query: romeo and juliet sonnet shall i compare thee to a summer 's day

pos: Sonnet 18 Sonnet 18 Sonnet 18 is one of the best-known of the 154 sonnets written by the English playwright and poet William Shakespeare. In the sonnet, the speaker asks whether he should compare the young man to a summer's day, but notes that the young man has qualities that surpass a summer's day. He also notes the qualities of a summer day are subject to change and will eventually diminish. The speaker then states that the young man will live forever in the lines of the poem, as long as it can be read. There is an irony being expressed in

pos: Sonnet 122 However, if "thy" receives emphasis, the line becomes regular again. The meter demands that line 4's "even" function as one syllable, and line 7's "oblivion" as three. Sonnet 122 Sonnet 122 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and first published in 1609. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Although the relationship started exuberantly in Sonnet 18 ("Shall I compare thee to a summer's day") by now it has given way to an almost defensive tone. The poet justifies

pos: Sonnet 122 Sonnet 122 Sonnet 122 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and first published in 1609. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Although the relationship started exuberantly in Sonnet 18 ("Shall I compare thee to a summer's day") by now it has given way to an almost defensive tone. The poet justifies giving away or losing a notebook ("tables") given him by the youth to record shared events by saying that his memories of them are stronger. Sonnet 122

pos: Sexuality of William Shakespeare announces that the poet is at "war with Time for love of you." Sonnet 18 asks "Shall I compare thee to a summer's day? / Thou art more lovely and more temperate", and in Sonnet 20 the narrator calls the younger man the "master-mistress of my passion". The poems refer to sleepless nights, anguish and jealousy caused by the youth. In addition, there is considerable emphasis on the young man's beauty: in Sonnet 20, the narrator theorises that the youth was originally a woman with whom Mother Nature had fallen in love and, to resolve the dilemma of lesbianism, added

pos: Same-sex intimacy marry and have children to preserve his beauty, using loving and occasionally romantic language to communicate his message. Additionally, it is believed by many scholars that Shakespeare's famous Sonnet 18 ("Shall I compare thee to a summer's day?") is also about a man, as he dedicated his book of sonnets to an unidentified "Mr. W.H." While sexuality was heavily policed and regulated in the 1600s, there were many individuals who disagreed with government policies and who opted to rebel. The most notable example of such an instance is Thomas Morton, an English adventurer who wished to live outside of the

pos: Procreation sonnets sonnets, Shakespeare's speaker several times suggests that the child will be a copy of the young man, who will therefore live on through his child. The actual historical identity, if any, of the young man is a mystery; two candidates that have received the most consideration are Henry Wriothesley, 3rd Earl of Southampton; and William Herbert, 3rd Earl of Pembroke. Sonnet 18 ("Shall I compare thee to a summer's day?") turns away from the theme of procreation and introduces a new and greater perspective, in which the speaker of the sonnets begins to express his own devotion to the young

pos: Peter O'Toole Dublin, London and Paris (at the Ritz, which was where his character supposedly lived in the film "How to Steal a Million"). In an interview with National Public Radio in December 2006, O'Toole revealed that he knew all 154 of Shakespeare's sonnets. A self-described romantic, O'Toole regarded the sonnets as among the finest collection of English poems, reading them daily. In "Venus", he recites Sonnet 18 ("Shall I compare thee to a summer's day?"). O'Toole wrote two memoirs. "Loitering With Intent: The Child" chronicles his childhood in the years leading up to World War II and was a "New York

pos: The Darling Buds of May (novel) any barriers to free enterprise. The title of the book is a quote from William Shakespeare's Sonnet 18: "Shall I compare thee to a summer's day? / Thou art more lovely and more temperate: / Rough winds do shake the darling buds of May, / And summer's lease hath all too short a date;" [...] Pop and Ma Larkin celebrate sex, youth, and vitality. In each novella in the series, Pop Larkin kisses, caresses, and pinches most of the women that he encounters. Ma Larkin expects this behaviour and approves of it. When told that Pop has kissed the middle-aged

pos: Sexuality of William Shakespeare Sexuality of William Shakespeare The sexuality of William Shakespeare has been the subject of recurring debate. It is known from public records that he married Anne Hathaway and that they had three children; scholars have analysed their relationship through these documents, and particularly through the bequests to her in Shakespeare's will. Some have speculated Shakespeare had affairs with other women, based on contemporaries' written anecdotes of such affairs and sometimes on the "Dark Lady" figure in his sonnets. Some scholars have argued he was bisexual, based on analysis of the sonnets: many, including Sonnet 18 "Shall I compare thee to

pos: Extended metaphor theme of extended metaphors. This is often seen in William Shakespeare's work. For example, in Sonnet 18 the speaker offers an extended metaphor which compares his love to Summer. Shakespeare also makes use of extended metaphors in Romeo and Juliet, most notably in the balcony scene where Romeo offers an extended metaphor comparing Juliet to the sun. In the following passage from The Love Song of J. Alfred Prufrock, T.S. Eliot provides another example of an extended metaphor: Qualities (grounds) that we associate with cats (vehicle), color, rubbing, muzzling, licking, slipping, leaping, curling, sleeping, are used to describe the fog

pos: Sonnet 18 Sonnet 18 Sonnet 18 is one of the best-known of the 154 sonnets written by the English playwright and poet William Shakespeare. In the sonnet, the speaker asks whether he should compare the young man to a summer's day, but notes that the young man has qualities that surpass a summer's day. He also notes the qualities of a summer day are subject to change and will eventually diminish. The speaker then states that the young man will live forever in the lines of the poem, as long as it can be read. There is an irony being expressed in

pos: Sonnet 15 that Sonnet 15's closing line "As he [i.e. Time] takes from you, I engraft you new" (15.14) is the "first of several traditional claims for the immortalizing power of verse." This theme of poetic immortality is continued in later sonnets, including sonnet 17's closing couplet "You should live twice: in [your child] and in my rhyme," in sonnet 18's last few lines "Nor shall death brag thou wander'st in his shade / When in eternal lines to time thou grow'st. / So long as men can breathe or eyes can see, / So long lives this, and this gives life

neg: Sonnet 105 several times in this sonnet. Sonnet 105 falls broadly into the group of Sonnets addressed to a "Fair Youth", which ranges from Sonnets 1-126. This group of sonnets address an unnamed youth who acted as the object of Shakespeare's love. The nature of that love has often been debated, namely whether it was romantic or platonic in nature, The consensus is generally that they are more romantic in nature, judging by the classic romantic language used in Sonnets like the famous 18th ("shall I compare thee to a Summer's day"), and the poet's lamentation that the youth was not born

neg: Count Paris this sonnet form to describe Count Paris to Juliet as a handsome man. When Romeo and Juliet meet, the poetic form changes from the Petrarchan (which was becoming archaic in Shakespeare's day) to a then more contemporary sonnet form, using "pilgrims" and "saints" as metaphors. Finally, when the two meet on the balcony, Romeo attempts to use the sonnet form to pledge his love, but Juliet breaks it by saying, "Dost thou love me?" By doing this, she searches for true expression, rather than a poetic exaggeration of their love. Juliet uses monosyllabic words with Romeo, but uses formal language

neg: Romeo and Juliet handsome man. When Romeo and Juliet meet, the poetic form changes from the Petrarchan (which was becoming archaic in Shakespeare's day) to a then more contemporary sonnet form, using "pilgrims" and "saints" as metaphors. Finally, when the two meet on the balcony, Romeo attempts to use the sonnet form to pledge his love, but Juliet breaks it by saying "Dost thou love me?" By doing this, she searches for true expression, rather than a poetic exaggeration of their love. Juliet uses monosyllabic words with Romeo but uses formal language with Paris. Other forms in the play include an epithalamium by

neg: Seung-Hui Cho from the Act 2, Scene II of the Shakespeare play "Romeo and Juliet". In the passage, Romeo laments to Juliet ""[b] a name, I know not how to tell who I am. My name, dear saint, is hateful to myself, because it is an enemy to thee. Had I it written, I would tear the word."" The young woman was initially unconcerned by Cho's AIM messages and the "Romeo and Juliet" quotation until she was contacted by Andy Koch via AIM. Koch informed her of Cho's previous earlier stalking incident and told her, "i think he is schophrenic ." Encouraged

neg: Miroslav Sekera First Prize Baden Competition - Best Performance of a work by Leoš Janáček Prague Academy of Music Arts - First Prize (1999) Johannes Brahms International Competition - First Prize (2002) Augury of Amadeus - unknown Composer: Various What A Piece Of Work Is Man - Albany Records 2005 Discography Composer: Joseph Summer Shall I Compare Thee to a Summer's Day? - Albany Records 2006 Discography Composer: Joseph Summer So Many Journeys - Albany Records 2009 Discography Composer: Joseph Summer Miroslav Sekera Miroslav Sekera is a Czech pianist who has won numerous awards, including first prize awards in the Chopin Competition

neg: Shakespeare's sonnets language, and his speech happens to fall into the meter and rhyme of a sonnet. (“O, never will I trust to speeches penned…”) The epilogue at the end of the play "Henry V" is written in the form of a sonnet (“Thus far with rough, and all-unable pen…”). Three sonnets are found in "Romeo and Juliet": The prologue to the play (“Two households, both alike in dignity…”), the prologue to the second act (“Now old desire doth in his death-bed lie…”), and set in the form of dialogue at the moment when Romeo and Juliet meet: The play "Edward III"

neg: A rose by any other name would smell as sweet name which is no part of thee Take all myself. Romeo: I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. Although it is one of the most famous quotes from the work of Shakespeare, no printing in Shakespeare's lifetime presents the text in the form known to modern readers: it is a skillful amalgam assembled by Edmond Malone, an editor in the eighteenth century. "Romeo and Juliet" was published twice, in two very different versions. The first version of 1597, named "Q1", is believed to have been an

neg: Sonnet 128 Sonnet 128 Sonnet 128 is one of William Shakespeare's Sonnets. Sonnet 128 is comparable to the sonnet in "Romeo and Juliet" in which Romeo pleads for a first kiss. Like that pilgrim/saint tête-à-tête, this sonnet is set in a public musical celebration. Shakespeare watches his dark lady play the keyboard virginal (or Bassano built clavichord), captivated by her back swaying with the melody. Like Romeo, he longs for a kiss, but in this sonnet he envies the jacks (wooden keys) that the lady's playing fingers "tickle" while trilling the notes. Perhaps he also envies the other men (Jacks) standing around

neg: Friar Laurence thee for a holy man." Shakespeare uses a variety of poetic forms throughout the play. He begins with a 14-line prologue in the form of a Shakespearean sonnet, spoken by a Chorus. Most of "Romeo and Juliet" is, however, written in blank verse, and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays. In choosing forms, Shakespeare matches the poetry to the character who uses it. Friar Laurence, for example, uses sermon and sententiae forms, and the Nurse uses a unique blank verse form that closely matches colloquial speech. Friar Laurence

neg:
Sonnet never shaken; (D)*** It is the star to every wand'ring bark, (C)** Whose worth's unknown although his height be taken. (D)*** Love's not time's fool, though rosy lips and cheeks (E) Within his bending sickle's compass come, (F)* Love alters not with his brief hours and weeks, (E) But bears it out even to the edge of doom: (F)* </poem> "* "
 "**
 "*** "
 The Prologue to "Romeo and Juliet" is also a sonnet, as is Romeo and Juliet's first exchange in Act One, Scene Five, lines 104–117, beginning with "If I profane with my unworthiest hand" (104)

neg: 10 Things I Hate About You tuxes came from Isadora's in Seattle. The primary tagline is an allusion to a poem written by Elizabeth Barrett Browning from her Sonnets from the Portuguese collection. ("How do I loathe thee? Let me count the ways.") Another tagline is a spoof from Shakespeare's "Romeo and Juliet" ("Romeo, Oh Romeo, Get Out Of My Face.") and another is a line from "The Taming of the Shrew" that is spoken in the film by Cameron ("I burn, I pine, I perish!"). The original script was finalized on November 12, 1997. In its opening weekend, the film grossed US$8,330,681 in 2,271 theaters

neg: Sonnet 36 embarrassment would be brought to both (especially the lover) if they were seen together in public. The message of the sonnet is best summed up when the speaker says, "I may not ever-more acknowledge thee, / Lest my bewailed guilt should do thee shame," (lines 9-10) implying that the young lover would be shamed if others knew he and the speaker knew each other. "Let me confess that we two must be twain, / Although our undivided loves are one:" "So shall those blots that do with me remain, / Without thy help, by me be borne alone." "In our

neg: Romeo and Juliet for example, uses sermon and sententiae forms and the Nurse uses a unique blank verse form that closely matches colloquial speech. Each of these forms is also moulded and matched to the emotion of the scene the character occupies. For example, when Romeo talks about Rosaline earlier in the play, he attempts to use the Petrarchan sonnet form. Petrarchan sonnets were often used by men to exaggerate the beauty of women who were impossible for them to attain, as in Romeo's situation with Rosaline. This sonnet form is used by Lady Capulet to describe Count Paris to Juliet as a

neg: The Blackening throughout society and "Wolves" addresses the band's competitive "winner takes all" spirit. "Now I Lay Thee Down" features a "Romeo and Juliet"-esque love story about one person killing another person, and then killing themselves. The song relates to the William Shakespeare play, "Romeo & Juliet", where at the end of the story, two lovers kill themselves because they assume that their lover is dead. The original lyrics to the chorus of the song were considered "poppy" by Flynn and his band-mates, so they intentionally changed the lyrics so it wouldn't get radio play. "The Blackening" received critical acclaim. Blabbermouth.net reviewer

neg: A rose by any other name would smell as sweet longer be a Capulet Romeo: [Aside] Shall I hear more, or shall I speak at this? Juliet: 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? That which we call a rose By any other word would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that

neg: Characters in Romeo and Juliet of the Shrew". Rosaline is an unseen character and niece of Capulet. Although silent, her role is important: her lover, Romeo, first spots her cousin Juliet while trying to catch a glimpse of Rosaline at a Capulet gathering. Before Juliet, Romeo was deeply intrigued with another woman that didn't return his feelings. Scholars generally compare Romeo's short-lived love of Rosaline with his later love of Juliet. Rosaline means "fair rose". The poetry he writes for Rosaline is much weaker than that for Juliet. Scholars believe his early experience with Rosaline prepares him for his relationship with Juliet. Later performances of

neg: Romeo & Juliet (2013 film) a solution. The Friar in return, gives her a potion that will put her in a deathlike sleep temporarily while he will inform Romeo about this and they shall run away together. Juliet is overjoyed and drinks the potion that night. Her parents are devastated and instead of her marriage, her funeral is planned. During the funeral, Benvolio sees Juliet and thinks she is dead and immediately runs off to tell Romeo. Friar's letter however, does not reach Romeo and Benvolio tells Romeo that Juliet is dead. Romeo is shocked and devastated and plans to take his life. He buys

neg: Romeo and Juliet characters, and his use of sub-plots to embellish the story) has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play. "Romeo and Juliet" has been adapted numerous times for stage, film, musical, and opera venues. During the English Restoration, it was revived and heavily revised by William Davenant. David Garrick's 18th-century version also modified several scenes, removing material then considered indecent, and Georg Benda's "Romeo und Julie"

neg: Rosaline Rosaline Rosaline () is an unseen character and niece of Lord Capulet in William Shakespeare's tragedy "Romeo and Juliet" (1597). Although silent, her role is important. Romeo is at first deeply in love with Rosaline and expresses his dismay at her not loving him back. Romeo first spots Juliet while trying to catch a glimpse of Rosaline at a gathering hosted by the Capulet family. Scholars generally compare Romeo's short-lived love of Rosaline with his later love of Juliet. The poetry Shakespeare writes for Rosaline is much weaker than that for Juliet. Scholars believe Romeo's early experience with Rosaline prepares

neg: Sonnet 15 to thee," and sonnet 19's final line "My love shall in my verse live ever young." Josephy Pequigney, Professor Emeritus of English at the State University of New York at Stony Brook and author of Such Is My Love: A Study of Shakespeare's Sonnets, argues that this new method of immortality provides the speaker with "an alternative means of salvaging the beloved, a means solely at his command and independent of the biological means that would require the youth to beget children on one of those eager maidens." He adds that this may indicate "an intensification of the protagonist's love

neg: Sonnet 25 Sonnet 25 Sonnet 25 is one of 154 sonnets published by the English playwright and poet William Shakespeare in the "Quarto" of 1609. It is a part of the Fair Youth sequence. In the sonnet the poem expresses the poet's contentedness in comparison to others, though they may have titles, honors, or are favored at court, or are noted warriors. It prefigures the more famous treatment of class differences found in Sonnet 29. There are noted similarities in this sonnet and in the relationship of Romeo and Juliet. The Speaker contrasts those who are fortunate (whether by the astrological influence

neg: Romeo and Juliet Romeo. Beyond this, the sub-plot of the Montague–Capulet feud overarches the whole play, providing an atmosphere of hate that is the main contributor to the play's tragic end. Shakespeare uses a variety of poetic forms throughout the play. He begins with a 14-line prologue in the form of a Shakespearean sonnet, spoken by a Chorus. Most of "Romeo and Juliet" is, however, written in blank verse, and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays. In choosing forms, Shakespeare matches the poetry to the character who uses it. Friar Laurence,

neg: Romeo & Juliet: Sealed with a Kiss marry the Prince, who attends the party. Romeo and his friends manage to wreak havoc, and are revealed to be Montagues. Later that evening, the play's balcony scene is recreated on a cliff on the beach where a tree grows. Romeo promises Juliet that they shall marry the next morning, and she will not have to marry the Prince. Romeo begs Friar Lawrence, a sea otter, to wed them. After some thought, the friar believes their marriage will end the feud between their families, and agrees. Romeo and Juliet are wed that morning and traverse the sea in their happiness.

neg: Double entendre distaff; and I hope to see a housewife take thee between her legs and spin it off"; the Nurse in "Romeo and Juliet" says that her husband had told Juliet when she was learning to walk that "Yea, dost thou fall upon thy face? Thou wilt fall backward when thou hast more wit"; or is told the time by Mercutio: "for the bawdy hand of the dial is now upon the prick of noon"; and in "Hamlet", Hamlet publicly torments Ophelia with a series of sexual puns, including "country matters" (similar to "cunt"). The title of Shakespeare's play "Much Ado

neg:
Elizabeth Melville internal rhyme before the caesura in both lines of the closing couplet of her three scribally-assigned sonnets. The acrostic sonnet to the imprisoned minister John Welsh ends: A sight most bright thy soul shall shortly see
 When store of Glore thy rich reward shall be. The acrostic (and anagram) sonnet to the imprisoned Andrew Melville ends: Now saulls do schyne quho luik unto thy licht
 And wel wer myne to sie that blissed sicht. and the accompanying sonnet also addressed to him ends: Rejoyce and sing thoch Sathan sift thee soir
 Fecht for thy king and gaine ane crowne of

neg: Characters in Romeo and Juliet by wishing death upon him. In Act 3, Scene 5, she becomes very angry with Juliet for refusing to marry Paris and coldly rejects her, saying: "Talk not to me, for I'll not speak a word; do as thou wilt, for I am done with thee". By the final act, she is nearly overcome by the tragic events of the play, this is where the grief-stricken mother comes out. We know Juliet's mother bore her first child by the time she was 14, Juliet's age, and her husband is many years older than she. Calling her "Lady Capulet" is a

neg: Lammas of Juliet, "Come Lammas Eve at night shall she [Juliet] be fourteen." Since Juliet was born Lammas eve, she came before the harvest festival, which is significant since her life ended before she could reap what she had sown and enjoy the bounty of the harvest, in this case full consummation and enjoyment of her love with Romeo. Another well-known cultural reference is the opening of "The Battle of Otterburn": "It fell about the Lammas tide when the muir-men win their hay". William Hone speaks in "The Every-Day Book" (1838) of a later festive Lammas day sport common among Scottish

neg: Shall I Compare You to a Spring Day Shall I Compare You to a Spring Day Shall I Compare You to a Spring Day () is a 2017 Chinese television series based on the novel "Beijing, Beijing" by Feng Tang. Starring Zhang Yishan and Zhou Dongyu, the series is a coming-of-age story about young love and brotherhood among a group of youths, who lived during the revolutionary times of Beijing. It premiered on Youku on 21 July 2017, and airs one episode from Monday to Friday. Qiu Shui is artistically inclined and loves creating literary works, but enters med school according to his father's wishes. During military training,

neg: Shall I Compare You to a Spring Day Many years later, Qiu Shui becomes a successful businessman and writer; and he also meets Xiao Hong again... Shall I Compare You to a Spring Day Shall I Compare You to a Spring Day () is a 2017 Chinese television series based on the novel "Beijing, Beijing" by Feng Tang. Starring Zhang Yishan and Zhou Dongyu, the series is a coming-of-age story about young love and brotherhood among a group of youths, who lived during the revolutionary times of Beijing. It premiered on Youku on 21 July 2017, and airs one episode from Monday to Friday. Qiu Shui is artistically

neg: Five wits wit", "imagination", "fantasy", "estimation", and "memory". "Common wit" corresponds to Aristotle's concept of "common sense" (sensus communis), and "estimation" roughly corresponds to the modern notion of instinct. Shakespeare himself refers to these wits several times, in "Romeo and Juliet" (Act I, scene 4, and Act II, scene iv), "King Lear" (Act III, scene iv), "Much Ado About Nothing" (Act I, scene i, 55), and "Twelfth Night" (Act IV, scene ii, 92). He distinguished between the five wits and the five senses, as can be seen from Sonnet 141. The five wits are derived from the faculties of the soul that

neg: Romeo & Juliet: Sealed with a Kiss groups that, should there be any more disturbance, the seal who caused it shall be exiled to Shark Island, a fin shaped rock where his henchman, Sharky, a shark lives. Romeo (Daniel Tripett), Montague's only son, is depressed, wishing to fall in love with someone. His humorous friend, Mercutio (Chip Albers), urges him and another of his friends, Benvolio (Sam Gold), to go to a Capulet party later that evening. They attend the party, covered in white sand to look like Capulets, and Romeo falls in love with Juliet at first sight. Juliet, however, was promised by her father to

neg: Romeo + Juliet to the mansion, hiding under Juliet's balcony. Juliet emerges into the courtyard and proclaims her love for Romeo before he sneaks up behind her. Juliet warns him that he is risking his life, but Romeo tells her he doesn't care whether he is caught. Knowing her nurse is looking for her, Juliet tells him that, if he sends word by the following day, they will be betrothed. The next day, Romeo visits Father Laurence, telling him he wants to marry Juliet. He agrees to marry the pair in hopes that their marriage will end the violence between the families. Romeo

neg: Iamb (poetry) feet: Iambic Pentameter is a meter referring to a line consisting of five iambic feet: (Although, it could be argued that this line in fact reads: Shall I compare thee to a summer's day? Meter is often broken in this way, sometimes for intended effect and sometimes simply due to the sound of the words in the line. Where the stresses lie can be debated, as it depends greatly on where the reader decides to place the stresses. Although in this meter the foot is no longer iambs but trochees.) Iambic hexameter is a meter referring to a line consisting

neg: Sonnet 67 in line 4 has been glossed various ways. Citing "Romeo and Juliet" and "Macbeth", George Steevens glossed it as "embellish"; Edward Dowden agreed, but George Wyndham has it as "diversify." Wyndham also perceives a reference to the "rival poet" in lines 7-8. In line 8, "seeing" is sometimes amended to "seeming" but more commonly "dead seeing" is glossed as some variation "lifeless appearance." Sonnet 67 Sonnet 67 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man,

neg: Thomas Breakwell June 1902, at the age of 30. Heartbroken at his passing, `Abdu'l-Bahá wrote a moving and inspiring tablet eulogizing him in response to the request of Breakwell's father: "O Breakwell! O my dear one! Where are thy beauteous eyes? Thy smiling lips? Thy princely cheek? Thy graceful form? O Breakwell! O my dear one! At all times do I call thee to mind, I shall never forget thee. I pray for thee by day and by night. I see thee plain before me, as if in open day. O Breakwell! O my dear one!…" The grave was leased for only

neg: Sonnet 89 'me','my' and 'myself'. The opposing force to this is constituted of 'thy' four times, 'thou' three times, and a 'thee'. The main body of the sonnet, however, concludes with an expression of former mutuality "our old acquaintance". It is quite typical for a love poem to pivot between 'I' and 'you' (or 'thee'). Shakespeare seems to write knots of 'you' sonnets (as in the 'rival poet' part of the sequence: at 87 a new tonality came in with the dramatic announcement of 'Farewell, thou art too dear for my possessing'. In sonnet 89, the emotional severing of 'I' and 'thou'

neg: In Fair Palestine: A Story of Romeo and Juliet wed in secret by a sheikh. The film follows the basic plotline of the original Romeo and Juliet, though in the film, Romeo does not hear of Juliet's faked death because a messenger sent to bring him the news is stopped at an Israeli checkpoint. In Fair Palestine: A Story of Romeo and Juliet In Fair Palestine: A story of Romeo and Juliet is a film produced by Palestinian high school students at the Quaker-run Ramallah Friends Schools in the West Bank. A documentary drama, it reprises the story of Romeo and Juliet in the modern-day context of life in

neg: Romeo and Juliet (Sylk-E. Fyne song) Billboard 100 and #1 on the rap charts. However, her album failed to match the single's success as "Raw Sylk" struggled sales-wise, and she was dropped from her label, RCA Records. Though her next single, 2000's "Ya Style" found some success on the rap charts (peaking at #17), "Romeo and Juliet" remains both Sylk-E. Fyne and Chill's only top 40 hit on the Billboard 200. "Romeo and Juliet" was certified gold by the RIAA on March 30, 1998 for sales of over 500,000 copies. Romeo and Juliet (Sylk-E. Fyne song) "Romeo and Juliet" was the lead single released from Sylk-E.

neg: Romeo + Juliet Story” and “China Girl”), but I have never seen anything remotely approaching the mess that the new punk version of “Romeo & Juliet” makes of Shakespeare's tragedy." The film was nominated to appear on the American Film Institute's "100 Years...100 Passions" list in 2002. The film was originally released on VHS and DVD in 1997. A 10th anniversary special edition DVD containing extra features and commentary was released on February 6, 2007, while a Blu-ray edition was released on October 19, 2010. Romeo + Juliet William Shakespeare's Romeo and Juliet (often shortened to Romeo + Juliet) is a 1996 American

neg: Gabriel Zacharias said unto the angel, Whereby shall I know this? for I am an old man, and my wife well stricken in years. 19 And the angel answering said unto him, I am Gabriel, that stand in the presence of God; and am sent to speak unto thee, and to shew thee these glad tidings. 20 And, behold, thou shalt be dumb [deaf], and not able to speak, until the day that these things shall be performed, because thou believest not my words, which shall be fulfilled in their season. ( KJV) (other versions: )</poem> After completing his week of

neg: Désirée Artôt and published posthumously as Op. 77). The Artôt episode was very fresh in Tchaikovsky's mind at the time he wrote "Romeo and Juliet". He could easily have drawn a parallel between his personal loss and the tragedy of Shakespeare’s drama. Mily Balakirev praised "Romeo and Juliet"'s love theme (written in D flat = Des) with an extraordinary choice of words: ""... the second D flat tune is delightful ... It is full of tenderness and the sweetness of love ... When I play it I imagine you are lying naked in your bath and that the Artôt-Padilla herself is washing

neg: Hamnet Shakespeare a replacement for his dead son is related to Hamnet's death, or whether "Romeo and Juliet" is a tragic reflection of the loss of a son, or Alonso's guilt over his son's death in "The Tempest" is related. Sonnet 37 may have also been written in response to Hamnet's death. Shakespeare says in it, "As a decrepit father takes delight / To see his active child do deeds of youth / So I, made lame by fortune's dearest spight / Take all my comfort of thy worth and truth." Still, if this is an allusion to Hamnet, it is a

neg: Romeo and Juliet on screen Howard describes as the "playing Shakespeare is a gateway to self-fulfilment" plot. As he explains it, "an ill-matched crew of Elizabethan theatre people are transformed and united by the process of creating "Romeo and Juliet"". The film's climax includes Judi Dench's Elizabeth I declaring that Shakespeare's play "can show us the very truth and nature of love." For comprehensive list, see Romeo and Juliet (films). All references to "Romeo and Juliet", unless otherwise specified, are taken from Gibbons, Brian "Romeo and Juliet" Arden Shakespeare second series (London, Methuen, 1980, ). Under its referencing system, which uses Roman numerals, II.ii.33 means

neg: Sonnet 25 courtly status is gifted by the stars and not earned, it is precarious. John Kerrigan notes the echo of the prologue to "Romeo and Juliet" in the astrological metaphor of the first quatrain; he notes that the image severs reward from justice, making fortune a mere caprice. Edward Dowden notes that the marigold was most commonly mentioned in Renaissance literature as a heliotrope, with the various symbolic associations connected to that type of plant; William James Rolfe finds an analogous reference to the plant in George Wither's poetry: <poem> When, with a serious musing, I behold The gratefull, and obsequious

neg: Janette Steer Steer became manager of the Comedy Theatre. She accepted the role because, as she explained, "I hate having to play parts I don't like, and now I can choose what I please." That year, she appeared in a set of four short works, including W. S. Gilbert's "Comedy and Tragedy", Alicia Ramsey's "Isla the Chosen", and scenes from "Romeo and Juliet" (she played Romeo) and "Hamlet" (she played Hamlet). Steer provoked widely-publicized threats of legal action from W. S. Gilbert, when Gilbert was upset by her interpretation of Galatea, at odds with his conception of the character, in a 1900

neg: Hillview High School thy shade on thy right hand doth stay: The moon by night thee shall not smite, nor yet the sun by day. The Lord shall keep thy soul; he shall preserve thee from all ill. Henceforth thy going out and in God keep for ever will. I to the Hills, tune or Tune. Sung here I to the hills. Strong as the eagles that master the sky Firm as our mountains, never to die Oh Hillview High we salute your name Proudly then we will sing about your fame Then to the hills, We'll lift our eyes Steadfast and striving

neg: Romeo and Juliet (1968 film) Romeo and Juliet"" The film's love theme was widely disseminated, notably in "Our Tune", a segment of the British Broadcasting Corporation (BBC)'s disc jockey Simon Bates's radio show. In addition, various versions of the theme have been recorded and released, including a highly successful one by Henry Mancini, whose instrumental rendition was a Number One success in the United States during June 1969. There are two different sets of English lyrics to the song. Notes Further reading Romeo and Juliet (1968 film) Romeo and Juliet is a 1968 British-Italian romantic drama film based on the play of the same name,

neg: Samuel Taylor Coleridge chosen by Harper as the "best example of the peculiar kind of blank verse Coleridge had evolved, as natural-seeming as prose, but as exquisitely artistic as the most complicated sonnet." The speaker of the poem is addressing his infant son, asleep by his side: <poem> Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast,

neg: Merrie England (opera) the homophones 'fore' and 'four' are used in a scene in the second act where it is explained that a dragon has "four legs, two of which are hind legs and two of which are fore legs" (compare this with the famous 'orphan'/'often' exchange in Act one of "The Pirates of Penzance", by Gilbert and Sullivan). The poem in Act One giving the A to Z of "Romeo and Juliet" is a particularly fine example of Hood's writing, summarising the plot of "Romeo and Juliet" through use of the alphabet. The plot, a rustic, romanticised Tudor story, has been criticised

neg: Sonnet 21 candles" are the stars in the heavens. Edmond Malone found parallel descriptions of the stars as candles in Romeo and Juliet and Macbeth. While Alexander Schmidt glosses line 13 as "fall in love with what others have praised," Edward Dowden has it "those who like to be buzzed about by talk." As William James Rolfe notes, the line, and indeed the final couplet, refer definitely to the type of exaggerated praise that Shakespeare declaims in the sonnet. George Wyndham notes a parallel to the final line in Samuel Daniel's "Delia 53"; in that poem, the speaker condemns the "mercenary lines"

neg: Nurse (Romeo and Juliet) events that took place. The Nurse is sent by Juliet in act two, scene four to seek out Romeo the night after their first kiss and exchange of vows. The Nurse finds Romeo and soon after returns to Juliet with news of Romeo's continued affection. It is because of the Nurse's approval that Juliet ultimately decides to go through with marrying Romeo. Later, the Nurse is overcome with grief at the death of Tybalt, and she runs to Juliet and cries, "He's dead, he's dead, he's dead! We are undone, lady, we are undone! Alack the day, he's gone, he's

neg: Nurse (Romeo and Juliet) Nurse recognizes that Juliet shows no interest in Paris' courting and is the only member of the older generation to take Juliet's feelings into consideration…that is, until she suddenly betrays Juliet's trust by saying that she should marry Paris. Only to the nurse does Juliet confide her feelings about both Paris "and" Romeo. The formal language Juliet uses around Paris, as well as the way she talks about him to her Nurse, show that her feelings clearly lie with Romeo. The Nurse also admits to being something of a fool, proclaiming, "were not I thine [Juliet's] only nurse, I would

neg: Romeo & Juliet (2013 film) dialogue as written by Shakespeare. This has led to several critics denouncing the film's advertising as misleading and losing the essence of the play. The film grossed $3 million. During the late Middle Ages in Verona, two wealthy families, the Montagues and Capulets, have been feuding for centuries. One day at the market place, the feuding families start a brawl which infuriates the Prince and he threatens that if the peace of Verona is disturbed again, he shall take their lives. Meanwhile, Romeo, a young Montague, reveals that he is in love with Lord Capulet's niece, Rosaline. Romeo's cousin, Benvolio

neg: Characters in Romeo and Juliet all the Montagues and Capulets. As he finishes, the prince proclaims, "We have still known thee for a holy man". Friar John calls at the door of Friar Laurence's cell, "Holy Franciscan friar! brother, ho!" (5.2.1). Friar Laurence comes out and immediately asks about Romeo: "Welcome from Mantua! What says Romeo? / Or, if his mind be writ, give me his letter" (5.2.3–4). Friar John explains that he sought out another friar for company and found him in a house where he was visiting the sick, whereupon the health authorities, fearing there was pestilence in the house, confined both friars

neg: In Fair Palestine: A Story of Romeo and Juliet In Fair Palestine: A Story of Romeo and Juliet In Fair Palestine: A story of Romeo and Juliet is a film produced by Palestinian high school students at the Quaker-run Ramallah Friends Schools in the West Bank. A documentary drama, it reprises the story of Romeo and Juliet in the modern-day context of life in a Palestinian city, Ramallah. Work on the project was initiated in January 2006 by Doug Hart, an English teacher of American background . The film premiered on 19 January 2008 at the Ramallah Cultural Palace to an audience of 800 people in the 700 seat

neg: Benvolio in the final scene "Enter Lord Montague and others", and he is sometimes doubled with Balthasar). Part of Benvolio's role is encouraging Romeo to go to the party, where he falls in love with Juliet. A mock-Victorian revisionist version of "Romeo and Juliet"'s final scene (with a happy ending, Romeo, Juliet, Mercutio and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play "The Life and Adventures of Nicholas Nickleby". He also attempts to romance Rosaline in Sharman Macdonald's "After Juliet". Benvolio Benvolio is a fictional character in Shakespeare's

neg: Romeo and Juliet on screen its fourth episode "Rosie, Oh! Rosie, Oh!" in 1995 featuring the titular Jack Russell terrier as Romeo Montague in a television stage production of "Romeo and Juliet". The name of "Romeo and Juliet" has become synonymous with young love. Tony Howard concludes that "we inherit so many of our images of romance, generational discord and social hatred from the play that it is impossible to list all its cinematic reincarnations", citing works as disparate as the Polish 1937 "Romeo i Julieta", the Swiss 1941 "Romeo und Julia auf dem Dorf", the French 1949 "Les amants de Vérone" and the Czech

neg: Romeo and Juliet (Pastor) Romeo and Juliet (Pastor) Romeo and Juliet is a 2008 ballet choreographed by Krzysztof Pastor based on William Shakespeare's play "Romeo and Juliet". Pastor's three-act version is set to the same score used in the Prokofiev version of the ballet. The libretto is by Pastor and Willem Bruls. The ballet is recast as a contemporary political statement set in three Italian political eras of the 20th century. Act I is set in Italy in the 1930s, during the reign of Benito Mussolini and the emergence of Fascism. (1935 was the year in which Prokofiev composed the original score.) Act II

neg: Sonnet 16 are potentially accurate: while the lines do not establish a single meaning, the reader understands in general terms the usual theme, the contrast between artistic and genealogical immortality. The assertion is that procreation is a more viable route to immortality than the "counterfeit" of art. The sonnet concludes with resignation that the efforts of both time and the poet to depict the youth's beauty cannot bring the youth to life ("can make you live") in the eyes of men (compare the claim in Sonnet 81, line 8, "When you entombed in men's eyes shall lie"). By giving himself away in

neg: Sonnet 11 this as being similar to Matthew's paradox in Matt. 25:29 (Bible verse). The comparison comes from the line saying, "For unto everyone that hath shall be given, and he shall have abundance: But he that hath not, from him shall be taken away, even that which he hath". Kerrigan finds that line 11 is a good shadow of this line from Mathew (New Testament). This quatrain is able to bring out the sort of beliefs in the idea of beauty and power in the time of Shakespeare. "She carved thee for her seal, and meant thereby" "Thou shouldst print more,

neg: Sonnet 125 ionic. The meter demands that line 9's "obsequious" function as three syllables, and line 12's "mutual" as two. As seen in Sonnet 125, the meter of the poem or the rhyme scheme is occasionally altered from the typical "a-b-a-b, c-d-c-d, e-f-e-f, g-g" structure. Sonnet 125 uses a varying rhyme scheme of a-b-a-b, c-d-c-d, e-a-e-a, f-f, with "free" (line 10) and "thee" (line 12) corresponding to the rhyme of "canopy" in line 1 and "eternity" in line 3. There are many views as to why Shakespeare chose to vary the rhyme scheme in Sonnet 125. Philip McGuire believes this type of

neg: Such Tweet Sorrow romantic tweets yet. The next day the pieces are slowly fitting together. Tybalt discovers that Romeo is flirting with his little sister and Mercutio begins to realize that he is losing Romeo to his new love. Laurence also discovers the new romance and approves thinking this would encourage the healing process between the two families. Jess, who was unaware of Juliet not knowing Romeo's identity, reveals the secret to Juliet. Romeo trying to confess discovers that she already knows and spends the evening apologizing and explaining. Juliet, astonished about the news, needs time to think. Tybalt spends the next day

neg: Sonnet 4 urgently seeks to make him change his ways, and, as we shall see does so in the intertwined names of beauty and memory and in the face of oblivion". Sonnet Four follows these very themes with the speaker praising his friend, the young man, for his beauty, he moves on to say that his friend not having children would be inexcusable, when he says "Then how when nature calls thee to be gone: What acceptable audit canst though leave?" (lines 11–12) Here the speaker is using the unpredictability of nature to try to convince his friend to hurry up and

neg: Such Tweet Sorrow as he is not interested in fooling around as usually. After tweeting anonymously about last night Romeo and Juliet set up a date for the next morning and Juliet, still not knowing who Romeo truly is, goes to London to support Jess. Jess finishes the marathon successfully and is supported by Tybalt and Laurence but not even congratulated by Juliet who spends the day at the house with her new lover. Romeo still hasn't told her that he is a Montague. Tybalt found out that Juliet lost her virginity on her birthday but still has not connected that to Romeo's

neg: Lotta Schelin career. As a tall, skilful and prolific Swedish forward, Schelin has frequently drawn comparison with the contemporary male footballer Zlatan Ibrahimović. Former Denmark national team manager Peter Bonde branded Schelin "the female Zlatan" in 2005. In December 2013, Ibrahimović made an outspoken rejection of any comparison: "I was asked [by Swedish media] in the summer who was the better player, me or Lotta Schelin. You're kidding me, right? When I've broken all these records, this goal record, the goals in the national team, who shall I compare it to? Shall I compare it to whoever has the record, or the

neg: Such Tweet Sorrow only discovering that he had blocked him on Twitter. Jess and Laurence arrange a meeting between the two lovers, Romeo and Juliet, in order for them to sort things out. After having spent a whole day offline and thinking, Juliet has discovered that her feeling for Romeo are stronger than she thought. Laurence also gets Tybalt to help him out with the tournament but also discovers Mercutio and him fighting all over Twitter. Tybalt is teasing Mercutio about Romeo abandoning his best friend. Mercutio is getting more and more frustrated about it. Juliet and Romeo spend a long time alone

neg: Sonnet 72 of Shakespeare using metrical expectations to highlight shades of meaning. Sonnet 71 through Sonnet 74 group together as a sequence due to their dark, brooding tone, and the poet's obsession with his own mortality and legacy. The sequence begins in Sonnet 71 with "No longer mourn for me when I am dead" and ends with "And that is this, and this with thee remains" in Sonnet 74. Sonnet 72 is one of 126 Sonnets coined "The Fair Youth Sequence". The identity of said "Fair Youth" remains a mystery. Several scholars point, in particular to Henry Wriothesley, 3rd Earl of Southampton

neg: Rosaline him for his relationship with Juliet. Later performances of "Romeo and Juliet" have painted different pictures of Romeo and Rosaline's relationship, as filmmakers have experimented with making Rosaline a more visible character. Before Romeo meets Juliet, he loves Rosaline, Capulet's niece and Juliet's cousin. He describes her as wonderfully beautiful: "The all-seeing sun / ne'er saw her match since first the world begun." Rosaline, however, chooses to remain chaste; Romeo says: "She hath forsworn to love, and in that vow / Do I live dead that live to tell it now." This is the source of his depression, and he

neg: Such Tweet Sorrow in Laurence's apartment. Laurence's ping-pong tournament takes place with Tybalt winning all the way only getting defeated by Mercutio in the finals. His victory does not improve Mercutio's mood though. Romeo and Juliet spend the day with sexual adventures. Tybalt discovers that Juliet has blocked him on Twitter. Juliet persuades Laurence to build a love shack for her and Romeo. Although Jess thinks this romance is moving too fast Laurence agrees. Juliet surprises Romeo with the den and they discover the Laurence is qualified to perform humanist weddings. They arrange a mock wedding on Twitter where Jess ignores the request

neg: Romeo and Juliet (1954 film) by a novelist. Critics responded to the film as a piece of cinema (its visuals were especially admired in Italy, where it was filmed) but not as a performance of Shakespeare's play: Robert Hatch in "The Nation" said "We had come to see a play... perhaps we should not complain that we were shown a sumptuous travelogue", and "Time"′s reviewer added that "Castellani's "Romeo and Juliet" is a fine film poem... Unfortunately it is not Shakespeare's poem!" Commercially response to the film was underwhelming. One journalist described it as the "unchallenged flop of the year". Romeo and Juliet (1954 film)

neg: Khyva St. Albans played Juliet opposite George Relph's Romeo in a 1915 production of "Romeo and Juliet", and she played a dancer in Ruth Sawyer's "The Awakening" (1918), costarring with Theodore Kosloff. Neither show was well-reviewed; the "New York Times" called "The Awakening" "a weird and very artificial play" "almost unbelievably crude and old-fashioned." Metcalfe, a writer in "Life", mused that "Someday, perhaps, we shall have a Society for the Prevention of Ladies Who Think They Can Act, but Can't, [and] a League for the Suppression of Persons Who Write Plays But Shouldn't. Had either of these organizations been in successful existence we

neg:
Jerusalem On High behold their longed for Prince of peace;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? The Lamb’s Apostles there I might with joy behold,
 The harpers I might hear harping on harps of gold;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? The bleeding martyrs, they within those courts are found,
 Clothèd in pure array, their scars with glory crowned;
 O happy place! When shall I be,
 My God, with Thee, to see Thy face? Ah me! ah me! that I in Kedar’s tent here stay;

neg: Quindon Tarver Quindon Tarver Quindon Tarver (born August 4, 1982) is an American singer. He is best known for his covers of Prince's "When Doves Cry" and Rozalla's "Everybody's Free" for the 1996 film "William Shakespeare's Romeo + Juliet". Tarver was born in McKinney, Texas. He started out singing in church. He appeared as the choir boy in the Baz Luhrmann movie "Romeo + Juliet" co starring Leonardo DiCaprio and Claire Danes. Tarver's cover of "Everybody's Free (To Feel Good)", as well as his rendition of Prince's "When Doves Cry", were included on "Romeo + Juliet"s soundtrack, which earned double platinum status

neg: Romeo + Juliet chaos in the city. The Chief of Police, Captain Prince, reprimands the families, warning them that if such behavior continues, their lives "shall pay the forfeit of the peace". Benvolio meets Romeo on a beach. While playing a game of pool they learn of a party being held by the Capulets that evening which they decide to gate-crash. Romeo agrees to come after discovering that Rosaline, with whom he is in love, is attending. Later, the Montague boys meet their friend, Mercutio, who has tickets to the party. Romeo takes ecstasy Mercutio gave him and they proceed to the Capulet

neg: Romeo and Juliet a surrounding darkness. Romeo describes Juliet as being like the sun, brighter than a torch, a jewel sparkling in the night, and a bright angel among dark clouds. Even when she lies apparently dead in the tomb, he says her "beauty makes This vault a feasting presence full of light." Juliet describes Romeo as "day in night" and "Whiter than snow upon a raven's back." This contrast of light and dark can be expanded as symbols—contrasting love and hate, youth and age in a metaphoric way. Sometimes these intertwining metaphors create dramatic irony. For example, Romeo and Juliet's love is

neg: Sonnet 92 Fortune's might'. Burrow suggests the opening phrase of Sonnet 92 plays on 'do your best', but 'Do thy worst' was a common idiom ('Do thy worst, Satan' etc. sometimes used in sexual contexts: 'Do thy worst' says the young woman to her lover in a round by Edward Ravenscroft, 'Glad am I, glad am I...'). 'steal thyself away': Sonnet 91 had considered various forms of valuable possessions enjoyed by various men, but claimed that 'having thee, of all men's pride I boast'. Surveying of all Elizabethan sonnets (using the LION database) reveals that the idea of theft is common in

neg: Lapat Ngamchaweng formed on February 2018. Third made his acting debut with a child lead actor in the Thai remake of Romeo and Juliet in June 2012. In 2017, Third starring lead role in the drama ""21 Days, I Love You" " this drama features fantasy, romance drama, and was aired on February 23, 2017. The drama storyline is about a girl who is in love with Third's character, so she makes a love potion and a bunch of crazy things starts to happen so if you are interested check it out, I shall no longer spoil it. In 2018, he starring

neg: Jezreel (city) the book of Hosea where God commands Hosea to name his son “Jezreel, because I will soon punish the house of Jehu for the massacre at Jezreel, and I will put an end to the kingdom of Israel." (Hosea 1:4) God also tells Hosea as to a future event, "I will even betroth thee unto me in faithfulness: and thou shalt know the Lord. And it shall come to pass in that day, I will hear, saith the Lord, I will hear the heavens, and they shall hear the earth; And the earth shall hear the corn, and the wine,

neg: Biblical and Quranic narratives shall reign in the house of Jacob forever. And of his kingdom there shall be no end.' Not doubting the word of God, unlike Zachariah, but filled with fear and astonishment, she said: "How shall this be done, because I have not known a man?' The angel, to remove Mary's anxiety and to assure her that her virginity would be spared, answered: 'The Holy Ghost shall come upon thee and the power of the Most High shall overshadow thee. And therefore also the Holy which shall be born of thee shall be called the Son of God.' In token of

neg: Romeo and Juliet earth, blood, humanity ... I've always felt that John missed the lower half and that made me go for the other ... But whatever it was, when I was playing Romeo I was carrying a torch, I was trying to sell realism in Shakespeare." Peter Brook's 1947 version was the beginning of a different style of "Romeo and Juliet" performances. Brook was less concerned with realism, and more concerned with translating the play into a form that could communicate with the modern world. He argued, "A production is only correct at the moment of its correctness, and only good at

neg: Rowland Taylor young men, that fear not God, but followeth their lewd lusts and vain appetites. Flee from whoredom, and hate all filthy lying, remembering that I they father do die in the defense of holy marriage. And another day when God shall bless thee, love and cherish the poor people, and count that thy chief riches to be rich in alms. And when thy mother is waxed old, forsake her not, but provide for her to thy power, and see that she lacks nothing. For so will God bless thee, give thee long life upon earth, and prosperity, which I pray

neg: Nana Okada Okada portrayed Juliet in the Theatre Renacchi production of "Romeo and Juliet", directed by Yukihiko Tsutsumi and organized by fellow AKB48 member Rena Kato (Renacchi), after passing the audition in February. In June, Okada placed 5th in the 10th Senbatsu Election after ranking 4th in the preliminaries, thus becoming a for the first time. In her speech, she encouraged the idol otakus to take pride in their support of AKB48 Group and its members and invited them to visit STU48's shipboard theater, which at that time was planned to start operating in the summer. In August, Okada underwent surgery for

neg: Sonnet 1 second line is composed only of one-syllable words. Some scholars attribute the monosyllable closing line of the poem as a tribute to 16th century poet, George Gascoigne. Gascoigne is quoted as saying, "The more monosyllables that you use, the truer Englishman you shall seemed, and the less you shall smell of the Inkhorn". It is in this final quatrain and the concluding couplet we see one final change. The couplet of the poem describes the seemingly selfish nature of the beloved (Shakespeare chooses to rhyme "be" and "thee" here). By making the choice to not procreate, Shakespeare describes how the

neg: Goodnight Desdemona (Good Morning Juliet) scene 4, Romeo and Juliet enter the masked ball, sulking at each other. Romeo thinks that Tybalt is Constance and puts his hand on Tybalt's bottom. Constance enters, and Romeo tells her that he loves her. Tybalt sees Romeo kiss Constance and sends Juliet to interrupt them. Romeo introduces Constance to Juliet, and Juliet falls in love with her. Juliet dances with Constance while Romeo and Tybalt watch suspiciously. Tybalt resolves to kill Constance. Romeo decides to dress as a woman so that Constance will desire him, and he cuts in to dance with her. Juliet sees them and determines

neg: Characters in Romeo and Juliet Mercutio expects Romeo to engage Tybalt in a duel. However, Romeo refuses to fight Tybalt, as Tybalt is Juliet's cousin and therefore his kinsman. Not knowing this, Mercutio is incensed, and decides to fight Tybalt himself. Romeo, not wanting his best friend or his relative to get hurt, intervenes, causing Mercutio to be killed by Tybalt stabbing under Romeo's arm. Before he dies, Mercutio casts "a plague o' both your houses!" He makes one final pun before he dies: "Ask for me tomorrow, and you shall find me a grave man". In revenge for the murder of his best friend,

neg: Sonnet 21 might use. The line echoes the conclusion of another poem in the sequence, Sonnet 130's "And yet by heaven I think my love as rare, / As any she belied with false compare." This poet is different and plain speaking. Because he is "true in love", he will "truly write" and require of the youth" (or reader) that he "believe" him: "my love is as fair / As any mother's child", the last allusion in the sequence to the youth to beget an 'heir' (intimated in the pun on air and heir at the end of line 12). The "gold

neg: Gabriel his kingdom there shall be no end. 34 Then said Mary unto the angel, How shall this be, seeing I know not a man? 35 And the angel answered and said unto her, The Holy Ghost shall come upon thee, and the power of the Highest shall overshadow thee: therefore also that holy thing which shall be born of thee shall be called the Son of God. 36 And, behold, thy cousin Elisabeth, she hath also conceived a son in her old age: and this is the sixth month with her, who was called barren. 37 For with God nothing

neg: Kumayl ibn Ziyad hell, yet how can I resign myself to the denial of Thy pity and clemency? How can I remain in the fire while I have hopes of Thy forgiveness? O' my Lord! By Thy honour truly do I swear that, if Thou wilt allow my power of speech to be retained by me in the hell, I shall among its inmates cry out bewailingly unto Thee like the cry of those who have faith in Thy kindness and compassion. And I shall bemoan for Thee, for being deprived of nearness to Thee, the lamentation of those who are bereaved, and

neg: Characters in Romeo and Juliet History of Romeus and Juliet", which Shakespeare later used to create "Romeo and Juliet". Brooke's version made Mercutio a rival for Juliet's love. Shakespeare's addition of Valentine as Mercutio's brother diffuses this rivalry. Thus, because the first time we hear of Mercutio he is associated with Valentine, rather than Juliet, he is changed from a rival to a friend and brotherly figure of Romeo. Characters in Romeo and Juliet William Shakespeare's play "Romeo and Juliet" contains a diverse cast of characters. In addition to the play's eponymous protagonists, Romeo Montague and Juliet Capulet, the play contains roles for members of