query: who wrote the lyrics to man in the mirror

pos: Man in the Mirror was also the top single in iTunes downloads in the US and the UK. It has sold 567,280 copies in the UK as of January 2016. Man in the Mirror "Man in the Mirror" is a song recorded by Michael Jackson, written by Glen Ballard and Siedah Garrett and produced by Jackson and Quincy Jones. It peaked at number 1 in the United States when released in January 1988 as the fourth single from his seventh solo album, "Bad" (1987). It was nominated for Record of the Year at the Grammy Awards. The song topped the "Billboard" Hot 100 for

neg: Mirror Man (Ella Henderson song) Mirror Man (Ella Henderson song) "Mirror Man" is a song recorded by English singer and songwriter Ella Henderson for her debut studio album, "Chapter One" (2014). It was released in the UK on 8 March 2015 via Syco Music as the fourth single off the album. The song was written by Henderson, Al Shuckburgh, and Laura Pergolizzi, and was produced by Shuckburgh under his production moniker Al Shux. "Mirror Man" entered the UK Singles Chart at number 96. "Mirror Man" is a mid-tempo blues and funk song whose lyrics discuss a selfish lover who puts him or herself before anyone

neg: Mirror Man (Ella Henderson song) fire, sand, and smoke, amongst other elements. Mirror Man (Ella Henderson song) "Mirror Man" is a song recorded by English singer and songwriter Ella Henderson for her debut studio album, "Chapter One" (2014). It was released in the UK on 8 March 2015 via Syco Music as the fourth single off the album. The song was written by Henderson, Al Shuckburgh, and Laura Pergolizzi, and was produced by Shuckburgh under his production moniker Al Shux. "Mirror Man" entered the UK Singles Chart at number 96. "Mirror Man" is a mid-tempo blues and funk song whose lyrics discuss a selfish lover

neg: Mirror Man (The Human League song) was conceived and written as a celebration of Oakey and Wright's love of Motown records. It has been described as electronic northern soul, with Oakey's main verses delivered in deliberate sentences with emphasis on the last word of each sentence. Vocalists Susan Ann Sulley and Joanne Catherall feature prominently throughout the song but have no lyrics, providing backing vocals of "oohs" and "ahhs". Recording and production was overseen by Martin Rushent, who had produced the band's album "Dare". Speculation about who was the titular 'Mirror Man' was ended in 1988 when, during interviews to promote the band's Greatest Hits album,

neg: Bad (album) apprehensive of a sexual challenge, while having the opportunity to accept or resist it. "Leave Me Alone" was described as being a "paranoid anthem". "Man in the Mirror" was seen as Jackson going "a step further" and offering "a straightforward homily of personal commitment", which can be seen in the lyrics, "I'm starting with the man in the mirror/I'm asking him to change his ways/And no message could have been any clearer/If you wanna make the world a better place/Take a look at yourself and then make a change." The lyrics to "Speed Demon" are about driving fast. "Liberian Girl"'s

neg: Tina Chen Urban Stages, and the Mirror Repertory Co., she talks about her great-grandfather, who served under three emperors and one empress in the Ching dynasty, her grandfather, who was one of the founders of the Republic of China, and her mother. Chen is also a composer. She wrote the music for the Christmas song This Tree (lyrics by Ruth Wolff), which premiered with the Hong Kong Children's Choir at its Silver Jubilee, and flute music for Pan Asian Repertory's production of Fairy Bones. Her other songs include Mother Life (lyrics by Chen), Words Never Said (lyrics by Diane Winslow), and a

neg: The Mask and Mirror medieval "The Hunt of the Unicorn" tapestries. Loreena McKennitt wrote the lyrics and composed the music for all the songs except as noted. !scope="row"|Worldwide (IFPI) The Mask and Mirror The Mask and Mirror is the fifth studio album by Loreena McKennitt. Released in 1994, the album has been certified Gold in the United States. Like most of Loreena McKennitt's albums, "The Mask and Mirror" is heavily influenced by her travels. Her experiences in Spain and Morocco, specifically, serve as the inspiration for this album. As her introduction to the album, McKennitt wrote: Accompanying all the selections, as the liner remarks,

neg: Northern Downpour the front page of a newspaper that a man sitting on a park bench is reading. The lyrics "Northern Downpour" are written on a mirror in a public restroom. Spencer Smith then tapes "Hey moon" onto everybody's car bumper in a parking lot and runs away. Spray cans are then seen being dropped by Ross, who runs around a corner, after having spray-painted the lyrics "I missed your skin when you were east" on a wall, which soon appears on the news with the headline "Strange Graffiti in the Tri-County Area". A news reporter interviews an eyewitness about it, who

neg: Moon Man (character) Moon Man (character) The Moon Man is a fictional pulp magazine character who appeared in "Ten Detective Aces" magazine, published by A.A. Wyn's Ace Magazines. He was a pulp hero in the Robin Hood mold. Frederick C. Davis (1902–1977) created the character and wrote all the original stories under his own name. Davis, who after his time as pulp writer had a long career as a mystery novelist, generally wrote under various pen names. The Moon Man was so named because he concealed his identity with a spherical helmet of Argus (one-way mirror) glass, which gave a mirrored appearance. The

neg: Objects in the Rear View Mirror May Appear Closer Than They Are Bittan consist mainly of dual voicings as opposed to the usual triads. E.g. the initial F-Major chord is played only with the "c" and the "a" while the triad completing "f" is played an octave lower with the left hand. This subtle pattern continues throughout almost the entire song except where dramatic power chords are used. "Objects in the Rear View Mirror May Appear Closer Than They Are" is a three-part narrative, centred upon the seasons summer, winter and spring. According to Allmusic, it draws "its inspiration from the singer’s often-tragic childhood. The lyrics portray a man who has overcome

neg: Roddy Frame publication, Phil Mongredien awarded "Seven Dials" three-out-of-five stars, explaining: "his knack for a memorable, soaring chorus undiminished by time." Mongredien concedes that he finds the slower-tempo songs, such as "Rear View Mirror", is "less compelling", but concludes that "this is a welcome return nonetheless." "Q" magazine awarded the album four stars, stating, "Melodies unfold, lyrics reveal their meaning and the wait is revealed as having been worth it", while "The Scotsman" wrote: "Frame may be a man of few words but he makes them all count". The "Line of Best Fit" website, in support of its 8.5/10 rating, published the

neg: Mamonas Assassinas (album) be mistreated. The title parodies The Cure's "Boys Don't Cry" but the lyrics and the music follow the bolero style. Makes fun of a flamboyant macho man who suffers impotent as the woman he loves cheats him. Features a short synthesizer sequence off Rush's "Tom Sawyer" and "The Mirror" from Dream Theater. Sung in mock English, in a Max Cavalera-like tone to accompany the heavy metal style of the song, which was closely associated to Sepultura at the time, is a spoof of heavy metal music. The lyrics apparently convey the message that heavy metal fans cannot understand what their

neg: The Three-Sided Mirror The Three-Sided Mirror The Three-Sided Mirror () is a 1927 French drama film directed by Jean Epstein, starring Jeanne Helbling, Suzy Pierson and Olga Day. It tells the story of three women who remember their love affairs with the same young man. The film is based on Paul Morand's short story with the same title. It was shot during the summer of 1927. It premiered on 22 November the same year. The film received many compliments for its technical achievements upon the release. René Jeanne of "La Rumeur" wrote: ""The Three-Sided Mirror" is definitely the best film Mr. Epstein has

neg: Play It Loud but that version had more of a jazz influence in the guitar parts. This was altered for the version that appeared on "Play It Loud". "Know Who You Are" was originally an instrumental titled "Genesis", which appeared on "Beginnings". "I Remember" features lyrics by Powell about a man who loses his memory. In 1973, Powell would suffer memory issues after being involved in a major car accident. He said in a 2006 interview: "That's strange, isn't it!! I wrote the lyrics! That's spooky! I don't remember what the inspiration was at the time when I wrote the lyrics to that

neg: Mirror Man (Captain Beefheart album) a wide-open shutter." Around the time the song was recorded the band had been wearing black Quaker coats on stage, and even began to play their live shows as The 25th Century Quakers. The album closes with its fifteen-minute title track; an AllMusic review of the album cites "Mirror Man" as "one of the key tracks of Beefheart's entire career", adding, "Probably the catchiest tune Beefheart ever wrote, 'Mirror Man' has an almost funky, hip-swaying groove." Drummer John French notes, "This is the session in which I was told afterwards I had been given LSD in my tea by someone.

neg: Paranoid (album) changed to "Iron Man" as bassist and lyricist Geezer Butler composed the lyrics. The riff to "Iron Man" is iconic among heavy metal guitarists, with Osbourne declaring in his memoir that "...Tony Iommi turned out to be one of the greatest heavy rock riff-makers of all time. Whenever we went into the studio we'd challenge him to beat his last riff – and he'd come up with something like 'Iron Man' and blow everyone away." Butler wrote the lyrics as the story of a man who time travels into the future and sees the apocalypse. In the process of returning

neg: Children of the Universe space of 48 hours and this one just stood out". Although Molly wrote the lyrics and the "top line", her Swede producer Anders Hansson wrote music for strings (on the musical release there was a 26-piece big string orchestra), after agreeing with her choice of song from the drafts. The song has received generally positive reviews from critics. The "Daily Mirror" said: "Molly's voice has such a powerful tone to it – combined with the thumping beat, it makes you want to sing along – even if you don't know the lyrics. Overall it's the best thing we've produced since

neg: Mirror (Lil Wayne song) Its lyrics describe the downfalls of life, as well as Wayne's upbringing, state of mind, past choices and personal life. One of the rapper's verses draws inspiration from Michael Jackson's "Man in the Mirror" (1987). "Mirror" found some commercial success. It debuted at number 16 on the "Billboard" Hot 100 and peaked at number 22 on the "Billboard" Rhythmic chart. The single peaked at number 46 in Canada and number 17 in the United Kingdom—Wayne's highest charting single as a lead artist in the UK to date. It also peaked in the top 15 of Denmark, the Dutch Top 40,

neg: Shadow Man (song) by name in the lyrics to Drive In Saturday. Jung wrote "...in spite of its function as a reservoir for human darkness—or perhaps because of this—the shadow is the seat of creativity”. The lyrics to Shadow Man acknowledge this component of the psyche, recognizing its dual capacity, from a Jungian perspective to be “foe” or “friend”. In this framework, the 'girl up ahead who knows' in the lyric could represent the role of the anima. Shadow Man (song) "Shadow Man" is a song written by David Bowie and first recorded in 1971, during the "Ziggy Stardust" sessions. It was rerecorded

neg: Curse of the Hidden Mirror cyberpunk science fiction, wrote the lyrics for many songs of the album. The song "Out of the Darkness" was originally featured in the 1992 film "Bad Channels", which Blue Öyster Cult recorded the soundtrack for, although the song was not included in the soundtrack album for the movie. "Showtime" was originally written and recorded for "Cultösaurus Erectus" but did not make the final cut. Curse of the Hidden Mirror Curse of the Hidden Mirror is the fourteenth studio album by American hard rock band Blue Öyster Cult, released in 2001. The only single from the record was the poorly received

neg: Morning Glory (Oasis song) The lyrics were something along the lines of: Gallagher described these lyrics as "fucking awful". There was also an early song written by Noel, entitled "The Mirror and the Razorblade", where the first verse went: ...the second verse went: ...and the third verse went: The song's accompanying video is directed by Jake Scott. The band is performing in an industrial apartment, suggested by the opening shots of the video to be the Trellick Tower, as the building's tenants (including a man with a baby, a young boy, an old man and a female cyclist, an elderly woman with a hair

neg: Tarzan (musical) John, who composed the music for the songs in the movie version of The Lion King (with lyrics by stage veteran Tim Rice), left others to expand the score for Broadway, while Phil Collins, who wrote music and lyrics for the five songs in the 1999 Tarzan movie, wrote an additional nine for the Broadway show". Phil Collins sings a bonus track "Everything That I Am" at the end of the album. The album includes "all four of the 'old' Tarzan songs (Two Worlds, You'll Be In My Heart, Son Of Man and Strangers Like Me)". The album entered the

neg: The Mirror (1975 film) of "Mirror" dates as far back as 1964, when Tarkovsky wrote down his idea for a film about the dreams and memories of a man, though without the man appearing on screen as he would in a conventional film. The first episodes of "Mirror" were written while Tarkovsky was working on "Andrei Rublev". These episodes were published as a short story under the title "A White Day" in 1970. The title was taken from a 1942 poem by his father, Arseny Tarkovsky. In 1968, after having finished "Andrei Rublev", Tarkovsky went to the cinematographer's resort in Repino intending to write

neg: First and Last and Always mirror Eldritch's condition at the time: "I was so shot when I wrote the lyrics on the album that there's no distancing of persona at all." Gary Marx: "When we were making [the album] Andrew was effectively splitting with his long-term girlfriend and I was close to leaving the band. [These] two things led to a number of references in the lyrics, which seemed to cover his farewells to us both." Eldritch later confirmed that the lyrics of "Walk Away" were directed to Gary Marx: "I thought one of them in particular might have found it a bit relevant." Gary

neg: James H. Hyslop In the "Mirror" articles appeared by Emily Hutchings and Yost defending Curran against allegations of fraud. In response, Hyslop wrote a letter to the "Mirror" which claimed he had been told of Curran's knowledge of Chaucer by a "scientific man" who had heard it from Mr Curran himself. In 1938 the ASPR journal published an anonymous article which refuted all of Hyslop's accusations. According to the article the Ozark dialect did not resemble the language of Patience Worth and knowledge of Chaucer would not have given Curran the vocabulary to compose the Patience Worth literature. Although a believer in mental

neg: Patience Worth book Henry Holt of knowing about the fraud but covering it up to increase sales of the book. In the "Mirror" articles appeared by Emily Hutchings and Yost defending Curran against allegations of fraud. In response, Hyslop wrote a letter to the "Mirror" which claimed he had been told of Curran's knowledge of Chaucer by a "scientific man" who had heard it from Mr Curran himself. In 1938 the ASPR journal published an anonymous article which refuted all of Hyslop's accusations. According to the article the Ozark dialect did not resemble the language of Patience Worth and knowledge of Chaucer

neg: Midori Snyder Queen" (Roc/Penguin, 2010), a contemporary urban fantasy featuring two fey who are banished to the World as elderly women, where they find themselves embroiled in a much larger struggle for power. Snyder's short fiction and poetry has been published in a number of anthologies including "The Year's Best Fantasy and Horror", "The Armless Maiden" (for which she wrote the title story), "The Fair Folk", "The Green Man", "The Coyote Road", "Black Thorn White Rose", "Swan Sister", and The Borderland Series. Her essays have appeared in "Realms of Fantasy" and other magazines, and in "Mirror, Mirror on the Wall: Women Writers

neg: Mirror Man (The Human League song) directed by Duffy and was filmed on location at a deserted theatre in London. The basic premise is that Oakey is a ghost of a performer who has died and now inhabits the theatre where he reveals himself to the band who have come to rehearse. The main scenes are of Oakey in a dressing room singing to a mirror, spliced in with footage of the crash and death of John Cobb (whilst attempting to break the world water speed record on Loch Ness on 29 September 1952). Mirror Man (The Human League song) "Mirror Man" is a 1982 song

neg: The Maine Stein Song also criticized for being pagan by proposing a toast "to the gods" and "to the fates". In 1930, Johnny Johnson and Harry McDaniel wrote "I'd Like To Find The Guy Who Wrote The Stein Song", a comedy song about a man who is fed up with constantly hearing "The Stein Song" on the radio. In the late 1980s and early 1990s, the song came under fire for its promotion of drinking and lyrics that were considered sexist ("let every Maine man sing" and "to the lips and the eyes of the girls who will love us someday"). Various individuals began

neg: The Entire History of You of 5 stars, and wrote: "This was the least effective of the "Black Mirror" dramas, because the technological element wasn't so crucial to the trajectory of the story. Jealous people will always find ways to destroy their relationships without the recourse to memory databanks." "Metro" gave the episode an A, writing: "Tonight's final episode of "Black Mirror" however left me sitting in front of an appropriately black screen with the expression of a man who has just witnessed the murder of an entire litter of kittens." The Entire History of You "The Entire History of You" is the third and

neg: The Man That Got Away The Man That Got Away "The Man that Got Away" is a popular song, published in 1953 and was written for the 1954 version of the film "A Star Is Born." The music was written by Harold Arlen, and the lyrics by Ira Gershwin. In 1955, it was nominated for the Academy Award for Best Original Song. In 2004, Judy Garland's performance of the song was selected by the American Film Institute as the eleventh greatest song in American cinema history. Arlen had originally collaborated with Johnny Mercer, who wrote lyrics that began "I've seen Sequoia, it's really very pretty,

neg: What More Can I Give the Mirror", before he and other singers such as Rod Stewart, Al Green, James Brown, Sean Combs and Pink closed the show with "What More Can I Give." Joe D'Angelo of MTV later stated that the entire performance was held together by Jackson and Billy Gilman, who he claimed were the only two who looked like they knew the lyrics to the song. He concluded that the collective rendition of the song was altogether "choppy and disparate." Jon Pareles also wrote negatively about the performance. He stated that it "became a shambles as [a] stageful of guests missed their cues

neg: Don't You Remember When Feeling", written by Lew Brown and Sammy Fain. The English keyboard player, pianist and composer Tony Hymas, who had worked with de Paul before on her "Love Bomb" album and who went on to be a member of the duo Ph.D., arranged the song. The song received favourable reviews, with the "Record Mirror" writing that the song is "a perfect vehicle for her with a well-honed nostalgic lyrics and lots of big long notes". De Paul was interviewed about how she wrote the song with Barry Blue especially for Vera Lynn, after appearing on Lynn's TV show, as well as

neg: Political poetry race; each offering a different perspective and worldview. Karin L. Stanford argues that Tupac Shakur wrote political lyrics: "Tupac's lyrics underscore his refusal to accept economic inequality and inadequate employment opportunities. He also continues his attack on patriotic symbolism...Tupac's life and political advocacy prove that hip hop music and activism are not mutually exclusive...Tupac's political work reveals his aspiration for social change." Tupac's music also focused on civil rights and oppression to minorities. For example, in his lyrics he criticizes Americans who "pledge allegiance to a flag that neglects us Honor a man that who refuses to respect us Emancipation,

neg: Herbert Kretzmer a closing song by singers including Barbra Streisand. Kretzmer wrote the book and lyrics of the West End musical, "Our Man Crichton", composed by David Lee and based on J M Barrie’s satirical play "The Admirable Crichton". The musical starred Kenneth More and Millicent Martin. Kretzmer later wrote (with composer Laurie Johnson) the lyrics for a large-scale comedy spoof, "The Four Musketeers", which ran for more than a year at the Theatre Royal, Drury Lane, starring Harry Secombe as the swordsman d'Artagnan. In 1985, Kretzmer’s songs for Aznavour came to the attention of producer Cameron Mackintosh, who invited him to

neg: Bruce Woolley "Hand Held in Black and White"—a top 20 UK hit for Dollar in 1981 and the pair also co-wrote their follow up single "Mirror Mirror" that reached #4 on the UK Singles Chart. In 1983 Magnus Uggla recorded a cover of "Blue Blue Victoria" with new lyrics in Swedish. The song was the first single on the album called "Välkommen till folkhemmet". It sold 20,000 copies, becoming a gold single. Success came again with 1985’s "Slave to the Rhythm" album for Grace Jones; (also a No 1 Dance record in America). Originally intended as a track for Frankie Goes To

neg: Mirror Man (Captain Beefheart album) Mirror Man (Captain Beefheart album) Mirror Man is the fifth studio album by Captain Beefheart and his Magic Band. It contains material which was recorded in 1967 for Buddah Records, and which was originally intended for release as part of an abandoned project entitled "It Comes to You in a Plain Brown Wrapper". Much of the material from this project was subsequently re-recorded and released through a different label as "Strictly Personal" (1968). The tapes from the original sessions, however, remained under the care of Buddah, who took four of the unissued tunes and released them as "Mirror Man" in

neg: Big Fish (band) Big Fish (band) Big Fish was a Swedish experimental rock music group with influences from industrial music, punk, jazz, blues, metal and folk music, adding up to a unique sound. One of their songs, "Den Blinde Rasisten" (eng. "The Blind Racist"), is based on a poem by Hans Alfredsson. "Den Blinde Rasisten" gained a lot of popularity for its lyrics, which tell the story of a blind boy who grows up to be a racist. He then undergoes a surgical procedure that restores his sight. A glance in the mirror and the man falls dead of a heart attack. The

neg: Asad Bhopali lyricist who wrote movies like "Bhindi Bazaar Inc" and "Mumbai Mirror". and Asad Bhopali's younger brother Qamar Jamaali also became an Urdu poet. Asad Bhopali Asad Bhopali (10 July 1921 – 9 June 1990) was an Indian Hindi-Urdu poet and lyricist. The "Encyclopaedia of Hindi Cinema", compiled by Gulzar and Saibal Chatterjee, describes him as one of the "few names that stand out for their contribution to Hindi film lyrics". Asad Bhopali was born in Bhopal, as Asadullah Khan. He was the eldest child of Munshi Ahmed Khan, a teacher of Arabian and Persian languages. In 1949, Asad Bhopali was

neg: Mirror, Mirror (TV series) Tony Morphett, Greg Millin, Katherine Thomson, Hilary Bell, Anthony Ellis, Ian Fairweather, Posie Graeme-Evans. The theme song, which was co-written by Chris Harriott (music) and Dennis Watkins (lyrics), was sung by Nadine Weinberger. When fourteen-year-old Jo Tiegan is shopping with her father in 1995, she notices an antique shop which she feels a compulsion to go to. There she sees a beautiful oval mirror, which she is given as a gift by the elderly owner of the shop — who comments that the mirror is meant for her. Jo is delighted, and the mirror is placed in her bedroom. That

neg: Irish Boy Irish Boy "Irish Boy" is an instrumental piece from Mark Knopfler's 1984 soundtrack album, "Cal", released on August 24, 1984. The piece is the first track off the album. In 1984, American singer Stevie Nicks wrote and sung lyrics over Knopfler's instrumental for her album "Mirror, Mirror". The song was fully recorded, but when Nicks pulled the album from release at the last moment the song was thrown in a master reel in a studio. The master reel was stolen from the studio, and 30 years later surfaced on YouTube. In 2014, Nicks re-recorded the song for her album ""

neg: Irish Boy Irish Boy "Irish Boy" is an instrumental piece from Mark Knopfler's 1984 soundtrack album, "Cal", released on August 24, 1984. The piece is the first track off the album. In 1984, American singer Stevie Nicks wrote and sung lyrics over Knopfler's instrumental for her album "Mirror, Mirror". The song was fully recorded, but when Nicks pulled the album from release at the last moment the song was thrown in a master reel in a studio. The master reel was stolen from the studio, and 30 years later surfaced on YouTube. In 2014, Nicks re-recorded the song for her album ""

neg: Awake (Dream Theater album) really get to know the real person. I'm lucky that I behave with my own father like I would a friend. We can joke around and go for a beer." Portnoy wrote the lyrics to "The Mirror", describing his battle with alcoholism. He would return to the subject on later Dream Theater albums with the group's so-called "Twelve-step Suite." "Lie", the lead single from "Awake", demonstrates the heavier, darker style of the album. The song is a live staple of the band. "Lie" was originally part of "The Mirror", but LaBrie thought it was strong enough to be a song

neg: No Time for It her biting lyrics. Idolator's Mike Wass described the song as a "catchy mid-tempo anthem" and its lyrics, such as "Bitch, no time for the haters tripping", as exemplifying that "Fantasia has always been the realest". According to "Time" Maura Johnston, the song's lyrics are a "kiss-off" and "a salvo aimed right at any gossipmongers who fill their hours with loose talk". Ariana Gordon wrote on the Music Times website that the lyrics reflected Fantasia's attempt to move beyond her past struggles (her attempted suicide, an affair with a married man, a home foreclosure, and toxic relationships with family members) and

neg: Piyush Goel using henna cone. Piyush has written several books in Mirror image, including Bhagavad Gita, Sundara Kanda from Ramcharitmanas, Sai Satcharitra, Durga Saptashati, "Meri Ikyavan Kavitayein" of Atal Bihari Vajpayee, the former Prime Minister of India. He also wrote the World's first Bhagavad Gita in mirror image, reportedly by Hindustan Times. Goel is the recipient of Holder Republic Award. In 2014, he was conferred with an honorary doctorate from World Record University. Piyush Goel Piyush Goel (born 1967) also referred as Mirror Image Man by media, is an Indian writer, author, and world record holder, known for writing books in Mirror

neg: Aura (Asia album) they would release the next album, "Silent Nation". The lyrics for "Awake" were adapted from "The Rubaiyat" of Omar Khayyam. The lyrics for "The Longest Night" were inspired by Wilfred Owen's poem of 1918. "Ready to Go Home" was written by Andrew Gold and Graham Gouldman of 10cc and appeared on "Mirror Mirror" (1995). The cover artwork was designed by Roger Dean, who had collaborated with Asia since their inception. "Aura" was released in Europe by Recognition Records as a standard jewel case CD edition, a limited Digipak CD edition, which featured three bonus tracks, and a vinyl edition. In

neg: Yogi (2009 film) in this album as well, among others. Both versions of "Yogi Yogi Thaan" weren't featured in the film. The lyrics were written by Snehan, who usually pens for Ameer's films. The soundtrack received generally positive reviews. Karthik of "Bangalore Mirror" described it as "brilliant", while a critic from "Indiaglitz".com wrote it was "stylish" and "scintillating". "Rediff"'s Pavithra Srinivasan gave a mixed review, citing that Yuvan Shankar Raja "partially delivers in "Yogi"". However, despite garnering favorable reviews, the songs failed to become prominent, due to the film's poor theatrical run. Yogi (2009 film) Yogi is a 2009 Indian Tamil action-drama film

neg: Sukiyaki (song) Sukiyaki (song) "Ue o Muite Arukō" was written by lyricist Rokusuke Ei and composer Hachidai Nakamura. Ei wrote the lyrics while walking home from a Japanese student demonstration protesting against a continued US Army presence, expressing his frustration at the failed efforts. The lyrics tell the story of a man who looks up and whistles while he is walking so that his tears will not fall. The verses of the song describe his memories and feelings. Rokusuke Ei wrote this song while coming back from a protest against the Treaty of Mutual Cooperation and Security between the United States and

neg: Topographical poetry early topographical poets. Instead of being scientific observers, the romantic poets who wrote prospect poems tried to create a sense of a presence and emotion that gave life to the landscape. Topographical poetry, especially the prospect poem, moved from the scientific and geographical description to become a venue for personal, historical and meditative thought. Brigitte Peucker describes that "nature in the topographical poem is not a medium of human transcendence or transformation but rather an emblem or mirror of the perambulatory figure in the foreground—of man as man". The prospect when seen through the muse or imagination provides an escape

neg: Invincible (Michael Jackson album) lyrics, described by "Rolling Stone" magazine as having a "jagged intensity", narrate the story of two people involved in an unnamed threatening situation. "Invincible" features four ballads: "You Are My Life", "Butterflies", "Don't Walk Away" and "Cry". "Cry", similar to Jackson's "Man in the Mirror", is about healing the world together. The lyrics to "Butterflies" and "Break of Dawn" were viewed as "glaringly banal" and it was implied that they could have been written by anyone. "Threatened" was viewed as being a story teller. The song was viewed as a "Thriller redux". The song "You Are My Life" is about

neg: Lewis Archer just a gigolo." In March 2012, Stephen wrote that Lewis is "charm personified, even if he is a reformed fraudster." A writer for the "Liverpool Daily Post" wrote, "Since Lewis (Nigel Havers) waltzed into the street, things with the over fifty club (Rita, Audrey and now Deirdre) haven't been the same." Steve Pratt, writing for "The Northern Echo", said, "As love rat scumbags go, Lewis Archer is up there with that chap who tried to push Rita under a tram in Blackpool." Sue Crawford of the "Daily Mirror" said, "playing a ladies' man comes naturally to Nigel Havers so it's

neg: It's Not Me, It's You Kurstin, who played piano on it. This is a change from her earlier work in which she wrote lyrics for finished tracks. In May 2008, Allen told "The Sunday Mirror" that the album was nearly finished. Allen said of the album: "I've worked so hard. My next album is nearly finished. I'm on a two-week break and then I'm starting a massive promotional tour." In August 2008, Allen blamed the delay in the album's release on her record company EMI. On 15 September, it was announced via her Myspace blog that the album will be released on 9 February 2009.

neg: Objects in the Rear View Mirror May Appear Closer Than They Are "Objects in mirror are closer than they appear". Parts of the melody were adapted from Steinman's earlier tune "Surf's Up," which was on the album that he both wrote for and sang lead on, entitled "Bad for Good". Steinman later reused the melody, with new lyrics by Michael Kunze, for "Die Unstillbare Gier", a song in the "Tanz der Vampire" productions, and for "Confession of a Vampire" in the ill-fated US version ("Dance of the Vampires"). Musically it could be noted that the piano chords played by Bruce Springsteen's E-Street Band member and long time Jim Steinman studio pianist Roy

neg: Kunku melodramatic trains get Shantaram, his films always cut themselves, some outstanding visuals as the smiling face of the old man in the shards of broken mirror and the leitmotif of the ticking clock. Many of these images symbolize the impotence of the old man. Kunku Kunku (Marathi title) is a 1937 Marathi classic social drama film directed by V. Shantaram, and based on the novel, "Na Patnari Goshta" by Narayan Hari Apte, who also wrote film’s screenplay. The film was also released in Hindi as Duniya Na Mane (The Unexpected). The movie went on to become both a critical and

neg: Aye Mere Watan Ke Logo to rehearse it. "It was Pradeepji, ( Kavi Pradeep) the poet, who wrote the immortal lyrics, who came to me and asked me to sing the song. I declined, because there was no time to rehearse. You see, at that time I was working round-the-clock. To give special attention to one song seemed impossible. But Pradeepji insisted," Lata said, admitting that she was very nervous before the performance. Kavi Pradeep, the man who penned lyrics of the song, couldn't witness the event. "My regret is that Pradeepji had not been called for the Republic Day function where I sang the

neg: Animal Man several menaces, such as an ancient, murderous spirit that was hunting him; brutal, murderous alien Thanagarian warriors; and even the easily defeated red robots of an elderly villain who was tired of life. The series made deep, sometimes esoteric, references to the entire DC canon, including B'wana Beast, Mirror Master, and Arkham Asylum. Soon after the launch of his series, Animal Man briefly became a member of Justice League Europe, appearing in several early issues of their series. Following Morrison's run, Peter Milligan wrote a six-issue story featuring several surreal villains and heroes, exploring questions about identity and quantum physics

neg: Sultans of Swing Jim Kershner wrote that "Sultans of Swing" is "remarkable, both for its lyrics that made fun of hip young Londoners and the phenomenal guitar sound of Knopfler", which "sounded like no other guitar on radio".</nowiki> Jon Marlowe of "The Palm Beach Post" called it "an infectious, sounds-damn-good-on-the-car-radio ode to every bar band who has ever done four sets a night, seven nights a week". Writing in 2013 on the impact of the song, Rick Moore of "American Songwriter" reflected: "Record Mirror" ranked the song tenth in its end-of-year countdown of the best songs of the year. In 1992, "Life" named

neg: Bat Out of Hell II: Back into Hell fourth track also has dark overtones. "It Just Won't Quit", Steinman explains, "is about the fact that there are some things you never shake off... That's love, I guess." "Out of the Frying Pan (And into the Fire)" is a more upbeat song. The album's sixth track, "Objects in the Rear View Mirror May Appear Closer than They Are" is a three part narrative that uses pathetic fallacy, where the seasons (summer, winter and spring) reflect the atmosphere of the events being described, drawing "its inspiration from the singer's often-tragic childhood. The lyrics portray a man who has overcome tragedies

neg: Muchachada Nui is a teenager groupie having constant mood changes, who talks to 'Man in the mirror' (the man in her bedroom's mirror). El hombre asqueroso (The disgusting man): An apparently normal man, who dresses in an elegant and tidy way. However, he has a "disgusting" accent. Played by Julián López. El espantajo de los melones( The scarecrow of the melons): Previously known as "El loco de las coles" (The cabbage-obsessed man). El señor McGlor (Mr McGlor): Previously known as Señor Glor (Mr Glor). Played by Antonio Tato. La Hora Chanante's videos used to be massively shared through pages such as YouTube,

neg: Cry (Michael Jackson song) lyrics "I can't do it by myself". The song's lyrics and themes are similar to the ones in Jackson's 1988 single "Man in the Mirror" and his 1992 single "Heal the World". "Cry" is composed in the key of A major and the song's time signature is common time. "Cry" has a moderate metronome of eighty four beats per minute. The single is built in the chord progression of A–G/A–A–A/G in the verses and A–A/G–D–A in the chorus. The sheet music indicates the vocal range spans A3 to G5. Jason Elias of AllMusic describes "Cry" as a moody and reflective

neg: Ugly (Fantasia song) love". She advocates for female empowerment and explores expectations regarding beauty with lyrics like: "With dirt on my hands and scrapes on my knees/Feeling like nothing can wash it off clean/Tell your girls it's a beautiful thing/Just trust me/It's far from ugly." The lyrics also feature the importance of love, with Fantasia singing: "Thank you for that good good man who loves me." Alex Mcpherson interpreted Fantasia's delivery of the lyric "Give me good food that sticks to my bones" as incorporating gospel elements into the song. According to music critics, the lyrics encompass various meanings. Mike Wass wrote that

neg: Bless 'Em All to the "Daily Mirror": "I wrote “Bless 'Em All” while serving in the old RNAS in France in 1916. And, furthermore, it wasn't "Bless.'" Although the song is credited to him, it is unclear if he actually wrote the lyrics, and his service record indicates that he joined RNAS in January 1917. Les Cleveland (1984) writes that a version of the song titled "Fuck 'Em All" was a popular protest song by airmen serving on India's North West Frontier during the 1920s, and may have originated from there. It later gained popularity among British and Commonwealth troops during the Second

neg: A Thousand Splendid Suns women whose fortunes mirror those of their beloved and battered country—'nothing pretty to look at, but still standing'—and who find in each other the strength they need to survive." Jennifer Reese from "Entertainment Weekly" dubbed Rasheed "one of the most repulsive males in recent literature". Lisa See wrote that, with the exception of Tariq, "the male characters seem either unrelentingly evil or pathetically weak" and opined, "If a woman wrote these things about her male characters, she would probably be labeled a man-hater." Columbia Pictures owns the movie rights to the novel. Steven Zaillian finished writing the first draft of

neg: Asking Too Much mourning her boyfriend, flashbacks show the teen couple walking through a park, sitting on a rock kissing and holding hands and then sitting side by side in a children's park playground set talking to each other. Flashbacks then depict the young man was secretly struggling with depression for unknown reasons as he is lying on his bed writing down the song's lyrics on a sheet of paper in the form of a suicide note, then attempting to sleep in his bed, and is shown next crying in front of a mirror while looking at his reflection. Finally, the young man

neg: Ram Chahe Leela magic." Koimoi declared it as a "laudable product" noting "It takes a few hears to sync the latent beauty of the composition that uses singer Bhoomi Trivedi’s voice confidently. The hint of rock flavor works well when laid against the background of heavy background arrangement!" Yahoo! India described the song as the highlight dance number, which adds to the narrative. The review also praised its fast paced beats, musical arrangements ( fusion of Gujarati folk and western) and simple Hindi-English lyrics and wrote that "Tridevi shows her class with an excellent rendition." "Mumbai Mirror" wrote "Bhoomi Trivedi is terrific in

neg: I've Gotta Get a Message to You I've Gotta Get a Message to You "I've Gotta Get a Message to You" is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit. The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to

neg: Mythology and commemorations of Benjamin Banneker Lydia Maria Child had made in 1865 by stating that Banneker had "constructed the first clock made in America". In 1976, the singer-songwriter Stevie Wonder celebrated Banneker's mythical feats in his song "Black Man", from the album "Songs in the Key of Life". The lyrics of the song state: Who was the man who helped design the nation's capitol, Made the first clock to give time in America and wrote the first almanac? Benjamin Banneker, a black man The question's answer is incorrect. Banneker did not help design either the U.S. Capitol or the nation's capital city and did not

neg: OSCA (song) before in her musical releases. The title stems from the Italian O.S.C.A. brand of sports cars, as Ukigumo, a big fan of cars, wanted a song titled after one. He was further inspired by the character Oscar François de Jarjayes from the 1970s manga "Rose of Versailles", liking the dramatic image linked to the name Oscar. Ukigumo wrote the lyrics about a womanizer. Unlike "Oiran" from Sheena's "Heisei Fūzoku" or "Mirror-ball" from "Variety", "OSCA" did not change much conceptually since Ukigumo wrote the song. Ukigumo also did not think that the sound would become a single, however it was popular

neg: Chansons des mers froides record company for granting him complete artistic freedom on the project. The song was released as a single and featured several remixes, including one by Mad Professor and by Zazou himself. As lyrics no longer exist for the traditional song "Annukka Suaren Neito" for Sari Kaasinen of Varttina wrote lyrics based on the folk tale of the young girl Annukka who wants to marry a man who lives in the ocean. The song "Adventures in the Scandinavian Skin Trade" was remixed by William Orbit but never released. Ainu Dancers of Hokkaidō, Balanescu Quartet, Budgie, Barbara Gogan, Mark Isham, Lightwave, Sakharine

neg: Man in the Mirror to the Japanese public and to Jackson himself, who was touring Japan at the time and subsequently dedicated concerts in Osaka and Yokohama to the boy's memory. When Ed Hogan reviewed the song, he called it "gentle." Jon Pareles of The New York Times noted that this song has "gospelly lift." Rolling Stone's Davitt Sigerson thought that "Man in the Mirror" stands among the half dozen best things Jackson has done, and he continued: "On "Man in the Mirror," a song he did not write, Jackson goes a step further and offers a straightforward homily of personal commitment: "I'm starting

neg: Say Hey (I Love You) (I Love You)" have topped 120,000 downloads. The video for this song was filmed at Vigário Geral favela in Rio de Janeiro, Brazil. In a January 2010 interview Franti said he wrote the lyrics to this song in the steam of a mirror just after a shower. He joked to noted UK R&B writer Pete Lewis of the award-winning "Blues & Soul": "I was staying at (US actor) Woody Harrelson's house. And, when Woody called and asked how the songwriting was going, I was like 'It's going great! I think I just wrote a hit song in the bathroom!'... And

neg: MSG-2 The Messenger criticized the depiction of Adivasis and described the film as "propaganda". Pal noted a musical number in which, "Guruji sings a love song. To himself. As in, he gazes into the eyes of his own mirror image and croons romantic lyrics. Praise be." Pal also wrote about the audience at the Mumbai screening she attended, speculating that they had been brought in from around the country by Singh to populate the theatre. But despite this, Pal wrote, "There were no applauses, no cheers. There may have been a snore or two." The music of the film is composed by Gurmeet

neg: Mr. Tambourine Man his funeral and dedicated his novel "Fear and Loathing in Las Vegas" to Dylan and the song. The 2013 John Craigie song, "I Wrote Mr. Tambourine Man", is about a person that Craigie met in New Orleans who claimed to have written the original lyrics to "Mr. Tambourine Man". The Byrds' version of "Mr. Tambourine Man" was listed as the number 79 song on "Rolling Stone"s list of the 500 Greatest Songs of All Time, and Dylan's version was ranked number 106. It is one of three songs to place twice, along with "Walk This Way" by both Aerosmith and

neg: This Is How We Party singing along with thoughtless cheer." Heidi and Saseline (credited as 'Line' in the video) are seen preparing their outfits and makeup at night in their home while singing the lyrics to the song. A photograph of a young man in a black vest is seen on Heidi's mirror, and Line clutches a photo frame containing an image of the same man. Wearing bathrobes, they make phone calls before escorting their parents to the front door. Once their parents leave, they remove their robes, revealing their party attire. A crowd of people immediately comes to the house, and a party begins

neg: Lionheart (Kate Bush album) Heartbrake") was included on the "On Stage" EP in September 1979. Reception to the album was average, with the album almost universally being looked upon as an inferior version of her debut. "NME"'s Ian Penman wrote: "'Mature' lyrics sung in that twee irritating schoolgirl-siren voice [...] Actually most of the time she's nearer a vague British lineage - Barbara Dickson to Lynsey de Paul - than a Joni/Janis wonderland". "Record Mirror" was not convinced and wrote about the performance between the musicians: "The feel is often bland and soulless". Reviewer Chris Westwood concluded: "A product which is at best moderate,

neg: Jerome Zerbe a way to travel with the stars who flew overseas to entertain the troops. After the war, Zerbe took up photographing café society with gusto. He was a charming man who was able to rub shoulders with dukes, duchesses, visiting dignitaries, as well as John Hay Whitney, Cornelius Vanderbilt IV, and scores of others. He traveled to France to photograph estates and country homes – and the residents as well. In the 1940s, Zerbe worked for the Hearst newspaper chain, and wrote a Sunday column for the "Sunday Mirror" for more than 10 years. From 1949 to 1974, he was

neg: Guru (soundtrack) anniversary of his death. Gulzar also adapted the lyrics of "Ay Hairathe" from the lyrics of Hazrat Amir Khushroo's "Ay Sarbathe Aashiqui". Rahman personally trained Egyptian singer Maryem Tollar to sing "Mayya", a song which Rahman wrote while on Hajj in Makkah. After he heard a man near a river who was continually repeating "maya maya maya" (water in Arabic), he told Gulzar to incorporate the word into the tune he had created while touring in Toronto, Ontario, Canada. The soundtrack has proved a success, staying at the number one spot thirteen weeks after its release, despite receiving stiff competition

neg: Ogonek (song) Ogonek (song) Ogonek (Russian: Огонёк) is a Russian song about the separation of a man and his girlfriend during The Great Patriotic War. The songs title can be translated as 'a fire.' The theme and lyrics of Ogonek can be traced back to a poem written in 1942 by Mikhail Isakovsky, who later composed the lyrics of the song. And wrote music by Matvey Blanter.The song was popularized during World War 2, as many Soviet soldiers had access to an accordion, and when they rested, they would often play patriotic and emotional songs. This song in particular caught on with

neg: Just Kickin' It wanted Xscape to be "the ghetto En Vogue," originally wrote the song as a summary of what men wanted from women. The lyrics were considered controversial by some female fans who believed the song's message was sexist. Former group member LaTocha Scott, however, dismissed the critics. "I've heard some females say that the song is unreal and that they can tell it was written by a man, but I don't think it makes it sexist. Shoot, everybody knows a man wants a woman who can cook." Released in August 1993, "Just Kickin' It" entered the "Billboard" Hot 100 chart at

neg: Safe as Milk BMG who had acquired Buddah's back catalogue, remastered the album onto CD. They added seven bonus tracks, taken from the sessions for the unreleased "Brown Wrapper" follow-up album. These tracks had been recorded around November 1967 (two months after "Safe as Milk"'s release), and were from the same sessions that yielded the songs on "Mirror Man" (1971). BMG's Buddha also released "The Mirror Man Sessions" on CD in 1999, effectively an official issue of the unphased versions of "Mirror Man", with five further bonus tracks taken from the same sessions. In 2013 Sundazed Records released the mono mix of "Safe

neg: Man of Constant Sorrow by Emry Arthur is largely consistent with Burnett's lyrics, with minor differences. However, the reference to blindness in the second verse of Burnett's lyrics, "six long year I've been blind", had been changed to "six long years I've been in trouble", a change also found in other later versions that contain the verse. Around 1936, Sarah Ogan Gunning rewrote the traditional "Man" into a more personal "Girl". Gunning remembered the melody from a 78-rpm hillbilly record (Emry Arthur, 1928) she had heard some years before in the mountains, but the lyrics she wrote were considerably different from the original after

neg: Karn Evil 9 Sinfield's original interpretation that "what [Man had] invented ironically takes him over" has humans winning a war with the help of computers, only to find the computers taking over in the moment of victory. There is some disagreement as to how much of the lyrics were written by Sinfield. All credits listed show that Lake wrote the lyrics for First Impression alone, but Sinfield himself implies that he co-wrote all lyrics in Karn Evil 9. First Impression Part 2 was used as the theme tune for the BBC's "Jim Davidson's Generation Game" during the mid late-1990s. The vocals regarding seven

neg: This Charming Man This Charming Man "This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like

neg: Handle Me "cheesy guitar flourishes" in the chorus. Hyland referred it to as a feminist anthem due to the "brutality and directness to the lyrics". He wrote, "Robyn sounds undeniably sweet as she defies and then details the seedy exploits of a controlling bar owner who seeks to be her paramour. She trounces him in a manner we're not accustomed to in normally breezy confines of pop music." Danny Corvini of Australian website Samesame.com.au wrote that the song is about "boyfriends who can’t keep up". In the chorus, Robyn tells the man, "You’re a selfish, narcissistic, psycho-freaking, bootlicking Nazi creep/And you can’t

neg: Ol' Man River II originally wrote them in 1927. However, after 1938, Robeson would record the song only with the lyrics that he used in his post-1936 concert recitals. In the 1978 one-man play "Paul Robeson", by Phillip Hayes Dean, there is a (perhaps fictitious) reference to the change in the lyrics - an unseen interviewer asks Robeson (played by James Earl Jones) about the original lyrics, and he responds "No, I don't sing it that way anymore". In the 1951 film version of "Show Boat", as well as the 1962 studio recording and the 1966 Lincoln Center revival of the show, William

neg: Dardanelles (band) With the EP, there was a focus on intentionally contrasting the tone of lyrics and music, a move Quinn-Watson described as akin to "subliminal advertising". They abandoned this technique with the album, where both music and lyrics shared a dreamy, Borgesian quality. On the "Mirror Mirror" LP, the lyrics had a more surreal tinge, seemingly aimed at accumulating impressionistic detail to the sonic landscape. Childhood and dreaming are common lyrical threads, reflecting an interest in the philosophy of André Breton and others. Despite sounding not at all like Bob Dylan, he did spark the band's initial interest in music and

neg: Sepand Samzadeh trombonist Kevin Williams. Their eponymous debut CD was released in October 2007 on Bright Orange Records. In 2008, Fuentes and Samzadeh began working on their second album. In 2012, Fuentes and Samzadeh, looking for a vocalist, were introduced to Billy Sherwood, who co-produced the album, co-wrote the lyrics and mixed In Extremis. Sherwood also helped arrange the song “The Man Who Died Two Times”. Peter Banks was the first to be brought into the project. Banks had praised the band on their debut album and became and instrumental force on two songs, Eggshell Man and In Extremis. Tony Levin played

neg: With or Without You who wanted a more mainstream approach to his mix, favoured "a little more crash, bang" sound to Mullen's drums that enter later in the song, while Eno preferred that the drums remain "more mysterious and more supportive". Bono wrote the lyrics during his first night visiting Côte d’Azur in 1986, while struggling to reconcile his responsibilities as both a married man and a musician. His wanderlust in belonging to a musical act was often at odds with his domestic life. While writing the lyrics, he realized that neither facet of his life defined him, but rather the tension between the

neg: Lorrae Desmond from 1981 to 1992, opposite Brian Wenzel who played her husband Frank Gilroy. In 1984 she won the Logie for Best Supporting Actress for this role. In one of the series' iconic episodes in 1992, the long-running character Shirley was killed off in an off-screen plane crash, with actress Desmond stating she did not want a prolonged death storyline arc like Molly Jones (Anne Tenney). Desmond co-wrote the lyrics to the musical "Man of Sorrows" (originally titled "Jesus Christ Revolution") which premiered in Melbourne in 1972. About the industry, she said: What I really wanted to do was write lyrics

neg: You're Getting to Be a Habit with Me You're Getting to Be a Habit with Me "You're Getting to Be a Habit with Me" is a 1932 popular song with music by Harry Warren and the lyrics by Al Dubin, which became a standard. The lyrics of the song were noted for its references to addiction. It appears in the Warner Brothers musical film "42nd Street" for which Warren and Dubin wrote three songs together. The song was inspired by one of the women working at the Warner Brothers studio, who when asked why she was still dating a certain man, said that he was getting to be

neg: Samba do Avião Samba do Avião "Samba do Avião" (a.k.a. "Song of the Jet", translated literally as "Airplane Samba") is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees. In the biography "Antonio Carlos Jobim: An Illuminated Man", Helena Jobim describes how her brother came up with the idea for the song: "Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign

neg: Too Much Too Soon (album) Charlie Chan in "Bad Detective", which has lyrics describing a nonsensical narrative set in China. On "Stranded in the Jungle", he alternated between a comical reject and a lecherous man at lover's lane. Journalist Ellen Willis remarked that, like the band's 1973 song "Personality Crisis", "Stranded in the Jungle" suggested a theme of "clashing cultures and the dilemma of preserving one's uniqueness while reaching out to others". For "Babylon", Johansen wrote the lyrics as a tribute to the New York Dolls' following from outside New York City: "[The song] is about people who live in Babylon, Long Island, New York,

neg: Ray Errol Fox Fellini's "The Clowns." For theater, he wrote the lyrics for the Broadway production of Lorraine Hansberry's "The Sign in Sidney Brustein's Window": the Theatreworks and Pittsburgh Civic Light Opera productions of "Young Ben Franklin"; and contributed material to "Upstairs at the Downstairs," "Broadway Jukebox" and numerous other shows and reviews. One of his most popular works is "The Confidence Man", a musical based on the Herman Melville novel of the same name. Ray Fox wrote the book and lyrics and Jim Steinman wrote the music. It was originally performed as a cabaret piece at the Manhattan Theater Club. A full

neg: Dead Air for Radios Moore wrote for the album. The spoken sample is of a German man Moore met in Santa Fe who described his experiences of hitch-hiking from LA to Santa Fe. The speech synthesizer in "Hell Mary" recites a paragraph from the Bayside prophecies by Veronica Lueken. Moore has stated that the song "has something to do with the end of the world, I think. And hallucinogenic visions thereof as experienced by a computer." All lyrics and music written by Kevin Moore, except track 8 lyrics by Todd Farrington. Dead Air for Radios Dead Air for Radios studio album by Kevin Moore,

neg: Raakh (2016 film) terror with planting a thought in your head." He also wrote that the film has "Fiery visuals but the story runs out of spark." Nishi Tiwari from Mumbai Mirror rated it 1.5/5, calling it a film "Microwaved to imperfection." Raakh (2016 film) Raakh (English: Ashes) is a 2016 Indian short crime drama film written and directed by Milap Zaveri, starring Vir Das, Richa Chadda and Shaad Randhawa in the lead roles. The film revolves around a man who seeks revenge from the guy who raped and killed his wife. The film was released by T-Series on 7 November 2016. The

neg: Funiculì, Funiculà High Silk Hat. The 2004 video game "Spider-Man 2" featured a humorous instrumental of the melody of "Funiculì, Funiculà," that would play during the game's pizza delivery missions. The 2018 video game "Spider-Man" has an orchestral rendition playing outside of a pizzeria as a reference to this. In Turco's original lyrics, a young man compares his sweetheart to a volcano, and invites her to join him in a romantic trip to the summit. Edward Oxenford, a lyricist and translator of librettos, wrote lyrics, with scant relationship to those of the original version, that became traditional in English-speaking countries. His version

neg: Suzanne Vega assist independent musicians' careers. A partial cover version of her song "Tom's Diner" was used to introduce the 2010 British movie "4.3.2.1", with its lyrics largely rewritten to echo the plot. This musical hybrid was released as "Keep Moving". Vega participated in the Danger Mouse/Sparklehorse/David Lynch collaboration "Dark Night of the Soul". She wrote both melody and lyrics for her song, which is titled "The Man Who Played God", inspired by a biography of Pablo Picasso. Vega sang lead vocals on the song "Now I Am an Arsonist" with singer-songwriter Jonathan Coulton on his 2011 album, "Artificial Heart". Vega has

neg: Whiskey in the Jar the Bar" in a mid-1850s broadsheet. The song collector Colm Ó Lochlainn, in his book Irish Street Ballads, described how his mother learnt "Whiskey in the Jar" in Limerick in 1870 from a man called Buckley who came from Cork. When O Lochlainn included the song in Irish Street Ballads, he wrote down the lyrics from memory as he had learnt them from his mother. He called the song "There's Whiskey in the Jar", and the lyrics are virtually identical to the version that was used by Irish bands in the 1960s such as the Dubliners. The O Lochlainn version

neg: Mordant's Need Mordant's Need Mordant's Need is a fantasy two-part book series by American writer Stephen R. Donaldson, comprising the novels "The Mirror of Her Dreams" (1986) and "A Man Rides Through" (1987). It tells the story of a woman named Terisa who travels from our modern world to a medieval setting through a mirror, where political and military struggles are entwined with the power of Imagery, a form of magic based on mirrors. The Mirror of Her Dreams, the first volume, was published in 1986 and A Man Rides Through, the second volume, was published in 1987. The books deal with

neg: Awake (Dream Theater album) "to make things more vivid". "When I was writing it, I saw these terms and medical things that were just brilliant," he said. "Like there was a guy who felt that his skin was inside out. I read that and was like 'Oh my God! That's unbelievable; I've got to write about that.'" Petrucci wrote the music and lyrics to the acoustic "The Silent Man". LaBrie described the lyrics as dealing with "communication breakdown, for instance between a father and a son. We feel that we have to play certain roles when around one of our parents, and we never

neg: Samba do Avião 1963. The first English-language version was by Tony Bennett for his 1965 album "". Samba do Avião "Samba do Avião" (a.k.a. "Song of the Jet", translated literally as "Airplane Samba") is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees. In the biography "Antonio Carlos Jobim: An Illuminated Man", Helena Jobim describes how her brother came up with the idea for the song: "Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the