query: where does the narrator live in war of the worlds

pos: The War of the Worlds The War of the Worlds The War of the Worlds is a science fiction novel by English author H. G. Wells, first serialised in 1897 by "Pearson's Magazine" in the UK and by "Cosmopolitan" magazine in the US. The novel's first appearance in hardcover was in 1898 from publisher William Heinemann of London. Written between 1895 and 1897, it is one of the earliest stories to detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded

pos: The War of the Worlds of Earth because their own resources are dwindling. The narrator is invited to an astronomical observatory at Ottershaw where explosions are seen on the surface of the planet Mars, creating much interest in the scientific community. Months later, a "meteor" lands on Horsell Common, near the unnamed narrator's home in Woking, Surrey. He is among the first to discover that the object is an artificial cylinder that opens, disgorging Martians who are "big" and "greyish" with "oily brown skin", "the size, perhaps, of a bear", each with "two large dark-coloured eyes", and lipless "V-shaped mouths" which drip saliva and are

pos: Ottershaw won the Final of the Woking Tigers Charity Cup in their first season. In the book "The War of the Worlds" by H G Wells, the fictional narrator is invited to an observatory in Ottershaw. Ottershaw Ottershaw is a village in the Runnymede district of Surrey, England about 20 miles to the south-west of London. It is in the mixed rural and suburban Foxhills ward and is part of the ecclesiastical parish of Ottershaw first established as a chapelry in 1865 in what was part of the parish of Addlestone, itself then a new parish. It became a parish in

neg: Flying machine (The War of the Worlds) far been depicted once on screen in Pendragon Pictures "H.G. Wells' The War of the Worlds", where it makes an appearance after the battle with , which is later recounted from the perspective of the artilleryman. However, it appeared briefly in the live adaptation of "Jeff Wayne's Musical Version of The War of the Worlds", though the album itself does not make any reference to the flying machine. Many more of them appeared in the "New Generation" version of the stage show. Viewed edge on, the roughly boomerang-shaped war machines of George Pal's 1953 film, which bear no resemblance to

neg: The War of the Worlds believe the Martians will perform a fatal transfusion of the curate's blood to nourish themselves, as they have done with other captured victims viewed by the narrator through a small slot in the house's ruins. The narrator just barely escapes detection from the returned foraging tentacle by hiding in the adjacent coal-cellar. The Martians eventually abandon the cylinder's crater, and the narrator emerges from the collapsed house where he had observed the Martians up close during his ordeal; he then approaches West London. "En route", he finds the Martian red weed everywhere, a prickly vegetation spreading wherever there is abundant

neg: The War of the Worlds tense day begins, with much anticipation of military action by the narrator. After heavy firing from the common and damage to the town from the heat-ray which suddenly erupts in the late afternoon, the narrator takes his wife to safety in nearby Leatherhead, where his cousin lives, using a rented, two-wheeled horse cart; he then returns to Woking to return the cart when in the early morning hours, a violent thunderstorm erupts. On the road during the height of the storm, he has his first terrifying sight of a fast-moving Martian fighting-machine; in a panic he crashes the horse cart,

neg: The War of the Worlds Shepperton to Weybridge Ferry during a Martian afternoon attack on Shepperton. One of the Martian fighting-machines is brought down in the River Thames by artillery as the narrator and countless others try to cross the river into Middlesex, as the Martians retreat back to their original crater. This gives the authorities precious hours to form a defence-line covering London. After the Martians' temporary repulse, the narrator is able to float down the Thames in a boat toward London, stopping at Walton, where he first encounters the curate, his companion for the coming weeks. Towards dusk, the Martians renew their offensive,

neg: Martian (The War of the Worlds) articles in "ERBZine", the official Burroughs fanzine. In Ian McDonald's short story "The Queen of Night's Aria", a sequel to "The War of the Worlds" published in the 2013 George R. R. Martin and Gardner Dozois anthology "Old Mars", the Wells Martians are named the Uliri. Martian (The War of the Worlds) Little about the Martians is definitive, the story being told by a first-person narrator. The Martians are described as octopus-like creatures: the "body" consisting of a disembodied head nearly across, having two eyes; a v-shaped, beak-like mouth; and two branches each of eight 'almost whip-like' tentacles, grouped around

neg: Flying machine (The War of the Worlds) Flying machine (The War of the Worlds) The Flying machine is one of the fictional machines used by the Martians in H. G. Wells' classic science fiction novel "The War of the Worlds". It is one of the four types of heavy machine the Martians bring with them when they invade Earth, along with the fighting machine, the handling machine, and the embankment machine. The appearance of this aircraft in the novel is very vague. The narrator's brother, escaping by sea, glimpses it shortly after the implied destruction of the Channel Fleet. The narrator himself sees the aircraft abandoned on

neg: The War of the Worlds of the Worlds" presents itself as a factual account of the Martian invasion. The narrator is a middle-class writer of philosophical papers, somewhat reminiscent of Doctor Kemp in "The Invisible Man", with characteristics similar to author Wells at the time of writing. The reader learns very little about the background of the narrator or indeed of anyone else in the novel; characterisation is unimportant. In fact none of the principal characters are named, aside from the astronomer Ogilvy. Wells trained as a science teacher during the latter half of the 1880s. One of his teachers was T. H. Huxley, famous

neg: Rachael Beck Hotchkiss) appeared alongside her husband Ian Stenlake (as Sid Sorokin) in a stage production of "The Pajama Game" at Melbourne's State Theatre. In September 2007 Beck undertook the role of Beth in the Australia and New Zealand live concert tour of "Jeff Wayne's Musical Version of The War of The Worlds – Alive on Stage". She was cast opposite Michael Falzon (Artilleryman) and Shannon Noll (Parson) as well as album alumni Chris Thompson, and Justin Hayward in their original roles. The cast performed with the holographic head of narrator Richard Burton, as well as musical talents of the 48-piece ULLAdubULLA

neg: The War of the Worlds (1953 film) the littlest things, which God, in His wisdom, had put upon this Earth..." "The War of the Worlds" opens with a black-and-white prologue featuring newsreel war footage and a voice-over describing the destructive technological advancements of Earthly warfare from World War I through World War II. The image then smash cuts to vivid Technicolor and the dramatic opening title card and credits. The story then begins with a series of color matte paintings by astronomical artist Chesley Bonestell depicting the planets of our Solar System (all except Venus). A narrator (Sir Cedric Hardwicke) offers a tour of the hostile environment

neg: Ode to Psyche believes that there must be a connection between the external and internal worlds for the narrator to even face the problem. Regardless, the narrator never states that this worship of Psyche or embracing the imagination would aid mankind, but the poem does rejoice in exercising the imagination. In addition to the theme of dedicating one's self to the mind, the theme of reception plays heavily upon the poem's presentation; Andrew Bennett states that the poem, like all poems, is "'heard' both by itself (and therefore not heard) and by an audience that reads the poem and 'hears' it differently". Bennett

neg: Alien invasion human beings and attempt to develop a virulent disease to assist in their plans for global conquest. It was not widely read, and consequently Wells' vastly more successful novel is generally credited as the seminal alien invasion story. Wells had already proposed another outcome for the alien invasion story in "The War of the Worlds". When the Narrator meets the artilleryman the second time, the artilleryman imagines a future where humanity, hiding underground in sewers and tunnels, conducts a guerrila war, fighting against the Martians for generations to come, and eventually, after learning how to duplicate Martian weapon technology, destroys

neg: The War of the Worlds barely escaping detection. He discovers the Martians have assembled towering three-legged "fighting-machines" (tripods), each armed with a heat-ray and a chemical weapon: the poisonous "black smoke". These tripods have wiped out the army units positioned around the cylinder and attacked and destroyed most of Woking. Sheltering in his house, the narrator sees a fleeing artilleryman moving through his garden, who later tells the narrator of his experiences and mentions that another cylinder has landed between Woking and Leatherhead, cutting off the narrator from his wife. The two try to escape via Byfleet just after dawn, but are separated at the

neg: Worlds (album) 1. The fourth single from the album, "Flicker", was released on July 29, 2014. The song premiered during Robinson's "Essential Mix" for Radio 1. Robinson has described it as a "hip-hop beat and a vocal that’s Japanese and really high-pitched". He used a chopped up sample from translation software. Robinson has stated that he does not wish to perform DJ sets at festivals any more as he does not want to alienate his fans and confuse them. He instead planned to create a live show, using live instruments and sampling. He premiered his live show in Vancouver on the "Worlds"

neg: Pilgrim at Tinker Creek narrator states, "I had thought to live by the side of the creek in order to shape my life to its free flow. But I seem to have reached a point where I must draw the line. It looks as though the creek is not buoying me up but dragging me down." The title of the book suggests a pilgrimage, and yet the narrator does not stray far from her home near the creek: the journey is metaphysical. Margaret Loewen Reimer, in one of the first critical studies based on the book, noted that Dillard's treatment of the metaphysical is

neg: Jeff Wayne's The War of the Worlds (1998 video game) featuring the scenes on Mars were later recreated for the "War of the Worlds" live show. Jeff Wayne's The War of the Worlds (1998 video game) Jeff Wayne's The War of the Worlds is a real-time strategy video game developed by Rage Software Limited and released for Windows-based PCs in 1998. It is based on "Jeff Wayne's Musical Version of The War of the Worlds" — which is itself based on H. G. Wells' novel "The War of the Worlds". In 1999, another game of the same name was released for the Sony PlayStation. The 1999 game reuses the 1998

neg: The War of the Worlds suggests the Martians have left behind. The novel also presents ideas related to Charles Darwin's theory of natural selection, both in specific ideas discussed by the narrator, and themes explored by the story. Wells also wrote an essay titled 'Intelligence on Mars', published in 1896 in the "Saturday Review", which sets out many of the ideas for the Martians and their planet that are used almost unchanged in "The War of the Worlds". In the essay he speculates about the nature of the Martian inhabitants and how their evolutionary progress might compare to humans. He also suggests that Mars, being

neg: The War of the Worlds "Two Planets" ("Auf Zwei Planeten"). It was not translated until 1971, and thus may not have influenced Wells, although it did depict a Mars influenced by the ideas of Percival Lowell. Other examples are "Mr. Stranger's Sealed Packet" (1889), which took place on Mars, Gustavus W. Popes's "Journey to Mars" (1894), and Ellsworth Douglas's "Pharaoh's Broker", in which the protagonist encounters an Egyptian civilisation on Mars which, while parallel to that of the Earth, has evolved somehow independently. Wells had already proposed another outcome for the alien invasion story in "The War of the Worlds". When the Narrator meets the

neg: Martian (The War of the Worlds) Martian (The War of the Worlds) Little about the Martians is definitive, the story being told by a first-person narrator. The Martians are described as octopus-like creatures: the "body" consisting of a disembodied head nearly across, having two eyes; a v-shaped, beak-like mouth; and two branches each of eight 'almost whip-like' tentacles, grouped around the mouth, referred to as the 'hands'. They reproduce asexually, by "budding" off from a parent. Internally, the Martians consist of a brain, lungs, heart, and blood vessels; they have no organs for digestion, and therefore sustain themselves on Earth by mechanically transfusing blood via pipettes

neg: Black smoke (The War of the Worlds) masks useless, as do modern nerve gases. The only accurate screen appearance of the black smoke is in Pendragon Pictures' film adaptation, wherein the Martians only use the smoke twice, and it is not described in any detail. The black smoke is briefly mentioned in the 1978 musical version, where a tripod releases it while engaging the "Thunder Child" and later when the narrator is trapped. Its effects are not mentioned, however. This is likely the result of an earlier usage being removed at the script editing stage. This musical version featured musicians known as the Black Smoke Band. In

neg: The War of the Worlds as a major advocate of Darwinism. He later taught science, and his first book was a biology textbook. He joined the scientific journal "Nature" as a reviewer in 1894. Much of his work is notable for making contemporary ideas of science and technology easily understandable to readers. The scientific fascinations of the novel are established in the opening chapter where the narrator views Mars through a telescope, and Wells offers the image of the superior Martians having observed human affairs, as though watching tiny organisms through a microscope. Ironically it is microscopic Earth lifeforms that finally prove deadly to the

neg: Human Moments in World War III mundane or routine. Through their conversations, it is revealed that the war has only been going on for three weeks. Vollmer senses that there is a lack of satisfaction, a fatigue with the war on Earth, and this is what unnerves the narrator more than anything else: while he does not share such opinions out loud, Vollmer's convictions about society and their situation are often the same as his. Unlike Vollmer, the narrator chooses to not share such thoughts out of fear. The narrator then begins a stream of consciousness regarding the nature of war, which he harkens to a

neg: After Dachau Sigmund Freud. The narrator receives a gift from his "uncle" (the man who imprisoned him), and expresses his intent to publish the gift. He opens a shop where he displays pictures of Africans that had been saved in Mallory's hideout. Finally, one night, someone throws a brick through the gallery's windows, prompting the narrator to conclude that somebody "does care". The last line reveals that the gift is The Diary of a Young Girl, written during World War II, the "Diary of Anne Frank". To novice eyes, reincarnation would appear to be a major theme of the book. However, this

neg: John (Desireless song) Said (second Israeli-Arab war, 1956), Baghdad (Iran-Iraq, 1980–88), Berlin (Second World War, Cold War). Several Gods worshiped in various religions are also cited in the lyrics, such as God, Jehovah (Christianity, Judaism), Allah (Islam), Brahma and Vishnu (Hinduism). The narrator questions whether it matters who the symbolic "John" fought for (On his flag/there are stars, crowns/there are sickles, hammers/What does it matter?"), where he came from (He lives on a farm/in Loir-et-Cher/a tent on the edge of the desert/what does it matter?"), or what religion he was ("He says Bramah/he says Jehovah"), and she says that he "died in mid-flight"

neg: Embankment machine (The War of the Worlds) as an excavator used to widen the Cylinders landing pits. The novel's Narrator character further explains that the machine itself has no pilot or a form of cockpit, and that it appears to be a form of automaton. When the Martians are on the move, the embankment machine is taken with them. When the novel's Narrator can safely emerge from the rubble of a ruined house he was trapped under for weeks after a Cylinder fell, the landing pit contains nothing but human remains from past Martian feedings. The embankment machine has been featured in the graphic novel by Dark

neg: The War of the Worlds before being destroyed by the Martians, though this allows the evacuation fleet to escape, including the ship carrying the narrator's brother and his two travelling companions. Shortly thereafter, all organised resistance has ceased, and the Martians roam the shattered landscape unhindered. At the beginning of Book Two the narrator and the curate are plundering houses in search of food. During this excursion the men witness a Martian fighting-machine enter Kew, seizing any person it finds and tossing them into a "great metallic carrier which projected behind him, much as a workman's basket hangs over his shoulder", and the narrator realises

neg: The War of the Worlds create weapons far in advance of humans on the younger planet Earth, who have not had the opportunity to develop sufficient intelligence to construct similar weapons. The novel also suggests a potential future for human evolution and perhaps a warning against overvaluing intelligence against more human qualities. The Narrator describes the Martians as having evolved an overdeveloped brain, which has left them with cumbersome bodies, with increased intelligence, but a diminished ability to use their emotions, something Wells attributes to bodily function. The Narrator refers to an 1893 publication suggesting that the evolution of the human brain might outstrip the

neg: 7 Worlds Collide (album) "7 Worlds Collide" as the name of the ongoing collaborative project. The title of this album, as well as the 7 Worlds Collide project, is derived from the line ""Seven worlds will collide / whenever I am by your side"" from Crowded House's 1993 single "Distant Sun". All songs were written by Neil Finn, except where noted. 7 Worlds Collide (album) 7 Worlds Collide: Live at the St. James is an album released in 2001 by 7 Worlds Collide, a musical project of New Zealand singer-songwriter Neil Finn. It is a live recording culled from a series of five shows

neg: War of the Worlds 2: The Next Wave 2" features considerably more outlandish science-fiction elements, discarding the horror treatment of the first film for an action/adventure premise. The film's plot is mostly original, its characters entirely so, though it does feature elements from "The War of the Worlds" which were excluded from the first film. The film's music was composed by Ralph Reickermann, a former composer for The Asylum. The film features the single ""You Came into my Life"" which featured the vocals of singer John Brown Reese. War of the Worlds 2: The Next Wave War of the Worlds 2: The Next Wave is a 2008 direct-to-DVD

neg: Human Moments in World War III surface below, listing them off aloud. Vollmer remarks that the best thing science does is "name the features of the world," which sends the narrator into a spiral of thoughts regarding his fear of Vollmer's 'human' insights. As the narrator is a self-admitted specialist (actually meaning someone who doesn't specialize in a given field in Colorado Command's context), he doesn't have the specific knowledge or degrees that Vollmer does, which makes him more frustrated when Vollmer indulges in non-scientific wonderment at the Earth instead of sticking to his routine system checks. When Vollmer proclaims, "I'm happy," the narrator fills with

neg: The War of the Worlds (radio drama) The War of the Worlds (radio drama) "The War of the Worlds" is an episode of the American radio drama anthology series "The Mercury Theatre on the Air" directed and narrated by actor and future filmmaker Orson Welles as an adaptation of H. G. Wells' novel "The War of the Worlds" (1898). It was performed and broadcast live as a Halloween episode at 8 p.m. on Sunday, October 30, 1938 over the Columbia Broadcasting System radio network. The episode became famous for causing panic among its listening audience, but the scale of that panic is disputed, as the program had

neg: Casa Tomada who sought her hand in marriage. Inheriting their parent's house and wealth, they live a quiet, usually mundane, domestic existence. The narrator describes the estate and the siblings' routine in great detail, describing their chores and interests; Irene knits all day, unraveling her work the moment it does not please her, while the narrator collects French literature and buys Irene wool during his visits to the bookstores. Usually, their home is silent, but when one day the narrator suddenly hears something inside another part of the house, the siblings escape to a smaller section, locked behind a solid oak door.

neg: The Fly (poem) G. S. Morris notes that "the lines 'Till some blind hand / Shall brush my wing' seem to follow the feathered shuttlecock directly into the little girl's racquet". The poem catches the narrator in an act of thoughtlessness that leads to the contemplation of the act and its implications. The fly suffers from uncontrollable circumstances, just as the narrator does. This humbling simile has caused the narrator to move from thoughtlessness to thought, and, as "thought is life", from death to life, allowing the conclusion, "Then am I / A happy fly / If I live, / Or if I

neg: The House on the Strand Carl Jung," "in which a sinister potion enables the central character to escape the constraints of his dreary married life by travelling back through time". The narrator agrees to test a drug that transports him back to 14th century Cornwall and becomes absorbed in the lives of people he meets there, to the extent that the two worlds he is living in start to merge. It is set in and around Kilmarth, where Daphne du Maurier lived from 1967, near the village of Tywardreath, which in Cornish means "House on the Strand". The narrator, Dick Young, has given up his

neg: Chris Thompson (English musician) Farnham in 1986), and sang it on the Alan Parsons Live Album (1995). In 2006 and 2007, he joined Jeff Wayne for a second time to tour as The Voice of Humanity in the live version of "Jeff Wayne's Musical Version of The War of the Worlds". According to the special features of the DVD "Jeff Wayne's Musical Version of The War of the Worlds - Live on Stage", Thompson designed some artwork for the show. Thompson has been featured on several albums by artists such as Alan Parsons, Jan Hammer, Steve Hackett, Bonnie Tyler, Mike Oldfield, and Sarah Brightman,

neg: The Gaze (novel) be gazed and the fundamental differences between the perspectives of male and female. Soon after B-C and the narrator meet, they become lovers and live together. The narrator thinks that the new place that she is living in is more comfortable and is even better than her own home that she used to share with her parents. Even though the narrator knows and feels that her parents love and care about her, she thinks that when she looks into their eyes, she sees the pain inside. She is different from others and she does not feel comfortable. Unfortunately, B-C decides

neg: Generals Die in Bed Brown. Later in the text, the narrator finds himself disturbed when he bayonets a German soldier during a raid; this trauma is magnified by the narrator's subsequent camaraderie with the brother of the dead soldier. The narrator becomes further unhinged at the death of another friend; it is at this point that the narrator begins to acknowledge the horrors of war. As the plot continues, he is allowed to leave the front for a break in England, a 10-day period during which a prostitute does everything in her power to help him forget the war. However, everyday incidents –- such

neg: Jeff Wayne's Musical Version of The War of the Worlds Sung Thoughts of the Journalist and The Voice of Humanity respectively, with Rhydian Roberts as Parson Nathaniel, Jason Donovan as The Artilleryman and Liz McClarnon as Beth. A two disc Region 2 DVD of the 2006 Wembley Arena, London show was released 6 November 2006 by Universal. Disc 1 contains the live show and Disc 2 contains extras and a documentary of the making of the live show. It is titled "Jeff Wayne's Musical Version of The War of The Worlds - Live on Stage". In 2011 after a short hiatus from touring, Jeff Wayne announced a new "Musical Version

neg: Fighting machine (The War of the Worlds) free-flowing organic legs described in Wells' novel. They are also described in the prologues of the live stage versions as being modified versions of similar walking machines the Martians use on Mars. This interpretation of the Martian tripods also appears in the 1998 and 1999, video games based on the Jeff Wayne album. In Kevin J. Anderson' "The Martian War" the Martians use two type of tripods, the ones from "The War of the Worlds" and a smaller, "overseer" variant. In "Sherlock Holmes's War of the Worlds", the fighting machines are described as having legs that can telescope down allowing

neg: He Who Shrank the subatomic worlds. The assistant, sent as an involuntary scout, shrinks further and further, through the peril of being attacked by a microorganism, down to various worlds, inhabited by various beings who at their times scales have seen him approach for years or centuries, including intelligent gaseous beings, cave people, space-faring birdlike beings who flee to their moon to escape self-replicating machines who have overrun their planet and will likely go on spreading through the universe at that scale, and others the narrator mentions only in passing, of widely varying forms. One race of intangible beings teaches the narrator skills

neg: Velocity (novel) realizes that the psychopath has driven three large fish hooks under the skin of his forehead. Acts of violence like the one depicted above lead the third person narrator to reflect on the society we live in: ""Not long ago in the history of the world, routine daily violence—excluding the ravages of nations at war—had been largely personal in nature. Grudges, slights to honor, adultery, disputes over money triggered the murderous impulse. Although Wiles does check on each of the few acquaintances he has, he cannot at first decide which of them, if any, might be the freak. Eventually he

neg: The War of the Worlds (1953 film) film's plot are similar to the novel, from the crash-landing of the Martian meteorite-ships to their eventual defeat by Earth's microorganisms. Forrester also experiences similar events like the book's narrator: an ordeal in a destroyed house, observing an actual Martian up close, and eventually reuniting with his love interest at the end of the story. The film is given more of a Cold War theme with its use of the Atomic Bomb against the enemy and the mass-destruction that such a global war would inflict on mankind. The composer of the film score, Leith Stevens, also composed two other scores

neg: Quantum suicide and immortality collapsed; thus, since the experimenter is already dead, there is a 0% chance of survival for any further iterations. However, if the many-worlds interpretation is true, a superposition of the live experimenter "necessarily" exists (as also does the one who dies). Now, barring the possibility of life after death, after every iteration only one of the two experimenter superpositions – the live one – is capable of having any sort of conscious experience. Putting aside the philosophical problems associated with individual identity and its persistence, we may assert that, under the many-worlds interpretation, the experimenter, or at least a version

neg: ROH/NJPW War of the Worlds (2017) ROH/NJPW War of the Worlds (2017) War of the Worlds (2017) was a professional wrestling tour co-produced by the American Ring of Honor (ROH) and Japanese New Japan Pro-Wrestling (NJPW) promotions. The tour's four events took place on May 7 at the Ted Reeve Arena in Toronto, Ontario, May 10 at the Ford Community & Performing Arts Center in Dearborn, Michigan, May 12 at the Hammerstein Ballroom in New York City and May 14 at the 2300 Arena in Philadelphia, Pennsylvania. The third night aired live on pay-per-view (PPV), while the fourth night was taped for four future episodes, including

neg: ROH/NJPW War of the Worlds (2014) their own iPPVs, often facing streaming issues, which even led to the promotion announcing they were no longer going to be doing live iPPVs. War of the Worlds, unlike Global Wars, featured several interpromotional matches between NJPW and ROH, leading to Gedo and Jado booking the show together with Delirious with Rocky Romero acting as the intermediary as both sides had wrestlers they wanted to protect. War of the Worlds featured nine professional wrestling matches that involved different wrestlers from pre-existing scripted feuds and storylines. Wrestlers portrayed villains, heroes, or less distinguishable characters in the scripted events that built tension

neg: Rumours of Rain walk, almost not making it back to the farm where he was born and raised; he does not belong here. Father and son drive home. The farm will be sold and Martin's mother will live with their family although she and Martin's wife do not get along. Louis gets an ultimatum to find a job, after which he disappears and never comes back. Rumours of Rain Rumours of Rain is a South African novel by André Brink, published in 1978. It was shortlisted for the Booker Prize. It is set on a South African farm during apartheid. Martin, the narrator,

neg: Jeff Wayne's The War of the Worlds (1999 video game) and album, the Martian base was instead located in London.) Once the player destroys the seven Martian Elders who are directing the invasion, the war ends, and peace is restored. The player's soldier character (now seen for the first time) escapes the destruction of the Martian base, and the journalist narrator wonders if the Martians might strike again some day. The album's NASA epilogue is omitted, leaving the game's conclusion closer to the open-ended ambiguity of the original novel. The game features an instrumental techno/electronica soundtrack, consisting of seven remixes of music from "Jeff Wayne's Musical Version of The War

neg: The Crawling Chaos followed by the child saying in an otherworldly voice: As the child speaks, the narrator observes two youths emerging from the leaves of the tree. They take the narrator by the hand and describe the worlds of "Teloe" and "Cytharion of the Seven Suns" which lie beyond the Milky Way. As they speak, the narrator observes that he is floating in the upper atmosphere, with the palm tree far below, and now accompanied by an ever increasing number of singing, vine-crowned youths. As they ascend, the child tells the narrator that he must always look upward and never down at

neg: Arthur 3: The War of the Two Worlds Arthur 3: The War of the Two Worlds Arthur 3: The War of the Two Worlds (French: Arthur et la guerre des deux mondes, also known in North America as Arthur and the Invisibles 3 or simply Arthur 3) is a 2010 English-language French animated/live-action feature film co-written, co-produced and directed by Luc Besson, based on his novel of the same title and starring Freddie Highmore and the other actors that reprise for the movie. EuropaCorp produced the film, which is the third and final installment in Besson's Arthur series, following "Arthur and the Invisibles" and continuing "Arthur and the

neg: Arthur 3: The War of the Two Worlds a 20% approval rating based on 5 reviews, with a rating average of 4.8/10. Arthur 3: The War of the Two Worlds Arthur 3: The War of the Two Worlds (French: Arthur et la guerre des deux mondes, also known in North America as Arthur and the Invisibles 3 or simply Arthur 3) is a 2010 English-language French animated/live-action feature film co-written, co-produced and directed by Luc Besson, based on his novel of the same title and starring Freddie Highmore and the other actors that reprise for the movie. EuropaCorp produced the film, which is the third and final installment

neg: ROH/NJPW War of the Worlds (2014) ROH/NJPW War of the Worlds (2014) War of the Worlds was a professional wrestling supershow co-produced by the American Ring of Honor (ROH) and Japanese New Japan Pro-Wrestling (NJPW) promotions. The event took place on May 17, 2014, at the Hammerstein Ballroom in New York City, New York, U.S. and aired live on Internet pay-per-view (iPPV) through Ustream. All matches on the iPPV featured wrestlers from ROH taking on wrestlers from NJPW. As a result, bookers from both promotions worked together to put the event together. The event featured nine matches with five championships on the line; three from ROH

neg: Alchemist (band) In 1999, the band's next project was an EP that featured as its title track a version of "Eve of the War", the opening piece from the 1978 production, "Jeff Wayne's Musical Version of The War of the Worlds". Josh Nixon from Canberra doom metal band, Pod People featured as a guest guitarist. The EP also included live versions of "Yoni Kunda" and "Chinese Whispers", an electronica remix of "Yoni Kunda" retitled as "Koni Yunda" and two "Jar of Kingdom" tracks, "Brumal: A View from Pluto" and "Worlds within Worlds." These last two were a precursor to the band's re-release

neg: Manhunt (1969 TV series) anti-climax. Gratz is sure that he has all of Nina's information anyway, mostly through pillow talk and carelessness on her part. Nina and Jimmy, despite their closeness while on the run, live in different worlds in England. Their relationship does not endure. In addition, Manhunt features many notable guest appearances, such as by Paul Darrow, John Savident, George Sewell, Julian Glover, Nerys Hughes, Tony Beckley, and Richard Hurndall. Manhunt (1969 TV series) Manhunt is a World War II drama series consisting of 26 episodes, produced by London Weekend Television in 1969 and broadcast nationwide from January 1970. British pilot Jimmy

neg: The War of the Worlds (1953 film) Woody character out of friendship and good luck in his productions, noted Joe Adamson years later, "Walter had been close friends with Pal ever since Pal had left Europe in advance of the war and arrived in Hollywood." A 1988 sequel was produced for a network television series of the same name. As noted by Caroline Blake, the film is very different from the original novel in its attitude toward religion, as reflected especially in the depiction of clergymen as characters. "The staunchly secularist Wells depicted a cowardly and thoroughly uninspiring Curate, whom the narrator regards with disgust, with which

neg: Black smoke (The War of the Worlds) narrator of what he "read of the destruction of Pompeii". The smoke is very dense, and can be avoided by climbing to higher places. Although Wells never explains the smoke's mechanism in the novel, he mentions that it may bind with argon to become toxic. In reality, argon cannot combine with other elements, with the marginal exception of fluorine, but chemical weapons were widely used in human warfare after Wells' novel was written, especially in World War I. Orson Welles' radio adaptation dramatizes the effects of the black smoke: The poison is depicted as being potent enough to render gas

neg: Summon Night with the inclusion of modern factories and railroads, placing "Summon Night" in a steampunk setting. Lyndbaum is surrounded by four other worlds: Loreilal, the land from where mechanical creatures come; Silturn, the land of yokai; Sapureth, where angels and demons live; and Maetropa, from where half-humans, magical beasts, fairies and other mythical creatures hail. Besides those four there are also countless other worlds, including our world (the "real" world) where the main characters of the first game are transported from. Certain boundaries separate the worlds from each other, making the various summoning techniques the only way to transport things between

neg: The War of the Worlds failed, by the humblest things that God, in his wisdom, has put upon this earth". The narrator continues on, finally suffering a brief but complete nervous breakdown, which affects him for days; he is finally nursed back to health by a kind family. Eventually, he is able to return by train to Woking via a patchwork of newly repaired tracks. At his home, he discovers that his beloved wife has miraculously survived. The last chapter reflects on the significance of the Martian invasion and the "abiding sense of doubt and insecurity" it has left in the narrator's mind. "The War

neg: Autobiography of a Brown Buffalo more beer in spite of the risk of being spotted by the sheriff. After picking up more beer at the local grocery store, they head to a park where a group of hippies is gathering after a protest at the house of Gene McNamara. At the gathering the narrator gets into an altercation because the hippies think he is hassling a pair of nuns. Although the narrator does not know it, someone has written “Fuck the Pope” on his back. King takes the narrator to the bus station. While waiting for the bus to leave, King and the narrator continue

neg: Postcards from Leningrad names are the daily life of The Girl, the narrator of the story. Alongside her cousin ("Teo"), they re-live the adventures of their guerrilla parents, building up a labyrinth with superheroes and strategies, in which nobody knows where the reality (or madness) begins. However, this children's game does not hide the deaths, tortures, denunciations and treason within the guerrillas. The kids want to convert themselves into The Invisible Man, in order to escape from the danger. However, they know that their parents might never comeback and therefore, they'll only receive "Postcards from Leningrad". Postcards from Leningrad Postcards from Leningrad, Spanish

neg: Elinor Dashwood of each other, they could live without disagreement between themselves, or producing coolness between their husbands". However, the novel tends to take Elinor's side and to describe events from her viewpoint more than it does Marianne's. Free indirect discourse is when a narrator summarizes what a character is thinking without the character speaking, and was often used by Austen to portray the workings of Elinor's mind. Austen used free indirect discourse in such way as to make the reader pay close attention to whatever statements in the novel were actually those of Elinor or the narrator, but overall leaves the

neg: World War III in popular culture by superior, aggressive, and frequently technologically advanced aliens; and the dread of atomic weapons, which was typically portrayed as a revolt of nature, with irradiated monsters attacking and ravaging entire cities. In "The Day the Earth Stood Still" (1951), a flying saucer lands on the Mall in Washington DC, where it is surrounded by troops and tanks. The alien Klaatu delivers an ultimatum that the Earth must learn to live in peace or it will be destroyed. "The War of the Worlds" (1953) has a montage sequence where the countries of Earth join together to fight the Martian invaders. The

neg: Brake (Anderson) active duty, it has some characteristics reminiscent of the Free Masons and of the Military Orders of Medieval knights. Among the Engineers are also found the last of the Rostomily clones. Though basically concerned with physical nature and the terraforming of worlds, and officially neutral in politics, the Order maintains an Intelligence arm and an unofficial symbiosis with the Solar Union's Guard. The above polarization does not spread beyond Earth, with colonists in space well aware that it was science and technology which created the very environment where they live. It is assumed that, whatever cataclysm would eventually engulf Earth,

neg: Constellation Theatre Company Constellation transports audiences to new and exciting worlds where the action is larger than life. According to Metro Weekly magazine, Constellation “does some of the best, most adventurous, most reliable work in town, all presented on an epic scale with a level of intimacy that can’t be beat.” Constellation’s artistic goals are to: 1) Connect audiences to the communal power of live theatre; 2) Inspire conversation and curiosity about art and the creative process; 3) Treat all participants with dignity, kindness, and respect; 4) Showcase diverse stories that reflect the vast range of human experience. Constellation Theatre Company uses the

neg: A Sportsman's Sketches fly crawl over her eye. Radilov disappears at the end and the family he lived with does not know where he went. Poor landowner the narrator meets, who Turgenev uses to talk about the social ills of serfdom while avoiding the censors. He does nothing more than sit and talk. Yermolay and the narrator go hunting and meet up with Old Knot, an old peasant who's the local fisherman and has held several ridiculous positions in the area. This story is particularly noteworthy for its vivid character descriptions. The group goes hunting in the lake with a pretentious hunter named

neg: Superman: War of the Worlds Superman: War of the Worlds Superman: War of the Worlds is a DC Comics Elseworlds comic story, published in 1998. Written by Roy Thomas with Michael Lark as the artist. The story is a rough adaptation of the H. G. Wells novel "The War of the Worlds", but is primarily based on the Superman mythology. Wells' story is transported from early 20th century Britain to Metropolis in 1938. Where the Martian invasion is met with a Golden Age-style Superman who is not blessed with the full range of powers that he typically has in modern comics. Most of the characters

neg: The War of the Worlds "The War of the Worlds". In the end of the first issue of "Marvel Zombies 5", it is revealed that the main characters will visit a world called "Martian Protectorate" where the events of "The War of the Worlds" are occurring. "The Tripods" trilogy of books features a central theme of invasion by alien-controlled tripods. "The War of the Worlds" has spawned seven films, as well as various radio dramas, comic-book adaptations, video games, a television series, and sequels or parallel stories by other authors. The most famous, or infamous, adaptation is the 1938 radio broadcast that was narrated and

neg: Brothers (Dean Brody song) with the narrator telling his brother how much he misses him. Finally, in the third verse, the narrator's brother comes back home, but uses a wheelchair after being injured in the war. As they hug, the brother apologizes to the narrator for having to be pushed home, but the narrator simply replies, "This is what brothers are for." Jim Malec of The 9513 gave the song a thumbs-up rating, saying "'Brothers' veers widely from the standard radio formula in one very significant way—for a song that so pointedly references the times in which we live, it isn't particularly uplifting, nor

neg: Sonny's Blues jazz musician and play the piano. The narrator does not understand this dream and does not think it is good enough for Sonny. They also try to figure out his living arrangement for the remainder of his high school career. Both of these subjects lead to an argument. Sonny calls his brother ignorant for not knowing who Charlie Parker is, and argues that he does not want to finish high school or live at Isabel's parents' house. Eventually, however, they find a compromise: Isabel's parents have a piano, which Sonny can play whenever he wants, provided he goes to school.

neg: Round square copula strategy. Similar to the ideas explained with Possible worlds theory, this strategy employs considering that logical principles and the law of contradiction have limits, but without assuming that everything is true. Enumerated and championed by Graham Priest, who was heavily influenced by Richard Routley, this strategy forms the notion of "noneism". In short, assuming there exist infinite possible and impossible worlds, objects are freed from necessarily existing in all worlds, but instead may exist in impossible worlds (where the law of contradiction does not apply, for example) and not in the actual world. Unfortunately, accepting this strategy entails accepting the

neg: The View from the Mirror The View from the Mirror The View from the Mirror is the first quartet in Ian Irvine's bestselling "The Three Worlds Cycle" series. "The View from the Mirror" consists of four books: In the "Three Worlds Cycle", there are naturally Three Worlds. These Three Worlds are separated by the Void, a place of incredible ferocity and violence. Not much is known about the Void, but what is known is that it is a place where life is brutal and fleeting and those who live within must constantly re-make themselves to ensure their survival. The names of the Three Worlds are:

neg: Leung Ping-kwan wild The narrator seems to be talking to himself and also to the author. Yesi's narrators often try to position and view themselves in a way different from the mainstream. Above “our bittermelon” is described as “steadily facing worlds of confused bees and butterflies and a garden gone wild”. This seems to describe the narrator, or perhaps Yesi himself, trying to walk in “[his] own pace” ("Images of Hong Kong") without being distracted by the world, or by mainstream values. Some of Yesi's first and second person narrators do interchange with each other. In "Paper Cut-outs", when the narrator refers

neg: Deep Secret title, and the restoration of the Koryfonic Empire to its rightful ruler after his memory is restored. Deep Secret Deep Secret is a fantasy novel by Diana Wynne Jones, published by Gollancz in 1997. It is the first in the Magids series. The book's first narrator is Rupert Venables, the junior "magid" responsible for Earth and the Koryfonic Empire, a collection of Ayewards worlds. The multiverse contains Ayeward (generally good, pro-magic) and Nayward (the opposite) worlds. It is the task of the magids to urge the worlds in an Ayewards direction. When the Emperor of the Koryfonic Empire is assassinated,

neg: Austerlitz (novel) in Bloomsbury, London, where Austerlitz works as an art historian and teacher; the narrator studies in England and travels to London by train. They lose touch after the narrator returns to Germany: he surmises that perhaps Austerlitz does not like to write letters to Germany. They meet again in December 1996, in the Great Eastern Hotel, London; the narrator has returned to England and has traveled to London to visit an eye doctor, running into Austerlitz by chance. They talk until late, then meet the next day in Greenwich. A broad and pervasive theme of the novel is the metaphor

neg: Deep Secret Deep Secret Deep Secret is a fantasy novel by Diana Wynne Jones, published by Gollancz in 1997. It is the first in the Magids series. The book's first narrator is Rupert Venables, the junior "magid" responsible for Earth and the Koryfonic Empire, a collection of Ayewards worlds. The multiverse contains Ayeward (generally good, pro-magic) and Nayward (the opposite) worlds. It is the task of the magids to urge the worlds in an Ayewards direction. When the Emperor of the Koryfonic Empire is assassinated, no heir can be found. Earth's senior magid has also died, and Rupert must find his replacement.

neg: Russian Ark Glinka, with many of the participants in spectacular period costume, and a full orchestra conducted by Valery Gergiev, then a long final exit with a crowd down the grand staircase. Custine tells the narrator that he belongs here, in the world of 1913 where everything is still beautiful and elegant, and does not want to go any further. The narrator then walks backwards out the hallway and sees many people from different time periods exiting the building together. As he watches them, the narrator quietly departs the procession, leaves the building through a side door and looks out upon an

neg: Two Lonely Men Two Lonely Men Two Lonely Men is an unpublished short story by J.D. Salinger. The story is told from the point of view of a narrator who is a professional short story writer now working as a Morse Code Instructor. The setting is an Army base in Georgia, where the narrator details the developing friendship of two officers. One, a Captain, has a wife who visits and subsequently describes an affair she had while he was stationed. At the close of the story, the Captain approaches the narrator and tells him he has requested a transfer, because he now does

neg: Gold by the Inch though where home is the book does not specify. Nameless protagonist born in Penang, Malaysia that grew up in New York and travels to Thailand and Malaysia after visiting his dying father in Honolulu. A male prostitute who sparks the narrator's love interest. While the narrator appears at times to have legitimate feelings for him, Thong makes it explicitly clear to him several times that he is interested in the narrators personal finances. The narrator's previous lover. No real attachment to him, but the narrator does admit he feels “safe” with him. The narrator's brother who has lived away from

neg: Global Wars (2014) live iPPVs. Global Wars, unlike War of the Worlds, mainly featured matches, where NJPW and ROH wrestlers were kept apart from each other, leading to Gedo and Jado booking their own half of the show and Delirious the other half. Matches for the event were announced sporadically between March 20 and May 1. On May 8, ROH announced that the iPPV would be preceded by a free live pre-show. Global Wars featured nine professional wrestling matches that involved different wrestlers from pre-existing scripted feuds and storylines. Wrestlers portrayed villains, heroes, or less distinguishable characters in the scripted events that built

neg: The Lotus and the Storm brings Saigon’s past vividly to life through the eyes of her child narrator, Mai, following the girl and her father halfway around the world, to a suburb in Virginia, where forty years later, Mai’s trauma unravels. In this fractured world where old wars, loves and losses live on, The Lotus and the Storm is a passionate testament to the truth that the past is the present—inseparable, inescapable, enduring." -Ruth Ozeki, author of "A Tale for the Time Being" "A heart-wrenching and heartwarming epic about war and love, hurt and healing, losing and rediscovering homelands. Through the mesmerizing voices of a

neg: The Gargoyle (novel) nor have her legally committed for her own safety. They resign themselves, instead, to caring for her as she carves. Once she finishes the penultimate carving she reveals that her final carving isn't another gargoyle but a statue of the narrator, which he sits for and she carves at a much more leisurely pace. Once the statue is complete, Marianne and the narrator go to the beach at night, where she finishes the tale of their past love. she asks the narrator if he loves her and he confirms that he does, telling her that the car crash was the

neg: The Map of Time The Map of Time The Map of Time (first published in Spanish in 2008 as "El mapa del tiempo" and in 2011 in English translation) is a science fiction novel by Spanish writer Félix J. Palma. The novel is written from the point of view of the narrator and follows three interwoven story lines. The book has been called "part mystery, part fantasy, and part historical fiction". The book is the first part of a "Trilogía Victoriana", with the second book ("The Map Of The Sky" - featuring Wells' "The War Of The Worlds") was released in late 2012. And

neg: The Gate of Worlds of a new royal dynasty inaugurated by "James the Valiant." Evidently, William Shakespeare's ancestors survived the epidemic, although Shakespeare wrote his histories, tragedies and comedies in the Turkish language, set in the Ottoman Empire milieu of England's new Muslim masters. The narrator and protagonist is eighteen-year-old Dan Beauchamp, who travels from impoverished England in 1967 to seek his fortune in the Aztec Empire. Along his way, he is accompanied by Aztec philosopher Quequex. In 1991, Silverberg edited a thematic sequel to "The Gate of Worlds", entitled "Beyond the Gate of Worlds", consisting of three short stories that are set in

neg: Jacqueline Woodson works feature female narrators. However, her 2009 short story "Trev", published in "How Beautiful the Ordinary: Twelve Stories of Identity", features a transgender male narrator. In her 2003 novel, "Coming on Home Soon", she explores both race and gender within the historical context of World War II. "The Other Side" is a poetic look at race through two young girls, one black and one white, who sit on either side of the fence that separates their worlds. In November 2014, Daniel Handler, the master of ceremonies at the National Book Awards, made a joke about watermelons when Woodson received an

neg: Live Until I Die change." I have to look at a mess and say, "I can't let this bother me, I can't let it conquer me." The narrator in the song discusses how he has not changed since he was a kid and how he does not want to worry about the future; he wants to live for the day and take it one at a time. Larry Flick of "Billboard" wrote "Walker follows his No. 1 debut single, "What's It To You," with an uptempo testimony to the virtues of always staying the same. Kevin John Coyne of "Country Universe" listed "Live Until

neg: My Two Worlds My Two Worlds My Two Worlds is a novel by the Argentine writer Sergio Chejfec. The book follows a first-person narrator as he takes a walk through an unnamed Brazilian city. It depicts the narrator's wandering both physically and mentally through an unfamiliar environment that reminds him of other walks he has taken in other cities. Chejfec says he set the novel in Brazil because it is an immense country that is culturally and linguistically different from the rest of Latin America, which gives the character space to get lost in and reflect on the separation within himself. The character

neg: Orson Welles with an entirely African American cast, and the political musical "The Cradle Will Rock". In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells's novel "The War of the Worlds" performed for his radio anthology series "The Mercury Theatre on the Air". It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these

neg: Red weed also depicted in the Timothy Hines film "H.G. Wells' The War of the Worlds", which is a direct adaptation of the novel. However, it is not featured in any detail, and its presence is nothing more than as a part of the background. In fact, the term "red weed" is said only once throughout the film. The weed does not appear in the modernised, 2005 The Asylum film "H.G. Wells' War of the Worlds" (also entitled "Invasion"), but later scenes in the film show a reddish-orange colour scheme, possibly used to adapt the red weed into a more realistic aspect

neg: Myst Online: Uru Live chat room". Myst Online: Uru Live Myst Online: Uru Live is an open source massively multiplayer online adventure game developed by Cyan Worlds. The game is the multiplayer component to the 2003 video game "". Like "Uru", "Myst Online" takes place in 2000's New Mexico, where an ancient civilization known as the D'ni once thrived. The D'ni had the ability to create portals to other worlds or Ages by writing descriptive books of the Age. Players uncover clues and solve puzzles together; plot developments were added via episodic content updates. "Uru"s multiplayer segment was delayed and only shipped with the

neg: Myst Online: Uru Live Myst Online: Uru Live Myst Online: Uru Live is an open source massively multiplayer online adventure game developed by Cyan Worlds. The game is the multiplayer component to the 2003 video game "". Like "Uru", "Myst Online" takes place in 2000's New Mexico, where an ancient civilization known as the D'ni once thrived. The D'ni had the ability to create portals to other worlds or Ages by writing descriptive books of the Age. Players uncover clues and solve puzzles together; plot developments were added via episodic content updates. "Uru"s multiplayer segment was delayed and only shipped with the single-player component

neg: Andrea del Sarto (poem) temporal adverbs. The first line is an example, where the narrator suggests "But do not let us quarrel any more." Any more, as used here is a temporal adverb which also functions as a subordinate progressive. This literary tactic puts the reader inside the action by allowing them to look both forwards and backwards in the situation. Browning creates an internal world for his reader by giving them insight into how the narrator interprets the whole scene, not just the words spoken: line four, "You turn your face, but does it bring your heart?" refers to how the narrator is

neg: A Gander at Mother Goose but confidentially, it stinks."". It is then revealed that the garden is full of litter and trash. The page turns to Humpty Dumpty. Humpty, like the rhyme says, falls off the wall and appears unharmed. However, when he gets up it is revealed that the part where his butt cheeks are at are cracked. The next page shows Jack and Jill as a teenage couple. As the narrator recites the rhyme, Jack and Jill go behind the well. The narrator is stumped and repeats ""to fetch a pail of water"" but nothing happens. The narrator does it again and Jack

neg: Schrödinger's cat the many-worlds interpretation of quantum mechanics, which does not single out observation as a special process. In the many-worlds interpretation, both alive and dead states of the cat persist after the box is opened, but are decoherent from each other. In other words, when the box is opened, the observer and the possibly-dead cat split into an observer looking at a box with a dead cat, and an observer looking at a box with a live cat. But since the dead and alive states are decoherent, there is no effective communication or interaction between them. When opening the box, the

neg: The Narrator (Fight Club) Tyler does not murder anyone, unlike the literary version. Furthermore, while the novel ends with the Narrator in a mental hospital, the film concludes with the Narrator and Marla in a skyscraper, overlooking the skyline that is detonating due to Project Mayhem's explosives. Like in the novel, the Narrator does not have a name, though the script refers to him as "Jack". While the novel features the Narrator referring to himself as "Joe" from "Reader's Digest" articles, the film adaptation replaces "Joe" with "Jack". In the 2004 video game "Fight Club", developed by Genuine Games and released by Vivendi, the

neg: Ulalume gray sky as the leaves are withering for the autumn season. In the region of Weir, by the lake of Auber, the narrator roams with a "volcanic" heart. He has a "serious and sober" talk with his soul, though he does not realize it is October or where his roaming is leading him. He remarks on the stars as night fades away, remarking on the brightest one, and wonders if it knows that the tears on his cheeks have not yet dried. His soul, however, mistrusts the star and where it is leading them. Just as the narrator calms his

neg: First-person narrative as in Robert A. Heinlein's "The Number of the Beast". The first chapter introduces four characters, including the initial narrator, who is named at the beginning of the chapter. The narrative continues in subsequent chapters with a different character explicitly identified as the narrator for that chapter. Other characters later introduced in the book also have their "own" chapters where they narrate the story for that chapter. The story proceeds in linear fashion, and no event occurs more than once, i.e. no two narrators speak "live" about the same event. The first-person narrator may be the principal character or one

neg: Michael Falzon (actor) since taken over the role) badly injured his knee. In 2007 Falzon was cast as the Artilleryman in the Australian and New Zealand tour of "Jeff Wayne's Musical Version of The War of The Worlds- Alive on Stage". The only touring company outside Europe included album alumni Chris Thompson, and Justin Hayward in their original roles, and was supplemented by the addition of Falzon (Artilleryman), Rachael Beck (Beth) and Shannon Noll (Parson). The cast performed against a towering 30 foot Machine Fighting Machine and the holographic head of narrator Richard Burton, as well as musical talents of the 48-piece ULLAdubULLA

neg: Without Warning (1994 film) Grover's Mill, New Jersey as the first landing site of the martians in his tale. "Without Warning" uses the fictional town of Grover's Mill, Wyoming as an obvious homage to Welles' broadcast, and the original broadcast was preceded by a brief prologue referencing the "War of the Worlds" broadcast, with the narrator reiterating that the film about to be shown was fiction and presented in the same spirit. Other television productions that simulate devastating crises in a documentary format predate "Without Warning". "Special Bulletin" featured a simulated newscast reporting on a nuclear terrorism incident in Charleston, South Carolina, and "Countdown

neg: Fighting machine (The War of the Worlds) cylindrical and with a hemispherical top, which protects each of the fighting machines from heavy ground fire. Therefore, the film's machines are invincible to all standard Earth weapons, including an atomic bomb. The serialized "War of the Worlds" (1988–89) television series was established as a sequel to the 1953 film with many of the alien technology in the first season cued with visual references to the design of those in the aforementioned film. While almost never using fighting machines in general, the series does reveal in one episode that these same aliens (from Mor-Tax; not Mars) did at one point

neg: Memoirs of a Survivor gangs that visited the community. Emily happily joins them in their nightly revelry. Soon it becomes apparent that the gang is going to depart from the community, and the narrator believes that Emily will leave with them. However, Emily is conflicted about leaving Hugo behind. She tries to introduce him to the gang, but no progress is made. The next day three of the gang members go to the flat where Emily and the narrator live with the intent to eat Hugo but are dissuaded by the presence of the Narrator. Emily learns of this occurrence and decides that, for