query: who wrote the song heartache on the dance floor

pos: Heartache on the Dance Floor the single was directed by Carlos Ruiz and was filmed on Venice Beach. It tells the story of Pardi having a nap on a Californian beach Pacific Ocean, and dreamed of meeting a woman at a seaside dance and spending a romantic night with her. Heartache on the Dance Floor "Heartache on the Dance Floor" is a song recorded by American country music artist Jon Pardi. It was released to radio on May 1, 2017, as the third single from his second studio album, "California Sunrise".The song was written by Pardi, Bart Butler and Brice Long. "Heartache on the Dance

pos: Heartache on the Dance Floor Heartache on the Dance Floor "Heartache on the Dance Floor" is a song recorded by American country music artist Jon Pardi. It was released to radio on May 1, 2017, as the third single from his second studio album, "California Sunrise".The song was written by Pardi, Bart Butler and Brice Long. "Heartache on the Dance Floor" first entered the Billboard's Country Airplay on chart date of May 13, 2017 at No. 49, and Hot Country Songs at No. 47 two weeks later. The song has sold 240,000 copies in the United States as of November 2017. The music video for

pos: Heartache on the Dance Floor the single was directed by Carlos Ruiz and was filmed on Venice Beach. It tells the story of Pardi having a nap on a Californian beach Pacific Ocean, and dreamed of meeting a woman at a seaside dance and spending a romantic night with her. Heartache on the Dance Floor "Heartache on the Dance Floor" is a song recorded by American country music artist Jon Pardi. It was released to radio on May 1, 2017, as the third single from his second studio album, "California Sunrise".The song was written by Pardi, Bart Butler and Brice Long. "Heartache on the Dance

pos: California Sunrise California Sunrise California Sunrise is the second studio album by American country music artist Jon Pardi. The album was announced, along with its track listing and cover, on March 24, 2016, and released on June 17, 2016. The album was co-produced by Bart Butler, It was recorded in the studio with Pardi's full backing band. The album includes the singles "Head Over Boots", "Dirt on My Boots", "Heartache on the Dance Floor", "She Ain't in It", and "Night Shift". According to Pardi, who is a native of California, he wrote down title of the song which would become the album

pos: California Sunrise "California Sunrise" liner notes. California Sunrise California Sunrise is the second studio album by American country music artist Jon Pardi. The album was announced, along with its track listing and cover, on March 24, 2016, and released on June 17, 2016. The album was co-produced by Bart Butler, It was recorded in the studio with Pardi's full backing band. The album includes the singles "Head Over Boots", "Dirt on My Boots", "Heartache on the Dance Floor", "She Ain't in It", and "Night Shift". According to Pardi, who is a native of California, he wrote down title of the song which

pos: Brice Long Brice Long William Brice Long (born August 25, 1971) is an American country music singer-songwriter. Signed to Columbia Records in 2005, Long charted one single on the "Billboard" country chart that year: "Anywhere but Here", which was also released by Chris Cagle a year later. In addition, Long co-wrote Gary Allan's 2004 Number One single "Nothing On but the Radio", Jon Pardi's Number One single "Heartache On The Dance Floor" and Randy Houser's singles "Anything Goes" and "Like a Cowboy". Brice Long was born and raised in Hopkinsville, Kentucky. In the 1990s, he pursued a career in the rodeo, until

neg: Lolene "Heartache on the Dance Floor" for Janet Leon. She writes with Makeba Riddick (Jennifer Lopez, Rihanna, Beyoncé), Evan Bogart (Beyoncé, Leona Lewis), Danja (Britney Spears, Nelly Furtado), Harvey Mason, Jr. (Chris Brown, Jordin Sparks), Elva Hsiao ("Wow", "Loving you") "Life is a Dance Floor" for Latin artist Pee Wee and Christina Milian with whom she wrote Teairra Mari's track "Diamonds" featuring Kanye West and write with Christina Milian for a track titled "Invisible". On 8 July, a demo written by Lolene and recorded by Lindsay Lohan called "Too Young To Die" was leaked through the gossip website Perez Hilton. Lolene

neg: When the Heartache Is Over When the Heartache Is Over "When The Heartache Is Over" is a song by American recording artist Tina Turner. Written by Graham Stack and John Reid for her album "Twenty Four Seven" (1999), it was released as the album's leading single in mid-to late 1999. It was a considerable hit both on the pop and dance charts, reaching the top ten in Finland and the United Kingdom, while peaking at number three on the "Billboard" Hot Dance Club Songs chart in the U.S. The CD singles released included remixes of "When The Heartache Is Over" by among others the Metro

neg: Stronger (What Doesn't Kill You) mainstream radio on January 17, 2012. A dance remixes of the song were made available on February 3, 2012. On February 17, 2012, it was released as a CD single. Jenna Hally Rubenstein of "MTV Buzzworthy" compared it to "Since U Been Gone," which has "a super radio-friendly hook." Elizabeth Lancaster of MTV Newsroom listed it as one of five key tracks in "Stronger," writing "Upbeat yet soulful, the chorus will drag you up and onto the floor to dance the heartache away alongside her." Grady Smith of "Entertainment Weekly" thought that the song's "belty pop/rock wheelhouse" should please fans

neg: Ghost on the Dance Floor AM, atlthough the song has been played live with a tribute video to AM playing in the background. He stated that his intentions in writing the song were to marry the notions of both beauty and angst with loss and heartache. "I think the point of a good song is that to different people, it strikes a chord for whatever reason, and I can only be responsible for half of it," said DeLonge. "I can put it out there, but other people have to hear it and have it do something. That's all I do it for — for that

neg: CeCe Peniston charts, however Ruf N Tumble's dance remixes of the song were based on a sample of the Delegation hit single "Heartache No. 9" (that scored at number fifty-seven in US Dance in 1980). Her second solo number on the Full Flava's compilation "Colour of My Soul" was titled "I Think about Him", and it was a mid-tempo that Peniston co-wrote with Derbyshire and Mullings. Her next steps afterwards led to Better Days Studios in Paris where, for a change, singer was supposed to work with a French producer, Fréderic Tharreau alias BIBI, on exclusively import single "Eternal Lover". In addition

neg: Old Love / New Love Hi-NRG influences, whose lyrics describe the protagonist being confused by a phone call he received from an ex-girlfriend whom he still loves despite his heartache. In 2015, Warner Bros. released Shadow's third studio album "Eclipse", where the song was added to the final track list. Upon its release, "Old Love / New Love" received critical acclaim by music critics; it was selected by most of them as a highlight from both albums; being lauded because of its composition, which was different from other Shadow songs, and reviewers named it a song suitable for the dance floor. In the same year,

neg: Nostalgic for the Present Tour read it in the faces of her dancers, especially Ziegler. ... The entire performance was brilliantly staged, with one song flowing seamlessly into another". Leslie Ventura wrote for "Las Vegas Weekly": "Sia engaged us in a conversation on the human condition ... through intense visuals, song and dance. ... [H]er immaculately produced and evocative show ... [commented] on a wide range of situations and emotions – depression, panic, exhaustion, heartache, innocence and strength. ... Ziegler ... danced furiously alongside the singer, adding dimension and weight to the dramatic vocals." According to Josh Klein of the "Chicago Tribune", Sia was "a

neg: Work (Ciara song) some snap into it'." About.com writer Bill Lamb named it one of the album's best, and wrote that it "lands somewhere between Ciara's contemporary classic '1, 2 Step' and Missy Elliott's own 'Lose Control'." Andrew Rennie of "Now" considered it the album's strongest track and noted Ciara and Elliott's "trademark chemistry". IGN's Finn White wrote that the song "will make all the bad girls sweat on the dance floor". In his review of "Fantasy Ride", Marrio Tarradell of "The Dallas Morning News" wrote that "Love Sex Magic" is a "dance-floor corker", and noted that "Work" is "similarly club-ready", referring both

neg: Bastille (band) October 2014 Bastille announced their third mixtape, "VS. (Other People's Heartache, Pt.III)" with the release of their song "Torn Apart", featuring the artist Grades and Lizzo on Zane Lowe's BBC Radio 1 show. They also wrote and recorded the song "The Driver" for the re-score of the film "Drive" which was released a week later and will also feature on the mixtape. "VS. (Other People's Heartache, Pt.III)" featured the Gemma Sharples Quartet, Haim, MNEK, Tyde, Rationale, Lizzo, Grades, Angel Haze, F*U*G*Z, Braque, Rag'n'Bone Man, and Skunk Anansie. "VS. (Other People's Heartache, Pt.III)" was released on 8 December 2014. In November

neg: When the Heartache Is Over European CD single European cassette single European CD maxi single European CD maxi single / 12" single US 12" single US promotional 12" single When the Heartache Is Over "When The Heartache Is Over" is a song by American recording artist Tina Turner. Written by Graham Stack and John Reid for her album "Twenty Four Seven" (1999), it was released as the album's leading single in mid-to late 1999. It was a considerable hit both on the pop and dance charts, reaching the top ten in Finland and the United Kingdom, while peaking at number three on the "Billboard" Hot

neg: Heartache Tonight Allmusic reviewer Thom Jurek wrote that "Heartache Tonight" and its follow-up single, "Three Times a Lady," "offer(ed) a solid view of Twitty's amazing crossover potential, and his ability to take well-known pop tracks and turn them into solid country smashes long after the countrypolitan days of Chet Atkins and RCA." (In addition to "Three Times a Lady" (a cover of a song by The Commodores), Twitty had successfully covered "Slow Hand" and "The Rose," previously pop hits for the Pointer Sisters and Bette Midler, respectively.) Heartache Tonight "Heartache Tonight" is a song written by Don Henley, Glenn Frey, Bob Seger

neg: Is It Scary dropped due to the child molestation accusations leveled against him in 1993, though this is untrue). The song was among those considered for inclusion on Jackson's 1995 double album, "", but it was not chosen as it did not complement the other tracks on the album. Jackson subsequently wrote the song into his 1997 short film, "Ghosts". Jackson reused lyrics from "Is It Scary" for the film's title track, which is also included on his "Blood on the Dance Floor" album. Jackson, Harris and Lewis were given producing credit for the song on "Blood on the Dance Floor". A remix

neg: Blood on the Dance Floor (song) Blood on the Dance Floor (song) "Blood on the Dance Floor" is a song by American recording artist Michael Jackson. The song was released as the first single from the remix album "". Jackson and Teddy Riley created the track in time for the 1991 release of "Dangerous". However, it did not appear on that record and was worked on further for its commercial release in 1997. The song is about a predatory woman by the name of Susie, who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from funk

neg: Disco Tits new found love." Tom Breihan of "Stereogum" praised the song's "sexy-deadpan delivery and its chilly throb." Hilary Hughes of "MTV" wrote that the song "is a banger to blast as you're getting hyped for a night out, and an anthem to keep you on the dance floor once you get there all rolled up in a single song." She additionally wrote that "it's definitely not for the faint of heart." Mike Wass of Idolator wrote that the song "retreats to the druggy dance-pop of "Queen of the Clouds"." David Sikorski of "Ear Milk" called the song "a sweat dripping retro

neg: Heaven, Heartache and the Power of Love (song) the video takes place in the church. The people sitting in the pews at the church are saying "thank you lord" and "halleujah", exemplifying the meaning of the song. Yearwood then walks and she starts off singing the beginning of "Heaven, Heartache, and the Power of Love", standing in the very front of the church, preaching to the people. The second scene starts about a minute into the song, where Yearwood if performing with a full band in the gallery. People dance to the song in the gallery. The video regularly shifts between the two scenes throughout the course of

neg: Super Hot Global Chinese Golden Chart Awards jointly presented by radio station Hit Fm Taiwan. The title track "太熱" (Super Hot) is a high tempo dance number following in the style of their previous hits, "出神入化" (Superb) and "我有我的YOUNG" (I Have My Young). The other lead tracks, "心疼你的心疼" (Heartache on Your Heartache) is a mellow ballad, with the music video starring Wu Chun and Patty Hou, and "Sexy Girl" is another mid-tempo dance track. "新生" (Rebirth) is the Mandarin opening theme song for Japanese anime series BLEACH4 broadcast in Taiwan. It also features tracks from Taiwanese dramas starring members of Fahrenheit: Super

neg: Tina Turner "Something Beautiful Remains"; and the sensual Barry White duet, "In Your Wildest Dreams". Following the tour's end in 1997, Tina took another break before re-emerging again in 1999 appearing on the VH-1 special "Divas Live '99". In 1998, Turner's duet with Italian musician Eros Ramazzotti in "Cose della vita" became a European hit. Before celebrating her 60th birthday, Tina released the dance-infused song "When the Heartache Is Over" and its parent album, "Twenty Four Seven" the following month in Europe; she released both the song and the album in North America in early 2000. The success of "When the Heartache

neg: Mad Love (song) like Sean". She regarded "Mad Love" as a song that "brings people together" and "give you the energy you need to get up and get on the dance floor". Xavier Hamilton of "Vibe" wrote that the song manages to "embody every aspect of a modern pop record" and "add to all of the artists' cross-cultural popularity". "Rap-Up" called it an "island-flavored collaboration" and a "dance floor-ready track". Chantilly Post of HotNewHipHop deemed it "a pop, radio-friendly track", writing "David provides a bouncy EDM beat that hears Becky and Sean sing about vibing and hitting it off to the 'tempo' of

neg: No Parking (On the Dance Floor) 1988 song "Don't Clock Me". No Parking (On the Dance Floor) "No Parking (On the Dance Floor)" is the title track from Midnight Star's fourth and most successful album, "No Parking on the Dance Floor". In the US, the song reached number 43 on the R&B chart, number 44 on the dance chart, and number 81 on the "Billboard" Hot 100. The song has been sampled by several artists since its 1983 release, including Sugar Ray's song from 2003, "Mr. Bartender (It's So Easy)". The basic melody was sampled by the Bar-Kays in their 1984 hit "Freakshow on the Dance

neg: No Parking (On the Dance Floor) No Parking (On the Dance Floor) "No Parking (On the Dance Floor)" is the title track from Midnight Star's fourth and most successful album, "No Parking on the Dance Floor". In the US, the song reached number 43 on the R&B chart, number 44 on the dance chart, and number 81 on the "Billboard" Hot 100. The song has been sampled by several artists since its 1983 release, including Sugar Ray's song from 2003, "Mr. Bartender (It's So Easy)". The basic melody was sampled by the Bar-Kays in their 1984 hit "Freakshow on the Dance Floor" and in Popula Demand's

neg: Love Somebody (Maroon 5 song) before the chorus kicks in." Adam Markovitz of "Entertainment Weekly" in a review of the album, wrote that the song together with "Daylight" have "thickly" produced choruses. Lyrically, "Love Somebody" equates love and physical intimacy, with Levine singing: "I really wanna love somebody [...] I really wanna touch somebody". Nate Chinen of "The New York Times" described the lyrical theme of the song as "a plea for salvation on the dance floor or some other horizontal surface". Suzanne Byrne of RTÉ.ie wrote that "Love Somebody" alongside "Daylight", "The Man Who Never Lied" and "Lucky Strike" are potential single releases. Brittany

neg: Beautiful Heartache Beautiful Heartache Beautiful Heartache is a 2009 music album by Russian pianist and singer-songwriter, Oksana Grigorieva, with Mel Gibson as executive producer. Born in Saransk, Russia, Grigorieva studied music in Moscow and Kazan, and at the Royal College of Music in London. She later moved to the U.S. and patented a technique of instructing music notation to children. Grigorieva gained attention as a songwriter in 2006 after a song that she wrote, "Un Dia Llegara", became popular on the Josh Groban album "Awake". Grigorieva signed with Gibson's music label, and the two began production on her first music album. She

neg: When the Heartache Is Over team, 7th District Inc. and Hex Hector. Certain European CD singles also included two live recordings from Turner's 1996 "Wildest Dreams Tour", "I Can't Stand the Rain" and "On Silent Wings". "Billboard" wrote about the song: "Produced by Brian Rawling and Mark Taylor, the team that catapulted Cher back to fame via "Believe" (and more recently, commandeered Enrique Iglesias' "Bailamos" and new "Rhythm Divine"), this number has similar energy, with a bright-eyed dance beat and production so tight and joyful that listeners will be pulled in by the first chorus and singing along by the last. (...) Lyrically, Turner sings

neg: Never or Now herself to the battery brand Duracell. "Back in Time" is a dance-pop song which talks about regret and wanting to revisit the past to fix mistakes, it has been rumored that Scott-Lee wrote the song as a reaction to how Steps broke up as she wrote it before the release of her cancelled album "Unleashed". "Obscenely Delicious", the next track is a house influenced track which is lyrically about wanting someone to see themselves from someone else's perspective so that they see how great they are. The next track "Boy On The Dance Floor" is a Latin-dance inspired track with

neg: It's a Heartache time. Tyler has re-recorded the song several times, most notably as a bilingual duet with French singer Kareen Antonn in 2004. The release of "It's a Heartache" had music critics comparing Tyler's voice to Rod Stewart's who would eventually cover the song. Carol Wetzel from "Spokane Daily Chronicle" complimented Tyler's voice on "It's a Heartache", stating that her previous big hit, "Lost in France", is "no big deal, probably because it was made before her voice changed." Juice Newton's version of "It's A Heartache" was released on select foreign editions of her "Come to Me" album. When released as a

neg: Telephone (song) Telephone (song) "Telephone" is a song recorded by American singer Lady Gaga for her third EP, "The Fame Monster" (2009). The song features American singer Beyoncé. The song was written by Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin and Beyoncé. Inspired by her fear of suffocation, Gaga explained that the lyrics preferring relaxing on the dance floor to answering her lover's phone call are a metaphor, the phone calling her representing the fear of not having worked hard enough to succeed. Originally, Gaga wrote the song for Britney Spears, who recorded a demo. Musically, "Telephone" consists of an expanded bridge,

neg: Heartache Is Boring Heartache Is Boring Heartache Is Boring is the debut album by singer / songwriter Ainjel Emme, released in October 2003. The song "Summerlife" was featured in Todd Livingston's 2007 film "So You've Downloaded A Demon". "Long As It's Sweet" made it to the finals at Independent Artist Company's Indie Song of the Year contest in 2005, but lost to a song by legendary The Who guitarist Pete Townshend and his girlfriend, Rachel Fuller. Ainjel was also inducted into the IAC Hall of Fame at this time. The song "In Flames" was featured on "Desperate Hippies", a "Desperate Housewives" spoof which

neg: Pepsi & Shirlie Paul Weller. On Monday 5 January 1987, they released their debut single "Heartache", which was produced by Phil Fearon and Tambi Fernando and reached No. 2 in the UK Singles Chart. "Heartache" also peaked at number two on the American dance charts. The follow-up single, "Goodbye Stranger", produced by Fernando and Pete Hammond, reached No. 9. Subsequent singles and their debut album "All Right Now", released later in the year, were commercially unsuccessful. Their tours included a concert performed in Amman, Jordan. In 1991, they returned with the album "Change" and its lead single "Someday", a song produced by George

neg: Ghost on the Dance Floor Ghost on the Dance Floor "Ghost on the Dance Floor" is a song by American rock band Blink-182 from the band's sixth studio album, "Neighborhoods" (2011). The song, written by guitarist Tom DeLonge, bassist Mark Hoppus and drummer Travis Barker, concerns sharing memories with lost loved ones. The song was speculated to be inspired by the death of Barker's close friend and collaborator Adam Goldstein (DJ AM). The song received largely favorable reviews from contemporary music critics. The song, although not a single, peaked at number 33 on "Billboard" Rock Digital Songs chart in 2011. "Ghost on the Dance Floor"

neg: Taylor Swift (album) wrote it about this guy I was dating, and how we didn't have a song. So I went ahead and wrote us one." The song is a narrative and describes a young couple who use the events in their lives in place of a regular song. The banjo-riddled song is placed at the end of the album due to its closing lyrics, a request to "play it again". "Invisible" is ballad describing loneliness and heartache of going unnoticed. Sean Dooley of About.com writes, the "piano-driven song [...] perfectly captures the awkward teenage angst we all endure—or have endured—at one time

neg: One Dance Drake has worked on an Afrobeat song, having previously featured on Wizkid's Ojuelegba (Remix)" (2015) along with British grime artist Skepta. According to the sheet music published at Musicnotes.com, "One Dance" is written in the key of B minor and has a tempo of 104 beats per minute in common time. The song follows a chord progression of BmDEm, and Drake's vocals span from A to B Jon Caramanica of "The New York Times" wrote ""One Dance" is a transnational dance-floor lullaby, one of Drake's breeziest and most accessible songs, and also one of his savviest." "Pitchfork" stated of the

neg: Here's to the Heartache Here's to the Heartache "Here's to the Heartache" is a song by American rock band Nothing More. It was their fourth single off of their album "Nothing More". It peaked at number 4 on the "Billboard" Mainstream Rock Songs chart in February 2016. The song was first released as a single on October 13, 2015. A music video was released a month later. The video was directed by Josh Sobel, with help from cinematographer Alex Bergman, who the band had previously worked with on prior single "Jenny". It features black and white footage of the band performing the song, intermixed

neg: Show Me (Jessica Sutta song) the dance floor as a Club Queen in her own right." Jeff Benjamin of "Billboard" described the song as "a high-energy dance track, with a "show me love" hook that is begging to be shouted at clubs." Mike Hess of Celebuzz praised the song for its "infectious new tune", "the club-worthy beat" and the "catchy hook". AOL Music wrote that the song is a "sleek, sexy club track sure to get bodies moving and build anticipation for her forthcoming full-length". "MuuMuse" described the song as a "throbbin’ club anthem full of pulsating synthesizers and slamming beats". Instinct Magazine wrote: "We

neg: Fear & Freedom an "upbeat", "sexy" and "exciting" song, which has been compared by Andrew Tijs of Noise11 to Beyoncé. Ddegroodt wrote that the song revisits Coulter's 2007 single "Can't Touch It". "Crazy" is a drum and bass song, which contains lyrics about "letting the music take over your body and take control, losing your inhibitions and going crazy". Coulter described the song as "sensual and erotic". "On the Floor" contains lyrics about a "cheeky [...] ode of love making on the dance floor", while "I Feel Love" is about "a romantic happy ending". "World Disappears" is a trance song with dark themes.

neg: Blood on the Dance Floor x Dangerous in majority music charts in 2017. In December 2017, it was released for club play in the United States, The song debuted at number 47 on the "Billboard" Dance Club Songs chart on February 10, 2018, and became the 25th song by Jackson to appear on the chart. Blood on the Dance Floor x Dangerous "Blood on the Dance Floor x Dangerous (The White Panda Mash-Up)", often shortened to just "Blood on the Dance Floor x Dangerous", is a song by American recording artist Michael Jackson. A mashup by The White Panda, it was released on September 6, 2017 as

neg: Here's to the Heartache it was inspired more directly by the band member's past experiences as well: Loudwire described the song as a "chugging rocker". Band Production Here's to the Heartache "Here's to the Heartache" is a song by American rock band Nothing More. It was their fourth single off of their album "Nothing More". It peaked at number 4 on the "Billboard" Mainstream Rock Songs chart in February 2016. The song was first released as a single on October 13, 2015. A music video was released a month later. The video was directed by Josh Sobel, with help from cinematographer Alex Bergman, who

neg: Blood on the Dance Floor (song) life over his music. "Blood on the Dance Floor" was the 20th and last of Jackson's reissued singles from the "" campaign. Issued in 2006, it was re-released in Europe, where it reached number one in Spain and the top 20 in Ireland, Italy, and the UK. Blood on the Dance Floor (song) "Blood on the Dance Floor" is a song by American recording artist Michael Jackson. The song was released as the first single from the remix album "". Jackson and Teddy Riley created the track in time for the 1991 release of "Dangerous". However, it did not appear

neg: Dance Floor Anthem (I Don't Want to Be in Love) of the chart the next week. CD single Australian single Ringle The song was released as a ringle on October 23, 2007. Dance Floor Anthem (I Don't Want to Be in Love) "Dance Floor Anthem (I Don't Wanna Be in Love)", known as "Dance Floor Anthem" on the album, is a song by American pop punk band Good Charlotte on their fourth studio album, "Good Morning Revival" (2007). The song became the band's best-selling single in Australia, reaching number 2 for three nonconsecutive weeks and earning a Platinum certification. In the US, the song peaked at number 25 on the

neg: Petra Marklund the guitar and danced. Marklund is known for her distinctive vocal range. She is one of the few dance-pop artists whose voice is considered recognizable. Her dance music is typically upbeat with a focus on pop music structures and four-to-the-floor beats. Lyrically, her songs of the early era tended to stay in the vein of love or heartbreak. Most of the songs are original arrangements; however "Midnight Heartache" from the In Orbit album contains a sample of "Bette Davis Eyes" by Kim Carnes. In an interview with Girl.co.au, she commented on her writing process saying "a lot of my songs

neg: Try with Me Try with Me "Try with Me" is a song by American recording artist Nicole Scherzinger, taken from the re-release of her debut studio album, "Killer Love" (2011). The song was written by Carsten Schack, Sean Hurley, Olivia Nervo, Miriam Nervo and was produced by Soulshock. "Try with Me" was released as the first single from the re-release and the fifth and final single overall both releases. The song starts as a slow power ballad before erupting into an upbeat dance track. Lyrically the song is about heartache and heartbreak. "Try with Me" received mainly positive reviews from critics who praised

neg: You Make Me Feel... old sound." Monica Herrera wrote for Rolling Stone that "Saporta drops weak pickup lines, but guest diva Sabi calls herself 'the baddest baby in the atmosphere,' and is right." A positive review came from Alternative Press editor Aubrey Welbers, who wrote that the "catchy, calculated hit is a bona fide jam for lonely partygoers looking for dance floor romance." In most of the reviews from the album, including the Allmusic and Entertainment Weekly reviews, the song was picked as one of the album's best tracks. Megan Rozell from Blogcritics gave the song a positive review, writing that the song "allows

neg: Beautiful People (Chris Brown song) iTunes Store in the United States on February 15, 2012. When Steps re-formed in 2011 and announced they would go on tour during Spring in 2012, Lisa Scott-Lee performed a medley as her solo featuring Heaven, Beautiful People and Lately. Margaret Wappler from "Los Angeles Times" wrote that "Beautiful People" sounds almost like a Kylie Minogue song "with its powdered-sugar synths and dance floor positivity". Jon Caramanica from "The New York Times" wrote that the song "has the clanging, swelling synths that are the hallmark of megaclubs." Editors from Idolator wrote "We like the song, though we don't see anything

neg: Somewhere Else (Toby Keith song) wisdom." Somewhere Else (Toby Keith song) "Somewhere Else" is a song co-written and recorded by American country music singer Toby Keith. It was released in February 2011 as the third and final single from his 2010 album "Bullets in the Gun". The song peaked at number 12 on the US "Billboard" Hot Country Songs chart. Keith wrote this song with Bobby Pinson. The song describes a downbeat character who struggles to come to terms with the collapse of a relationship. Since home is where the heartache is coming from, he decides to withstand the barrage of memories at a bar.

neg: Somewhere Else (Toby Keith song) Somewhere Else (Toby Keith song) "Somewhere Else" is a song co-written and recorded by American country music singer Toby Keith. It was released in February 2011 as the third and final single from his 2010 album "Bullets in the Gun". The song peaked at number 12 on the US "Billboard" Hot Country Songs chart. Keith wrote this song with Bobby Pinson. The song describes a downbeat character who struggles to come to terms with the collapse of a relationship. Since home is where the heartache is coming from, he decides to withstand the barrage of memories at a bar. Gary

neg: The End of Heartache (song) The End of Heartache (song) "The End of Heartache" is a metalcore song as well as the title track and second single from Killswitch Engage's third studio album "The End of Heartache". The song also appeared as the theme song for the 2004 zombie action film "". The song became the band's breakthrough single, peaking at no. 31 on the Mainstream Rock Chart. Two videos were produced for the song. The video edit of the song features mostly clean singing from vocalist Howard Jones with a few background screams, much like the video for "My Curse". The first video shows

neg: Oksana Grigorieva called "Un día llegará" an "outstanding track". Fred Shuster of "Los Angeles Daily News" reviewed the album, and commented, "The gorgeous 'Un día llegará,' opening with a sweep of guitar, sets the mood for romantic highlights to come". In 2009, Grigorieva's music album "Beautiful Heartache" was released; Mel Gibson served as executive producer. The album includes 11 tracks, and features a cover of the Russian song "Dark Eyes" and a collaboration with Charlie Midnight. "Beautiful Heartache" was marketed as "grown-up, piano-led pop, heavy on classical motifs". Save for the song "Say My Name", which was co-written with Gibson, Grigorieva wrote

neg: Finally (Fergie song) pipes". That same reviewer wrote that "Finally" is "the biggest surprise" on "The Dutchess". Leah Greenblatt of "Entertainment Weekly" wrote that Fergie's "ardent joy" on "Finally" is probably as "publicly naked as she's ever allowed herself to be". She wrote that "not that she's morphing into some kind of "My Heart Will Go On" ballad queen; Fergie is too adept on the dance floor to forsake it." While giving a negative review of "The Dutchess", Mike Joseph of PopMatters wrote that Fergie "shows hints of promise" in "Finally". According to Kelefa Sanneh of "The New York Times", the song "may

neg: Mirwais (musician) Besson film Arthur and the Invisibles. In August 2000, he released the album "Production", which included the single "Paradise (Not For Me)" made in collaboration with Madonna. It also included two minor chart hits in the UK Singles Chart: "Disco Science" (2000, #68) and "Naive Song" (2000, #50). Naive Song scored number 2 on the US Dance Club Charts in 2001. Madonna recruited him for writing and production collaboration on three of her studio albums: "Music" (2000), "American Life" (2003) and "Confessions on a Dance Floor" (2005). He also co-wrote a song that would later appear on her greatest hits

neg: Erotica (song) on the dance floor". Stephen Holden from "The New York Times", commented that the "foggy growl" that Madonna uses in the spoken-word sections of the song "contrast dramatically with the shrill little-kid voice from Madonna's earliest records that she still often uses to project a bratty teen-age exuberance". J. Randy Taraborrelli, author of "", wrote that "['Erotica'] wasn't a surprise for anyone who had been paying attention to Madonna's recent music. She had shown her hand earlier with "Breathless" when she sang 'Hanky Panky', the song about spanking [...] then there was her single 'Justify My Love' [...] 'Erotica' though,

neg: It's a Heartache rhythm of this song with modified lirycs to encourage his respectives teams, while they are present in the match. In Scotland, fans of Celtic FC have their own version of the song which pays tributes to the Lisbon Lions who won the European Cup in 1967. It's a Heartache "It's a Heartache" is a song recorded by Welsh singer Bonnie Tyler for her second studio album, "Natural Force" (1978). The song was recorded in the same year by Juice Newton as a standalone single. It was written by Ronnie Scott and Steve Wolfe, Tyler's managers at the time, and produced

neg: Sorry (Madonna song) tour. Ed Gonzalez from "Slant Magazine" wrote that the performance was not among the concert's highlights. However, he commented that the remix backdrop "feels ecstatic [...] a collage of Godardian weight you can dance too". Thomas Inkseep from "Stylus" described the song's performance and remix as "fantastic". Sorry (Madonna song) "Sorry" is a song by American singer Madonna from her tenth studio album "Confessions on a Dance Floor" (2005). It was written and produced by Madonna and Stuart Price, and released as the second single from the album on February 7, 2006. It later appeared on "Celebration", her 2009 greatest

neg: Love Will Save the Day song as a "hollow dance track that tries to mix social comment with dance-floor vigor." Rolling Stone's Vince Alleti wrote: "Jellybean clicks neatly with "Love Will Save the Day," the only song to even remotely acknowledge the problems of the world at large and the most vivaciously percussive track on the record." Whitney fanpage described this song as Latin influenced, sparkling song. St. Petersburg Times editors Eric Snider and Annelise Wamsley described "Love Will Save the Day": "a unique tune on an extremely mainstream album. Its lively Afro-Cuban flavor, driven by a wall of clattering percussion, is truly joyous." At

neg: Loved Me Back to Life a Flame' come from?" Angélil responded, "It's, you know, the opposites." Dion replied, "It's the name of the song." Musician Samantha Ronson, who is a friend of Merriweather's, wrote a blog post that included the video of the interview and the text "Dear Celine Dion, when you cover someone else's song- you might want to give them credit." In June 2013, Merriweather linked to Ronson's post from his Facebook page and harshly criticized Dion, writing, "This song has every ounce of my heartache and pain in it and she pretends as if she wrote it herself." Two days later, Dion's

neg: Heartache Tonight Vocal. The song originated from an electric jam session between Glenn Frey and J. D. Souther who would visit Frey's home in Los Angeles whenever he was in town on tour. Frey and Souther wrote the first verse while listening to Sam Cooke songs. In the heat of jamming, Frey called Bob Seger on the phone and sang him the verse. Seger then blurted out the chorus. According to Frey, "J.D. [Souther], Don and I finished that song up. No heavy lyrics - the song is more of a romp - and that's what it was intended to be." The

neg: Dance Floor Anthem (I Don't Want to Be in Love) Dance Floor Anthem (I Don't Want to Be in Love) "Dance Floor Anthem (I Don't Wanna Be in Love)", known as "Dance Floor Anthem" on the album, is a song by American pop punk band Good Charlotte on their fourth studio album, "Good Morning Revival" (2007). The song became the band's best-selling single in Australia, reaching number 2 for three nonconsecutive weeks and earning a Platinum certification. In the US, the song peaked at number 25 on the "Billboard" Hot 100 and was also certified Platinum. Elsewhere, the single reached number 11 in New Zealand, number 19 in Finland, and

neg: Turn Up the Music (Chris Brown song) "put on an energetic show" and described his dance routines during the performance as "eye-catching". "Turn Up the Music" garnered positive reviews from music critics, who complimented its production. Christina Garibaldi of MTV News noted that the song is similar to "Yeah 3x", and that it "is destined to get people in the clubs and on the dance floor". Georgette Cline of "The Boombox" described it as a "dance-inspired track" that "will undeniably move partygoers to showcase their best moves". Liz Barker of MTV Buzzworthy described it as an "undeniably dance floor-ready" track that "deserves to be played at maximum

neg: Sorry (Madonna song) Keith Caulfield from "Billboard" commented that, "[Sorry] should keep fans hung up on Madonna's ability to create instant radio and club classics." He also called the song "springy" while reviewing the album. Ben Williams of "New York" magazine, wrote that the song is "propelled by a catchy bass melody". Joan Morgan of "The Village Voice", in review of "Confessions on a Dance Floor", wrote: "The party continues admirably with the multilingual, kick-your-man-to-the-curb 'Sorry'." Stephen M. Deusner of "Pitchfork" wrote, "The cascades of sound wash directly into 'Sorry', setting up the song's panlingual apologies and shifting bass tectonics." Jon Pareles of

neg: Kat DeLuna album that will be called ‘Viva.’ The song is produced by Belgian producer "Eightysix", who has been responsible for her single "Dancing Tonight" as well, which hit #1 on the Billboard Dance Chart in the US and #36 overall for most played dance song on the 2011 Billboard Year End Dance Chart. Shortly after Jennifer Lopez released her single "On the Floor" on February 22, 2011, many of DeLuna's fans, as well as critics, claimed that "On the Floor" plagiarised DeLuna's 2010 single "Party O'Clock". In a statement issued to the "New York Daily News," DeLuna said "It's cool that

neg: Sweet Dreams (Beyoncé song) Gary Trust of "Billboard" magazine agreed that the song is one of Knowles' purest dance songs and is "an irresistible call to the dance floor". Describing "Sweet Dreams" as a "cool dance track", Dennis Amith of J!-ENT complimented its arrangement, calling it "experimental" with "cool transitions". Adam Mazmanian of "The Washington Times" described the song as "a gritty slow grind with a salacious bassline" and noted that Knowles "delivers a near parody of a good-girl voice" while singing the chorus. Ryan Dombal of Pitchfork Media wrote that "Sweet Dreams" sounds like a song Rihanna would sing. Echoing Dombal's sentiments, Nick

neg: Papi (song) fans." "Pop Crush"'s Amanda Hensel rated it four-and-a-half stars out of five and wrote that: "Papi is spicy hot — just like the Puerto Rican, Bronx-raised herself." [...] "It's a perfect fit for any club packed full of dance-hungry people, and all-in-all, exemplifies what we love about the singer/actress." BBC Music's Alex McApherson wrote that: "The woman who gave us the supreme millennial house of Waiting for Tonight will know her way around On the Floor and Papi, both apparent distillations of the trashy Miami house aesthetic that dominates pop these days." Entertainment Weekly's Adam Markovitz wrote that the album

neg: Move Your Body (Sia song) to the song was mixed. Bradley Stern of MuuMuse raved: "Move Your Body", a pulsating Shakira offering, proves once again that the “Titanium” singer is a more than welcome addition to the club scene, providing a sweaty, carnal call-to-arms filled with an instant catchy chant for the dance floor." Alex McCown-Levy of "The A.V. Club" wrote: "Move Your Body, [Sia's] attempt at a straight-up Europop dance-floor jam, suffers from a lack of distinction. It's an obvious play for a club hit, but it feels a bit predictable and safe—enjoyable, yes, but so calculated as to be stripped of any sense

neg: Heaven, Heartache and the Power of Love (song) Heaven, Heartache and the Power of Love (song) "Heaven, Heartache, and the Power of Love" is a song written by Tia Sillers and Clay Mills, and recorded by American country music singer Trisha Yearwood. It was released in July 2007 as the first single and title track from her album also titled "Heaven, Heartache and the Power of Love". The song reached its peak positions at the end of the year in 2007. The song became Yearwood's first single in nearly three years to become a major hit on the Billboard Country Chart since 2005's "Georgia Rain" from her album,

neg: Kent Blazy met former Exile member Mark Gray, who suggested that Blazy move to Nashville, Tennessee. Eventually, he signed to a publishing contract, but the publishing company closed; despite the loss of contract, Gary Morris sent Blazy's "Headed for a Heartache" into top 5 on the country charts. By the late 1980s, Blazy met with a then-unknown Garth Brooks, who gave him the idea for a song entitled "If Tomorrow Never Comes." He and Brooks co-wrote the song, which went on to become Brooks' first number one hit. Brooks continued to record Blazy's material throughout the 1990s, including the singles "Ain't Goin'

neg: Devil in a New Dress by West, who wrote it alongside Bink!, Ross and Malik Jones. The song samples Smokey Robinson's slow jam recording "Will You Still Love Me Tomorrow", and is themed lyrically to lust and heartache. Both the topics of love and religion serve as the main inspiration to the song. The song received acclaim from music critics, who praised the delivery of West's verse, the lush production and the guest appearance by Ross. It has been remixed by several musicians, such as J. Cole, Jay Electronica and Young Chris. Ross promoted the song releasing a music video in which he showcased his

neg: Fighter (song) one would expect from a dance-floor strumpet who loves to flaunt her lung power." Chuck Taylor writing for "Billboard" complimented "Fighter" for demonstrating that Aguilera "[has] got the goods to rise above what so many lesser acts depend on for celebrity." On behalf of the same publication, Andrew Unterberger wrote that "Fighter" and "Can't Hold Us Down" are two tracks that helped "expand audience expectations of her image and sound." Digital Spy's Nick Levine named it a "strutting arena rock" song, while Nick Butler from Sputnikmusic simply called it "great." "The New York Times" editor Kelefa Sanneh positively viewed the

neg: Confessions on a Dance Floor The corresponding music video was a tribute to John Travolta, his movies and dancing in general. Directed by Johan Renck, the video featured Madonna dancing in a ballet studio in a pink leotard, which she left to go to a gaming parlour to dance with her backup dancers. It also featured the physical discipline parkour. "Sorry" was released as the second single from the album on February 28, 2006. The song received positive reviews from contemporary critics who declared the track as the strongest song on "Confessions on a Dance Floor". It achieved commercial success, topping the singles charts in

neg: Baby Boy (Beyoncé song) with several women who are lying on the floor caressing each other. Beyoncé walks towards the beach; she spots a man, and the two touch and flirt. As the second verse of the begins, Beyoncé is at a party. At the party Beyoncé decides to dance with the same man that she interacted with earlier. Then, water floods the floor of the party as she sings "the dance floor becomes the sea". As the second chorus of the song begins, the video is cut with scenes of Beyoncé and four back-up dancers dancing on a platform in the sand on

neg: In the Middle of a Heartache the "Billboard Magazine" Hot Country and Western Sides chart in early 1962. In addition, the single peaked at number twenty seven on the "Billboard" Hot 100, becoming Jackson's third and final top-forty song on that chart. "In the Middle of a Heartache" was Jackson's highest-charting single on the "Billboard" country songs chart and the Hot 100 as well. It is also her final top-ten hit to date. In the Middle of a Heartache "In the Middle of a Heartache"' is a song written by Laurie Christenson, Pat Franzese, and Wanda Jackson. The song was recorded by Wanda Jackson, an American

neg: In the Middle of a Heartache In the Middle of a Heartache "In the Middle of a Heartache"' is a song written by Laurie Christenson, Pat Franzese, and Wanda Jackson. The song was recorded by Wanda Jackson, an American country, rock, and Christian artist. The song was recorded specifically on April 20, 1961 at the Bradley Film and Recording Studio in Nashville, Tennessee, United States. Three additional songs were recorded on the songs including her follow-up single to "Heartache" entitled, "A Little Bitty Tear". The session was produced by Ken Nelson. It was officially released as a single in September 1961, peaking at number six on

neg: No Hay Igual "No Hay Igual" is a "reggaeton-style trifle" that is "more fun than anything else" on "Loose". Barry Schwartz of Stylus Magazine called "No Hay Igual" one of "Loose"s "indisputable highlights". He wrote that Furtado and Timbaland are "absolutely ripping reggaeton" better than "nearly everyone who actually does reggaeton". Allmusic's senior editor Stephen Thomas Erlewine picked it as one of the best tracks on the album, alongside "Maneater", "Promiscuous" and "Te Busqué". Robert Christgau wrote a positive review for "The Village Voice" and said that the song "might accomplish God's great plan on the dance-floor." Rob Sheffield from Rolling Stone highlighted

neg: Torn Apart (Bastille song) 2014. Torn Apart (Bastille song) Torn Apart is song number 6 on Bastille's VS. (Other People's Heartache, Pt. III) mixtape. On 21 October 2014, Bastille announced their third mixtape, "VS. (Other People's Heartache, Pt.III)", with the release of their song "Torn Apart", featuring the artist GRADES and Lizzo on Zane Lowe's Radio 1 show. "VS. (Other People's Heartache, Pt.III)" was released on 8 December 2014. The song was produced by a Londonese producer GRADES. The song was released as a single promoting the VS. mixtape on November 30, 2014. The video for "Torn Apart" was uploaded on YouTube on November

neg: Torn Apart (Bastille song) Torn Apart (Bastille song) Torn Apart is song number 6 on Bastille's VS. (Other People's Heartache, Pt. III) mixtape. On 21 October 2014, Bastille announced their third mixtape, "VS. (Other People's Heartache, Pt.III)", with the release of their song "Torn Apart", featuring the artist GRADES and Lizzo on Zane Lowe's Radio 1 show. "VS. (Other People's Heartache, Pt.III)" was released on 8 December 2014. The song was produced by a Londonese producer GRADES. The song was released as a single promoting the VS. mixtape on November 30, 2014. The video for "Torn Apart" was uploaded on YouTube on November 21,

neg: That's How a Heartache Begins That's How a Heartache Begins That's How a Heartache Begins is a 1964 compilation album consisting of songs recorded by American country music singer, Patsy Cline. The album was released by Decca Records on November 2, 1964. "That's How a Heartache Begins" contains songs Patsy Cline recorded under Decca and Four Star Records between 1959 and 1963. The album includes cover versions of "Bill Bailey Won't You Please Come Home" and Hank Williams' "Lovesick Blues." There is also other material by Hank Cochran and Harlan Howard who wrote some of Cline's most famous hits, including "I Fall to Pieces," "Crazy,"

neg: Blood on the Dance Floor (song) appealing as a migraine". William Ruhlman of AllMusic observed, "'Blood on the Dance Floor' is an uptempo Jackson song in the increasingly hysterical tradition of 'Billie Jean' and 'Smooth Criminal' with Jackson huffing, puffing, and yelping through some nonsense about a stabbing ... over a fairly generic electronic dance track". He was not complimentary of the B-sides that accompanied it. Stephen Thomas Erlewine, also of AllMusic, had a negative reaction to the record. He described "Blood on the Dance Floor" as a "bleak reworking of 'Jam' and 'Scream'". Music commentator Nelson George, compared the song to material from "Dangerous", notably

neg: The Lonely Side of Love during the week of December 2, 1989. The Lonely Side of Love "The Lonely Side of Love" is a song written by Kostas, and recorded by American country music artist Patty Loveless. It was released in September 1989 as the fourth single from her album "Honky Tonk Angel". This follow-up single to Loveless' number 1 song "Timber" reached number 6 in December, 1989 and is one of her classic country ballad songs about love and heartache. It was written by Kostas, who also wrote "Timber" The song charted for 30 weeks (her longest to date) on the Billboard Hot Country

neg: The Lonely Side of Love The Lonely Side of Love "The Lonely Side of Love" is a song written by Kostas, and recorded by American country music artist Patty Loveless. It was released in September 1989 as the fourth single from her album "Honky Tonk Angel". This follow-up single to Loveless' number 1 song "Timber" reached number 6 in December, 1989 and is one of her classic country ballad songs about love and heartache. It was written by Kostas, who also wrote "Timber" The song charted for 30 weeks (her longest to date) on the Billboard Hot Country Singles and Tracks chart, reaching number 6

neg: The End of Heartache (song) the band performing the song inter-cut with footage from "Resident Evil: Apocalypse" along with close-up shots of the band playing. The second video cuts out the "Resident Evil: Apocalypse" footage and cuts between shots of the band performing the song. The song was nominated for Best Metal Performance at the 47th Annual Grammy Awards, but lost to Whiplash by Motörhead. The End of Heartache (song) "The End of Heartache" is a metalcore song as well as the title track and second single from Killswitch Engage's third studio album "The End of Heartache". The song also appeared as the theme song

neg: On the Floor to it, but also because of how much I love to dance and how much that's always been such a big part of who I am since I started. Since I was a little girl, I just totally connected with the idea of getting out there." "On the Floor" is an up-tempo dance and dance-pop song produced by RedOne that incorporates elements of electropop and electro house. It also contains heavy synths and was influenced by Eurodance, Latin and techno music. American artist Pitbull starts the song with a rap introduction while the melody interpolates elements of the Los Kjarkas

neg: Blood on the Dance Floor (song) the critically acclaimed tracks "Jam" and "Dangerous". He described it as a "pile driving" song that "explodes from radio speakers". A longtime commentator on Jackson's public life, J. Randy Taraborrelli, gave a retrospective analysis of the album in the biography, "The Magic & the Madness". Taraborrelli thought that "Blood on the Dance Floor" was one of Jackson's best songs, a song that US fans "don't even know exists". In 2005, J T Griffith, of AllMusic, believed that in hindsight, "Blood on the Dance Floor" was actually a good song. He explained, "[it is] a second-rate mixture of 'Beat It' and

neg: Show Me Love (Robin S. song) the world. Soon the song started to climb on the charts and when it reached 6th place on the charts in the UK, Robin S. made her first TV-appearance in British music chart television programme Top of the Pops. The remixed version was later included on Robin S.'s 1993 debut album "Show Me Love". "Billboard" wrote about the song: "Here's a bit of diva-house with a slight twist. Robin's big, finger-wavin' performance is laid atop an understated arrangement of icy cool electro beats." And "Cash Box" wrote that ""Show Me Love" will become a testament to any dance floor DJ."

neg: Don't Cry for Me Argentina a passionate, flowing dance number", highlighting Madonna's "truly impassioned performance which infuriated musical purists but delighted her fans and public alike". In 2017, "Billboard" ranked the "Miami Mix" as the 95th greatest pop song of 1997; Andrew Unterberger wrote that "Pablo Flores and Javier Garza's Miami Mix is just as responsible for the song's chart success as Madonna's Celine Dion vocal ambitions, taking the song from the balcony to the dance floor and giving it back to the people". "The Guardian"s Jude Rogers wrote: "Sorry Andrew Lloyd Webber, but it's no 'Live to Tell'"; nonetheless, he praised the singer's vocal

neg: Freemasons (band) follow-up, "Watchin'" was released in the United States in 2006 with Amanda Wilson as their lead vocalist for the track. "Watchin'" peaked at #1 on the Hot Dance Club Play and within the Top 20 of the Hot Dance Airplay chart. The third original single from the Freemasons, "Rain Down Love" reached the Top 20 of the Hot Dance Airplay chart. Their fourth single (released digitally), "Nothing But a Heartache" featuring vocals from Sylvia Mason-James was released in June 2007. The Freemasons also remixed Beyoncé's original song, "Déjà Vu" in 2006 (for which they were nominated for a Grammy Award).

neg: Lilac Wine Lilac Wine "Lilac Wine" is a song written by James Shelton (lyrics and music) in 1950. It was introduced by Hope Foye in the short-lived theater musical revue, "Dance Me a Song". The song has since been recorded by many artists including Eartha Kitt, Nina Simone, Elkie Brooks, Katie Melua, Jeff Buckley, Clare Maguire, Jeff Beck, Fanny Ardant, John Legend, Miley Cyrus, Emily Keener, The Cinematic Orchestra, Lady Rizo, and Ana Moura. The lyrics form a narrative of heartache at losing a lover and taking solace from wine made from a lilac tree. The song focuses on the blissful oblivion

neg: Women in music a few notable women jazz songwriters. In the 1930s, Ann Ronell (1905–1993) wrote several hit songs. She is known for her 1932 hit song "Willow Weep for Me" and the 1933 Disney song "Who's Afraid of the Big Bad Wolf?". Irene Higginbotham (1918–1988) wrote almost 50 songs, her best-known being "Good Morning Heartache". Dorothy Fields (1905–1974) wrote the lyrics for over 400 songs, some of which were played by Duke Ellington. She co-wrote "The Way You Look Tonight" with Jerome Kern, which won the 1936 Oscar for Best Song. She co-wrote several jazz standards with Jimmy McHugh, such as "Exactly

neg: Neon Nights its 1980s retro sound was too dated. It was Dannii's first studio album in six years since 1997's "Girl". In November 2001, Minogue released the single, "Who Do You Love Now?", a collaboration with Riva. Described by "Sound Generator" as a ""nice serene and dreamy vocal on the dance floor anthem"", the song peaked at number three on the UK singles chart, and reached number one on the dance charts. The song is widely regarded as Minogue's Comeback Song. In Australia, the song peaked at number fifteen, while in the United States the song was released to dance clubs, and

neg: Blood on the Dance Floor (song) 'Thriller' but Jackson's missteps are better than most pop music out there. This track showcases all the artist's trademarks: the ooohing, the grunts, and funky basslines. It is hard to hear 'Blood on the Dance Floor' and not want to moonwalk or dance like a ghoul". "Blood on the Dance Floor" was the only track from "Blood on the Dance Floor: History in the Mix" to appear on the set list of the HIStory World Tour. The music video for "Blood on the Dance Floor" was directed by Jackson and Vincent Paterson. It premiered on "Top of the Pops" in

neg: Get on the Dance Floor by Black Riot. Get on the Dance Floor "Get on the Dance Floor" is a 1988 hip-hop single by Rob Base and DJ E-Z Rock. The single was their follow up to their highly successful recording, "It Takes Two". On the dance chart, "Get on the Dance Floor" was more successful than its predecessor, hitting number one for two weeks in January 1989. It also peaked at number eleven on the R&B singles chart. "Get on the Dance Floor" samples The Jacksons 1978 song, "Shake Your Body (Down to the Ground)" as well as the 1988 track "A Day in

neg: Get on the Dance Floor Get on the Dance Floor "Get on the Dance Floor" is a 1988 hip-hop single by Rob Base and DJ E-Z Rock. The single was their follow up to their highly successful recording, "It Takes Two". On the dance chart, "Get on the Dance Floor" was more successful than its predecessor, hitting number one for two weeks in January 1989. It also peaked at number eleven on the R&B singles chart. "Get on the Dance Floor" samples The Jacksons 1978 song, "Shake Your Body (Down to the Ground)" as well as the 1988 track "A Day in Your Life" performed

neg: Geno (song) Walls of Heartache" to be released, feeling that "Geno" was only suitable as a B-side. The band refused, though the possibility of a double A-side was suggested. However, "Geno" was released (backed with "Breakin' Down the Walls of Heartache") on 15 March 1980. It slowly climbed the charts until it reached number 1 on 3 May. "Record Mirror" described "Geno" as "a turgid eulogy with few redeeming features", stating that they believed Dexys Midnight Runners had missed the opportunity to have the same success as Madness and The Specials. Similarly, Robbi Millar from "Sounds" wrote in March 1980 that "the

neg: Ghost on the Dance Floor as a highlight from "Neighborhoods". Slant Magazine's Jonathan Keefe was less impressed with the song: "The narrative is dictated more by its rhyme scheme than by a purposeful story." He also criticized its production, noting that "The layering of sounds in Barker's percussion on [the song] is impressive, but the fact that his drumming is actually foregrounded in the mix both obscures the song's melody and detracts from whatever effect the band was trying to achieve with the heavy reverb on DeLonge's vocal track." Ghost on the Dance Floor "Ghost on the Dance Floor" is a song by American rock

neg: He's a Heartache (Looking for a Place to Happen) to number 1, like the song "It Ain't Easy Bein' Easy". Soon after it was released, "He's a Heartache" went to the number 1 spot. The song was one of many Countrypolitan songs Fricke recorded and became successful with during her career. The book "Country Music: The Rough Guide" quoted Fricke singing "He's a Heartache" as sounding like "an annoyingly peppy arobics instructor." He's a Heartache (Looking for a Place to Happen) "He's a Heartache (Looking for a Place to Happen)" is a song written by Jeff Silbar and Larry Henley, and recorded by American country music artist Janie Fricke.

neg: 6th Avenue Heartache Counting Crows. Jakob Dylan, the band's lead singer, wrote the song when he was 18 years old and considers it the first real song he had written. It was meant to go on their self-titled first album, but the record company would not allow it. The lyrics are based on Dylan's own experiences while living in New York City, in particular the story of a homeless man who would sit outside Dylan's window and play the same songs every day. One day, the man was gone, but his things were still there, until gradually people started taking them. Mike Campbell

neg: Over in Hero-Land Over in Hero-Land "Over in Hero-Land" is a World War I era song released in 1918. Arthur Freed wrote the lyrics. Louis Silvers composed the music. Meyer Cohen Music of New York, New York published the song. It was written for voice and piano. The cover was designed by E. Pfeiffer. It features a drawing of a tank firing at soldiers. Below it is a picture of Lola Wentworth, who performed the song. The song chronicles the departure of a soldier from his significant other. The woman is full of heartache, but is also proud of "her soldier boy." In

neg: In Every Dream Home a Heartache EP with the song on side B for Record Store Day in 2015. In Every Dream Home a Heartache "In Every Dream Home a Heartache" is a song written by Bryan Ferry, originally appearing on his band Roxy Music's second album. Lyrically, the song is a sinister monologue, part critique of the emptiness of opulence, partly a love song to an inflatable doll. Musically this is complemented by a cycling four-bar chord progression,(D# F# F G#) led by a 'cinema organ' style Farfisa part. After the lyrical conclusion ""I blew up your body/but you blew my mind!"", the song climaxes

neg: Beautiful People (Chris Brown song) inherently 'Chris Brown' about this track — it really could have been recorded by anybody with similar results." Ed Easton Jr. from WNOW-FM wrote that the song "is a softer and sensitive side of Chris Brown as its lyrics are supposed to be meant to inspire others." Joanne Dorken from MTV UK wrote that "Brown's vocals are unrecognisable on this Ibiza-dance scene floor filler, which you can’t help but move to." James Montgomery from MTV News praised Benassi's production skills, and wrote "It's not a stretch to call 'Beautiful People' not only one of the year's most unexpected singles, but