query: who sings the song cuts like a knife

pos: Cuts Like a Knife from the album: "Straight from the Heart", "Cuts Like a Knife" and "This Time"; the three were responsible for launching Adams into mainstream popularity. A further two singles were released in specific territories. The album is regarded as one of Adams' finest albums. The album was named the #48 Greatest Canadian Album of All Time by Bob Mersereau in his book The Top 100 Canadian Albums. The recording for the album was between 13 August-20 October 1982. Mixing started on 14 October and ended on 20 October. "Straight from the Heart" was recorded at Little Mountain Sound, Vancouver, British Columbia,

pos: Cuts Like a Knife (song) Cuts Like a Knife (song) "Cuts Like a Knife" is a song by Canadian rock musician Bryan Adams. It was released in May 1983 as the second single from his third studio album "Cuts Like a Knife" (1983). It peaked at number 6 on the "Billboard" Top Rock Tracks chart and number 15 on the "Billboard" Hot 100. The song has appeared on all of Adams' compilation albums with the exception of "The Best of Me". In an interview in 1988 with Vancouver's "Georgia Straight" newspaper, Adams explained how Vallance and he came up with the title for the song:

pos: Cuts Like a Knife recognizable and popular songs from the 1980s. "Cuts Like a Knife" was released worldwide in March 1984. The song reached the top ten on the Mainstream Rock Tracks at six; "Cuts Like a Knife" would also chart on the "Billboard" Hot 100 at 15. "Cuts Like a Knife" was Adams' first top 20 hit on the Canadian singles chart and remained in the top 20 for six weeks. "Cuts Like a Knife" was released the following month in Europe but didn't chart. "Don't Leave Me Lonely" was co-written with Kiss drummer Eric Carr, intended to be included on the Kiss

pos: Cuts Like a Knife (song) from Allmusic said "More of an anthemic rocker than the previous power ballad hit, "Straight from the Heart," "Cuts Like a Knife" breaks absolutely no new ground lyrically or musically, but as with his previous hit, Adams here proves his worth as both a singer and songwriter." The B-sides of the singles were tracks from his previous albums, "You Want It You Got It" and his first album, except for the France single which had "Take Me Back" from the same album. The music video for "Cuts Like a Knife" was directed by Irish director Steve Barron, who filmed it

pos: Cuts Like a Knife (song) inside an empty indoor swimming pool in Hollywood. The pool had been drained and out-of-use for several years. It would also become the location for Adams's platinum album party. The woman in the video is a model named Raquel Pena. According to her, she was chosen at the audition because "Steve Barron wanted someone with really long legs, and I wore a black bathing suit that he liked. I wore the same suit in the video. That's how low budget it was!" Cuts Like a Knife (song) "Cuts Like a Knife" is a song by Canadian rock musician Bryan Adams.

pos: Cuts Like a Knife (song) Hot 100 and number 6 on the Hot Rock Tracks chart. The song reached number 12 on the Canadian singles chart and remained in the top twenty for seven weeks. "Cuts Like a Knife" was Adams' highest charting single to date in Canada while the previous single "Straight from the Heart" was the higher charting song on the US Hot 100 peaking at number 10. "Cuts Like a Knife" won the Procan Award (Performing Rights Organization of Canada) for Canadian radio airplay in 1983 and was nominated for a Juno Award for Single of the Year in 1984. Stewart Mason

pos: Cuts Like a Knife (song) progression for a while Adams sang "it cuts like a knife" over and over again. Vallance eventually responded with "but it feels so right." As Vallance described it, "There's a long tradition in pop music of songs that employ "na-na-na" choruses: "Hey Jude" by The Beatles, "Na Na Hey Hey Kiss Him Goodbye" by Steam, "Lovin', Touchin', Squeezin'" by Journey, and more recently "Drops of Jupiter (Tell Me)" by Train. Adams and I tapped into that tradition for the out-choruses of 'Cuts Like A Knife'." "Cuts Like a Knife" was released in 1983, peaking at number 15 on the "Billboard"

pos: Cuts Like a Knife of Adams' most recognizable and popular songs. It was also recorded by Welsh singer Bonnie Tyler in 1983; it appears on her album "Faster Than the Speed of Night". The song peaked at the top ten on the "Billboard" Hot 100 at 10 and 32 on the Mainstream Rock Tracks chart. The song has appeared on all of Adams' compilation albums with the exception of The Best of Me. "Cuts Like a Knife" was released in 1983 and became one of the most successful songs from "Cuts Like a Knife" on the American rock charts and one of Adams' most

pos: Cuts Like a Knife (song) "I think that I'm one of the world's best mumblers, I can mumble some of the best lyrics, but putting them together is another story. I think that's where Jim is really good -- he can piece a story together. It's just a good thing to have the tape rolling when you're recording me. The best example was when we wrote "Cuts Like A Knife," which was just literally a mumble. We looked at each other, rolled the tape back, and it sounded like "cuts like a knife," so we started singing that." Adams and Vallance jammed on the chord

pos: Cuts Like a Knife one of three songs written about Dorothy Stratten. "Cuts Like a Knife", co-produced by Adams and Bob Clearmountain, peaked at number eight on the "Billboard" 200. The album was released in January, 1983 and featured the hit singles "Straight from the Heart", "This Time" and "Cuts Like a Knife". "Cuts Like a Knife" and "Straight from the Heart" were nominated for a Juno Award for Single of the Year, "Cuts Like a Knife" would win the Composer of the Year award. In Canada "Cuts Like a Knife" was certified three times platinum and the album would also be certified platinum

pos: I'm Ready (Bryan Adams song) I'm Ready (Bryan Adams song) "I'm Ready" is a song by the Canadian rock musician Bryan Adams. It was written by Adams and collaborator Jim Vallance. The song was first released in 1979, by Ian Lloyd (formerly of The Stories), on his solo album "Goose Bumps". Vallance played the drums on this recording. In 1983 Adams himself recorded the song for his third album, "Cuts Like a Knife", as a straightforward rock song with electric guitar and synthesizer. Adams co-produced his version with Bob Clearmountain, who also mixed it. The song became a hit for Adams in 1998, after its

pos: Cuts Like a Knife Cuts Like a Knife Cuts Like a Knife is the third studio album by Canadian singer-songwriter Bryan Adams. Released on 18 January 1983 by A&M Records, the album became a huge commercial success in Canada and the United States whereas in other countries, the album did poorly. After the release of "Reckless" the album would chart on the British album chart and would later be certified Silver by the BPI. It was recorded at Little Mountain Sound, Vancouver, British Columbia, Canada. The album was a commercial success and has sold over 2 million copies worldwide. Three singles were released worldwide

pos: Jim Vallance At the Canadian Juno music awards, "Cuts Like a Knife" and "Straight from the Heart" were nominated for a Single of the Year award, while "Cuts Like a Knife" won the Composer of the Year award for Adams-Vallance. Just as "Cuts Like a Knife" made him a star, "Reckless" made Adams an international superstar. And it did the same for the Adams-Vallance songwriting team. By the end 1985 "Reckless" had spun off 6 singles and was selling millions of copies worldwide. Adams-Vallance was now considered one of the top songwriting acts in the music industry. No longer did they have

pos: Cuts Like a Knife live on German TV and radio as part of the famous Rockpalast series. He played in six different countries. In November 1983, Adams went to Japan to start his own headline tour. By this time Adams had been on the road 283 days. Adams supported The Police when they toured in Australia and New Zealand. Additional personnel: Cuts Like a Knife Cuts Like a Knife is the third studio album by Canadian singer-songwriter Bryan Adams. Released on 18 January 1983 by A&M Records, the album became a huge commercial success in Canada and the United States whereas in other countries,

pos: Bryan Adams album-oriented rock radio hit "Lonely Nights", (as well as Seattle-area favorite "Fits Ya Good") but it was not until the third album that he achieved international recognition. Adams also co-wrote songs for other artists during this time including Billboard charted songs like "No Way to Treat a Lady" for Bonnie Raitt and "Don't Let Him Know" for Prism. "Cuts Like a Knife", which was released in January 1983, was Adams's breakout album due mainly to the lead singles. "Straight from the Heart" was the most successful song, reaching number 10 on the Billboard Hot 100. Another single, "Cuts Like a

pos: Bryan Adams Knife" charted at number 15. "This Time" also placed on the Hot 100. Music videos were released for four of the singles from the album. "Cuts Like a Knife" arguably became Adams's most recognizable and popular song from the album. Its music video received heavy airplay on music television channels. The album peaked at number eight on the "Billboard" 200 album chart and achieved three times platinum status in Canada, platinum in the United States and gold in Australia. Adams's album, "Reckless", produced by Adams and Bob Clearmountain, peaked at number one on the "Billboard" 200. The album was released

pos: Straight from the Heart (song) featured on her 1983 album "Faster Than the Speed of Night". Straight from the Heart (song) "Straight from the Heart" is a song recorded by Canadian rock musician Bryan Adams. It was released in February 1983 as the lead single from his third studio album, "Cuts Like a Knife". It was his breakthrough song in the U.S., the first to make the top 40, reaching number 10. It also peaked at #32 on the Adult Contemporary chart, the first Bryan Adams single to appear on that chart. The song was written by Eric Kagna, a Vancouver singer/songwriter, and the instrumental

pos: Straight from the Heart (song) Straight from the Heart (song) "Straight from the Heart" is a song recorded by Canadian rock musician Bryan Adams. It was released in February 1983 as the lead single from his third studio album, "Cuts Like a Knife". It was his breakthrough song in the U.S., the first to make the top 40, reaching number 10. It also peaked at #32 on the Adult Contemporary chart, the first Bryan Adams single to appear on that chart. The song was written by Eric Kagna, a Vancouver singer/songwriter, and the instrumental bridge was contributed by Adams. The official songwriter credit is shared

pos: Room Service (Bryan Adams album) the album a C−, writing that Adams was still releasing material which "cuts like a butter knife", a reference to his earlier single, "Cuts Like a Knife" from 1983. Nancy Miller, the reviewer, considered "Not Romeo, Not Juliet" to be "hokey" and "Nowhere Fast" as a "bland power ballad". "Room Service" was Adams first studio album to be released in six years, since "On a Day Like Today" in 1998. In the US, it was released in the Spring of 2005 and achieved total sales of 44,000 units, the album debuted and peaked at number hundred-and-thirty-four on the "Billboard" 200

pos: Don't Leave Me Lonely Don't Leave Me Lonely "Don't Leave Me Lonely" is a song by the Canadian musician Bryan Adams featured on his 1983 album "Cuts Like a Knife". Written by Adams, collaborator Jim Vallance and late Kiss drummer Eric Carr, the song's origin dates back to sometime in 1981 or 1982 when Adams was working with the band on material for their "Killers" album. Adams and Carr began working on the song, which Carr wrote the music and lyrics of the chorus before Adams relocated to Canada and finished the song with Vallance. Carr made a demo of the song for possible

pos: Cuts Like a Knife Canada by Bob Clearmountain and Adams; it was later mixed at Le Studio, Morin-Heights, Canada. "Straight from the Heart" was originally written in 1978; the title for the song originally came from his friend Eric Kagna. This song was the last recorded song for the album. Adams didn't really want "This Time" to be recorded but since Clearmountain insisted, the song was recorded at Little Mountain studio. "Straight from the Heart" is a ballad written by Adams and released in December 1982 as the first single released from the album, which was subsequently released the next month. It is one

pos: Bryan Adams album. Both songs were covered by other artists even before his first album was released. Also recorded during this time was the disco song "Let Me Take You Dancing", featuring Adams' vocals sped up to meet the 122BPM dance tempo. The song made the Canadian "RPM" chart in March 1979 along with its B-Side "Don't Turn Me Away". "Straight From The Heart" was also written during this period. The song was later recorded for Adams's third album "Cuts Like A Knife" in 1983 and released as a single, becoming Adams's first top 10 record in the U.S. in 1983. Adams's

pos: Dorothy Stratten Canby wrote, "Miss Stratten possessed a charming screen presence and might possibly have become a first-rate comedienne with time and work". In 1984, Peter Bogdanovich's book about Stratten was published, titled "". Four years later, at age 49, Bogdanovich married Stratten's sister, Louise, who was 20. Bogdanovich had paid for Louise's private schooling and modeling classes following Stratten's death. They divorced in 2001 after being married for 13 years. Singer-songwriter Bryan Adams, along with co-writer Jim Valance, wrote the song "The Best Was Yet To Come" as the closing track for Adams' 1983 LP "Cuts Like A Knife" as a

pos: Don't Leave Me Lonely inclusion on Kiss' 1982 album "Creatures of the Night", but the song didn't make it on the album as it didn't fit in with the rest of the material. Don't Leave Me Lonely "Don't Leave Me Lonely" is a song by the Canadian musician Bryan Adams featured on his 1983 album "Cuts Like a Knife". Written by Adams, collaborator Jim Vallance and late Kiss drummer Eric Carr, the song's origin dates back to sometime in 1981 or 1982 when Adams was working with the band on material for their "Killers" album. Adams and Carr began working on the song, which

pos: Jim Vallance industry as other artists started to consider their songs seriously. The album spun 3 singles: "Straight from the Heart", "Cuts Like a Knife" and "This Time". "I'm Ready", "The Only One" and "Take Me Back" also received airplay. Ironically, "Straight from the Heart" was the highest charting of the three and is not a Vallance composition. It was written by Vancouver singer/songwriter Eric Kagna, with Adams adding the instrumental bridge, and credited as Adams-Kagna. The others were Adams-Vallance compositions. The album "Cuts Like a Knife" was certified three times platinum in Canada and certified one time platinum in the US.

pos: Cuts Like a Knife in the United States. The Cuts Like a Knife tour started in eastern Canada. In March, Adams started the American leg of the tour; after five months Adams had performed over 100 dates. He later joined the British progressive rock band Supertramp on tour. Though not featured on the album, drummer for the tour was the late Frankie LaRocka and the keyboard player was Johnny 'Blitz' Hannah. Adams then traveled to Vancouver where he played live in front of 30,000 fans. Later on he went to Europe for a six-week solo tour; one show (and subsequent band interview) was broadcast

pos: Rise Up (Parachute Club song) live public performance took place at the 1983 Toronto Pride parade. In 2014, the surviving band members released a contemporary dance remix of the song in conjunction with Toronto's hosting of the 2014 edition of WorldPride. It won the Juno Award for Single of the Year at the Juno Awards of 1984, over fellow nominees "Cuts Like a Knife" and "Straight from the Heart" by Bryan Adams, "Sunglasses at Night" by Corey Hart, and "The Safety Dance" by Men Without Hats. In 2005, the CBC Radio series "", based on nominations by panelists and listeners, semi-final elimination votes among songs

pos: Bryan Adams Bryan Adams Bryan Guy Adams, (born 5 November 1959) is a Canadian singer, songwriter, record producer, guitarist, photographer, philanthropist and activist. Adams rose to fame in Canada and the United States with his 1983 album "Cuts Like a Knife" and turned into a global star with his 1984 album "Reckless", which produced some of his best known songs, including "Run to You" and "Summer of '69". In 1991, he released "(Everything I Do) I Do It for You" from the album "Waking Up the Neighbours" and the song became a worldwide hit which went to number 1 in many countries,

pos: Drew Wright sang her song Hey Daddy as well as John Mayer's Gravity. Drew was safe as there was no bottom two announced. For his final week on the show (where the theme was Bryan Adams songs), Drew sang his own arrangement of Cuts Like a Knife and I'm Ready. The next night, Drew was eliminated despite universal praise from the judges (with judge Jake Gold proclaiming he had "finally discovered what kind of artist you are"). Drew said he was not surprised it was his name that was called, considering he'd been in the Bottom 2 a couple of times and

pos: CKKS-FM rebranded itself as "104.9 fun FM". The callsign changed in late November to CFUN to reflect the updated branding. The CFUN call signs were vacated by CTVglobemedia after CFUN (now owned by Bell Media) flipped to sports radio and became CFTE. On August 17, 2011, at approximately 8:42 a.m., after playing "Cuts Like a Knife" by Bryan Adams, the station changed their format to Top 40, branded as "Sonic" (the launch was also broadcast on the Vancouver edition of "Breakfast Television" on City). The first song played was "Party Rock Anthem" by LMFAO. To kick off the new format, the

pos: Christmas Time (Bryan Adams song) Although Starr never recorded it, Adams went on to do his version in 1984, adding a new bridge section. It was first released as a fanclub-only single on colored vinyl in December 1984, with a Christmas message by Adams and his band on the B-side (entitled "Plum Pudding"). Subsequently, "Reggae Christmas" ended up as the B-side to all pressings of "Christmas Time", from 1985 onwards. There was a live video made by MTV for its "Reggae Christmas", featuring a guest appearance by Pee Wee Herman. Despite being listed as a bonus track to the 1983 album "Cuts Like a Knife"

pos: So Far So Good (Bryan Adams album) So Far So Good (Bryan Adams album) So Far So Good is a compilation album by Canadian rock musician Bryan Adams, released by A&M Records in November 1993. The album reached number six on the "Billboard" 200 in 1994 and was a number one hit in the United Kingdom and many other countries. The album contains songs from "Cuts Like a Knife" (1983) to "Waking Up the Neighbours" (1991), and a new single, "Please Forgive Me". Originally, the song "So Far So Good" was going to be included on the album so the album started and finished with a new

pos: Faster Than the Speed of Night Canada The album consists of dramatically re-worked cover songs, including the Creedence Clearwater Revival hit "Have You Ever Seen the Rain?" "Goin' Through the Motions" is a Blue Öyster Cult cover from their 1977 album "Spectres", and the original version of "Straight from the Heart" was the breakout Top 10 hit for Canadian rock singer/songwriter Bryan Adams from his Platinum album "Cuts Like a Knife". It also included the song "Take Me Back" written by Billy Cross, a former Bob Dylan guitarist. Only two of the tracks were written by Jim Steinman himself: the title track and the international number

pos: On a Day Like Today (album) number 6 in the UK and number 7 in Canada. "On a Day Like Today" was a success around the world, however at the time in the U.S. market, it became the first of Adams' albums since 1983's "Cuts Like a Knife" not to obtain a platinum sales certification. According to AllMusic, the record company didn't do a lot of advertising for album, as Adams and this album got caught when his record company sold his recording contract to rap label Interscope, who in turn did very little in the USA to promote it. On a Day Like Today (album)

pos: Cuts Like a Knife album "Creatures of the Night", but left off the final release. "This Time" by Adams and co-writer Jim Vallance was the third single released from the album. "This Time" was Adams' first single to chart in Europe, while it charted after being re-released in the United Kingdom. The song peaked at the top 30 on the "Billboard" Mainstream Rock Tracks chart at 21; it would also chart on the "Billboard" Hot 100 at 24. The final track on the album, "The Best Was Yet to Come", which was later covered by Laura Branigan for her 1990 self-titled album, is currently

pos: Juno Awards of 1984 the Year" award. Director Rob Quartly received four of the five nominations for the nascent "Best Video" award category, and also took the win for the "Sunglasses at Night" music video. Winner: Carole Pope Other nominees: Winner: Bryan Adams Other nominees: Winner: Sherry Kean Other nominees: Winner: Zappacosta Other nominees: Winner: Loverboy Other nominees: Winner: Parachute Club Other nominees: Winner: Bryan Adams and Jim Vallance, "Cuts Like a Knife" by Bryan Adams Other nominees: Winner: Anne Murray Other nominees: Winner: Murray McLauchlan Other nominees: Winner: The Good Brothers Other nominees: Winner: Liona Boyd Other nominees: Winner: Bryan Adams, "Cuts Like

neg: Rose Tint My World it was her love of "a certain dope" (drugs or Eddie, who by this point is dead). Rocky sings next of his predicament: that he's only had seven hours of life, loves to orgasm and can't control his desires. Brad sings a different melody dictating the effects of the trance he's in a negative light, whilst Janet sings of the same trance in a positive light. She seems to like Frank. This melody that Brad and Janet sing is once again implemented when Riff Raff cuts the celebration short. The title of the song refers to the idiomatic expression of

neg: 1000 Forms of Fear slipknot / Tied by a juicehead who just took his T-shot." "Eye of the Needle" is a "military-march" piano ballad, while "Hostage" is a new wave pop and ska track that features Sia's voice "cracking like a punk singer." The sixth song, "Straight for the Knife", is instrumented by strings and lyrically details a tempestuous relationship: "But will someone find me swinging from the rafters / I’m hanging on your every word." "Fair Game", where Sia sings "Watch me squirm baby, but you're just what I need," is a minimalist and string-laden song about the desire to find an equal

neg: Carrie White leaves, blowing up the gym as she does so. Sue narrates how Carrie cuts a trail of destruction across town on her way home, as Sue herself follows her. At the White home, Carrie finds Margaret reciting prayers. She takes Carrie in her arms and sings softly to her before revealing the kitchen knife and stabbing her. Carrie uses her powers to force the knife out of Margaret's hands before stopping her heart. Sue enters, and cradles Carrie as she dies of her wounds. In the television series "Riverdale", was based on the musical from the episode "", with series

neg: George Jones Sings the Great Songs of Leon Payne catalogue: "From ballads like "Blue Side of Lonesome" to uptempo honky tonkers like "Brothers of a Bottle," all of the cuts on "The Great Songs of Leon Payne" are first-rate and Jones brings each of them to life." All songs by Leon Payne, unless otherwise noted. Album – Billboard (North America) George Jones Sings the Great Songs of Leon Payne George Jones Sings the Great Songs of Leon Payne is an album by American country music artist George Jones, released in 1971 on the Musicor Records label. Leon Payne was a honky tonk songwriter who only had one chart hit,

neg: Laughing Stock (album) the band's "most chaotic and vicious song," described by Harvell as "like a small jazz combo being elbowed aside by a noise-rock band, with a climactic barrage of drumming that falls on your ears like an avalanche before the audible tape-splice cuts it dead." In the song, Hollis sings about judgment day and "its inevitable coming, saying farewell to us all." “Taphead", "a masterfully subtle piece of music", begins with a simple guitar melody and Hollis' "wavering, unsure vocals," when keyboards unexpectedly fade in "and then the darkest, warmest trumpet sounds, one after the other, building beautiful harmony, with tension

neg: Drake Would Love Me 2014, music critics cited the song's title as a highlight; "The New York Times"' Jon Caramanica cited it as an example of clickbait. "Drake Would Love Me" is a four-minute, 19-second R&B ballad. MTV News' Rob Markman wrote that it opens with a "calming melody", and noted that the piano, guitar, and violin instrumentation builds during the song. Alfred Soto of "Pitchfork" classified "Drake Would Love Me" as a slow jam. Describing Michelle's vocals, AllMusic's Andy Kellman said that she "emphasizes certain syllables like surgical knife twists". The song is about a romantic relationship between Michelle and Drake. Michelle sings

neg: We Were Once a Fairytale — he was hallucinating. Startled and nauseated, he rushes to the bathroom and vomits what appear to be rose petals. West finds a bowie knife in the bathroom and cuts into his stomach, spilling a torrent of petals from his stomach. He pushes the knife in deeper and, with his hands, digs out of himself a small rodent-like creature, named in the credits as "Henry". When Kanye realizes it is connected to him by an umbilical cord, he cuts the cord with the knife. He then places the creature on a sink counter in front of him and hands it

neg: Usuba bōchō However, this tip is also delicate and can be broken easily. The usuba is particularly popular with Kyoto chefs, who use the Kamagata usuba for most of their work. Since Kyoto is landlocked, they rely more heavily on vegetables than Tokyo, making the usuba the quintessential knife of professional chefs there. In Kyoto cuisine, the versatile tip allows for intricate cuts and preparations. Usuba bōchō Usuba bōchō (, lit. thin knife) is the traditional vegetable knife for the professional Japanese chef. Like other Japanese professional knives, usuba are chisel ground, and have a bevel on the front side, and have

neg: We Were Once a Fairytale a miniature version of the bowie knife. The creature grabs the tiny knife and eyes it apprehensively before shaking its head at West, who slowly nods his head in response. West watches as the creature commits suicide, falls over, and slowly dies while gasping for air. The film cuts to black with West still looking at its corpse lying on the counter. The plot is based on an idea developed by Jonze, who then approached West whom Jonze thought would be great for the role. Jonze and West spoke about working together on a music video for West's song "See

neg: Hound Dog (song) hot drum roll between verses of the song. However, in performing "Hound Dog" "Elvis sings the first line like Freddie Bell and the Bellboys, who repeat "hound dog" behind the lead singer: Elvis sings "hound dog" and his "second voice" repeats "hound dog." By the third verse, he sings the phrase like Thornton." An upbeat version ended abruptly as Presley threw his arm back, then began to vamp at half tempo, "You ain't-a nuthin' but a hound dog, cuh-crying all the time. You ain't never caught a rabbit…" A final wave signaled the band to stop. Elvis pointed threateningly at

neg: Overdrive (Shonen Knife album) we booked the studio, I can write songs quickly with concentration. Then I send my demo to our members and we rehearse. At the recording studio, we start to record from basic tracks then overdub." On this album, every member of the band also sings a unique song about a food item; Yamano sings "Fortune Cookie", the band's bassist Ritsuko Taneda lends her vocals to "Ramen Rock", and drummer Emi Morimoto can be heard on "Green Tea". The first song was inspired by Yamano fondness for eating a fortune cookie after a meal of Chinese food in America; after learning

neg: Kitchen knife make a decorative cut. The most common pattern is a simple zigzag. Decorating knives are used for making fancy cuts for garnishes and presentation. Usually about 5 cm to 8 cm (2 to 3 inches) long, a trimming knife has a small, curved blade that is shaped somewhat like a boning knife. Trimming knives are ideal for small tasks such as decorating and peeling. Usually about 5 cm to 10 cm (2 to 4 inches) long, a fluting knife has a small blade that is very straight. Fluting knives are ideal for small tasks such as decorating and peeling. Certain

neg: Utautai ga Uta Utai ni Kite Uta Utae to Iu ga Utautai ga Uta Utau dake Utaikire ba Uta Utau keredomo Utautai dake Uta Utaikirenai kara Uta Utawanu!? "a singer asks me to sing a song; if I could sing a song like a singer sings a song, I would sing a song like a singer sings a song, but I cannot sing a song like a singer sings a song, so I will not sing a song." Utautai ga Uta Utai ni Kite Uta Utae to Iu ga Utautai ga Uta Utau dake Utaikire ba Uta Utau keredomo Utautai dake Uta Utaikirenai kara Uta Utawanu!? Utautai ga Uta Utai ni Kite Uta Utae to Iu ga Utautai ga Uta Utau dake Utaikire ba Uta Utau keredomo Utautai

neg: Jeopardy (song) makes his first attempt at escaping. Just as he is halfway down the aisle between the church's pews, a gigantic, tentacled monster emerges from the church's podium. The monster pulls him to the center of the church. Kihn, in retaliation, breaks off a piece of a pew and uses it as a spear. He pokes and cuts into the tentacle with the "pew spear," and the monster goes back down into the floorboards. Kihn then uses it like a guitar and sings a repeat of the second verse to the crowd. He then makes a second run for the door,

neg: E Raffaella è mia the show (played by Tiziano Ferro), presents a 'young' singer (again Ferro), who sings his song "E Raffaella è mia". The video then cuts to a young male's home (again Tiziano Ferro), who is watching the transmission enthusiastically. Midway though, the presenter reappears to announce the winner of a competition to spend an evening with Raffaella Carrà. ""The lucky winner is: Ferro, Tiziano!"". The young viewer jumps up and down, whilst the door opens halfway to reveal Carrà. The video continues with Ferro singing the song and dancing with Carrà, whilst the viewer is at home playing with Carrà, in

neg: Blackout (Britney Spears album) about it is that it's from the perspective of someone who feels like they really need this person just to feel safe and feel good." Spears named the song her favorite from "Blackout". The sixth track, "Get Naked (I Got a Plan)" is an uptempo song about sex. It is a duet between Spears and Danja, who sings the chorus with his voice distorted to sound like a decaying moan. Spears contributes a series of gasps, sighs and chants and her voice is also distorted. The seventh track, "Freakshow", is built around the "wobbler" effect of dubstep. Spears sings about

neg: Born Hater playing one mixer, along with other DJ equipment on the floor, inside a cubicle. After the song introduction, Tablo starts the song with his lyrics; he is seen rapping by himself inside the same cubicle with cockroaches around him. He is seen killing some of the pests in his other shots. The video then cuts to several shots of Beenzino, Verbal Jint, Mithra, Mino, and Bobby, while rapping their lyrics respectively. Before B.I does his rap, B.I sings the chorus two times; he is seen wearing an all-white suit, specifically a janitor's uniform. At the time that he sings his

neg: So Long, Frank Lloyd Wright sings lead on the majority of the song while Simon sings on the bridge. The lyrics of "So Long, Frank Lloyd Wright" have multiple meanings: on one level, the song praises the famous architect, who died in 1959. However, the lyrics also refer to the upcoming breakup of the Simon and Garfunkel duo. Art Garfunkel had studied to become an architect, so on this level the lyrics can be taken as a farewell from Paul Simon to his friend and partner Garfunkel like another song on "Bridge over Troubled Water", "The Only Living Boy in New York." While Garfunkel sings

neg: Olivia Olson their dark personalities. Marceline is a fun-loving, mischief-seeking 1,005-year-old vampire who looks like a teenager. She has an involved back story that is explored throughout the show. She first appeared as an antagonist, but later appears to be the main characters' (Finn and Jake's) friends. Like "Phineas and Ferb", she sings often on the show, including the popular song "The Fry Song", in which she sings about her father eating her fries and how sad she is, even though it is something much deeper. In the "Adventure Time" mini-series "Stakes", Olson performs the popular song "Everything Stays", which was revealed

neg: The Bravery the female character wearing a gas mask cuts a vagina into the male character using a knife. Mermaid dolls then enter into the orifice. The Bravery headlined an entire North American tour prior to the "Stir the Blood", December 1, 2009 release. Fans were able to meet the band after pre-ordering the album. An iTunes pre-order for the album began on Tuesday, November 10. New song "I Am Your Skin" was made available to download when pre-ordering the album. Like "The Sun and The Moon", "Stir the Blood" was not released in the UK due to a legal battle with

neg: Like a Prayer (song) she is falling through space. Suddenly, a woman, representing power and strength, catches her. She advises Madonna to do what is right and tosses her back up. Still dreaming, Madonna returns to the statue, which transforms into the black man she had seen earlier. He kisses her forehead and leaves the church as she picks up a knife and cuts her hands, bleeding. Interspersing scenes show Madonna singing and dancing wildly in front of burning crosses, erotic scenes between her and the saint, and the singer being surrounded by a choir inside the church. Madonna wakes up, goes to the

neg: Do You Mind (DJ Khaled song) at 6:00 in the morning. The next scene shows Khaled playing the song on a grand piano while a lady seduces him. The scene cuts to Minaj where she is in an apartment sitting on a couch while twerking on an armchair. The next scene involve Brown and Alsina singing the chorus next to Khaled in a platform above a pool. After that, it shows Brown being seduced by a lady above the piano. As Alsina sings his verse, he is shown caressing his woman in the bedroom. Jeremih sings his verse next as he flirts with his woman against

neg: Caramel (City High song) featuring rapper Eve. The album version that did not chart replaces Eve's rap with the section of which Claudette Ortiz sings in Spanish. The remix version was done by Trackmasters. A music video was produced for the song that begins with the original version and transitions into the Trackmasters Remix version. It begins with a shot of Ryan Toby and Robbie Pardlo on a computer that shows the words "Dream Girl 2001". It then cuts to a shot of Ortiz singing the first verse, and then the trio is dancing at a party as Ortiz sings. The video continues switching

neg: Deep Cuts (The Knife album) Deep Cuts (The Knife album) Deep Cuts is the second studio album by Swedish electronic music duo The Knife, released on 17 January 2003 by Rabid Records. The 2004 version contains three additional tracks (taken from "Hannah med H Soundtrack") and is packaged with a DVD of music videos. On 31 October 2006, Mute Records issued "Deep Cuts" and The Knife's eponymous debut album in the United States, marking the first US release of both albums. Upon release, the album received critical acclaim. "Hot Press" compared it to a "soundtrack to a futuristic film that was made in the ’80s",

neg: Kristen Vigard best song of all, and perhaps the best performance as well, is Miss Vigard in the stony and touching saga of a teenybopper, 'Frank Mills.' Miss Vigard looks like an ancient 12-year-old; she sings in a clear, clean style that cuts most satisfyingly through the general lushness." "Newsweek" noted, "Angel-faced Kristen Vigard is the nicest of [the] cast." In May 1979, she returned to Broadway as Johanne in Martin Charnin and Thomas Meehan's "I Remember Mama" with Liv Ullmann. Although the show was the last musical to be written by Richard Rodgers, it received mixed reviews. Vigard made her television

neg: Kitchen knife chefs for cutting big slices of meat and poultry. A boning knife is used to remove bones from cuts of meat. It has a thin, flexible blade, usually about 12 cm to 15 cm (5 or 6 inches) long, that allows it to get in to small spaces. A stiff boning knife is good for beef and pork, and a flexible one is preferred for poultry and fish. Fillet knives are like very flexible boning knives that are used to fillet and prepare fish. They have blades about 15 cm to 28 cm (6 to 11 inches) long, allowing them

neg: Ride (Lana Del Rey song) In the song, Del Rey sings over a string-drenched, piano-driven melody produced by Rick Rubin. Lyrically, the song was written by Del Rey and Justin Parker, who co-wrote almost every song on Del Rey's debut album, "Born to Die". In the song, Del Rey sings lines such as, "I'm tired of feeling like I'm fucking crazy" and "Been trying' hard not to get into trouble/But I, I've got a war in my mind... so I just ride". The song opens with an audible inhalation, before Del Rey gushes out, "I've been out on that open road". The recording features mild

neg: Hole in My Soul man who feels very sad and emotionally damaged ("I got dust for tears and I'm all tapped out") by a failed relationship ("tell me how it feels to be the one who turns the knife inside of me") and feels that there is a void in his life that cannot be filled ("there's a hole in my soul that's been killing me forever"). In concert, Steven Tyler has been known to substitute some lines with racier lyrics. On a live version of the song from the "A Little South of Sanity" album, Tyler sings "I fuck with my boots on

neg: Get Like Me (Nelly song) She [Nicki] killed it!". Williams commented, “When we get together, we like to do a song that evokes as much energy as possible.” "Get Like Me" is a drum-driven song with sparse and percussive beat. Lyrically, it is a self-pride song, further described as "an ode to Nelly's dope-ness". Nelly sings about how everyone tries to steal his shine, "See the whole rap game/ They sounding like me". Minaj echoes his sentiments singing: "Get their own speakers and some pros like me/ When I'm at the game, all the pros like me." Minaj sings the lines "You should follow my

neg: Un train qui part Un train qui part "Un train qui part" (English translation: "A departing train") was the Monegasque entry in the Eurovision Song Contest 1973, performed in French by French singer Marie. The song is about people striking out on their own. Marie sings about a girl from rural France who is boarding a train to Paris in the hope that she will find work there, despite not knowing exactly what she will do. The departing train, she sings, ""is a bit like a home...For one who has never known home"". The song was performed sixth on the night, following Norway's Bendik

neg: Mac the Knife Mac the Knife Mac the Knife was the pen name (inspired by the homophonous well-known song "Mack the Knife") of an anonymous gossip columnist for the (now defunct) Apple Macintosh-focused trade publication "MacWEEK". Mac the Knife was always written by a single writer, but the identity of that writer changed more than once over the long publishing history of "MacWEEK". The column was known not only for its wide-ranging and often accurate Macintosh-related rumors, but for its gonzo, Hunter S. Thompson-like style. Tipsters who provided juicy gossip were provided with coffee mugs emblazoned with the Knife's logo. During the column's

neg: Something for You: Eliane Elias Sings & Plays Bill Evans recreated "Evanesque" from the elements of Evans’ original composition. Elias also wrote lyrics to the song "Here Is Something for You", incorporating allusions to other tunes and pieces associated with Evans. She performs vocal parts on six of the seventeen cuts. Doug Ramsey of "Jazz Times" wrote "Like so many jazz pianists of her generation, Eliane Elias formed her musical sensibility under the spell of Bill Evans. In this collection, she makes plain the extent and depth of his influence as well as her own expressive growth in the three decades since she first heard Evans. She demonstrates both aspects

neg: What Do You Mean? in front of a motel in the rain. A dark hooded figure (revealed to be Bieber) walks to the man. It is realized that Bieber is in debt to him, and then gives him money and is promised to do one job: protect a girl, who is his love interest, as Bieber then walks away. As the song begins, it cuts to a neon-lighted hotel room, where the girl that was mentioned earlier is. Bieber knocks on the door, is let in, and they end up making love. As Bieber sings the second verse of the song, a group of

neg: Bad Boys (Alexandra Burke song) to 1 September 2009 in various locations in Los Angeles, directed by Bryan Barber. The clip starts with Alexandra dressed in a one-piece black leather suit, as her car has broken down in a bad part of town. It then cuts to Flo Rida who sings the opening lines of the song. Next, Burke performs various dance moves in deserted streets while being followed by several men. The video then shows Alexandra entering a bar in a mirrored silver dress, which has been compared to Janet Jackson around the "janet." era, where she is mobbed by more of these men.

neg: Exact division any ratios that are rational numbers. But this may require a large number of cuts. A better way to achieve a consensus division is to identify the two endpoints of the cake and treat it like a circle. I.e, when the right knife gets to the right side, it immediately goes to the left side, and the piece-between-the-knives is now actually the union of the piece to the right of the right knife and the piece to the left of the left knife. This way, it is possible to find a consensus division for every formula_17. One partner moves the

neg: Who Says (Selena Gomez & the Scene song) low-note of G# to the high-note of E. The song contains string accents described as "sympathetic, but not overpowering". Described as a "jangly pop tune", having an "overarching feel-good vibe", lyrically, the song speaks of "embracing who you are and not letting your critics get you down". Gomez sings of insecurities, and people telling her she is not good enough, before asserting "I'm sure you got some things/ You'd like to change about yourself/ But when it comes to me/ I wouldn't want to be anybody else." According to Brian Voerding of AOL Radio Blog, "Gomez sings about staying true

neg: Watashi wa Knife Watashi wa Knife "Watashi wa Knife" was written by Gorō Matsui and composed and produced by Tsugutoshi Gotō. It is a pop song reminiscent of Kudo's earlier material. Lyrically, the song describes a protagonist proclaiming herself to be a metaphorical knife "starved" for love and willing to measure up to a rough lover. During the promotional cycle for "Super Best", Kudo revealed she doesn't like the title of the song. "I'm more of a saw", she said, half-joking. "Watashi wa Knife" received acclaim for Kudo's upfront vocals, as well as the song's "hard" hook culminating in an "epic" chorus, which

neg: Work from Home line. The second verse is sung by Hernandez who sings: "Let's put it into motion / Imma give you a promotion / I'll make it feel like a vacay / Turn the bed into an ocean". Hansen sings the second pre-chorus. Ty Dolla Sign sings after the second chorus, and on the third and final chorus Cabello closes the song with an ad-libbed outro. Matt Collar from AllMusic described "Work from Home" as one of the "most playful tracks" from "7/27" writing that said song along with "Not That Kinda Girl" "build upon Fifth Harmony's knack for mixing juicy R&B

neg: Try (Colbie Caillat song) song resulted from a 'venting experience' for Caillat, who translated her disappointment about her scrapped album into a message of self-love aimed at women." "Put your makeup on/ Get your nails done/ Curl your hair/ Run the extra mile/ Keep it slim so they like you, do they like you?" she sings in the beginning. "You don’t have to try so hard/ You don’t have to give it all away/ You just have to get up, get up, get up, get up/ You don’t have to change a single thing," she sings in the chorus. In an interview for Elle,

neg: The Draft (The League) child finishes first. Kevin, Andre, and Ruxin observe one of the older kids, Matt Friedman (Paulie Litt), who they call The Oracle because of his immense fantasy football knowledge. Ruxin immediately jumps on the chance to get advice and approaches him. Taco sings his birthday song for Ellie, which starts out innocent but quickly becomes explicitly sexual, horrifying the other adults. Jenny cuts him off before he can finish the song. Meegan offers to get Jenny a drink, but Jenny declines, explaining that she and Kevin are trying for another baby. Pete tries to head off the conversation as Meegan

neg: Knife the back of the blade, a long thin rectangle with one peaked side. Hollow ground blades have concave, beveled edges. The resulting blade has a thinner edge, so it may have better cutting ability for shallow cuts, but it is lighter and less durable than flat ground blades and will tend to bind in deep cuts. Serrated blade knives have a wavy, scalloped or saw-like blade. Serrated blades are more well suited for tasks that require aggressive 'sawing' motions, whereas plain edge blades are better suited for tasks that require push-through cuts (e.g., shaving, chopping, slicing). Many knives have holes

neg: Gishiri cutting trader produces a long knife and cuts a piece off a large block; this knife is similar to the kind used to produce gishiri cuts. A whole range of gynaecologic complaints, including difficulty in labour, infertility, dyspareunia (pain during sex), pelvic organ prolapse and urinary retention, are believed to be caused by a vagina that is too narrow in these areas. The traditional treatment is to incise the vagina. A long knife is inserted into the vagina and backward cuts from the vagina's anterior wall into the perineum are made. Serious injuries can result, such as fistulae: holes in the

neg: The Devil's Carnival She is then stripped naked and whipped for the carnies, while the Hobo Clown sings a metaphorical song that retells the fable Lucifer is reading ("A Penny for a Tale"). Lucifer begins reading Daniel another fable, this time "The Scorpion and The Frog". Tamara is continually wooed by the Scorpion, and follows him into a dark tent where a knife-throwing wheel has been set up. There she walks in on the Scorpion and the Painted Doll kissing. The Scorpion accuses Tamara of not trusting him, which she denies. He straps her to his knife-throwing wheel, and tosses three knives at

neg: Il cielo in una stanza (song) in her vocal style, who became a mature interpreter with "Il cielo in una stanza", discovering she could "give voice to an important song, making it higher, unaccessible" and departing from the "urlatrice" style which characterized her previous production. Despite this, Paoli criticized Mina's version of the song in 2010, considering Carla Bruni a better performer of the song and claiming that "Mina sings it the same way she would sing the phone book. I don't know if she understands what she sings. She performs it as if she was a perfect technical instrument, like a flute or a guitar".

neg: The Woman who Sings want to give up her favorite work, continuing to sing and make her way to fame. When Anna reads a poem titled "The Woman I Love", she feels that it would make a good song. Later she meets the poem's author, Andrei, who advises her to change the lyrics to "The Woman who Sings". Even before this Anna's career begins establishing and she starts to sing in many performances. Her songs have already been accomplishments, but still nothing like "The Woman who Sings" which she performs at the end of the film. Anna finally achieves incredible popularity and is now

neg: Beware My Love Like a number of successful Paul McCartney songs, "Beware My Love" is made of several disparate elements. The song begins with a brief harmonium melody followed by a repeated acoustic guitar figure. (The song's album version has the previous song, "She's My Baby", fading out into the harmonium intro; "Beware"'s "single" version fades in as the harmonium part fades out into the acoustic guitar riff.) Linda McCartney sings the intro and outro movements, with her voice multi-tracked, effectively singing on behalf of Paul McCartney—who sings the lead vocal in the main song. Over the course of the song, Paul McCartney's

neg: The Savage (1917 film) plays the part of Lizette, a half-breed like Julio. This would be one of several "exotic" roles Colleen would play during her career, including her part as a Persian in "The Devil's Claim". After this film, Colleen went on to work at the Selig Polyscope Company. Like many American films of the time, "The Savage" was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required cuts of the holdup and stealing of a letter, two scenes of the holdup of the officer at point of knife, binding the officer to the

neg: Majid's Tales barber, only to be treated like a third-class customer and have his hair cut so that his head resembles a corn cob. When he returns home, BiBi is mortified by Majid's appearance. They set out for a third barber who treats Majid like a little king, mends his cuts he received from the second barber, and trims his hair with precision. BiBi sings his praises, but is surprised by the huge amount he wants to charge them. BiBi pays what she is able to pay. BiBi and her friends agree to buy a samovar as a wedding gift for a

neg: Fairbairn–Sykes fighting knife as a stiletto, a weapon optimised for thrusting, although the F-S knife is capable of being used to inflict slash cuts upon an opponent when its cutting edges are sharpened according to specification. The Wilkinson Sword Company made the knife with minor pommel and grip design variations. The F-S knife is strongly associated with the British commandos and the US Office of Strategic Services (OSS) and Marine Raiders (who based their issued knife on the Fairbairn-Sykes), among other special forces/clandestine/raiding units. It features in the insignia of the British Royal Marines, the Belgian Commandos, the Dutch Commando Corps, founded in

neg: Skin (Rihanna song) "restrained" and "controlled". Throughout the song, Rihanna sounds "suspenseful" and "sultry" as she sings the lyrics "I got secrets that I wanna show you". Thomas Conner of "Chicago Sun-Times" wrote that the singer "teases her man" and "lets him at her" as she sings the line "You've waited long enough" before instructing "Don't hold back/you know I like it rough". Of the multiple music critics who commented on the song, the majority praised "Skins musical structure and Rihanna's vocal performance. Apart from writing about the song's composition, Daw called the ballad "smoldering" and compared the last minute of the song

neg: Skyscraper (song) piano as she sings, "Skies are crying, I am watching catching teardrops in my hands/ Only silence, as it's ending, like we never had a chance". As the song progresses, the piano is accompanied by heavy percussion and breathy backing vocals. In the chorus, Lovato sings, "You can take everything I have/ You can break everything I am/ Like I'm made of glass, like I'm made of paper/ Go on and try and tear me down/ I will be rising from the ground like a skyscraper". In the second verse, Lovato "begins to find more strength". The song has a

neg: Ruiner (album) other being for the song "The Kids Can Eat a Bag of Dicks" which was originally titled "Ruiner". In an interview with Racket Magazine, whilst on the tour of which the Australian tour edition was released, now ex-guitarist Christopher Levesque confirmed that the other guitarist, Trevor Reilly, sings the song "In Vino Veritas II". It was also revealed in the same interview that Bill Stevenson also participated with vocals and that Levesque did the piano parts in the song. The "lemon" referenced in the opening line of "The King is Dead" ("The knife or the rope or the lemon, this

neg: Splitting band knife is used, the most common width being 10mm. The length of the band knife blade depends on the supplier of the band knife machine. The dimensions are indicated on a small metal tag pasted or riveted on the machine. The vertical machine band knife blade is most commonly a "double bevel, double edge DBDE" execution to enable cutting while advancing the table and also while retracting the work table, while as the "double bevel, single edge DBSE" execution cuts only in one direction. Productivity is enhanced when the operator cuts both while advancing and also while retracting the work table

neg: Human sacrifice in Aztec culture details Aztec sacrifices. The Anonymous Conquistador wrote, They lead him to the temple, where they dance and carry on joyously, and the man about to be sacrificed dances and carries on like the rest. At length the man who offers the sacrifice strips him naked, and leads him at once to the stairway of the tower where is the stone idol. Here they stretch him on his back, tying the hands to the sides and fastening the legs ... Soon comes the sacrificing priest—and this is no small office among them—armed with a stone knife, which cuts like steel, and

neg: Connie Francis Sings Italian Favorites Connie Francis Sings Italian Favorites Connie Francis Sings Italian Favorites is a studio album recorded by American singer and entertainer Connie Francis. The album consists of traditional Italian and Neapolitan songs (e. g. "Santa Lucia") as well as then-current contemporary songs like "Volare (Nel blu dipinto di blu)" or "Piove" which both had risen to international fame after being Italy's entries to the Eurovision Song Contests of 1958 and 1959. "Connie Francis Sings Italian Favorites" was recorded following a suggestion from Francis' father, George Franconero, Sr., who played an active part in directing Francis' career. He had realized that Francis

neg: Facón "poncho" or coat is wrapped about the opposite arm to absorb cuts and stabs in a manner reminiscent of traditional Andalusian knife fighting styles using the long-bladed Spanish clasp knife or "navaja sevillana". As Charles Darwin said of the distinctive men who wore and used the "facón", "Many quarrels arose, which from the general manner of fighting with the knife often proved fatal." Facón A facón is a fighting and utility knife widely used in Argentina, Brazil, and Uruguay as the principal tool and weapon of the gaucho of the South American pampas. Often fitted with an elaborately decorated metal

neg: Miranda Sings "Woman Around Town" called Miranda "an atrocious, comedic masterpiece." Perez Hilton praised Miranda's parody of the hit song "Chandelier" as "the crowning achievement of music video parodies ... utterly fantastic". "TheaterJones" noted that Ballinger: "has hit on a character that reflects the zeitgeist of our time and does it with tongue firmly planted in cheek." In 2015, "Playbill" concluded: "Miranda Sings is a huge talent. With very demonstrative facial expressions, a unique take on makeup and wardrobe and her almost unbelievable vocal stylings, she cuts an undeniable figure in the world of online music video." "The Guardian" characterized Miranda's channel

neg: Deep Cuts (The Knife album) saying that "the synths, the drum machines and even the vocals – are distinctly retro but always put to imaginative use." Karin's way of singing was described as "mix of subtlety and parody". "Q" included "Deep Cuts" at number 56 on their Top 100 Albums of the 2000s list in 2009. In 2013, Swedish magazine "Sonic" placed the album at number four on their list of the 100 Best Swedish Albums Ever. The list was compiled by 150 musicians, journalists and music industry insiders. Credits adapted from the liner notes of "Deep Cuts". Deep Cuts (The Knife album) Deep Cuts

neg: Like a Champion do much for establishing her own musical identity". "Love Is Pop" said that the song is "the album’s magnificent self-empowerment anthem" they also said that "[it] has an air of reggae to it, both in terms of the percussion and the way Selena sings it [...] the song actually begins with a guy who sounds like a genuine reggae artist singing the chorus, so I’m not imagining that". "Idolator" said that the song is "absurdly charming" and the described the song has a "faux island swagger" Kia Makarechi of "The Huffington Post" was critical of "Like a Champion" by saying

neg: White Pony originally a Team Sleep song. The opening chords for "Knife Prty" lead into a distorted introduction with a moving bass line and a vocal bridge sung by Getsic in Spanish-Arabic style. Chino said, "It's a seductive song with a lot of violent imagery. People don't tend to like sex mixed with violence. The mid section has amazing vocals from a girl called Rodleen who worked next door to our studio". In a review of the album, iTunes notes that: "Jeff Buckley would have been thrilled at how 'Knife Party' expands the hard-rock notions of his "Grace" — the track’s bridge

neg: Music of Cuba to have played an important role in the creolization of the Spanish song-dances original proto-type (copla-estribillo) that originated the Cuban Guaracha. The Black curro and the Mulata de Rumbo (Black Curra) disappeared since the mid 19th century by integrating to the Havana general population, but their picturesque images survived in social prototypes manifested in the characters of the Bufo Theater. The famous "Mulatas de Rumbo" (mulatto characters) Juana Chambicú and María La O, as well as the black "cheches" (bullies) José Caliente "who rips in half those who oppose him," Candela, "negrito that flies and cuts with the knife," as

neg: Minstrel Krampus and Francine then visit their Stan's dad to teach Steve a lesson. So he tells the legend of Krampus which Steve disbelieves in and Stan about him being in a pot and leaves. Then Klaus tell Hayley what she got for the family which Hayley say "not yet" and sings a song about picking the perfect gift. She then finds Roger at a bar and asked him for something which Roger already did. It then cuts to Stan opening the jar which Krampus escapes from and kidnaps Steve. Now its cuts to Stan telling his dad about him releasing Krampus.

neg: Sara and Hoppity cuts off a little of Sara's hair and puts it on the bald doll's head. Miss Julie also gives Sara an apron with a pocket big enough for Hoppity. When wound up, the toy dances and sings his annoying "Diddly dum, diddly dee" song, which Sara somehow understands and, being very naughty, Hoppity's ideas often lead Sara into trouble. For example, in the first episode, she cuts all the flowers off her stern aunt Matilda's expensive hat to put in a vase on the dining table. The show was produced by Roberta Leigh and directed by Authur Provis. The art

neg: Ring the Alarm dancing on the table. She proceeds to an interrogation room similar to the one in the film "Basic Instinct". Knowles sings the first verse in a house with a seashore backdrop. She wants to escape, and struggles with masked and uniformed guards in a hallway. She is then returned to the interrogation room. In between cuts, she sings in a corner of a room, is seen reflected in a mirror while screaming, and among a group of reporters. As the song closes, Knowles is shown crying. The video ends with a close-up view of Knowles putting on red lipstick. The