query: when did the poem still i rise come out

pos: And Still I Rise And Still I Rise And Still I Rise is author Maya Angelou's third volume of poetry, published by Random House in 1978. It was published during one of the most productive periods in Angelou's career; she had written three autobiographies and published two other volumes of poetry up to that point. Angelou considered herself a poet and a playwright, but was best known for her seven autobiographies, especially her first," I Know Why the Caged Bird Sings", although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume

pos: And Still I Rise Woman", in 1995. Two of the poems in "And Still I Rise", "Phenomenal Woman" and "Just For a Time", appeared in "Cosmopolitan" in 1978. In 1994, the title poem, "Still I Rise", was part of an advertising campaign for the 50th anniversary of the United Negro College Fund. According to scholar Carol E. Neubauer, the themes in the poem in "And Still I Rise," as the title of the volume suggests, focus on a hopeful determination to rise above difficulty and discouragement. Neubauer states, "These poems are inspired and spoken by a confident voice of strength that recognizes its own

pos: And Still I Rise attention". Bloom also believes that Angelou's poetry was more interesting when she recited it. Bloom calls her performances "characteristically dynamic" and says that Angelou "moves exuberantly, vigorously to reinforce the rhythms of the lines, the tone of the words. Her singing and dancing and electrifying stage presence transcend the predictable words and phrases". Angelou began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. By the time "And Still I Rise" was published in 1978, she had published three autobiographies, eventually going on to publish seven. In 1993, she read her poem "On

pos: Phenomenal Woman: Four Poems Celebrating Women Phenomenal Woman: Four Poems Celebrating Women Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman", "Still I Rise", and "Our Grandmothers" had appeared in "And Still I Rise" (1978); "Weekend Glory" had appeared in "Shaker, Why Don't You Sing?" (1983). The volume was published a year after Random House published "The Complete Collected Poems of Maya Angelou", Angelou's first collection of poetry, and two years after she read her poem "On the Pulse of Morning" at

pos: Phenomenal Woman: Four Poems Celebrating Women President Bill Clinton's inauguration in 1993. Phenomenal Woman: Four Poems Celebrating Women Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman", "Still I Rise", and "Our Grandmothers" had appeared in "And Still I Rise" (1978); "Weekend Glory" had appeared in "Shaker, Why Don't You Sing?" (1983). The volume was published a year after Random House published "The Complete Collected Poems of Maya Angelou", Angelou's first collection of poetry, and two years after she read her poem

pos: The White Man's Burden of the world. In 2018, students at the University of Manchester cited such Eurocentic racism as a reason for having replaced Rudyard Kipling's 19th-century poem "If—" (1895) with the 20th-century poem "Still I Rise" (1978), by Maya Angelou. The poem of "The White Man's Burden", by Rudyard Kipling, was first published in "The New York Sun", on 10 February 1899. Three days earlier, on 7 February 1899, in the course of senatorial debate to decide (Joint Resolution S.R. 210 ) if the U.S. should retain control of the Philippine islands and the ten million Filipinos conquered from Imperial Spain, Senator

neg: Poetry of Maya Angelou states that the poem "One More Round", in "And Still I Rise" is heavily influenced by the work and protest songs of the past. The even-number stanzas in the eight-stanza poem create a refrain like those found in many work songs and are variations of many protest poems. Stepto is impressed with Angelou's creation of a new art form out of work and protest forms, but does not feel that she develops it enough. He places Angelou's work in the tradition of other Black poets, and compares the poems in "And Still I Rise" to the works of Langston Hughes,

neg: And Still I Rise Ellen Lippmann calls "Still I Rise" a "proud, even defiant statement of behalf of all Black people". Angelou, during an interview in 1997, stated that she used the poem to help sustain her during hard times, and that many people, both Black and white, used it in the same way. Two of the poems in "And Still I Rise," "Woman's Work" and "Momma's Welfare Roll", speak about women positively. "Woman Work", without explaining or complaining, lists the mundane chores a stay-at-home wife and mother must accomplish. Neubauer compares the poem to "Phenomenal Woman", both of which share the same strong

neg: What Is Man? (King essay) example of the "prodigal son" is then used to describe our relationship with God, believing that God will forgive us if we ask for it, 'man is not made for the far country of evil…decided to rise up…I still love you'. This is then defined as the 'glory of our religion that when man decides to rise up, from his evil, there is a loving God saying, 'Come home, I still love you"'. This is then compared to the actions of United States civilisation who started out right writing 'all men are created equal and endowed by their Creator with

neg: And Still I Rise community. Like her previous volumes of poetry, the reviews of "And Still I Rise" were mixed. The collection's title poem, "Still I Rise", was the center of an advertising campaign for the United Negro College Fund. Two others, "Phenomenal Woman" and "Just For a Time", were previously published in "Cosmopolitan". "Phenomenal Woman" was one of Angelou's poems featured in the film "Poetic Justice". "And Still I Rise" is Maya Angelou's third volume of poetry. She studied and began writing poetry at a young age. After her rape at the age of eight, as recounted in her first autobiography "I Know

neg: Autobiographies of Isaac Asimov <poem>In memory yet green, in joy still felt, The scenes of life rise sharply into view. We triumph; Life's disasters are undealt, And while all else is old, the world is new.</poem> Doubleday agreed to Asimov's new title, but could not find the source of the verse he had given them. When Doubleday inquired, Asimov confessed: "I wrote it myself". The poem was included at the front of the book, attributed to "Anon." "In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978" (1980) is the second part of Asimov's autobiography. The title is also taken from the poem. Asimov

neg: Munroe Bergdorf the face of its Beauty Spotlight campaign, which concerned gender fluidity. In a statement, the company described Bergdorf as embodying "diversity and individuality; she is not scared to be truly herself." It added that it did not "stand or accept any form of racism, but we also believe Munroe’s comments have been edited out of context by a certain media title (who we won't bother naming) without telling a true story". Also in September 2017, Bergdorf gave a verbal performance of Maya Angelou's poem "Still I Rise" for a short film directed by Bec Evans and Laura Kirwan-Ashman. In February

neg: Come hither child my wet eyes raised on high I prayed to God that I might die Suddenly in that silence drear A sound of music reached my ear And then a note I hear it yet So full of soul so deeply sweet I thought that Gabriel's self had come To take me to my father's home Three times it rose that seraph-strain Then died nor lived ever again But still the words and still the tone Swell round my heart when all alone </poem> "Come hither child" is written in the persona of an unnamed fictional character from Emily's Gaaldine juvenilia.

neg: Atiqa bint Zayd he left her and left her alone and did not go to her. She sent a client of hers, saying to him, "Come, and I will prepare for you." After Umar became Caliph, when Aisha learned that Atiqa had broken her vow of celibacy, she sent her a message: <poem>"I vow that mine eye will not cease to be dry for thee," "and my skin will be yellow with dye."</poem> Return our property to us!" When Ali also recited this poem to them, Umar told Atiqa to return the land. He settled an equivalent sum of money on her, which

neg: Poetry of Maya Angelou mention her in their songs. Tupac Shakur, who appeared in the film "Poetic Justice", which featured Angelou's poetry, named his album "Still I Rise", released in 1999 after his death, for Angelou's poem. Nicki Minaj wrote a song also called "Still I Rise", for her 2009 mixtape "Beam Me Up Scotty". Although Minaj's song does not mention Angelou explicitly, its themes of overcoming hardship echo the themes in Angelou's poem. Angelou inspired the work of Kanye West, who has referenced Angelou throughout his career, including in a remix of Talib Kweli's "Get By", which West produced in 2002, and in

neg: And Still I Rise she considers it successful as a statement of a Black woman's experiences and of her determination to survive and grow. "And Still I Rise" consists of 32 poems, divided into three parts. The first part, entitled "Touch Me, Life, Not Softly", has been called "joyful" and affirms the poet's strength as a woman and as a lover. Part Two, "Traveling", focus on the hardships, such as drug addiction, child abuse, inner-city life, and conditions in the Old South, that the author and others have experienced. Part Three, "And Still I Rise", which gets its name from the volume's title poem,

neg: And Still I Rise the possibilities of what he considered good poetry in her writing, and states that her best poems borrow "various folk rhythms and forms and thereby buttresses her poems by evoking aspects of a culture's written and unwritten heritage". He places Angelou's work in the tradition of other Black poets, and compares the poems in "And Still I Rise" to the works of Langston Hughes, Gwendolyn Brooks, and Sterling Brown. For example, many of Angelou's poems remind Stepto of Brown's poems. "Still I Rise" reminds Stepto of Brown's most famous poem, "Strong Men". Stepto explains Angelou's success and popularity as a

neg: And Still I Rise enough. In Angelou's favorite poem, "Still I Rise", which shares its title with a play she wrote in 1976, she refers to the indomitable spirit of Black people, using repetition and the categorization of injustices against them. She quoted it during interviews and often included it in her public readings. Despite adversity and racism, Angelou expresses her faith that one will overcome and triumph. Hagen compares "Still I Rise" with spirituals that express hope. As she does in "Phenomenal Woman" and throughout her poetry and autobiographies, Angelou speaks not only for herself, but for her entire gender and race. Reviewer

neg: Sov du lilla vide ung playroom represents a country road going through a forest. It is early spring; the snow is melting, and birds are singing." A bit further into the text Sunshine says: "Could I bring the willow bush to life? I want to try." "She takes a branch of willow bush, rocks it on her knee and sings:" <poem> </poem> Sunshine continues: "When I gaze at you, the sap begins to rise out into your fine bark, you get warm around your frozen heart, and feel something in the air, which tells you the spring is coming. Yes, so is it "(sings:)" <poem>

neg: Blimp Rock the website. Also as part of the deal, Elvrum tweeted the following haiku: <poem>I still can't be bought but I did just sell ad space to a blimp concert</poem> In October 2015, Blimp Rock requested royalties from the Toronto Blue Jays for their 2012 song "Oh Baseball." In a Facebook post, the group claimed to have invented the "Come Together" slogan adopted by the Major League Baseball team in February, 2015. While the royalty claim proved unsuccessful, the dispute led to a large amount of hate mail being sent to the band, ultimately providing them with the material for the

neg: And Still I Rise Hagen calls it a "shouting poem" due to its short lines and repetition. In "Lady Luncheon Club", Angelou humorously describes an overly intellectual speaker at a woman's club. Critic Robert B. Stepto states that the poem "One More Round" is heavily influenced by the work and protest songs of the past. The even-number stanzas in the eight-stanza poem create a refrain like those found in many work songs and are variations of many protest poems. He is impressed with the creation of a new art form out of work and protest forms, but does not feel that Angelou develops it

neg: Rise (perfume) done in multiple countries with positive feedback. It was also revealed that the perfume was inspired by a poem by African-American author Maya Angelou. Journalists Katy Waldman of "Slate", Kathleen Hou of "New York" and Treye Green of the "International Business Times" noted "Still I Rise" from Angelou's book "And Still I Rise" as a potential inspiration. The fragrance features various notes. The top notes consist of an Italian bergamot orange, golden apricot and a basil sorbet. The middle notes contain gold symphony orchid (identified as Beyoncé's favorite flower), freesia blossom and "jasminum sambac". Rise concludes with base notes of

neg: Dhalgren have come to to wound the autumnal city.") Recalling Kid's entry into the city, the final section contains a near paragraph-for-paragraph echo of his initial confrontation with the women on the bridge. This time, however, the group leaving is almost all male, and the person entering is a young woman who says almost exactly what Kid did himself at the beginning of his stay in Bellona. The story ends: <poem>"But I still hear them walking in the trees: not speaking." "Waiting here, away from the terrifying weaponry, out of" "the halls of vapor and light, beyond holland into the" "hills,

neg: Cuando quiero llorar no lloro The title is a reference to the poem "Cancion de Otoño en Primavera (Song of Autumn in the Springtime)" by the Nicaraguan poet Rubén Darío. <poem> Youth, divine treasure, Gone, never to come back! When I want to cry, I don't ... and sometimes I cry without a want ... </poem> Another translation: <poem> Youth, treasure only gods may keep, Fleeting from me forever now! I cannot, when I wish to, weep, And sometimes I cry, I know not how… </poem> Cuando quiero llorar no lloro Cuando quiero llorar no lloro ("When I want to cry, I don't") is the

neg: Early, Early in the Spring (folk song) of her when in danger during storms and battles. When he returns to England he sometimes finds a letter in the street: <poem> As I was walking up London Street I found a letter at my feet And down in the bottom these lines were wrote A single sailor is soon forgot. </poem> He goes to her father's house, where her father tells him she is married, often to a rich man: <poem> I walked straight out to her father's hall And for my true love I did call "Your true love's married, she's a rich man's wife, She's married

neg: Dou Jiande forces panicked and collapsed. Dou was wounded by a spear, but still fled, but when he reached the Yellow River, intending to cross, he suddenly fell off his horse. The Tang generals Bai Shirang (白士讓) and Yang Wuwei (楊武威), who were chasing him, captured him and took him back to Li Shimin. Li Shimin rebuked him, "I was only attacking Wang Shichong. What have I done to you that you come out of your own realm and to interfere with me?" Dou responded sarcastically, "If I did not come, I would have required you to extend your campaign." Empress Cao

neg: Clyde Kennard He had titled the poem "Ode to the Death Angel"<poem> Oh here you come again Old chilly death of Ol' To plot out life And test immortal soul I saw you fall against the raging sea I cheated you then and now you'll not catch me I know your face It's known in every race Your speed is fast And along the way Your shadow you cast High in the sky You thought you had me then I landed safely But here you are again I see you paused upon that forward pew When you think I'm asleep I'm watching

neg: Streets of Laredo (song) (1853–1926) of Colorado Springs, Colorado, claimed authorship of the revised "Cowboy's Lament," and his story was widely reported in 1924 by the journalism professor Elmo Scott Watson, then on the faculty of the University of Illinois at Urbana-Champaign. <poem>As I walked out in the streets of Laredo As I walked out in Laredo one day, I spied a poor cowboy, all wrapped in white linen All wrapped in white linen and cold as the clay. "I see by your outfit, that you are a cowboy." These words he did say as I slowly passed by. "Come sit down beside me

neg: Yevgeny Yevtushenko Of Yevtushenko’s work, Shostakovich has said, "Morality is a sister of conscience. And perhaps God is with Yevtushenko when he speaks of conscience. Every morning, in place of prayers, I reread or repeat by memory two poems by Yevtushenko: 'Career' or 'Boots'." In 1961 Yevtushenko also published "Nasledniki Stalina" ("The Heirs of Stalin"), in which he stated that although Stalin was dead, Stalinism and its legacy still dominated the country; in the poem he also directly addressed the Soviet government, imploring them to make sure that Stalin would "never rise again". Published originally in "Pravda", the poem was not republished

neg: Fifteen Dogs away from light and in the attic cuss the dark.</poem> Max:<poem> The leaves they run like mice, while birds peck at the ground. The wood has rotted in its bin, The grim axe has come round.</poem> Frick:<poem> In China, where wild dogs are eaten, I am dismayed to be in season. I curse men who think of me as food, And dream of rickshaws and laquered wood.</poem> Frack:<poem> If rackabones eat up the sky, if words spring out of rock, my soul will wind down and life run out the clock.</poem> Ronaldinho:<poem> Summer is full of smoke, and endless lawns.

neg: William Diaper out of the way. I hate to have any new wits rise, but when they do rise I would encourage them; but they tread on our heels and thrust us off the stage." In December he introduced Diaper and his new poem to the politician Henry St John and to the Somerset Member of Parliament William Wyndham through their Society of Brothers. Also referred to by Swift as the Brothers’ Club, it represented Tory opinion at ministerial level and included as another poet Matthew Prior. Swift described Diaper at this time as "a poor little short wretch" for whom he

neg: In my Craft or Sullen Art In my Craft or Sullen Art "In my Craft or Sullen Art" is a poem written by Welsh poet Dylan Thomas (1914–1953). First published in 1946 in "Deaths and Entrances", the poem describes a poet who must write for the sake of his craft rather than any material gains that may come from his work. <poem>In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms

neg: The Cancer Journals And when I couldn’t find the poems to express the things I was feeling, that’s what started me writing poetry, and that was when I was twelve or thirteen.” In high school, she saw her passion come further to life by participating in various poetry workshops, sponsored by the Harlem Writers Guild, despite feeling like an outcast . Her first poem was published by "Seventeen" magazine when she was still in high school . After high school, Lorde went on to attend Hunter College from 1954 to 1959, graduating with a bachelor's degree in library science. Lorde then furthered her

neg: Antigonish (poem) March 1922, newspaper columnist FPA printed the poem in "The Conning Tower", his column in the "New York World". Mearns subsequently wrote many parodies of this poem, giving them the general title of "Later Antigonishes". <poem> "As I was going up the stair I met a man who wasn't there! He wasn't there again today, Oh how I wish he'd go away!" When I came home last night at three, The man was waiting there for me But when I looked around the hall, I couldn't see him there at all! Go away, go away, don't you come back any

neg: Julia Balbilla him - as far as he was able. But when the Titan driving through the heavens with his steeds of white, brought into shadow the second measure of hours, like ringing bronze Memnon again sent out his voice. Sharp-toned, he sent out his greeting and for a third time a mighty roar. The emperor Hadrian then himself bid welcome to Memnon and left on stone for generations to come. This inscription recounting all that he saw and all that he heard. It was clear to all that the gods love him.</poem> <poem> "When with the August Sabina I Stood Before

neg: Astrophel and Stella white do enterlace. The windowes now through which this heav'nly guest Looks over the world, and can find nothing such, Which dare claime from those lights the name of best. Of touch they are that without touch doth touch, Which Cupids selfe from Beauties myne did draw: Of touch they are, and poore I am their straw.</poem> <poem> 19 On Cupid's bow how are my heartstrings bent, That see my wrack, and yet embrace the same? When most I glory, then I feel most shame: I willing run, yet while I run, repent. My best wits still their own disgrace

neg: Royal Scots Greys grey coats were too visible to German gunners. This gave rise to a comic poem printed at the time, of which this is the first verse: <poem> O wae is me my hert is sair, tho but a horse am I. My Scottish pride is wounded and among the dust maun lie. I used to be a braw Scots grey but now I'm khaki clad. My auld grey coat has disappeared, the thocht o't makes me sad. </poem> By January 1916, the Scots Greys were back in action, albeit in a piecemeal fashion. With the Kitchener Armies still not fully

neg: High Rise (EP) heard on Pandora Radio for Pandora Premieres, including the singles "Out of Time" and "Black Heart" that were featured on the EP officially. Stephen Thomas Erlewine of Allmusic gave "High Rise" a favorable review, writing that "these songs are expertly sculpted, playing upon the kind of riffs and melodies that made the group alt-rock titans in the '90s, and still sounding somewhat irresistible even when they're po-faced." "Montreal Gazette" gave "High Rise" a mixed review, awarding it 2.5 out of 5 stars, stating that ""High Rise" gives us the springy, bass-driven songs we've come to expect from STP. But again,

neg: Drink to Me Only with Thine Eyes Drink to Me Only with Thine Eyes "Drink to Me Only with Thine Eyes" is a popular old song, the lyrics of which are English playwright Ben Jonson's 1616 poem "." <poem> Drink to me only with thine eyes, Or leave a kiss within the cup, The thirst that from the soul doth rise But might I of Jove's nectar sup, </poem> <poem> I sent thee late a rosy wreath, As giving it a hope, that there But thou thereon didst only breathe, Since when it grows, and smells, I swear, </poem> John Addington Symonds demonstrated in "The Academy" 16

neg: Crazy Nights "Asylum Tour". Stanley had the chorus and with Mitchell's assistance, the song was finished. The song did not come out well when played live, so it was only played a couple of times. Stanley recalled when he played the "Reason to Live" demo to Simmons, "I remember calling up Gene and playing it to him down the phone... I played the song to Gene, and obviously the bomb had gone off at the other end. He was speechless." Stanley was always okay with having power ballads on Kiss albums, which first started with "I Still Love You" on "Creatures of

neg: Carroll O'Connor support you if it's good. I had great people around me and I took from all the people who were around." He also stated, when he compared Carroll O'Connor's character to his acting mentor's real-life persona: "Carroll O'Connor brought his humanity to the character even though he had these abhorrent views. He's still a feeling, human being. He loved his wife even though he acted the way he did, and he loved his daughter. Those things come out. I don't think anybody's all good or all bad." When "All in the Family" ended after nine seasons, "Archie Bunker's Place" continued

neg: When I Was Growing Up women have achieved equality, today this poem still speaks great volumes regarding the ways in which hegemonic femininity is still perceived and the tokenism people of various racial, sexual, religious, class, socio-economic status are portrayed as in Western popular culture and media. The last section of the poem, has its last line indicated in the "Columbia Granger's Index to Poetry in Anthologies". The poem has been frequently anthologized in educational curricula. When I Was Growing Up When I Was Growing Up is an autobiographical poem written by revolutionary feminist activist, Nellie Wong in 1973, describing her struggle to identify as

neg: Mike Wilson (writer, born 1974) that had reissued "Leñador". The text – which in his words "is an inventory of impressions, a nouvelle in verse, a long poem, a list" – was written in 2015 in Ushuaia, on a trip to Argentine Patagonia. "At the time I wrote, "Leñador", I did not want anything to do with narrative. I needed to get away and I did not want to continue publishing fiction; it was what I honestly felt at that moment and I still think a little," said Wilson about his return to fiction, recognizing that he "cheated" after that novel when writing "Scout". He

neg: If— Williams recited a version of the poem for International Women’s Day 2017, substituting ‘woman’ for ‘man’. In July 2018 students of Manchester University painted over a mural with the poem written on it, and replaced it with "Still I Rise" by Maya Angelou, saying that Kipling “dehumanised people of colour”. If— "If—" is a poem by English Nobel laureate Rudyard Kipling, written circa 1895 as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. The poem, first published in "Rewards and Fairies" (1910), is written in the form of paternal advice to the poet's son,

neg: Portia Nelson become a highly popular self-help and recovery text: <poem style= margin-left:0.3em;"> Chapter I I walk down the street. It takes me forever to find a way out. Chapter II I walk down the same street. I can't believe I am in the same place. It still takes a long time to get out. Chapter III I walk down the same street. It is "my" fault. I get out immediately. Chapter IV I walk down the same street. Chapter V I walk down another street.</poem> The poem (which was often uncredited to Nelson) was adopted by motivational speakers and reprinted in

neg: William Empson in quite the opposite manner. What the poem brings out is the difficulty faced by anyone in encountering and submitting to the will of God and, indeed, the great clash between the authority of such a deity and the determinate desires and needs of human beings: the poem is not good in spite of but especially because of its moral confusions, which ought to be clear in your mind when you are feeling its power. I think it horrible and wonderful; I regard it as like Aztec or Benin sculpture, or to come nearer home the novels of Kafka, and

neg: Ambri (poem) to write two times about this incident but he was not satisfied with it as enough feelings were not there. Then, after ten years, when he was on his job in Pindigheb, he wrote about the whole incident and he didn't even have to change the names of the boys in his poem. He said that, at that time, he had come to realize that the poem had come to him with its own lines. It was meant to be written like this- a delayed poem, rather than when I was forcing myself to write it. He further said that

neg: Come hither child 'waken', 'woe' and 'weep' to create a sorrowful atmosphere. There is also a heavy emphasis on sensory vocabulary, particularly sound with phrases such as 'I hear it yet' and 'still the tone'. There are also religious references throughout, including a reference to the angel Gabriel. Come hither child Come hither child is a poem written by the English poet Emily Jane Brontë, one of the four Brontë siblings famous for literature in the first half of the 19th century. The poem was written on 19 July 1839. It is set in the imaginary realm of Gaaldine, referring to Ula, a

neg: United States Senate inquiry into the sinking of the RMS Titanic satirical song of the time went: <poem> I'm Senator Smith of the USA, Senator Smith, that's me! A big bug in the enquiry way, Senator Smith, that's me! You're fixed right up if you infer I'm a cuss of a cast-iron character. When I says that a thing has got ter be, That thing's as good as done, d'yer see? I'm going to ask questions and find out some If I sit right here till kingdom come – That's me! Senator Smith of the USA. </poem> Many newspapers published scathing editorial cartoons depicting Smith in unflattering terms, such as the

neg: Ruler of the World well and it was a very messy race. I had no option but to go on when I did. I knew he'd stay the trip very well but I got there a bit soon and he was very green. He'll get further. He's got a really likeable attitude. I knew the others were coming because I'd gone too early, but he really toughed it out and showed a very good attitude." O'Brien praised his winner, saying, "Credit to him, as he is really still a baby. But he'd come on a lot for his race at Chester." Responding to suggestions

neg: Mayfly "June 10th, 1771" how The mayfly has come to symbolise the transitoriness and brevity of life. The English poet George Crabbe, known to have been interested in insects, compared the brief life of a newspaper with that of mayflies, both being known as "Ephemera", things that live for a day: The theme of brief life is echoed in the artist Douglas Florian's 1998 poem, "The Mayfly". The American Poet Laureate Richard Wilbur's 2005 poem "Mayflies" includes the lines "I saw from unseen pools a mist of flies, In their quadrillions rise, And animate a ragged patch of glow, With sudden

neg: Shéhérazade (Ravel) langoureux ou frivole Que mon amoureux chéri joue, Et quand je m'approche de la croisée Il me semble que chaque note s'envole De la flûte vers ma joue Comme un mystérieux baiser. </poem><poem> The shade is pleasant and my master sleeps In his conical silk hat With his long, yellow nose in his white beard. But I am still awake And from outside I listen to A flute song, pouring out By turns, sadness and joy. A tune by turns langorous and carefree Which my dear lover is playing, And when I approach the lattice window It seems to me

neg: I Still Have a Pony I Still Have a Pony I Still Have a Pony is the second live comedy album by Steven Wright. The title is a play on that of Wright's previous album "I Have a Pony", which was released 22 years before. The album contains the audio from his Comedy Central standup comedy special "When the Leaves Blow Away". Wright claims to have come back with a new album and special because "the people in college now weren't even born or were like five years old when I did my last HBO special." Like its predecessor, the album was nominated for the

neg: I Still Have a Pony Grammy Award for Best Comedy Album. I Still Have a Pony I Still Have a Pony is the second live comedy album by Steven Wright. The title is a play on that of Wright's previous album "I Have a Pony", which was released 22 years before. The album contains the audio from his Comedy Central standup comedy special "When the Leaves Blow Away". Wright claims to have come back with a new album and special because "the people in college now weren't even born or were like five years old when I did my last HBO special." Like its predecessor,

neg: Sam Hunt (poet) obtained University Entrance. Hunt has said that "if Mr Arvidson ... had not come to the school, I would not have lasted [at St Peter's] as long as I did, and I'd just turned sixteen when I left. He introduced me to poets like Gordon Challis, who I've gone on loving ever since". Arvidson endowed a poetry prize at St Peter's and this was awarded to Sam Hunt in 1963. One of Hunt's most reproduced poems is "Brother Lynch", a poem about a St Peter's College teacher, Brother J B Lynch, who was sympathetic to the young Hunt. An annual

neg: Rise (Katy Perry song) previously been written prior to the Olympics, but was not completed because she felt "it didn't come out right". Perry further added: I can't think of a better example than the Olympic athletes, as they gather in Rio with their strength and fearlessness, to remind us how we ALL can come together, with the resolve to be the best we can be. I hope this song can inspire us to heal, unite, and rise together. I am honored that NBC Olympics has chosen to use ['Rise'] as an anthem before and during the Rio Games. NBC felt its message spoke

neg: Sideline Ho his girlfriend was! And just the sound of her name would make my flesh crawl. So he was like, 'Well what did you call her?' I said, 'She has no name. She has no importance [...] I always referred to her as the 'sideline ho,' because she was too comfortable with her position." While Monica remarked that she "never would've thought he would come back in the room, like 'that's the title of the song', she went on to "give him play by play details", which she had previously documented in a self-written poem and "that really stood out in

neg: And Still I Rise rhythm that resounds with underlying confidence". Angelou said that she wrote the poem for all women, regardless of their race or appearance. She also stated, "Now, I know men are phenomenal, but they have to write their own poem". Many of Angelou's poems focus on racial subjects and themes. They continue the themes of mild protest and survival also found in her autobiographies, and inject hope through humor. In "Ain't That Bad?", she uses the Black English vernacular word "bad" to connote positive connections with Black culture, mores, customs, and leaders, and to help build Black pride. Scholar Lyman B.

neg: Still I Rise: A Cartoon History of African Americans Still I Rise: A Cartoon History of African Americans Still I Rise: A Cartoon History of African Americans is a book by co-authored by Roland Owen Laird Jr. and Taneshia Nash Laird, and illustrated by Elihu “Adolfo” Bey. First published in September 1997, it was the first book to tell the vivid history of African Americans in one 200+ page cartoon narrative. "Still I Rise" covers the history of black people in America between the time periods of 1618, when the first skilled African craftspeople and farmers were brought over as indentured servants, to the Million Man March of 1995.

neg: Rollright Stones if Long Compton thou canst see, King of England thou shalt be!</poem> His troops gathered in a circle to discuss the challenge and his knights muttered amongst themselves– but the king boldly took seven steps forward. Rising ground blocked his view of Long Compton in the valley and the witch cackled: <poem>As Long Compton thou canst not see, King of England thou shalt not be! Rise up stick and stand still stone, For King of England thou shalt be none; Thou and thy men hoar stones shall be, And I myself an elder tree!</poem> The king became the solitary King

neg: The Land of Lost Content (John Ireland) content, I see it shining plain, The happy highways where I went And cannot come again. </poem>" The Land of Lost Content (John Ireland) The Land of Lost Content is a song cycle for voice and piano composed in 192021 by John Ireland (18791962). It consists of settings of six poems by A. E. Housman from his 1896 collection "A Shropshire Lad". A typical performance takes about 11 minutes. The songs are, with Roman numerals from "A Shropshire Lad", and first lines where Housman did not title his poem: The title of the cycle is taken from Housman's poem "Into

neg: The Wild Swans at Coole (poem) and the fifth line in pentameter, so that the pattern of stressed syllables in each stanza is 434353. The rhyme scheme in each stanza is ABCBDD. <poem> The trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirrors a still sky; Upon the brimming water among the stones Are nine-and-fifty swans. The nineteenth autumn has come upon me Since I first made my count; I saw, before I had well finished, All suddenly mount And scatter wheeling in great broken rings Upon their clamorous wings. I have looked upon those brilliant creatures,

neg: Poem code Life That I Have", an example). Frequently, the poems were humorous or overtly sexual to make them memorable ("Is de Gaulle's prick//Twelve inches thick//Can it rise//To the size//Of a proud flag-pole//And does the sun shine//From his arse-hole?"). Another improvement was to use a new poem for each message, where the poem was written on fabric rather than memorized. Gradually the SOE replaced the poem code with more secure methods. Worked-out Keys (WOKs) was the first major improvement – an invention of Marks. WOKs are pre-arranged transposition keys given to the agents and which made the poem unnecessary. Each message would

neg: Louise Bogan A Portrait", won a Pulitzer Prize in 1986. Ruth Anderson's sound poem "I Come Out of Your Sleep" (revised and recorded on Sinopah 1997 XI) is constructed from speech sounds in Bogan's poem "Little Lobelia." "I cannot believe that the inscrutable universe turns on an axis of suffering; surely the strange beauty of the world must somewhere rest on pure joy!" – Louise Bogan Though open to interpretation, "Medusa" is a poem that revolves around the petrification of the speaker who contemplates the concept of time. In the poem, after the speaker bears witness to the apparition of the Gorgon

neg: The Moneytree (film) friend tells him he's stupid; "it's a small-time suckers game". His girlfriend thinks he's crazy, but David likes what he's doing and can't see the harm in it; "did you ever see anyone lying in the gutter with a joint in his hand?" Come to think of it, I haven't still things start to come apart when a good buddy is busted in L.A.X., while another meets something far more nasty than the police. David knows he should pull out, but somehow this seems "dishonorable"; and he goes on with the play hoping to pull it off in the last

neg: Anne of Denmark ever met her, James turned to verse to pay his respects: <poem>So did my Queen from hence her court remove And left off earth to be enthroned above. She's changed, not dead, for sure no good prince dies, But, as the sun, sets, only for to rise.</poem> Anne gave birth to seven children who survived beyond childbirth, four of whom died in infancy or early childhood; she also suffered at least three miscarriages. Her second son succeeded James as King Charles I. Her daughter Elizabeth was the "Winter Queen" of Bohemia and the grandmother of King George I of Great

neg: Elite (album) familiar producer: “When we did Invade, Josh was still learning,” tells Cocchi of the five weeks the band spent with Wickman working on Elite. “We were learning new ways and figuring things out that made the recording [of Invade] easier for us and made it come out better. So when we got to do Elite, we already had a system with Josh. We knew how we were going to do everything. We still experimented and tried out different shit. It just flowed. We had a better schedule. When we did Invade, we would track for six hours and then go

neg:
Fragments of Olympian Gossip am content to stay behind,"
 "Perhaps I failed, but I did my best,"
 "These masters of mine may do the rest."
 "Come, Kelvin, I have finished my cup."
 "When is your friend Tesla coming up."" ""Oh, quoth Kelvin, he is always late,"
 "It would be useless to remonstrate."" "Then silence—shuffle of soft slippered feet—"
 "I knock and—the bedlam of the street." "Nikola Tesla, Novice" Fragments of Olympian Gossip "Fragments of Olympian Gossip" is a poem that Nikola Tesla composed in the late 1920s for his friend, George Sylvester Viereck, an illustrious German poet and mystic. It made fun of the

neg: Sunil Yapa kind of a tough year. Houston was very much a literature program, and not reading for writers exactly, but reading from a critical perspective. I realized right away I didn’t want to do that. I know so many great writers who come out of there, I still have great friends from there, but I realized what kind of writer I was, and I don’t know, I love Faulkner, but I don’t wanna get into the themes of "As I Lay Dying". I wanted to learn how to do multiple narrators. So I did a year there, I dropped out, I

neg: Amanda Palmer and in theatre, Palmer spent time busking as a living statue called "The Eight Foot Bride" in Harvard Square, Cambridge; Edinburgh, Scotland; Australia (where she met Jason Webley); as well as many other locations. She refers to this line of work on The Dresden Dolls' self-titled CD, with the song "The Perfect Fit": <poem>I can paint my face And stand very, very still It's not very practical But it still pays the bills</poem> as well as on the "A is for Accident" track "Glass Slipper": <poem>I give out flowers To curious strangers who throw dollars at my feet.</poem> At a

neg: Internal rhyme hip hop artist who uses complex internal rhymes is AZ, as shown in "The Format": <poem> Young and gifted, my tongue's prolific In the beach bungalow is how I brung in Christmas To the streets I'mma flow from the hungriest districts Swiss kicks crisp when I come to them picnics Play slow, paper chase stack and lay low Range rove tinted all black the same old Psychic mind, righteous rhymes that turned a new leaf from a life of crime No concerns with new beef, who's as nice as I'm It's confirmed, from few feet I'm still a sniper blind

neg: 2016 Folds of Honor QuikTrip 500 and I guess they must have penalized us a couple laps or something. I don’t really know. I haven’t really seen it.” Team owner Joe Gibbs said after the race that he thought "we’ve been doing that for a long time, and I was just curious when that change came. So if we missed something on the change, that’s what I was trying to find out. When did that come out and when they did change it because our guys have been laying it there for a long time.” Wise was also tagged for his crew being over the wall

neg: Joachim von Ribbentrop listened to what Hitler said one day when Ribbentrop wasn't present: 'With Ribbentrop it is so easy, he is always so radical. Meanwhile, all the other people I have, they come here, they have problems, they are afraid, they think we should take care and then I have to blow them up, to get strong. And Ribbentrop was blowing up the whole day and I had to do nothing. I had to break – much better!' Another factor that aided Ribbentrop's rise was Hitler's distrust of, and disdain for, Germany's professional diplomats. He suspected that they did not entirely support

neg: P.S. I Still Love You used to hang out in will soon be cut down, she decides to throw a reunion party there and invites John. She also plans to open a time capsule that they buried at the treehouse when they were in seventh grade. At the treehouse party, Peter brings his ex-girlfriend, Genevieve, knowing that Lara Jean did not want her to come. Lara Jean also finds out that the two were hanging out before the party, prompting her to become suspicious, and a little jealous, of Peter and Genevieve's "relationship". During the party, Lara Jean distracts herself from Peter by focusing on

neg: Donghak Peasant Revolution Donghak Peasant Revolution gave way for various folk songs. The most famous is the "Oh Bird, Oh Bird, Oh Roller" (the 'roller' being mentioned is the broad-billed roller). <poem> Oh bird, oh bird, oh roller Do not sit in the Nokdu fields For when the Nokdu flower falls The jelly seller weeps. Oh bird, oh bird, oh roller Why did you come out For the pine and bamboo leaves are green We thought it was summer But it is freezing with snow </poem> In this song, the 'roller' are the Japanese soldiers (who wore blue uniforms). The 'Nokdu fields' is

neg: Reisalpe President and Director of the Austrian-Hungarian Alpine Club, Dr. Klotzberge. He accepted the keys with great honor and declared to preserve the integrity of this shelter for future generation. But, the festivities did not end there. The Reisalpe poem was read out loud: <poem> "Great calm and deep peace is only with you, when you are on this land. What is the magic of the forest? Of the trees? Of the birds and the bees? Of God's great commands? The trunk of the great Black Pine still lives, when it bleeds. You are in the Alps so high, are you

neg: Sweet Sweetback's Baadasssss Song from too radically changing the film. After "Watermelon Man" proved to be a financial success, Van Peebles was offered a three-picture contract. While the deal was still up in the air, Van Peebles- still wanting to create the first black power film- developed the story for "Sweet Sweetback's Baadasssss Song". The initial idea for the film did not come clearly to him at first. One day, Van Peebles drove into the Mojave desert, turned off the highway, and drove over the rise of a hill. He parked the car, got out, and squatted down facing the sun. He decided that

neg: There Will Come Soft Rains (short story) year changed to 2026 in later printings). The title and motif of the story, as outlined above, comes from Sara Teasdale's 1920 poem, "There Will Come Soft Rains", which had a post-apocalyptic setting inspired by World War I. The imagery of the poem is echoed and expanded in the story. The story portrays a scene of obliteration, in which the human race has been destroyed by a nuclear war. The fear of the devastating effects of nuclear force was typical of the Cold War era. The world was still recovering from the effects of World War II and events, such

neg: Richard Simpson (martyr) said to his executioner I cannot hear, but embracing the ladder he kissed the steps. When he was in quartering, the people cried out, 'A devil, a devil,' because he had on him a shirt of hair; but the wiser sort said he wore it because he had fallen. A poem by an anonymous writer, who seems to have been present at the executions, and is quoted in Challoner, describes the executions as follows: <poem> "When" Garlick "did the ladder kiss", "And" Sympson "after hie," "Methought that there St." Andrew "was" "Desirous for to die." "When" Ludlam "lookèd smilingly," "And

neg: The Merry Month of May (poem) May," "So frolic, so gay, and so green, so green, so green!" "O,and then did I unto my true love say," "Sweet Peg, thou shalt be my Summer's Queen." "Now the nightingale, the pretty nightingale," "The sweetest singer in all the forest quire," "Entreats thee, sweet Peggy, to hear thy true love's tale:" "Lo, yonder she sitteth, her breast against a brier." "But O, I spy the cuckoo, the cuckoo, the cuckoo;" "See where she sitteth; come away, my joy:" "Come away, I prithee, I do not like the cuckoo" "Should sing where my Peggy and I kiss and toy."

neg: Omnibot and $350 in the U.S. i-SOBOT is fully bi-pedal. In 2013 the new robot i-SODOG will come out from Tomy. Omnibot The Omnibot (オムニボット) is a toy robot originally manufactured by Tomy in the mid-1980s. The name then came to apply to the successful line of robots manufactured by the company. The initial Omnibot was announced with expectations of restoring popular interest in robots, at a time when it was becoming obvious that robots with advanced AI such as R2-D2 were still a long way away. A more advanced version of the Omnibot was called the Omnibot 2000 and did

neg: Fall of Tenochtitlan nor our warnings could stop their looting, though we did all we could...I had posted Spaniards in every street, so that when the people began to come out [to surrender] they might prevent our allies from killing those wretched people, whose numbers was uncountable. I also told the captains of our allies that on no account should any of those people be slain; but there were so many that we could not prevent more than fifteen thousand being killed and sacrificed [by the Tlaxcalans] that day". Throughout the battles with the Spanish, the Aztecs still practiced the traditional ceremonies and

neg: Court-martial of James, Lord Gambier questions put to him. Cochrane did not fully comply with these instructions, and was further admonished for recounting conversations with other officers regarding Gambier's conduct, which the court ruled "inappropriate" hearsay. Cochrane then read out a letter sent to him by Gambier on the morning of 13 April, when much of the French fleet was still exposed, which urged him to withdraw, lest he "tarnish [the victory] by attempting impossibilities". In an attachment, Gambier permitted Cochrane one further attack on the French, but wrote "I do not think you will succeed; and I am anxious that you should come to

neg: Sad Cypress Elinor's husband, not Roddy. The Victims: In the village In the courtroom The title comes from a song from Act II, Scene IV of Shakespeare's "Twelfth Night" which is printed as an epigraph to the novel. <poem>Come away, come away, death, And in sad cypress let me be laid; Fly away, fly away breath; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it! My part of death, no one so true Did share it.</poem> The novel is written in three parts: in the first place an account, largely from the

neg: Man Udhan Varyache she still loves Nikhil. On the other hand Nikhil’s mother pressurises him to marry Aditi, but he still longs for Gauri. They come face to face by a twist of destiny and misunderstandings rise. Will Asmee succeed in bringing Nikhil? Man Udhan Varyache Man Udhan Varyache was a serial aired on Star Pravah at 7:00 PM every Monday - Saturday. This show is about a girl called Gauri, who sacrifices her love for Nikhil. She steps out of his life when she finds out about his love for Neeraja, but fate has other plans for her. Nikhil has lost his

neg: Sonnet 71 the world (Sonnet 27 and Sonnet 28). <poem> O, if, I say, you look upon this verse When I perhaps compounded am with clay, Do not so much as my poor name rehearse. But let your love even with my life decay, </poem> Throughout the entire sonnet there seems to be a movement of mourning from very real and apparent to basically vanished. By quatrain 3 the subject "narrows from the hand to the mere name [of the speaker]—as if to render the mourning ever more tenuous, while having the beloved still enact the putatively wished-for behavior." Vendler points out

neg: The Skaters at the typewriter, because I can type faster than I can write. So I did, and that is mostly the way I have written ever since. Occasionally I write a poem in longhand to see whether I can still do it. I don't want to be forever bound to this machine. Ashbery later described the poem as "A meditation on my childhood which was rather solitary" and he often associated his childhood not as a painful experience but one of boredom. Ashbery agreed with that boredom was formative to his art, similar in vein to the statement of Larry Rivers

neg: Allen Ginsberg shade. Where is America's Air Force of Light? Bombing North Laos all day and all night? Out of the poem, he made a song that was performed by Bob Dylan, other musicians and Ginsberg himself. The last few lines of the poem read: Ginsberg talked openly about his connections with communism and his admiration for past communist heroes and the labor movement at a time when the Red Scare and McCarthyism were still raging. He admired Fidel Castro and many other quasi-Marxist figures from the 20th century. In "America" (1956), Ginsberg writes: "America, I used to be a communist when

neg: Le Monocle de Mon Oncle Falls, it appears, of its own weight to earth. When you were Eve, its acrid juice was sweet, Untasted, in its heavenly, orchard air. </poem> Canto XI includes the verse, <poem> Could make us squeak, like dolls, the wished-for words. </poem> And in canto XII the poem concludes with the verse, <poem> Like a rose rabbi, later, I pursued, And still pursue, the origin and course Of love, but until now I never knew That fluttering things have so distinct a shade. </poem> Holly Stevens quotes a letter of her father in which he writes, "I had in mind simply

neg: Kunimi (practice) poems in the Man'yōshū, including MYS 1: 2 by Emperor Jomei: <poem>Countless are the mountains in Yamato, But perfect is the heavenly hill of Kagu; When I climb it and survey my realm, Over the wide plain the smoke-wreaths rise and rise, Over the wide lake the gulls are on the wing; A beautiful land it is, the Land of Yamato!</poem> Kunimi (practice) The ancient Japanese practice of , "lit." "viewing the realm", involved climbing a mountain to survey the land, often before praising it in song. It is documented in the early chronicles the "Kojiki" and "Nihon Shoki" as

neg: Unqualified (podcast) lot. So I started asking around to some friends, and I asked this technical producer guy what equipment I should buy on Amazon. And I just started recording my friends when they would come over. And then with my dear friend Sim, we started flushing out the whole thing, which clearly there’s still a lot more flushing out to do. It started out as a dinky hobby. It still is, for sure—we don’t make any money. We would love to at some point, but we want to know a little bit more what we’re doing first. Each episode has two

neg: Party (Beyoncé song) and Petey Pablo and name-drops the Bugatti brand. During an interview with WWKX (106.3 MHz FM "Hot 106") "Rise & Grind Morning Show", Cole revealed that he was originally supposed to appear on the album version and that Beyoncé later enlisted him when she was ready to release "Party" as a single. He also explained why his verse was cut short and recalled his "unforgettable" experience of working with Beyoncé: You know how many verses I did for that song. I did a version of that before her album ["4"] even came out. I did two verses. I love these

neg: Acrostic that I with faith implore, Lest Sin and Death sink me to rise no more. Lastly, O God, my course direct and guide, In Death defend me, that I never slide; And at Doomsday let me be rais'd again, To live with thee sweet Jesus say, Amen. </poem> Acrostic An acrostic is a poem (or other form of writing) in which the first letter (or syllable, or word) of each line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. The word comes from the French "acrostiche" from post-classical Latin "acrostichis", from

neg: Still I Rise: A Cartoon History of African Americans the creative writing program at the University of Washington, he has written over 20 screenplays, published over 50 reviews, and has lectured in 9 countries as well as being a regular speaker at American campuses. Charles Johnson points out in his introduction, the history of African American cartooning runs very deep, yet is almost unknown. “"Still I Rise" is a great contribution. It not only tells history, it makes history.” "Still I Rise" begins with an introduction by Charles Johnson about black cartoonists and the subjects they dealt with. The book uses two elderly narrators, one male and one female,

neg: Kleve The German reserves would have to come through Cleves, and we would have to breach the Siegfried Line and get there. And your own lives, your own troops, must come first, so I said yes, I did want it taking out. But when all those bombers went over, the night just before zero hour, to take out Cleves, I felt a murderer. And after the war I had an awful lot of nightmares, and it was always Cleves. Horrocks later said that this had been "the most terrible decision I had ever taken in my life" and that he felt

neg: Shaikhzada Babich There will come a time Bashkir edge Find out and see the dawn? And it seems that the great and strong, I keenly listens to the Urals, And it seems that anxiety disappeared, And the day flashed, began to play. It seems to me: the song flies from a distance, Fly to dispel misfortune And I believe: I'll wait for the desired period — And I believe, and I cry, and wait! </poem> <poem> Who is he, the formidable Salavat? What he is famous and rich? He — the native land damask, He daring rich! Neither sleep nor waking Is

neg: Groove Me had worked about twenty feet away from Floyd at an east L.A. box factory. In Floyd's words: "She'd just watch me and smile at me all day. When I went to the water fountain, she would make it her purpose to come up to the water fountain. But, I was so shy. So, I decided one day that I was gonna write this poem and give it to her and I wrote 'Groove Me.' Believe it or not, after I finished it she never came back to work. It blew me away. So, I never gave her the poem. Man,

neg: Come hither child Come hither child Come hither child is a poem written by the English poet Emily Jane Brontë, one of the four Brontë siblings famous for literature in the first half of the 19th century. The poem was written on 19 July 1839. It is set in the imaginary realm of Gaaldine, referring to Ula, a province of Gaaldine. <poem> Come hither child - who gifted thee With power to touch that string so well? How darest thou rouse up thoughts in me Thoughts that I would - but cannot quell? Nay chide not lady long ago I heard those notes

neg: Gloria Oden to his impact on her life, as the introductory poem narrates: <poem>With childhood's eye I see him: Enthroned upon his pulpit, he sits Between his deacons in Pentecostal trinity; in the sober elegance of serge, With childhood's ear I hear him: Whether resonant with God's message or lining out the common meter of a hymn, he voices our resolve to forsake this world of glittering seduction for the untarnishing treasure what is to come.</poem> Written twenty-five years after his death and dedicated to the "Black" church, the slender book's eight hymn-like poems are organized by days of the week. Starting

neg: The Coolin O Duagain of Benburb's poem was also printed, with translations, in Douglas Hyde's "Love Songs of Connacht" (1893), with the first line "A's éirigh do shuidhe a bhuachaill a's gleus dam mo ghearrán" ("And rise up lad, and get ready for me my nag"). Hyde omits two stanzas already printed by Hardiman, and describes this as a version collected in Connacht. Donnellan, after dismissing Walker, Grattan Flood and O'Curry's other suggestions, states that the probability "is that O'Dugan of Benburb did compose a poem with this air perhaps substantially the same as the different versions given by Hardiman, Vol. I.,

neg:
Oh! Susanna 4. I soon will be in New Orleans, and then I'll look all around, And when I find Susanna, I'll fall upon the ground. But if I do not find her, this darkie'll surely die, And when I'm dead and buried—Susanna, don't you cry. </poem> Oh, I come from Alabama with a banjo on my knee!
 Going to Louisiana, my true love for to see
 Oh Susanna! Oh don't you cry for me!
 For I come from Alabama with a banjo on my knee
 It rained all night the day I left, the weather it was dry
 The sun so