query: where did the first country music recording session take place

pos: Country music blended popular songs, Irish and Celtic fiddle tunes, traditional English ballads, cowboy songs, and various musical traditions from European immigrants. Immigrants to the southern Appalachian Mountains of eastern North America brought the music and instruments of Europe along with them for nearly 300 years. Country music was "introduced to the world as a Southern phenomenon." The U.S. Congress has formally recognized Bristol, Tennessee as the "Birthplace of Country Music", based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum. Historians have also noted the influence of the

pos: Country music Richardson, Fiddlin' John Carson, Uncle Dave Macon, Al Hopkins, Ernest V. Stoneman, Blind Alfred Reed, Charlie Poole and the North Carolina Ramblers and The Skillet Lickers. The steel guitar entered country music as early as 1922, when Jimmie Tarlton met famed Hawaiian guitarist Frank Ferera on the West Coast. Jimmie Rodgers and the Carter Family are widely considered to be important early country musicians. Their songs were first captured at a historic recording session in Bristol, Tennessee, on August 1, 1927, where Ralph Peer was the talent scout and sound recordist. A scene in the movie "O Brother, Where Art

neg: Lovesick Blues Rose, who felt that the song did not merit a recording. Williams, mindful of the reaction he received live, persisted, and the recording took place during the final half-hour of a session recorded at Herzog Studio in Cincinnati, Ohio, on December 22, 1948. For this recording, Williams replaced the jazz musicians with a modern country music band, using a rhythm guitar, mandolin, string bass, drums and a steel guitar. Williams' session band was composed of Clyde Baum (mandolin), Zeke Turner (electric guitar), Jerry Byrd (steel guitar), Louis Innis (rhythm guitar), Tommy Jackson (fiddle) and Willie Thawl (bass). With little time

neg: You Ain't Woman Enough positive review, calling Lynn's recording of the Wilburn Brothers' hit "It's Another World" an "excellent version" of their song. Recording of the album took place over three sessions at two studios. The first two session on January 13, 1966, and March 22, 1966, were held at Columbia Recording Studio, Nashville, TN. The final session for the album was on April 11, 1966, at RCA Victor Studio, Nashville, TN. "You Ain't Woman Enough (To Take My Man)" was recorded on November 15, 1965, during a session for 1966's "I Like 'Em Country", at Columbia Recording Studio, Nashville, TN. You Ain't Woman

neg: The Trinity Session hours, the band was able to finish, and even recorded the final song of the session, "Misguided Angel", in a single take. Contrary to popular myth, the album was not entirely recorded in one day. In the hustle of the first recording session, the band did not have time to record Margo's a cappella chanting of "Mining for Gold". Margo and Moore recorded the song a few days later during the Toronto Symphony Orchestra's lunch break. Sleeve notes state that the recording was not mixed, overdubbed or edited in any way. According to website Acclaimed Music, the album is the

neg: Take It Easy (Crystal Gayle song) Take It Easy (Crystal Gayle song) "Take It Easy" is a song performed by American country music artist Crystal Gayle. It was released in January 1981 as the second single from the album "These Days". The song reached #17 on the "Billboard" Hot Country Singles & Tracks chart. The song was written by Delbert McClinton. "Take It Easy" was originally record in May 1980 at the Columbia Recording Studio, located in Nashville, Tennessee. Other tracks recorded at the session were "If You Ever Change Your Mind" and "Too Many Lovers". The session was produced by Allen Reynolds. "Take It Easy"

neg: Free Jazz: A Collective Improvisation Free Jazz: A Collective Improvisation Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation "Twins". The music is a continuous free improvisation with only a few brief pre-determined sections. The music was recorded in one single “take” with no

neg: You Ain't Woman Enough (To Take My Man) You Ain't Woman Enough (To Take My Man) "You Ain't Woman Enough (To Take My Man)" is a song written and originally recorded by American country artist Loretta Lynn. It was released as a single in May 1966 via Decca Records. The song has since been regarded as one of Lynn's signature songs. "You Ain't Woman Enough (To Take My Man)" was recorded at the Columbia Recording Studio on November 15, 1965. Located in Nashville, Tennessee, the session was produced by renowned country music producer Owen Bradley. Three additional tracks were recorded during this session, including the single's B-side, "God

neg: Baby Ain't That Fine Baby Ain't That Fine "Baby Ain't That Fine" is a song written by Dallas Frazier that was recorded as a duet between American country artists Melba Montgomery and Gene Pitney. The song was also released as a single in 1965. "Baby Ain't That Fine" was recorded in October 1965 in Nashville, Tennessee, United States. The session was produced by Pappy Daily. It was the first recording session to take place between Montgomery and Pitney. The session included The Nashville A-Team of musicians. The song was issued as the duo's first single together in November 1965 via Musicor Records. The single

neg: RCA Studio B Unfinished Business", Dolly Parton recounted how she was rushing to her first recording session at Studio B in September 1967 (shortly after having signed with RCA Victor) and, in her haste to make the session on time, drove her car through the side wall of the building. She noted that the spot where her car impacted the building is still visible. In 1977 the studio was made available to the Country Music Hall of Fame for tours, and in 1992 it was donated to the Country Music Hall of Fame by the late Dan Maddox. Until 2001, it was operated

neg: Suspicious Minds (album) recording their attendant soundtracks in either Nashville or Hollywood. After the success of his Christmas special on NBC in December 1968, Presley made a decision not to continue with business as usual, but instead to return to recording in his hometown of Memphis, Tennessee, to take advantage of the thriving soul music scene active at the city's studios such as Stax and Hi Records. Presley chose American Studios, run by songwriter Chips Moman, for several reasons. First, their music staff was populated by session musicians steeped in Elvis' upbringing in blues, country, gospel, and rock and roll; second, they knew

neg: Strait Country Hotel. That same week, Strait spent his days in Music City Music Hall recording studios in Nashville with Mevis and a group of session musicians recording the remaining songs for his first album. This early decision to use session musicians on his recordings rather than his touring band set a pattern that he would continue to follow throughout his career. One of the songs from the February session, "Blame It on Mexico", was rerecorded during the June sessions and included on the album. "Strait Country" was released on September 4, 1981 by MCA Records. To promote the album, Strait and

neg: Music session or no music notation at all, which is typically the case at a session with experienced participants and/or professionals. In sessions where no music notation is used, the participants or leader "call" well-known tunes that the other performers know "by ear", either by stating the title aloud, or more simply by starting into the melody. In jazz and blues (and related genres and subgenres), a session is typically called a jam session or a jam. Jam sessions often take place after musicians and singers have finished their paid gigs for the evenings. Jams often take place at nightclubs or bars.

neg: Tim McGraw played extensively on radio, becoming the first country song to appear on the charts from a fully downloaded version. In 2002, McGraw bucked country music traditions by recording his seventh studio album "Tim McGraw and the Dancehall Doctors" with his tour band The Dancehall Doctors. Unlike rock music — where it is commonplace for touring bands to provide the music on albums recorded by the artist they support, country albums are typically recorded with session musicians. McGraw chose to use his own touring band, in order to recognize their part in his success, and to capture some of the feel

neg: Watching the River Flow of albums that incorporated country rock elements. All were produced by Bob Johnston. During the sessions for the final of these, "New Morning", Dylan decided that he did not want to continue working with Johnston. Al Kooper did uncredited production work to help Dylan finish the album. For his next recording session, Dylan asked Leon Russell, who made his name with Joe Cocker, to assist in finding a new sound. The recording session took place at Blue Rock Studio in New York City on March 16–19, 1971. Russell assembled a backing group that included Carl Radle on bass, Jesse Ed

neg: Sincerely, Brenda Lee Sincerely, Brenda Lee Sincerely, Brenda Lee is the sixth studio album by American pop and country artist Brenda Lee. The album was released February 12, 1962 on Decca Records and was produced by Owen Bradley. It was the first of two studio albums released by Brenda Lee in 1962 and did not spawn any singles. "Sincerely, Brenda Lee" was recorded in five separate sessions at the Bradley Film and Recording Studio in Nashville, Tennessee, United States under the direction of Owen Bradley. The first session began on January 8, 1961 and the last session took place on October 28, 1961.

neg: Mildred Bailey with Whiteman did not take place until October 6, 1931 when she recorded a song called "My Goodbye to You". Her recording of "All of Me" with Whiteman the same year was a huge hit in 1932. Her first two records had been as an uncredited vocalist for a 1929 session by the Eddie Lang Orchestra ("What Kind o' Man Is You?", a Hoagy Carmichael song that was issued only in the UK), and a recording on May 8, 1930 of "I Like to Do Things for You" for Frankie Trumbauer. She was Whiteman's popular female vocalist through 1932 (recording

neg: Save Your Kisses for Me a country format and released as a single via Warner Bros. Records. Smith cut "Save Your Kisses for Me" in her second studio session for Warner Bros. Records. The session took place at the Columbia Recording Studio, located in Nashville, Tennessee, United States. The session was produced by Norro Wilson. An additional session in March would yield songs that would later make up her second studio album "Songbird". Smith's cover version of the song was generally met with positive reception. Kurt Wolff of "Country Music: The Rough Guide" would later call the song one of the "sizeable hits" Smith would

neg: Touch Me (Willie Nelson song) "Billboard" charts nor did it originally appear on an album. Touch Me (Willie Nelson song) "Touch Me" is a song written by country music singer Willie Nelson. Leveraged by the success of his songs, Nelson moved to Nashville in 1960. Through songwriter Harlan Howard, Nelson was signed to write for Pamper Music, and to a recording contract with Liberty Records. Nelson recorded the song during his first recording session with producer Joe Allison in August 1961. "Touch Me" was released as his second single for the label. Following the success of his previous top-ten duet with Shirley Collie, the song

neg: Success (Loretta Lynn song) Success (Loretta Lynn song) "Success" is a song written by Johnny Mullins that was originally recorded by American country artist Loretta Lynn. It was released as a single in April 1962 via Decca Records. "Success" was recorded at the Bradley Film and Recording Studio in September 1961. Located in Nashville, Tennessee, the session was produced by renowned country music producer Owen Bradley. The song was recorded under her first session with Bradley and the recording label. Three other tracks were recorded on the same session. "Success" reached number six on the "Billboard" Hot Country and Western Sides survey in 1962.

neg: Sean Malone nova to British pop music. His first high-level experience in metal music was in 1993 with the progressive metal band Cynic from Florida. He became Cynic's bassist quite unexpectedly; the band had a scheduled recording of their debut album, "Focus" in a studio in which Sean Malone was working as an assistant engineer, producer and a session musician. Cynic's bassist at the time, Tony Choy, left Cynic shortly before the recording would take place, so the band asked Malone to play bass on their soon-to-be-recorded LP. Malone proved to have quite a good musical chemistry with the rest of the

neg: Singin' Again on the US "Billboard" Hot Country Albums chart. The album's only single, "Sweet Thang", would peak at No. 45 on the US "Billboard" Hot Country Singles chart. Recording sessions for the album took place at Columbia Recording Studio, Nashville, TN, on December 21 and December 27, 1966. One more additional recording session was held on January 4, 1967. Singin' Again Singin' Again is the second collaborative studio album by American country music artists Ernest Tubb and Loretta Lynn. It was released on June 5, 1967, by Decca Records. In the issue dated June 17, 1967, "Billboard" magazine published a review

neg: Joan Baez interpretations of work by then-contemporary composers, including John Lennon and Paul McCartney, Tim Hardin, Paul Simon, and Donovan. In 1968, Baez traveled to Nashville, Tennessee, where a marathon recording session resulted in two albums. The first, "Any Day Now" (1968), consists exclusively of Dylan covers. The other, the country-music-infused "David's Album" (1969), was recorded for then-husband David Harris, a prominent anti-Vietnam War protester eventually imprisoned for draft resistance. Harris, a country-music fan, turned Baez toward more complex country-rock influences beginning with "David's Album". Later in 1968, she published her first memoir, "Daybreak" (by Dial Press). In 1969, her appearance at

neg: Jon Gomm in his hometown of Blackpool. As a teenager he played electric guitar in the style of the rock greats. On leaving school, Gomm turned down a place at Oxford University studying English to attend The Guitar Institute (now part of the Institute of Contemporary Music Performance) in London. While there, he paid his way through college playing jazz in café-bars, recording as a session guitarist, and playing Country music in Working men's clubs for line-dancers. He moved to the Yorkshire city of Leeds, where he is now based, to study on the Jazz degree course at Leeds College of Music.

neg: Jon Lucien remains, however, fondly remembered by all who have heard it, as does its 1976 follow-up, "Premonition", featuring such evergreen favorites as "Laura" and "Hello Like Before" with a similar stellar session lineup. After two albums, however, it became increasingly apparent that CBS scarcely understood Lucien's music and where he was trying to go with it better than RCA, especially with the disco onslaught then beginning to take place. Feeling a tad disillusioned that music as easily likable as his should experience such difficulties gaining a wider and wider audience, Lucien stopped recording for a while and was not heard from

neg: Songs from My Heart... You", "Once a Day", and "Oh, Lonesome Me". The album peaked at No. 8 on the US "Billboard" Hot Country Albums chart. The album's only single, "Happy Birthday", peaked at No. 3 on the US "Billboard" Hot Country Singles chart. Recording of the album took place over three sessions on October 13, 14 and 15, 1964, at Columbia Recording Studio, Nashville, TN. "You Made Me What I Am" was recording during the February 26, 1964, session for 1964's "Before I'm Over You". Songs from My Heart... Songs from My Heart... is the third studio album by American country music singer-songwriter

neg: Why Baby Why song include the following: Why Baby Why "Why Baby Why" is the title of a country music song co-written and originally recorded by George Jones. Released in late 1955 on Starday Records and produced by Starday co-founder and Jones' manager Pappy Daily, it peaked at 4 on the "Billboard" country charts that year. It was Jones' first chart single, following several unsuccessful singles released during the prior year on Starday. Jones's first chart hit, "Why Baby Why", has gone on to become a country standard, having been covered by many artists. The recording session for "Why Baby Why" took place

neg: Why Baby Why Why Baby Why "Why Baby Why" is the title of a country music song co-written and originally recorded by George Jones. Released in late 1955 on Starday Records and produced by Starday co-founder and Jones' manager Pappy Daily, it peaked at 4 on the "Billboard" country charts that year. It was Jones' first chart single, following several unsuccessful singles released during the prior year on Starday. Jones's first chart hit, "Why Baby Why", has gone on to become a country standard, having been covered by many artists. The recording session for "Why Baby Why" took place in Houston, Texas's Gold

neg: Miranda Lambert had presented legends such as Elvis Presley and Willie Nelson, and the place where Brooks & Dunn started out as the house band. At 16, Lambert appeared on the Johnnie High Country Music Revue in Arlington, Texas, the same talent show that had helped launch the career of LeAnn Rimes. Lambert then acquired a recording session in Nashville, Tennessee, but left the studio after she became frustrated with the "pop" type of music presented to her. She went back to Texas in 2000 and asked her dad to teach her how to play guitar, so she could write her own

neg: Wedding customs by country photo session, the bride, the groom, and others are brought to the Shinto shrine. Nowadays, the Shinto shrine may be conveniently located inside a hotel where all the activities will take place. A Shinto priest conducts the ceremony. In the ceremony, the bride and the groom are purified. However, the ceremony's important event occurs when the bride and the groom exchange nuptial cups of "sake" also known as "san-san-ku-do". With the addition of Western tradition, the exchange of rings and weddings vows also take place. Those guests who did not attend the religious ceremony are able to view the ceremony

neg: Cléoma Falcon shared vocals, but Breaux held solo singing duties on another side, "Marie Buller". In April 1929, Falcon, Breaux, and her two brothers, Amedée and Orphy Breaux, as accompanists recorded in Atlanta. In this session, Breaux was more prominent as a lead vocalist, on both Falcon's and her brothers' separate takes. However, with the effects of The Great Depression being a prime factor, the duo did not enter the recording studio for the next five years. Their next recording session was on August 8, 1934, for Decca Records. The duo began experimenting with blues and country music, and enjoyed a period

neg: Louis Armstrong his older recordings or the radio. As his music progressed and popularity grew, his singing also became very important. Armstrong was not the first to record scat singing, but he was masterful at it and helped popularize it with the first recording on which he scatted, "Heebie Jeebies". At a recording session for Okeh Records, when the sheet music supposedly fell on the floor and the music began before he could pick up the pages, Armstrong simply started singing nonsense syllables while Okeh president E.A. Fearn, who was at the session, kept telling him to continue. Armstrong did, thinking the

neg: Country Christmas October 29, 1966, "Billboard" magazine published a review of the album, which read, "The album's beautiful songs include "Country Christmas", "Away in a Manger" — all great programming material for country music stations, and this will create high sales. The "Manger" tune deserves a single. Possibly her best effort to date." The album did not appear on any major music charts. Recording sessions for the album took place on July 7, July 13, and July 15, 1966, at Bradley's Barn, Mount Juliet, TN. Country Christmas Country Christmas is the first Christmas album by American country music singer-songwriter Loretta Lynn. It

neg:
You Said You Loved Me single "Big Blue Diamonds" and was also included on the 1997 CD "Gene Summers-The Ultimate School Of Rock & Roll". Gene Summers discography from "Rockin' Country Style", United States
 Gene Summers discography from "Rocky Productions", France
 Gene Summers discography from "Wangdangdula" Finland
 Gene Summers session data from "Tapio's Fin-A-Billy", Finland You Said You Loved Me "You Said You Loved Me" is a song written by Glenn Keener in 1961 and published by Gant Music, BMI. It was first recorded by Gene Summers in 1961. The recording session took place in Fort Worth, Texas at Clifford Herring Studios. Musicians included Summers-vocals,

neg:
Twixteen - She's not yet sixteen, is the meaning of this title according to the chanter on this winning rock and roller. It has a sound and Summers sells it well. It could move. (Ted, BMI) Gene Summers discography from "Rocky Productions", France
 Gene Summers discography from "Wangdangdula" Finland
 Gene Summers session data from "Tapio's Fin-A-Billy", Finland Rockin' Country Style Twixteen "Twixteen" is a song written by Mary Tarver in 1958 and published by Ted Music, BMI. It was first recorded by Gene Summers and His Rebels in 1958 and issued by Jan/Jane Records. The "Twixteen" recording session took place at

neg: New Country Hits New Country Hits New Country Hits is an album by American country music artist George Jones. It was released in 1965 on the Musicor Records label. "New Country Hits" features Jones's first studio recording of "Take Me", a song he co-wrote with Leon Payne and would record more famously with Tammy Wynette. The album also includes the hits "Love Bug" (inspired by Buck Owens and the Bakersfield sound) and the self-pitying "Things Have Gone To Pieces". Although he stuck to country music with a vengeance, Jones did his best to record a wide range of songs under the country umbrella,

neg: De Montfort Hall take place outdoors, including The Big Session Festival and the Summer Sundae music festival, took place every year until 2012. Graduation ceremonies for the University of Leicester take place in the hall. De Montfort University have since moved their graduation ceremonies to the Curve (theatre) Bob Dylan played the Hall on May 2nd 1965 during his first tour of England. Dylan was the only artist apart from The Beatles to sell out the De Montfort Hall in the 1960s. Even The Rolling Stones did not sell out this venue. Progressive rock group Genesis recorded the majority of their 1973 release

neg: Iain Matthews on their self-titled first album "Fairport Convention" and then with Sandy Denny on "What We Did On Our Holidays". During the recording of "Unhalfbricking" in 1969, as Fairport increasingly drew their material from a traditional British folk repertoire, Matthews found out he had not been invited to a recording session and, after a short discussion with producer Joe Boyd and Ashley Hutchings, left the band and departed on a musical direction of his own. In 1969 Matthews recorded his debut solo album, "Matthews' Southern Comfort", which was rooted in American country music and rockabilly. He made the album with ex-Fairport

neg: Danny Davis (country musician) least, the idea was not well received. Not long after he joined RCA Davis was approved for transfer to the Nashville office by Chet Atkins. In Nashville, Davis was assigned to produce sessions on Waylon Jennings. Even though it was a recording produced by Davis that earned Jennings his first Grammy Award ("MacArthur Park" with The Kimberly's), the two men did not have a good working relationship. It is reported that on one occasion Jennings pulled a gun on Davis during a recording session,) but Davis denies the incident ever took place. Davis also worked with other RCA artists including

neg: Ray Edenton to Knoxville, Tennessee, where he worked at radio station WNOX and was temporarily sidelined with tuberculosis before moving to Nashville, Tennessee and beginning to play acoustic guitar on the Grand Ole Opry. Considered one of Nashville's most prolific studio musicians, Edenton played on more than 12,000 recording sessions as a member of The Nashville A-Team. He played on his first session, American country music singer Red Kirk's recording of "Lovesick Blues" for Mercury Records, in 1949, but his first appearance on a major hit came on Webb Pierce's 1953 single "There Stands the Glass. Edenton played on 26 of Pierce's

neg: Connie Smith program, Smith returned to Nashville that May to record demos by Anderson that he planned on pitching to other country artists. Anderson's manager Hubert Long brought the demo recording to RCA Victor Records, where producer Chet Atkins heard it. Also impressed by her vocals, Atkins offered Smith a recording contract, and she eventually signed with the label on June 24, 1964. Because Chet Atkins found himself too busy with other artists, Bob Ferguson acted as Smith's producer on her first sessions and would continue to work as her producer until her departure from RCA. Smith's first session took place on

neg: Ralph Peer In the same year he supervised the recording of Mamie Smith's "Crazy Blues", the first blues recording specifically aimed at the African-American market. In 1924 he supervised the first commercial recording session in New Orleans, Louisiana, recording jazz, blues, and gospel music groups there. He is also credited with what is often called the first country music recording, Fiddlin' John Carson's disc "Little Old Log Cabin In The Lane"/"That Old Hen Cackled and The Rooster's Goin' To Crow". In August 1927, while talent hunting in the southern states for the Victor Talking Machine Company, he recorded both Jimmie Rodgers and

neg: Fisherman's Blues through March 1986. An additional session took place that December in San Francisco. From March to August 1987 The Waterboys were recording in Windmill Lane again. Scott moved to Galway and another year passed as the band recorded at Spiddal House, where Scott was living. The entire second side of the original record is made up of recordings from this 1988 session. The album was released that October (see 1988 in music). Scott describes the process; "We started recording our fourth album in early '86 and completed it 100 songs and 2 years later". More songs from the album's recording

neg: Evita (1996 film) it was decided that the singer would record her part at Whitfield Street Studios, a contemporary studio, while the orchestration would take place elsewhere. She also had alternate days off from the recording to preserve and strengthen her voice. By the end of recording, Parker noticed that Rice and Lloyd Webber did not have a new song in place. They arranged a meeting at Lloyd Webber's county estate in Berkshire, where they began work on the music and lyrics for "You Must Love Me". Madonna's reaction to the lyrics was negative since she wanted Eva to be portrayed sympathetically, rather

neg: Of Human Feelings did not record with the band; instead, Calvin Weston was hired in his place to play simultaneously with Denardo Coleman. They recorded all the album's songs on the first take without any equipment problems. The album's recording session was captured using a Sony PCM-1600 two-track digital recorder, a rare item at the time. According to journalist Howard Mandel, the passages played by the band sounded neither very soft or loud on the album, because it had been mixed with a middle-frequency range and compressed dynamics. Because of the equipment used, Coleman did not embellish the album with added effects and

neg: Van Morrison and had trouble finding concert bookings. He regained his professional footing through the few gigs he could find, and started recording with Warner Bros. Records. The record company managed to buy out his contract with Bang Records via a $20,000 cash transaction that took place in an abandoned warehouse on Ninth Avenue in Manhattan. By recording thirty-one songs in one session, Morrison fulfilled a clause that bound him to submit thirty-six original songs within a year to Web IV Music, Berns' music publishing company. Ilene Berns thought the songs were "nonsense music ... about ringworms" and did not use them.

neg: Family (Willie Nelson's band) moved to Austin, Texas, where the burgeoning hippie music scene rejuvenated the singer. His popularity in Austin soared as he played his own brand of country music marked by country, folk and jazz influences. In 1972, Nelson's friend Darrell Royal, introduced him harmonicist Mickey Raphael during a jam session. Nelson soon returned to the recording under a new contract with Atlantic Records. His sister Bobbie, who performed on piano in Nelson's band during his childhood throughout the Texas Honky-Tonk circuit, joined the band during the recording of "Shotgun Willie". After Nelson's relationship with Jimmy Day became turbulent, due to his

neg: Lily Was Here and the United States where it became a hit as well, reaching number six in the UK and even rising to number 11 in the tough U.S. market. The success of this instrumental encouraged Dulfer to compose music for her own album, which she titled "Saxuality". According to Candy's father Hans Dulfer on Dutch radio, the recording was done in just one take, actually a jam session, and at that time not meant to be released. This jam session was done at the end of a day of recording for the movie "De Kassière", and Dave Stewart later decided to

neg: The Times They Are a-Changin' (album) songs were recorded during that first session, but only one recording of "North Country Blues" was ultimately deemed usable and set aside as the master take. A master take of "Seven Curses" was also recorded, but it was left out of the final album sequence. Another session at Studio A was held the following day, this time yielding master takes for four songs: "Ballad of Hollis Brown", "With God on Our Side", "Only a Pawn in Their Game", and "Boots of Spanish Leather", all of which were later included on the final album sequence. A third session was held in

neg: Patty Parker transitioned out of their traveling road show and into the record business. The team launched Comstock Records, and had an immediate charting hit with Canadian artist Alex Fraser. His (and their) first single, "Four States to Go," reached #9 on the Canadian Country music charts. Parker and Fara soon discovered that artists from around the world were interested in recording authentic-sounding Country music songs. While the headquarters for Comstock Records was located in Shawnee, Kansas, Parker produced and recorded their music in top recording studios in Nashville, Tennessee. She worked with Nashville session musicians such as Tony Migliore, Ralph Childs,

neg: Josh T. Pearson on 7" split single also featuring Dirty Three, and appearance on West Country Night - Session One compilation album. He also provided guitar and backing vocals on two songs, "Seal Jubilee" and "Trophy", on Bat for Lashes' 2006 Mercury Music Prize-nominated album "Fur and Gold". In January 2010, Pearson recorded an album of acoustic ballads at Klangbild Studios in Berlin. During album recording sessions, he also did a session with Berlin-based pianist and composer Dustin O'Halloran (two songs from this session were later released in support of Record Store Day 2011) and later that year took part in Yann Tiersen's

neg: What's in Our Heart (song) What's in Our Heart (song) "What's in Our Heart" is a song written by George Jones and Johnny "Country" Mathis. It was recorded and released as a B-side duet by American country artists George Jones (the song's co-writer) and Melba Montgomery. It was recorded at the Columbia Recording Studio, located in Nashville, Tennessee, United States on May 23, 1963. The recording date was the second session that took place between Jones and Montgomery. Other songs included on the session were "Let's Invite Them Over", "Suppose Tonight Would Be Our Last", and "I Let You Go". The recording session included The

neg: Who's Gonna Take the Garbage Out Who's Gonna Take the Garbage Out "Who's Gonna Take the Garbage Out" is a song written by Johnny Tillotson and Teddy Wilburn that was originally performed by American country music artists Loretta Lynn and Ernest Tubb. It was released as a single in May 1969 via Decca Records. "Who's Gonna Take the Garbage Out" was recorded at Bradley's Barn on February 18, 1969. Located in Nashville, Tennessee, the session was produced by renowned country music producer Owen Bradley. Three additional tracks were recorded during this session. "Who's Gonna Take the Garbage Out" reached number eighteen on the "Billboard" Hot Country

neg: 2011 Turkish Grand Prix time, but the race stewards ultimately decided to allow him to take part in the race. By the end of the session, both Lotuses were eliminated, with Heikki Kovalainen ending the session half a second behind Rubens Barrichello's Williams, who had been 17th. D'Ambrosio outqualified his teammate Glock on-track but with his grid penalty, he would start the race from last place. Vitantonio Liuzzi also outqualified Glock, with Narain Karthikeyan recording the slowest time, 1.7 seconds within the 107% benchmark. The second session saw Vettel return to the top of the timesheets, recording the first instance of a sub-1:26 lap

neg: Mike Johnson (yodeler) first professional recording session at Globe Recording Studio in April 1981 in Nashville, he released his first 45rpm single "King of the Fish." Johnson founded Pata del Lobo Music publishing in 1982, and Roughshod Records and You and Me Records in 1987. Johnson has since released 2 45rpm vinyls, 11 cassettes, and 58 CDs. Mike Johnson (yodeler) Mike Johnson (born 1946) is an African-American country music singer, songwriter, and yodeler living in Arlington, Virginia. Also known as Country Music's No.1 Black Yodeler, and Black Yodel No.1. Raised in a Catholic family in Washington, DC, Johnson began yodeling in the 1950s,

neg: Willingly "pleasant duo blend work on effective country theme with good lyrics". The single was released on March 17, 1962, reaching by May number ten on "Billboard's" Top country singles. Willingly "Willingly" is a duet by country music singer Willie Nelson and Shirley Collie, produced by Joe Allison during Nelson's third session for Liberty Records. Released in March 1962, the album reached number ten on "Billboard's" Hot Country Singles. Leveraged by his prominence as a songwriter in Nashville, Tennessee, Nelson was signed as a recording artist by Liberty Records in 1961. Nelson produced two sides in his first session, and an

neg: Rock Around the Clock a novelty all-white musical group led by Italian-American Paschal Vennitti. The group's subsequent recording, on the Arcade Records label (owned by Haley's manager, Jack Howard), was a regional success, although it sounded very different from what Haley would later record. After leaving Essex Records in the spring of 1954, Bill Haley signed with Decca Records, and the band's first recording session was set for April 12, 1954 at the Pythian Temple studios in New York City. The recording session almost failed to take place because the band was traveling on a ferry that got stuck on a sandbar en route

neg: Social Club Buenavista (composition) "Club Social de Marianao", "Redención Sport Club" (in Pogolotti, Havana), "Avance Juvenil" (in Ciego de Ávila), "Centro San Agustín" (in Alquízar), and "Social Club Buenavista". The latter was an association of Afro-Cubans in the Buenavista neighbourhood of Havana, founded in 1932. The song was copyrighted in the United States on 23 March 1964, shortly after Cachao arrived in the country from Madrid, where he had originally gone into exile. In March 1996, a recording session took place in Havana featuring musicians from the so-called "Golden Age of Cuban music" (1940s and 1950s), organized by the record label World Circuit. During

neg: European Youth Parliament - Ireland and a resolution is agreed upon. During the third day, the General Assembly takes place, where different committees debate and vote upon their resolutions. A number of students selected from each regional session then participate in the national session. Each national session takes place in a different location around the country. The national session operates similarly to the regional sessions, but over the course of four days; two days are dedicated to creating the resolution instead of one. Students are then selected from the National Round to take part in an international round, somewhere throughout Europe. Participants are divided into

neg: The Fabulous Country Music Sound of George Jones August 1956, shortly after "Wasted Words" during the same session. "Window Up Above" became one Jones' most requested numbers, however, this album's version was a re-recording by George's "Jones Boys band" bass player Johnny "Danny Young" Paycheck recorded during some time in 1961. One of the faster tracks on the album, "Heartbreak Hotel," was a rock-n-roll recording cut during the same session that produced only rock release "Rock It" in March 1956. "Go Away With Me" was recorded sometime between the Fall 1957 and January 1957. This album's version of Jones first ever recording of "No Money in This Deal,"

neg: Buddy – The Buddy Holly Story suddenly the hottest act in the country and out on national tour. Buddy and his band go to New York where they perform at the Apollo Theater making history as the first white band to perform there. While recording in New York, Buddy proposes to Maria Elena Santiago, the Puerto Rican receptionist of his music publisher after a courtship of all of five hours. Newly married and ambitious, he shifts focus to New York and a rift develops between him and the Crickets. After a declaration of home truths during a recording session, the band split and Buddy unexpectedly finds

neg: Comstock Records recording Country music songs. To the artists Comstock accepted - typically professional singers who had not been accepted by major labels-Comstock offered a recording service which included rehearsal, two original songs produced by Parker, an authentic Nashville band, a recording session in a top Nashville studio, and the promise to distribute their songs to music critics and international radio stations. Many of these artists wanted to sing like American Country music stars and requested coaching to perfect their dialect. To help artists pronounce words, Parker would often write song lyrics phonetically and provide audio tapes illustrating the country-western way of

neg: Illmatic "Back to the Grill", the lead single for Serch's 1992 solo debut album "Return of the Product". At the recording session for the song, Serch discovered that Nas did not have a recording contract and subsequently contacted Faith Newman, an A&R executive at Sony Music Entertainment. As Serch recounted, "Nas was in a position where his demo had been sittin' around, 'Live at the Barbeque' was already a classic, and he was just tryin' to find a decent deal ... So when he gave me his demo, I shopped it around. I took it to Russell first, Russell said it

neg: Sinners Never Sleep with We the Kings. A music video was released for "Loverboy" on 30 August. On 22 September, the band did a live session for Radio 1 where they played "Loverboy" and "Little Death". "Loverboy" was released as an EP on 23 September with an instrumental and acoustic versions of "Loverboy", and "Moon Child" as additional tracks. "Sinners Never Sleep" was released on October 3. It was accompanied with a behind-the-scenes documentary "Bite My Tongue" that was posted on YouTube. The documentary chronicled their history from their first practice session to the recording of "Sinners Never Sleep". The iTunes deluxe edition

neg: Streets of Bakersfield "Streets of Bakersfield". Afterward, the studio producer went into the back of the studio, brought out Buck Owens, and had Joy play it again. Owens then said to the manager, "The Buckaroos have the day off, but you call them and tell them that we're going to do a recording session on Homer this afternoon." Buck Owens released a recording of the song in 1973, and while that version wasn't a major hit, the re-recording he did with Dwight Yoakam in 1988 (with slightly changed lyrics) reached #1 on the Billboard Country Music charts. The song details the journey of

neg: If You've Got the Money I've Got the Time If You've Got the Money I've Got the Time "If You've Got the Money (I've Got the Time)" is the 1950 country music debut single released by Lefty Frizzell on September 14, 1950. The song is the second song ever recorded by Lefty Frizzell during his very first session with Columbia Records in July 1950. The song rose to #1 and Lefty built on its success to create his very influential career. During a show there, Jim Beck, owner of a local recording studio, was starting to take notice of Frizzell. Beck had deals with several major record producing labels

neg: Saint Dominic's Preview during the session. There were two takes that were recorded; Gary Mallaber played drums on the first and Connie Kay on the second. Mallaber contributed vibraphone to the second take instead, as he remembered: "I did one and Connie did the other. They used the one with the live vibes, which is what I played live." The other musicians on the recording were pianist Mark Jordan, guitarist Ronnie Montrose and bassist Bill Church. Morrison and "Boots" Houston provided backing vocal overdubs. "Almost Independence Day" was recorded at the first session at the Pacific High Studios in autumn 1971. Morrison had

neg: Urban Legend (album) him to continue making music and proceeded to record several albums worth of material. Recording sessions took place at P.S. West Studios, Silent Sounds Studios, and at Stankonia Studios, all located in T.I.'s native Atlanta, Georgia. One recording session took place at The Orange Grove Studios in Los Angeles, California. "Bring Em Out" was the first official single to be released from "Urban Legend". The single entered the "Billboard" Hot 100 music chart at number 9, it charted at number 6 on the Hot R&B/Hip-Hop Songs music chart, and at #4 on the Hot Rap Tracks music chart. In the

neg: It's Blitz! and "Skeletons". "It's Blitz!" was nominated for Best Alternative Music Album at the 2010 Grammy Awards. According to Nick Launay, one of the two producers, the recording of the album was unusual for being largely written and created in the studio at a time when record labels have cut back considerably on production budgets. The few songs the band did take along to the first sessions were later altered significantly. Launay described a typical session as follows: Brian [Chase] would play lots of different drumbeats and we'd record it, chop it up and then make a groove loop out of

neg: Jimi Hendrix's unfinished fourth studio album In 1969 plans for Hendrix's own nightclub in New York City were converted into a plan for his own recording studio. Electric Lady's Studio A was designed to serve as Hendrix's personal creative space; an inspiring environment where he could develop his music from demos to final mixes, with a supportive team and the best equipment available. After being under construction for 13 months, the first session at Electric Lady's Studio A took place on 15 June 1970 - while Studio B was still unfinished. The studio finally provided creative continuity in a safe haven, but also a place where

neg: Goldfinger (soundtrack) dramatic sense." The theme was recorded on August 20, 1964 after an all-night session in the recording studio. The session was produced by EMI in-house producer George Martin, who also was the Beatles' producer at the time. Guitarist Vic Flick, who played on the track, recalled at a 2012 Academy of Motion Pictures salute to the music of James Bond that Bassey was having difficulty getting a proper take. Martin spoke to her and then over the recording baffle her brassiere came flying. She nailed it on the next take. Session musicians on the Bond films were separately relegated to

neg: The Night Siren sitar from India, a tar from the Middle East, the charango from Peru, which Hackett brought home after visiting the country, and the uilleann pipes from Ireland. Hackett did not intend to incorporate such elements of middle eastern and world music at first, but his interest in such music had started in the 1960s and realised the album began to take such a direction when the songs were being developed further. Parts of the album was recorded in Sardinia and Hungary, and involved a session of musicians from Iceland, Azerbaijan, Israel and Palestine working side by side, "proving that it

neg: Long Tall Sally did "Tutti Frutti"), "Long Tall Sally" was the best-selling 45 of the history of Specialty Records. The recording session took place on February 10, 1956 at J&M Studio in New Orleans, the legendary studio owned by Cosimo Matassa on the corner of Rampart and Dumaine where Fats Domino and many other New Orleans luminaries recorded. "Long Tall Sally", as well as many other Little Richard sides, was also recorded there. The music was a fast uptempo number with Little Richard's hammering, boogie piano. Richard plays staccato eighth notes while Palmer plays a fast shuffle. The shuffle was the most common

neg: Man With the Blues Man With the Blues "Man With the Blues" is a song by country music singer-songwriter Willie Nelson. After moving to Fort Worth, Texas, and quitting the music business for a year, Nelson returned to perform on the KCUL's Country Hoedown. Through a booking agent, he was signed as a recording artist by D Records. To pay for his first recording session, Nelson gave his booking agent half of the publishing rights of the song. Backed with "The Storm Has Just Begun", the single failed to succeed. Subsequently, Nelson rerecorded it in 1976 and 2010. In 1957, after failing to land

neg: Man With the Blues Man With the Blues "Man With the Blues" is a song by country music singer-songwriter Willie Nelson. After moving to Fort Worth, Texas, and quitting the music business for a year, Nelson returned to perform on the KCUL's Country Hoedown. Through a booking agent, he was signed as a recording artist by D Records. To pay for his first recording session, Nelson gave his booking agent half of the publishing rights of the song. Backed with "The Storm Has Just Begun", the single failed to succeed. Subsequently, Nelson rerecorded it in 1976 and 2010. In 1957, after failing to land

neg: Touch Me (Willie Nelson song) Touch Me (Willie Nelson song) "Touch Me" is a song written by country music singer Willie Nelson. Leveraged by the success of his songs, Nelson moved to Nashville in 1960. Through songwriter Harlan Howard, Nelson was signed to write for Pamper Music, and to a recording contract with Liberty Records. Nelson recorded the song during his first recording session with producer Joe Allison in August 1961. "Touch Me" was released as his second single for the label. Following the success of his previous top-ten duet with Shirley Collie, the song reached number seven on "Billboard's" Hot Country Singles, becoming Nelson's

neg: Despina Vandi took place on 12 May 2008. Vandi was involved in the Global One music project. She attended a recording session in Beijing with Chinese pop star Wei-Wei and Brazilian samba singer Daniela Mercury, while also attending the project's first official press conference. The project's goal, driven by international record producer Rob Hoffman, was to have one artist representing their country "Global One" songs in their native language, as well as in the English language, in efforts to pool together as many languages and cultures as possible to promote their artistry on a global level. In the end of 2008, Vandi

neg: Supreme People's Assembly place in April 1994, three months before his death. Then during the mourning period the assembly did not meet, nor did elections take place. The next meeting convened in September 1998, four years after Kim's death. Kim Jong-il did not make a speech at the first session of the 10th SPA in 1998. Instead, members listened to a tape-recorded speech of the late Kim Il Sung, which was made at the first session of the 9th SPA, in 1991. The enhanced status of the Korean People's Army was anticipated by the SPA election July 1998, when 101 military officials were

neg: Dear Uncle Sam Dear Uncle Sam "Dear Uncle Sam" is a song written and originally recorded by American country artist Loretta Lynn. It was released as a single in January 1966 via Decca Records. "Dear Uncle Sam" was recorded at the Columbia Recording Studio on November 15, 1965. Located in Nashville, Tennessee, the session was produced by renowned country music producer Owen Bradley. Three additional tracks were recorded during this session, including the single's B-side, "Hurtin' for Cheatin'". "Dear Uncle Sam" is told from the perspective of a wife whose spouse is entering the Vietnam War. It was one of the first country

neg: Baby (Wilma Burgess song) Baby (Wilma Burgess song) "Baby" is a song written by Ray Griff and recorded by American country artist Wilma Burgess. It was released as a single in November of 1965 via Decca Records. "Baby" was recorded at the Columbia Recording Studio on September 24, 1966. Located in Nashville, Tennessee, the session was produced by renowned country music producer Owen Bradley. Two additional tracks were recorded during this session. "Baby" peaked at number seven on the "Billboard" Hot Country Singles chart in early 1966. The song became her first major hit and be one of several major hits for Burgess during

neg: Agnetha Fältskog (album) that he called her at the car firm where she was working at the time and offered her a recording contract, only as a solo singer, without the band. Eventually, Fältskog's first recording session took place on 16 October 1967, at Philips Studio in Stockholm. This recording session produced four songs, which would all end up on her first album: "Jag var så kär" and "Utan dej mitt liv går vidare" (both composed by Agnetha herself) as well as "Följ med mig" and "Slutet gott, allting gott". "Jag var så kär" and "Följ med mig" were eventually be released as

neg: Flying Colors (band) spent 17 weeks in the Billboard Top-10 chart. Unlike most of the other artists on Hollywood Records, Casey wrote all his own material, and played multiple instruments on his albums. His songwriting, singing, and stage personae appealed to the band and Evans. Casey joined the still unnamed band a month before the first writing/recording session. Evans approached two guests who felt pioneered the new band's sound: Brian Wilson and Kerry Livgren (Kansas). Both agreed to join the effort (along with the Beach Boys' Jeff Foskett); due to scheduling and health concerns, the collaborations ultimately did not take place. Prior to

neg: Slow Dance (Anthony Phillips album) Heyworth advised Phillips on recording for the second part, including the idea of linking the two Fostex machines to make recording easier and more efficient. At the closing stages of recording both parts of the composition, Phillips decided to incorporate a real string section as Heyworth believed the string sound he had achieved on the Jupiter-8 did not carry the music through. Despite Phillips having insufficient funds to cover the cost, Heyworth paid for the session which took place at CBS Studios in central London in February 1989. Phillips noted that the timbre of the real string section and the

neg: Antis The band planned to release this independently but Melodya objected and the ensuing litigation delayed release by a year. The last recording session took place in a Vilnius studio in 1988. Those songs with some selected numbers from the Warsaw session appeared as "Anties Dovanėlė" ("Antis's Present") in 1989. Antis gave their final tours in the second half of 1989 and early 1990 including appearances at festivals in Italy, Austria, Germany, France and USA, where they participated at the NY New Music Seminar and played at the CBGB. In 1990 Algirdas Kaušpėdas quit music for politics and then returned to

neg: Cross Road Blues toured with his cousin Elmore, also recorded a rendition titled "Crossroads". Homesick derived his guitar style from Elmore, which music critic Bill Dahl describes as "aggressive, sometimes chaotic slide work". Unlike Elmore, however, he uses most of the lyrics from Johnson's second take, which had been first issued in 1961. The July 23, 1963, recording session produced Homesick's only single for Chicago-based USA Records, "Crossroads" backed with "My Baby's Sweet". In early 1966, while still with John Mayall's Bluesbreakers, Eric Clapton adapted the song for a recording session with an "ad hoc" studio group, dubbed Eric Clapton and the Powerhouse.

neg: Ernest E. "Jimmy" Walker motion pictures. Born Ernest E. Walker in Mason County, West Virginia on December 18, 1915, "Jimmy" did not opt for a regular musical career until the mid-forties. By this time, he had relocated to the West Coast which then was a booming region for country dance music. At his first record session he waxed the hit song "Detour." The song's author, Paul Westmoreland, played steel guitar on the recording. A year later, Grand Ole Opry officials hired him to replace Roy Acuff who took an extended leave. At the time, they were much impressed not only with "Detour" but also

neg: New Surrender incidentally by turning four songs into a single one. The actual recording and production took place at multiple studios in Hollywood, California, under Avron throughout March and early April 2008. The first recording took place at Swing House Recordings in West Hollywood, followed by NRG Recording Studios in North Hollywood, where they completed at lot of the drum tracks and began the bass and guitar tracks. Finally they completed recording at The Boat Studio in Silver Lake, where the main focus was the vocals. The band stated in a webchat session with AbsolutePunk.net that they would be using a wide

neg: Cristian Amigo entered the music program at Florida State University in 1980 at the age 17. While there he studied classical guitar under Bruce Holzman. After earning an Associate of Arts diploma from FSU, Amigo moved to Miami and actively performed in recording sessions and original and cover bands while attending music classes at University of Miami. His first recording session at age 17 was the top 40 Narada Michael Walden-produced "We Don't Have To Take Our Clothes Off" by Jermaine Stewart. He moved Los Angeles to pursue music and a university education and earned a Bachelor of Arts degree in political

neg: Harold Bradley Opry. His first session was with Pee Wee King and the Golden West Cowboys in 1946. In 1954 Owen and Harold built Bradley Film and Recording Studios, later known as the Quonset Hut, which was the first music-industry related business on what is now known as Music Row. Harold enjoyed frequent work as a session musician into the 1970s, performing on hundreds of albums by country stars such as Patsy Cline, Willie Nelson, Roy Orbison, Elvis Presley and Slim Whitman. He also played bass guitar on records, initiating the "tic-tac" method of bass muting. According to Guitar Player-Magazine, Harold is

neg: Dust My Broom Comparing the two, Marcus comments, "'Chicago' functioned in the lyric as a place as distant as 'the Philippine Islands'; 'California' was a place as mythical as 'Ethiopia'". "I Believe I'll Dust My Broom" was recorded by Johnson during his first recording session on November 23, 1936. The recording took place in a makeshift studio in Room 414 at the Gunter Hotel in San Antonio, Texas, and was produced by Art Satherley and Don Law. It was the second song that Johnson recorded and followed "Kind Hearted Woman Blues". As with most of his recordings, it appears that a second take

neg: Before I'm Over You (song) Before I'm Over You (song) "Before I'm Over You" is a song written by Betty Sue Perry that was originally recorded by American country artist Loretta Lynn. It was released as a single in October 1963 via Decca Records. "Before I'm Over You" was recorded at the Columbia Recording Studio on February 5, 1962. Located in Nashville, Tennessee, the session was produced by renowned country music producer Owen Bradley. It was Lynn's second recording session after signing with Decca Records in 1961. "Before I'm Over You" reached number four on the "Billboard" Hot Country Singles survey in 1963. The song

neg: 2001: A Space Odyssey (score) Kubrick, Dylanna Music, North's music publishing company, and other entities (the film's current rights holder, Turner Entertainment, did not take part in this CD release). The album features nine tracks from the score, as well as an alternate version of the track "The Foraging." In addition, the album features three bonus tracks, all of additional takes of other tracks on the album. The music is conducted by Henry Brant. Brant had helped North with the orchestration in 1967-68, as North had to be taken to the recording session in an ambulance due to muscle spasms and back pain brought on

neg: Shotgun Willie that Wexler was my man." When Nelson was released from his RCA contract, he signed with Atlantic for US$25,000 per year, becoming the label's first country artist. The recording sessions took place in February 1973, Wexler provided Nelson and his band with a studio in New York City, where most of the recordings were produced. Doug Sahm and his band were also invited to the sessions. During the first session, Nelson recorded the songs for "The Troublemaker". Later, he proceeded with "Shotgun Willie". Wexler had encouraged Nelson after singing the gospel album to start with the new one, to couple

neg: Stay Away, Joe first time since "Wild in the Country", neither an LP album nor and extended play single was planned for a Presley film soundtrack. Three songs were written for the film by the stalwart team of Sid Wayne and Ben Weisman, who had already contributed close to 50 songs for various Elvis movies in the decade. Although released before "Speedway", this film and its soundtrack were made after, the first of Presley's last five films in the 1960s where musical numbers were kept to a minimum. The recording session took place at RCA Studio B in Nashville, Tennessee, on October 1,

neg: Lauren Lucas one of her cuts for the play was nominated for a Tony award. She was signed to a development deal on RCA Nashville, but it did not escalate into a full recording contract because Lucas decided to take a role in an off-Broadway theater production instead called, "Take This Show and Shove It." Lucas later moved to Nashville and attended Belmont University's school of music, and eventually befriended session guitarist and producer Biff Watson, who then helped her sign to Warner Bros. Records in 2003. She was signed to the label for two years, releasing two singles in 2005 ("What

neg: ITunes Session (Jessica Mauboy EP) ITunes Session (Jessica Mauboy EP) iTunes Session is the first extended play (EP) by Australian recording artist Jessica Mauboy, released through Sony Music Australia on 18 July 2014. The seven-track EP was recorded in one take at 301 Studios in Sydney. It features rearranged live versions of Mauboy's singles "Running Back", "Burn", "Inescapable", "Pop a Bottle (Fill Me Up)" and "Never Be the Same", as well as live cover versions of "Who's Loving You" by The Miracles and "Thinkin Bout You" by Frank Ocean. Upon its release, "iTunes Session" debuted at number 25 on the ARIA Albums Chart. In June

neg: Jan Howard Sings Evil on Your Mind within the span of two years. The first had taken place September 18, 1964 and the final session was finished on May 10, 1966. All sessions were recorded at the Columbia Recording Studio, located in Nashville, Tennessee. Renowned country music producer, Owen Bradley, produced the album and would produce all of Howard's studio albums with Decca in the years to come. The album's personnel was made up of Nashville's A-Team of musicians, which included Harold Bradley, Floyd Cramer, and Grady Martin. The album consisted of twelve tracks, five of which were composed by Jan Howard's husband and Nashville songwriter, Harlan

neg: Willingly Willingly "Willingly" is a duet by country music singer Willie Nelson and Shirley Collie, produced by Joe Allison during Nelson's third session for Liberty Records. Released in March 1962, the album reached number ten on "Billboard's" Hot Country Singles. Leveraged by his prominence as a songwriter in Nashville, Tennessee, Nelson was signed as a recording artist by Liberty Records in 1961. Nelson produced two sides in his first session, and an entire album after his second one. While touring with Ray Price as a "Cherokee Cowboys" bassist, Nelson had attended the Nashville disc jockeys convention. Songwriters Harlan Howard and Hank

neg: Music session leader may encourage her to perform a number of songs or tunes. On the other hand, if a player or singer does not perform that well, due to a lack of experience or technique, the leader will thank the individual for his or her performance and then diplomatically ask for the audience's applause, while at the same time inviting a more seasoned performer on stage to take the first performer's place. Less skilled performers may be asked to participate as a member of an ensemble, playing an accompaniment role in the background. Some session leaders use a sign-up sheet where

neg: The Beatles' recording sessions have formal take numbers. "Let It Be" LP release The Beatles' recording sessions The recordings made by the Beatles, a rock group from Liverpool, England, from their inception as the Quarrymen in 1957 to their break-up in 1970 and the reunion of their surviving members in the mid-1990s, have huge cultural and historical value. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music. While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings

neg: First Nashville Guitar Quartet category, but this group proves that they can assume a respectable place in country-pop music, anyway." First Nashville Guitar Quartet First Nashville Guitar Quartet is the title of a recording by Chet Atkins, Liona Boyd, John Knowles and John Pell. The quartet played in the style of a chamber orchestra for guitars. Arrangements were worked out amongst the four players. Recording was done in both RCA's Studio A and at Atkins' own home studio. The single "Love Song of Pepe Sanchez", released by the Quartet in 1979, did not chart. Writing for Allmusic, critic Richard S. Ginell wrote of the