query: who wrote the lyrics for mary did you know

pos: Mary, Did You Know? Mary, Did You Know? "Mary, Did You Know?" is a Christmas song with lyrics written by Mark Lowry and music written by Buddy Greene. It was originally recorded by Christian recording artist Michael English on his self-titled debut solo album in 1991 (English and Lowry were both members of the Gaither Vocal Band at the time). It reached No. 6 on CCM Magazine's AC Chart. Lowry would record the song several times himself, most notably with the Gaither Vocal Band on their 1998 Christmas album "Still the Greatest Story Ever Told". The song has since gone on to become a

pos: Mary, Did You Know? criticize it for what they perceive as a lack of scriptural or theological depth. For example, Lutheran writer Holly Scheer, in addressing the rhetorical-question title of the song writes that those familiar with "the biblical account of Christ’s conception and birth shouldn’t need to ask if Mary knew, because the Bible plainly tells us she did." Mary, Did You Know? "Mary, Did You Know?" is a Christmas song with lyrics written by Mark Lowry and music written by Buddy Greene. It was originally recorded by Christian recording artist Michael English on his self-titled debut solo album in 1991 (English and

pos: Buddy Greene harmonica medley at Carnegie Hall. Buddy Greene Buddy Greene (born October 30, 1953) is an American singer, songwriter, guitar player and harmonica player. Most of his recordings consist of gospel music with a distinctly Southern gospel flavor. Much of his music is influenced by country music and bluegrass music. Greene grew up in Macon, Georgia. He has written the music for many songs and also co-wrote the Christmas song "Mary, Did You Know?" with Mark Lowry; Greene also wrote "Recovering Pharisee" recorded by Del McCoury, and "He Is" recorded by Ashley Cleveland. He is considered a harmonica legend by many,

pos: Buddy Greene Buddy Greene Buddy Greene (born October 30, 1953) is an American singer, songwriter, guitar player and harmonica player. Most of his recordings consist of gospel music with a distinctly Southern gospel flavor. Much of his music is influenced by country music and bluegrass music. Greene grew up in Macon, Georgia. He has written the music for many songs and also co-wrote the Christmas song "Mary, Did You Know?" with Mark Lowry; Greene also wrote "Recovering Pharisee" recorded by Del McCoury, and "He Is" recorded by Ashley Cleveland. He is considered a harmonica legend by many, and once played a classical

pos: Bruce Greer pursue a full-time writing and concert career. Bruce and longtime friend Keith Ferguson wrote a musical stage adaptation of the classic 1946 film It's A Wonderful Life which premiered at the Majestic Theatre (Dallas, Texas) on December 18, 1998 and was an annual Christmas show at the theatre for five years. It has since been performed at various regional and community theatres all across the United States. In 1999, Bruce was awarded a Dove Award for Musical of the Year for his musical, titled "Mary, Did You Know" based on the song of the same name by Mark Lowry and

neg: Getting to Know You (song) partnership when Rodgers re-used a melody he had written for an earlier show and then discarded. In this case the melody was a tune he wrote for "South Pacific", called "Suddenly Hungry and Sad", which he originally intended for the character of Nellie to sing but replaced it with the song "(I'm in Love with) a Wonderful Guy". Mary Martin, the star of South Pacific, who had proposed that Rodgers should cast Yul Brynner as the King, reminded Rodgers of this tune, and so Hammerstein wrote new lyrics to it. Getting to Know You (song) "Getting to Know You" is

neg: Mark Lowry near Carlisle, Pennsylvania, while touring with his college evangelistic team. He sustained eleven broken bones, and spent a good deal of time in physical therapy recovering from the accident. In 1984, Lowry wrote the lyrics to the song "Mary, Did You Know?", when asked to write a script for a church Christmas play. He wrote a series of questions that he would like to ask Mary, the mother of Jesus. These questions were used in between the scenes of the play. Over the next decade, Lowry tried to find music that would complete the song. Eventually, musician and songwriter Buddy

neg: I Didn't Know About You I Didn't Know About You "I Didn't Know About You" is a 1944 song composed by Duke Ellington, with lyrics written by Bob Russell. Alec Wilder wrote that it "works well as a song in [the] series of Ellington instrumentals with Russell lyrics. The main strain is the most melodic, vocally, of the three Russell wrote lyrics for." First recorded for radio broadcast by World Transcriptions in late 1943 under the title of Sentimental Lady, the song was not released until Joya Sherrill sang it as I Didn't Know About You on Duke's Victor recording of Dec 1, 1944. It

neg: I Didn't Know About You was also recorded by Ellington for Columbia records as a feature for alto saxophonist Johnny Hodges under the title of Sentimental Lady in December of 1959 but did not appear on the Blues In Orbit album until the CD era as a bonus track. Charlie Rouse and Thelonious Monk recorded it in 1966, also for Columbia, as I Didn't Know About You on Monk's Straight No Chaser album " I Didn't Know About You "I Didn't Know About You" is a 1944 song composed by Duke Ellington, with lyrics written by Bob Russell. Alec Wilder wrote that it "works well

neg: Fifteen (song) she and Anderson experienced, Swift wrote cautionary lyrics, intended to target teenage girls entering or already in their freshman year of high school. She described it as incorporating things she wished someone would have told her in a song when she was younger. "The thing about high school, you don't know anything. You don't know anything, but you think you know everything", Swift said. After the completion of composing "Fifteen", Swift became very nervous to show Anderson the song, for she did not know how her friend would respond. "It was a really personal song, especially from her angle of

neg: Know Who You Are Jim and myself. I wrote the lyrics for it and some of them are about Dave. I don't know how it came about, but the first line that I came up with was "H, old babe, sing a song to make out that your playing is easy."" "Know Who You Are" was released on 7" vinyl by Polydor Records in the UK only. The B-side, "Dapple Rose", was written by Lea and Powell. Also included on "Play It Loud", Powell recalled of his lyrics in a 2009 fan forum interview: "I've always had a fondness for horses and where I

neg: Do You Know the Way to San Jose Do You Know the Way to San Jose "Do You Know the Way to San Jose" is a 1968 popular song written and composed for singer Dionne Warwick by Burt Bacharach. Hal David wrote the lyrics. The song was Warwick's biggest international hit to that point, selling several million copies worldwide and winning Warwick her first Grammy Award. David's lyrics tell the story of a native of San Jose, California who, having failed to break into the entertainment field in Los Angeles, is set to return to her hometown. The song was released on the 1968 RIAA Certified Gold album

neg: Mary Had a Little Lamb see a lamb at school. And so the teacher turned it out, turned it out, turned it out, And so the teacher turned it out, But still it lingered near, He waited patiently about, ly about, ly about, He waited patiently about, Till Mary did appear. "Why does the lamb love Mary so?" love Mary so?" love Mary so?" "Why does the lamb love Mary so?" The eager children cried. "Why, Mary loves the lamb, you know," lamb, you know," lamb, you know," "Why, Mary loves the lamb, you know," The teacher did reply. Korean version 떴다떴다 비행기 날아라 날아라

neg: I Know What You Did Last Summer (song) studio, and it was like an 11-hour studio session where we finished writing the song." After a live performance on "Live with Kelly and Michael", Cabello said, "We were just kind of jamming out. We weren’t really just writing a song. We kind of started spitting out melodies and put lyrics to it; I don't think we knew we had a song." The artists co-wrote "I Know What You Did Last Summer" with its producers Ido Zmishlany and Noel Zancanella, with Bill Withers and Ryan Tedder receiving songwriting credits for the sampling of his 1971 single "Ain't No Sunshine". Cabello

neg: Mary, Did You Know? for the week ending December 6, 2014. Chart positions In 2015, Jordan Smith performed the song on "The Voice"'s season nine finals. This version debuted and peaked at No. 24 on the "Billboard" Hot 100 chart and at No. 2 on the "Billboard" Holiday 100 chart on the week ending January 2, 2016. The song was also used as the basis for a stage musical, also titled "Mary, Did You Know" and written by Bruce Greer, that won the 1999 Dove Award for Musical of the Year. "Mary, Did You Know?" remains a popular piece of Christmas music, although some

neg: Mary, Did You Know? modern Christmas classic, being recorded by many artists over the years across multiple genres. "Mary, Did You Know?" is originally in the key of E minor, with a tempo of 53 beats per minute based around a chord progression of Em–D–Am–B7sus4–B7 and is in the meter. A duet version recorded by Wynonna Judd and Kenny Rogers on Rogers' holiday album "The Gift" peaked at No. 55 on the "Billboard" Hot Country Singles & Tracks chart in 1997. Chart positions "Mary, Did You Know?" is Clay Aiken's fifth single for his Christmas album "Merry Christmas with Love". Aiken performed the song

neg: You Don't Know Me (Eddy Arnold song) disc-jockey conventions. "I went up to the Victor suite to tell Steve Sholes good-bye," she explained, "and just as I was leaving, Eddy came in the door." Walker remembered him saying, "I got a song title for you... 'You Don't Know Me.'" "But I know "you"," teased Walker. "This is serious, replied Eddy, who proceeded to outline his idea. The songwriter promised to let the idea stew in her head for a while. And soon, she remembered, the lyrics tumbled onto the page. "The song just started singing. It sort of wrote itself..." The best-selling version of the song is

neg: Stranger Fruit for the album to follow." "Gravedigger's Chant" features the lyrics "Bring the dead down low, Bring the dead body down to the graveyard, son. You can't run, you can't hide.", alongside piano and gospel style vocals. Gagneux described the song, stating "The gravedigger's chant is the song sung by the people who lay your body to rest. These people don't care where you were, but they know what you did and who loved you. All they know is what lies before them. So they sing this song, since you can no longer breathe a note." He also stated the song

neg: Play It Loud but that version had more of a jazz influence in the guitar parts. This was altered for the version that appeared on "Play It Loud". "Know Who You Are" was originally an instrumental titled "Genesis", which appeared on "Beginnings". "I Remember" features lyrics by Powell about a man who loses his memory. In 1973, Powell would suffer memory issues after being involved in a major car accident. He said in a 2006 interview: "That's strange, isn't it!! I wrote the lyrics! That's spooky! I don't remember what the inspiration was at the time when I wrote the lyrics to that

neg: Mary, Did You Know? on "The Tyra Banks Show". Chart positions "Mary, Did You Know?" is the eleventh track on Cee Lo's Christmas album "Cee Lo's Magic Moment". On December 15, 2012 the song appeared on the US R&B Songs chart at number 22. This version is the slowest of all. It also served as the closing credits song to the 2014 20th Century Fox movie "Son of God". Chart positions "Mary, Did You Know?" is the sixth track on Pentatonix's second Christmas album, "That's Christmas to Me". The song both debuted and peaked at No. 26 on the weekly "Billboard" Hot 100 chart

neg: Josie Carey door-to-door, raising money for the station selling $2 educational program guides. Carey was partnered with Fred Rogers who would act as puppeteer of various puppets who would dance along to 68 songs which he wrote and for which Carey wrote the lyrics. Carey joined ASCAP in 1955 and she and Rogers produced such songs as "Goodnight God," "It's Morning," and "Why Hi, Don't I Know You?" — the theme song for her program. Carey once remarked on their collaboration, "He would make me very angry because I'd labor over my lyrics and he would sit at the piano and what

neg: The Damning Well song called “Power” I wrote with Amy Lee, I wrote all the lyrics and everything and then Amy Lee came in and sang on it. Her manager was such a, just so hard to deal with which is like that with a lot of the things she gets involved with you know, they were just so hardcore that we were like forget it. There were only two songs recorded under the Damning Well, it wasn’t a whole record. But I have the Amy Lee song I did with her, she just came in and sang my lyrics and sang with

neg: Martin Charnin and cabaret revues, many of them for Julius Monk. He then went on to write, direct, and produce nightclub acts for Dionne Warwick, Nancy Wilson, Mary Travers, Larry Kert, Jose Ferrer, and Leslie Uggams. The first Broadway musical for which he wrote the lyrics was the 1963 musical "Hot Spot" starring Judy Holliday, with music by Mary Rodgers. He contributed lyrics to Vernon Duke's musical "Zenda" which ran in California in 1963 but did not reach Broadway. In 1967, he wrote the lyrics for "Mata Hari", which was produced by David Merrick. He wrote lyrics to Richard Rodgers' music and

neg: Drunken Tiger titled album. In 1998, Korean-American rappers Tiger JK and DJ Shine teamed up to form Drunken Tiger. They released their first album, "Year of the Tiger" in Korea in 1999. At the time, the album was controversial given its explicit lyrics and rejection of mainstream k-pop norms. Unlike their k-pop counterparts, Drunken Tiger wrote their own lyrics, expressed anti-establishment views, and did not perform choreography. However, the album's singles, "I Want You" and "Do You Know Hip-hop," are now considered Korean hip hop classics. In 2000, Drunken Tiger released their second album, "The Great Rebirth", and introduced new members DJ

neg: Christmas music lyrics added—not always translated from the original, but newly created—sometimes as late as the early 20th century. Popular secular Christmas songs from mid-19th-century America include "Jingle Bells", "Jolly Old Saint Nicholas" and "Up on the House Top". More recent, copyrighted carols about the Nativity include "I Wonder as I Wander" (1933), "Mary's Boy Child" (1956), "Carol of the Drum" ("Little Drummer Boy") (1941), "Do You Hear What I Hear?" (1962), and "Mary, Did You Know?" (1984). Christmas music has been published as sheet music for centuries. One of the earliest collections of printed Christmas music was "Piae Cantiones", a Finnish

neg: Knock Me Down the sound of our band and a big opening up for us." "Knock Me Down" became one of the most radical shifts in style for the band. The introspective lyrics, which analyze the death of Hillel Slovak and the devastating effect drugs can have on life, were a new approach for Kiedis, who primarily wrote of sexual intercourse and a hedonistic lifestyle. The vocalist did not, however, want the track to be associated with "anti-drug" sentiments, claiming, "[the song] is about letting your friends know that you need help and then being willing to accept the help of others when

neg: Marco Allen Chapman pie. Chapman wrote in a statement he gave to Warden Tom Simpson to read, "I don't know why I did the thing that I did, and I know the hate of me over that night must be overwhelming, but Carolyn and Courtney you have to know that wasn't who I was or am,""I am not a moster (sic) even though I did a mosterously (sic) evil thing. That is why I give my life willing as well as quickly in hopes that you know how truly sorry I am. I hurt and ache daily for the loss I've created in

neg: You Never Know (musical) You Never Know (musical) You Never Know is a musical with a book by Rowland Leigh, adapted from the original European play "By Candlelight", by and Karl Farkas, with music by Cole Porter and , lyrics by Cole Porter, additional lyrics by Leigh and Edwin Gilbert, directed by Leigh, and songs by others. The show was written not long after the riding accident that left Porter semi-crippled, and is considered one of the flops he wrote before his return to prominence with "Kiss Me, Kate". The show was first produced in Europe with a small cast, but the Shubert Brothers

neg: Do I Hear a Waltz? slamming the lyrics against my forearm and saying, 'This will not do, this will not do,' and I kept asking, 'Why?' The truth was, he'd shown the lyrics to his wife and she did not like it. He probably showed it to her out of enthusiasm. But you know, it's got stuff about sexuality in it." Ultimately Sondheim understood the failure of "Do I Hear a Waltz?" in the context of Mary Rodgers's formulation of what she called a "Why? musical". Such a musical is usually based on good source material but raises the question as to what the addition

neg: Tangled (album) people's lyrics anyway. It's difficult to bring the right emotion into it. So, I asked them how they'd feel about me rewriting the lyrics, and they said, 'Go ahead and try, and we'll let you know what we think.' So I did, and they seemed to think the lyrics were OK. I recorded it, and I think the song came out great. You can't tell that it wasn't written at the same time." The song's lyrics, written by Wiedlin, were inspired by Wiedlin learning that her former best friend, who she was no longer in contact with, had become a

neg: Mary Poppins (song) Mary Poppins (song) "Mary Poppins" is a song from the 2015 stage musical "Love Birds" with music and lyrics by Robert J. Sherman. It is sung by "The Original Quack Pack", a penguin barbershop quartet who resemble the penguins from the 1964 Walt Disney motion picture, "Mary Poppins". In dialogue leading up to the song, the penguins explain that while they did know the same nanny, (Mary Poppins) they are not the same penguins as in the movie. The song expresses their longing for the magical nanny of literary fame. The original quartet of penguins included George Knapper (as "Puck"),

neg: Billie Holiday used a small jazz combo; recordings for Decca often involved strings. A month later, in November, Holiday returned to Decca to record "That Ole Devil Called Love", "Big Stuff", and "Don't Explain". She wrote "Don't Explain" after she caught her husband, Jimmy Monroe, with lipstick on his collar. Holiday did not make any more records until August 1945, when she recorded "Don't Explain" for a second time, changing the lyrics "I know you raise Cain" to "Just say you'll remain" and changing "You mixed with some dame" to "What is there to gain?" Other songs recorded were "Big Stuff", "What

neg: Diamonds & Rust (song) a 1975 conversation between herself and Dylan, discussing songs to include in the then-upcoming Rolling Thunder Revue concerts: "You gonna sing that song about robin's eggs and diamonds?" Bob had asked me on the first day of rehearsals. "Which one?" "You know, that one about blue eyes and diamonds..." "Oh", I said, "you must mean 'Diamonds and Rust,' the song I wrote for my husband, David. I wrote it while he was in prison." "For your husband?" Bob said. "Yeah. Who did you think it was about?" I stonewalled. "Oh, hey, what the fuck do I know?" "Never mind. Yeah,

neg: Breaking Things on any previous All album. Egerton wrote the nine-second "Strip Bar" as well as the music for "Rosco" and "Crucified". Rob Williamson of the Tacoma, Washington band My Name, who had opened for All on tour the previous year, wrote the lyrics for "Rosco". In addition to the album's two singles, "Shreen" and "Guilty", Stevenson penned "Birthday I.O.U." which described his feelings after Sarina Matteucci, his girlfriend of several years, had an abortion: "There really wasn't a choice / Seventeen was just too young [...] I know you could have been a girl, baby / Now you can't be anything

neg: Trevor Peacock Herman's Hermits. Other hit songs to his credit include "Mystery Girl" (recorded by Jess Conrad), "Made You" (Adam Faith), "Gossip Calypso" (Bernard Cribbins), "Stick Around" (Billy Fury), "That's What Love Will Do" and "Nature's Time For Love" (both recorded by Joe Brown). Peacock wrote the lyrics for a number of hits by The Vernons Girls. The songs include "Be Nice To Him Mama", "You Know What I Mean", "Funny All Over" and "We Love The Beatles". He wrote the lyrics for the musical show, "Passion Flower Hotel" (music by John Barry), and for a musical based on the popular newspaper

neg: Tijuana Smalls Tijuana Smalls Tijuana Smalls are a brand of flavored cigarette that was produced after a prohibition on advertising cigarettes on television in the United States was signed into law by President Richard Nixon in 1970. They were advertised as "Little Cigars". The brand's catchy jingle contained the lyrics, "Tijuana Smalls, ten for the road baby, for you maybe, you know who you are, you know who you are." (Those revised lyrics were written by Susan Dias Karnovsky.) This brand of cigarettes was also mentioned in the chorus of Primus song "Shake Hands with Beef" on their "Brown Album". In the

neg: Tijuana Smalls mid-1970s, "Wacky Packages" used a parody called "Tijuana Smells" among its stickers. Tijuana Smalls Tijuana Smalls are a brand of flavored cigarette that was produced after a prohibition on advertising cigarettes on television in the United States was signed into law by President Richard Nixon in 1970. They were advertised as "Little Cigars". The brand's catchy jingle contained the lyrics, "Tijuana Smalls, ten for the road baby, for you maybe, you know who you are, you know who you are." (Those revised lyrics were written by Susan Dias Karnovsky.) This brand of cigarettes was also mentioned in the chorus of

neg: Barak Feldman third album, "Who am I kidding," published in 2008. Barak wrote many of the lyrics as well as scripts for many of the music videos. Barak wrote number of other artists songs, most of Bloch's melodies. Among other things, he wrote the opening songs of the TV shows: "Michaela" ("Fly"), "Our Song" ("Soon"), "pajamas" ("pajama party" with Ilan Rosenfeld), "Pick Up "("Far Away"),"Danny Hollywood"(" Everything you dreamed of") and for "On the fingertips" ("I do not know"). Feldman also wrote the song for Bloch tune "After All" from the album of Ninet Tayeb "barefoot", and the title song of the

neg: I Can Dream About You that we did on the new album that we sort of did twenty years late. An old friend our ours, Dan Hartman, wrote this song. I remember back in the day he came up to me and said 'You know, I have this great song I wrote for you guys. It's you, you know? – you have to sing this song.' And unfortunately we had just finished an album, we couldn't put it on the album so I said sorry Dan. About six months later I was watching MTV and there it was, and it was a hit for him,

neg: Mary Agnes Donoghue thought it would be. In the same year, Donoghue co-wrote and co-produced "Deceived" with Derek Saunders. Donoghue described how the film came to her; "You're sitting there at night and look over at your husband or your wife and think: Who is this person? I was fascinated by the idea of having a middle-class safe existence, predictable; and then certain events take place that let you know that you know nothing about your own life and the people in it." Two years later, Donoghue wrote her first play titled "Me and Mamie O'Rourke". The play was staged at the Strand

neg: John Forster (musician) Chester, Connecticut in the late 1990s. He wrote the book and lyrics for a musical adaptation of Freaky Friday, for which author Mary Rodgers wrote the music. In 1993, Forster released his debut album, "Entering Marion", on Philo Records. "People" reviewed the album and described Forster as "a musical satirist who mixes social critique with a shot of wry." After hearing the album, Tom Lehrer, to whom Forster has often been compared, said that "You don't need me anymore, you have John Forster." The album received an Indie Award honorable mention for best comedy album. In 1997, Forster released the

neg: Do You Hear What I Hear? music in October 1962. This was an unusual arrangement for the two writers. Usually it was Shayne who wrote the lyrics for their songs while Regney composed the music, as they did when they wrote a song based on the classic children's song "Rain Rain Go Away". Regney was inspired to write the lyrics "Said the night wind to the little lamb, 'Do you see what I see?'" and "Pray for peace, people everywhere" after watching babies being pushed in strollers on the sidewalks of New York City. Shayne stated in an interview years later that neither could personally perform

neg: Mike Hawker (songwriter) work with Larry Parnes. He started writing songs around 1960, and linked up with composer John Schroeder to write lyrics for producer Norrie Paramor's young protegée Helen Shapiro. Hawker wrote the lyrics for several songs recorded by Shapiro, including "Don't Treat Me Like a Child", "You Don't Know", and "Walkin' Back to Happiness", for which he won an Ivor Novello award. He also co-wrote "I Only Want to Be with You" recorded by Dusty Springfield. Hawker married Jean Ryder of the Vernons Girls. He continued to write for many of the most successful girl singers of the early 1960s including

neg: Songs of Experience (U2 album) you of having to... be delicate or be anything other than a pure expression of your essence". As a result, Bono wrote the lyrics as a series of letters to people and places closest to his heart. He said, "I know U2 go into every album like it's their last one but even more this time I wanted the people around me that I loved to know exactly how I felt." He also borrowed an idea from poet William Blake to compare oneself as an innocent person to who they become through experience. Accordingly, many of the lyrics contain a

neg: Maritje Kill name Marietje, meaning "little Mary". It is a kill, a word taken from the Dutch word for "creek". The river had kept that name since the area's early history, around the United States' Colonial Era. Other names in use include Marytie's Kill and Maricha Kill. In 1936, Franklin D. Roosevelt wrote in a letter to Helen W. Reynolds that "Maritje Kill runs, as you know, right through our place. We have always called it by that name, but I do not know who the little Mary was." Reynolds was a friend and longtime collaborator with FDR, on local history; they

neg: Barely Real group shot the video for "Realize" without him. Engle took longer than he expected to replace Brokaw as after placing a classified ad, he ended up "flooded with calls" and that "Half of them hadn't heard Codeine. I'd say, well, we play a very particular style that you should really know about." The group chose Doug Scharin, who had attended Codeine's first show in Boston. Stephen Immerwahr, who wrote the lyrics to the original songs on "Barely Real" described composing these lyrics as "probably the hardest work. Not that we have these prodigious texts, but there's a consistency between the

neg: Children of the Universe space of 48 hours and this one just stood out". Although Molly wrote the lyrics and the "top line", her Swede producer Anders Hansson wrote music for strings (on the musical release there was a 26-piece big string orchestra), after agreeing with her choice of song from the drafts. The song has received generally positive reviews from critics. The "Daily Mirror" said: "Molly's voice has such a powerful tone to it – combined with the thumping beat, it makes you want to sing along – even if you don't know the lyrics. Overall it's the best thing we've produced since

neg: Yebin (singer) contributing her vocal to DIA's songs, Yebin has explored into lyrics writing. She penned the lyrics for the song "Waiting For You" (2016), while co-writing the songs: "Will You Go Out With Me?", "Boyfriend", "April", "Mannequin", "You Are My Flower", "Light", "Listen To This Song", "Not Only You But Spring" and "Independence Movement Day". On September 4, 2017, Yebin and fellow member Somyi wrote a letter to their fans and posted it via Instagram, letting fans know of their decision to participate in KBS' idol rebooting project "". Before participating on KBS2's 'The Unit', Yebin and fellow member Somyi promised

neg: Kathleen Elle City, home of "Seventeen"'s offices. She wrote the song because, "I wanted to let people know not to let in bullies in the first place," "They are looking for that reaction, but if you don't let them know they bother you, they move on." Some of the song's lyrics are, “The harder you try, the harder you fall / it's not gonna help you out at all / don’t let 'em in, don't let 'em in / don't let 'em break your heart." She received a standing ovation when she performed the song at the East Brunswick Performing Arts Center.

neg: Jesse Leach as a free digital download for 72 hours for those who signed up for the band's mailing list. The song is now available for purchase on iTunes. The album was made with the support of Killswitch Engage. George Fisher told in "The Jasta Show", that Jesse Leach wrote the lyrics for George Fisher's new side project called Serpentine Dominion, also consisting Adam Dutkiewicz from Killswitch Engage and Shannon Lucas. He Explained: I originally was going to write stuff for the new band, and you know what? Writing lyrics has just never been my thing, and we were getting down to

neg: Invisible Touch hook. He wrote the lyrics based around a person who gets under one's skin which he had "Known a few. You know they’re going to mess you up, but you can't resist". The song's musical structure then came to Collins' mind in its complete form. Rutherford expressed a desire for the band to explore different musical themes for the song, but later felt the lyric had "always felt so comfortable" to him and saw no reason not to. Collins rates the track highly and picked it as his favourite Genesis song. He added: "It's a great pop song. It encapsulated

neg: Mary, Queen of Scots herself were among those who came under suspicion. Elizabeth wrote to Mary of the rumours, "I should ill fulfil the office of a faithful cousin or an affectionate friend if I did not ... tell you what all the world is thinking. Men say that, instead of seizing the murderers, you are looking through your fingers while they escape; that you will not seek revenge on those who have done you so much pleasure, as though the deed would never have taken place had not the doers of it been assured of impunity. For myself, I beg you to believe

neg: I Don't Know How to Love Him by Helen Reddy and Yvonne Elliman, since the 1950s when multi-version chartings were common. "I Don't Know How to Love Him" had originally been published with different lyrics in the autumn of 1967, the original title being "Kansas Morning". The melody's main theme has come under some scrutiny for being non-original, being compared to a theme from Mendelssohn's Violin Concerto in E Minor. In December 1969 and January 1970, when Andrew Lloyd Webber and Tim Rice completed "Jesus Christ Superstar", Rice wrote new lyrics to the tune of "Kansas Morning" to provide the solo number for the character of Mary

neg: John P. McCormick parent Tribune Company, unless McCormick was fired by the "Chicago Tribune". In a first-person essay titled "Life on Blago's enemies list", McCormick expressed his bafflement at being singled out by Blagojevich. He wrote, "If somebody did try for more than a month to extort or otherwise muscle the Chicago Tribune—a newspaper I sold as a child—it did not work. I did not know about it. My boss did not know about it. His boss did not know about it. I hope you fathom how gratifying that is." McCormick also noted that he "never had a personal tiff" with Blagojevich, who

neg: Praying (song) of "Beautiful" (2002) by Christina Aguilera and "Til It Happens to You" (2015) by Lady Gaga. According to Kesha, "Praying" is "about hoping everyone, even someone who hurt you, can heal." The song addresses a tormentor with the lyrics: "You brought the flames and you put me through hell/ I had to learn how to fight for myself/ And we both know all the truth I could tell/ I'll just say this: I wish you farewell." "The Atlantic" Kornhaber thought that the track's message was "" and displayed "Christlike grace", further noting that Kesha did not exude invulnerability on "Praying"

neg: No Fits, No Fights, No Feuds airing. Unlike most other episodes, the ending monologue was done by Alma Hodge instead of Mary Alice Young (Except the last sentence, in which Mary Alice replied to Alma's last sentence, "I just want to fit in." with "Oh, you will, Alma. You absolutely will.") The episode title, "No Fits, No Fights, No Feuds" is taken from the lyrics of the song, "Together, Wherever We Go" from a musical Stephen Sondheim wrote lyrics for, "". No Fits, No Fights, No Feuds "No Fits, No Fights, No Feuds" is the eleventh episode of the third season of the ABC television series

neg: Lifestyles of the Rich and Famous (Good Charlotte song) Barry – who was convicted on drug charges – is also mentioned in the lyrics: ""and did you know if you were caught and you were smokin' crack / McDonald's wouldn't even wanna take you back / you could always just run for mayor of D.C."" The music video features cameo appearances from Kyle Gass; former 'N Sync singer Chris Kirkpatrick; and Mike Watt, the bass player for various bands. All three musicians appear in the courtroom scene - Gass plays the prosecutor while Kirkpatrick plays the witness "Chadwick Merryweather Hardy III". Watt plays the Jury foreman. The dog questioned

neg: No (Meghan Trainor song) problematic lyrics to enjoy it. It’s a flat fuck-you to men feeling entitled to approach women, who, in turn, usually refuse unsolicited attention". Writing for "Billboard", Joe Lynch stated Trainor "is making one thing clear from outset of her new song 'NO,' it's that there's a lot more to Meghan Trainor than what you think you know". He added: "Trainor was confident on 'Bass,' but on 'NO,' she's entirely in charge". In a positive review, Brennan Carley from "Spin" wrote that "No" "is definitely a new direction for Trainor, who's mostly tossing aside her sock-hopping persona for no-nonsense truth-telling". Digital

neg: About Face (album) the Air" and "All Lovers Are Deranged", as Gilmour recalled: "I sent him three songs and he sent back three sets of lyrics. Two of them suited me well. One didn't. He did the two on "About Face" and he did the other one ['White City Fighting'] on his "" album." The lyrics for "Love on the Air" were written in a day, after Gilmour had asked for Townshend's help. "You Know I'm Right", was written in a similar vein to Lennon's "How Do You Sleep?", and was a dig towards to Waters. "Cruise" was about Ronald Reagan having cruise

neg: Simon Renard to the Tower by boat down the Thames. Her arrival was delayed by a day to 18 March 1554 as she missed the tide while writing a letter to Mary. The council rather than Mary, said Renard, had arranged Elizabeth's removal. Elizabeth's arrival at the Tower was dramatised in Thomas Heywood's, "If You Know Not Me, You Know Nobody, or The Troubles of Queen Elizabeth" (1605) which supplied Elizabeth's much quoted dialogue at Traitor's Gate. Renard's influence over Mary is agreed to have been very great. When he was made sole ambassador in London she wrote to Charles V that

neg: Powerviolence be very raw and underproduced, both sonically and in their packaging. Some groups (Man Is the Bastard and Dystopia) took influence from anarcho-punk and crust punk, emphasizing animal rights and anti-militarism. Groups such as Despise You and Lack of Interest wrote lyrics about misanthropy, drugs, and inner-city issues. Groups such as Spazz or Charles Bronson, on the other hand, wrote lyrics mocking points of interest for hardcore and metal fans, or even used inside jokes for lyrics, referencing specific people many of their listeners would not know. Other groups associated with powerviolence included The Locust, Black Army Jacket, Hellnation, Charles

neg: I Know You (Skylar Grey song) the song "emotional" describing "I Know You" as "a mid-tempo piano ballad with a pulsing beat, yearning lyrics and dripping, high vocals". Hayley Spencer from "InStyle" wrote "[the song] is a haunting piano ballad about convincing your lover to let go of the past and fully commit". Nolan Feeney of "Time" called the song "moody, though somewhat less depressing" saying that the song lyrics resemble things Anastasia Steele (Dakota Johnson) probably whispers longingly to Christian Grey (Jamie Dornan) when they aren’t exploring their kinky sides. Eliza Thompson from "Cosmopolitan" described the song as "a slow, piano-based ballad about convincing your

neg: Too Far to Care 22nd birthday, and I was not with her. But I was where I was meant to be." Miller has observed the irony of the lyrics: "the nightclub did steal my youth. And the nightclub does follow me around, unchanging and eternal. And while I'm busy loving my job, I'm also lamenting the life it precludes. You know, the normal life? The 9 to 5?" Miller wrote "House That Used to Be" around 3am while feeling lonely in his "two bedroom house a block off of White Rock Lake." He wrote it with the assistance of a Rhyming Dictionary. "I gave

neg: Prince John of the United Kingdom anything else." Edward also wrote an insensitive letter to Queen Mary, which has since been lost. She did not reply, but he felt compelled to write her an apology, in which he stated that[he felt] like such a cold hearted and unsympathetic swine for writing all that [he] did... No one can realize more than [she] how poor little Johnnie meant to [him] who hardly knew him...I feel so much for you, darling Mama, who was his mother.In her final mention of John in her diary, Queen Mary wrote simply "miss the dear child very much indeed." She gave Winifred

neg: Lifestyles of the Rich and Famous (Good Charlotte song) the global obsession with fame and the way that celebrities are not appreciative of how fortunate they are. The song has references to a number of celebrities within the lyrics. Johnnie Cochran, a famous attorney who represented (amongst others) stars such as O.J. Simpson, who was acquitted of murdering his ex-wife Nicole Brown. He is mentioned in the lines ""Well did you know when you're famous you could kill your wife / and there's no such thing as 25 to life / as long as you got the cash to pay for Cochran"." A former mayor of Washington, D.C., Marion

neg: Just the Way You Are (Bruno Mars song) the point. You know, there's no mind-boggling lyrics or twists in the story - they just come directly from the heart. And to me 'Just The Way You Are' is one of those songs. There's nothing mind-blowing about it. I'm just telling a woman she looks beautiful the way she IS - and, let's be honest, what woman doesn't wanna hear those lyrics?!" Mars' A&R was responsible for finding the original idea from producers/ songwriters Khalil Walton and Needlz. Mars originally sang the hook that Khalil and Needlz wrote for a feature on a Lupe Fiasco record. Needlz allowed Mars

neg: Klaus Meine lyrics to Scorpions' songs. He also shared authorship of some lyrics with Herman Rarebell (former drummer of Scorpions) on some songs like the major hit "Rock You Like a Hurricane". Meine composed some songs alone like "Wind of Change", "You and I", "But the Best for You", "Does Anyone Know", "A Moment in a Million Years", "Moment of Glory", "I Wanted to Cry", "Back to You", "My City, My Town", "Follow Your Heart", "Rock'n' Roll Band", "The World We Used To Know" and "Who We Are". In 1981, after a world tour and during the recording of the "Blackout" album,

neg: Bizounce Olivia's vocal performance reflects her hip hop influences and gives the single a "street edge" while its "orchestral tinges" are best-suited for R&B radio. In an interview with "Billboard," Olivia called the single an "empowering women's song" for inspiring women to leave unfulfilling relationships. She said she wrote it: "for all the people who don't know how to tell the other person to 'bounce' ". An article in "Vibe" magazine noted lyrics, like: "I can't take this shit no more / Picture frame broken daddy 'cause I can't trust you / I'm ridin' high now / So nigga fuck you",

neg: Ronan (song) as I heard her say those words. But her words didn't stop there. Not only did she write a song for you, but she wanted to know if it would be alright to perform it on the nationally televised show." Swift credits Thompson's mother as the co-writer of the song. It was released to the US iTunes Store shortly after the Stand Up to Cancer telethon ended and all proceeds of the single go towards cancer charities. Mark Hogan of "Spin" magazine describes "Ronan" as a soft rock ballad. Swift wrote the lyrics of the song based on the blog

neg: Cry Me a River (Justin Timberlake song) to "Cry Me a River"; she denied the rumors, explaining, "You know, it's funny. I read that I wrote this song and I wrote these lyrics and that's not my style. I would never do that." Annet Artani, who co-wrote Spears' 2003 song "Everytime", stated that the song was written as a response to "Cry Me a River". When asked during an interview with Diane Sawyer on "PrimeTime" in 2003, if "Everytime" was about Timberlake, Spears responded, "I'll let the song speak for itself." "Cry Me a River" is an R&B song with an instrumentation that features clavinet, guitars, beatboxing,

neg: That's Christmas to Me the group's cover of "Mary, Did You Know?", both debuted and peaked on the "Billboard" Hot 100 at number 26, number 7 on the Adult Contemporary chart, and at number 44 on the Canadian Hot 100. The album's title track, "That's Christmas to Me", also peaked at number 8 on the Adult Contemporary chart. During the holiday season, seven songs from "That's Christmas to Me" charted on the "Billboard" Holiday Digital Songs chart: "Mary, Did You Know?" at number 1, "White Winter Hymnal" at number 2, "Silent Night" at number 5, "Dance of the Sugar Plum Fairy" at number 8,

neg: Lois Duncan 1971 children's book "Hotel for Dogs", which was later adapted as a 2009 film of the same name starring Emma Roberts. Influenced by her own interest in the supernatural and speculative fiction, Duncan wrote various suspense and horror novels aimed for teenagers. Some of her works have been adapted for the screen, the most infamous example being the 1997 film "I Know What You Did Last Summer", adapted from her 1973 novel of the same title. After the publication of "I Know What You Did Last Summer", Duncan wrote "Down a Dark Hall" (1974), a Gothic novel following four students

neg: Bare: The Musical sense to continue to evolve the piece so that it maintained its heart and its soul and its…guts”. Although the basic plot and message have remained constant, one of the major changes has been altering the format from that of a pop opera to a book musical. Jon Hartmere, who wrote the book and lyrics, commented about that revision, saying, "The biggest change [is] having more space to explore the characters [...] To know these characters a little bit better... you just need more room — you need more room for book scenes, and I personally just wanted to get

neg: Rin (album) pleased that Matsui's sparse lyrics didn't include any situating details. Kudo wrote the lyrics for "Hagane no Mori", one of the more pop-sounding tracks of the record, with the intention of creating a fight song for herself and her fans. The song is about seeing the light at the end of the tunnel when the world seems bleak. She further explained to Yahoo: "I wanted to sing from a hopeful point of view and to let the listener know that, when you feel like you're struggling to move in a bottomless pit of mud, you don't have to sink in

neg: Til It Happens to You you can hurt me? You don't know about power. Because after what you did to me, you don't even know how much stronger I am.'" "Til It Happens to You" is a somber tune featuring orchestral production and soaring strings. The pop ballad delivers an empowering message: "Hold your head up and be strong / When you fall you gotta get up", and has been described as "stirring and emotional". Featuring a classical production, the song emphasizes Gaga's vocals, keeping focus on the lyrics, which clarifies that one cannot understand the feelings of a victim unless they have been in

neg: You Don't Know Jack (1995 video game) "An excellent, hip piece of work", he gave it three out of five stars. "You Don't Know Jack" won "Computer Gaming World"s award for the best "Classics/Puzzles" game of 1995. The editors wrote that "it's great fun watching people whiff on answers at parties", and that "anyone who's ever wanted to see game shows skewered will have a ball with this." It won "Computer Game Review"s 1995 "Puzzle Game of the Year" award. The editors wrote, ""You Don’t Know Jack" did more than simply provide a fun way to spend time at the computer. It also broke a lot of

neg: Know Who You Are only very infrequently." Afterwards, the band dropped their skinhead image and would achieve their commercial breakthrough with their mid-1971 single "Get Down and Get with It". "Know Who You Are" developed from the band's 1969 track "Genesis", which was an instrumental written by the band and released as a single from "Beginnings". During sessions for "Play It Loud", the band revisited the song, with drummer Don Powell writing the lyrics. In his 2013 biography, Powell recalled: ""Know Who You Are" is the same as our old instrumental "Genesis", so Nod and Dave are credited for that one as well as

neg: (I Can't Get No) Satisfaction Roads, Virginia, in 1981 was released as an official music video. Otis Redding recorded a rendition of "Satisfaction" for his album "Otis Blue/Otis Redding Sings Soul", released in 1965. Redding claimed that he did not know the lyrics of the song. "I use a lot of words different than the Stones' version," he noted. "That's because I made them up." Of that session, Steve Cropper said, "...if you ever listened to the record you can hardly understand the lyrics, right? I set down to a record player and copied down what I thought the lyrics were and I handed Otis

neg: Christmas (Clay Walker album) people’s place. The thing I like the most about it is that it has orchestra, strings, horns, real orchestra, its costs a lot of money to make." Editors at "The Cincinnati Post" wrote "You might not be able to pick Clay Walker out of a lineup of second-tier country singers, but don't overlook this CD. Producer Jim Ed Norman paid careful attention to instrumentation, expertly meshing oboe, harp and everything else at his disposal with Walker's toned-down twang. Highlights include a heartfelt "Mary Did You Know" and a spirited "Go Tell It on the Mountain" with hand- clapping gospel choir

neg: You Don't Know Jack (franchise) editors wrote, "[I]f it weren't for the addition of the Threeway question format (which is a complete dud), "You Don't Know Jack III" would have reached instant-classic status." "You Don't Know Jack: The Ride" won "Computer Gaming World"s award for the best classic game of 1998. The editors wrote, ""You Don't Know Jack: The Ride" ranks easily as the best since the first of the series found its way into the "CGW" Hall of Fame. And for that we salute the folks at Berkeley Systems and Jellyvision, game designers who really do know "Jack", at least where our funny bones

neg: Jesus Christ Superstar (film) before the song "I Don't Know How to Love Him" by Mary to Jesus, was abridged, leaving only the closing lyric "Close your eyes, close your eyes and relax, think of nothing tonight" intact, while the previous lyrics were omitted, including Jesus's "And I think I shall sleep well tonight.". In a scene where a group of beggars/lepers overwhelms Jesus, "Heal yourselves!" was changed to "Leave me alone!", and in "Judas' Death", Caiaphas' line "What you have done will be the saving of Israel" was changed to "What you have done will be the saving of everyone." The lyrics of

neg: Kay Summersby about their relationship were common among soldiers who did not know the two. Eisenhower's son John, who briefly served as an aide, described her as "the Mary Tyler Moore of headquarters. She was perky and she was cute. Whether she had any designs on the Old Man and the extent to which he succumbed, I just don't know." Field Marshal Bernard Law Montgomery wrote in his diary that "Past Forgetting" "should have never been written, it can do Eisenhower no good. If American generals were in the habit of dealing with women secretaries and drivers as Eisenhower did and others

neg: Dave Berg (cartoonist) be taken very seriously, and you know, the staffers at "Mad" just didn't take anything seriously. Most of all, ourselves ... It came out in a lot of the things he did. He had a very moralistic personality ... He wrote a book called "My Friend God". And of course, if you write a book like that, you just know that the "Mad" staff is going to make fun of you. We would ask him questions like, "Dave, when did you and God become such good friends? Did you go to college together, or what?" In this faith connection, Berg

neg: Cry Me a River (Justin Timberlake song) for its "slow-building sense of drama", which highlights Timberlake at his "husky best". The song begins with the phrase "You were my sun, you were my earth", which according to Timbaland was Timberlake's inspiration to write the song. Tanya L. Edwards of MTV News observed that Timberlake was wronged and said this is demonstrated by the lyrics: "You don't have to say whatcha did / I already know, I found out from him / Now there's just no chance." The chorus contains the lines: "Told me you loved me, why did you leave me all alone / Now you tell

neg: Breakaway (Kelly Clarkson song) by the judges; Randy Jackson thought the note was too big for Stevens while Ellen DeGeneres felt Stevens did not sell the lyrics. Kara DioGuardi said, "I don't think you know who you are yet as an artist", an opinion agreed by Simon Cowell. Jim Cantiello of MTV noted that Stevens' performance of the song was her weakest performance in the show, stating "Unfortunately, her uneven vocals on 'Breakaway' exposed her youthful inexperience." The same opinion was echoed by Eric Ditzian of MTV who opined that Stevens failed to resonate her youthful energy favouring the song choice. "Breakaway" was performed

neg: Mary Dennett penalize me for my work for the young people of this country, they must bear the shame of a jail sentence. It is government which is disgraced, not I." Dennet was proud of her work in sexual education and wanted it to last. Dennett did not become active in the women's suffrage movement until her marriage began to break up. Later, she wrote, "I went into suffrage work, as perhaps you know, because I needed an anaesthetic at the time, and suffrage was the nearest thing at hand that was unconnected with my previous work." Dennett began her work as

neg: On Your Radar him. The lyrics of "Faster" have been labelled as "romantic" by the band but with and Uptempo dance beat track. It is a dance with a pop edge. "For Myself" is a track the band co-wrote with Viktoria Hansen, the song is about a turbulent relationship and no matter what you argue a lot. The band said that "White Lies" linked them back to their first studio album, "Chasing Lights" (2008). "Wish I Didn't Know" is a pop ballad The background of the song is about your ex, who you still love being with someone else. "My Heart Takes Over"

neg: When Love Takes Over just beautiful. And I remember thinking 'Why is this "touching" me like this?' You know, it was like there was a kinda soul-tie to it!" Upon meeting Guetta, she asked him for the song so she could write its lyrics. "So I met David and asked him for the track... He gave it to me, and I brought it back here to London, UK and wrote the actual song". At a writing session in a London hotel room, Rowland and songwriting duo Nervo wrote the lyrics and melody over Guetta's backing track. Rowland later joined Guetta and Julie Terry Lefèvre-Han

neg: In My Place also include references to a desire for weary optimism. The song is written in the key of A major. Critics were positive towards the song. In the "Entertainment Weekly" review of the album, critic David Browne wrote: "Songs like 'In My Place' and 'Warning Sign' marry lyrics imbued with deep regret and mistakes (<nowiki>"</nowiki>...You were an island / And I passed you by<nowiki>"</nowiki> in the touching latter song) with lyrical melodies and guitar hooks that twinkle and sparkle." Adrien Begrand of "PopMatters" wrote: "When the shimmering, pretty lead-off single 'In My Place' represents the album's weakest moment, you know you've

neg: I Really Don't Want to Know I Really Don't Want to Know "I Really Don't Want to Know" is a popular song with music which was written by Don Robertson and lyrics by Howard Barnes. The song was published in 1953. The best-known version of the song was recorded by Les Paul and Mary Ford in 1953, one of the top 100 songs of 1954, reaching the No. 11 in the charts. Eddy Arnold's version was a #1 Country song in 1954. "I Really Want You to Know" by Skeeter Davis was released by RCA in 1961 as an answer song to Eddy Arnold's version of

neg: Bye Bye Beautiful attitude towards the band and its music. This was at first rumoured among fans and later revealed by Holopainen in an interview. The chorus also contains the lyrics “Did you ever read what I wrote you?/ Did you ever listen to what we played?” in which the first part is a reference to the lyrics written by Holopainen, and the second part is about her lack of dedication to the music. In the video for "Bye Bye Beautiful", the four male members of the band are replaced by four female models throughout the verses. Despite speculation, Holopainen said in a

neg: Let the Blind Lead Those Who Can See but Cannot Feel being written as they're recorded." In addition, all of the lyrics on the album were created as they were being recorded on the first take. The album's title is derived from a dream Cox had in which he saw a group of protesters, one of whom was holding up a sign reading "Let the blind lead those who can see but cannot feel". Upon waking, Cox wrote down the phrase on a notebook beside his bed. He described the concept to "Out" magazine as being "like you are able to see, but you might not know the right direction to

neg: Love Me Again (song) for the 2014 Ivor Novello Award for Best Song Musically and Lyrically. In an interview with Digital Spy, Newman was asked if he sensed that the song had something special about it in the studio. He said, "Yeah. The guy I wrote it with (Steve Booker), we turned around and had massive grins on our faces thinking, 'There's something good here'. But you just never know how good it is, you know?". Newman was also asked if it was hard to write the lyrics about love and break-up, he said, "No, it's the only place where I really open up

neg: It's the Most Wonderful Time of the Year into his recording of "It's the Most Wonderful Time of the Year": "George Wyle, who is a vocal director, who wrote all of the choir stuff and all of the duets and trios and things that I did with all the guests, he wrote a song just for the show – I think the second Christmas show we did – called 'Most Wonderful Time of the Year'. So I did that, you know, every Christmas, and then other people started doing it. And then suddenly it's become – not suddenly but over 30 years – it's become a big standard.

neg: Nobody Knows (Pink song) wrote that "'Nobody Knows' goes for a shiny blues ballad feel, Pink flexing her vocal chords to reveal a downright sweetness to her voice." Quentin Huff from PopMatters wrote an extensive review about the song, stating that "Even when you feel like you’ve heard it before, her smoky vocals and clever touches let you know it’s not the same old thing." While commenting about her voice, he said that she "belts out her lyrics like a champ." Entertainment Weekly's Chris Willman wrote that the song can be skipped while listening to the album, while referring the track as a "stab

neg: Juan Winans album, "Do You Know", and Smokie Norful's "Nothing Without You". In 2005 Winans, along with Babyface, provided backing vocals for the song "I Said I Love You" from the Kirk Whalum release "The Songs Of Babyface". He is also credited with singing and arranging background vocals on George Huff's, "My Christmas EP". During this time Winans began attending Bethel World Outreach Church in Nashville, TN, where he led worship service for the next four years. In 2008 Winans co-wrote the song "Seattle" for Gospel/R&B dou Mary Mary for their platinum selling fourth studio release "The Sound". The album proved to

neg: Milan Williams "Keep on Dancing" on Atlantic Records. Williams also wrote the Commodores first hit record the instrumental track, "Machine Gun". Other Commodores songs penned by him are; "The Bump", "Rapid Fire", "I'm Ready", "Better Never Than Forever", "Mary Mary", "Quick Draw", "Patch It Up", "X-Rated Movie", "Wonderland", "Old-Fashion Love", "Only You" (a track Williams also produced, taken from the Commodores first LP without Lionel Richie, "Commodores 13"), "You Don't Know That I Know", "Let's Get Started" and "Brick House". While on his way to a concert in 1980 Williams crash landed his single engine plane on a freeway in Phoenix, AZ

neg: Don't Let Me Be the Last to Know Spears wants to hear her boyfriend say he needs her all the way and that he loves her. Spears considered it a "pure and delicate" song. "It's just one of those songs that pull you in. That's why I like it, and I like singing it as well", she continued. "I think they wrote it 'specially for me, because the lyrics of the song, if you really listen... they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying." "Don't Let

neg: Louis Alter Low" (1930) and "Ballyhoo" (1931). His first song hit was "Hugs and Kisses" in 1926. In 1928, Alter composed the music and wrote the lyrics of Paris (1928 musical). Other top tunes by Alter include "My Kinda Love," "You Turned the Tables on Me," "Nina Never Knew," "Do You Know What It Means to Miss New Orleans" (for the 1947 film "New Orleans"), "Blue Shadows" and "Rainbow on the River." He wrote "A Melody from the Sky" and "Twilight on the Trail" for "The Trail of the Lonesome Pine" (1936). His collaborators included Oscar Hammerstein II, Charlotte Kent, Raymond Klages,

neg: Used to Love You a record out where I’m actually going through things in real time. [But t]his is like, I wrote that song like a couple weeks ago." According to Daniel Kreps of "Rolling Stone" that could be seen in the lines of the chorus, "I don't know why I cry / But I think it's cause I remember for the first time / Since I hated you / That I used to love you." In other poignant lyrics, she sings, "I guess nobody taught you, nobody taught you how to love." Kreps further compared the lyrical content of "Used to Love You"