query: who wrote how do you like me now

pos: How Do You Like Me Now?! (song) How Do You Like Me Now?! (song) "How Do You Like Me Now?!" is a song co-written and recorded by American country music artist Toby Keith. It was released in November 1999 as the second single and title track from his album of the same name. Keith wrote it with Chuck Cannon. The song spent five weeks at Number One on the "Billboard" U.S. Hot Country Songs chart beginning in March 2000. It was his first major crossover hit peaking at number 31 on the U.S. "Billboard" Hot 100. The song was also the first number-one single for the now

pos: How Do You Like Me Now?! How Do You Like Me Now?! How Do You Like Me Now?! is the fifth studio album from American country music artist Toby Keith. It was his first album for DreamWorks Records after leaving Mercury Records. After buying the master, Keith gave the album to DreamWorks. The lead single, "When Love Fades", peaked at #44 on the Hot Country Songs charts because it was pulled for the follow-up single (which was the title track) that spent five weeks at number one on the same chart, in addition to reaching #31 on the "Billboard" Hot 100, becoming Keith's biggest hit at

pos: You Shouldn't Kiss Me Like This You Shouldn't Kiss Me Like This "You Shouldn't Kiss Me Like This" is a song written and recorded by American country music artist Toby Keith. It is the ninth track on his 1999 album "How Do You Like Me Now?!" and was released as the fourth and final single from the album in October 2000. The song reached Number One on the US "Billboard" Hot Country Singles & Tracks (now Hot Country Songs) charts. It also peaked at number 32 on Billboard Hot 100. Directed by Michael Salomon, the music video introduces a young man speaking with a beautiful and

pos: There's More to Me Than You contain a reference to Toby Keith's 1999 single "How Do You Like Me Now?!" The music video was directed by Adolfo Doring and premiered in early 2003. The video was filmed in Joshua Tree National Park in California. "There's More to Me Than You" debuted at number 55 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of December 7, 2002. There's More to Me Than You "There's More to Me Than You" is a song co-written and recorded by American country music artist Jessica Andrews. It was released in December 2002 as the first single from

pos: Cledus T. Judd Kenny Chesney's 1999 single "She Thinks My Tractor's Sexy" which referenced Chesney's and McGraw's 2000 arrest for stealing a Mounted Reserve officer's horse. The parody charted at No. 61 on "Billboard" Hot Country Singles & Tracks (now Hot Country Songs). Following this song was another chart single, "How Do You Milk a Cow" (based on Toby Keith's "How Do You Like Me Now?!"), which peaked at No. 67, the music video also features Toby Keith. In 2002, he released "Cledus Envy", followed later that year by a Christmas album entitled "Cledus Navidad". At the end of the year, Judd also

pos: How Do You Like Me Now?! (song) The song discusses Keith's attraction to the female valedictorian of his high school—a beautiful woman who ignored him at the time. Keith wonders if the woman remembers him now that he is famous. The song's music video debuted on the television network CMT on November 22, 1999, and was directed by Michael Salomon. It features Toby Keith singing the song at a hometown football game in the middle of the night. Deborah Evans Price, of "Billboard" magazine reviewed the song favorably, calling it a "great little tune about the underdog fulfilling his dreams, and the story is wrapped in a

neg: How Do You Like Me Now?! the time. Furthermore, "How Do You Like Me Now?!" was declared the number-one country song of 2000 according to "Billboard". The third and fourth singles from this album, respectively, were "Country Comes to Town" (#4 on Hot Country Songs) and "You Shouldn't Kiss Me Like This", which spent three non-contiguous weeks at number one on the country chart as well. Overall, the album was certified platinum in the U.S. for sales of one million copies. The album was produced by James Stroud, then the head of DreamWorks Records. How Do You Like Me Now?! How Do You Like Me Now?!

neg: Toby Keith it be withdrawn and replaced with "How Do You Like Me Now?!", a song that he wrote with Chuck Cannon, and which had previously been turned down by Mercury. It also served as the title track to his first DreamWorks album, "How Do You Like Me Now?!" The song spent five weeks at number 1 on the country charts, and became his first top 40 pop hit, with a number 31 peak on the Hot 100. It was also the top country song of 2000 according to the Billboard Year-End chart. The album, which was certified platinum, produced a Top

neg: How Do You Like Me Now?! (song) melody that demands attention." She goes on to call Keith's performance "feisty" and say that the production "just percolates." Jessica Andrews references both Keith and the song in her 2002 single "There's More to Me Than You". "How Do You Like Me Now?!" debuted at number 57 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of November 20, 1999. On his 2000 album "Just Another Day in Parodies", country music parodist Cledus T. Judd recorded a parody entitled "How Do You Milk a Cow." This version peaked at number 67 on Hot Country Songs. How Do

neg: How Do You Like Me Now?! (song) which were also rejected, he asked to terminate his contract with Mercury, and purchased the rights to the rest of the album. Upon the album's release in late 1999, both the album and its lead single, "When Love Fades", were performing poorly on the charts; as a result, Keith asked that "When Love Fades" be withdrawn as a single in favor of "How Do You Like Me Now?!" Keith stated that DreamWorks executives were "scared to put it out", but within five days of Keith's request, "When Love Fades" was withdrawn and "How Do You Like Me Now?!" was released.

neg: How Come You Do Me Like You Do? How Come You Do Me Like You Do? "How Come You Do Me Like You Do?" is a song written by vaudeville comedy duo Gene Austin and Roy Bergere in 1924. It has later been covered by many artists, and is considered a jazz standard. Austin and Bergere were a vaudeville comedy duet act performing in the East and Midwest. "How Come You Do Me Like You Do?" became a national hit in 1924 for Marion Harris. Austin would later achieve even greater fame with his recording of "My Blue Heaven" in 1927. The song has been covered by many

neg: How Do You Like Me Now?! (song) defunct DreamWorks Nashville label. The song also became the fourth number one hit of his career and his first since "Me Too" in 1997. At the 2001 Academy of Country Music awards, the song was nominated for Single of the Year and Song of the Year. Keith discussed the inspiration for the song on his website in 2000. "Initially, I said, 'Here's my title: "You Never Loved Me Before, So How Do You Like Me Now?'" It's one of my catch-phrases. A lot of people become successful after they've been told they won't ever be, so people can relate to

neg: Chuck Cannon the late 1990s, "How Do You Like Me Now?!" in 2000, and "American Soldier" in 2003-2004. "How Do You Like Me Now?!" was also the Number One country song of the year according to the Billboard Year-End charts. Both it and "I Love the Way You Love Me" earned Eight-Million-Air awards from Broadcast Music Incorporated for receiving eight million spins at radio. Cannon also self-released two albums: "God Shaped Hole" and "Love and Money" in 2006 and 2008, respectively. Cannon's 2007 song "If I Was Jesus" was nominated for in the category Americana Song of the Year at the 7th

neg: How Ya Like Me Now his verse on Usher's number one hit "Yeah". In 2008, the title track "How Ya Like Me Now" was ranked #31 on VH1's 100 Greatest Hip Hop Songs. In 2009, the newly elected chairman of the Republican National Committee, Michael Steele, seemed to reference Kool Moe Dee in comments addressed to 44th President of the United States Barack Obama, "I would say to the new president, congratulations. It is going to be an honor to spar with him. And I would follow that up with: How do you like me now?" Also in 2009, "How Ya Like Me Now" appeared

neg: How You Like Me Now? (The Heavy song) Now (Beats Mix)" was performed by The Heavy and was prominently featured in the 2010 installment of Sony's venerable baseball video game franchise "MLB The Show". Beginning in the 2015-16 NHL season, the Vancouver Canucks play "How You Like Me Now" during home games at Rogers Arena whenever Radim Vrbata scores a goal, as part of their usage of personalized goal songs for each player. "How You Like Me Now" was selected for Vrbata's goal song in a fan vote. How You Like Me Now? (The Heavy song) "How You Like Me Now?" is a song by English rock band

neg: No One Knows How to Love Me Quite Like You Do No One Knows How to Love Me Quite Like You Do "No One Knows How to Love Me Quite Like You Do" is a R&B/hip-hop song performed by Aaliyah and Tia Hawkins. It was released as a promotional airplay single in the U.S. and is the fourth release from Aaliyah's debut album "Age Ain't Nothing but a Number". The single was written and produced by R. Kelly. On "No One Knows How to Love Me Quite Like You Do" Aaliyah tells her lover, no one else knows how to love her quite like he does over a hip hop-styled beat.

neg: No One Knows How to Love Me Quite Like You Do "No One Knows How to Love Me Quite Like You Do" remained on the charts for a limited time and charted on the Mediabase mainstream urban chart and peaked at #1. The most spins it received in a week was 1000. No One Knows How to Love Me Quite Like You Do "No One Knows How to Love Me Quite Like You Do" is a R&B/hip-hop song performed by Aaliyah and Tia Hawkins. It was released as a promotional airplay single in the U.S. and is the fourth release from Aaliyah's debut album "Age Ain't Nothing but a Number". The

neg: How Come You Do Me Like You Do? artists, including Louis Armstrong, Cab Calloway, Eddie Condon, Duke Ellington, Benny Goodman, Coleman Hawkins, Fletcher Henderson, George Shearing, Teddi King, and Old Man Markley. A recording by Lisa Kirk with orchestra was made at Manhattan Center, New York City, on July 16, 1952. It was released by RCA Victor Records as catalog number 20-4869. Julie London included the song in her album "Swing Me an Old Song" (1959). Bing Crosby recorded the song for his album "Bing Crosby's Treasury - The Songs I Love (1968 version)" How Come You Do Me Like You Do? "How Come You Do Me Like

neg: Yasmah-Adad as follow: 'How much longer do we have to keep you on a leading rein? You are a child, you are not a man, you have no beard on your chin! How much longer are you going to fail running your household properly? Don't you realize that your brother is commanding enormous armies? so you (jolly well) command your palace and household properly!' That is what Daddy wrote to me. Now, how can I be a child and incapable of directing affairs when daddy promoted me? How is it that, although I grew up with Daddy from when I was

neg: Stay (Rihanna song) and around and around and around we go/ Now, tell me now, tell me now, tell me now you know/ Not really sure how to feel about it/ Something in the way you move/ Makes me feel like I can't live without you/ it takes me all the way/ I want you to stay." Lewis Corner for Digital Spy wrote that Rihanna's vocals glow over the simple yet effective piano riffs. "Stay" received favorable reviews from music critics. Jon Dolan for "Rolling Stone" was complimentary of Rihanna's execution of the song, writing that she performs it "within an inch of

neg: How Do You Like Me Now?! (song) this. It can be about an old flame or a boss or a teacher -whatever it means to each individual. It was a fun song to write." Keith had originally recorded the song near the end of his contract with Mercury Records Nashville in the late 1990s. According to a 2005 interview with "Billboard", Keith had the album "How Do You Like Me Now?!" completed, but label executives rejected the entire album except for two songs: "Getcha Some" and "If a Man Answers", both of which were put on his 1998 Greatest Hits album. After he recorded two more songs

neg: More, More, More In the 2003 episode "Dude, Where's My Ranch?", after Moe Szyslak kidnaps David Byrne (who guest-starred in the episode as himself), a parody version of the song plays on the radio featuring Moe singing, "Moe, Moe, Moe! How do you like me? How do like me? Moe, Moe, Moe! Why don't you like me? Nobody likes me." The song is credited to "The Moe Szyslak Connection". The song also appears in the episode "Sweets and Sour Marge", where Disco Stu plays the song after "snorting" lines of sugar. "More, More, More" also appears in the documentary "Inside Deep Throat." In

neg: Bump Elliott wrote: "Right after I came to coach at the University of Iowa, I had a meeting with Bump Elliott, who was the Athletic Director. I'll never forget what Bump said to me: 'Don't ask for the moon. Strive to get there, sure, but do it wisely through continuing to build upon what you already have. As you build, come see me, and we'll see how I can help you out.' I now call that bit of wisdom the Bump Elliott Rule, and it serves a good reminder to keep things in perspective. Gradual, solid growth is better than any quick

neg: Gene Austin taverns. He started writing songs and formed a vaudeville act with Roy Bergere, with whom he wrote "How Come You Do Me Like You Do." The act ended when Bergere married. Austin worked briefly in a club owned by Lou Clayton, who later was a part of the famous vaudeville team Clayton, Jackson and Durante. By 1924, Austin was in New York's Tin Pan Alley. His first recording was surreptitiously providing the vocals for the Tennessee guitarist George Reneau, whose own voice did not record well. Colonel Tom Parker (1909-1997) was a former carnival worker and sideshow talker, who gradually

neg: Paper or Plastic (song) for the nights, living for the chance to give what's right, now tell me who the hell you think I am." During the song's hook, Candy sings "Why do all the good girls have to die/ Living in a bad girl's paradise"; Yasmeen Gharnit wrote that the section discusses how women must discard their innocence to achieve independence. Other parts include: "Go buy a life that's fantastic cause all you are is your assets” and "You can't buy love without passion / So please don't do nothing drastic". Critical response to "Paper or Plastic" was mixed following its debut. Daisy

neg: Stretch (rapper) dreams / How could you do me like that? / I took ya family in / I put some cash in ya pocket / Made you a man again ... You're a shell of a man / I lost respect for you nigga / We can never be friends / I know I'm runnin' through your head now / What could you do? / If it was up to you / I'd be dead now / I let the world know nigga you a coward / You could never be Live / Until you die / See the motherfuckin' bitch

neg: Do You Miss Me at All actually not coming." Rachel Sonis of Idolator stated "It's an interesting, eerie visual, exploring the dichotomy of how things seem and how they actually are. No wonder we all weave such tangled webs." Do You Miss Me at All "Do You Miss Me at All" is a song recorded by American recording artist Bridgit Mendler. It premiered via Noisey on November 3, 2016, and was released on November 4, 2016, as the second single from her extended play, "Nemesis" (2016). In an interview with Noisey's Kim Taylor Bennett, Mendler said about the song "I wrote 'Do You Miss Me at

neg: Say Something (Timbaland song) They may have treated me a way in the past, and it's like, 'Damn. I shouldn't have done that.' It's so many things running through my head. 'How do I approach this person now?'". He later expressed his satisfaction with record, stating: " It's an interesting concept. I'm glad that record is picking up. It was slow at first, but it's a feel-good record." After Graham wrote to the music, he replied to Mosley, asking for his approval of the lyrics: "'I wanna make sure you like this hook. Because the way I'm rapping to it, I feel like it

neg: John Ruskin her mittens, and without her – frock and frills? And let me see exactly how tall she is – and – how – round. It will be so good of and for you – And to and for me. In a letter to his physician John Simon on 15 May 1886, Ruskin wrote: I like my girls from ten to sixteen—allowing of 17 or 18 as long as they're not in love with anybody but me.—I've got some darlings of 8—12—14—just now, and my Pigwiggina here—12—who fetches my wood and is learning to play my bells. Ruskin's biographers disagree about

neg: Fifth Beatle James' music and I'd like to hear George Martin's music, please, just play me some." In a 1971 letter to Paul McCartney, Lennon wrote, "When people ask me questions about 'What did George Martin really do for you?,' I have only one answer, 'What does he do now?' I noticed you had no answer for that! It's not a putdown, it's the truth." Lennon wrote that Martin took too much credit for the Beatles' music. Commenting specifically on "Revolution 9", Lennon said, "For Martin to state that he was 'painting a sound picture' is pure hallucination. Ask any of the

neg: How Do You Do It? was replaced by "From Me to You" (the Beatles' third single). It was the title song of a seven-inch EP record also featuring "Away From You", "I Like It" and "It's Happened to Me" (Columbia SEG8257, released July 1963). The single entered the US charts on 5 July 1964, eventually reaching number nine. How Do You Do It? "How Do You Do It?" was the debut single by Liverpudlian band Gerry and the Pacemakers. The song was number one in the UK Singles Chart on 11 April 1963, where it stayed for three weeks. The song was written by Mitch

neg: How You Like Me Now? (The Heavy song) How You Like Me Now? (The Heavy song) "How You Like Me Now?" is a song by English rock band The Heavy. It was released as the third single from their second studio album "The House That Dirt Built" in August 2009. The song samples "Let a Woman Be a Woman" by Dyke and the Blazers. The song has been used in media several times and peaked at number 122 on the "Billboard" Hot 100. The song became the band's most famous song to date. It was used by Republican presidential candidate Newt Gingrich in 2012, although the band sought

neg: Because You Loved Me Flick from "Billboard" wrote that "Because You Loved Me" is, "rife with grand romance, larger-than-life production, and a climax that is best described as the musical equivalent to 4th of July fireworks." Another "Billboard" editor, Paul Verna also highlighted the chart-topping "Because You Loved Me." Stephen Holden of "The New York Times" praised it calling it this year's "Wind Beneath My Wings." Positive review also came from senior editor of AllMusic, Stephen Thomas Erlewine who praised ballads like "Because You Loved Me" on "Falling into You". And Dave Sholin from the "Gavin Report" wrote: "How about this daring prediction: It'll

neg: How You Like Me Now? (The Heavy song) "Ninja Tune Radio" and the official trailer of the comedy series "Girl Meets World" on Disney Channel in Southeast Asia. It also appeared in the multi-platform racing game "The Crew" on the fictional radio station "11 FM". A remix of the song features in the video game "LittleBigPlanet 3" while the original version appears near the end of the level "High Stakes Heist". The song was also used as the theme song for "Intentional Talk" on MLB Network from the show's April 4, 2011 debut to April 1, 2016. A variant of this song called "How Do You Like Me

neg: The Keynote Speaker fans want from me, which is hard-body rhymes and raw shit. I didn’t put any club bangers on this one. As a matter fact, I think I might have one, but I didn’t make it like, “This is a club banger.” I didn’t make it like that. I just do what I do. Now I know exactly what they want from me, and I gave it to ‘em with this Keynote Speaker. That’s why I called it Keynote Speaker, because I’m stepping to the podium, and I’m giving you a speech. You know how President Obama goes to the podium?

neg: Two Upbuilding Discourses, 1844 His works lead a person from being governed by everything that happens to him to one who can choose how he is going to govern himself. Kierkegaard wrote in Works of Love "You have to do only with what you do unto others, or how you take what others do unto you. The direction is inward; essentially you have to do only with yourself before God. This world of inwardness, this rendition of what other people call actuality, this is actuality. The Christian like for like belongs to this world of inwardness." We can learn through the application of patience.

neg: Abby Wambach and from then on soccer became part of their family tradition. "I think I was bred to do what I do now", Wambach said in an interview. "Growing up as the youngest of seven was like being in a team environment, you learn all kinds of things ... I learned how to compete, my brothers and sisters always played with me on the same level and they never let me win until I was better than them and deserved it. Being in such a big family makes you humble. You might have a certain skill or talent but there is

neg: Jurassic World: Fallen Kingdom you know what the score is, and then everything changes, and then suddenly you don't know who to trust." Having directed "Jurassic World", Trevorrow was familiar with how animatronics worked and wrote scenes for the sequel that would allow for their use. For example, animatronics are incapable of certain actions such as running. Regarding the idea of human cloning, Trevorrow said that "we're so much closer to cloning humans than we are to cloning dinosaurs. It felt like far less of a leap to me than dinosaurs do. [...] To have a character who has such deep love and has

neg: Drag queen not be accused of female impersonation. American drag queen RuPaul once said, "I do not impersonate females! How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses?" He also said, "I don't dress like a woman; I dress like a drag queen!". Some drag queens may prefer to be referred to as "she" while in drag and desire to stay completely in character. Other drag performers, like RuPaul, seem to be completely indifferent to which pronoun is used to refer to them. In his words, "You can call me he. You can call me she.

neg: Scream (Usher song) Rubenstein wrote that Usher sings about a "hot chick and how it'll be a total cinch for him to get her home", in the line "I see you over there, so hypnotic/ Thinking 'bout what I do to that body.../ Got no drink in my hand/ But I'm wasted/ Getting drunk of the thought of you naked/ I get you like ooh, baby, baby." In the chorus, he sings "If you wanna scream ‘yeah,’ let me know and I’ll take you there / Get you going like a-ooh baby baby, ooh baby baby, a-ooh baby baby, ooh baby / If

neg: If You Had My Love her insecurities get the best of her" on the track. "Billboard" writer Leslie Richin wrote that it "served as a cautionary tale for admirers who might one day have a chance with the budding starlet. Bottom line: liars and cheaters need not apply." In the song's opening lines, Lopez states: "Now if I gave you me, this is how it's got to be / First of all I won't take you cheatin' on me / Tell me who can I trust if I can't trust in you / And I refuse to let you play me for a fool." In

neg: Do You Love Me fad dances of the 1960s. The song is noted for the spoken recitation heard in the introduction which goes: "You broke my heart / 'Cause I couldn't dance / You didn't even want me around / And now I'm back / To let you know / I can really shake 'em down" The song is noted for its false ending at 2:26. Berry Gordy wrote "Do You Love Me" with the intention that The Temptations, who had no Top 40 hits to their name yet, would record it. However, when Gordy wanted to locate the group and record the song,

neg: The New 52 DiDio was asked by a fan about the drop in female creators from 12% to 1%. DiDio responded saying, "What do those numbers mean to you? What do they mean to you? Who should we be hiring? Tell me right now. Who should we be hiring right now? Tell me." In an editorial responding to DiDio, Comics Alliance editor-in-chief Laura Hudson wrote, "Women are half of the world, and a significant percentage of the DC Comics character stable, and yet only 1% of their creators. And the way that you treat and represent half of the people in your world—and

neg: Jimmy Dunne (songwriter) Jermaine Jackson, Anne Murray, Dave Loggins, and Kenny Rogers. His best known works stretch across the music industry. He wrote the theme song for Joanie Loves Chachi, "You Look at Me." Dunne also wrote "Nobody Loves Me Like You Do," which was made popular by Whitney Houston and Jermaine Jackson in the pop genre and Anne Murray and Dave Loggins in the country market. It was also used as a major story arc in As the World Turns for Betsy (Meg Ryan) and Steve's (Frank Runyeon) wedding. "Nobody Loves Me Like You Do" also won the National Association of Recording

neg: Do It with Madonna found wanting in preference for Madonna. Tim Henwood told "The Age": "'Do it With Madonna' took me 20 minutes to write. I spent from midnight to 5am demoing it one morning, and now Madonna has actually heard it, it never occurred to me that would happen. It was funny, though, because at the time I remember being careful what I was saying just in case any of them did hear it - 'Don't insult anyone. How would you like it if you were Pink?'" Madonna requested a copy for review and "loves it"." At the ARIA Music Awards of 2003,

neg: Élisabeth of France (1764–1794) resignation". She said to M. de Lomenie, who felt indignation at the way in which Fouquier had imputed his popularity among his former constituents in Brienne as a crime: "If it is grand to merit the esteem of one's fellow-citizens, it is much finer, believe me, to merit God's mercy. You showed your countrymen how to do good. Now show them how one dies when one's conscience is at peace," and to Madame de Montmorin, who was in despair of being executed together with her son: "You love your son, and you do not wish him to accompany you? You

neg: Howlin' Wolf Wolf would mention the fact that, 'Hey man, you wrote that song for Muddy. How come you won't write me one like that?' But when you'd write for him he wouldn't like it." So, Dixon decided to use reverse psychology on him, by introducing the songs to Wolf as written for Muddy, thus inducing Wolf to accept them. In the 1950s, Howlin' Wolf had five songs on the "Billboard" national R&B charts: "Moanin' at Midnight", "How Many More Years", "Who Will Be Next", "Smokestack Lightning", and "I Asked for Water (She Gave Me Gasoline)". His first LP, "Moanin' in the

neg: Valentin Adamberger good singer". However, he was universally liked by the public in Italy, Germany, and England, and was a particularly popular singer in Vienna. Michtner, a local Viennese journalist, wrote of Adamberger that he was "the favourite singer of softer hearts". Mozart, who admired Adamberger, wrote the part of Belmonte in "Die Entführung aus dem Serail" (1782) for him. In a letter dated 26 September 1781, Mozart wrote, "Let me now turn to Belmonte's aria in A major, ‘"O wie ängstlich, o wie feurig"’. Would you like to know how I have expressed it – and even indicated his throbbing heart?

neg: Dustin Hoffman unexpectedly asked Hoffman about the allegations at a screening of "Wag the Dog". "It's 'not reflective of who I am' — it's that kind of response to this stuff that pisses me off," Oliver said. "It is reflective of who you were. If you've given no evidence to show it didn't [happen] then there was a period of time for a while when you were a creeper around women. It feels like a cop-out to say 'It wasn't me.' Do you understand how that feels like a dismissal?" Hoffman said he felt blindsided by the line of questioning, remarking, "You've

neg: Du, du liegst mir im Herzen The most tender desires I alone feel only for you. Yes, yes, yes, yes, I alone feel only for you. But, but may I trust you you, you with a light heart? You, you know you can rely on me, you do know how good for you I am! Yes, yes, yes, yes you do know how good for you I am! And, and if in the distance, it seems to me like your picture, then, then I wish so much that we were united in love. Yes, yes, yes, yes, that we were united in love.</poem> Du, du liegst

neg: Ron Richards (producer) unsuitable for recording work, and he wasn't very impressed by Best's replacement, Ringo Starr. Richards hired session drummer Andy White, and Richards and Martin produced the Beatles' first single "Love Me Do". Richards had suggested the Beatles' first record should be "How Do You Do It?" by Mitch Murray and, after Martin took control of the Beatles' sessions, Richards worked with Gerry and the Pacemakers, who were the first act to go to No. 1 with each of their first three singles, "How Do You Do It?", "I Like It", and using Martin's string arrangement, "You'll Never Walk Alone". In

neg: Manon Gropius class by herself. You don't mind my saying so, do you, Annerl [diminutive for Anna Mahler]? What's wrong with having a beautiful sister? Like father, like daughter. Did you ever see Gropius? A big handsome man. The true Aryan type. The only man who was racially suited to me. All the others who fell in love with me were little Jews. Like Mahler. The fact is, I go for both kinds. You can run along now, pussycat. Wait, go and see if Franzl [diminutive for Franz Werfel] is writing poetry. If he is, don't bother him. If he isn't, tell

neg: The Heavy (band) and Southside Festival. The Heavy play a mix of guitar-heavy neo soul and rock using crunchy guitar, funky horns, and raspy James Brown-like vocals. Their songs incorporate many different styles; for example, "Sixteen" samples the horn line and guitar verse from Screamin' Jay Hawkins's "I Put a Spell on You". "How You Like Me Now?" samples the song "Let a Woman Be a Woman" by Dyke & the Blazers. "Oh No! Not You Again" emulates garage rock; and "Girl" is a combination of spoken word and rap sampled from Terry Reid's "Superlungs". "How You Like Me Now?" is featured in

neg: The Cleftones In their first effort as professional musicians, Corbin and Patterson wrote "You Baby You," which became a hit in 1955. Herb Cox then wrote "Little Girl of Mine" and "Can't We Be Sweethearts," for the group. However, after a few minor hits ("Why You Do Me Like You Do" & "See You Next Year") their next major hits would not come until years later. In 1961 the second generation of The Cleftones included Herb Cox, Charlie James, Warren Corbin, Gene Pearson (baritone from The Rivileers who replaced baritone William "Buzzy" McClane) and new addition Pat Spann, the first and only

neg: Zero Hour (play) room reading the Riot Act to one of the other actors. The actor had upstaged him or done something. He was screaming at this actor and finished with, Now never do it again! The actor walked away and he looked at me and said, Well, hello!. How are you? Come visit me. After seeing the play, Mostel contemporary Theodore Bikel wrote to Brochu, "Thank you for bringing back a volcano that we thought was long extinct." The play premiered at the Egyptian Arena Theatre in Hollywood, California, presented by the West Coast Jewish Theatre and directed by Paul Kreppel. It

neg: Samaññaphala Sutta King then approached the Buddha and gave his salutation. Then, while standing, he saw how the Monks sat in silence, calm like a still, waveless lake. He exclaimed: "Can my beloved son, Udayi Bhadda, possess such calmness and composure as the Monks show me now?" The Buddha asked him, "If so, Your Majesty, how do you direct your mind towards compassion and love?" "Bhante, I love my son very dearly, and I wish for him to possess the calmness as like the monks have now." The Monarch then prostrated himself towards the Buddha, clasped his palms in salutation to the

neg: Alicia Keys - you're too young, how could you possibly know what you want to do? - and oh God, that just irked me to death, I hated that." "The music coming out was very disappointing", she recalled. "You have this desire to have something good, and you have thoughts and ideas, but when you finish the music it's shit, and it keeps on going like that." Keys would be in "perpetual music industry purgatory" under Columbia, while they ultimately "relegated [her] to the shelf". She had performed "Little Drummer Girl" for So So Def's Christmas compilation in 1996, and later co-wrote

neg: Kanailal Dutta next day when Kanailal was brought to the gallows he saw the warden, and asked him smilingly, "How do you find me now?" The warden had no answer. Later, the warden told Charu Chandra Roy, "I am the sinner who has executed Kanailal. If you have a hundred men like him, your aim will be fulfilled." About fifteen years after the death of Kanailal, Motilal Roy published a memorial booklet on Kanailal Dutta in Bengali from Chandarnagore town, which was under French occupation that time and beyond British jurisdiction. It was immediately banned by the British under Sea Customs Act

neg: Meg Giry novel "Phantom" she is mentioned briefly through Erik’s point of view as she is telling Christine of the Opera Ghost he listens to her story. "“Never you mind how I know I just do that’s all. We know a lot about the Opera Ghost, Ma and I, but it isn’t safe to talk about it here. And you’d better believe me for your own good- he doesn’t like people who don’t know how to show a proper respect, and when he’s angry terrible things happen.” "“What sort of things?” I heard real alarm enter the other voice now. "“Awful things!”

neg: Kai the Hatchet-Wielding Hitchhiker stay for the night. Kai stated that the police claimed the sexual encounter was consensual and the murder premeditated, however, Kai said that after the viral video in California, he had no need to have sex with men like Galfy, who Kai described as unattractive, stating "Do you know how many hot chicks—never mind. Even if I was gay, do you know how many hot guys wanted to fuck me after that shit in California? I’m not even being vain. It’s just a fact, like—no offense, but he [Galfy] was not a looker". After the murder charges, the video views

neg: The Uniques (Louisiana band) Then (I Cry) / Love Is A Precious Thing [1967, Paula catalog #275] I'll Do Anything / Go On and Leave [1967, Paula catalog #289] All It Took Was Love / It's All Over Now [1968, Paula catalog #299] It Hurts Me To Remember / I Sure Feel More (Like I Do Than I Did When I Got Here) [1968, Paula catalog #307] How Lucky Can One Man Be / You Don't Miss Your Water [1968, Paula catalog #313] Sha-La-Love / You Know (That I Love You) [1969, Paula catalog #320] My Babe / Toys Are Made For Children [1969,

neg: Bottle It Up had previously." In an interview with the "Minneapolis Star Tribune", she further explained that the song's lyrical content focuses on the music business and, more specifically, the struggles of being an artist with a record contract, stating: "Before I had a record deal, I wrote that song about what it would be like to have a record deal, and the struggles of how do you become an artist who feels like they haven't quote/unquote 'sold out,' and how do you stay true to your art and figure out how to make a living from it... The chorus says it all:

neg: King Robbo introduced to a couple of guys who were like 'whoa it's nice to meet you!'. When I was introduced to Banksy, I went 'Oh yeah I've heard of you mate, how you doing?' and he went 'well I've never heard of you'...he dismissed me as a nobody, as nothing. So with that I slapped him and went 'oh what you ain't heard of me? you won't forget me now will you?' and with that he picked up his glasses and ran off." On Christmas Day 2009 Robbo reclaimed his piece from Banksy's defacing by covering the work so the workman

neg: I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney of short films, and this is the only one that haunts me. I'm not proud of it. It looks like it was made by someone who has no prospects, no promise." In 2013, "The A.V. Club"s Noah Cruickshank wrote that the film "has everything you could possibly want in a campy student project: scenery-chewing, a confusing plot, and shoddy camera work. It looks like Affleck wanted to create a dark comedy that skewers movie-making and life in Hollywood, but veered off into 'so bad it's unintentionally hilarious' territory. ('Do you know much about migrant trash pickers?' is the standout line

neg: N.Y. State of Mind Hard to Tell', and 'Live at the Barbeque'. So when I heard him on those records I was like, 'Yo, I got to do something that's on the same level'. So I came in here. and flipped the ill, gutter, Joe Chambers sample. I can tell you because it's cleared. Nas watched me build the beat from scratch. And he wrote the verse in the studio. If you listen to 'N.Y. State of Mind' you’ll hear him going, 'I don’t know how to start this shit', because he literally just wrote it. Before he started the verse I was signaling

neg: Dave Pahanish with Nashville-based songwriter Michael Garvin. Pahanish relocated from California, Pennsylvania to Nashville in late 2006. Within weeks, he was offered three music publishing deals, and signed with 3 River Publishing, owned by songwriters Hillary Lindsey, Dallas Davidson, and Cole Wright. . He co-wrote and co-produced with Joe West the Jimmy Wayne album "Do You Believe Me Now" yielding the Top 40 "Billboard" Hot Country Songs charting singles, "Do You Believe Me Now", and "I Will", by Jimmy Wayne. Pahanish co-wrote the single, "Without You", with Joe West, recorded by Keith Urban on his 2010 album, "Get Closer". Urban chose the

neg: Club Disco had something that would be perfect for it." By 2005 sessions were well underway with Minogue writing and recording material with longtime collaborators Thriller Jill, J.C.A, who wrote her, "biggest hit", "I Begin To Wonder", Roger Sanchez on the track and "Do You Believe Me Now". Sessions with The Location, Rob Davis, Jewels & Stone, and The Fourty4s also took place. The album took on the working title of "Heavy Disco" during this time after the line in the J.C.A.-produced "Feel Like I Do". In early 2005, The Location produced, 'Love Fight' was considered for single release, before 'I Can't

neg: Plan B Skateboards big brother, you know, really great man. Professional skateboarder Pat Duffy who, like McKay and Way, was a member of the original team and has continued on as a Plan B rider for the company's second phase has maintained Ternasky's influence throughout his entire career, stating: I was always, like, nervous, like, what if, what do people think of me? Look at all these people look at me, I can't, I couldn't deal with it, you know? You know, he would like take me aside and calm me down, and "Listen man, all you gotta do is just go do

neg: Son of Sam (album) do an album called "Son Of Sam" because it felt like to me a little bit of a liberation, not that I needed to be freed from that because that’s been a system that groomed me into being Krizz Kaliko. I’m giving you more of me and that’s pretty much where the title came from." He also explained how he tries to reinvent himself every album, saying: "I think that when you’re an artist like myself or Tech N9ne who have a fanbase and have people that are just loyal to us for years, you have to find ways to

neg: How Do You Want Me? How Do You Want Me? How Do You Want Me? is a British television sitcom, produced by Kensington Films & Television, written by Simon Nye, and directed by John Henderson. Dylan Moran starred as boy next door Ian Lyons, who recently eloped with country girl Lisa Yardley (Charlotte Coleman). At the show's start, after a year living in London they move to the village of Snowle, where her intimidating father (Frank Finlay) breeds turkeys. He and most of Lisa's family (which included Emma Chambers as her sister and Peter Serafinowicz as her thuggish brother) take a dislike to Ian, and

neg: How Could You Do This to Me, Mum? How Could You Do This to Me, Mum? How Could You Do This To Me, Mum? is a young adult novel by Rosie Rushton. It is the third part of her Leehampton series. It was first published in 1996 by Piccadilly Press Ltd. Chelsea's parents don't want their daughter to have a birthday party, because it will be too expensive. Chelsea becomes jealous of her siblings Geneva and Warwick, who receive more money from their parents. Chelsea befriends Bex in the "Stomping Ground" nightclub. A few weeks later, their friendship is cemented after Fee's friend Eddie tries to assault Chelsea,

neg: It Amazes Me when reissued in its entirety in "The Complete Capitol Collection", a medley of "Walk Right In / How Come You Do Me Like You Do". The album failed to chart or sell significantly, just like its successor. It Amazes Me It Amazes Me is Liza Minnelli's second solo studio album, released on May 10, 1965, by Capitol Records. It contained her interpretations of eleven pop standards. It was recorded between December 1964 and January 1965 at Capitol Records' New York studio at 151 West 46th Street. After Liza Minnelli's first album for Capitol Records was released in September 1964, she

neg: Hulü Guang And how do you know not to cross the Guo? It must be Murong Shaozong who taught you." Hulü was unable to respond, and Hou subsequently had his subordinate Tian Qian (田遷) shoot and kill Hulü's horse, and Hulü was forced to withdraw. Hou then captured Zhang but released him, and both Hulü and Zhang fled back to Murong's camp. Murong then stated, "What have you seen now? Do not rebuke me." (In spring 548, Murong defeated Hou, who was forced to flee to Liang Dynasty. Historical records do not indicate whether Hulü contributed to the victory.) After Gao Cheng

neg: Window of Opportunity (Stargate SG-1) each take. According to Paul Mullie, having Froot Loops as O'Neill's breakfast was not scripted, and he is unsure if the loop reference was intentional. This was contradicted by Script coordinator Cath-Anne Ambrose who said "I had to get Froot Loops cleared [by the company that makes them], and so the guy calls me back and says, 'Well how do you feel about Eggo Waffles? Would you consider using Eggo Waffles instead of Froot Loops?' So I go to these guys [the writing department] and ask, 'How do you feel about waffles?' And they're like, 'No! It's Froot Loops! It's

neg: Flip Skateboards he belonged, kinda thing ... We know each other long enough to know, when you're hanging out with someone that, hey, like, okay, he's ready now." Saari has also stated: It was a pretty unspoken thing. It wasn't until the last minute that, it was like, "You wanna get back on?" I was like, "Yeah". We [Rowley and Saari] probably didn't talk for like a year or two. There was this vibe. That's how I grew up skating; those are the guys who brought me up, backed me up. And I was, like, "You know what? I gotta, I gotta

neg: Arto Saari thing ... We know each other long enough to know, when you're hanging out with someone that, hey, like, okay, he's ready now." Saari has also stated: It was a pretty unspoken thing. It wasn't until the last minute that, it was like, "You wanna get back on?" I was like, "Yeah". We [Rowley and Saari] probably didn't talk for like a year or two. There was this vibe. That's how I grew up skating; those are the guys who brought me up, backed me up. And I was, like, "You know what? I gotta, I gotta get back on."

neg: Wilford Brimley my side, somebody that I can relate to." Beresford felt Brimley was too old for the part, but eventually agreed to the casting. Brimley, like Duvall, clashed with the director; during one instance when Beresford tried to advise Brimley on how Harry would behave, Duvall recalled Brimley responding: "Now look, let me tell you something, I'm Harry. Harry's not over there, Harry's not over here. Until you fire me or get another actor, I'm Harry, and whatever I do is fine 'cause I'm Harry." Through these and other early roles, Brimley became widely known for portraying gruff or stodgy old

neg: Charles Bukowski asked me: 'What do you do? How do you write, create?' You don't, I told them. You don't try. That's very important: "not" to try, either for Cadillacs, creation or immortality. You wait, and if nothing happens, you wait some more. It's like a bug high on the wall. You wait for it to come to you. When it gets close enough you reach out, slap out and kill it. Or if you like its looks you make a pet out of it." Bukowski was an atheist. Bukowski's work was subject to controversy throughout his career, and Hugh Fox claimed

neg: Theresa Doughty Tichborne to protect me against you' and added 'The suggestion is that I should give up the claim to the Tichborne estates and my name and relationship on the consideration that you give me sufficient income. I am owing in Brocklehurst £3000'. After writing to the solicitors Lewis and Lewis requesting £50, she wrote again to Sir Joseph stating that if the solicitors 'do not come to a settlement' she would go to the Tichborne estate and 'commit suicide, as you suggest I should do'. To George Lewis she wrote 'If I am to shoot some one like you before committing

neg: White Dwarf (film) playing in the background, this two-ton walrus alien obsessing over this gorgeous, ancient woman. And this whole scene where (Akada and Rampart) are examining her and she says, `Do you know what it's like to live forever?' I just love that stuff. When she elucidates what it is like to live forever... I really find that moving every time I hear her do that. There are little side stories that, to me, are really cool." "New York Daily News" wrote that Bruce Wagner's "Futuristic "White Dwarf" is a fuzt dud." Their complaint was toward how illogical it was that in

neg: Erick Morillo in New York. When they were evicted from that venue, the Sessions relaunched at Centro-Fly. Commenting on his socializing with promoters, Morillo says: I party with the promoters I play for. A lot of DJs don't like to do that; they play the party, go back to the hotel and then get ready to go home. Not me. I don't deny it! For me a DJ is someone who brings a vibe. If you don't party, then how do you bring that vibe? Morillo has hosted various other club nights across the globe, such as the annual Crobar party in

neg: Death of a Pop Star with a mutual friend. "David Banner and I have a mutual friend by the name of DJ Cuzzin B, who lives now in Washington D.C.," 9th Wonder said. "David Banner came through D.C. and hooked up with [him] and was like, 'Yo, do you know 9th Wonder?' He was like, 'Yeah, that's my partner.' So Banner ended up coming to North Carolina. He was supposed to get a couple beats from me, but he ended up getting nine. That's how "Death of a Pop Star" came about." Having produced his own music, teaming up with 9th Wonder marks Banner's first

neg: Live Squad album, "All Eyez On Me"; on "Ambitionz Az a Ridah": ""Had bitch-ass niggas on my team / So, indeed, they wet me up,"" and in the first verse of "Holla At Me": ""When me and you was homies / No one informed me it was all a scheme / You infiltrated my team and sold a nigga dreams / How could you do me like that? / I took ya family in / I put some cash in ya pocket / Made you a man again [..] You're a shell of a man / I lost respect for you nigga

neg: Make Me Like You "The Michigan Daily", Christian Kennedy called them "catchy without leaning towards the tepidity of much of today's pop music" and they suited the song's "well-oiled production". Mesfin Fekadu, a critic for "The National", wrote that the single "do[es]n't feel connected to Stefani – it's as if another pop star could sing the track and you wouldn't notice the difference"; Fekadu found the song "disappointing for a singer who is usually a standout on the pop music scene". In the United States, "Make Me Like You" reached number 54 on the "Billboard" Hot 100 and was the week's highest new entry.

neg: New Amerykah Part Two (Return of the Ankh) debut album, "Window Seat" contains stomp-and-clap breakdowns built under halting lyrics. According to Badu, the album's closing track, "Out My Mind, Just in Time", is a three-movement song: "The first movement is called 'Recovering Undercover Over-lover.' It actually sums up the whole album, because I'm talking about love and emotion – 'I need you to do this,' 'I want you to do this,' 'You make me feel like this,' 'Why don't you feel like this?' It's typical of how you feel in relationships. The second movement is called ... 'Easier Said Than Done,' and it's about how hard it is

neg: Willie Nelson and Family Cry,” and original compositions, including the prophetic “What Can You Do to Me Now?,” a forlorn ballad Nelson wrote with Hank Cochran in December 1970 just days before his house burned down on December 23. The Texan later quipped, “Even though the title – “What Can You Do to Me Now?” – seemed to invite trouble, the story was really about getting strong in the face of adversity.” Nelson also wrote “I’m a Memory,” which would be released as a single and reach number 28 on the country singles chart. "Willie Nelson and Family" also contains Nelson’s first cover of

neg: Justified (album) Voice", "though his talent and character were there for all to see, who knew he'd turn out this heady or beatwise?" The newspaper's Christopher O'Connor commended The Neptunes' production, while praising "Like I Love You" and the Janet Jackson collaboration "(And She Said) Take Me Now", saying how the songs show that Timberlake "has the balls to pursue the A-plus list." O'Connor showed ambivalence towards "Right for Me" and "Cry Me a River", noting the former as "awkward" and the latter as "a lousy Aaliyah impression." Tyler Martin from "Stylus Magazine" deemed "Señorita" and "Like I Love You" as the

neg: How Do You Want Me? at 10pm on Tuesdays, from 24 February until 31 March 1998. The second series was broadcast at 10pm on Wednesdays, from 10 November until 22 December 1999. ""How Do You Want Me?": The Complete Collection" was released on DVD in the UK on 3 July 2006. In 2010, "The Guardian" ranked the serial at number 16 in their list of "The Top 50 TV Dramas of All Time". How Do You Want Me? How Do You Want Me? is a British television sitcom, produced by Kensington Films & Television, written by Simon Nye, and directed by John Henderson. Dylan Moran

neg: Crazy in Love in Love", Beyoncé performed a short rendition of Gnarls Barkleys "Crazy" (2006), singing: "Who do you, who do you think you are? / Ha, ha, ha, bless your soul." Shaheem Reid of MTV News wrote: "There are few (very few) ladies out there who can really sing, a lot who can dance, a lot more who look good — but really no other who can combine all three and add iconic star power like Miss Beyoncé, arguably the best all-around stage performer in the game right now." Jon Pareles of "The New York Times" wrote: "Beyoncé needs no distractions from

neg: Love Me Do jail one day and he'd be the guy who played the harmonica." Martin came very close to issuing "How Do You Do It?" as the Beatles' first single (it would also re-appear as a contender for their second single) before settling instead on "Love Me Do", as a mastered version of it was made ready for release and which still exists in EMI's archives. Martin commented later: "I looked very hard at 'How Do You Do It?', but in the end I went with 'Love Me Do', it was quite a good record." McCartney would remark: "We knew that the

neg: Sober (Selena Gomez song) lips, same kiss, but not the same touch / Don't you know that you do it just enough, but not enough / But I know what's next, and I want so much", describing a lover who can only show his true emotions while intoxicated. Later in the song she expresses the pain she feels having wasted so much time into her relationship, and decides to leave her dysfunctional lover: "You've got a hold on me / You're like a wasted dream / I gave you everything / But you don't know how to love me when you're sober". Melissa Haggar

neg: Oles Semernya rich! My condition is you. You – my Love! I've never seen you, but I know exactly where you are. You – in the center! When I speak to you, you hear me! If it is not, then it's not you. When you turn to me, I hear you! If it is not, then it's not me. – I love you! – That's Me! – Do you love me? – That's Me! – I do not know you ... – It's not me! – I do not see you ... – Do you feel me! – How do you know?

neg: Research (Big Sean song) not you.” In the chorus, meanwhile, Grande sings, “I still have to hide/Now you're next to me at night/You test me all the time/Say I know what you like, like I did the last time/Do you remember? Do you remember?/Do you remember?/When you had nothing to hide...” "Research" received generally mixed to positive reviews from music critics upon the release of "Dark Sky Paradise". In a positive response, Shannon Weprin from Hypetrak called the song a "pop-esque duet" and "infectiously catchy." Justin Charity from Complex called "Research" one of the album's pop high-points. Eric Diep from HipHopDX described the track

neg: Bleed Like Me enjoyable if outdated in its musical approach "as if the band doesn't quite know how to do anything else but sound like it's the heyday of post-grunge alt-rock." This opinion was shared by Yahoo! Music's Sharon O’Connell, who wrote that despite the intelligent songs with expertise in "muscly, alt. rock lick or the bubblegum pop hook", "Bleed Like Me" "strikes a depressingly dated note". Writing for "The A.V. Club", Nathan Rabin said the album's lyrics lacked an emotional punch. He wrote stating that it "approaches a kind of shimmering technical perfection, but remains strangely, stubbornly uninvolving". Betty Clarke of "The

neg: Ellie Goulding discography single. The song also became an international success, charting inside the top 10 in several countries. "Halcyon Days" yielded two more singles: a cover of "How Long Will I Love You" by The Waterboys and "Goodness Gracious". In 2014, Goulding recorded the song "Beating Heart" for the to "Divergent", and she also released her second collaboration with Calvin Harris, titled "Outside". The following year, she contributed the song "Love Me like You Do" to the to "Fifty Shades of Grey". "Love Me like You Do" became a commercial success worldwide, earning Goulding her second UK number one and topping the

neg: Blessings of Prayer to the public at large. If Syed Sahib’s assertions are true ... (p. 49) You who say: Show me If there is any power in prayer; Run towards me, I will show you its power As clear as the shining sun. Beware! do not deny the wonders of Divine omnipotence; Come now, let me show you how prayers are accepted! (p. 51) Another Prophecy with regard to Pundit Lekhram (1858-died March 6, 1897) of Peshawar: Syed Ahmad Khan (1817-1898) was alive to see the fulfillment of Ahmad's prayers and the prophecy about Pundit Lekhran's(1858- March 6, 1897) tragic assassination. Blessings

neg: Kitty Byron she was no class she said, "I am a brewer's daughter." I said, "Is it possible, what do you live with a brute like him for?" It was then that she said "Because I love him, and I have lost my character, and I cannot get any work." I said, "Why are you always screaming like that?" She said, "Well, how can I help it when he comes and strangles me, and puts his hand on me like that; how can I help it?" I had not heard her screaming constantly, but I had that night. I asked her why

neg: Where Your Road Leads vocals on the track "Bring Me All Your Lovin'." "I'll Still Love You More" was written by Diane Warren, who also wrote Yearwood's hit from the previous year, "How Do I Live." As listed in liner notes. Choir on "Where Your Road Leads": Bergen White, Kimberly Fleming, Vicki Hampton, Mark Iveey, Mike Elred, Lisa Cochran, Dennis Wilson, Lisa Silver. Choral vocals arranged by Bergen White. Strings on "Heart Like a Sad Song" and "Where Your Road Leads" by the Nashville String Machine. Strings on "Where Your Road Leads" by Steve Nathan. Where Your Road Leads Where Your Road Leads is

neg: Ngataiharuru Taepa of the way our ancestors saw the world in their time. Their achievement, using positive and negative spaces, was to have the colours interact simultaneously – as opposed to how most people think now. Now we're taught to see the positive space and not the space around it. It's one of the simple conventions of kōwhaiwhai, but for me it's achieving excellence through simplicity. How do you get to that level? That's what fires me up. He cites Robert Jahnke, Shane Cotton and Kura Te Waru Rewiri (who all taught him at art school) as significant influences, along with Māori

neg: Bet You Can't Do It Like Me Bet You Can't Do It Like Me "Do It Like Me" (formally titled as "Bet You Can't Do It Like Me") is the debut single by American rapper DLOW. The song samples the instrumental of Knuck If You Buck by Crime Mob and the hook from Betcha Can't Do It Like Me by D4L . and went on to reach number 45 on the U.S. "Billboard" Hot 100. DLOW released a dance video for this song on YouTube on September 29, 2015. The official music video was released on May 18, 2016 on DLOW's YouTube account. "Bet You Can't Do