query: what type of poem is all the world 's a stage

pos: All the world's a stage All the world's a stage "All the world's a stage" is the phrase that begins a monologue from William Shakespeare's "As You Like It", spoken by the melancholy Jaques in Act II Scene VII Line 138. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man: infant, schoolboy, lover, soldier, justice, Pantalone, and old age, facing imminent death. It is one of Shakespeare's most frequently quoted passages. The comparison of the world to a stage and people to actors

pos: Metaphor Metaphor A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide clarity or identify hidden similarities between two ideas. Antithesis, hyperbole, metonymy and simile are all types of metaphor. One of the most commonly cited examples of a metaphor in English literature is the "All the world's a stage" monologue from "As You Like It": <poem>All the world's a stage, And all the men and women merely players; They have their exits and their entrances ... This quotation expresses a metaphor because the world is not literally a

neg: Huaigu this poem was written in the Tang Dynasty by Emperor Xuanzong, in the lushi form: it lamentingly refers to the philosopher-sage Confucius and to Confucius' home state of Lu, during the by then long-gone Spring and Autumn period, expressing sadness for what is past and beyond recall, thus reflecting on the transience of mortal existence. Huaigu Huaigu (). is one of the Classical Chinese poetry genres. The "huaigu" is a type or style of poem, in which the poet looks back at some bygone time(s), place(s), or person(s), and the poem may be written in any of the Classical Chinese

neg: George Sand the munitions and the food supplies." Sand was well known around the world, while her social practices, writings, and beliefs prompted much commentary, often by other members of the world of arts and letters, e.g.: <poem>She was a thinking bosom and one who overpowered her young lovers. – V. S. Pritchett She loved both of us, but you above all. What a heart of gold she had! What absence of every petty, mean, or false feeling! What a brave man she was, and what a good woman! – Ivan Turgenev Tell her that I love her with all my heart,

neg: Thalaba the Destroyer influential and historically the most important of Southey's long poems" and "What made "Thalaba" distinctive as well as provocative was above all its flamboyant exoticism." However, he pointed out that "The chief weakness is the diffuse and tortuous plot which eddies and meanders without any firm principle of progression as the hero posts from stage to mysterious stage." Sir Granville Bantock authored "Thalaba the Destroyer – Symphonic Poem" (1899) based on the poem. Thalaba the Destroyer Thalaba the Destroyer is an 1801 epic poem composed by Robert Southey. The origins of the poem can be traced to Southey's school boy

neg: Poetry slam how long the poem exceeded the limit. Many youth slams, however, allow the poets up to three and a half minutes on stage. In an "Open Slam", the most common slam type, competition is open to all who wish to compete, given the number of slots available. In an "Invitational Slam", only those invited to do so may compete. Poetry Slam, Inc. holds several national and international competitions, including the Individual World Poetry Slam, the National Poetry Slam and The Women of the World Poetry Slam. The current (2013) IWPS champion is Ed Mabrey. Ed Mabrey is the only three-time

neg: Jellicle cats Jellicle cats "Jellicle cats", or simply the "Jellicles", are a type of feline mentioned in T. S. Eliot's book "Old Possum's Book of Practical Cats", and in "Cats", a stage musical written by Andrew Lloyd Webber and based on the book. Introduced in Eliot's poem "The Song of the Jellicles", they were originally depicted as commonly nocturnal gray, scruffy cats. Specifically, Eliot mentions that they like to gather at an event called the "Jellicle Ball". In the musical, a sub-plot surrounds the disappearance of the Jellicle patriarch Old Deuteronomy. The names are taken from Eliot's poem "The Naming of Cats"

neg: Love's Philosophy What is all this sweet work worth If thou kiss not me? </poem> British composer Roger Quilter set the poem to music in 1905 in the composition Love's Philosophy, Op. 3, No 1. In 2003, David Gompper set the poem to music in a score for baritone and piano. The second stanza of the poem appears in the second season of Twin Peaks. Love's Philosophy "Love<nowiki>'</nowiki>s Philosophy" is a poem by Percy Bysshe Shelley published in 1819. The poem was published by Leigh Hunt in the December 22, 1819 issue of "The Indicator" and reprinted in "Posthumous Poems" in 1824

neg: The Hand That Rocks the Cradle (poem) the same plot, and characters was remade by the Thai movie production company, Dida Video Production, the company that has diverged from Daravideo with all new sets of cast. The Hand That Rocks the Cradle (poem) "The Hand That Rocks the Cradle Is the Hand That Rules the World" is a poem by William Ross Wallace that praises motherhood as the preeminent force for change in the world. The poem was first published in 1865 under the title "What Rules the World". The refrain of the poem is a commonly quoted phrase. In Thailand, the Thai author pennamed "Nam Obb"

neg: Djenné in 1988 as the "Old Towns of Djenné". For the archaeological sites the Committee cited Criterion (iii): "bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared" while for the town they cited Criterion (iv): "be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history". Beginning in 2005 the reports of the World Heritage Committee included criticism of what the committee considered to be the lack of progress in tackling the problems arising from

neg: Solar Team <poem> </poem> Maximum Achieved Speed: 110 km/h Solar Array Type: Silicon Monocrystalline (Si) UC Solar Embedded Chassis: Carbon Fiber Shell Composition: Carbon Fiber Weight: ~390 lbs Commissioned: May 2011 Current Uses: Planning on racing in the 2011 World Solar Challenge. All improvements have since been completed to Schulich Axiom. "It is evident from the previous race that weight is no minor detail. We have taken Axiom on its diet and the result is stunning. Axiom has dropped from around 600 lbs. without driver and ballast to 390 lbs. A loss of 210 lbs!" -Mico Madamesila <poem> </poem> Solar Team The

neg: Commedia dell'arte masks of the types of characters that each represents and includes all of the characters including the lovers. It is almost as speaking to the character rather than the masks, saying that they are a type that is unchanged. Masks help with the creation of Commedia as they create the characters themselves. Comedy masks tend to make a statement from the second they are seen on stage. They tell the audience who the character is, their social class and type, what they will do or won't do, and what their attitudes are. The moment they step on stage the character comes

neg: Hamsa-Sandesha than its predecessors and in modern India literary works of this type are all but forgotten. The "Hamsa-Sandesha" too has slipped into obscurity for all but Srivaishnavites. What criticism and discussion there is tends to focus either on the "Hamsa-Sandesha" in the shadow of the "Meghaduta", or on its religious and philosophical significance. Modern Western scholarship on the poem and its author includes books and articles by Stephen P Hopkins, and by Yigal Bronner and David Shulman. Hamsa-Sandesha Hansa-Sandesha (Sanskrit: ; IAST: ) or "The message of the Swan" is a Sanskrit love poem written by Vedanta Desika in the

neg: The Peace Keepers D. Tutto," Robin Williams' pseudonym credit in "The Adventures of Baron Munchausen". The Pirate Dock known as "Agrajag Cavern" is named for a minor character in the radio comedy series The Hitchhiker's Guide to the Galaxy. Two poems are also referenced: The final stage "Abandon all hope, ye who enter here!" is derived from Dante Alighieri's epic poem "The Divine Comedy"; and the text shown in Flynn's ending (if Norton is unavailable) is a quote from T. S. Eliot's poem "The Love Song of J. Alfred Prufrock". The Peace Keepers The Peace Keepers, known in Japan as is a beat

neg: Jellicle cats hold music is the song "Jellicle Songs for Jellicle Cats". Jellicle cats "Jellicle cats", or simply the "Jellicles", are a type of feline mentioned in T. S. Eliot's book "Old Possum's Book of Practical Cats", and in "Cats", a stage musical written by Andrew Lloyd Webber and based on the book. Introduced in Eliot's poem "The Song of the Jellicles", they were originally depicted as commonly nocturnal gray, scruffy cats. Specifically, Eliot mentions that they like to gather at an event called the "Jellicle Ball". In the musical, a sub-plot surrounds the disappearance of the Jellicle patriarch Old Deuteronomy. The

neg: Spring and All figure in American poetry. In reaction against the rigid, rhyming format of 19th-century poets, Williams, his friend Ezra Pound and other early-20th-century poets formed the core of what became known as the 'Imagist' movement. Their poetry focused on verbal pictures and moments of revealed truth, rather than a structure of consecutive events or thoughts and was expressed in free verse rather than rhyme." According to Williams biographer James E. Breslin, T. S. Eliot's poem, "The Waste Land", which appeared in 1922, was a major influence on Williams and "Spring and All". "Spring and All" viewed the same post-World War I

neg: Zelinsky Model urban to suburban migration can also occur. There is a “slight to moderate rate of natural increase or none at all”. Stage five (“Future super advanced society”): During stage five “Nearly all residential migration may be of the interurban and interurban variety….No plausible predictions of fertility behavior...a stable mortality pattern slightly below present levels”. Zelinsky Model The "Zelinsky Model of Migration Transition", also known as the Migration Transition Model, claims that the type of migration that occurs within a country depends on how developed it is or what type of society it is. A connection is drawn from migration to

neg: All Watched Over by Machines of Loving Grace (poetry collection) All Watched Over by Machines of Loving Grace (poetry collection) All Watched Over by Machines of Loving Grace is Richard Brautigan's fifth poetry publication. Like several of his early works, the entire edition (of 1,500 copies) was distributed for free. The title poem envisions a world where cybernetics has advanced to a stage where it allows a return to the balance of nature and an elimination of the need for human labor. All thirty-two of the poems in this collection were republished in "The Pill Versus the Springhill Mine Disaster". <poem> In the original 1967 publication, Brautigan included a copyleft

neg: All Watched Over by Machines of Loving Grace (poetry collection) John Markoff, documenting robotics transforming society. All Watched Over by Machines of Loving Grace (poetry collection) All Watched Over by Machines of Loving Grace is Richard Brautigan's fifth poetry publication. Like several of his early works, the entire edition (of 1,500 copies) was distributed for free. The title poem envisions a world where cybernetics has advanced to a stage where it allows a return to the balance of nature and an elimination of the need for human labor. All thirty-two of the poems in this collection were republished in "The Pill Versus the Springhill Mine Disaster". <poem> In the original

neg: Otium "vacate et videte" (be still and see—a form of meditation, contemplation). Petrarch points out that one should not take leisure as so relaxed as to weaken the mind, but to be active in leisure to build up strength in the view of a unique character and religion. Andrew Marvell’s seventeenth-century poem The Garden is a lyric of nine stanzas in which he rejects all forms of activity in the world in favor of solitude of the retiree in a garden. It is a type of retirement poem expressing the love of retirement—an ancient Roman concept related to "otium". The poem

neg: Huaigu Huaigu Huaigu (). is one of the Classical Chinese poetry genres. The "huaigu" is a type or style of poem, in which the poet looks back at some bygone time(s), place(s), or person(s), and the poem may be written in any of the Classical Chinese poetry forms. This is "one of the perennial themes of Chinese poetry," according to Burton Watson, in which "the poet contemplates the ruins of past glory." Wu Hung argues that, while no comprehensive history of the "huaigu" has been written, the development of the genre can be divided into at least four periods: (1) the

neg: Li Bai Burton Watson comments on Li Bai's famous poem, which he translates "Bring the Wine": "like so much of Li [Bai]'s work, it has a grace and effortless dignity that somehow make it more compelling than earlier treatment of the same." Li Bai's yuefu poems have been called the greatest of all time by Ming-dynasty scholar and writer Hu Yinglin. Li Bai especially excelled in the Gushi form, or "old style" poems, a type of poetry allowing a great deal of freedom in terms of the form and content of the work. An example is his poem "蜀道難", translated by Witter

neg: The Raven and further incite his feelings of loss. Poe leaves it unclear if the raven actually knows what it is saying or if it really intends to cause a reaction in the poem's narrator. The narrator begins as "weak and weary," becomes regretful and grief-stricken, before passing into a frenzy and, finally, madness. Christopher F. S. Maligec suggests the poem is a type of elegiac paraclausithyron, an ancient Greek and Roman poetic form consisting of the lament of an excluded, locked-out lover at the sealed door of his beloved. Poe says that the narrator is a young scholar. Though this is

neg: Of Modern Poetry is ongoing. These non-sentences also stress that the mind must act, not passively wait for inspiration or intuition. And the mind must seek to find "what will suffice." What that says of modern poetry will be addressed metaphorically in the poem, the organizing metaphor being that of a new stage on which the modern poet will perform. The lines of the poem, non-traditional "free verse," do not rhyme and are not metrical. They range from ten syllables to fourteen. One striking thing about the sounds of the poem is that three of the lines have weak endings; that is, the

neg: Raskhan Varuna became the Lord of the waters Because he drank poison out of Love, the Lord of the Mountain [Shiva] is worshipped. </poem> When the traveller on the mystical path begins to understand the nature of true love, then external rituals and bonds begin to lose their meaning for him. Thus, says Ras Khan: <poem style="margin-left:2em"> The rules of the world, the Veda and the world, shame, work and doubt All these you give up once you practise love For what are regulations and negations when compared to Love? </poem> 'Without Love everything is useless', Ras Khan notes, and then

neg: The Hand That Rocks the Cradle (poem) The Hand That Rocks the Cradle (poem) "The Hand That Rocks the Cradle Is the Hand That Rules the World" is a poem by William Ross Wallace that praises motherhood as the preeminent force for change in the world. The poem was first published in 1865 under the title "What Rules the World". The refrain of the poem is a commonly quoted phrase. In Thailand, the Thai author pennamed "Nam Obb" () wrote her novel by the translation of "Is the hand that rules the world.", Khe Hatta Khrong Pipop in 1994. The title of the poem was spoken in

neg: Flower in the Crannied Wall poem. The phrase "flower in the crannied wall" is sometimes used in a metaphorical sense for the idea of seeking holistic and grander principles from constituent parts and their connections. Flower in the Crannied Wall "Flower in the Crannied Wall" is an 1863 poem by Alfred Tennyson. <poem> Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower—but if I could understand What you are, root and all, and all in all, I should know what God and man is. </poem> Tennyson composed the poem by

neg: Red John John is the fate that awaits us all in the end." In season 2's finale episode "Red Sky in the Morning", a William Blake theme is introduced, when a person, whom we believe at the time to be Red John, saves Patrick Jane from being killed under the direction of deranged slasher movie makers Ruth and Dylan. Jane is tied with saran wrap to a chair and, while he is immobilized, Red John recites the first verse of the William Blake poem "Tyger Tyger": <poem>Tyger! Tyger! burning bright In the forests of the night What immortal hand or eye Could

neg: Soyuz (rocket family) 7.7 m. The Fregat upper stage is encapsulated in the fairing with the payload and a payload adapter/dispenser. S-type fairing along with Fregat upper stage were used to launch the following spacecraft: Galaxy 14, GIOVE A, Mars Express, AMOS-2, Venus Express, Cluster. SL-type fairing is used for commercial launches by Starsem. The fairing has external diameter of 3.7 m and a length of 8.45 m. The Fregat upper stage is encapsulated in the fairing with the payload and a payload adapter/dispenser. SL-type fairing along with Fregat upper stage were used to launch the following spacecraft: COROT. ST-type fairing is used

neg: The Whiffenpoofs Campoamor. "The Whiffenpoof Song," the group's traditional closing number, is a four part male-voice choral song (TTBar.B) and was published in sheet music form in 1909. For the lyric Meade Minnigerode (Yale 1910) and George S. Pomeroy (Yale 1910) adapted Rudyard Kipling's poem "Gentlemen Rankers". The poem had already been set to music--though in what form is unknown--by Guy H. Scull (Harvard 1898). Yale Glee Club Director Marshall Bartholomew stated that Scull's melody may owe a debt to the African American spiritual "Been a-Listinin' All the Night Long". The arranger of the four part male-voice choral song is unknown. In

neg: Dietrichs Flucht what he is telling is true. His claims of both written and oral sources might serve to convince his audience that he is narrating historical truth while still providing the poem with the authority of the oral tradition. The poem also features a realistic geography of Northern Italy, with Norbert Voorwinden noting that the poem contains more Italian place names than any other medieval German source. He concludes that all of this indicates the work intends to imitate a chronicle. These claims appear to have been taken seriously, as the World Chronicle of Heinrich von München describes the life of

neg: Subtyping the width supertype. If "T" → "T" is a function type, then a subtype of it is any function type "S" → "S" with the property that "T" <: "S" and "S" <: "T". This can be summarised using the following typing rule: formula_1 The argument type of "S" → "S" is said to be contravariant because the subtyping relation is reversed for it, whereas the return type is covariant. Informally, this reversal occurs because the refined type is "more liberal" in the types it accepts and "more conservative" in the type it returns. This is what exactly works in

neg: Paul Lansky 2004 this was his predominant focus. Since then he has concentrated on instrumental composition without any electronic involvement. Sounds originating from "real-world" sources are the predominant focus of Lansky’s computer music: traffic, kids in the kitchen, musical instruments, and most of all speech. Electronic synthesis is frequently used but the main sonic resources are transformations of recorded natural sounds. One of his first large pieces, "Six Fantasies on a Poem by Thomas Campion" (1979) set the stage. It is based on a reading by his wife Hannah MacKay of a famous poem. The piece is not so much a setting

neg: The Mary Tyler Moore Show opening sequence Tyler Moore") reprises the character as hiring mercenaries to "rescue" Mary from "syndicated reruns". Two of the mercenaries, played by Rich Hall and Jim Belushi, ask about the objective: <poem>Mercenary #1: Is it true what they say about her? Lou Grant: What? Mercenary #1: She can turn the world on with her smile. Lou Grant: [ sentimental ] Yeah... yeah, she could... Mercenary #2: And could she really take a nothing day, and suddenly make it all seem worthwhile? Lou Grant: No, of course not! Don't be stupid!</poem> Often, the hat toss is the main focus of the parody. During

neg: Flower in the Crannied Wall Flower in the Crannied Wall "Flower in the Crannied Wall" is an 1863 poem by Alfred Tennyson. <poem> Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower—but if I could understand What you are, root and all, and all in all, I should know what God and man is. </poem> Tennyson composed the poem by the wishing well at Waggoners Wells. The Tennyson memorial statue (1903) by George Frederic Watts at Lincoln shows him holding a flower in his hand and a plaque with this

neg: Secundum quid the cases that support his point, conveniently omitting Bach, Beethoven, Brahms etc. Compare with: The following quatrain can be attributed to C. H. Talbot: <poem> I talked in terms whose sense was hid, "Dividendo, componendo et secundum quid"; Now "secundum quid" is a wise remark And it earned my reputation as a learned clerk. </poem> Instances of "secundum quid" are of two kinds: Secundum quid Secundum quid (also called secundum quid et simpliciter, meaning "[what is true] in a certain respect and [what is true] absolutely") is a type of informal fallacy that occurs when the arguer fails to recognize

neg: Akka Mahadevi century. Akka's spiritual journey ends at Kadali the nearby thick forest area of Shrisaila (Srisailam) where she is supposed to have experienced union (aikya) with Chennamallikarjuna. One of her famous vachana translates as <poem> People, male and female, blush when a cloth covering their shame comes loose When the lord of lives lives drowned without a face in the world, how can you be modest? When all the world is the eye of the lord, onlooking everywhere, what can you cover and conceal? </poem> Her poetry exhibits her love for Chenna Mallikarjuna and harmony with nature and simple living. She

neg: S. Somasegar early stage investments across a wide range of technology areas. This is what led him to become a venture capitalist in the second phase of his career. An area of passion and focus for Soma is empowering and educating girls around the world. Somasegar and his wife, having two daughters themselves, believe in the great opportunity that exists globally in supporting women’s education and empowerment initiatives. In his spare time, Somasegar enjoys traveling the world, and occasionally playing a round of racquetball on the weekends. S. Somasegar S. “Soma” Somasegar is an Indian American technology business executive in the Greater

neg: Henry Wriothesley, 3rd Earl of Southampton founding Knights. However it was not until 1603 that Southampton was invested in the Order under King James. In 1593 Shakespeare dedicated his narrative poem "Venus and Adonis" to Southampton, followed in 1594 by "The Rape of Lucrece". Although the dedication to "Venus and Adonis" is more restrained, the dedication to "The Rape of Lucrece" is couched in extravagant terms: "The love I dedicate to your lordship is without end ... What I have done is yours; what I have to do is yours; being part in all I have, devoted yours." This type of vaunting language was not particularly

neg: USS Okaloosa (APA-219) Baldwin County Commission has been extremely gracious," said Tracy Stage, projects manager for the airport, of the transfer of the bell. "We're bringing it back to Okaloosa County where it belongs. I can't think of a better way to recognize the Navy, the Marine Corps and all the veterans." "Okaloosa" received one battle star for World War II service. Online resources USS Okaloosa (APA-219) USS "Okaloosa" (APA-219) was a that saw service with the US Navy in World War II. She was of the VC2-S-AP5 Victory ship design type. "Okaloosa" was named after Okaloosa County, Florida. She was laid down

neg: Total Eclipse (1994 video game) the current stage. When all lives and continues are exhausted, the game is over. Each game world is divided into four stages, for a total of 20 stages. Each stage contains multiple surface and tunnel areas. The fourth stage of each world ends with a fight against a boss, with the exception of the final world, in which the boss appears midway through the stage. By collecting power-ups, the player can change their weapon between five different types. Collecting a power-up of the type they already have upgrades their weapon level, with a maximum level of three. At higher levels

neg: Francesco Levato of the group, but also uses the poem as a type of activism. When critics question the role of poetry in the real world or what it can accomplish outside of its own existence, activist poetics that enters conversation with contemporary political happenings offers one of the better answers. This activist poetry can reveal knowledge about real happenings through the conceptual relationship between the real and the world of art.” —Steve Halle, A review of “War Rug,” Jacket2 “Levato is himself an avant-garde poet whose work draws on cinematic and documentary techniques—in his own words, “engages subject matter through disruption

neg: Cheap talk sender "S" and one receiver "R". Type. Sender "S" gets knowledge of the state of the world or of his "type" "t". Receiver "R" does not know "t" ; he has only ex-ante beliefs about it, and relies on a message from "S" to possibly improve the accuracy of his beliefs. Message. "S" decides to send message "m". Message "m" may disclose full information, but it may also give limited, blurred information: it will typically say "The state of the world is between "t" and "t"". It may give no information at all. The form of the message does not

neg: Setosphaeria turcica the region by the mid-1990s. "S. turcica" is a heterothallic fungus, meaning that a single isolate cannot mate with itself. Instead, two isolates with complementary mating type genes are required for sexual reproduction. The "perfect stage" (sexual stage or teleomorph) was first described in 1958. A single mating type locus was identified the next year The mating type locus of "S. turcica" follows the same naming convention as other filamentous ascomycetes: the locus is known as "MAT1", while the two idiomorphs (genes at this locus which are not alleles, as they do not derive from a common ancestor) are known

neg: Arthur a Bland over the hill and Robin tells him what has happened: Childe's version: <poem style="margin-left: 2em"> ""O what is the matter?" then said Little John," ""Master, I pray you tell;" "Why do you stand with your staff in your hand?" "I fear all is not well."" </poem> <poem style="margin-left: 2em"> ""O man, I do stand, and he makes me to stand," "The tanner that stands thee beside;" "He is a bonny blade, and master of his trade," "For soundly he hath tanned my hide."" </poem> Mummer's Play version: <poem style="margin-left: 2em"> ""What is the matter master?" "Pray unto me tell" "To

neg: Déjàvu Back"’s Jimmy Porter. She disputes the comparison to Falstaff because J.P.'s antagonists are all "sham characters", easily outwitted by the hero, unlike Shakespeare's play in which Falstaff's bluster is exposed for what it is. However, she argues that J.P.'s social criticisms are largely consistent with the anarchic attitudes of the 1956 Jimmy. Déjàvu Déjàvu (1992) is a stage play by John Osborne. It was Osborne's final work for the theatre, the failure of which on the stage made him decide to give up play-writing. The play is a sequel to Osborne's first successful play, "Look Back in Anger" (1956); it

neg: Maka hannya haramitsu is from "Record of the Words of Master Rujing" and is as follows:<poem>The whole body is like a mouth hanging in empty space. Not questioning the winds from east, west, south, or north, Equally all of them, speaking of prajñā: Ding-dong-a-ling ding-dong.</poem> According to Shohaku Okumura, the wind bell or hanging mouth represents ourselves while the winds represent all of the different circumstances that can face us. Regardless of what comes our way, we need not discriminate. When we view the world without discrimination, we express prajñā and see the reality of life. The last line is an onomatopoeia for

neg: The Lady's Dressing Room Mary Wortley Montagu, featured in her poem “The Reasons that Induced Dr. S. to Write a Poem called The Lady’s Dressing Room.” In this poem, she voices what many thought was the reason for him writing the poem: sexual frustration. Her poem is about him searching out a prostitute and not being able to perform sexually. He blames it on her, she on him, and she refuses to give the money he requests back. In Montagu's opinion, and subsequently her poetic response, Swift decides to get back at the prostitute by writing the poem. Another reference to the poem can

neg: Tuple relational calculus the relational model. As usual we omit brackets if this causes no ambiguity about the semantics of the formula. We will assume that the quantifiers quantify over the universe of all tuples over the domain in the schema. This leads to the following formal semantics for formulas given a database "db" over "S" and a tuple variable binding "val" : "V" -> "T": Finally we define what a query expression looks like given a schema "S" = ("D", "R", "h"): where "v" is a tuple variable, "H" a header and "f"("v") a formula in "F"["S","type"] where "type" = { ("v",

neg: Laxmi Prasad Devkota world. The titles of his poems like "Ban वन" ("Woods"), "Kisaan किसान" ("The Peasant"), "Baadal बादल" ("Clouds") show that he sought his poetic inspiration in the common place and proximal aspects of the world. What resonates throughout most of his poetry is his profound faith in humanity. For instance, in the poem "Woods," the speaker goes through a series of interrogations, rejecting all forms of comfort and solace that could be offered solely to him as an individual. Instead he embraces his responsibility and concern for his fellow beings. The poem ends with the following quatrain that highlights the speaker's

neg: Stalin Epigram of his "offense". According to Mandelstam's widow: "Yagoda liked M.'s poem so much that he even learned it by heart - he recited it to Bukharin - but he would not have hesitated to destroy the whole of literature, past, present and future, if he had thought it to his advantage. For people of this extraordinary type, human blood is like water." <poem> </poem> The phrase "Ossetian torso" in the final line refers to the ethnicity of Stalin, whose paternal grandfather was possibly an ethnic Ossetian. Stalin Epigram The Stalin epigram, also known as The Kremlin Highlander () is a

neg: Equitan Equitan "Equitan" is a Breton lai, a type of narrative poem, written by Marie de France sometime in the 12th century. The poem belongs to what is collectively known as "The Lais of Marie de France". Like the other lais in the collection, "Equitan" is written in the Anglo-Norman language, a dialect of Old French, in rhyming octosyllabic couplets. In this 320 line poem, the author cautions that those who plot to harm another person may find only their own misfortune. Equitan, the king of Nantes, falls in love with the beautiful wife of his seneschal. The king agonises between

neg: Equitan and the wife to break marriage vows with her husband without good reason. Equitan "Equitan" is a Breton lai, a type of narrative poem, written by Marie de France sometime in the 12th century. The poem belongs to what is collectively known as "The Lais of Marie de France". Like the other lais in the collection, "Equitan" is written in the Anglo-Norman language, a dialect of Old French, in rhyming octosyllabic couplets. In this 320 line poem, the author cautions that those who plot to harm another person may find only their own misfortune. Equitan, the king of Nantes, falls

neg: Classical Adlerian psychotherapy knowing are the focus of the Insight phase. The client will learn to interpret his/her feelings and goals as well as identify what s/he has avoided in the past. This stage integrates many Freudian ideas such as dreams, daydreams, and recollections. The Knowing stage is where the client is now fully aware of his/her lifestyle and does not require any additional help with this. They know and accept what they need to change. The fourth phase is all about change. Change is first addressed through the stage of an Emotional Breakthrough. This can be achieved through the use of role

neg: Les Deux Amants When the King finds their bodies, he collapses. After three days, their bodies are buried together on the mountain, and in tribute, the mountain is named ‘The Mountain of the Two Lovers’. The mountain mentioned in the poem actually exists, near the commune of Pîtres in the Normandy region of France. Les Deux Amants "Les Deux Amants" (, ) is a Breton lai, a type of narrative poem, written by Marie de France sometime in the 12th century. The poem belongs to what is collectively known as "The Lais of Marie de France". Like the other lais in the collection,

neg: Characters of the Final Fantasy Type-0 universe multiple war films were used as inspiration. "Type-0"s script was written by Hiroki Chiba and Sarah Okabe. During the rough draft stage, elements such as extra plot points involving Khalia Chival, a boss fight with Arecia, and a main plot thread involving Joker and Tiz were planned. Most of these elements were cut from the final product, meaning elements such as Joker and Tiz's role needed to be included in written texts found in-game so they were not left hanging. The deaths of Class Zero were planned from an early stage, and to emphasize the state of the world, a

neg: In the Neolithic Age where Paris roars to-night:— There are nine and sixty ways of constructing tribal lays, And—every—single—one—of—them—is—right!</poem> The collection "The Seven Seas" was praised in the American press by Charles Eliot Norton in the "Atlantic Monthly" and William Dean Howells in "McClure's Magazine". In London the "Saturday Review"'s response was mixed. It begins by considering "In the Neolithic Age" and its two companion tribal singer poems to be "all excessively clever" and an attempt to "instruct the reviewer what to say". The review continues: "No, dear Kipling, there is only one way..." In 1993 Leslie Fish set the poem to music and

neg: Ballad of the Goodly Fere Ballad of the Goodly Fere The Ballad of the Goodly Fere is a poem by Ezra Pound, first published in 1909. The narrator is Simon Zelotes, speaking after the Crucifixion about his memories of Jesus (the "goodly fere"—Old English for "companion"—of the title). Pound wrote the poem as a direct response to what he considered inappropriately effeminate portrayals of Jesus, comparing Jesus—a "man o' men"—to "capon priest(s)"; he subsequently told "T.P.'s Weekly" that he had "been made very angry by a certain sort of cheap irreverence". Charles Elkin Mathews expressed his concerns that readers would find "Fere"s humanization of Jesus

neg: Little Jack Horner children of his aristocratic patrons. Although several other nursery rhymes are mentioned in his poem, the one about Little Jack Horner has been associated with acts of opportunism ever since. Just six years later it figured in another satirical work, Henry Fielding's "The Grub Street Opera" (1731). That had the prime minister Robert Walpole as its target and ended with all the characters processing off the stage "to the music of Little Jack Horner". The political theme was later taken up by Samuel Bishop, one of whose epigrams describes the Civil service bureaucracy and enquires: <poem style="margin-left:24px> What are they

neg: Extensive-form game of complete information: at every stage in the game, every player knows what has been played "by the other players". In the case of private information, every player knows what has been played by nature. Information sets are represented as before by broken lines. In this game, if nature selects t1 as player 1's type, the game played will be like the very first game described, except that player 2 does not know it (and the very fact that this cuts through their information sets disqualify it from subgame status). There is one "separating" perfect Bayesian equilibrium; i.e. an equilibrium

neg: Bussen (film) homework. In the Norwegian version, this poem is written by Bjørnstjerne Bjørnson, while her Danish counterpart recites a known Christmas hymn by the Danish national poet N. F. S. Grundtvig. Lalla Carlsen and Leif Juster had already a long experience on working together at stage at this point, acting together in the comedic variety shows in Oslo since before World War II. While playing completely opposite roles in their respective films, Ove Sprogøe and Arve Opsahl both made a career as the same character some years later, namely Egon Olsen of the Olsen Gang. The bus used in the Norwegian

neg: Like Water for Chocolate (album) <poem> I know a whole more about what freedom isn't Than about what it is, cause I've never been free. I can only share my vision with you of the future, about what freedom is. </poem> Working as both a battle song and self-reflection, the sensuous "Nag Champa (Afrodisiac for the World)" sees Common proclaiming himself "The Earth, Wind, and Fire of hip hop" while admitting "By Rakim and Short I been inspired" - a comment which compounds the two very contrasting rap artists. Common goes on to note: <poem> The mind is funny, how it's spent on gettin' it

neg: Aposiopesis uulgum ambiguas et quaerere conscius arma." "nec requieuit enim, donec Calchante ministro—" </poem> <poem> This was the time when the first onslaught of ruin began for me. Ulixes kept terrifying me with new accusations, kept spreading ambiguous rumors among the people, and kept looking for quarrel. Nor did he in fact ever stop, until with the help of Calchas— </poem> <poem> No, you unnatural hags, I will have such revenges on you both, That all the world shall— I will do such things,— What they are, yet I know not: but they shall be The terrors of the earth. (Shakespeare,

neg: In Zaltsikn Yam justice is done The world will be freed and be healed by this hero, Who dives to the root of its wound. In Russia, in Vilna, in Poland all hail now The Great Jewish Worker’s Bund! In Zaltsikn Yam In Zaltsikn Yam (In the Salty Sea, ) also known as In Zaltsikn Yam Fun Di Mentshleche Trern (In the Salty Sea of Human Tears, ), or Tsum Bund: In Zaltsikn Yam Fun Di Mentshleche Trern is a Yiddish poem written by S. Ansky in 1901, that became a popular Yiddish song when music was added to it. The poem and

neg: Caulobacter crescentus range of environmental fluctuations. In 2010, the "Caulobacter" NA1000 strain was sequenced and all differences with the CB15 "wild type" strain were identified. The "Caulobacter" stalked cell stage provides a fitness advantage by anchoring the cell to surfaces to form biofilms and or to exploit nutrient sources. Generally, the bacterial species that divides fastest will be most effective at exploiting resources and effectively occupying ecological niches. Yet, "Caulobacter" has the swarmer cell stage that results in slower population growth. What is the offsetting fitness advantage of this motile cell stage? The swarmer cell is thought to provide cell dispersal, so

neg: 2015 Copa Perú 50 are eliminated. The winner of the National Stage will be promoted to the 2016 Torneo Descentralizado and the runner-up of the National Stage will be promoted to the 2016 Peruvian Segunda División. <poem> The ranking of teams in the Unique Table is based on the following criteria: </poem> 2015 Copa Perú The 2015 Peru Cup season (), the largest amateur tournament of Peruvian football, started in February. This edition has featured a change, with the elimination of the Regional Stage and the inclusion of participants from all the Regions of Peru in the National Stage. Under the new format,

neg: The Naming of Cats The Naming of Cats "The Naming of Cats" is a poem in T. S. Eliot's poetry book "Old Possum's Book of Practical Cats" and its stage adaptation, Andrew Lloyd Webber's popular musical "Cats". It describes to humans how cats get their names. The poem has also been quoted in other films, notably "Logan's Run", when Logan meets the old man outside the dome city. The poem uses a short rhythmic dialogue to describe how cats get or choose their names. It also shows how cats are also mysterious and devious, e.g., with the line "The name that no human research

neg: Aesthetic Realism awarded "The Nation"'s esteemed poetry prize in 1925. The philosophic principle that individuality "is" relation, "that the very self of a thing is its relations, its having-to-do-with other things," is in this poem. It begins with a hot, quiet afternoon in Montana and travels through time and space, showing that things usually thought of as separate and unrelated "have a great deal to do with each other." These are lines near the end of the poem: <br> The search for that which connects all branches of knowledge led Siegel to discover a key concept of Aesthetic Realism: "The world, art,

neg: Germanosaurus Muschelkalk, dating to the early Anisian stage of the early Middle Triassic, about 247 million years ago. Germanosaurus Germanosaurus, meaning "German Kingdom of Prussia lizard", is an extinct aquatic genus of nothosaurid sauropterygian known from the early Middle Triassic (early Anisian stage) Lower Muschelkalk of what was known as Upper Silesia, now a part of Poland. The type species of "Germanosaurus" is "G. latissimus", originally named as a species of "Nothosaurus". After a new generic name was erected for it, the holotype fragmentary skull was lost, possibly during World War II. Rieppel (1997) thus considered the species to be a

neg: Matthew 6:3 Matthew 6:3 Matthew 6:3 is the third verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. This verse continues the discussion of how one should give to charity. In the King James Version of the Bible the text reads: <poem> But when thou doest alms, let not thy left hand know what thy right hand doeth: </poem> The World English Bible translates the passage as: <poem> But when you do merciful deeds, don’t let your left hand know what your right hand does, </poem> For a

neg: Descriptive poetry the other does the old generation. If, however, "Coopers Hill" is examined carefully, it is perceived that its aim is after all rather philosophical than topographical. The Thames is described indeed, but not very minutely and the poet is mainly absorbed in moral reflections. Marvell's long poem on the beauties of Nunappleton, Upon Appleton House, comes nearer to the type. But it is hardly until the 18th century that in English literature appears what is properly known as descriptive poetry. This was the age in which poets, often of no mean capacity, began to take such definite themes as a

neg: Metaphors of a Magnifico in his scornful treatment of William Carlos Williams in "Nuances of a Theme by Williams", is what commentators have in mind when they speak of his sensualism. Magnifico may be one of those men crossing the bridge, shifting from viewing himself and the world from various external perspectives to the first-person viewpoint ("Of what was it I was thinking"?). What explicitly will not declare itself is subjective experience, and yet it declares itself through the action of the poem. The meanings that enable objective description of the world do not declare themselves, and yet the poem ends with them in

neg: Cationic polymerization essentially eliminated, thus the cationic chain growth continues until all monomer is consumed. The largest commercial application of cationic polymerization is in the production of polyisobutylene (PIB) products which include polybutene and butyl rubber. These polymers have a variety of applications from adhesives and sealants to protective gloves and pharmaceutical stoppers. The reaction conditions for the synthesis of each type of isobutylene product vary depending on the desired molecular weight and what type(s) of monomer(s) is used. The conditions most commonly used to form low molecular weight (5–10 x 10 Da) polyisobutylene are initiation with AlCl, BF, or TiCl at

neg: Saltriovenator Saltriovenator Saltriovenator (meaning "Saltrio hunter") is a genus of ceratosaurian dinosaur that lived during the Sinemurian stage of the Early Jurassic in what is now Italy. The type and only species is S. zanellai; in the past, the species was under the informal name "Saltriosaurus". Although a full skeleton has not yet been discovered, "Saltriovenator" is thought to have been a large, bipedal carnivore similar to "Ceratosaurus". In 1996, the first remains of "Saltriovenator" were discovered, found by Angelo Zanella in a quarry in Saltrio, northern Italy. The individual likely died on the shores of an ancient beach before being

neg: Refraction – Breakin' Glass Residence", is combined with Lake's recitacion of his poem "Breakin' Glass". Cyrille's composition "High Priest" is a homage to the saxophonist David S. Ware, who died in 2012. The "Down Beat" review by Alain Drouot states "At this stage of their collaboration, Lake, Workman and Cyrille can operate in telepathic ways, and Moran does a fine job at finding his place, without being a distraction." The All About Jazz review John Sharpe notes "Part of the joy of Trio 3 lies in the way even the relatively straightforward numbers feel on the edge of falling apart in a welter of

neg: Victorian Railways open wagons E type wagons had their sides, doors and ends removed for conversion to S type flat wagons. The vehicles retained their numbers except wagon E1, which became S203 because the original S1 was still in service. Of those converted, following World War II 20 wagons were further converted to tank wagons. Another 14 were restored to open wagon format before later being converted to tank wagons, while 38 were converted directly from open to tank with no intermediate flat wagon stage. In the late 1950's the riveted bodies of the E wagons were wearing out, so welded components similar to

neg: Kubla Khan Coleridge chose to write a preface ... ' What the preface describes, of course, is not the actual process by which the poem came into being, but an analogue of poetic creation as "logos", a divine 'decree' or fiat which transforms the Word into the world." During the 1990s, critics continued to praise the poem with many critics placing emphasis on what the Preface adds to the poem. David Perkins, in 1990, argued that "Coleridge's introductory note to "Kubla Khan" weaves together two myths with potent imaginative appeal. The myth of the lost poem tells how an inspired work was

neg: SM U-39 SM U-39 SM "U-39" was a German Type U 31 U-boat which operated in the Mediterranean Sea during World War I. It ended up being the second most successful U-boat participating in the war, sinking 157 ships for a total of 404,478 tons. Its longest-serving captain was "Kptlt." Walther Forstmann, who was awarded the Pour le Mérite during command on "U-39". From January to mid-1917, Martin Niemöller served as "U-39"s coxswain. He is known as the author of the poem "First they came" which is inscribed at the New England Holocaust Museum. As an enemy of the Reich, he was

neg: Saltriovenator the clades by roughly 20-30 million years. Benson considered it a member of Coelophysoidea in his review of "Magnosaurus". The presence of a wishbone may support its placement as a tetanuran, although wishbones have been reported from coelophysoids. The 2018 description paper ran a large phylogenetic analysis, and found it to be a basal ceratosaur, closely related to "Berberosaurus". Saltriovenator Saltriovenator (meaning "Saltrio hunter") is a genus of ceratosaurian dinosaur that lived during the Sinemurian stage of the Early Jurassic in what is now Italy. The type and only species is S. zanellai; in the past, the species was under

neg: Lawrence Ferlinghetti American folk-rock band formed by Rex Fowler and Neal Shulman at a chance meeting on open stage at a Boston coffee house, the Stone Phoenix, in 1971. The band was named after a line from the poem "A Coney Island of the Mind" by Ferlinghetti. Bristol Sound band "Unforscene" used Ferlinghetti's poem "Pictures of the Gone World 11" (or "The World is a Beautiful Place ...") in the song "The World Is" on its 2002 album "New World Disorder". In 2011 Ferlinghetti contributed two of his poems to the celebration of the 150th Anniversary of Italian unification: "Song of the

neg: Entertainment preparing the stage for a performance is known as stagecraft (10). The audience's experience of the entertainment is affected by their expectations, the stagecraft, the type of stage, and the type and standard of seating provided. Films are a major form of entertainment, although not all films have entertainment as their primary purpose: documentary film, for example, aims to create a record or inform, although the two purposes often work together. The medium was a global business from the beginning: "The Lumière brothers were the first to send cameramen throughout the world, instructing them to film everything which could be

neg: William Ernest Henley 1884 and later in London. Herbert Beerbohm Tree produced "Beau Austin" at the Haymarket on 3 November 1890. George Butterworth set four of Henley's poems to music in his 1912 song cycle "Love Blows As the Wind Blows." Henley's poem, "Pro Rege Nostro", became popular during the First World War as a piece of patriotic verse, containing the following refrain <poem> What have I done for you, England, my England? What is there I would not do, England my own? </poem> The same poem and its sentiments have since been parodied by those unhappy with the jingoism they feel it

neg: Howl and Other Poems all of humanity was interconnected. (See also the line in "Footnote to Howl": "The world is holy!"). The structure of this poem relates to "Howl" both in its use of the long line and its repetition of the "eyeball kick" (paratactical juxtapositions) at the end. Ginsberg says in relating his thought process after the experiments of "Howl," "What about a poem with rhythmic buildup power equal to "Howl" without use of repetitive base to sustain it? "The Sunflower Sutra" ... did that, it surprised me, one long who." "Transcription of Organ Music" is an account of a quiet moment in

neg: Treason (band) Lizzy; but in all honesty I don’t think he really knew what to do with us. I think he wanted to turn us into a Def Leppard type straight rock act which is wasn’t what we were at all. Consequently the album ended up sounding a desperately weak and confused mess, with weedy guitars and horrible 80’s drum sounds. Add that to the fact is that I still didn’t have much of a clue about singing and all in all it soon became unlistenable to me’ Opinions on the albums merits were superfluous anyway in the end as shortly after

neg: Historicization attempt and failure All these you will go on to portray as historical incidents. (Even what is happening here, at this moment, with us, is something you Can regard as a picture in this way).</poem> For the actor, "historicisation" constitutes a fundamental interpretative attitude (what Brecht calls a "grund-gestus"). Historicization The principle of historicisation is a fundamental part of the aesthetic developed by the German modernist theatre practitioner Bertolt Brecht. In his poem "Speech to Danish working-class actors on the art of observation", Brecht offers a vivid portrait of the attitude he suggested an actor should cultivate: <poem>Imagine all that

neg: The King's Pilgrimage The text of the poem includes references to Nieuport (a coastal port down-river from Ypres), and "four Red Rivers", said to be the River Somme, the River Marne, the River Oise and the River Yser, which all flow through the World War I battlefields. The poem also talks about "a carven stone" and "a stark Sword brooding on the bosom of the Cross", referring to the Stone of Remembrance and the Cross of Sacrifice, architectural motifs being used by the Commission in the cemeteries. Kipling's poem describing the King's journey has been compared to "The Waste Land" by T. S.

neg: Ambrose Philips find Edmund Curll's authors, Philips is a Pindaric writer in red stockings. Others who ridiculed him included Henry Carey, who coined the nickname Namby-Pamby in the 1725 poem of that name: <poem style="margin-left:5px;"> All ye poets of the age, All ye witlings of the stage … Namby-Pamby is your guide, Albion's joy, Hibernia's pride. Namby-Pamby, pilly-piss, Rhimy-pim'd on Missy Miss Tartaretta Tartaree From the navel to the knee; That her father's gracy grace Might give him a placy place. </poem> Pope's poem "The Dunciad" (1728) follows: "Beneath his reign, shall ... Namby Pamby be prefer'd for Wit!" Gay and Swift

neg: George Chapman "Fifth Satire" of Juvenal (1624). Chapman's poetry, though not widely influential on the subsequent development of English poetry, did have a noteworthy effect on the work of T. S. Eliot. In Percy Bysshe Shelley's poem "The Revolt of Islam", Shelley quotes a verse of Chapman's as homage within his dedication "to Mary__ __", presumably his wife Mary Shelley: <poem> There is no danger to a man, that knows What life and death is: there's not any law Exceeds his knowledge; neither is it lawful That he should stoop to any other law. </poem> The Irish playwright Oscar Wilde quoted the

neg: Philomela "fiery heart," depicted the bird "as an instance of natural poetic creation," and as the "voice of nature." Other notable mentions include: The Philomela myth is perpetuated largely through its appearance as a powerful device in poetry. In the 20th century, American-British poet T. S. Eliot (1888–1965) directly referenced the myth in his most famous poem, "The Waste Land" (1922), where he describes, <poem> The change of Philomel, by the barbarous king So rudely forced; yet there the nightingale Filled all the desert with inviolable voice And still she cried, and still the world pursues, "Jug Jug" to dirty ears.

neg: Riddle two horns, two back legs, and one tail. This is a French version of the type This type is best known in Central Europe. An English version is: <poem style="margin-left:2em"> White bird featherless Flew from Paradise, Perched upon the castle wall; Up came Lord John landless, Took it up handless, And rode away horseless to the King's white hall.</poem> Here, a snowflake falls from the sky, and is blown off by the wind. The riddle was at times a prominent literary form in the ancient and medieval world, and so riddles are extensively, if patchily, attested in our written records

neg: E-boat on the following day, "S-42", "S-52" and "S-131" were destroyed in Constanța by a soviet air attack. What remained of the S-flotilla was disbanded after Romania switched sides on the same day. The poor seaworthiness of the Italian-designed MAS boats of World War I and early World War II led its navy to build its own version of E-boats, the CRDA 60 t type, classed MS ("Motosilurante"). The prototype was designed on the pattern of six German-built E-boats captured from the Yugoslav Navy in 1941. Two of them sank the British light cruiser in August 1942, the largest victory by

neg: Tiriel (poem) at several levels." Making much the same point, W.H. Stevenson argues that "the theme is not clearly related to any political, philosophical, religious or moral doctrine." Northrop Frye reads the poem symbolically, seeing it primarily as "a tragedy of reason," and arguing that "Tiriel is the puritanical iconoclasm and brutalised morality that marks the beginning of cultural decadence of which the lassitude of Deism is the next stage, and Ijim is introduced to show the mental affinity between Deism and savagery." A different reading is given by S. Foster Damon, who argues that it is "an analysis of the decay

neg: Avadhanam like asking the avadhāni not to use a given set of the alphabet in the entire poem or to construct only a particular type of poem etc. The avadhāni is not allowed to recite the entire poem at once. After listening to the Pṛucchaka's question, the avadhāni constructs the first line of the poem, recites it and moves to the next Pṛcchaka. After listening to all the Pṛucchakas, and reciting one line of poem each, the avadhāni shall return to the Pradhana prucchakas (in a round-robin fashion) and continues with the second line of the poem. The beauty and challenge

neg: Ieuan Deulwyn This poem is also described as a “poem to his love who had alienated him after marrying a wealthy churl.” The expectation that a married woman would remain faithful to her former lover might reveal something about the society in which he lived or perhaps the character of the poet. After all, his teacher was Dafydd ap Gwilym. Deulwyn’s poems have the usual romantic references, but his melancholy laments are even better: <poem style="margin-left:2em"> What of love? What does it matter? Taste is the craving of men. Sweet is thy kiss If the bruise of a strawberry is sweet. </poem>

neg: Futalognkosaurus Futalognkosaurus Futalognkosaurus ( ; meaning "giant chief lizard") is a genus of titanosaurian dinosaur. The herbivorous "Futalognkosaurus" lived approximately 87 million years ago in the Portezuelo Formation, in what is now Argentina, of the Coniacian stage of the late Cretaceous Period. The fish and fossilized leaf debris on the site, together with other dinosaur remains, suggest a warm tropical climate in Patagonia during this period. The holotype of the type species, "Futalognkosaurus dukei", was originally estimated at in length. In 2008 this was down-sized to . Holtz estimated it at . An estimate by Gregory S. Paul was that "Futalognkosaurus"

neg: Peugeot Type 2 rudimentary suspension system pointed the way ahead regarding what would become another mainstream feature of the motor car. The main Peugeot business was, at this time, expanding rapidly its bicycle production, and the Type 2’s light weight may have incorporated lessons learned from cycle production. Four Type 2s were produced. Three were quadricycles while the fourth was a tricycle. They all had space for two on the bench above the engine. Peugeot Type 2 The Peugeot Type 2 is the first petrol/gasoline-powered motor vehicle produced between 1890 and 1891 by the French auto-maker Peugeot at their Valentigney plant. The car

neg: What Do I Say? one irreplaceable voice: God the great, we are all Arabs</poem> Translated from Arabic: <poem>سيسقط الغيث في أرضي و قد ظمئت و ينجلي عن رباها الليل و السحب يبقى مدى الدهر صوت لا بديل له الله أكبر إنا كلنا عرب</poem> What Do I Say? "What do I say" (Arabic: ماذا أقول) is a famous poem written by the Syrian poet Hasan Alkhayer (Arabic حسن الخيّر) in 1979. He had criticized both the austere regime and the militant terrorists who together had crippled life in Syria in the late 1970s and early 1980s. He was later kidnapped and killed, in 1980. The

neg: Win Percy drove in many series around the world. He contested the 1993 British Touring Car Championship season in a Nissan Primera. While acting as team manager in the Mazda entry for the 1994 BTCC, and chief tester and latterly team manager for Harrier between 1995 and 1997, as a driver he took the Jaguar XJ220's first race win. In the late 1990s he became active on the historic motorsport stage, often driving his Jaguar D-type "XKD 505" in historic sports car races. In 2002, driving "XKD 505", he won all four races at the Le Mans Classic meeting. In the summer

neg: Quatrain quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are: AAAA, ABAB, and ABBA. <poem style="margin-left:3em"> The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me. </poem> <poem style="margin-left:3em"> Come, fill the Cup, and in the fire of Spring Your Winter garment of Repentance fling: To flutter—and the Bird is on the Wing. </poem> Quatrain A quatrain is a type of stanza, or a

neg: Restoration literature satire by Juvenal, but with an immense amount of explicit invective against women. The misogyny in this poem is some of the harshest and most visceral in English poetry: the poem sold out all editions. Gould also wrote a "Satyr on the Play House" (reprinted in Montagu Sommers's "The London Stage") with detailed descriptions of the actions and actors involved in the Restoration stage. He followed the success of "Love Given O'er" with a series of misogynistic poems, all of which have specific, graphic, and witty denunciations of female behaviour. His poetry has "virgin" brides who, upon their wedding nights,

neg: S-type star S-type stars are intermediate between carbon stars and normal giants. They can be grouped into two classes: "intrinsic" S stars, which owe their spectra to convection of fusion products and s-process elements to the surface; and "extrinsic" S stars, which are formed through mass transfer in a binary system. The intrinsic S-type stars are on the most luminous portion of the asymptotic giant branch, a stage of their lives lasting less than a million years. Many are long period variable stars. The extrinsic S stars are less luminous and longer-lived, often smaller-amplitude semiregular or irregular variables. S stars are relatively