band King Missile. It appears on the band's 1988 album "They." In "The Box," frontman John S. Hall sings a story in which a male subject is placed in a box, given various toys to play with, instructed to be creative, and told that he will be let out of the box if he follows his instructions. Although the subject performs

neg: Wet the Bed begins with keys laced over a beat of dripping sound effects. It also makes use of acoustic guitar. According to Brad Wete from "Entertainment Weekly", the song "rival[s] the bump-'n'-grind heights of '90s Casanova crew Jodeci." Ludacris opens the song proclaiming: "Hear the sound of your body drip, drip, drip / As I kiss both sexy lip, lip, lips." Using "blatant sexual metaphors", Brown then sings: "I ain't afraid to drown, if that means I deep up in your ocean yeah / Girl I'll drink you down, sipping on your body all night." Brown and Ludacris performed the song live

neg: Let a Boy Cry men would not be ridiculed for their sensitivity, women could be freer. The music video for "Let a Boy Cry" was directed by director Philippe Antonello, Luca Bigazzi and Gala. It was shot in Venice in San Mark’s square during the Carnival. The video is in black-and-white. In a 2014 interview with DNA Magazine, Gala said about the video: Let a Boy Cry "Let a Boy Cry" is a song written and recorded by the Brooklyn-based Italian singer-songwriter Gala. It was released in January 1997 as the second single from her first album, "Come into My Life". The song reached

neg: Rather Die Young to American actor James Dean, "You're my James Dean / you make me feel like I'm seventeen". She also relates about how good girls often fall for bad boys; she affirms that "bad boy" she loves, "drive[s] too fast" and "smoke[s] too much". During the chorus, Beyoncé projects the image of a woman, who wants to love and be loved regardless of what others may say, "I'd rather die young / Than live my life without you / Rather not live at all". As the song progresses, Beyoncé references "some deeper emotional fires burning" as she sings, "Nobody understands what

neg: Drama Queen (Ivy Queen album) Queen sings: "Pure love does not fight, it does not hurt you, love that is pure does not cause you to fall", and described the song as "an honest statement of what love is". "I Do" is a minor-key, mid-tempo pop and R&B power ballad built on a handclapped rhythm and piano. Lyrically, the song is a message to men and women; Queen sings: "My ladies, if you know better, if he loves you, let him come back. My fellas, if you love her, don't let nothing hold you back, run out and look for her". Queen recorded the song

neg: Hello (Kelly Clarkson song) a nice touch" and added that the song "is gonna be a killer in concert." "Seattle Post-Intelligencer"s Jason Scott described "Hello" as a "Fun" and "cool" track. He compared it to tracks recorded on "All I Ever Wanted" (2009) and noted that the track relies "solely on the "O" vowel to tell a story. "Ignorance isn't wise, but it beats being alone," Clarkson sings before asking if anybody is listening. We hear you loud and clear!" Brian Mansfield of "USA Today" considered "Hello" as a vocal highlight of "Stronger", he wrote in his review: "this rock tune sounds happier than

neg: Jesse (Carly Simon song) Jesse (Carly Simon song) "Jesse" is a song written and performed by Carly Simon and produced by Mike Mainieri. The song was the lead single from Simon's ninth studio album, "Come Upstairs". The song is told in first-person about the narrator's disdain for her former lover, Jesse, who has just moved back to town. She vows to have nothing to do with him, "Don't let him near me, don't let him touch me, don't let him please me," she sings. She asks her friends to remind her of how he has wronged her, because she fears she'll end up letting

neg: Let a Boy Cry Let a Boy Cry "Let a Boy Cry" is a song written and recorded by the Brooklyn-based Italian singer-songwriter Gala. It was released in January 1997 as the second single from her first album, "Come into My Life". The song reached number one in Belgium, France, Israel and Italy. "Let A Boy Cry" achieved success in Europe, South America, Russia and Middle East and received a platinum record in France and Benelux. The song was written and composed by Gala, and produced by Filippo Andrea Carmeni and Maurizio Molella. According to Gala, it talks about how in a society where

neg: Exi(s)t of the background to their music writing: "This song was written to speak to a lot of people in my life and I hope that other people can use it the same way and connect with us... we aren't writing music as a gimmick. We write music to express our struggles and triumphs to try and let people know that they are not alone. We couldn't be more excited for everyone to hear the new song. Hopefully everyone enjoys the new album." The album was leaked a few days prior to its actual release date. "Exi(s)t" debuted at #179 on

neg: SexyBack become the most worn-out phrase of 2006. It just sounded like a nice opening to the song." Adam Graham of "The Detroit News" noted that Timberlake sings about whips and chains, while Bill Lamb of About.com said the song has a "bit of s&m tease about shackles and whips". Furthermore, "The Georgia Straight"<nowiki>'</nowiki>s Martin Turenne said that Timberlake is "shackled to the bedpost, invites the crack of his mistress's whip." Ben Williams of "New York" magazine wrote that Timberlake had been working on his pickup lines, with "You see these shackles baby I'm your slave / I'll let you whip

neg: Hear Me Lord Hear Me Lord "Hear Me Lord" is a song by English rock musician George Harrison from his 1970 triple album "All Things Must Pass". It was the last track on side four of the original LP format and is generally viewed as the closing song on the album, disc three being the largely instrumental "Apple Jam". Harrison wrote "Hear Me Lord" in January 1969 while still a member of the Beatles. The band rehearsed it briefly at Twickenham Film Studios that month, but it was passed over for inclusion on what became their final album, "Let It Be". The song

neg: Hail! Minnesota University of Minnesota Marching Band sings the song at the end of every practice and performance, so Golden Gopher football fans who stay for the band's post-game performance can hear the song. On "Senior Day" (final hockey home game of the season) the Gopher Hockey Pep Band serenades departing seniors after the game. Older generations of Minnesota children were taught the song in school, but this practice has waned. However, the song was promoted again as part of the state sesquicentennial celebration in 2008, with the Mahtomedi High School Chamber Singers making an official recording of it in 2006 for

neg: Baby Don't Lie a hip hop-inflected breakdown, in which Stefani raps, "You can tell me what you're hidin' boy/And you can tell me if I'm gettin' warm". Lyrically, the song discusses insecurities in a relationship, where Stefani questions her man's love. Nolan Feeney of "Time" complimented that the song is "about falling in love with someone who's got a few skeletons in their closet." As noted by "Spin"'s Brennan Carley, "Stefani sounds shattered as she sings, "But there's something behind those eyes / Those eyes / That you can't that you can't disguise / Disguise." In the "stomping, infuriatingly catchy" chorus she sings,

neg: Teddy Boy (song) Teddy Boy (song) "Teddy Boy" is a song by Paul McCartney and was first released on his first solo album "McCartney", released in April 1970 after the Beatles disbanded. It was written by McCartney during the Beatles' stay in India, and originally recorded during the 1969 sessions for what would become The Beatles' "Let It Be" album. Several versions exist, all of which are acoustic, some of them including electric guitar by George Harrison or improvised harmony vocals by McCartney and John Lennon. According to Paul McCartney in the documentary "Wingspan", he wrote this song for the Beatles' "Let It

neg: On the 6 won't take you cheatin' on me/ Tell me who can I trust if I can't trust in you/ And I refuse to let you play me for a fool". "Let's Get Loud" is a "fiery, soulful" salsa dance song originally written for Gloria Estefan, who gave it to Lopez (who, she felt, would have more fun with it). Lopez asserts her Latin heritage in the song, which opens with the "sassy" declaration ""Ya Jen llego, presente!"" ("Jen has arrived!"). "Feelin' So Good", a mid-tempo hip-hop song featuring Big Pun and Fat Joe, samples Strafe's "Set It Off". Lopez sings about

neg: Let Me Love You (Tamara Todevska, Vrčak and Adrijan Gaxha song) Skopje Fest with the song, "Kaži Koj Si Ti", losing to Karolina Gočeva, who went on to represent Republic of Macedonia at the Eurovision Song Contest 2007. Adrian Gaxha was a runner-up in the 2006 Macedonian Eurovision qualifier, having performed the song "Ljubov E" with Esma Redžepova. Vrčak, Tamara and Adrian have also taken some promotional photos of their Macedonian entry for the Eurovision Song Contest. "Vo ime na ljubovta" is an R&B-style song with several hip hop verses. Tamara sings about the person she loves, explaining that "without you every second is killing me slowly". She sings that "I

neg: Papa Can You Hear Me? Papa Can You Hear Me? "Papa Can You Hear Me?" is a song by British hip hop trio, N-Dubz. The song is dedicated to the group's former manager Byron Contostavlos, who died shortly before the band were signed to new label All Around the World. The song later became their second top 40 hit. David Balls, writing for Digital Spy, wrote the following review: "N-Dubz seem proud to be a band who sell as many ringtones as they do actual tracks. 'Remember that boy driving you mad every morning on the No.42? He's listening to our music,' they proclaim on

neg: 21st Century (Digital Boy) with napalm fire" The line ""everything I want I really need"" that follows is a play on "21st Century Schizoid Man"'s ""nothing he's got he really needs."" The principal difference between the two versions is after that line. On original Against the Grain, as the song fades out, Graffin sings the title of the song four more times with a different word instead of "digital" (including ""21st Century Schizoid Boy"" in reference to King Crimson's song) backed with another guitar solo. Stranger Than Fiction version ends with one final "Ain't life a mystery?" line. Excerpt from a 2010 interview with

neg: Let It Go (Heo Young-saeng EP) if you settle for stereotypes (in music genre)" — Heo Young-saeng On May 12, 2011, one week after the music video teaser release, Heo Young-saeng officially released his debut solo mini album, "Let It Go". A 3-minute, 47-second music video of his dance song "Let It Go" was uploaded on YouTube the same day. Heo personally chose the mid-tempo dance song "Let It Go" as the title track for his debut album. As the main vocalist of SS501, he mostly sings ballads, and wanted to challenge himself and try new genres. The title track features Hyuna's rap, but new artist

neg: Lonely Boy (Andrew Gold song) Lonely Boy (Andrew Gold song) "Lonely Boy" is an international hit song from 1977, written and recorded by Andrew Gold in 1976 for his album "What's Wrong with This Picture?" It spent five months on the American charts, peaking at number seven in both Canada and the United States, and number 11 in the United Kingdom. While "Lonely Boy" would be Gold's biggest U.S. hit, his "Never Let Her Slip Away" achieved greater success in the U.K. The song follows the life of a child who feels neglected by his parents after the birth of a younger sister. Many assume

neg: The House I Live In (1945 film) a cigarette. He sees more than ten boys chasing a Jewish boy and intervenes, first with dialogue, then with a short speech. His main points are that we are "all" Americans and that one American's blood is as good as another's and that all our religions are to be respected equally. The song originally appeared in the musical revue, "Let Freedom Sing", which opened on Broadway on October 5, 1942. Brooks Atkinson wrote in "The New York Times": "Although Mordecai Bauman does not sing it particularly well, he sings it with earnest sincerity, without feeling that he must imitate youth

neg: Let Me Ride was used for the Up In Smoke Tour in 2000. Dr. Dre also produced the beat for the remix. Nate Dogg refers to "Let Me Ride" in Warren G's 1994 song "Regulate", in which he sings, "She said 'my car's broke down and you seem real nice, would ya let me ride?'" Rapper Fabolous, in his 2001 hit "Can't Deny It", had the lyric ""bitches be yellin "let me ride", like I'm Snoop, and Dr. Dre."" Rapper The Game similarly refers to "Let Me Ride" in his 2005 song "Put You on the Game", where he claims to be in

neg: Do You Hear What I Hear? the entire song at the time they wrote it because of the emotions surrounding the Cuban Missile Crisis. "Our little song broke us up. You must realize there was a threat of nuclear war at the time." "Do You Hear What I Hear?" was released shortly after Thanksgiving in 1962. The song was originally recorded for Mercury Records by the Harry Simeone Chorale, a group which had also popularized "The Little Drummer Boy"; and it was released as part of the album ""The Wonderful Songs Of Christmas With The Harry Simeone Chorale"". As a 45 rpm single, it went on

neg: The Tales of Hoffmann knowing it. Crespel tells Frantz, his servant, to stay with his daughter, and when Crespel leaves, Frantz sings a comical song about his own talents "" – "Day and night I quarter my mind." When Crespel leaves his house, Hoffmann takes advantage of the occasion to sneak in, and the lovers are reunited (love duet: "" – "It's a love song"). When Crespel returns, he receives a visit from Dr Miracle, the act's Nemesis, who forces Crespel to let him heal Antonia. Still in the house, Hoffmann listens to the conversation and learns that Antonia may die if she sings

neg: So Long, Frank Lloyd Wright sings lead on the majority of the song while Simon sings on the bridge. The lyrics of "So Long, Frank Lloyd Wright" have multiple meanings: on one level, the song praises the famous architect, who died in 1959. However, the lyrics also refer to the upcoming breakup of the Simon and Garfunkel duo. Art Garfunkel had studied to become an architect, so on this level the lyrics can be taken as a farewell from Paul Simon to his friend and partner Garfunkel like another song on "Bridge over Troubled Water", "The Only Living Boy in New York." While Garfunkel sings

neg: Dyesebel (2014 TV series) talks to her sea friends and reveals to them her secret. She sings to let them know that she has an unseemly voice. The other mermaids hear her singing and mock her voice. Dyesebel is very sad and she swims away to a place where she can be alone. She stays there and sings all by herself. After some years have passed, Dyesebel went swimming freely in the sea, now all grown up and very beautiful. Likewise, Fredo, Liro, and Betty have now grown into adults. Dyesebel decides to let go of her memories of Fredo. She goes to the

neg: Let Me Be There Let Me Be There "Let Me Be There" is a popular song written by John Rostill. It was first recorded by Olivia Newton-John in 1973 and included on her album of the same name. The country-influenced song was Newton-John's first Top 10 single in the U.S., peaking at No. 6, and also won her a Grammy Award for Best Female Country Vocalist. Mike Sammes sings a bass vocal harmony on the song. "Let Me Be There" was recorded live by Elvis Presley, and sung at many concerts until his death in 1977. Probably the most noted Elvis cover was recorded

neg: If You Love Me (Let Me Know) the country chart. If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to

neg: If You Love Me (Let Me Know) If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to number 83 on

neg: Say Yes (Michelle Williams song) an "upbeat swing" of West African gospel. Regarding the composition of the song, Williams stated, "It is a song that came from Africa more than a hundred years ago. I don't think anyone knows who wrote it or who started singing that chorus. When the song leaked last week, so many people from Africa and Nigeria were trying to let me know where it came from." Williams sings the lead vocals while Beyoncé and Rowland sing their respective solo verses and serve as background vocalists throughout the song. Eric Corpus from "The Christian Post" interpreted the song's lyrics as a

neg: Kurt Hummel religion and spirituality, Kurt sings The Beatles' "I Want to Hold Your Hand", dedicating the song to his father, who is in a coma in the hospital. Murphy stated that it would have been easy to have Kurt, an atheist, sing an anti-religion song, but instead chose to have him sing about love. Critics disagreed over the appropriateness of this song choice. Anthony Benigno of the "Daily News" said he "found it particularly jarring to hear Kurt singing 'I wanna be your man' about his father", but Jessica Derschowitz of "CBS News" and "MTV" Aly Semigran enjoyed that the performance

neg: Ghost Trio (play) by James Knowlson who suggests that "the man [is] perhaps about to die;" it may be that all he has been waiting on is the news that his beloved is not coming so he can let go. Perhaps this is what is intimated by the added smile. It has been noted too that, in the BBC version, the corridor surrounding the boy "resembles a coffin." Is the awaited one a departed lover, reluctant muse or death herself? Does the voice we hear belong to her? Presumably she is deceased. It has even been suggested that the boy is "the ghost

neg: Dirty Laundry (Kelly Rowland song) solo success following the disbandment of Destiny's Child. The lyrics include lines such as "When my sister on stage, killing it like a motherfucker, I was in a rage, feeling it like a motherfucker. Went our separate ways but I was happy she was killin' it. Bittersweet she was up, I was down. No lie, I feel good for her but what do I do now? Post-"Survivor", she on fire. Who wanna hear my bullshit". Later in the song, Rowland speaks about the abuse she suffered in a past abusive relationship. On "Dirty Laundry", Rowland sings "I was battered, he

neg: Grandma Harp who was born in Newton County, Arkansas, and lived for 90 years. The protagonist (who sings the song in first person) says that her life story can be told in only a few short lines, but reflects on how Grandma Harp (along with Grandpa, whom she married in 1901) was a rock that held the family together. Grandma Harp "Grandma Harp" is a song written and recorded by American country music artist Merle Haggard and The Strangers. It was released in March 1972 as the second single from the album "Let Me Tell You About a Song". "Grandma Harp" was

neg: Oh Boy (Cam'ron song) Oh Boy (Cam'ron song) "Oh Boy" is a Grammy-nominated hip hop single by Cam'ron from his album "Come Home with Me", and features Juelz Santana. "Boy" is an obscure slang term for heroin. The song samples "I'm Going Down" by Rose Royce. It held the number one spot on the Hot R&B/Hip-Hop Singles for five weeks straight. It also held the number one spot on the Hot Rap Tracks. It peaked at number four on the Billboard Hot 100. The song is produced by Just Blaze who originally made it for Memphis Bleek. The song ranked 89th on VH1's 100

neg: Let the Heartaches Begin Let the Heartaches Begin "Let the Heartaches Begin" is a song performed by British singer Long John Baldry. The single was a number one hit in the UK Singles Chart on 22 November 1967 where it stayed for two weeks. It was the second of two consecutive UK number one hits for the writing partnership of Tony Macaulay and John Macleod, the first being "Baby Now That I've Found You" by The Foundations. Macaulay says of the recording session "Long John Baldry sings it extraordinarily well, thanks to three-quarters of a bottle of Courvoisier". The song also charted in the

neg: With a Little Bit of Luck is traditionally sung in a deep Cockney accent. The song occurs twice at Act 1 in the musicals. Both "With a Little Bit of Luck" scenes are at the same tenement in Tottenham Court Road, London in 1912. Firstly, Alfred P. Doolittle sings along with bin men Harry and Jamie who are his drinking companions after the scene Eliza's "Wouldn't It Be Loverly?" and secondly ("reprise"), three days later, with new verses to hear of Eliza he sings along with all the common people there (ensemble) after Prof. Higgins' "I'm an Ordinary Man". However in the Holloway's film version in

neg: Connie Francis Sings Folk Song Favorites single B-sides. "Come On, Jerry (Timber)" was released as B-Side of "Whose Heart Are You Breaking Tonight", and "She'll Be Comin' 'Round the Mountain" was released as B-Side of "For Mama". Connie Francis Sings Folk Song Favorites Connie Francis sings Folk Song Favorites is a studio album of Folk Song recorded by U. S. Entertainer Connie Francis. The album was recorded on August 8 and 9, 1961, at Owen Bradley's studio Bradley Film & Recording in Nashville. Arrangements were provided by Cliff Parman who also conducted the sessions. Background vocals came from Millie Kirkham and The Jordanaires. Francis first collaboration

neg: Fire (Lacuna Coil song) Fire (Lacuna Coil song) "Fire" is a song from Lacuna Coil's sixth studio album "Dark Adrenaline". "Fire" was met with generally mixed reviews and was met with criticism due to its pop tones. "Rockstar Weekly" stated that "Fire" it's "more radio friendly than anything". Loud Wire said that "has a hip-shaking drum beat has a tinge of a dancy feel without losing its edginess. Scabbia sings the very appealing chorus “Let the fire enter / Let the anger start to brew / Let your instincts break the rules / Let it rise and consume / Give into yourself.” Its poetic

neg: Wild (2014 film) the boy, who asks her about her parents. After she mentions her mother's death, the boy sings "Red River Valley" to Strayed, saying it is a song his mother used to sing to him. After the boy and his grandmother carry on down the trail, Strayed breaks down and cries. On September 15, after hiking for 94 days, Strayed reaches the Bridge of the Gods on the Columbia River between Oregon and Washington, ending her journey. At various points along the trail, including at the end of the bridge, Strayed encounters a red fox, which she interprets as carrying the

neg: Never Had a Dream Come True Platinum in the United Kingdom in 2013 for sales of 600,000. The song is about the aftermath of a break-up. The protagonist says that even though she might date other people, she will always have love for her former boyfriend. Jo O'Meara sings the lead vocals for the song while the rest of the members are in supporting vocals. Jo also sings the song as a solo in S Club's feature-film "Seeing Double". This was S Club 7's only single to chart in the United States, where it peaked at number ten on the "Billboard" Hot 100 in May 2001.

neg: Angels Cry (song) crafting a masterpiece. I hope the world is ready to hear 'Angels Cry. It premiered simultaneously with the video for "Up Out My Face" with Minaj on Vevo on January 28, 2010. The video shows Carey and Ne-Yo collaborating on the song together in a recording studio. The video starts with Carey walking in the rain to meet Ne-Yo who is waiting for her in the studio. Clips of Carey singing in desperation in the rain are intercut with footage of her recording her vocals in the recording booth. For his scenes, Ne-Yo sings as he stands next to as

neg: Believe in the Dream revealed that she was recording an all-original studio album, stating "I only have two cover songs in there and the rest are originals. It's going to be sexy-soul which is like singing from the soul but when you hear it, there's a degree of sexiness to it. That's me 'eh. I'm really a singer that sings from the soul, "bonus na lang 'yung sexy na part" [the sexy part is just a bonus]." In her early years, Nina was an unsure aspiring artist who almost let go of her dreams. Due to this fact, she made certain to include an

neg: Omocestus viridulus that the males of this species can use their songs most efficiently based on how frequently they sing and how they time their songs, as it is important that the males minimize the overlap of their songs with the females' song so that they can find each other. If the female sings at the same time as the male, the male might not hear the female's song. The males try to minimize this overlap in songs because he must be able to hear the female’s song in order to locate her. Omocestus viridulus Omocestus viridulus is a grasshopper of the

neg: Thirsty (song) vocals, not even for a verse." Writing for Yahoo! Music, Bill Johnson, Jr. praised Carey for collaborating with Rich Homie Quan and for "working with rappers who are on the cusp of going mainstream." He explained that it is her "consistency and emphasis" on exposing up and coming rappers who are yet to release their own album that allows her to appeal to younger audiences, noting that they both benefit from the exposure. MTV writer Nadeska Alexis commented that it was "unexpected" to hear a song whereby Carey, Hit-Boy, and Rich Homie Quan featured on the same song, but continued

neg: Miss Hanafi of its time. Boy loves girl, boy chases girl, boy sings about girl’s beautiful eyes, and finally boy marries girl. But in "Miss Hanafi" the boy is the girl! And he/she chooses celibacy and scolds those who chose to marry." They also explained that while other films of the 50's might have had story lines where the men dressed as women, this one was "unusual in its progressive questioning around gender because it is very early, very funny, not particularly political, and it’s set in a working-class neighborhood." The Al-Hanager Arts Centre in Cairo celebrated the work of director Fettin

neg: If I Were a Boy a better connection because you can hear it and it's not all these other distractions. I really wanted people to hear my voice and hear what I had to say." After Jean's version of "If I Were a Boy" was rejected by her record company, she was upset that Beyoncé recorded and released the ballad. Roger Friedman of Fox News wrote that Jean was first informed that Beyoncé recorded the song by a stranger. "The Daily Telegraph" reported that Beyoncé's father and then-manager Mathew Knowles pursued the publishing rights of "If I Were a Boy" after realizing that it had

neg: One Step Closer (S Club Juniors song) One Step Closer (S Club Juniors song) "One Step Closer" is the debut single by British pop group S Club Juniors, written by Cathy Dennis and released as the first single from their album "Together". It was released on 22 April 2002 in the United Kingdom, where it peaked at number two on the UK Singles Chart, losing out to the number-one spot by a mere 1000 copies. Frankie Sandford sings the first verse. Calvin Goldspink sings the first part of the first and the third bridges. Jay Asforis sings the second part of the first and the third bridges

neg: Glamorous (Fergie song) Tal Herzberg, who has worked the Black Eyed Peas on previous studio recordings, performed additional engineering on the track with the use of Pro Tools. Tony Maserati was signed as the principal mix engineer while Ryan Kennedy assisted him at The Record Plant in Hollywood, California. The song was finally recorded at Tree Sound Studios in Atlanta, Georgia and The Record Plant in Hollywood, California by "Angry" Mike Eleopoulos. Since the song was released, the lyrics in the chorus have been a matter of dispute. It appears that Fergie sings the words "Flossy Flossy" or as some hear "Flowers Flowers",

neg: Love and Remember Love and Remember "Love and Remember" (), also translated as "Love and Memories", is a song performed by the South Korean boy band g.o.d. It was the promoted song from their second studio album "Chapter 2". The song begins with a trademark spoken narration by main rapper Danny Ahn dedicating the song to "anyone who has had to let go of someone they love". The lyrics are sung from the first-person perspective of one who has had to let go of a lover and is reminiscing about the happy memories they once shared. The song would garner the group's first

neg: Let Your Hair Down (The Temptations song) Let Your Hair Down (The Temptations song) "Let Your Hair Down" is a 1973 single by American vocal group The Temptations. Dennis Edwards sings lead on the song and the group is backed by Rose Royce on the track. The song originally appeared on the Temptations 1973 album, "1990". Released as a single in November of that year, it reached the number one spot on the R&B Singles Chart in February 1974 (their last R&B #1 with collaborator Norman Whitfield) but was less successful on the Pop Singles Chart, stalling at #27. Funk singer Yvonne Fair also recorded the song