query: who did the song will you still love me tomorrow

pos: Will You Love Me Tomorrow is featured as frequently in the musical. Will You Love Me Tomorrow "Will You Love Me Tomorrow", also known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the "Billboard" Hot 100 chart. The song is also notable for being the first song by a black all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King.

pos: Will You Love Me Tomorrow Will You Love Me Tomorrow "Will You Love Me Tomorrow", also known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the "Billboard" Hot 100 chart. The song is also notable for being the first song by a black all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King. In 1960, the American girl group the

pos: Will You Love Me Tomorrow is featured as frequently in the musical. Will You Love Me Tomorrow "Will You Love Me Tomorrow", also known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the "Billboard" Hot 100 chart. The song is also notable for being the first song by a black all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King.

pos: Love Me Tomorrow (film) The Shirelles in 1960. In 2016, Juris covered the said theme song of the movie title. An EDM remix was done covered by KZ Tandingan. Love Me Tomorrow (film) Love Me Tomorrow is a 2016 Filipino romantic drama film starring Piolo Pascual, Dawn Zulueta and Coleen Garcia. It is directed by Gino M. Santos. It was released on May 25, 2016 and produced by Star Cinema. A generational love story about a DJ, a conflicted millennial woman, and a woman who is described to be 'on the verge of renaissance.' They will be caught in a love triangle that will

pos: Title (Meghan Trainor album) sex and echoes the personal sentiment of the 1960 song "Will You Still Love Me Tomorrow" by The Shirelles. The track's string arrangement was compared to the works of Etta James and The Skyliners' song "Since I Don't Have You" (1958). The standard edition's closing track "Lips Are Movin" is a bubblegum pop, doo-wop song that contains influences of Motown bounce, music of 1945, and hip hop. It has a half-sung, half-rapped format, a retro-soul melody and beat, and a percussion-heavy arrangement. Lyrically, the song rebukes an unfaithful, dissembling lover while asserting Trainor's physical assets. It shares the relationship-misstep themes

pos: Luther Dixon Owens. The song reached #39 in 1960, and another recording of the song by the Chiffons reached #76. The Shirelles then reached #1 with "Will You Love Me Tomorrow" (written by Carole King and Gerry Goffin). Dixon wrote the B-side to that single, "Boys". The Shirelles' 1961 song "Baby It's You", co-written by Dixon under the pseudonym "Barney Williams", Burt Bacharach, and Mack David, reached #8. Both "Boys" and "Baby It's You" were later recorded by the Beatles on their debut LP, "Please Please Me". The Shirelles' 1962 song "Soldier Boy", written by Dixon and Florence Greenberg, was their final

pos: Carole King daytime jobs, Goffin working as an assistant chemist and King as a secretary. They wrote songs together in the evening. Neil Sedaka, who had dated King when he was still in high school, had a hit in 1959 with "Oh! Carol". Goffin took the tune and wrote the playful response, "Oh! Neil", which King recorded and released as a single the same year. The B-side contained the Goffin-King song "A Very Special Boy". The single was not a success. After writing The Shirelles' "Billboard" Hot 100 #1 hit "Will You Love Me Tomorrow", the first No.1 hit by a black

pos: Karise Eden on 3 April 2015, but failed to chart. On 2 June 2015, Eden released a cover version of The Shirelles song "Will You Still Love Me Tomorrow", which was used in a promotional sync campaign for the Nine Network's drama series "Love Child". In October 2018, Eden announced the release of her third studio album titled "Born to Fight". Eden realised she wanted to make music that showed her fiery side and her passion for blues, rock'n roll and even a great power ballad, saying "I've always been singing sad soul songs and I thought, just for once, there's another

pos: Tonight, I Celebrate My Love Flack had previously recorded two Masser co-writes with Gerry Goffin: "Independent Man" (album "Roberta Flack"/ 1978) and "Stay With Me" (album "Roberta Flack Featuring Donny Hathaway"/ 1980): also Masser's Ron Miller co-write "After You" was featured on Flack's 1977 album "Blue Lights in the Basement". Flack's first recording of a Gerry Goffin co-write had been a remake of his earliest evocation of nocturnal intimacy, Flack's version of the Shirelles' classic - co-written with Carole King - "Will You Still Love Me Tomorrow" - featured on the 1971 album "Quiet Fire" - in fact becoming Flack's first solo single to appear

pos: The Shirelles follow. Turner writes that the Shirelles "launched [the girl group] genre", noting that their early work already included "the essence" of the genre; Alwyn Zak expands on the statement, noting that the influx of female groups started after the success of "Will You Love Me Tomorrow". Michael Campbell notes that the Shirelles' success reflected the Civil Rights Movement. He indicates that works such as "Will You Love Me Tomorrow", written by a white couple, produced by an African-American man, with vocals by young African-American women and strings sounding like they were targeted at a white audience, conveyed a "color-blind" message

pos: Watch the Flowers Grow Watch the Flowers Grow "Watch the Flowers Grow" is a song composed by L. Russell Brown and Raymond Bloodworth and popularized by The Four Seasons in 1967. The single was released in the wake of The Beach Boys' "Pet Sounds" and The Beatles' "Sgt. Pepper's Lonely Hearts Club Band", "Watch the Flowers Grow" struggled up the "Billboard" Hot 100, peaking at #30, as The Four Seasons' music was rapidly falling out of favor with the American record-buying public (the Four Seasons' next single, a cover of The Shirelles' #1 hit "Will You Love Me Tomorrow" did slightly better, reaching #24

pos: Boys (The Shirelles song) Boys (The Shirelles song) "Boys" is a song by Luther Dixon and Wes Farrell, originally performed by the Shirelles and released as the B-side of their "Will You Love Me Tomorrow" single in November 1960. It was recorded more than two years later by the Beatles and included on their first album released in the United Kingdom, "Please Please Me" (1963). The Beatles' version was recorded at Abbey Road Studios on February 11, 1963, in a single take. It is Ringo Starr's first recorded lead vocal with the Beatles and, as the fifth track on the Beatles' first album, "Please

pos: The Shirelles surviving members sang a medley of songs after being presented the awards by Merry Clayton, Marianne Faithfull, and Darlene Love. In 2002, they were inducted into the Vocal Group Hall of Fame. Lee and Owens accepted the award. In 2004, "Rolling Stone" ranked them #76 on their list of the 100 Greatest Artists of All Time. Paul Shaffer, who did the write-up, wrote that the girl-group sound, originated by them, was "everything to [him]"; he also described their impromptu performance of "Soldier Boy" as inspiring. They also included two of the Shirelles' songs, "Will You Love Me Tomorrow" and "Tonight's

pos: Lawrence Welk not wish to record the song, he (Cates) would. Welk replied, "Well, if it's good enough for you, George, I guess it's good enough for me." Although the rock-and-roll explosion in the mid-1950s had driven most older artists off the charts, "Calcutta" reached number 1 on the U.S. pop charts between 13 and 26 February 1961; it was recorded in only one take. The tune knocked the Shirelles' "Will You Love Me Tomorrow" out of the number 1 position, and it kept the Miracles' "Shop Around" from becoming the group's first number-1 hit, holding their recording at number 2. It

pos: Girl group the Shirelles, who first reached the Top 40 with "Tonight's the Night", and in 1961 became the first girl group to reach number one on the Hot 100 with "Will You Love Me Tomorrow", written by songwriters Gerry Goffin and Carole King at 1650 Broadway. The Shirelles solidified their success with five more top 10 hits, most particularly 1962's number one hit "Soldier Boy", over the next two and a half years. "Please Mr. Postman" by the Marvelettes became a major indication of the racial integration of popular music, as it was the first number one song in the US

pos: Tonight's the Night (The Shirelles song) Chiffons, which used a similar arrangement and style. The Chiffons' cover eventually peaked at 76, becoming their first hit. "Rolling Stone" selected "Tonight's the Night" as the 409th best song of all time in their 2010 update to "The 500 Greatest Songs of All Time" list. It was the lower-ranked of two Shirelles songs; "Will You Love Me Tomorrow" was ranked 126th. Tonight's the Night (The Shirelles song) "Tonight's the Night" is the title and lead track from The Shirelles' 1961 album "Tonight's the Night". Written by Luther Dixon and Shirley Owens, the song dealt with a woman's feelings before

pos: Let's Dance (Chris Montez song) Let's Dance (Chris Montez song) "Let's Dance" is a 1962 hit-single by Chris Montez, written and produced by Jim Lee. The personnel on the original recording included Carol Kaye on guitar, Ray Johnson on Philicorda organ, Ray Pohlman on bass guitar and Jesse Sailes on drums. When initially released, the song shot to #4 on the "Billboard" Hot 100 chart in the U.S., and to No. 2 in the UK Singles Chart. In 1972 the song was coupled as an "oldie" with the Shirelles "Will You Love Me Tomorrow" and re-released in Europe. Based on radio play, the record company,

pos: Will You Love Me Tomorrow a more contemplative, melancholy feel than in the Shirelles original recording. It gained considerable album-oriented rock airplay due to the large-scale commercial success of the album. The song became a feature of King's live shows. Taylor recreated his part during their joint arena-based Troubadour Reunion Tour of 2010. In the 2013 Broadway "", the song is featured in part four times: once during its writing, once during King recording a demo of it, then with the Shirelles performing it, and then King singing and playing it later during an especially bad time in her marriage with Goffin. No other song

pos: Silk Purse (Linda Ronstadt album) traditional country music setting. Ronstadt later remarked that "Nashville Country is very different from California Country." This album, like its predecessor, was also different in style and sound from Ronstadt's previous Folk Rock work with the Stone Poneys. "Silk Purse" includes interpretations of the Hank Williams song "Lovesick Blues" and Mel Tillis's "Mental Revenge," and a version of the traditional song "Life Is Like A Mountain Railway." The album also features a remake of "Will You Love Me Tomorrow?" – the Gerry Goffin-Carole King song recorded by The Shirelles in 1961 – and a harmony duet with Texan Gary White

pos: Sandy Posey Do" hit #31 on the Hot 100, while in the UK Singles Chart it peaked at #48. Posey’s final pop top 20 hit was "I Take It Back", another US number 12 in July 1967, although she made other recordings for MGM Records until 1968, including "What A Woman In Love Won't Do" that peaked at number 31 in the US in late 1967. These were mostly produced by Moman, but a few, including a version of the Shirelles' hit "Will You Still Love Me Tomorrow" (1968), were produced by Joe South. Posey turned to the country music field in

pos: Tapestry (Carole King album) 100 and Easy Listening charts. In 2003, "Tapestry" was ranked number 36 on "Rolling Stone" list of the 500 greatest albums of all time. King wrote or co-wrote all of the songs on the album, several of which had already been hits for other artists such as Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and The Shirelles' "Will You Love Me Tomorrow" (in 1960). Three songs were co-written with King's ex-husband Gerry Goffin. James Taylor, who encouraged King to sing her own songs and who also played on "Tapestry", would later have a number one hit with

neg: Love Me Tomorrow (film) Love Me Tomorrow (film) Love Me Tomorrow is a 2016 Filipino romantic drama film starring Piolo Pascual, Dawn Zulueta and Coleen Garcia. It is directed by Gino M. Santos. It was released on May 25, 2016 and produced by Star Cinema. A generational love story about a DJ, a conflicted millennial woman, and a woman who is described to be 'on the verge of renaissance.' They will be caught in a love triangle that will spark thoughts on one-night stands, May-December affairs and other aspects of life. The theme song ""Will You Still Love Me Tomorrow"" was originally sung by

neg: Andy Gibb's Greatest Hits Andy Gibb's Greatest Hits Andy Gibb's Greatest Hits was the first compilation album by Andy Gibb. It was released in 1980. Aside from the previous singles it also contains three new songs being "Time Is Time", "Me (Without You)" and "Will You Love Me Tomorrow", the latter sung together with P. P. Arnold. The three new songs: "Time Is Time", "Me (Without You)" and "Will You Love Me Tomorrow" were recorded in the middle of 1980 at Criteria Studios. Another song, a cover of Bee Gees' "Morning of My Life" was recorded but was not included. On the album's side

neg: Devil in a New Dress by West, who wrote it alongside Bink!, Ross and Malik Jones. The song samples Smokey Robinson's slow jam recording "Will You Still Love Me Tomorrow", and is themed lyrically to lust and heartache. Both the topics of love and religion serve as the main inspiration to the song. The song received acclaim from music critics, who praised the delivery of West's verse, the lush production and the guest appearance by Ross. It has been remixed by several musicians, such as J. Cole, Jay Electronica and Young Chris. Ross promoted the song releasing a music video in which he showcased his

neg: Will You Love Me Tomorrow the same melody as the original but initially neglected to credit King and Goffin. Following a threat of litigation, later pressings of the record included proper credit. Eventually, it was withdrawn and replaced with a different song. The Satintones' versions are included in the box set "The Complete Motown Singles, Volume 1: 1959–1961". In 1971 Carole King, the co-writer of the song, recorded a version of "Will You Love Me Tomorrow" for her landmark studio album "Tapestry", with Joni Mitchell and James Taylor on background vocals. King's version of the song was taken at a considerably slower tempo and with

neg: The Myddle Class opened for the Blues Project. Goffin and King's distribution deal with Atco fell apart. They were able to sign a deal with Cameo-Parkway distribute the Tomorrow label. The first release on the reconfigured Tomorrow label was by the Bach's Lunch, a female singing group, whose ranks included singer Darlene McCrea of the Cookies and the Raelettes. The Myddle Class provided the instrumental backing on both sides. The A-side was a remake of Goffin and King's "Will You Still Love Me Tomorrow", backed with Rick Philp and Dave Palmer's song "You Go On" on the B-side. The band enjoyed regional successes,

neg: Will You Love Me Tomorrow Shirelles released the first version of the song as Scepter single 1211, with "Boys" on the B-side. The single's first pressing was labelled simply "Tomorrow", then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was "too country." She relented after a string arrangement was added. However, Owens recalled on Jim Parsons' syndicated oldies radio program, "Shake Rattle Showtime", that some radio stations had banned the record because they had felt the lyrics were too sexually charged. The song is in AABA

neg: Will You Still Love Me? (song) song was Chicago's first top ten hit following the departure of Peter Cetera, and it featured new singer and bassist Jason Scheff on lead vocals. One of the song's co-writers, Tom Keane had previously fronted the early 1980s band Keane, for which Jason Scheff played bass. In 2003, jazz group Urban Knights, led by pianist Ramsey Lewis, covered the song with vocals by Michelle Williams (Destiny's Child). Will You Still Love Me? (song) "Will You Still Love Me?" is a song written by David Foster, Tom Keane and Richard Baskin for the group Chicago and recorded for their album "Chicago

neg: Devil in a New Dress released version was less than 3 minutes. The song is built on a soulful sample of Smokey Robinson's recording "Will You Still Love Me Tomorrow", with an extended guitar solo. The song features a synth-heavy breakdown, complete with guitar riffs, before Ross arrives, spitting: "I never needed acceptance from all you outsiders/ Had cyphers with Yeezy before his mouth wired/ Before his jaw shattered, climbing up the lord's ladder/ We still speeding, running signs like they don't matter." It is the only album track without production by West, but features his characteristic style of manipulating the pitch and tempo of

neg: Will You Still Love Me? (song) Will You Still Love Me? (song) "Will You Still Love Me?" is a song written by David Foster, Tom Keane and Richard Baskin for the group Chicago and recorded for their album "Chicago 18" (1986). The second single released from that album, it reached number three on the U.S. "Billboard" Hot 100 chart in early 1987, prevented from further chart movement by "Keep Your Hands to Yourself" by The Georgia Satellites and "Livin' on a Prayer" by Bon Jovi, and also number two on the Adult Contemporary chart, kept from the top spot by "Ballerina Girl" by Lionel Richie. The

neg: The Relationship "Thought I Knew," "Happiness," "Amy Magazine," "3rd Gnossiennes," "In Love with Love," "Are You Gonna Be?," "Hand to Hold," "Will I Ever See Her Again?," "Mother Night," "Ugly Things," "Mow the Lawn," "Young Temptations," "Mistake Maker," "Sweet on You," "Oh Allen," and "Clown Song." Two versions of "Are You Gonna Be?, "Hand To Hold", "Mother Night, "Please Help Me, "Something More, "Thought I Knew", "Together Tomorrow," and "Will I Ever See Her Again?" were posted. "Hand to Hold" is a reworked version of the Weezer song "Private Message," co-written by Rivers Cuomo. Bell asked Cuomo if he could take a

neg: Brotherhood of Man due to fold at the end of the year, one more album was released in December to fulfill their contract. The album "Singing a Song" was made up of unreleased songs mixed with new material, but no singles were released from the collection. Manager Tony Hiller set up his own record company in 1980, Dazzle Records. Brotherhood of Man released the first single on the label, "Honey Don't Throw Our Love Away" which also did not chart, nor did the follow-up, a cover of the 1960s hit "Will You Love Me Tomorrow". An album was recorded but went unreleased, except

neg: Jamaica Say You Will (song) rolling seas" and to her sister ringing the "evening bell" - and, as Browne seems to confirm, as a memory of a lost young love from Browne's past near the California coast. The narrator wants her to stay to "help me find a way to fill these empty hours; say you will come again tomorrow," but "next thing I knew, we had brought her things down to the bay -- what could I do." Browne performed the song on "The Old Grey Whistle Test" in 1972. Calling it an "exquisite love song," in 1972, Bud Scoppa in "Rolling Stone" spent

neg: Andy Gibb Time" (number 15 in January 1981) and "Me (Without You)" (Gibb's last top 40 chart entry) shipped as singles, before RSO founder Robert Stigwood had to let him go due to his cocaine addiction and behavioural problems. "After Dark" and "Will You Still Love Me Tomorrow" were non-single songs added to the album, the latter of which was a duet with P. P. Arnold, who had previously worked with Barry Gibb, including singing uncredited backups on "Bury Me Down by the River" from "Cucumber Castle". During his relationship with actress Victoria Principal, Gibb worked on several projects outside the recording

neg: The Next: Fame Is at Your Doorstep Iliana, mentored by Gloria Estefan was voted as the second semifinalist for the final round. Performances for the third candidates were made, getting Jordan Baird mentored by Joe Jonas, the most public votes to make it to the finale. Michael, who had John Rich as his mentor, sang Barefoot Blue Jean Night by Jake Owen. He sounded just like he should have an album out already. Iliana decided to choose an older song. She came out to sing Will You Still Love Me Tomorrow. The mentors thought it was a gamble, but they loved it. Jordan impressed Joe with a

neg: Will You Love Me Tomorrow the Brill Building lyricists, recorded an answer song entitled "Not just Tomorrow, But Always". It has been claimed by some historians that Dache was a pseudonym for Epic recording artist Tony Orlando, whose recording of the original song had not been released as Don Kirshner thought the lyric was convincing only as sung by a woman. However, an ad for United Artists Records which appeared in "Billboard" during 1961 featured a photo of the singer which indicated that Dache was not Tony Orlando. The Satintones, an early Motown group, also recorded an answer song called "Tomorrow and Always," which used

neg: Roberta Flack and CD packet in 2004 but Roberta Flack declined permission for her image and recording to be included for unknown reasons. Her captivating a cappella performance of the traditional spiritual "Oh Freedom" retitled "Freedom Song" on the original Soul to Soul LP soundtrack is only available in the VHS version of the film. Flack's cover version of "Will You Love Me Tomorrow" hit number 76 on the Billboard Hot 100 in 1972. Her Atlantic recordings did not sell particularly well, until actor/director Clint Eastwood chose a song from "First Take", "The First Time Ever I Saw Your Face" written by

neg: Andy Gibb's Greatest Hits one, it features his five US Top 10 singles, while side two features three new songs and two songs from "After Dark". The CD versions of the songs later appeared on "Andy Gibb" (Hits Collection) except "Will You Love Me Tomorrow" which appeared on "The Millennium Collection". Andy Gibb's Greatest Hits Andy Gibb's Greatest Hits was the first compilation album by Andy Gibb. It was released in 1980. Aside from the previous singles it also contains three new songs being "Time Is Time", "Me (Without You)" and "Will You Love Me Tomorrow", the latter sung together with P. P. Arnold.

neg: 2010s in music and dance being widespread in the prominent markets of the world. Pitbull has been the principal representative of this subgenre. Bachata-which became mainstream in the past decade-has garnered more popularity thanks to remakes of classic songs, including "Stand by Me" by Prince Royce and "Will You Still Love Me Tomorrow" by Leslie Grace. In addition, acts, like Royce, as well as former Aventura lead singer Romeo Santos, have crossed over different markets with bachata, such as with Enrique Iglesias' song "Loco", which features Santos. Royce and Santos had the best selling Latin albums of 2011 and 2012, respectively, in the

neg: Still Waters (Bee Gees album) rendition of "Will You Love Me Tomorrow" for a Carole King tribute album "". In March 1996, they relocated to The Hit Factory in New York to record two songs. Around 1996, the Bee Gees used session musicians to complete the entire album, produced by Russ Titelman. Also in 1996, the Bee Gees recorded two songs with two members of P.M. Dawn, Attrel Cordes and Jarett Cordes. The producer on "With My Eyes Closed" was Raphael Saadiq. "Still Waters (Run Deep)" was produced by Hugh Padgham. The last song recorded for the album was "Closer than Close" which features Maurice

neg:
Convent Bukit Nanas me
And through me you will shine forth
A new light others will follow.
CBN
With us your memory will stay
You will always light the way
Show us our strengths and our hopes,
CBN, our star forever more.
So hear our song sung with spirits strong
We, the girls of CBN today
Will lift up our motto and strive to be
Simple in virtue, steadfast in duty
So hear our song sung with spirits strong
We the girls of CBN today
The youth of tomorrow, we promise to be true
For CBN, we love you."- English Lyrics by Eileen Lau"

"Malay Version"
CBN
Sinar bintang hidupku
Bercahaya di sanubari
Sering bergemerlapan
Pancar sinar untuk semua.

CBN
Ingatan'kan bersemi
Kerana kau penyuluh hidup
Tunjukkan harapan

neg: Love Me Like There's No Tomorrow Love Me Like There's No Tomorrow "Love Me Like There's No Tomorrow" is a song by Freddie Mercury, released in 1985 as the fourth and final single from his debut solo album "Mr. Bad Guy". It was written by Mercury, and produced by Reinhold Mack and Mercury. "Love Me Like There's No Tomorrow" reached No. 76 on the UK Singles Chart and remained in the Top 100 for two weeks. According to Peter Freestone, in his book "Freddie Mercury: An Intimate Memoir by the Man Who Knew Him Best", "Love Me Like There's No Tomorrow" was inspired by Mercury's relationship

neg: I Can't Stop Drinking About You track did not enter the US "Billboard" Hot 100 but peaked at number 15 on the Bubbling Under chart, which serves as a 25-song quasi-extension to the Hot 100. The song has sold over 110,000 copies in the US. The song was written by Bebe Rexha after a bad breakup. Rexha said during an interview with Nylon magazine, ""I fell deep for this guy who told me that he was in love with me, but that he couldn't be with me because he was still in love with his ex. I poured my heart out, and he still chose her.

neg: 68th Tony Awards Best Revival. Those performances include: James Monroe Iglehart, Adam Jacobs, and the cast of "Aladdin" performing "Friend Like Me"; Ramin Karimloo and the cast of "Les Misérables" performing "One Day More"; Jessie Mueller and the cast of "" performing a medley of "Will You Still Love Me Tomorrow" and "I Feel The Earth Move" (with Carole King herself); Bryce Pinkham, Lisa O'Hare, and Lauren Worsham from "A Gentleman's Guide to Love and Murder" performing "I've Decided to Marry You"; the cast of "Bullets Over Broadway" performing "T'Aint Nobody's Business"; and Andy Karl and the cast of "Rocky" performing "Eye of

neg: Sofia (Filipino singer) 1. Water of March (Aguas De Marco) 2. The Look Of Love 3. Breaking Up Is Hard To Do - Sofia duet with Roji Soriano 4. Just The Way You Are 5. At Seventeen [Instrumental] 6. Will You Still Love Me Tomorrow - Sofia featuring Roji Soriano 7. Just No Ordinary Day 8. Let's Wait Awhile 9. Constantly [Instrumental] 10. Blue Moon - Sofia duet with Roji Soriano 11. Desafinado (Off-Key) 12. Moonlight Over Paris [Instrumental] 13. It's Too Late 14. Englishman In New York - Sofia featuring Roji Soriano 15. Sorry Doesn't Make It Anymore 16. Dance With Me

neg: If You Leave Me Now (Charlie Puth song) to all of you, here's the good news. I'm putting out a song I did with Boyz II Men tomorrow. And it's probably one of my favorite songs I've ever written. Love you guys and thank you for understanding," Puth wrote on Twitter a day before the song's release. Boyz II Men celebrated the collaboration on social media by writing: "Had a great time working with [Puth] on this record. Pure talent." Taylor Weatherby of "Billboard" praised the song, calling it a showcase of "Puth's impressive falsetto and power-note abilities". She also like the song's feature of "another '90s classic

neg: Amir Benayoun gas containers" "Who like me enjoys two worlds?" "Today I am here and tomorrow they will not be here" "Many of them, very many of them will not" "It’s true that I am nothing but ungrateful scum" "That’s true, but I am not to blame, I grew up without love" "It’s true that the moment will come when you turn your back to me" "And then I shall stick into you the sharpened axe" "It’s true that I am nothing but ungrateful scum" "That’s true, but I am not to blame, I grew up without love" "It’s true that the

neg: Cornelia Mooswalder and Lukas Plöchl and used the written for her song "Should Have Let You Love Me" against the latter. The prize money will be invested in musical studies at Broadway. Albums Singles Cornelia Mooswalder Cornelia Mooswalder (born 2 August 1993 in Leoben, Austria) is a singer and winner of the ORF talent show "Heroes of Tomorrow". She lives with her parents and two siblings in St Lorenzen in Knittelfeld and is a student in a business academy. The singer impressed Heroes of Tomorrow with her interpretation of songs such as "Beautiful" by Christina Aguilera and When You Believe by Mariah

neg: Love Me Tomorrow Love Me Tomorrow "Love Me Tomorrow" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their album "Chicago 16" (1982), with Cetera singing lead vocals. The second single released from the album, it reached #22 on the U.S. "Billboard" Hot 100 chart and #8 on the adult contemporary chart. On the Canadian pop singles chart, "Love Me Tomorrow" reached only as high as #35. However, on the Adult Contemporary chart it peaked at number two. Chicago made a music video for the song. According to Cetera, the videos for "Love Me Tomorrow"

neg: Laura Branigan No. 2 hit in Australia for Branigan) and the dance hit "Satisfaction". The album also featured an understated version of Carole King's "Will You Still Love Me Tomorrow"; as a counterpoint to all the dance productions, it was a bare-bones piano version. (In concerts and television appearances throughout her career, Branigan accompanied herself on the piano for the song.) Branigan's vocal coach was Carlo Menotti, and she worked with Steve Lukather (Toto), Dann Huff (Giant) and Michael Landau; keyboardists Greg Mathieson, Harold Faltermeyer, Michael Boddicker and Robbie Buchanan; bassists Nathan East and Dennis Belfield (Rufus); drummers Carlos Vega and Doane

neg: Impatient (Anna Abreu song) Abreu sings 'you say you listen but you never do' and 'you make me sad when I'm happy'. However, rather than be deluded, she is fully aware of the negativity the relationship is causing, but is unable to break away due to her love for her partner: 'still I go weak when you just look at me'. The song ends with Abreu providing a clear ultimatum: 'let me love...or let me be free'. Released only to radio in order to promote the album from which it was lifted, "Impatient" did not chart on the Finnish Top 20 or the Download

neg: Jukebox (Human Nature album) Human Nature performed "Earth Angel" live on "Sunrise" on September 1. Human Nature performed "Will You Love Me Tomorrow" and "Runaound Sue" live on "Dancing with the Stars" on October 28. Human Nature released a music video for "Runaround Sue" on October 10 and "Will You Love Me Tomorrow" on October 17 via their VEVO account. A writer from smoothfm described "Jukebox" as a "brilliant collection" and that Human Nature "takes a trip back to the glory days of popular music". Kirsten Maree from Renowned For Sound gave the album four out of five stars. She also praised the group's

neg: Down to Earth (Rainbow album) remained uncredited. His vocals were not recorded with the other tracks in France, but later at Kingdom Sound Studios in Long Island, when all other recording sessions were completed. "Down to Earth" is the only Rainbow album to feature Bonnet, though he was still part of the band when writing for "Difficult to Cure" began. Also recorded for the proposed next single, but unreleased due to Bonnet's departure, was "Will You Love Me Tomorrow". Bonnet had previously recorded this song for his first, eponymously titled, solo album in 1977. Rainbow's version was recorded in the studio in May 1980, during

neg: The Shirelles peaked at #39. The success of "Tonight's the Night" led to the girls being booked to perform with several major artists, such as Etta James and Little Richard, and facilitated Scepter's move to a larger office. It was followed by "Will You Love Me Tomorrow", written by husband-wife songwriting team Gerry Goffin and Carole King; the song went on to become the first Billboard number-one hit by an African-American girl group, possibly the first by any girl group. "Tonight's the Night" was later used as the title song for the 1961 album "Tonight's the Night", which also included "Will You

neg: I Can't Stay Mad at You had previously enjoyed pop successes as songwriters, including "Will You Love Me Tomorrow" and "Take Good Care of My Baby". King would eventually embark on a successful recording career in the early 1970s. The song was recorded in April 1963 in Nashville, Tennessee at the RCA Victor Studio, alongside producer Chet Atkins. Six other songs were recorded during the session, including a cover of "I Will Follow Him". This was the first song Davis had recorded by the Goffin-King pair and was one of the first of their songs to be recorded by a country artist. According to Allmusic critic

neg: Carole King "So Far Away" and Celine Dion's recording of "A Natural Woman" were both Adult Contemporary chart hits. Other artists who appeared on the album included Amy Grant ("It's Too Late"), Richard Marx ("Beautiful"), Aretha Franklin ("You've Got a Friend"), Faith Hill ("Where You Lead"), and the Bee Gees ("Will You Love Me Tomorrow?"). Former Monkee Micky Dolenz released "King for a Day", a tribute album consisting of songs written or co-written by King, in 2010. The album includes "Sometime in the Morning", a King-penned song originally recorded by the Monkees in 1967. Dolenz had previously recorded another of King's Monkees

neg: I'm Gonna Make You Love Me by Jimmy Wisner while Nickolas Ashford and Valerie Simpson provided background vocals. This single - whose B-side is the earliest known recorded version of "Yours Until Tomorrow" by Gerry Goffin and Carole King - reached #13 R&B crossing over to #88 Pop in December 1966. Scoring two consecutive Top 20 R&B hits gave Warwick sufficient cachet for her first album release entitled "I Want to Be With You/I'm Gonna Make You Love Me". Although Warwick had stronger chart showings than "I'm Gonna Make You Love Me", the song became her best-known hit by virtue of the Supremes/Temptations remake. "I'm Gonna

neg: Melanie (singer) sentiments of earlier hits (with lyrics such as "If you do me wrong I'll put your first and last name in my rock n' roll song"). Other chart hits during this period were the self-penned "Together Alone" and a cover of "Will You Love Me Tomorrow". In 1973, Melanie started to retreat from the spotlight to begin a family. In 1976, Melanie released one album on Atlantic Records, "Photograph", which was overseen by Ahmet Ertegün. The album was praised by "The New York Times" as one of the year's best, although it was largely ignored by the public. It was

neg: Make Me Smile (Come Up and See Me) let's be honest, one hit single. Everybody loves that song - you can't trust someone who doesn't like that song." Hammond added, "Imagine if everybody did it - he would wake up tomorrow and think 'I'm number one, where did that come from?' It would cheer him up." The campaign, dubbed the "Make Me Smile Foundation" by Clarkson, saw Harley respond with a message via Twitter: "Thanks Jeremy Clarkson for kicking off the Make Me Smile Foundation, more than happy to subsidise the poor sods who drive down Swanley Way!" Additionally, Harley posted a YouTube video where he performed a

neg: F-ve Dolls the song "Can You Love Me?", which features new T-ara N4 member Kim Dani, making it her debut. On 17 September 2013, a second version of "Can You Love Me?" music video and a music video for the song "Deceive" were released. On November 2014, it was reported that F-ve Dolls was disbanded after their labels were renamed, and subsequently F-ve dolls was deleted from the official label's website. On March 10, 2015, the label confirmed the official disbandment of the group. It was stated that those members who still had a contract with the agency will be part of

neg: Margaret Berger BMG issued the 4-track EP compilation "Four Hits: Margaret Berger", which included the singles "Lifetime Guarantee", "Samantha", "Will You Remember Me Tomorrow?" and "Chameleon". Berger represented Norway at the Eurovision Song Contest 2013 with the song "I Feed You My Love" after winning the Norwegian national final on 9 February 2013. The song, written by Karin Park and MachoPsycho, reached number four on the Norwegian singles chart. On 18 May, Margaret Berger finished in 4th place with 191 points—Norway's best result at the contest since their victory in 2009, and their sixth best result ever. Berger is currently recording her

neg: Margaret Berger discography the album was a departure from her previous effort, and featured a mixture of electronic and dance-pop music. The lead single, "Samantha", reached number six on Norwegian singles chart. Two more singles followed, "Will You Remember Me Tomorrow?" which has peaked to number 13 on Norwegian singles chart and "Robot Song". On 21 February 2011 Berger released the single "In a Box". In June 2011, her label Sony BMG issued the 4-track EP compilation "Four Hits: Margaret Berger", which included the singles "Lifetime Guarantee", "Samantha", "Will You Remember Me Tomorrow?" and "Chameleon". Berger has represented Norway in the Eurovision Song

neg: Rachel Berry the "Gossip Girl" character Blair Waldorf (Leighton Meester). She has explained, "[Blair] is shady, but you still love her. She's still vulnerable. That's what I try to do with Rachel. Rachel will never be popular because her looks aren't considered beautiful, and when I was in high school it was the same for me. I didn't get a nose job, and every single girl around me did. Therefore, I was out. I was not cool. What's so great about "Glee" is that it shows you how that kind of stuff hurts, but it doesn't matter: You can still be who

neg: The Carnegie Hall Concert: June 18, 1971 The Carnegie Hall Concert: June 18, 1971 The Carnegie Hall Concert: June 18, 1971 was Carole King's first concert performance in front of an audience. Performed on June 18, 1971, it was released years later, in 1996, as an album. This album has seventeen live songs. Some songs included: "Will You Love Me Tomorrow?", "You've Got a Friend", "Child of Mine", "I Feel the Earth Move", "It's Too Late", "Beautiful", "(You Make Me Feel Like) A Natural Woman", "After All This Time", "Carry Your Load", "Song of Long Ago" and "Home Again". James Taylor, a friend of King, accompanied her

neg: I Bet (Ciara song) and the Brazilian hair". Despite her ex-lover's wrongdoings, Ciara admits she still loves him, namely in the lyric, "I'm singing this song 'cause I love you… Right now it's killing me 'cause now I have to find someone else when all I wanted was you". The track's hook serves as a revelation that the singer's former lover will want her back, manifested in the lines, "I bet you start loving me / As soon as I start loving someone else / Somebody better than you / I bet you start needing me / As soon as you see me with

neg: The Wonder Who? reached #89 in its brief appearance on the Hot 100. "Around and Around" was a Four Seasons original composed by Gaudio and Crewe. While it appeared on this single as a song by "The Wonder Who?", the same take later appeared on the B-side of the 1968 Four Seasons single "Will You Love Me Tomorrow" and credited to the group. Vee-Jay 717, released March 1966. Composed by "Little Joe" Cook, "Peanuts" was originally a #22 hit for Little Joe and the Thrillers in 1957 (their only chart recording). In January 1963, Vee-Jay Records released a Four Seasons single with "Peanuts"

neg: Shame on You (to Keep My Love from Me) on You (to Keep My Love from Me)" is an up-tempo pop song about how men and women go off to war leaving behind partners that they will never see again. The song was composed by Corr and produced by Nellee Hooper, who had produced hits for artists such as Gwen Stefani and Madonna. The song is written in the common verse-chorus form and features instrumentation from keyboards and guitars. "Shame on You (to Keep My Love from Me)" received positive reviews from music critics. IndieLondon described the song as a "slick package" that was "polished, well produced and with

neg: My Kinda Love the song a few weeks later on March 14, 1929 with a trio for Columbia Records and this was the first occasion that he would be top-billed on a record. In 1954, Crosby recorded the song again for his album "". My kinda love, your kinda love Keeps me believing, although you're deceiving My kinda love, one way to paradise My kinda lips, your kinda lips When love comes stealing, encourage that feeling My kinda love, one way to paradise Although you're happy today You may be gone tomorrow Love comes but once, don't be a dunce When you need

neg: Will You Love Me Tomorrow form. This version of the song, with session musicians Paul Griffin on piano and Gary Chester on drums, as of 2009 was ranked as the 162nd greatest song of all time, as well as the best song of 1960, by Acclaimed Music. It was ranked at #126 among "Rolling Stone" 's list of The 500 Greatest Songs of All Time. "Billboard" named the song #3 on their list of 100 Greatest Girl Group Songs of All Time. The song later appeared on the soundtracks of Michael Apted's "Stardust" and Emile Ardolino's "Dirty Dancing." Bertell Dache, a black demo singer for

neg: Countdown (Beyoncé song) love". Kicking off with a reggae-ish beat, horns and drums, Knowles starts to chant the introductory lines, which also serves as the pre-chorus lines, "Oh, killing me softly and I'm still falling / Still the one I need, I will always be with you / Oh, you got me all gone, don't ever let me go / Say it real loud if you fly / If you leave me you're out of your mind", followed by the chorus lines, which is a literal count backwards where Knowles counts down the ways in which she loves her man, "My baby is

neg: Can't Remember to Forget You guitars and horns" and a "chunky rock arrangement". Complex described the song as a pop rock track. Lyrically, the song concerns a man that Shakira cannot get off her mind, discussing how easy it is to forget how bad someone is for you when you still love them. The lyrics were noted by E! Online as describing a woman who will follow her man, the concept of the song is introduced in lyrics such as "keep(s) forgetting I should let you go/ But when you look at me/ The only memory is us kissing in the moonlight." Lewis Corner of

neg: You Love Me? Michielvmusic of A Bit of Pop Music described the song as, "an insanely catchy and infectious pop track with some hints of R&B and hiphop" and noted that "the sample with the cute vocals that say ‘You love, you love me, you know that you love me’ will stay in your head forever", further commending her "sweet and soaring vocals that reach high heights". Stagedoor FM called the song "a strong anthem for hazy summer days", while InspireLS described the production of the record as "slick" and Steel's vocals as "alluringly sweet". You Love Me? "You Love Me?" is a

neg: Around and Around and the "Fashion Picture Disc Set". Meat Loaf placed the song in his "Rock 'n Roll Medley" during his 1989 tour for a short time. 38 Special covered the song on their 1977 self titled debut album. Maureen Tucker of The Velvet Underground also recorded the song for her 1981 debut solo album "Playin' Possum". It was released as a single as a double a-side with "Will You Love Me Tomorrow?". American punk rock band, Germs released their version of the song which is included on the posthumous What We Do Is Secret EP released in 1981, as well as

neg: The Best of Bobby Vinton (1985 album) The Best of Bobby Vinton (1985 album) The Best of Bobby Vinton is a 12-track collection of previously recorded songs by Bobby Vinton; it was released in 1985. This collection contains three songs that Vinton recorded for ABC Records ("Killing Me Softly With Her Song", "My Melody of Love", and "My Special Angel"), six for Epic Records ("Roses Are Red (My Love)", "Mr. Lonely", "Blue Velvet", "There! I've Said It Again", "Blue on Blue", and "I Love How You Love Me"), and one for the Canadian label of Ahed Records ("Medley"). The last two songs, "Will You Still Love Me

neg: Derek Shepherd you're the one who knew that she found the panties, and still you act like her getting back together with Mark justifies what you did? Wow. I didn't think it was possible for me to dislike anyone on this show more than Meredith, but congratulations, big guy." Debbie Chang of BuddyTV noted the character's immaturity in the fourth season, saying: "The only character who did not make me love him was Derek Shepherd (Patrick Dempsey). How this character is still Shonda's golden child is beyond me. Yes, we get it. He's tormented by his love for Meredith, but that does

neg: Beautiful 'Cause You Love Me Mail", called the song "a superior ballad". Lee Williscroft-Ferris of "So So Gay" stated that the song "is as schmaltzy as the title suggests, the lyric ‘You don’t love me ’cause I’m beautiful / I’m beautiful ’cause you love me’ dripping in the kind of self-indulgent emotion one might not expect from the band. Still, it’s a classy number." Rebecca Twomey of "Marie Claire" deemed it a "silky smooth love song," while Chris Younie of 4Music said that the "emotionally-charged, touching ballad ... may not be a typical Girls Aloud pop-dance banger, but trust us when we say it's still

neg: Rachel Scott better one, where there is no sorrow, violence or death." Her friends from the Orchard Road Christian Church Youth Group also sang a song at the service, composed in her honor, entitled "Why Did You Have to Leave?" Many of Scott's friends spoke at this service as the theme song "My Heart Will Go On" was broadcast. Those conveying their eulogies included one youth who had been considered an outcast at Columbine High School, who stated: "All my life I prayed that someone would love me and make me feel wanted. God sent me an angel," before staring at Scott's

neg: Here Today Gone Tomorrow You Again". Here Today Gone Tomorrow "Here Today Gone Tomorrow" was the Irish entry in the Eurovision Song Contest 1982, performed in English by the Welsh family quartet The Duskeys. Performing the song were sisters Sandy Kelly and Barbara Ellis, and their cousins Nina Duskey and Dan Duskey. The song is an up-tempo number in which both male and female singers castigate their lovers for being unfaithful (in the case of the first verse, the gender is unclear, however it is implied to be female). The lover is told "Baby, love me all of the time/Or I don't really wanna

neg: Love Me Tomorrow and "Hard to Say I'm Sorry" were shot on the same day. It was sounded in the commercial on the Jetix channel. It was sounded in Yin Yang Yo in a video "Love Me Tomorrow", its name seen. Love Me Tomorrow "Love Me Tomorrow" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their album "Chicago 16" (1982), with Cetera singing lead vocals. The second single released from the album, it reached #22 on the U.S. "Billboard" Hot 100 chart and #8 on the adult contemporary chart. On the Canadian pop singles

neg: Let Me Love You (Until You Learn to Love Yourself) wrote and recorded the "top line vocals". Sia built the song's chorus around the line "Let me love you, and I will love you/ Until you learn to love yourself", which would also become the song's title. The record was then heard by Ne-Yo who decided to record the song, and proceeded to re-write some of the lyrics in the verses. Speaking about the song Ne-Yo said he was inspired by the powerful chorus, and in a press release he elaborated on the song's lyrical content: "It goes beyond the realm of just a relationship between man and woman, "this

neg: The Best of Bobby Vinton (1985 album) Tomorrow" and "Don't You Know", make their first album appearances on this collection. The Best of Bobby Vinton (1985 album) The Best of Bobby Vinton is a 12-track collection of previously recorded songs by Bobby Vinton; it was released in 1985. This collection contains three songs that Vinton recorded for ABC Records ("Killing Me Softly With Her Song", "My Melody of Love", and "My Special Angel"), six for Epic Records ("Roses Are Red (My Love)", "Mr. Lonely", "Blue Velvet", "There! I've Said It Again", "Blue on Blue", and "I Love How You Love Me"), and one for the Canadian label

neg: Kitty Melrose and have done with me. I am heartbroken, and cannot bear any more. Please forgive me, but I know as you do not love in' you will soon forget me. All my love, and good luck to you. Your Kit. P.S. It was wrong for every one to keep you from me. It has made it too impossible. I cannot fight alone, but I did believe in you, and did not think you would fail me. But God's will. I know you thought you were doing right. Eddie, By leaving me alone you thought you were doing right, but it

neg: Tomorrow (A Better You, Better Me) Tomorrow (A Better You, Better Me) "Tomorrow (A Better You, a Better Me)" is a song originally recorded by the Brothers Johnson as an instrumental in 1976 on the album "Look Out for #1". In 1989, Siedah Garrett wrote lyrics to the song, and it was recorded by Quincy Jones featuring Tevin Campbell on vocals for the album "Back on the Block". The new version of the song spent one week at number one on the US R&B chart and peaked at number seventy-five on the US pop chart in June 1990. It was Campbell's first number-one R&B single and

neg: Love and Happiness of the song: On April 27, 1973, London Records released "Love and Happiness" as a U.K. single, backed with "So You're Leaving" (catalog number 10419). Hi Records, however, did not release the song as a single at the time that the album "I'm Still in Love with You" was on the charts, instead releasing the title track, "Look What You Done for Me," and "For the Good Times." The song nonetheless gained popularity in the U.S. from radio airplay, and his performance of the song on "Soul Train" on March 3, 1973. In an attempt to boost Green's flagging record

neg: Love Me Like There's No Tomorrow with the Austrian actress Barbara Valentin. Upon release, Peter Martin of "Smash Hits" described the song as "one of [Mercury's] propping-up-the-piano-in-the-smoky-bar routines". Tim Parker of "Number One" commented: "Freddie Mercury tries his hand at a romantic George Michael ballad but ends up doing a Liberace. The king of camp should stick to high energy." In a retrospective review of "Mr. Bad Guy", Eduardo Rivadavia of AllMusic considered the song one of the album's "winners", "help[ing] make this an outstanding record from start to finish". Love Me Like There's No Tomorrow "Love Me Like There's No Tomorrow" is a song by

neg: Dionne Warwick Times Can We Say Goodbye", a Warwick/Vandross duet, which peaked at #27 on the "Billboard" Hot 100. It also became a Top 10 hit on the Adult Contemporary and R&B charts. The album peaked at #57 on the "Billboard" album chart. Of note was a reunion with the original Shirelles on Warwick's cover of "Will You (Still) Love Me Tomorrow?" The album "Finder Of Lost Loves" followed in 1984 and reunited her with both Barry Manilow and Burt Bacharach, who was writing with his then current lyricist partner and wife, Carole Bayer Sager. In 1985, Warwick contributed her voice to

neg: Falling in Love Again (Marvin Gaye song) time his love for Janis will be what he had always wanted. But as irony would have it, by the time of the album's release, Marvin and Janis' relationship was failing. By the end of the album's promotion, Janis had split from the singer after nearly two years as a married couple. They eventually divorced in February 1981. This song was the last song on "Here, My Dear" with a reprise from the album's "theme song", "When Did You Stop Loving Me, When Did I Stop Loving You", playing soon afterwards putting the album to a close for good. Falling

neg: Mike Clifford (iTunes, CD Baby, and Spotify). In 2018, Mike recorded a new version of the classic Carole King song "Will You Love Me Tomorrow," featuring Ben DiTosti on piano with full orchestra arranged and produced by Maurice Gainen and Mike Clifford. He then proceeded to create a new video for this song, co-produced by Maurice Gainen. The audio version achieved Top Ten status on The Reverb Nation Jazz Chart. Mike Clifford Mike Clifford, (born November 5, 1943), is an American singer, songwriter and actor. He is best known for his 1962 pop hit, "Close To Cathy", which reached number 12 on

neg: You Know How to Love Me (song) You Know How to Love Me (song) "You Know How to Love Me" is a song by Reggie Lucas and James Mtume, most notably recorded by Phyllis Hyman and released on Hyman's fourth studio album of the same name, released in 1979. The single, released in the disco era, was one of Phyllis Hyman's most successful releases. "You Know How to Love Me" peaked at number six on the disco chart, becoming her biggest hit on that chart. While the single did not place on the Hot 100, it peaked at number twelve on the Hot Soul Singles chart. Lisa

neg: Songs from the Stage "Sunday Brunch" and the first single "One Night Only" on the special New Year's Eve edition of "The Graham Norton Show". "One Night Only" (originally from the musical "Dreamgirls") was released as the group's debut single on 6 October 2017. The song peaked on the A-list at BBC Radio 2. The second single from the album was revealed on 27 November 2017 to be a double A-side single of "I'm Every Woman" from "The Bodyguard" and "Have Yourself a Merry Little Christmas" from "Meet Me in St. Louis". "Will You Love Me Tomorrow" was released as the first promotional single

neg: Young and Beautiful (Lana Del Rey song) with Del Rey, where Luhrmann said "we are very lucky that the song found a film", implying the song had already been penned prior to the film. Luhrmann changed some of the lyrics in the beginning of the second verse from the demo version of "Will You Still Love Me" to fit with the film. It clearly was always intended for "Paradise", which did get picked up by various media. The song was released to contemporary hit radio as a single and was used as the film's kickoff single. A snippet of the track appeared in the official trailer for

neg: Inger Marie Gundersen 2012. The tune «Will you still love me tomorrow» from the debut album was recorded at the NRK studio in Kristiansand June 5, 2004, and was listed at NRK P1. It has been released on four compilation albums, last on "Close to you", released March 22, 2008 in Hongkong, on the label Universal Music Group. Inger Marie Gundersen Inger Marie Gundersen (born 13 February 1957) is a jazz vocalist from Arendal. When Gundersen had been a jazz singer for 25 years, her debut albumet "Make This Moment" was released in 2004, with her own jazz quintet «My Favorite Strings». The

neg: Dusty Springfield version can be heard in the fifth episode of the show. Springfield was popular in Europe and performed at the Sanremo Music Festival. Recordings were released in French, German, and Italian: her French works include a 1964 four-track extended play with "Demain tu peux changer" (aka "Will You Still Love Me Tomorrow"), "Je ne peux pas t'en vouloir" ("Losing You"), "L'été est fini" ("Summer is Over") and "Reste encore un instant" ("Stay Awhile"); German recordings include the July 1964 single, "Warten und hoffen" ("Wishin' and Hopin' ") backed with "Auf dich nur wart' ich immerzu" ("I Only Want to Be

neg: Twenty Ten (album) song in Australia in 2003, and in 2010 ARIA announced it was the highest selling song of the previous decade. Sebastian said, "The success of the song still hasn't sunk in after 7 years. [...] I love the song, will never tire of it, and I love that my country has enabled me to keep doing what I do." Up until 2011 "Angels Brought Me Here" had the highest recorded sales for an Australian artist single in chart history. "All I Need Is You" is a pop song written by Sebastian before he entered "Australian Idol", which also reached number

neg: I Love You (2NE1 song) guessing~ The correct answer will be revealed tomorrow night!!! ^^ Fighting! This song… is one that all ages will like! Hm… it doesn’t seem like a song 2NE1 would sing…!" The song combined electronic and trot music to create an entirely different sound and a new genre of music. "I Love You" received its first promotional performance on SBS' "The Music Trend" on July 8, 2012 and again on July 15. The group was supposed to perform the song on M-Countdown but it was later cancelled after the death of member Minzy's grandmother. They made their appearance on the show

neg: Amir Benayoun I live in Jerusalem" "I study at the university a thing or two" "Who enjoys all the worlds like me?" "Today I am moderate and smiling" "Tomorrow I shall ascend to heaven" "I shall send to hell a Jew or two" "It’s true that I am just ungrateful scum" "That’s true, but I am not to blame, I grew up without love" "The moment will come when you turn your back to me" "And then I shall stick into you the sharpened axe." "I am Ahmed living in the central region" "I work near a kindergarten and am responsible for

neg: Carol Connors (singer) Condi, Chill" - for Courting Condi (2008). Connors also wrote and performed songs for several films. The 1967 beach-party film "Catalina Caper" features her song "Book of Love" (not to be confused with the Monotones' song), co-written with Roger Christian, which she performed backed by the Cascades. She co-composed three songs for the soundtrack of the 1977 Disney film, "The Rescuers": "Tomorrow Is Another Day", "The Journey" and "Someone's Waiting for You". In 1983 Connors was nominated for a Golden Raspberry Award, for the 'Worst Original Song' for "It's Wrong for Me to Love You", from "Butterfly", which she co-composed

neg: Jody Watley arranged version of Carole King's 1960s ballad "Will You Still Love Me Tomorrow", Erasure's anthem "A Little Respect", and a reworking of the Diana Ross dance classic "Love Hangover". Replacing the downtempo ambient version found on the 2006 "The Makeover", Watley recorded the new arrangement originally suggested by songwriter Pam Sawyer, for Ross. Reg Dancy from Basic Soul would write that Watley was able to handpick songs and make them seem as if they had been written for her. Added to the line-up of producers which included King Britt, Mark de-Clive Lowe, 4Hero, DJ Spinna, and longtime co-collaborator Rodney Lee,

neg: James Zwerg up to me and talk to me and say, `May I please have your autograph? Thank you for what you did.' That was pretty special. I appreciated that." Zwerg remains a devoted loving Christian to this day and what is most important to him is love. "I think the thing I would add is love is still the most powerful force in the universe. Hatred will never beat it. Violence will never beat it." There is a reference of Zwerg in a scene of the 1961 Soviet drama film: Kogda derevya byli bolshimi (translated) When the Trees Were Tall where

neg: I'm Gonna Make You Love Me of "Diana Ross & the Supremes Join The Temptations" compelling Motown to make "I'm Gonna Make You Love Me" the single release even though it was not performed on "TCB". Indeed, the Ross/Supremes & Temptations version was never to be performed live (the Temptations did perform "I'm Gonna Make You Love Me" on "The Ed Sullivan Show", Diana Ross and The Supremes performed the song which was recorded during their farewell performance in Las Vegas in 1970 and Diana Ross performed the song on "The Hollywood Palace" as a duet with Stevie Wonder). "I'm Gonna Make You Love Me" reached

neg: Good Fortune (Brotherhood of Man album) Good Fortune (Brotherhood of Man album) Good Fortune is the ninth album by British pop group Brotherhood of Man. The album was recorded on manager Tony Hiller's label, Dazzle Records in 1980, but went unreleased in the UK. The album did get a release however in Australia on RCA Records. Today the album is virtually impossible to get hold of and is considered to be the 'holy grail' among fans. The album featured the singles "Honey Don't Throw Our Love Away" and "Will You Love Me Tomorrow", which were the first two singles released on Hiller's Dazzle label following their