query: which group of artist is well known for painting en plein air

pos: En plein air natural light, shade, and colour. This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes. Their movement began in Florence in the late 1850s. The Newlyn School in England is considered another major proponent of the technique in the latter 19th century. The popularity of painting "en plein air" increased in the 1840s with the introduction of paints in tubes (like those for toothpaste). Previously, painters made their own paints by grinding and mixing dry pigment powders with linseed oil. The act of outdoor painting from

pos: En plein air known for painting "en plein air". But enthusiasts of plein air painting were not limited to the Old World. American impressionists too, such as those of the Old Lyme school, were avid painters "en plein air". American impressionist painters noted for this style during this era included Guy Rose, Robert William Wood, Mary DeNeale Morgan, John Gamble, and Arthur Hill Gilbert. In Canada, the Group of Seven and Tom Thomson are examples of "en plein air" advocates. En plein air En plein air (, French for outdoors, or plein air painting) is the act of painting outdoors. This method contrasts

pos: Albert Chevallier Tayler Albert Chevallier Tayler Albert Chevallier Tayler (1862–1925) was an English artist who specialised in portrait and genre painting, but was also involved in the plein air methods of the Newlyn School. He studied at Heatherley's School of Art, Royal Academy Schools and with avant-garde painters in Paris. He was educated at Bloxham School in Oxfordshire. He is most known for his twelve-year involvement with the Newlyn School of painting. The Newlyn school was spawned after many international artists followed the En plein air school in France, whereby artists would leave Paris and take up rural life in small colonies of

pos: En plein air En plein air En plein air (, French for outdoors, or plein air painting) is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. Artists have long painted outdoors, but in the mid-19th century, working in natural light became particularly important to the Barbizon school, Hudson River School, and Impressionists. In 1830, the Barbizon School in France, inspired by John Constable, enabled artists like Charles-François Daubigny and Théodore Rousseau to more accurately depict the appearance of outdoor settings in various light and weather conditions. In the late 1800s, the

pos: California Impressionism Painters, the portrait artist and "en plein air" pastelist Theodore Lukits as referenced above and these three artists had been sketching together since the 1970s. In the case of Dan Pinkham, Joseph Mendez and Sunny Apinchapong-Yang, they had studied under the Russian Impressionist Sergei Bongart (1918–1985) while the Ojai painter Richard Rackus (b. 1922) had studied in the late 1930s and early 1940s when many of the original California Impressionists were still teaching. Al Londerville, who had studied with both Theodore Lukits and Nicolai Fechin was also still active painting works in pastel. This loose group of "en plein air"

pos: Antoine Camilleri (artist) artist from Alsace who between 1939 and 1945 was the Director of the "École des Beaux Arts". Untersteller was a specialist in stained glass, a medium which Antoine will experiment with in later years. In Paris, Antoine was exposed to modern painting and the work of the Impressionists. The intellectual stimulating atmosphere of the city reinforced his vision, he painted many landscapes en-plein-air, but truly loved drawing and painting from live models. These studies reveal the artist's developing style, characterised by the flow and economy of line as well as a sense of elongation. Antoine was among the first Maltese

pos: California Impressionism way to emphasize the spontaneous nature of "en plein air" painting, the way that paintings are executed in a number of hours, while conditions stay consistent. In addition to the popular shows on Catalina Island, the philanthropist and art collector Joan Irvine Smith sponsored "en plein air" shows that were organized by the California Art Club at Mission San Juan Capistrano. Capistrano had been a popular location for the California Impressionists of the 1920s and these exhibitions were very successful for both the artists and collectors. Other "en plein air" festivals were held in Carmel-by-the-Sea and Santa Ana, California. California

pos: En plein air en plein air approach was incorporated with the impressionists’ style, and artists such as Claude Monet, Pierre-Auguste Renoir, Frédéric Bazille, and Edgar Degas began creating their work outdoors. From France, the movement expanded to America, starting in California then moving to other American locales notable for their natural light qualities, including the Hudson River Valley in New York. The Macchiaioli were a group of Italian painters active in Tuscany in the second half of the nineteenth century, who, breaking with the antiquated conventions taught by the Italian academies of art, did much of their painting outdoors in order to capture

pos: William Didier-Pouget William Didier-Pouget William Didier-Pouget (Toulouse 14 November 1864 - Digulleville 12 September 1959) was a French artist, born in 1864, Toulouse, France, known for his landscape paintings. He focused primarily on the countryside of southern France, infusing his landscapes, always painted outdoors (en plein air), with light and color. Didier-Pouget is associated with the later phase of Impressionism, although not actually identified with the group of artists typically known as the Impressionists. His career as an exhibiting artist stems from 1886 onwards. He was a member of the Société des Artistes Français, a member of l'École de Crozant and Société

pos: Julian Ashton Australian News" and lived there for five years before moving to Sydney. He had a background in the contemporary French realism of the Barbizon School, which emphasised painting "en plein air" (i.e. direct from nature, as opposed to studio-based painting), and which laid the basis for the Impressionist movement. As a trustee of the Art Gallery of New South Wales he championed emerging Australian artists of the Australian Impressionist or Heidelberg School, and the Gallery's decision to collect these works owes much to his influence. Ashton is known for his paintings "Evening, Merri Creek" (1882), "A Solitary Ramble" (1888) and

pos: Skagen Painters in the air. Their painting styles evolved from the formal Neoclassical approach of the Royal Academy in Copenhagen to embrace the evolving European trends in Realism and Impressionism, including the "plein air" approach adopted by the Barbizon School. The artists were especially attracted by the opportunities for painting "en plein air", focusing on the activities of the local fishermen and their modest cottages. In the absence of any rules within the colony, the painters freely developed their individual styles. Nevertheless, one of the interests they shared was to paint scenes of their own social gatherings, whether playing cards, celebrating or

pos: California Impressionism California Impressionism The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century California artists who worked out of doors ("en plein air"), directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the painters of the California Plein-Air School are also described as California Impressionists; the terms are used interchangeably. The California Impressionist artists depicted the California landscape — the foothills, mountains, seashores, and

pos: Winter landscapes in Western art was known for painting large landscapes that he saw during his travels to the Arctic and Central and South America. "Plein-air painting, in its strictest sense, is the practice of painting landscape pictures out-of-doors; more loosely, the achievement of an intense impression of the open air (French: plein air) in a landscape painting. Until the time of the painters of the Barbizon school in mid-19th-century France, it was normal practice to execute rough sketches of landscape subjects in the open air and produce finished paintings in the studio. Part of this was a matter of convenience." The Impressionists were the

pos: Charles Tersolo Charles Tersolo Charles Tersolo (born 1974 in Rochester, New Hampshire) is a Boston artist and member of the Copley Society of Art. He paints much of his works outdoors, or "en plein air" in the tradition of Corot, Monet, and American Impressionists such as Childe Hassam. The coloring of his works is closer to the broad palette of the Boston School of painters, who mix American impressionist technique with more traditional coloring and paint application. His largest public work is a Synthetic Impressionist piece of the Harvard Footbridge. This 9 foot by 4.5 feet high painting resides in the lobby

pos: California Impressionism in the years after the turn of the 20th century. Few of these artists were natives; most had migrated from the East, the Midwest or Europe. From their training in the United States or in some cases Europe, they brought the tradition of working directly from nature or “en plein-air” as the French referred to it. Some of the original California Plein-Air Painters were inspired by the "en plein air" work of the Barbizon School, but most of them worked within the broad movement now known as American Impressionism. For stylistic comparisons to the contemporary adherents to this style, a

pos: Skaters in the Bois de Boulogne Marlotte and the forest of Fontainebleau, and began working with model Lise Tréhot who posed for him between 1866 and 1872. Renoir began painting at La Grenouillère, a popular middle class day resort with a floating dance hall, in late 1868. Like Monet and several other Impressionists, Renoir worked "en plein air", painting outdoors, but unlike Monet, who was known for painting in the cold and snow, Renoir was not fond of cold temperatures. Years later, he told art dealer Ambroise Vollard that he could not stand the cold: "But then, even if you can stand the cold, why paint

pos: João de Brito Provincetown, Santa Cruz Art League, Provincetown Art Association and Museum João de Brito João de Brito (born 1958) is a Portuguese-American artist who has lived in Northern California since 1978, yet he travels extensively throughout California, the U.S. and Europe to paint in oils en plein air and from memory. From age 6, he has observed and studied art to acquire a passion for expressing himself using impressionist/figurative views on canvas. Though de Brito sculpts and works in ceramic, he favors painting and incorporates his Portuguese roots along with influences of great French fauvists and California impressionists. In previous years,

pos: João de Brito João de Brito João de Brito (born 1958) is a Portuguese-American artist who has lived in Northern California since 1978, yet he travels extensively throughout California, the U.S. and Europe to paint in oils en plein air and from memory. From age 6, he has observed and studied art to acquire a passion for expressing himself using impressionist/figurative views on canvas. Though de Brito sculpts and works in ceramic, he favors painting and incorporates his Portuguese roots along with influences of great French fauvists and California impressionists. In previous years, de Brito traveled to New Zealand to paint with Māori

pos: Impressionism of modern life, and often painted outdoors. Previously, still lifes and portraits as well as landscapes were usually painted in a studio. The Impressionists found that they could capture the momentary and transient effects of sunlight by painting outdoors or "en plein air". They portrayed overall visual effects instead of details, and used short "broken" brush strokes of mixed and pure unmixed colour—not blended smoothly or shaded, as was customary—to achieve an effect of intense colour vibration. Impressionism emerged in France at the same time that a number of other painters, including the Italian artists known as the Macchiaioli, and

pos: Albert Chevallier Tayler kindred painters. Thence, as artists returned from France to their own countries, they sought out remote locations to congregate and pursue the En plein air method. The Newlyn School is also known as British Impressionism. A typical painting of this early period is "A Dress Rehearsal" (1888), hung in the National Museums Liverpool. This painting makes use of light and shadow and is based upon a genre scene as might have occurred in Cornwall. The Newlyn School drew their subjects from everyday life in the local area. Other associate artists of the Newlyn School were Henry Scott Tuke, Thomas Cooper

neg: Zhang Wei (painter) an artist group known as the Yu Yuan Tan School of Painting. They would gather in different parks in Beijing painting en plein air. In December 1974, these artists held a quasi-underground exhibition Eleven Artists at Zhang Wei’s house, establishing the foundation for the No Name Group. Throughout the entire 1970s, Zhang Wei painted from life – mostly landscape and still life. In the early 1980s, he became one of the very few young artists in Beijing who made the earliest attempt at abstract painting. In May 1986, Zhang Wei and friends organized the Graffiti Exhibition which one closed down

neg: En plein air that allows the artist to keep all their supplies and palette within the box and have the work on the inside of the lid. Some designs allow for a larger canvas which can be held by clamps built into the lid. There are designs which can also hold a few wet painting canvases or panels within the lid. These boxes have a rising popularity as while they are mainly used for plein air painting, can also be used in the studio, home, or classroom. Since pochade boxes are mainly used for painting on location, the canvas or work surface may

neg: Spring Frost Spring Frost Spring Frost is a 1919 painting by the Australian artist Elioth Gruner. The painting depicts a small herd of dairy cows in the early morning. Gruner's most well-known painting, "Spring Frost" was awarded the Wynne Prize in 1919. "Spring Frost" was largely painted "en plein air" at Emu Plains—now an outer western suburb of Sydney but then a rural area—on the farm built by Isaac Innes and inherited by his son Jim Innes. It is Jim Innes in this painting with his cattle. Elioth Gruner's painting "Morning Light" also shows this farm. To compose the painting Gruner built

neg: En plein air be small, usually not more than 20 inches (50 cm). Challenges include the type of paint used to paint outdoors, animals, bugs, onlookers, and environmental conditions such as weather. Acrylic paint may harden and dry quickly in warm, sunny weather and it cannot be reused. On the opposite side of the spectrum is the challenge of painting in moist or damp conditions with precipitation. The advent of plein air painting predated the invention of acrylics. The traditional and well-established method of painting "en plein air" incorporates the use of oil paint. French impressionist painters such as Claude Monet, Camille Pissarro,

neg: Andrei Kushnir Painting Fine Art gallery, the latter two in Washington, D.C. The Sandy Spring Museum, Sandy Spring, Maryland, co-published an illustrated catalog about Kushnir's group of Potomac River painters. Andrei Kushnir also devoted two of his own exhibitions of paintings to the Potomac River, "My River" and "River Visions." His painting "Potomac Riverscape," received the Juror's Choice Award at the 1st Biennial Maryland Regional Juried Art Exhibition, presented by University of Maryland University College, 2011. The artist worked from 2004 to 2015 painting en plein air landscapes throughout the Shenandoah Valley, Virginia, including subjects of historical, cultural as well as scenic

neg: Telemaco Signorini Telemaco Signorini Telemaco Signorini (; August 18, 1835 – February 1, 1901) was an Italian artist who belonged to the group known as the Macchiaioli. He was born in the Santa Croce quarter of Florence, and showed an early inclination toward the study of literature, but with the encouragement of his father, Giovanni Signorini (1808-1864), a court painter for the Grand Duke of Tuscany, he decided instead to study painting. In 1852 he enrolled at the Florentine Academy, and by 1854 he was painting landscapes en plein air. The following year he exhibited for the first time, showing paintings inspired

neg: Ian Armstrong (artist) family home in Blackburn, and he and Kath moved to Anglesea. The next ten years were spent painting the local land and seascapes, with trips further afield to Mark Pearce’s Bungala, South Australia studio. Landscape painting En plein air was a passion that Armstrong followed for over 60 overs; during the 1990s he joined Rick Amor and others to form the 500 Friday Group. In 1999 he completed a painting trip to Central Australia with John and Renee Dent. Ian Armstrong (artist) Ian Armstrong (30 December 1923 – 2005) was an Australian artist. He was a classical modernist painter and

neg: Spring Frost a small structure on site to protect the canvas and, to avoid frostbite, he wrapped his legs with chaff bags. Spring Frost Spring Frost is a 1919 painting by the Australian artist Elioth Gruner. The painting depicts a small herd of dairy cows in the early morning. Gruner's most well-known painting, "Spring Frost" was awarded the Wynne Prize in 1919. "Spring Frost" was largely painted "en plein air" at Emu Plains—now an outer western suburb of Sydney but then a rural area—on the farm built by Isaac Innes and inherited by his son Jim Innes. It is Jim Innes in

neg: Bigger Trees Near Warter painting found a permanent home at Tate Britain in November 2009, where it was displayed along with a pair of digital renderings of the painting. The copse can be found approximately 3/4 mile south of Warter. A group of trees near Warter which had been painted by Hockney was cut down in March 2009, but these were not the trees in the painting described in this article. Bigger Trees Near Warter Bigger Trees Near Warter or ou Peinture en Plein Air pour l'age Post-Photographique is a large landscape painting by British artist David Hockney. Measuring , it depicts a coppice

neg: En plein air and Pierre-Auguste Renoir advocated plein air painting, and much of their work was done outdoors in the diffuse light of a large white umbrella. Claude Monet was an avid en plein air artist who deduced that to seize the closeness and likeness of an outside setting at a specific moment one had to be outside to do so rather than just paint an outside setting in their studio. In the second half of the 19th century and beginning of the 20th century in Russia, painters such as Vasily Polenov, Isaac Levitan, Valentin Serov, Konstantin Korovin and I. E. Grabar were

neg: Emma Eilers of course, Emma Eilers. In late 1892, she travelled with the entire family to visit relatives in Germany as part of her sister Anna's wedding to Hans Weber. This is her only known international trip. At some point during the 1890s, Emma studied at the Shinnecock Hills Summer School of Art, which was the first important summer art school in America devoted to En plein air painting, or painting outdoors. This is the only verified time she attended an art school. By the late 1890s, Emma seems to have become a skilled artist. For example, in 1897, the Brooklyn Eagle

neg: Peter Seitz Adams of his professional career. Eventually, he began to work in color, painting still life set-ups under the colored lights that Lukits used to simulate conditions an artist might find in the outdoors. He subsequently attended Lukits' anatomy and life drawing classes. Adams also began painting “En plein air”, directly from the landscape. He painted with Arny Karl (1940–2000) a fellow Lukits student who had already been painting out of doors for a number of years. Using the pastel medium, the two went on plein air trips to the local foothills in the San Gabriel Mountains, beaches, and trips to St.

neg: William John Hopkinson William John Hopkinson William John Hopkinson (November 25, 1887 – February 21, 1970) was a Canadian artist best known for his "en plein air" style landscapes. Born in London, England, W.J. Hopkinson studied art there briefly but was mostly self-taught. Hopkinson came to Canada in 1912. He exhibited with the Royal Canadian Academy, the Ontario Society of Artists and the Nova Scotia Society of Artists. Although his talent was well respected and he went on painting trips with many leading painters, Hopkinson never achieved the same level of recognition as some of his contemporaries. Hopkinson didn't become a full-time artist

neg: Chris Jorgensen of watercolor than in oil. His style of careful delineation in the foreground and distinct foggy washes in the horizon appears charming in a transparent medium but more primitive in heavier oils. Watercolor also lent itself well to his habit of painting en plein air. During his career as an artist, Jorgensen was successfully received and made a tidy profit selling his paintings both in Yosemite and San Francisco. Early Works Selected Oil Paintings Selected Watercolor Paintings Chris Jorgensen Chris Jorgensen (October 7, 1860- June 24, 1935) was a Norwegian-born American landscape painter. Jorgensen is best known for his paintings

neg: Umberto Allori 2005 and group exhibitions in Florence and Livorno. In 2010 award at the painting career by La Pergola Arte di Firenze. Umberto Allori Umberto Allori is an Italian artist born in Livorno, Italy, living and working in Livorno, Italy. Umberto Allori Livornese painter began his artistic career with painting "en plein air" as Macchiaiola tradition. In 1959 he graduated from the Academy of Art and Design Leonetto Cappiello in Florence in the Livorno branch section. His painting seeks new ways of expression from Livorno tradition and its artistic capacity is influence from trips frequently performs in every corner of the

neg: Claude Monet Monet wanted to become an artist. His mother was a singer, and supported Monet's desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting.

neg: Alex Cameron (artist) average, one painting a week, but is able to create pieces from start to finish very quickly. He has been known to finish a 6 x 6 ft. work in one day. All of Cameron's titles are invented after the work is completed. His process is a combination of painting en plein air and using his minds eye to create his brightly coloured landscapes. Cameron travels to the remote areas of the Northwest Territories, the Yukon, British Columbia, Algonquin Park, Newfoundland, India and Nepal for inspiration. If he is able, he will paint on the spot, or make tiny watercolour

neg: Jeffrey Makin Jeffrey Makin Jeffrey Thomas Makin is an Australian artist, art critic, and Director of Port Jackson Press Australia. He is best known for his paintings "en plein air" of the European landscape. He was born in 1943 in Wagga Wagga, New South Wales, Australia. Makin has a diploma in painting from the National Art School, Sydney and a Master's Degree (Research) from Deakin University Melbourne. Makin was born in 1943, in the city of Wagga Wagga, New South Wales, Australia. Son to father Frederick Campbell Makin and mother Mary Makin (née Lanyon), his affiliation with art and painting began at

neg: James Nairn James Nairn James McLauchlan Nairn (1859–1904) was a Glasgow-born painter who (along with G. P. Nerli) strongly influenced New Zealand painting in the late 19th century. He believed in en plein air or painting outdoors. Nairn studied at the Glasgow School of Art for four years from 1879 before enrolling as a student at the Académie Julian in Paris. During the 1880s Nairn exhibited work at the Glasgow Institute of Fine Arts and the Royal Scottish Academy and was associated with the "Glasgow Boys" - a group of Scottish artist interested in Impressionism. Nairn emigrated from Glasgow to Dunedin for

neg: Olivia Peguero the preserve is only accessible via footpath and horseback. The countryside within the preserve was a primary landscape subject in many of the earliest Peguero paintings. Tours of the Mariposa Cocoa Preserve are by invitation only with an annual artist expedition. Olivia Peguero Olivia Peguero (born 1961) is a Dominican contemporary landscape and botanical artist. Painting most of the year in the Dominican Republic and Florida, she is known for producing all of her studies and the majority of her finished pieces "en plein air". Unlike many other Dominican artists, her works are created in oil using a more traditional

neg: Tim Solliday He also attended Lukits' anatomy and life drawing classes. During the summers Solliday also began to paint “en plein-air”, directly from the landscape. He began going out painting with Arny Karl (1940–2000), an older Lukits student who had been painting out of doors for a number of years. Using the pastel medium, he, Karl and Peter Seitz Adams went on plein-air trips to the local foothills, the Southland beaches, including trips to the ocean and the San Gabriel Mountains. Solliday, Adams and Karl painted en plein-air with pastels, as their teacher Lukits had done in the 1920s and 1930s. Solliday

neg: Sylvester Shchedrin that was a new step in his movement to natural composition. In this painting he relaxed the boundary between subject and background, and moved from using formal colors. Shchedrin had many commissions and grew to become a well-known artist in Italy. He lived in Rome and Naples, working en plein air, drawing bays and cliffs and views of small towns and fishermen villages. One of his favorite motifs were terraces in vines with a view of the sea. Referred as the images of the "Midday Paradis". At the end of the 1820s, Shchedrin began to draw uneasy, almost nightmarish nocturnal

neg: Paul Vera Paul Vera Paul Vera (1882–1957) was a French painter, designer and pioneer of the Art Deco style. He is known for his collaboration on garden designs with his brother André Vera. Paul Vera was born in Paris in 1882. His father was Gustave Lėon Vera, an architect, and his older brother André became a garden designer. He was raised in Paris, and became interested in painting while still young. He would often go with Louis Abel-Truchet, an artist, on excursion to paint "en plein air". He studied painting for ten years, first at the Académie Julian, then the École des

neg: Egg Rock Cunliffe Thompson entitled “Egg Rock,” which uses the Egg Rock inscription text to form its top and bottom borders, a large and striking painting by Concord artist Ilana Manolson in 2009, also entitled “Egg Rock,” and a similarly titled "en plein air" oil painting by Gregory Dysart of Natick. Egg Rock is also the inspiration for the name of a Concord area classical music quartet, the Egg Rock Quartet, which in 2009 performed “a lively evening of chamber music“ for the Concord Art Association. Many visitors pass by Egg Rock on boats as they travel between a popular boat rental

neg: Bal du moulin de la Galette spontaneous and freely worked of the two, characteristic of "en plein air" work. Bal du moulin de la Galette Bal du moulin de la Galette (commonly known as Dance at Le moulin de la Galette) is an 1876 painting by French artist Pierre-Auguste Renoir. It is housed at the Musée d'Orsay in Paris and is one of Impressionism's most celebrated masterpieces. The painting depicts a typical Sunday afternoon at the original Moulin de la Galette in the district of Montmartre in Paris. In the late 19th century, working class Parisians would dress up and spend time there dancing, drinking, and

neg: August Blue artist Lindsay Symington, who modelled for the boy holding onto the boat in the water. Tuke's work fell out of favour after the war, and Tuke died in 1929. His work regained popularity after it was discovered by a generation of openly gay art enthusiasts in the 1970s. August Blue August Blue is an oil-on-canvas painting by British artist Henry Scott Tuke. It depicts four naked youths in and around a boat, bathing in the sea. Tuke started the painting in 1893, probably "en plein air" on a boat in the harbour at Falmouth, Cornwall. The finished painting was exhibited

neg: Tom Roberts Tom Roberts Thomas William "Tom" Roberts (8 March 185614 September 1931) was an English-born Australian artist and a key member of the Heidelberg School, also known as Australian Impressionism. After attending art schools in Melbourne, he travelled to Europe in 1881 to further his training, and returned home in 1885, "primed with whatever was the latest in art". He did much to promote "en plein air" painting and encouraged other artists to capture the national life of Australia. While he is best known for his "national narratives", among them "Shearing the Rams" (1890), "A break away!" (1891) and "Bailed Up"

neg: Prince Rostislav Romanov (born 1985) Prince Rostislav Romanov (born 1985) Prince Rostislav Rostislavovich Romanov (born 21 May 1985) is a Russian artist living and working in the U.K.. He is a member of the House of Romanov, the former ruling Russian Imperial dynasty. He is also known by the names ""Rosti"" and ""Misha"". Rostislav was educated at Brambletye and Milton Abbey Schools, and at Falmouth University where he graduated with a BA in Fine Art. Rostislav is a landscape artist. He is particularly interested in en plein air painting and much of his artwork depicts the Sussex countryside or is inspired by his travels in

neg: Allen Butler Talcott around Old Lyme and along the Connecticut River. He was particularly fond of painting trees, and was known and respected for those paintings. Charles Vezin, another artist in the colony, said of Talcott: "He loved and keenly appreciated nature, and his knowledge of all its phases was unusual... His fellows conceded that no one was his peer in the knowledge of trees and how to paint them." Talcott liked to work "en plein air", creating oil sketches which he painted on wood panels. These sketches were often of high enough quality that they could be regarded as finished paintings, and

neg: Ernest Martin Hennings three paintings. In that year, 1917, Hennings exhibited his first painting in the United States, outside of Chicago, at the National Academy of Design in New York City, New York. Although Hennings soon traveled back to Chicago to continue his work as a commercial artist, three years later he moved permanently to Taos. His new home allowed Hennings to expand past the limitations of commercial art, to paint freely. In particularly the artist was able to freely travel around the area surrounding Taos, painting en plein air subjects of intense natural beauty in remarkable light, none of which would have

neg: Thomas Hill (painter) to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is "Mount Lafayette in Winter". Hill acquired the technique of painting "en plein air". These paintings in the field later served as the basis for larger finished works. In plein air means to “paint outdoors and directly from the landscape”, which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting. Hill’s move to California in 1861 brought him new material for

neg: William Berra and representation. William Berra's career as a professional artist was born. Berra spent the 1980s primarily painting Northern New Mexico en plein air. He was influenced by the Macchiaioli painters of 19th century Italy, precursors to the French practitioners of Impressionism, and he experimented with techniques to achieve their effects. One technique was that of painting on a board shellacked with an orange base. The undercoating generally warms the painting, showing through where oil paint is applied sparingly. He also placed "complementary hues side by side for maximum visual vibration." In the 1990s, Berra began to spend more time painting

neg: Jeffrey Makin the Central Goldfields region of Victoria. His son, James, runs a gallery (the James Makin Gallery), and his wife, Elizabeth, is Director of Port Jackson Press Gallery, both in Collingwood, Melbourne, Australia. Jeffrey Makin Jeffrey Thomas Makin is an Australian artist, art critic, and Director of Port Jackson Press Australia. He is best known for his paintings "en plein air" of the European landscape. He was born in 1943 in Wagga Wagga, New South Wales, Australia. Makin has a diploma in painting from the National Art School, Sydney and a Master's Degree (Research) from Deakin University Melbourne. Makin was born

neg: Olivia Peguero Olivia Peguero Olivia Peguero (born 1961) is a Dominican contemporary landscape and botanical artist. Painting most of the year in the Dominican Republic and Florida, she is known for producing all of her studies and the majority of her finished pieces "en plein air". Unlike many other Dominican artists, her works are created in oil using a more traditional European style, many times depicting life as birth, existence and death within her flowers. Two common themes present in Peguero art are the conservation of old growth Dominican forests and pride in Dominican heritage. In 2007, Peguero enlisted the help of

neg: R. M. Fraser to his home in Crosby (a north Liverpool suburb). His working method was to paint initially ‘En plein air’, with oil sketches providing the basis for larger studio paintings. This catalogue brings together images of his paintings inherited by family members but it does not represent a complete collection as it would appear that many were sold. A number of the photographs taken by the artist of his own paintings prior to sale still exist together with handwritten notes indicating the price and title. Little is known of his formative years but it is possible that his interest in painting

neg: Le Grand Canal Le Grand Canal Le Grand Canal is an oil on canvas painting by French Impressionist painter Claude Monet (1840–1926). It is one of six paintings looking down the Grand Canal towards the Salute church. This Grand Canal series is in turn part of a larger series of paintings of Venice which Monet undertook during 1908 on his only visit to the city. The artist is generally regarded by art historians as being at the peak of his powers at this period. The paintings were begun "en plein air" and completed in France. This painting is a classic view of the

neg: Oskar Lüthy Oskar Lüthy Oskar Wilhelm Lüthy (26 June 1882 – 1 October 1945) was a Swiss painter of still-lifes, landscapes and religious art. He co-founded ("The Modern Covenant"), a group of Swiss modernist artists. Lüthy briefly studied architecture at the Berne School of Applied Arts. From 1903 to 1907 he lived in the Valais, where he painted pictures of mountain landscapes en plein air. After his stay in Valais, he took private painting classes with Hans Lietzmann in Munich, where he came into contact with religious art. In 1911 he co-founded the artist group Der Moderne Bund with sculptor Jean Arp

neg: Susan Cox (artist) Laguna Beach in 1999 & 2006. Cox's art focuses on oil mediums and plein-air painting. In Winter 2009, Cox was a professor of plein-air painting at the Oceanside Museum of Arts. Her course was titled "A Breath of Fresh Air". In this course, she lectured on the fundamentals of plein-air painting, included an introduction to the genre, and its history. Students and Cox also spent time going out on location to paint. After moving to England with her family, she painted and exhibited her work in the London and Oxfordshire areas for 14 years. Her work was included in the

neg: Vision After the Sermon Vision After the Sermon Vision after the Sermon (Jacob Wrestling with the Angel) is an oil painting by French artist Paul Gauguin, completed in 1888. It is now in the National Gallery of Scotland, Edinburgh. It depicts a scene from the Bible in which Jacob wrestles an angel. It depicts this indirectly, through a vision that the women depicted see after a sermon in church. It was painted in Pont-Aven, Brittany, France. Gauguin started off landscape painting in the summer "en plein" air but following the creation of "Vision After the Sermon" he focused increasingly on interpreting religious subject matter

neg: Giovanni Segantini historian Robert Rosenblum described Segantini as transforming "the earthbound into the spiritual", and the artist himself referred to his work as "naturalist Symbolism". He said "I've got God inside me. I don't need to go to church." A signposted multiday trekking route passes areas that were common to the painter for his "En plein air" painting. Giovanni Segantini Giovanni Segantini (15 January 1858 – 28 September 1899) was an Italian painter known for his large pastoral landscapes of the Alps. He was one of the most famous artists in Europe in the late 19th century, and his paintings were collected

neg: August Blue August Blue August Blue is an oil-on-canvas painting by British artist Henry Scott Tuke. It depicts four naked youths in and around a boat, bathing in the sea. Tuke started the painting in 1893, probably "en plein air" on a boat in the harbour at Falmouth, Cornwall. The finished painting was exhibited at the Royal Academy summer exhibition in 1894, and immediately purchased for the Tate Gallery, where it remains. Unlike his earlier paintings, it has an Impressionistic style, influenced by his travels to Italy, Corfu and Albania in 1892. Tuke was born in York in 1858, but his family

neg: Vladimir Sosnovsky he entered the Kiev Art Institute and graduated in 1954. He then to worked as a deputy director at the Odessa Western and Oriental Art Museum. From 1956 he taught painting at the Odessa Theatre and Art College until his death in 1990. Sosnovsky did not promote his art or himself, or try to be a fashionable painter. Obsessed with painting, he spent his free time painting "en plein air". He loved nature and painted it obsessively. Sincerity was Sosnovsky' main characteristic, his motto and his goal. Touched by Sosnovsky's art — his lyricism and alive romanticism — a well-known

neg: Women in the Garden may have shown Monet where his artistic path lay. Women in the Garden Women in the Garden (French: "Femmes au jardin") is an oil painting begun in 1866 by French artist Claude Monet when he was 26. It is a large work painted "en plein air"; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work. The setting is the garden of a property he was renting. His companion Camille posed for the figures. Monet

neg: Women in the Garden Women in the Garden Women in the Garden (French: "Femmes au jardin") is an oil painting begun in 1866 by French artist Claude Monet when he was 26. It is a large work painted "en plein air"; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work. The setting is the garden of a property he was renting. His companion Camille posed for the figures. Monet finished the work indoors, and used magazine illustrations to

neg: Martha Elizabeth Burchfield Richter favored en plein air painting, she also had a studio for convenience and unfavorable weather. For many years during her marriage, Richter painted in her bedroom. Eventually, her husband contracted to have an artist studio built for Richter above the garage. Much of her last few years are known through an interview with Peggy Haug, Burchfield Richter's daughter, taken in July 15, 2016 by Laurie Kaiser a writer from Buffalo. Burchfield was very close to her father and following her father's death in 1967 suffered greatly. "she was very emotionally attached to her father... it was difficult for her when

neg: Armand Cabrera Armand Cabrera Armand Cabrera (born June 5, 1955 in San Francisco, California) is an American oil painter recognized for his en plein air landscape art, seascapes, cityscapes, still lifes and figurative works. He is also well known as a game art designer who has delivered over 25 shipped games as a Lead and Senior Artist. His clients include Lucasfilm Games, Disney, Electronic Arts, Virgin Entertainment, Nickelodeon, Microsoft and Paramount Pictures. Cabrera is represented by seven fine art galleries in the United States. He is the "Artist in Residence" at Riverbend Park in Great Falls, Virginia and is a member of

neg: Bigger Trees Near Warter Bigger Trees Near Warter Bigger Trees Near Warter or ou Peinture en Plein Air pour l'age Post-Photographique is a large landscape painting by British artist David Hockney. Measuring , it depicts a coppice near Warter, Pocklington in the East Riding of Yorkshire and is the largest painting Hockney has completed. It was painted in the East Riding of Yorkshire between February and March 2007. The painting's alternative title alludes to the technique Hockney used to create the work, a combination of painting out of doors and in front of the subject (called in French ‘sur le motif’) whilst also using

neg: John Singer Sargent which presented twenty-two of his paintings. Here he became friends with painter Dennis Miller Bunker who traveled to England in the summer of 1888 to paint with him en plein air and is the subject of Sargents painting 'Dennis Miller Bunker Painting at Calcot' 1888. Back in London, Sargent was quickly busy again. His working methods were by then well-established, following many of the steps employed by other master portrait painters before him. After securing a commission through negotiations which he carried out, Sargent would visit the client's home to see where the painting was to hang. He would often

neg: Henry Mark Anthony worth doing, he considered worth doing well; doing with all his heart and with all his soul." Henry Mark Anthony Henry Mark Anthony (4 August 1817 – 1 December 1886) was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the "en plein air" style of painting to Britain. Anthony was born at Rusholme Lane, Manchester, of Welsh ancestry, and was the second son of John Anthony, merchant, and his wife, Phoebe. The family moved to Cowbridge, Glamorgan (in Wales), around 1823. Anthony

neg: Umberto Allori Umberto Allori Umberto Allori is an Italian artist born in Livorno, Italy, living and working in Livorno, Italy. Umberto Allori Livornese painter began his artistic career with painting "en plein air" as Macchiaiola tradition. In 1959 he graduated from the Academy of Art and Design Leonetto Cappiello in Florence in the Livorno branch section. His painting seeks new ways of expression from Livorno tradition and its artistic capacity is influence from trips frequently performs in every corner of the globe. In 1953 he began his participation in the Rotonda Prize named after Mario Borgiotti of Ardenza with a win in

neg: Claude Monet approaches to art, painting the effects of light "en plein air" with broken colour and rapid brushstrokes, in what later came to be known as Impressionism. In January 1865 Monet was working on a version of "Le déjeuner sur l'herbe", aiming to present it for hanging at the Salon, which had rejected Manet's "Le déjeuner sur l'herbe" two years earlier. Monet's painting was very large and could not be completed in time. (It was later cut up, with parts now in different galleries.) Monet submitted instead a painting of "Camille" or "The Woman in the Green Dress" ("La femme à

neg: William John Hopkinson in art circles in the Newmarket and Aurora area, northwest of Toronto. Hopkinson was a founder of the Newmarket Art Club, and member of the Willowdale Group of Artists and the Society of Co-operative Artists, Toronto. After his death on February 21, 1970, a retrospective exhibit and sale was held. His friend and pupil, artist Isabelle Van Zant, did a portrait for the exhibition cover. W.J. Hopkinson website William John Hopkinson William John Hopkinson (November 25, 1887 – February 21, 1970) was a Canadian artist best known for his "en plein air" style landscapes. Born in London, England, W.J. Hopkinson

neg: Martha Elizabeth Burchfield Richter mid-1970s after her children had left home. On April 10, 1977, aged 52, she committed suicide by overdosing on barbiturates. Burchfield painted almost exclusively with watercolors, often employing a dry technique (using little water) over a pencil sketch, much as her father did. She was known for painting en plein air — on the scene and in the open. Burchfield loved summer and relished painting summer scenes, saying that is "when I feel most alive." She was known for driving around until she found a painting location that appealed to her. In the opening notes to the program for her

neg: Don Sahli in galleries around the country. As a painter, Sahli travels throughout the country painting the landscape. When painting "en plein air", Sahli works on at least a 16 x 20 canvas, and in the studio he works on canvases of 3.5 x 7 ft. and larger. Don Sahli Don Sahli is an American painter. Don Sahli made the decision to become a professional artist at a very early age. By age 16, he was selling his work and by 18, Sahli was exhibiting as an established painter. In 1982, he became friends with Sergei Bongart. Sahli was the last scholarship

neg: Ma Kelu to paint en plein air, the group’s primary medium of creation. Ma Kelu experienced some struggles as he and his groups were working on en plein air paintings. For one the seven-hour train ride from Beijing was a luxury for the poor artists at the time. Moreover, Ma Kelu found it difficult to paint the sea. When painting the sea, the clear green water and blue sky looked like a swimming pool and realistic renditions often looked fake. The conditions were challenging, as the strong offshore wind blew away the clouds and brought a scattering of dirt and sand. This

neg: Heidelberg School the stream, and shall for ever glide′" (1890)—the first painting by the artist to enter a public gallery. The more sympathetic patronage shown by Ashton and others in Sydney inspired other Melbourne artists to join them. The National Gallery of Victoria notes: From Sydney, Streeton and Roberts branched out into country New South Wales, where, in the early 1890s, they painted some of their most celebrated works. Like many of their contemporaries in Europe and North America, members of the Heidelberg School adopted a direct and impressionistic style of painting. They regularly painted landscapes "en plein air", and sought to

neg: California Impressionism interest in "en plein air" painting promoted environmental awareness on the Central California Coast. By the early 1990s, Peter Seitz Adams and a number of other Contemporary Traditional Artists saw the need for an organization that could help to bring order to what they saw as the reemerging traditional art movement in California. Adams, his wife Elaine and Jeffrey Morseburg had been discussing the need for an organization that could mount exhibitions and promote the artists who were reviving California Plein-Air Painting. In 1993, when Verna Guenther, who was a member of the historic California Art Club, came to Morseburg

neg: Musée de la Sculpture en Plein Air Archipenko, Jean Arp, César Baldaccini, and Constantin Brâncuși, as well as the following pieces: Musée de la Sculpture en Plein Air The Musée de la Sculpture en Plein Air is a collection of outdoor sculpture located on the banks of the Seine in the 5th arrondissement, Paris, France. The museum opens free of charge. The museum was created in 1980 in the Jardin Tino Rossi to display sculptures from the second half of the twentieth century. It stretches some 600 meters along the Quai Saint-Bernard beside the Jardin des Plantes, between Place Valhubert and Gare d'Austerlitz to just east of

neg: Charles Tersolo of the Harvard Doubletree Hotel. Other public works include a painting of the South End of Boston in the Back Bay Hilton of Boston. Subject matter covered by this artist includes Provincetown, Boston, Paris, the Grand Canyon, Santa Fe, Monument Valley, Valley of the Gods, New York City, San Francisco, Portland, Cape Elizabeth, and Mount Desert Island, Maine, and Portsmouth, New Hampshire. Charles Tersolo Charles Tersolo (born 1974 in Rochester, New Hampshire) is a Boston artist and member of the Copley Society of Art. He paints much of his works outdoors, or "en plein air" in the tradition of Corot,

neg: Le Grand Canal absence of people gives an other-worldly impression. Le Grand Canal Le Grand Canal is an oil on canvas painting by French Impressionist painter Claude Monet (1840–1926). It is one of six paintings looking down the Grand Canal towards the Salute church. This Grand Canal series is in turn part of a larger series of paintings of Venice which Monet undertook during 1908 on his only visit to the city. The artist is generally regarded by art historians as being at the peak of his powers at this period. The paintings were begun "en plein air" and completed in France. This

neg: Road in Häme the dirt creates an impression of movement. One can almost smell the dust and pine needles under the wheels. In 1853, Holmberg was the first Finnish artist to study in Düsseldorf. From the surviving sketches, it seems Holmberg's "Road in Häme" was probably painted in the Tampere region. Road in Häme Häme road or Hot summer day is the most famous work of Werner Holmberg (1830–1860). It was painted in 1860. Though short, Holmberg's career helped develop Finnish landscape painting. He combined the traditional landscape painting techniques of the atelier with the modern outdoor "en plein air" landscape. In the

neg: Self-portrait with the Colosseum collection of Anton Perrenot de Granvella (d. 1586). Unlike what the arrangement would have the observer believe, this was not painted 'en plein air' because all paintings were created in the studio until well into the 18th-century. The image of the Colosseum has been identified with an undated sketch currently in Berlin that itself was a model for Pieter Jansz. Saenredam for his 1631 painting. Saenredam is known to have had in his possession many sketches by Heemskerck that he used as models. A description of the sketches of ruins that Heemskerck made while in Rome was documented by Karel

neg: Charles F. Kimball Charles F. Kimball Charles Frederick Kimball (1831 - 1903) was a 19th-century American, pastoral landscape and marine painter, etcher and a master cabinet maker in Portland, Maine. A native of Maine, Charles Frederick Kimball was born in Monmouth, Maine on October 31, 1831, the youngest of thirteen children, into a family of architects and builders. He was largely self-taught. He showed local scenery paintings as early as 1853. He along with fellow landscape artist, John Bradley Hudson, Jr., shared a passion for painting en plein air, traveling around Casco Bay and Portland with their easels and brushes painting local scenery.

neg: Lori McNamara Gallery website. She is currently the leader of the Plein Air Painters of the Treasure Coast. In 2005 McNamara published an article in "Plein Air Magazine" about the history of this organization. A native of Fort Pierce, Florida, McNamara has painted since childhood, when she received a few lessons from A.E. Backus. Lori McNamara Lenore "Lori" McNamara (born April 30, 1952) is an artist in Fort Pierce, Florida. She works en plein air and paints in an Impressionist style. Her work has been featured in several galleries, especially in the A. E. Backus Gallery & Museum in Fort Pierce, and

neg: Peter Seitz Adams Peter Seitz Adams Peter Seitz Adams (August 27, 1950, Los Angeles) is an American artist whose body of work focuses on landscapes and seascapes created en plein air in oil or pastel as well as enigmatic figure and still-life paintings. He is noted for his colorful, high-key palette and broad brushwork. Adams has held numerous solo and group exhibitions in galleries and museums, including throughout California, the Western United States, and on the East Coast in Philadelphia, Vermont, and New York. Adams is the longest serving President of the California Art Club (f. 1909) and has served on its board

neg: Ron Donoughe in art education. He pursued additional studies in drawing and painting at California College of the Arts in Oakland, CA. Donoughe has worked in a variety of settings (from grave digger to art teacher to chicken catcher to landscaper). He has been painting full-time since 1991. "Themes, Methods, and Style." Donoughe’s early paintings were primarily landscapes, painted en plein air in the Southwestern Pennsylvania countryside. After living in Pittsburgh for several years, he also began to paint cityscapes and industrial scenes. In 2002, Donoughe founded the Plein Air Painters of Western PA. 9”x12” and 11”x14” oil paintings on board comprise

neg: Lori McNamara Lori McNamara Lenore "Lori" McNamara (born April 30, 1952) is an artist in Fort Pierce, Florida. She works en plein air and paints in an Impressionist style. Her work has been featured in several galleries, especially in the A. E. Backus Gallery & Museum in Fort Pierce, and it is currently on display in her studio at the ArtBank, also in Fort Pierce. McNamara is best known for her landscapes, which depict natural Florida environments, executed with a bold impasto technique. She is a highly prolific artist, and has published over 1,000 of her paintings on the Daily Painters Art

neg: Annie Harmon now in the collection of The Hearst Art Gallery, Saint Mary’s College, Moraga, California—home of a substantial number of the paintings of William Keith. In 2010 an exhibition of Harmon's work and that of two other turn-of-the-century artists, Marion Kavanagh Wachtel and Mary DeNeale Morgan was held at the Saint Mary's College Museum of Art. There were nearly 100 landscape paintings of California in the show made by the en plein air artists. Annie Harmon Annie Lyle Harmon (February 1855 – August 27, 1930) was a Californian plein-air artist known especially for her paintings of trees. A student of leading

neg: Harry Watson (artist) Harry Watson (artist) Harry Watson (13 June 1871 – 17 September 1936) was an English landscape and portrait artist born in Scarborough. He briefly lived in Canada between 1881 and 1883. He studied at the Scarborough School of Art 1884–88, at Lambeth School of Art and at the Royal College of Art (R.C.A.) 1889–94, where he won numerous gold, silver and bronze medals and was awarded a traveling scholarship to Italy. Watson exhibited at the Royal Academy (R.A.) from 1896; member R.W.S. 1915; R.W.A. 1927; R.O.I. 1932. Taught at Regent Street Polytechnic from 1913. Watson embraced En plein air painting,

neg: Charles Harris (painter) Eye: an Illustrated History of Painting". . Along with numerous other commissions, portrait requests continue to the present. They have included: Charles Harris (painter) Charles Harris (born in the second half of the 20th century in Britain) is a British painter, art instructor and teacher. Harris is an award-winning British traditional artist who trained at the Royal Academy in London. He has founded a movement called "New Traditional Art" and the Association Embracing Realist Art (AERA). He predominantly works en plein air for his landscapes or in front of his portrait subjects. Charles Harris completed both his BA and then

neg: Gerard Byrne (artist, born 1958) who was working as a waitress at the time. In August 2013 the artist opened The Gerard Byrne Studio in Dalkey hosting the reception of his wedding the following month. The gallery presented the artworks created over the previous years. In October 2014 Gerard moved to London and marked his arrival with a solo exhibition in The Gerard Byrne Studio in Clerkenwell. His work focused on painting London landmarks "en plein air" and the new studio works. In October 2015 Gerard and Agata's move to Brighton provided the artist an opportunity to capture the diminishing sea town architecture of the

neg: Armand Cabrera Peter H. Hassrick. A Cabrera "How To Demo" was featured in the instructional book, "How Did You Paint That?: 100 Ways to Paint Seascapes, Rivers & Lakes". Armand Cabrera Armand Cabrera (born June 5, 1955 in San Francisco, California) is an American oil painter recognized for his en plein air landscape art, seascapes, cityscapes, still lifes and figurative works. He is also well known as a game art designer who has delivered over 25 shipped games as a Lead and Senior Artist. His clients include Lucasfilm Games, Disney, Electronic Arts, Virgin Entertainment, Nickelodeon, Microsoft and Paramount Pictures. Cabrera is represented

neg: California Impressionism Arny Karl (1940–2000) and Tim Solliday (b. 1952) became art students of Theodore Lukits (1897–1992), one of the early California plein air and portrait artists. Adams, Karl and Solliday began taking sketching trips together and eventually helped reinvigorate the contemporary plein air painting movement. Moreover, in 1993 Adams was instrumental in reviving the California Art Club, which quickly grew to include hundreds of practicing plein air artists. Contemporaneous to Lukits was the Russian Impressionist Sergei Bongart (1918–1985), who taught many students from his studios in Santa Monica and Idaho. In Santa Barbara, a group of burgeoning plein air painters sought

neg: Henry Mark Anthony Henry Mark Anthony Henry Mark Anthony (4 August 1817 – 1 December 1886) was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the "en plein air" style of painting to Britain. Anthony was born at Rusholme Lane, Manchester, of Welsh ancestry, and was the second son of John Anthony, merchant, and his wife, Phoebe. The family moved to Cowbridge, Glamorgan (in Wales), around 1823. Anthony was apprenticed to a doctor called Harrison who, being an amateur artist himself, encouraged his artistic leanings.

neg: Gabriel Bouret near to the lake of Neuchatel. He died in Paris in December 1890. Gabriel Bouret Gabriel Pierre Marie Bouret (March 2, 1817 - December 1890) was a French painter born in Paris. He apprenticed with Jean-Charles-Joseph Rémond before becoming an artist in his own right whilst studying at the Ecole des beaux Arts, Paris. He first exhibited at the Salon in 1843 with his painting, 'Vue prise aux Mares', and then again in 1868 with two paintings, 'Le retour a la ferme' and 'Une rue de Village en Normandie'. He traveled mainly in France to sketch en-plein air landscapes and

neg: Gabriel Bouret Gabriel Bouret Gabriel Pierre Marie Bouret (March 2, 1817 - December 1890) was a French painter born in Paris. He apprenticed with Jean-Charles-Joseph Rémond before becoming an artist in his own right whilst studying at the Ecole des beaux Arts, Paris. He first exhibited at the Salon in 1843 with his painting, 'Vue prise aux Mares', and then again in 1868 with two paintings, 'Le retour a la ferme' and 'Une rue de Village en Normandie'. He traveled mainly in France to sketch en-plein air landscapes and forest views, in particular in the mid east of France in Poligny and

neg: Julie Bozzi Julie Bozzi Julie Bozzi (born 1943) is an American artist who is known for her landscape paintings. Bozzi currently lives in Fort Worth, Texas. Bozzi's art is in the permanent collection of the Modern Art Museum of Fort Worth, The Brooklyn Museum, Hirshhorn Museum and Sculpture Garden, and the El Paso Museum of Art. Bozzi was born in California and went to graduate school at the University of California, Davis. She began to paint "en plein air" in 1975. She later moved to Texas in 1980. She is married to the artist Vernon Fisher. Bozzi is known for her landscapes.

neg: Darío de Regoyos series "The black Spain", to Impressionism and Pointillism, being somewhat more daring than Ignacio Zuloaga and Joaquín Sorolla. In his mature stage, he created abundant landscapes "en plein air" of locations of Vizcaya and Guipúzcoa. His drawing was characterized as being somewhat primary, almost naive, in contrast to his colorful international taste, which was then largely unrivaled in Spain. Notable for contributing to "the renewal of modern Spanish painting", in Spain, he is best known for his introduction of Impressionism techniques. Darío de Regoyos Darío de Regoyos y Valdés (November 1, 1857 – October 29, 1913) was a Spanish painter.

neg: Aleksey Korin workshop at the Trinity Lavra of St. Sergius. From 1876 to 1877, contrary to his father's wishes, he went to enroll at the Moscow School of Painting, Sculpture and Architecture in 1884, where he studied with Vasily Perov, Illarion Pryanishnikov, Vladimir Makovsky and Vasily Polenov. He graduated in 1889, receiving a silver medal and the title of "Artist". That same year, he joined a group of painters led by Isaac Levitan who painted en plein aire in the vicinity of Plyos. In 1890, 1891 and 1892, he won awards from the Moscow Society of Art Lovers. His painting, "The Sick

neg: Nikola Petrov (painter) In 1903, he joined the Society of Modern Art, a group devoted to promoting currents trends such as Impressionism, Symbolism and Art Nouveau. That same year, he was able to spend some time studying in Rome, thanks to a state scholarship. He continued to pursue his own styles, however, and spent much of his time painting en plein air; a habit to which he had been introduced by Věšín. He was also one of the first Bulgarian painters to do cityscapes and is often referred to as the "Xудожника на София" (Painter of Sofia)“. Following his first showing in 1904,