query: who sings oh baby i love your way

pos: Baby, I Love Your Way Frampton song a lot. This version was also played during the 2017 film "" during two fight sequences. Baby, I Love Your Way "Baby, I Love Your Way" is a song written and performed by English singer Peter Frampton. It was released in September 1975 and was first featured on Frampton's 1975 album, "Frampton". The song segues from the previous track "Nassau". A live version of the song was later released on his 1976 multi-platinum album "Frampton Comes Alive!", where it gained popularity as a hit song, peaking at number 12 on the US "Billboard" Hot 100 chart. It also

pos: Baby, I Love Your Way/Freebird Medley a cover version of the 1975 10cc hit "I'm Not in Love." Baby, I Love Your Way/Freebird Medley "Baby, I Love Your Way/Freebird Medley (Free Baby)" is a song by the American dance-pop band Will to Power. The song combines elements of two previously recorded rock songs: "Baby, I Love Your Way", a #12 "Billboard" Hot 100 hit from 1976 by the British-born singer Peter Frampton; and American Southern rock band Lynyrd Skynyrd's song "Free Bird", which hit #19 on the Hot 100 chart in 1975. Will to Power's medley of these two songs had more of a synthesized dance

pos: Baby, I Love Your Way/Freebird Medley Baby, I Love Your Way/Freebird Medley "Baby, I Love Your Way/Freebird Medley (Free Baby)" is a song by the American dance-pop band Will to Power. The song combines elements of two previously recorded rock songs: "Baby, I Love Your Way", a #12 "Billboard" Hot 100 hit from 1976 by the British-born singer Peter Frampton; and American Southern rock band Lynyrd Skynyrd's song "Free Bird", which hit #19 on the Hot 100 chart in 1975. Will to Power's medley of these two songs had more of a synthesized dance beat (as opposed to the rock ballad-like nature of the two original

pos: Baby, I Love Your Way Baby, I Love Your Way "Baby, I Love Your Way" is a song written and performed by English singer Peter Frampton. It was released in September 1975 and was first featured on Frampton's 1975 album, "Frampton". The song segues from the previous track "Nassau". A live version of the song was later released on his 1976 multi-platinum album "Frampton Comes Alive!", where it gained popularity as a hit song, peaking at number 12 on the US "Billboard" Hot 100 chart. It also reached number three in Canada. In 2017, Frampton discussed this song while talking to Washington D.C. lawmakers about

pos: David Rosenthal (musician) 1988 to 1989, Rosenthal played keyboards for Robert Palmer on the "Heavy Nova" tour (including one particular stretch of performing 56 concerts on 56 consecutive nights in 56 cities). With Palmer, he appeared in the music video for the song "Early in the Morning", as well as the concert recording, "Live at the Apollo" (recorded in 1988 but released in 2001). 1988 saw Rosenthal play on Will to Power's remake medley of Peter Frampton's "Baby I Love Your Way" and Lynyrd Skynyrd's "Freebird" – titled "Baby, I Love Your Way/Freebird Medley (Free Baby)" – which reached number one on the

pos: Will to Power (band) year. After Rosenberg spent much of 1987 and early 1988 working on new material with a variety of different musicians, keyboardists Lawrence Dermer and David Rosenthal the group's self-titled debut album was released on Epic Records in March 1988. Along with the aforementioned songs "Dreamin'" and "Say It's Gonna Rain", the album contained a medley of two popular rock songs from the 1970s, "Baby, I Love Your Way" (a 1976 hit record for Peter Frampton) and "Free Bird" (a well-known track by the Southern rock band Lynyrd Skynyrd from 1973). This medley, titled "Baby I Love Your Way/Freebird Medley (Free

pos: Free Bird guitars were complementing and challenging each other throughout that solo. The American dance-pop group Will to Power created a medley of this song and the 1976 Peter Frampton song "Baby, I Love Your Way" in 1988. Titled "Baby, I Love Your Way/Freebird Medley", it spent one week at No. 1 on the "Billboard" Hot 100 chart. Molly Hatchet covered the song on their 1985 live album "Double Trouble Live". It was released as a promo single. It was also covered by Wynonna Judd on the 1994 tribute album "Skynyrd Frynds". The song was also covered by Bronx Casket Co. on

pos: Will to Power discography Top 50 singles, along with Will to Power's only Number One single on the "Billboard" Hot 100, "Baby, I Love Your Way/Freebird Medley". Will to Power discography Will to Power is an American dance-pop group that originated in southern Florida in the mid-1980s. The group recorded a number of hit singles on the "Billboard" dance and pop charts in the late 1980s and early 1990s, most notably "Baby, I Love Your Way/Freebird Medley", a medley of 1970s hits by Peter Frampton and Lynyrd Skynyrd that reached the top of the "Billboard" Hot 100 chart in December 1988. While signed to

neg: Love Yourself tone while "hating on a girl for loving herself too much." In the pre-chorus, he sings with a husky tone in the lower registers: "My mama don't like you, and she likes everyone," "in a style that molds well to Sheeran's," according to "Rolling Stone" Brittany Spanos. "And I [never] like to admit that I was wrong. And I've been so caught up in my job, didn't see what's going on, and now I know, I'm better sleeping on my own," he continues. In the chorus, Bieber sings, "Cause if you like the way you look that much, oh baby

neg: Baby, I Love Your Way inequitable revenue payments from streaming music services like iTunes and Spotify. "For 55 million streams of "Baby I Love Your Way", I got $1,700," said Frampton. "Their jaws dropped and they asked me to repeat that for them." 7" single – United States (1975) 7" single – United States (1976) In 1987 the American dance-pop band Will to Power recorded "Baby, I Love Your Way/Freebird Medley (Free Baby)". The song combines elements of two previously recorded rock songs: "Baby, I Love Your Way" and American Southern rock band Lynyrd Skynyrd's song "Free Bird", which hit #19 on the Hot 100

neg: Não Dá pra Resistir and hip-hop. The song talks about a love that is irresistible, where the protagonist tries to disguise, but ends up falling in love with the loved one. The song begins with Luciana on lead vocals, followed by Patricia, who changes versions with Luciana to the chorus. In the chorus, the girls sing, "I can not resist your love, you look at me like this, baby, I go, your kisses just for me, and your taste, I can not resist I need your love." After the chorus, Karin sings the second full part, taking help from the girls in the backing

neg: The Immaculate Collection and percussion. Madonna begins singing "I'm talking /I believe in the power of love /I'm singing /I believe that you can rescue me" before engaging in the breathy, spoken word vocals, like on "Justify My Love". She sings "Rescue me /It's hard to believe your love has given me hope /Rescue me /It's hard to believe I'm drowning, baby throw out your rope" over the chorus. At one point of the song, Madonna sings the line "And right while I am kneeling there I suddenly begin to care", which was likened to oral sex. "Justify My Love" was released as

neg: Strawberry Kisses more bubblegum pop, with elements of pop rock. The song talks about a love of summer, that even having already finished, the protagonist can not forget the person loved, desiring thus, its "wet kisses". The song starts with a voice off singing, "Quero tanto, espero tanto, seu beijo molhado," ("I want you so much, I hope so much, your kiss wet,") while Karin sings, "demais, oh oh oh, yeah, yeah." ("too much, oh oh oh, yeah, yeah.") The first stanza is also sung by Karin, where it is spoken of an unforgettable summer love. The second stanza is sung by

neg: Johnnie Mae Matthews most visionary songwriters and producers. Also in 1960 the label issued "Come On," the debut single by The Distants who were later renamed The Temptations. In time, Northern spun off a series of sister labels, most notably “Reel”, which was the label of several of Matthews’ singles, such as "Oh, Baby", "No One Can Love Me the Way You Do", "The Headshrinker", and "Come Home", all of which were released in 1961. In 1963 Reel issued "I Don't Want Your Love", a duet that paired Matthews and Timmy Shaw, her longtime songwriting collaborator who is best known for his 1964

neg: Your Love (Nicole Scherzinger song) Bradley Stern from the website MuuMuse noted that Scherzinger opts to moan and do "sultry, filtered near-whispers" throughout the song. Lyrically, Scherzinger sings how her man's love makes her feel. The song begins with a rave piano-driven beat with Scherzinger repeating "yeah" and "woo". On the first verse she sings “Something ’bout you so enticing, even when I try to fight it / Knock me out like Michael Tyson / I’ll do whatever you want” over the galloping beat. The pre-chorus follows, with her pleading the lines, "I’m never letting you go baby, I love you so baby!" The song's

neg: Love Is Strange The Chess Masters, 1955–1958" in 2007. Mickey & Sylvia's version was recorded several months later on October 17, 1956. A second Mickey & Sylvia studio recording, recorded some years after, featured now-legendary drummer Bernard "Pretty" Purdie on his first paid session gig. The song is noted for its spoken dialogue section which goes as follows: "Sylvia!" "Yes, Mickey." "How do you call your Lover Boy?" "Come here, Lover Boy!" "And if he doesn't answer?" "Oh, Lover Boy!" "And if he still doesn't answer?" "I simply say..." (Sung) "Baby/ Oh baby/ My sweet baby/ You're the one." "Love Is Strange" peaked

neg: Crazy in Love the lyrics: "Jay Z in the range, crazy and deranged [...] I been inhaling the chain smokers, how you think I got the name 'Hova', I been real and the game's over". The song continues to the bridge, singing: "I'm not myself, lately I'm foolish, I don't do this, / I've been playing myself, baby, I don't care / 'Cuz your love's got the best of me, / And baby, you're making a fool of me, / You got me sprung and I don't care who sees." She then sings the chorus again and the song fades out with the

neg: Government Hooker Unless you want to hold hands / Unless you want to be dad". After Gaga sings "I'm gonna drink my tears and cry / 'cos I know you love me baby" during the techno-inspired bridge, she alludes to the alleged affair between Marilyn Monroe and John F. Kennedy with the lyrics "Put your hands on me / John F. Kennedy / I'll make you squeal baby", singing in a monotonous, yet seductive tone. "Government Hooker" was well received by the media. Roberts asserted that the song's dynamic was a quirky exception to the contravening nature of "Born This Way". Chris

neg: Glass Spider Tour like 'Warszawa.' I tried that, and that was a bit yawn-making. There was one I was humming to myself the other day: [sings] 'Baby, baby, I'll never let you down' – oh lord, what's that one? Jesus, I can't remember it. ... 'Sons of the Silent Age!' [snaps fingers] Ah! That's right! Thank god I could remember it! So that for me now is a new song. I've never done that one onstage." "Sons of the Silent Age" was performed every night of the tour. All but two songs ("Too Dizzy" and "Shining Star (Makin' My Love)") from his album

neg: All of Me (Estelle album) produced by Don Cannon, is a modern hip-hop soul. On the song, Ross glides smoothly over the beat, while Estelle sings about how she's unsure about committing to a new man because she just got out of a relationship and doesn't want to get hurt again. "I just wanna love you baby, I don't wanna waste no time," she sings. "I wanna be your only one baby, please don't break my heart." The song "International (Serious)" featuring Chris Brown and Trey Songz is about Estelle's living the life as an international jet-setter. The clunky, apocalyptic track finds her dipping into

neg: Michael Boddicker - "Greatest Love Of All" (Grammy Award Winner) Lionel Richie - "Dancing On The Ceiling" LP (Grammy Award Winner) Barbra Streisand - "Somewhere" (Grammy Award Winner), Diana Ross - "Missing You" LP USA For Africa - "We Are The World" (Grammy Award Winner) Julio Iglesias - "Everytime I Fall" Pia Zadora - "On This Day" Angela Bofill - "Delicious" (Double Record) Randy Newman - "Short People"/"Little Criminals" LP Roberta Flack- "OOH OOH OH OH (Here We Come)" Englebert Humperdinck- "Radio Dancing" June Pointer - "Put Your Dream (Where Your Heart Is)" Neil Diamond - "Baby Can I Hold You" Patti

neg: Lauren Zizes Boys Like" underwhelming, and stated that it failed to meet her expectations. She called Lauren "so unlikable," and questioned why the producers had not cast a "pretty heavy girl". Fink brushed off O'Donnell's comments. O'Donnell later apologized, and said, "Oh, Ashley – I love your swagger – your acting – your face – your heart – as a famous fat person – I am often asked about the issue… I love the story line – I love the show – and if in any way something I said hurt you – I apologize MORE. You are so talented, and I

neg: Tommy Hunt Love A Robin" – 1967 Dynamo 105 - "Words Can Never Tell It" / "How Can I Be Anything" – 1967 Dynamo 110 - "Complete Man" / "Searchin’ For My Love" – 1967 Dynamo 113 - "I Need A Woman Of My Own" / "Searchin’ For My Baby (Lookin’ Everywhere)" - 1967 Dynamo 124 - "Born Free" / "Just A Little Taste (Of Your Sweet Lovin’)" - 1968 Private Stock 45,115 - "Loving On The Losing Side" / "Sunshine Girl" - 1976 Collectables Col 030077 - "Oh No Not My Baby" / "Human*" - 1981 *Flip By Tommy Hunt. Town

neg: Song mourning songs, dance songs, work songs, ritual songs and many more. Verse 1: Baby when we touch I feel the power in your eyes, How it lights up the skies, When i see your face It makes my day, Every kiss and touch, Shows that you love me very much.Lift Because it's you and I, When I see your eyes, In the coldest nights, I feel warm inside, When I'm in the dark, Your smile lights up my heart and ignite the sparksChorus Oh, do you see the fire in my eyes, how it lights up the skies, when it's

neg: Shangri-La that face that just says "Baby, I was made to break your heart", oh-oh-oh" Shangri-La is often used in a similar context to "Garden of Eden," to represent a paradise hidden from modern man. It is sometimes used as an analogy for a lifelong quest or something elusive that is much sought. For a man who spends his life obsessively looking for a cure to a disease, such a cure could be said to be that man's "Shangri-La." It also might be used to represent perfection that is sought by man in the form of love, happiness, or Utopian ideals.

neg: Baby, I Love Your Way 80s". Will to Power's "Baby, I Love Your Way/Freebird Medley" placed at #97 on the countdown despite the fact the group having another Top 10 hit in 1991 with a cover version of the 1975 10cc hit "I'm Not in Love." The song was recorded by the American reggae/pop band Big Mountain in 1994, reaching number six on the US "Billboard" Hot 100 and number two on the UK Singles Chart (being kept off the top spot by "Love is All Around" by Wet Wet Wet). Their version achieved major worldwide success, reaching the top ten in many countries across

neg: Okokok the key of D major, "Okokok" has a tempo of 134 beats per minute. Lyrically, the song talks about a cheating partner and about getting over the relationship. "Okokok" draws influences from the hip hop and pop music genres. The song begins with the lines "Heard 'bout what you say when you're not with me/ Say you live alone and your bed is empty/ Oh, that's so funny/ 'Cause when I go to sleep/ I lay on the left and you right next to me" sung by Burns. During the chorus she sings "Say "no, no, baby, I need you

neg: Retro style A*Teens, the Spice Girls, and Jamiroquai; Lenny Kravitz's "It Ain't Over 'Til It's Over" being inspired by Earth, Wind and Fire and Philly soul; a revival of sideburns, bell bottoms, and afro (worn by Kravitz); the debut of the television series "That '70s Show"; and 1970s hits covered by various artists. Examples of such covers are "I Can See Clearly Now" by Jimmy Cliff, "Baby I Love Your Way" by Big Mountain, "Turn the Beat Around" by Gloria Estefan, "Wild World" by Mr. Big, "O-o-h Child" by Dino, "Wild Night" by John Mellencamp and Meshell Ndegeocello, "Oh Girl" by Paul

neg: Under the Bridge After the next verse an E major seven chord again marks a break before the start of the chorus. The second chorus transitions into a different verse, where Smith begins to play the drums, and Kiedis sings "Take me all the way/Yeah/Yeah-e-yeah/Oh no, no." After Kiedis cues "One time," a choir, whose presence was added to make the ending sound more epic, sings "Under the bridge downtown," in which Kiedis sings "Is where I drew some blood/I could not get enough/Forgot about my love/I gave my life away" in between. As the choir, Kiedis and drums stop, Frusciante and Flea

neg: Tender (song) to sing Coxon's lines; ""Oh my baby/Oh my baby/Oh why?/Oh my"". At Blur's headline appearance at Reading Festival in 2003, he introduced the song by saying "I don't want, for one moment, to be a sentimental but... Graham wrote this song as well... you know the bits he sings and I want you to sing them as loudly as you possibly can. Everyone needs to sing this song." Drummer Dave Rowntree would also sing Coxon's lines on occasion. In July 2009 when Blur re-formed, Coxon's lines in "Tender" were repeated and sung powerfully by the audience to call Blur back

neg: Mario Andretti stating "See, lyrically I'm Mario Andretti on the MOMO Ludicrously speedy, or infectious with the slow-mo". American hip hop band House of Pain mentions Andretti in their "Top O' The Morning To Ya" song - "...Crack the bottle, rev the throttle, Put the gear in, now you're steerin', Like Mario Antretti..." Andretti is mentioned in Gwen Stefani's song "Crash" from the album "Love. Angel. Music. Baby.": "I picture you driving just like Mario Andretti". In the movie "Beverly Hills Cop II", Axel Foley's boss reprimands him over the phone with the line "Oh, by the way, your secret "undercover" partner,

neg: Marilyn Taylor "Stranger Things" "Sonnet Against Form" "Another Thing I Ought to Be Doing" "Rondeau: Old Woman with Cat" "Contingency" "Memo to a Late Baby" "Father Goose" "The Geniuses Among Us" "The Collector" "Cover Letter" "Three Lies: a Glose" "The Amazing Perseverance of the Sandhill Crane" "First Day in London" "Reading the Obituaries" "On Learning, Late in Life, that Your Mother Was a Jew" "To Lucy, Who Came First" "Oh Lord, How I'd Love to Be Irish" "Explication of a True Story" "Dispatch from the Cold War, 1951" "On Learning, Late in Life, that Your Mother Was a Jew" "Always Questions" "After

neg: The Way You Love Me (Keri Hilson song) AOL Radio and Matthew Horton of BBC, the song features an aggressive tone, and dizzying percussion and electro elements create a "frenzied pace that Hilson matches with an intense vocal delivery." During the bridge and the chorus, she utters gasps and groans, like 'oohs and aahs' while singing the lyrics. As the first verse begins, Hilson sings: "Ooh ahh, baby don't stop / You know how I like it Daddy when you hit the spot / Ooh ahh, baby don't stop / Imma take control when I climb up on top". As the song progresses, Hilson sings that she is

neg: Jealous (Beyoncé song) shoes, do the type of things I never ever do. I take one look in the mirror, and I say to myself, 'Baby girl, you can't survive like this.'" The protagonist can not tolerate the fact she has been underappreciated and goes on to put on a "freakum dress out my closet" (a reference to her own song "Freakum Dress" (2006)) and stay the night outside further singing about her own attractiveness. As she continues to describe her love–hate relationship detailing her emotions, Beyoncé sings the song's bridge: And I hate you for your lies and your covers<br> And I

neg: Coming Together Coming Together Coming Together is the third album by the Louisville, Kentucky group New Birth. Released in 1972 on RCA Records, it was produced by mentor Harvey Fuqua, whose style of building a whole song around a simple phrase is represented by "The Unh Song" and the bass-laden "Oh Baby I Love The Way", and his uncredited assistant, Vernon Bullock . It contained two tracks ("Don't Knock My Love" and "I Don't Want To Do Wrong") by its subgroup, Love, Peace & Happiness, which featured Ann Bogan. formerly of the Marvelettes. Leslie Wilson, who would later lead the group on

neg: Baby, I Love Your Way/Freebird Medley songs). It spent one week at #1 on the Hot 100 chart dated December 3, 1988. It also peaked at #2 on the "Billboard" adult contemporary chart. Additionally, in the "Freebird" section, the line "and the bird you cannot change" in the original version was changed to "and this bird will never change". In March and April 2009, VH1 ran a countdown of the "100 Greatest One Hit Wonders of the 80s". Will to Power's "Baby, I Love Your Way/Freebird Medley" placed at #97 on the countdown despite the fact the group having another Top 10 hit in 1991 with

neg: Countdown (Beyoncé song) love". Kicking off with a reggae-ish beat, horns and drums, Knowles starts to chant the introductory lines, which also serves as the pre-chorus lines, "Oh, killing me softly and I'm still falling / Still the one I need, I will always be with you / Oh, you got me all gone, don't ever let me go / Say it real loud if you fly / If you leave me you're out of your mind", followed by the chorus lines, which is a literal count backwards where Knowles counts down the ways in which she loves her man, "My baby is

neg: Baby (Justin Bieber song) had my first love/She had me going crazy/Oh, I was star-struck/She woke me up daily/Don't need no Starbucks…". A famous section of the song plays "Baby, Baby baby oh. Like baby, baby baby oh". It is the catchphrase of the song that identifies the song. Nick Levine of Digital Spy felt the song was "no great departure from what he's given us before", but felt the production of Tricky and The-Dream helped give the song a "simple", "big" chorus about "puppy love" that works. Melanie Bertoldi of "Billboard" said, "The midtempo number's undeniably contagious chorus should keep Bieber's tween fan

neg: Oh Baby (Twenty 4 Seven song) Oh Baby (Twenty 4 Seven song) "Oh Baby!" is a song by the Dutch group Twenty 4 Seven. It was the seventh single and the eighth song to be taken from the third album, "I Wanna Show You", as a pre-release. The video was shot in London, filmed by the director Steve Walker. The single failed to live up to the previous performances of "I Can't Stand It", "Are You Dreaming?", "Slave to the Music", "Is It Love", "Take Me Away" and "Leave Them Alone". "Oh Baby" did not have the impact on the charts as their previous singles. "Oh

neg: Drunk in Love arpeggios. Beyoncé's vocal performance in the song has been noted for containing a flow similar to rappers Drake and 2 Chainz. "The Verge"s Trent Wolbe felt that the song featured Animal Collective-esque vocal filtering. On the bridge, Beyoncé sings about having drunken sex in the kitchen: "We woke up in the kitchen saying / How the hell did this shit happen / Oh baby, drunk in love, we be all night / Last thing I remember is our beautiful bodies grinding off in that club". The second verse of the song is half-rapped by her. Jay-Z later appears to provide

neg: Oh Baby (Twenty 4 Seven song) Baby" was the only Downtempo song released as a Twenty 4 Seven single. Oh Baby (Twenty 4 Seven song) "Oh Baby!" is a song by the Dutch group Twenty 4 Seven. It was the seventh single and the eighth song to be taken from the third album, "I Wanna Show You", as a pre-release. The video was shot in London, filmed by the director Steve Walker. The single failed to live up to the previous performances of "I Can't Stand It", "Are You Dreaming?", "Slave to the Music", "Is It Love", "Take Me Away" and "Leave Them Alone". "Oh Baby"

neg: This Is Me... Then "South Bronx". "The Age" wrote that the song intones Lopez's "modest childhood roots, vowing she wishes to remain simple despite her diamonds", while MTV said that she finds "the middle ground between Hollywood A-Lister and Big Apple B-Girl" on the "club-banging" song. In the ballad "Again", Lopez considers finding love again; "I was scared to let go and trust your love," she sings in the second verse. The theme of Lopez's relationship with Affleck is also evident in the vintage-sounding mid-tempo song "Baby I Love U!", which features a guitar and piano instrumentation that includes a "haunting" interpolation from the

neg: Leontyne Price lot of love in your voice." The sopranos Renée Fleming, Kiri Te Kanawa, Jessye Norman, Leona Mitchell, Barbara Bonney, Sondra Radvanovsky, the mezzo-soprano Denyce Graves, bass-baritone José van Dam, and the countertenor David Daniels, have talked about Price as an early inspiration. Miles Davis, in "Miles: The Autobiography", wrote: "Man, I love her as an artist. I love the way she sings "Tosca". I wore out her recording of that, wore out two sets. Now, I might not do "Tosca", but I loved the way Leontyne did it. I used to wonder how she would have sounded if she had

neg: Couesnophone Recordings with Rollini on goofus include The Little Ramblers' "Deep Elm"; The Goofus Five's "Everybody Love My Baby" and "Oh! How I Love My Darling"; the Varsity Eight's "How I Love That Girl", "Doo Wacka Doo", "Oh! Mabel", "Happy (Watchin' All the Clouds Roll By)", "Ain't My Baby Grand?", and "I Ain't Got Nobody to Love"; and Joe Venuti and the Eddie Lang Blue Five's "Raggin' the Scale". Don Redman played the goofus on "You'll Never Get to Heaven With Those Eyes", "A New Kind of Man (With a New Kind of Love for Me)", and "Cold Mammas (Burn Me

neg: Yesterday (Beatles song) music business and asked them whether they had ever heard it before. Eventually it became like handing something in to the police. I thought if no one claimed it after a few weeks then I could have it." Upon being convinced that he had not robbed anyone of their melody, McCartney began writing lyrics to suit it. As Lennon and McCartney were known to do at the time, a substitute working lyric, titled "Scrambled Eggs" (the working opening verse was "Scrambled eggs/Oh my baby how I love your legs/Not as much as I love scrambled eggs"), was used for the

neg: Jimmy Dotson the development of the Baton Rouge blues sound. Though Hogan was the group's leader, their first recordings had Dotson on lead vocals, and the tracks were released in his name. Two singles, "I Wanna Know" backed with "Looking for My Baby" and "Oh Baby" backed with "I Need Your Love" were issued in 1959 and 1960, by Zynn and Rocko Records, respectively, which were both owned by J. D. "Jay" Miller. AllMusic noted that they were "both in an upbeat R&B vein, quite different from Hogan's down-home blues sound." In the 1950s, Dotson also played drums behind Slim Harpo, Ivory

neg: My Little Red Book sound Love fully achieved with its later single "7 and 7 Is". A key feature of the track was Lee's rugged vocal performance, which has been highlighted by music critic Stewart Mason who particularly notes the way Lee sings the lines "All I did was talk, talk about you/Hear your name and I start to cry". "My Little Red Book" received a negative review from one of the song's collaborators, Burt Bacharach: Love had altered his chord changes. Nonetheless, the record was a Southern California hit and won Love a spot on "American Bandstand". The disc did not chart in

neg:
Chanter Sisters To Paradise", "Turn Rolling Stone", "Blue Jean Days", "All The Young Dudes", "Loving You Is" Side A: "You've Lost that Lovin' Feelin'", "Never Thought Falling in Love (Could Be So Wild)", "Dance Dance Dance", "Talking Too Much About My Baby", "When the Lights Go Out"
 Side B: "Na Na Hey Hey (Kiss Him Ggoodbye)" / "It's Too Late Now"/ "Sunshine Day" / "Nashville" Side A: "Shoulder to Shoulder", "Oh What A Shame", "I Wanna Get Closer", "I Love You", "Born to Lose"
 Side B: "Can't Stop Dancing", "Cari Blue", "I'll Be There", "I've Got Your Number", "Thanks To

neg: Bye Bye (Mariah Carey song) third-person point of view, for her fans: "This is for my peoples who just lost somebody / Your best friend, your baby, your man or your lady / Put your hand way up high / We will never say bye / Mamas, daddies, sisters, brothers, friends and cousins / This is for my peoples who lost their grandmothers / Lift your hands to the sky / Because we won't ever say bye bye". As Carey sings the second chorus, she reverts to the singular conversation with her deceased father, however now revisiting 2005, "And you never got a chance to

neg: Fortune Records Oh! Baby Baby / Blue Stroll 1960 213 The Hunt Sisters Don't Hang Your Shame On Me / I'm Not Gonna Take It Anymore 1961 214 Jim Myers Bouncy / Partings 1961 215 Bobby Bernell Stay Away From Me / Thousand And One Dreams 1962 215 Jim Myers and his Gems Memphis / After Tomorrow 1962 216 ? 217 The Hunt Sisters Blue Moon Of Yesterday / My Feelings Are Showing 1962 218 ? 219 Danny Richards Can't Stop Me From Loving You / Love I Used To Know 19?? 220 Vic Norwin For Loving You / Long Gone Lonesome

neg: Achtung Baby conversation between two people who've been through some nasty, heavy stuff". Similarly, "Ultraviolet (Light My Way)" describes a strained relationship and unease over obligations, and on "Acrobat", Bono sings about weakness, hypocrisy, and inadequacy. The torch songs of Roy Orbison, Scott Walker, and Jacques Brel were major influences, evidenced by tracks such as: "Who's Gonna Ride Your Wild Horses", a description of a couple's argument; "So Cruel", about unrequited love, obsession, and possessiveness; and the closing track, "Love Is Blindness", a bleak account of a failing romance. U2 biographer Bill Flanagan credits Bono's habit of keeping his lyrics "in flux

neg: Baby, Don't Change Your Mind Baby, Don't Change Your Mind "Baby, Don't Change Your Mind" is a 1977 song by Gladys Knight & The Pips. It was written by Van McCoy, who had a disco hit himself with "The Hustle". "Baby, Don't Change Your Mind" reached #4 in the UK, making it their last Top 5 hit in the UK to date. In the US the song reached #52 on the Hot 100 and #10 on the US R&B Charts. A - Baby, Don't Change Your Mind - 3:15 B - I Love To Feel That Feeling - 3:30 A - Baby, Don't Change Your

neg: Freddy King Sings first hearing it in 1963 and has recorded three of the songs on "Freddy King Sings" ("I'm Tore Down", "You've Got to Love Her with a Feeling", and several performances of "Have You Ever Loved a Woman"). "See See Baby", "Lonesome Whistle Blues", and "I Love the Woman" have also been recorded by a variety of artists. Chicken Shack recorded both "See See Baby" and "Lonesome Whistle Blues" on their debut album "40 Blue Fingers, Freshly Packed and Ready to Serve", in 1968. Freddy King Sings Freddy King Sings is an album by blues singer and guitarist Freddie King. Released

neg: Barry White Sings for Someone You Love Barry White Sings for Someone You Love Barry White Sings for Someone You Love is the self-produced seventh album by soul singer Barry White, released in 1977 on the 20th Century label. The album topped the R&B albums chart, White's first to do so since 1975. It also reached No. 8 on the "Billboard" 200, his second to reach the top ten. The album was a success, yielding two Billboard R&B Top Ten singles, "It's Ecstasy When You Lay Down Next to Me", which peaked at No. 1, and "Playing Your Game, Baby". "It's Ecstasy When You Lay Down Next

neg: One in a Million (Aaliyah song) the song as "a twitchy, booming slow jam that sounded both lush and minimal, expansive and intimate, alien and sexy". Lyrically the song is about Aaliyah professing her love for a guy that "she views as one in a million and a love she can't resist"."Baby you don't know, what you do to me/Between me and you, I feel a chemistry/Won't let no one come and take your place/Cause the love you give can't be replaced", she sings. According to Khal from Complex "One in a Million showcased an unstoppable trio, with Aaliyah being a perfect muse for the futuristic

neg: Q.U.E.E.N. (Janelle Monáe song) Both phrases "throwing shade" and "serving face" are phrases used by many in the LGBT community, especially in the African-American gay community. She also alludes to lesbianism later in the song when she sings, "Hey, is it weird to like the way she wears her tights?" and, "Am I a freak because I love watchin' Mary?" Monáe then juxtaposes these references with religion by asking, "Hey brother can you save my soul from the devil?" and, "Hey sister am I good enough for your heaven? Will your God accept me in my black and white? Would he approve the way

neg: E.T. (song) the lines "I got a dirty mind / I got filthy ways / I'm trying to bathe my Ape in your milky way / They callin' me an alien / A big-headed astronaut". Then, using metaphors about extraterrestrials, Perry sings, "You're not like the others / Futuristic lover / Different DNA". The chorus has Perry addressing her lover: "Kiss me, kiss me / Infect me with your love and / Fill me with your poison", claiming to be "ready for abduction". West contributes a second verse to the track, before Perry's final refrain, with heavily auto-tuned vocals: "I know a

neg: Break Your Heart (Natalie Merchant song) your heart Break Your Heart (Natalie Merchant song) "Break Your Heart" is a 1998 single by American alternative singer-songwriter Natalie Merchant, featuring N'Dea Davenport. The song was the second single from Merchant's 1998 album, "Ophelia". "Break Your Heart" sings about the saddening social injustices of the world and human nature. Merchant sings that "I know that it will hurt/I know that it will break your heart/The way things are/The way they've been/And the way they'll always be". "Break Your Heart" spent 16 weeks on the "Billboard" Adult Pop Songs chart and peaked at #24 on January 2, 1999. natalie merchant

neg: Ain't No Cure for Love see you’ve been so careful to forget how good it was I’m never givin' in Oh I’m never givin' up babe There ain’t no cure Oh there ain’t no cure for love There ain’t no cure for love Ain’t no cure for love No pill no drug (no, no) There’s nothin' pure enough I can’t get nothin' done (no, no) I can’t be with anyone There ain’t no cure There ain't no cure for love.</poem> By contrast, however, Cohen himself sings: <poem>There ain’t no cure for love There ain’t no cure for love All the rocket ships are climbing through

neg: XO (song) "XO" are echo-laden and in contrast to other songs on "Beyoncé", the ballad contains several hooks. Beyoncé starts the song by asking a loved one to kiss her. Some of the ascending chorus lines are call and response; Beyoncé is backed by a sing-along crowd as she sings about how her "darkest nights" are enlightened by the lover's face: "In the darkest night hour / I search through the crowd / Your face is all that I see / I give you everything". The chorus ends with the singer adding, "Baby love me, lights out", with a croak in her

neg: The Voluntary Butler Scheme favourites, though he states “I don't even know what the guy's singing about…it really doesn't matter. The way he sings it – it just breaks your heart. And I remember thinking, oh, I can probably just talk about whatever I've been up to that day and it'll work." The song 'Trading Things In' was used on Grey's Anatomy in 9 October. The Voluntary Butler Scheme The Voluntary Butler Scheme is the stage name for one-man band Rob Jones, based in Stourbridge near Birmingham. Jones records and produces the majority of his material by himself in the home studio in his

neg: Bob Segarini (Elektra EKS 74089) Travelin' Time, Body Go Round, Don't Be Cruel, Country Queen, Strangers, Don't Put Down the Singer, I Don't Want My Love Refused, White House, I Like, On the Way Up, Such a Good Thing, No Place for the Children 1972 The Wackers – Hot Wacks (Elektra EKS 75025) I Hardly Know Her Name, We Can Be, Oh My Love, Wait And See, Do You Know The Reason, Breathe Easy, Time Will Carry On, Maybe Tomorrow, Hot Wacks, Anytime / Anyday, Find Your Own Way, Time Will Carry On (Won't It? ) 1972 The Wackers – Shredder (Elektra

neg: Oh My Darling, Clementine Huckleberry Hound sings it): one at the beginning and one at the end, both regarding Clementine (Kate Winslet)'s name. Joel (Jim Carrey) mentions the song to Clementine when they introduce themselves and Clementine herself sings the chorus to Joel on a train to Montauk. Bobby Darin recorded a version of the song, credited to Woody Harris, in which he made fun of Clementine's weight, joking at the end of the song that whalers might find her: "Hey you sailor, way out in your whaler, a-with your harpoon and your trusty line, if she shows now, yell... there she blows now

neg: Halo (Beyoncé song) you see [angels'] faces instantly when you hear it. [Its lyrics] are basically saying that I had these walls built up about love; you completely tore them down and when I look at you I see your halo, it's really beautiful." Backed by a piano, claps and step stomps that set a spiritualized atmosphere, Beyoncé opens the song with the lines: "Remember those walls I built? Well, baby, they're tumbling down". She sings the introduction in a low register, and the power of her voice gradually increases as the song progresses. In the pre-chorus, she chants, "Everywhere I'm looking now,

neg: Break Your Heart (Natalie Merchant song) Break Your Heart (Natalie Merchant song) "Break Your Heart" is a 1998 single by American alternative singer-songwriter Natalie Merchant, featuring N'Dea Davenport. The song was the second single from Merchant's 1998 album, "Ophelia". "Break Your Heart" sings about the saddening social injustices of the world and human nature. Merchant sings that "I know that it will hurt/I know that it will break your heart/The way things are/The way they've been/And the way they'll always be". "Break Your Heart" spent 16 weeks on the "Billboard" Adult Pop Songs chart and peaked at #24 on January 2, 1999. natalie merchant - break

neg: Missing My Baby solo before the other instruments enter to form the musical foundation. Selena sings to her absent lover about how much she misses him, saying that he is "always on [her] mind" and that she feels lonely when he is not with her. Three times she sings, "I often think of the happy times we spent together / And I just can't wait to tell you that I love you". In the chorus, she sings of wanting to hold him tight and feel his heartbeat. "Missing My Baby" received positive reviews from critics. "Vibe" magazine reported that Full Force was awarded

neg: Share My Love (album) I got a call from Marc and he said: 'I need you to come and help me finish an album in Germany.' I made the decision to go with him. I sent my management a telegram from Germany saying: 'Sorry, I'm in love.' " "Share My Love" was given its first official CD release in March 2009. Side One Side Two On "Share My Love", "Why Can't You Be Mine", "So Tired" and "What Did I Do To Lose You" On "Try Love", "Baby Don'tcha Know", "Oh Baby", "Old Love New Love" and "Tin Can People" Share My Love (album)

neg: Dammn Baby vocals cooing "dammn, dammn" over the beats. According to PopCrush's Bradley Stern, "Dammn Baby" "blends in slick synths and DJ Mustard-esque beats" for a "solid, motivational groove", while referencing to the singer's own originality: "Can't nobody tell you what you can't do, shut that down automatic / And I guarantee they'll all fall in line". Jackson also sings, "It's all about love" / And how we ain’t gonna never let words get in the way". Anupa Mistry of "Pitchfork" said that the "lazy bass and airy vocals" of "Dammn Baby" sounded like "Tinashe-meets-Teena Marie". Desiree O from Brit + Co

neg: The Bodyguard (musical) the character of Rachel Marron to the forefront rather than the bodyguard. The script adapted from the original screenplay by Lawrence Kasdan also expands the role of Rachel Marron's sister Nicki. The stage musical like the original film features music by Whitney Houston which in addition to the original movie soundtrack adds the following additional Houston tracks: "So Emotional", "One Moment in Time", "Saving All My Love for You", "I'm Your Baby Tonight", "How Will I Know", "Oh Yes", "All the Man That I Need", "All at Once", and "I Wanna Dance with Somebody". Following Whitney Houston's death the show's

neg: Just to Keep You Satisfied ballad and featured future Temptations member Richard Street performing the lead vocals. The following year, Gaye used the original music for the Monitors version for his religious composition, "God is Love". In 1970, Marvin re-recorded the song with a different musical background and different lyrics for the Originals, who were having hits with Gaye's compositions, "Baby I'm for Real" and "The Bells", with Hank Dixon taking most of the leads. Gaye can be obviously heard in this version first singing "oh I love you girl/oh I love my woman" and also accompanied them in the background with the refrain, "I'll

neg: Only U be close to him, acting out of character and falling for him more with each day. "Oh I can't wait to get next to you/ Oh I just can't leave you alone/ Boy you got me doing things that I would never do," she sings. In the chorus, she emphasizes that the guy is only one who makes her feel in love and turned on, "Only u can make me feel and only u can take me there," she chants. "Only U" received generally favorable reviews from music critics. Hattie Collins of "The Guardian" called it "a deliciously dark song."

neg: Al Stewart I mean, it just seems crazy. So, if I have two little rules and guiding principles, they would be: (a) Don't use words that other people use. Very few people would put the word, oh, I don't know, "pterodactyl" into a song. So that's fine. No "Oh"'s. No "Baby"'s. No "I miss you so"'s. And no "you done me wrong". No "bad"'s or "sad"'s. (b) And the other thing is, write about subjects that no one else writes about. Basically 90% of all songs seem to be either "Baby, I love you so", or "Baby, you've done me wrong". Now,

neg: Oh Baby Don't You Weep the course of the song, the theme suddenly changes, as Brown sings of famous entertainers he has met in his travels "("I've got a lot of friends in my business")", and then begins to quote titles of songs recorded by them, such as Jackie Wilson ("You Better Stop Dogging Me Around"), Solomon Burke and Wilson Pickett ("If You Need Me...Call Me" and "It's Too Late"), Sam Cooke ("You Send Me") Ray Charles ("Born To Lose") and Famous Flames member Bobby Byrd's solo release ("I Found Out Now"). "Oh Baby Don't You Weep" was the last new recording Brown made for

neg: The Maltby Collection passion, perspicacity, practicality, punctuality, imagination, integrity and... humility. Phrases are repeated back and forth between characters in conversation, creating a rhythmic quality. This example occurs when Des Wainwright, the Head of Security, stops Rod on his way into the museum on his first day. Rod: When I get to my office, if I ever get to my office, I'm going to commend your diligence Des: Oh, you're going to commend my diligence, are you? Rod: Don't you want to have your diligence commended? Des: I do. I very much want my diligence commended. I love having my diligence commended. My

neg: Breathe Again with her, singing, "If I never feel you in my arms again/If I never feel your tender kiss again/If I never hear I love you now and then [...] Please understand if love ends/Then I promise you, I promise you/That, that I shall never breathe again." "Breathe Again" received mostly positive reviews from music critics. Ron Wynn of "Allmusic" picked the song as a highlight from the album, writing that "Braxton's husky, enticing voice sounds hypnotic on the track." Mitchell May of "Chicago Tribune" was very positive, writing that "the way her voice throbs when she sings, 'I can't stop

neg: Good Morning Baltimore Good Morning Baltimore "Good Morning Baltimore" is the opening number of the musical "Hairspray". It is performed by the protagonist, Tracy Turnblad, and alludes to the distinctive beat and vocal effects ("oh-oh-oh") of The Ronettes' 1963 hit "Be My Baby". In the 2007 film, Tracy, played by Nikki Blonsky, blinks her eyes in time with the music at the beginning of this number. Tracy Turnblad wakes up to a new day in Baltimore, and sings about everything she encounters on the way to school. She dreams of being a star. The song "takes us thorough Tracy’s morning routine, for instance,

neg: Cliff Friend Happiness Boys. Over the next 15 years Friend also co-wrote "Lovesick Blues", "June Night", "Then I'll Be Happy", "(Oh) If I Only Had You", "A Night in June (Beneath the Moon)", "My Blackbirds are Bluebirds Now", "It Goes Like This", "You're a Real Sweetheart", "Bashful Baby", "I Want to Sing About You", "It's Great to Be In Love", "Let's Have a Party", "Don't Let Temptation Turn You Around", "The Sweetest Music This Side of Heaven", "When My Dream Boat Comes Home" (as recorded by John Serry Sr. on "Squeeze Play" in 1956), "You've Got Me In the Palm of Your

neg: Black (Pearl Jam song) Music Club for years. Pearl Jam's song 'Black', ["Melody Maker"'s Allan] Jones maintains, "couldn't have been written without AMC's songs as an example. 'Black' doesn't quote directly from 'Western Sky,' but it paraphrases the line 'Please be happy baby' where Vedder sings in a very Eitzel way, 'I hope someday you'll have a beautiful life'." Vedder confirmed Jones' interpretation when they first met. "Oh yes, nobody ever picked up on that," the singer told him. "It is American Music Club, but I'm surprised that anyone here has even heard of them." "Black" became one of Pearl Jam's best-known songs and

neg: Salty Dog Blues can vary massively. Some of the lyrics were published as early as 1911 by Howard Odum in his article "Folk-Song and Folk-Poetry as Found in the Secular Songs of the Southern Negroes" in "The Journal of American Folklore". One of the older versions runs: <poem> Oh won’t you let me be your salty dog, I don’t want to be your man at all, You salty dog, you salty dog. Oh honey baby, let me be your salty dog, Salty dog, oh you salty dog. There's just one thing that worries my mind, All of these browns and none is mine,

neg: Jîn climbs back upon seeing the Turkish soldiers coming into her area and setting up camp. One of the soldiers sings. "Were you the one who always cried and burned" "I couldn't laught either in this world of lies" "did you think I was happy" "in a world that stole my life over nothing." "Oh in this world of lies, world of lies" "in this world that fakes a smile to your face" "you cried dear and I burned" "I though the world would be how I wished it" "I believed for no reason I was tricked over nothing" "In this

neg: Baby You're a Haunted House Baby You're a Haunted House "Baby You're a Haunted House" is a song by Gerard Way, released as a single on October 26, 2018. It is Way's first new song since 2016 and was released for Halloween. The song features Way's brother Mikey Way on bass guitar, Ian Fowles of The Aquabats on guitar, and Tom Rasulo on drums. In a statement, Way said that he wrote the song "about all our inner ghosts and demons and what it feels like being in love and having to deal with your own internal horror show. I tried not to really overthink

neg: Thomasina Winslow Nick Katzman & Thomasina Winslow 10.00pm Jeff Lang"). It was favorably reviewed in "Monty's Music News", an on-line Music newsletter, as a "great evening Concert in The Ballroom." Blogger Ginger Mayerson called their performances "cute" and "Oh, I just love these trips down memory lane, don’t you?", adding "I like the way this singer, Thomasina Winslow, sings." In April 2008, Winslow and Katzman recorded a song for a future CD. They also performed together again at the Good Coffeehouse in Brooklyn on April 25, 2008. They received the "Artist of the Day" from the oneartistaday.com website, which celebrates "Independent artists",

neg: Just Wanna Rock N' Roll to The Boot. "You choose to be happy, and in life we have as many good days as bad days. I try to find and record those songs that pull you through the bad days, and keep you believing that the good days are just around the corner. Sometimes it's just a matter of singing [Atkins sings] 'oh, oh, oh' when you feel that thing in your head, where you're stressed out or messed up. It's crazy, but it works. It carries you through some tough times. I see the crowd singing 'Rock 'N Roll' or 'Back Road' at my

neg: Control (Traci Lords song) a dominant female who nurses a broken heart of her lover as she sings "Let me kiss it and make it better/After tonight you will forget her". However, Lords later stated she initially wrote it about a drug addiction: "You will forget her" was always about "Forget your heroin." It was never about a person. When I wrote it, it didn't even cross my mind. But then, yeah, sure, later, I thought, "Let me kiss it - and I went, "Oh, ****!" But that's not where I was coming from. It really wasn't. Now I see it, it has all

neg: Barney in Concert coming out behind the curtains jumping and dancing around to the theme song with the audience clapping to the tune. Barney sings "Everyone Is Special" as he tells the audience that everyone is special in their own way. As the show continues, Michael, Luci, Amy, Adam, Derek, and Tina come out and introduce themselves to the audience and begin by performing their rap. During the show, Barney introduces Baby Bop who comes to join in for the rest of the show. The show starts to end as they sing The Grand Old Flag and Barney's favorite song "I Love You."

neg: Howie Stange A Lot In My Time,”“Wait Of A Woman,”“Born To Be Happy,”“Sag, Drag, And Fall,”“Let Me Love You,”“Where Does A Broken Heart Go,”“How's The World Treating You,”“Am I The One,” “Do Not Forsake Me Oh My Darling,” “Rose Of El Paso,” “John Henry,” “Precious Jewel,” “When I Go To Heaven Mamma,” “Flame In My Heart,” “Two Different Worlds,” “Loose Talk,” “Real Gone Daddy,” “This Old Bomb Of Mine,”“Baby I'm Sorry,” “You Never Had It So Good,” “Are You Lonesome To-Night?” "Fraulin," "Winner," "Alabama Jubilee", and his signature song “Keep A Light In Your Window Tonight.” Howie Stange opened for the following

neg: Digging Your Scene music, The Blow Monkeys subtly discuss the hatred and criticism of individuals who have been diagnosed with HIV/AIDS. Tommy Marx from "PopMatters" claimed that the intrigue and hatred behind the single prompted its success in becoming "a major hit". Dr. Robert, the singer of "Digging Your Scene", additionally sings about life as a homosexual, where he worries, "Tell me why I'm digging your scene / I know I'll die, baby"; Barry Walters from "Spin" later compared the lyrical themes on The Blow Monkeys' third studio album, "She Was Only a Grocer's Daughter" (1987), to "Digging Your Scene". He wrote, "Dr.

neg: Find Your Love be on "808s and Heartbreak" and that Drake showed off his "versatility" and "smooth singing on this slow-jam", stating, "I better find your loving / I better find your heart," he sings (over and over and over) on the chorus to this bump-'n'-grind single." Ryan Brockington of the "New York Post" said the song consisted of "dripping double-drum beats, 80's filtered vocals and a catchy little chorus". Jayson Rodriguez of "MTV News" said that the song features "Drake in full crooner mode as he sings about saving his relationship: "I'm more than just an option," he sings over sparse drums

neg: Oh mia bela Madunina a l'è paes, e semm d'accòrd, ma Milan, l'è on gran Milan! They say that songs were born in Naples, and they certainly aren't entirely wrong. Sorrento, Mergellina, every people must have sung about them at least a million times. I hope it won't offend anybody if we talk a little about ourselves… "[chorus:]" Oh my beautiful Madonnina, who shine from far away, all golden and minute, you dominate Milan; at your feet life is lived, there's no twiddling of one's thumbs. Everybody sings "away from Naples one dies", but then they come to Milan. Now there this song about

neg: Sparks Fly (album) Jerkins (who has worked with Britney Spears, Brandy, Janet Jackson and Destiny's Child). "Daydream" was written by Avril Lavigne. "Kissin U" and "Oh Oh" was produced by Dr. Luke and Max Martin, respectively, the biggest producers of the time. "Teenink" also praised the lyrical content and friendly nature of the music, stating, "Any girl would love this album because it is upbeat and describes the way most girls feel when they are in love. "Sparks Fly" is a wonderful CD because it is upbeat, and has music that is very easy to relate to. Love may hurt and break your

neg: Where Are Ü Now Now" talks about caring and praying for an ex who didn't return the favor, with Bieber yearning for compassion amidst a sea of loneliness. He sings: "When you broke down I didn't leave you/ … I was on my knees when nobody else was praying, oh Lord." In another part, he complains: "I gave you the key when the door wasn't open, just admit it [...] See, I gave you faith, turned your doubt into hoping, can't deny it, Now I'm all alone and my joys turned to moping." Some critics, such as "Complex" Khal, pointed out that it "finds

neg: Jerry Lewis then sang a rendition of a song he'd learned as a child, "Rock-a-Bye Your Baby with a Dixie Melody" along with "Come Rain or Come Shine." Lewis recalled, "When I was done, the place exploded. I walked off the stage knowing I could make it on my own". At his wife's pleading, Lewis used his own money to record the songs on a single. Record company Decca Records heard it, liked it and insisted he record an album for them. The single of "Rock-a-Bye Your Baby" went to #10 and the album "Jerry Lewis Just Sings" went to #3 on

neg: Twenty Greatest successful album of their career. The singles included are: "Lady", "Lady Lady Lay", "Kiss Me Kiss Your Baby", "Save Your Kisses for Me", "My Sweet Rosalie", "Oh Boy (The Mood I'm In)", "Angelo", "Highwayman", "Figaro", "Beautiful Lover" and "Middle of the Night". The early hits "United We Stand" and "Where are You Going to My Love" included here are new recordings by this version of the group. Two other new recordings for this album are cover versions of "How Deep Is Your Love" and "Send in the Clowns", which is largely an a cappella piece, with piano accompaniment by member

neg: Bulletin Board (album) Do We Go From Here", were featured in the fourth and final season of the TV show Produced by Wes Farrell for Coral Rock Productions, Inc. Bonus tracks produced by Bones Howe. July 25, 1973: Money, Money, I’ll Never Get Over You, Alone Too Long, Oh No Not My Baby, July 26, 1973: I Wouldn’t Put Nothing Over On You September 4, 1973: I Heard You Singing Your Song, Roller Coaster, Looking For A Good Time, How Long Is Too Long September 5, 1973: That’s The Way It Is With You, Where Do We Go From Here Bulletin Board (album)

neg: Chocolate Salty Balls verse, Chef becomes concerned that his chocolate salty balls have become burned, and urges his lover to blow on them. In particular the lyrics he sings at that point are: "Hey... wait a minute... What's that smell? It smells like something's burnin'. Well, that don't confront me none, as long as I get my rent paid on Friday. Baby, you better get back in the kitchen... 'cause I've got a sneakin' suspicion. Oh, man baby... Baby! You just burned my balls!" The verse features a line from the song "One Bourbon, One Scotch, One Beer". The radio version features an

neg: Bobby Vinton Sings the Big Ones Bobby Vinton Sings the Big Ones Bobby Vinton Sings the Big Ones is Vinton's fourth studio album, released in 1962. There were two singles from this album: "Rain Rain Go Away" and "I Love You the Way You Are" (the latter written completely by Vinton). Cover versions include "I'm Getting Sentimental Over You", "Ramblin' Rose", "The Twelfth of Never", "Because of You", "Be My Love", "My Heart Cries for You", "I Remember You", "He'll Have to Go" and "Autumn Leaves". The song "I Love You The Way You Are" was originally recorded in the late 50s as a demo and

neg: Fortune Records Zoom / Big Feet 1960 5017 Marsha Renay (with The Don Juans?) It's Nice / Our Cha-Lypso Of Love 1960 5018 John Lee Hooker Big Fine Woman / Blues For Christmas 1960 5019 Dave Hamilton and his Peppers Cooter Bug / Donna's Cha-Cha 1961 5020 Tino Cairo Wow Baby Sitter / Love In Portofino 1961 5021 The Creators Wear My Ring / Booga Bear 1961 5022 Karol Jackman Sometimes I Get Lonely / I Wanna Cry 1962 5023 Bobby Allen I Sent You Roses / You're My Love 1962 5024 Dave Kirk Oh, Baby / Those Lonely Blue Nights 1962

neg: Judas (Lady Gaga song) feet with my hair if he needs/ Forgive him when his tongue lies through his brain/ Even after three times, he betrays me/ I'll bring him down, a king with no crown." The tone lightens up on the song's chorus, which is influenced by '80s pop in its melody, as the beat picks up a bit and Gaga sings, "I'm just a holy fool/ Oh, baby, it's so cruel/ But I'm still in love with Judas, baby." After the second verse and chorus, the song features a break down influenced by house music. Gaga chants the lines in the same

neg: Get Right him that "before the night is up we can get right" during the song's chorus. She later states "I'm about to fill your cup/So we can get it right". In the bridge of "Get Right", the lyrics are identical to Usher's "Ride". Lopez sings, "So much we've got to say, but so little time/ And if tonight ain't long enough, don't leave love behind/ (Don't leave this man behind)/ Baby, take my hand". On the song's remix, American rapper Fabolous is featured. His lyrics include "I ain't Mr. Right, I'm Mr. Right Now". CBBC Newsound collected public reviews of the

neg: Franciscan Minims of the Perpetual Help of Mary (1873-1897), a Discalced Carmelite Nun, understood redemptive suffering as perfect Love for God: "In order to live in one single act of perfect Love, I OFFER MYSELF AS A VICTIM OF HOLOCAUST TO YOUR MERCIFUL LOVE, asking You to consume me incessantly, allowing the waves of infinite tenderness shut up within You to overflow into my soul, and that thus I may become a martyr of Your Love, O my God!" In a letter to her sister St Therese writes on September 8, 1896: "Oh Jesus! why can't I tell all little souls how unspeakable is Your condescension? I feel